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Audiences Black Country Project
Regional Audience and Visitor Profile
Summary Report
Report compiled by:
Max Toynbee and Penny Mills, Audiences London
April 2012
A project developed by Audiences Central, supported by Audiences London
© Audiences London 2012 2
Contents
Audiences Black Country Project ......................................................................................................................... 1
Regional Audience and Visitor Profile .................................................................................................................. 1
Wolverhampton and the Black Country ............................................................. Error! Bookmark not defined.
Summary Report .................................................................................................................................................. 1
Contents ............................................................................................................................................................... 2
Introduction .......................................................................................................................................................... 4
Region Definition ............................................................................................................................................. 4
Objectives of the Regional Profile .................................................................................................................... 4
Regional overview ................................................................................................................................................ 6
Mapping ........................................................................................................................................................... 6
Catchment Area ............................................................................................................................................... 6
Map 1: Catchment Area Map ........................................................................................................................... 7
Penetration ...................................................................................................................................................... 8
Map 2: Penetration map with local authority boundaries .................................................................................. 9
Mapping summary ..........................................................................................................................................10
Demographic profiling .....................................................................................................................................10
Acorn Profile ...................................................................................................................................................10
Chart 1: Regional population and ABC benchmark Acorn Groups..................................................................11
Chart 2: Regional population and ABC benchmark Top Acorn Types ............................................................12
Mosaic Profile .................................................................................................................................................12
Chart 3: Regional population Mosaic Groups .................................................................................................13
Chart 4: Regional population Mosaic Types ...................................................................................................13
Demographic summary ...................................................................................................................................13
Engagement and Penetration ..............................................................................................................................15
Population engagement - methodology ..........................................................................................................15
Map 3: Population engagement mapping by number of household ................................................................16
Propensity mapping ........................................................................................................................................17
Engagement mapping summary .....................................................................................................................17
Map 4: Propensity Map ...................................................................................................................................18
Potential and penetration categories and mapping .........................................................................................19
Map 5: Engagement mapping Wolverhampton and Black Country .................................................................20
Regional focus on engagement and penetration ............................................................................................21
© Audiences London 2012 3
Higher engagement, lower penetration (orange) ............................................................................................21
Higher engagement and potential, higher penetration (pink) ..........................................................................22
Lower engagement, some penetration (blue) .................................................................................................22
Low engagement, very little penetration (green) .............................................................................................23
Conclusions and Outcomes ................................................................................................................................24
Appendix .............................................................................................................................................................26
Caveats...........................................................................................................................................................26
Mosaic and Acorn profiling ..............................................................................................................................26
© Audiences London 2012 4
Introduction
The regional profile is designed to be used in the context of individual organisations’ own data profiling, to
- support identification of hot spots of cultural engagement which could be further penetrated through
ongoing CRM activity,
- areas of un-tapped or little tapped potential where the population is potentially culturally engaged and
- areas with a high degree of non-culturally engaged population.
Participating organisations are:
- Arena Theatre, Wolverhampton
- Black Country Living Museum, Dudley
- Light House, Wolverhampton
- New Art Gallery Walsall
- Newhampton Arts Centre, Wolverhampton
- The Public, West Bromwich
- Wolverhampton Arts and Heritage Service including: Wolverhampton Art Gallery, Bilston Craft Gallery
and Bantock House Museum
- Wolverhampton Grand Theatre
- Wolverhampton Civic
The project therefore effectively used the data from 11 different organisations.
As part of the Audiences Black Country project, participating organisations were also provided with one to one
support to help understand and engage with their own reporting and CRM questions. Alongside these a range
of seminars were delivered to develop knowledge and skills on using data analysis and profiling, audience
monitoring, customer relationship management (CRM), using social media, social media analytics and friends
and membership. Finally, a resource was developed to support organisations calculating return on investment.
Region Definition
The region referred to in this report is effectively a combination of the catchment areas of the participating
organisations and covers the local authorities – Wolverhampton, Sandwell, Dudley and Walsall and also
extends to include parts of Staffordshire, Birmingham and Shropshire.
Objectives of the Regional Profile
This regional profile report demonstrates that:
- The organisations as a group serve a cross-section of the local population
- Each organisation draws visitors/audiences from across local authority boundaries
It then goes further to:
- Describe what the audiences and visitors are like
- Understand their differing levels of engagement
© Audiences London 2012 5
- Identify where there is potential for audience development and/or CRM activity by describing:
1. Areas of potential – engaged people, some of whom attend
2. Hotspots – geographic areas of engaged people who attend
3. Cooler spots – less engaged people, some of whom attend
4. Non-engaged areas
© Audiences London 2012 6
Regional overview
Mapping
Catchment Area
The catchment area map below was created by putting together all of the individual catchment areas for each
organisation. So if you imagine that we laid each catchment area on top of one another and then drew around
the outline of the resulting shape, this gives us the overall catchment area. The catchment areas for the
participating organisations were made up of 75% of the households which made up the datasets provided.
The catchment area spreads out towards the north as far as Stoke-on-Trent and to the west around
Shrewsbury. Whilst geographically close to the Black Country, significant parts of Birmingham do not feature in
the combined catchment area and fewer of the urban areas to the east such as Coventry and Nuneaton are
included.
© Audiences London 2012 7
Map 1: Catchment Area Map
© Audiences London 2012 8
Penetration
The levels of penetration illustrated in the following map 2, were calculated by taking an average of all the
individual organisations’ penetration maps. Each organisation contributed equally to the overall penetration
map, regardless of audience size. This was done so that organisations which provided larger datasets did not
drown out smaller data sets from other organisations.
You can see that the penetration map follows a similar pattern to the catchment map as it extends westwards
towards the SY postal sectors of Shrewsbury and north up to the ST postal sectors of Stafford and Stoke-on-
Trent. However, the penetration map also reveals particularly high levels of penetration in the areas immediately
to the west and north of urban Wolverhampton. These postal sectors such as WV6 7 and WV7 3 represent the
wealthier suburbs.
When local authority boundaries are overlaid onto the penetration as in map 2, you can see that there are
significant areas with high penetration which fall outside of the local authorities of Wolverhampton, Walsall,
Sandwell and Dudley. For example there is a large area of the second highest level of penetration which
stretches into the local authorities of South Staffordshire and Bridgnorth.
© Audiences London 2012 9
Map 2: Penetration
map with local
authority
boundaries
© Audiences London 2012 10
Mapping summary
- All participant venues are drawing audiences and visitors from across the region, and from across local
authority borders.
- While the concentration of visitors is from Wolverhampton and its suburbs, there are key hot spots in
the surrounding towns and villages.
- The catchment area represents a clear offer to the residents, who are using their local facilities ie. the
venues are not relying on audiences or visitors from Birmingham for instance.
- This indicates that the organisations are not in competition with Birmingham venues as there is lower
audience penetration and fewer visitors in the Birmingham area. This suggests that performances could
play in Birmingham as well as in the surrounding towns and cities which attract their own discrete
audiences.
Demographic profiling
For this project, we have used two demographic profiling tools – Mosaic and Acorn.
Acorn Profile
As with the combined penetration map, the overall profile of Acorn Groups and Types was calculated by taking
an average of all of the individual organisations’ profiles. So we took each of the eleven organisations’ Acorn
profiles and added the percentages together for each Group/Type. We then divided this total by the number of
organisations (eleven) to give an average for each Group/Type and this gave us the overall profile which we’ve
called the overall ABC benchmark.
The profile of Acorn Groups for this benchmark broadly follows the profile of the background population in the
overall catchment area. This is shown by the similarity in the yellow and blue bars in chart 1 below. There are
some exceptions to this where particular Groups are over-represented in relation to the population. Such
Groups are 3.H Secure Families, 1.A Wealthy Executives, 1.C Flourishing Families and 1.B Affluent Greys. The
profile for Acorn Types contrasts more sharply with the background population with particular Types being more
over-represented in the ABC benchmark. For example, 1.C.9 Older Families, Prosperous Suburbs makes up
2.8% of the ABC benchmark but just 0.1% of the background population in the catchment.
© Audiences London 2012 11
Chart 1: Regional population and ABC benchmark Acorn Groups
0%
5%
10%
15%
20%
25%
Population in catchment
Overall ABC benchmark
Regional Population and Attenders Acorn Groups
© Audiences London 2012 12
Chart 2: Regional population and ABC benchmark Top Acorn Types
Mosaic Profile
While we did not profile all organisations’ data using Mosaic, we can identify the key Groups and Types which make up the local population. The following two charts show the profile of the background population in the catchment area by Mosaic Groups and Types. The Groups and Types broadly follow the comparable Acorn classifications.
Mosaic Groups
The Groups with the highest propensity to engage with cultural activities for the region are Professional
Rewards and Suburban Mindsets, Alpha Territory and Liberal Opinions also have a high propensity, however
there are few of these household types in the region. In terms of the ABC region specifically, the Groups which
have moderate engagement and which make up high proportions of the population are Small Town Diversity,
Ex-Council Community, Industrial Heritage and some Terraced Melting Pot. These latter Groups therefore make
up a large proportion of attenders and visitors within the region, as organisations are adept at engaging them.
However, in terms of actual engagement there are other Groups which make up the region’s audiences and
visitors, as there are high proportions within the population, such as Ex-Council Community, and therefore local
organisations are adept at engaging these Groups.
0%
1%
2%
3%
4%
5%
6%
7%
8%
Population in catchment
Overall ABC benchmark
Regional population and attenders
© Audiences London 2012 13
Chart 3: Regional population Mosaic Groups
Chart 4: Regional population Mosaic Types
Demographic summary
- All venues across the region are collectively and individually attracting a cross-section of demographic
types to their organisations
- Moderate and low engagers make up the majority of the population, but have engaged due to the
nature of local organisations’ offer and the successful efforts of those organisations to attract them.
These people make up the majority of attenders.
- Demographics indicate an audience/visitor base with a relatively conservative outlook, and some with
specialist interests.
0% 2% 4% 6% 8%
10% 12% 14%
Regional Population Households Mosaic Groups
0% 1% 2% 3% 4% 5% 6% 7% 8%
Regional Population Household Mosaic Types
© Audiences London 2012 14
- The population and make-up of audiences and visitors is family oriented with higher engagement by
those with younger children ie primary school age, with some families with older children represented.
- Many of the demographic types are community oriented and socially motivated.
- Although a smaller proportion of the population, urban, younger professionals and students do find an
offer to attract them.
© Audiences London 2012 15
Engagement and Penetration
Population engagement - methodology
We created two different maps (3 and 4) looking at levels of arts engagement in the region broken down by
postal sectors. One map looked at the number of people in each postal sector whose population were likely to
be highly engaged with culture and the other looked at the likelihood of any individual person in a postal sector
to be highly engaged with culture. We based the analysis and ranking system on the postal sectors which make
up the overall catchment area (map 1) but we then applied this ranking system to all of the postal sectors in
England. This means that the breaks between the different ranks of engagement are calibrated to, or most
relevant for the ABC region. Three different measures of engagement fed into these maps:
- Data from the Target Group Index (TGI) survey (which is used for the Area Profile Reports)
- Data from Arts Council England’s Arts Audiences: Insight segmentation
- The Acorn profile of the overall ABC benchmark (Charts 1 and 2).
© Audiences London 2012 16
Map 3: Population
engagement mapping by
number of household
© Audiences London 2012 17
Propensity mapping
We used the same methodology to create a map which showed the propensity of people in each postal sector
to engage. To do this we used the percentages of the population rather than the numbers of households. For
example, for TGI we used the percentage of people in each postal sector who said they had attended any kind
of arts performance or art galleries/exhibitions in the last year.
Engagement mapping summary
The numbers map above shows that there are high numbers of engaged people in the north and west of
Wolverhampton as well as south west Dudley. Further afield there are particular areas with high numbers of
engaged people in Stafford, Telford, Shrewsbury and Kidderminster. Other green areas to the east of the ABC
area in Birmingham, Sutton Coldfield and Solihull, don’t feature in the overall catchment area and have low
levels of penetration. For people in these areas the cultural offerings of Birmingham may be more attractive and
accessible than Wolverhampton.
The propensity map following shows us that people who live in more rural areas are more likely to engage in the
arts than those in urban, particularly inner city areas. However, it is important to cross reference this with the
numbers map as there are still areas with a high population which, whilst having a lower propensity to engage
with cultural activities (i.e. red on the propensity map) still have high numbers of engaged people (i.e. green on
the numbers map) due to their high population levels and proximity to venues.
These maps enable organisations to cross-check their own levels of penetration with the potential in the
population, and identify areas to attract potential audiences or further engage existing audience or visitor types
through targeted communications and/or CRM activity.
© Audiences London 2012 18
Map 4:
Propensity Map
© Audiences London 2012 19
Potential and penetration categories and mapping
Finally, we took the engagement mapping data and the overall penetration data and used them to classify the
postal sectors in the catchment area into four different categories as follows, illustrated in maps 6 and 7:
1. Higher potential to engage with culture in the population but lower penetration by participant
organisations (orange)
2. Higher potential to engage with culture in the population and good penetration by participant
organisations (pink)
3. Lower potential to engage with culture in the population and some penetration by participant
organisations (blue)
4. Lower potential to engage with culture in the population and very low penetration by participant
organisations (green)
We then mapped these categories using different colours for each category. Looking more closely at
Wolverhampton in map 5 following, we can see the suburban areas to the north and west of the city are in the
second category (pink areas). These are areas of higher potential and higher penetration. They are areas from
which participant organisations already draw audiences and visitors, important for CRM activity and attracting
as yet non-attenders who have a higher potential to engage.
In the more central/inner-city areas of the city and to the east towards Walsall there are blue areas representing
the third category. These are areas which have a lower potential in the population but which nevertheless have
some penetration. This is likely to be because of the proximity of these areas to the majority of venues involved
in the ABC project. Whilst these areas would appear to have low potential, their good level of penetration
reinforces the importance of venue’s local communities as audiences and visitors.
There are large green areas in Walsall, Dudley, Sandwell and Birmingham which represent areas with low
levels of potential and very low penetration. Attracting these less engaged populations is a resource intensive
process invariably involving a community engagement approach. The darker, shadow areas in map 5 represent built-up or urban areas.
© Audiences London 2012 20
Map 5: Engagement
mapping
Wolverhampton and
Black Country
© Audiences London 2012 21
Regional focus on engagement and penetration
Higher engagement, lower penetration (orange)
Description:
- Mostly in outlying more rural areas around the region towards Shrewsbury, Telford, Stafford, Bridgnorth
and beyond the conurbation to the east, including Warwick and Coventry.
- Moderate, affluent and some lower income households of retirees, empty nesters, families with older
children and some younger professionals.
- Moderate to high engagement with cultural activities, some specialist interest, from AAI highly and
somewhat engaged segments.
- While the density of population in these areas is less, there are small towns and villages that have
population of higher engagement.
- Given ease of transport routes into the Black Country area (particularly for areas to the east and north),
specific targeted campaigns may engage these areas further.
Main Acorn Types
Established Home Owning Workers, Middle Income, Older Couples, Mature Families in Suburban Semis, Well-
Off Managers, Detached Houses Wealthy Working Families with Mortgages.
Main Mosaic Types
Innate Conservatives, Production Managers, Mid-Market Families, Legacy of Labour, Clocking Off Small Wage
Owners.
Ideas for CRM and/or engagement:
This group is familiar with cultural experiences and will have expectations and a certain level of knowledge,
however they may be new or unfamiliar with some organisations and therefore need information, reassurances
about the facilities and guarantees on the experience to justify the investment and trip out. Motivations will
range from a specialist interest, a family day out, social trips or treats and an educational trip for themselves or
their kids. Suggestions are therefore:
- Geographically targeted campaigns using local media – radio and print
- Follow-up with online media with added content ie. inside pictures of the venue with audiences/visitors
engaging, video and photos of the shows/exhibitions ie. ‘try before you buy’
- Special offers and discounts to incentivise, including partnerships with transport providers
- Edit the offer to highlight particular aspects of programming with recognisable/familiar hooks and tailor
to engage different ages of children for families
- Emphasise making a day of it ie. shopping, gallery/museum visit, dinner and a show/film/music
- Include information about local facilities ie. parking, transport, restaurants/bars
- Excellent customer service to ensure the experience is one that they’ll want to repeat
- Group travel organisers offer potential
- Consider partnerships with local groups ie. Rotary Club, Women’s Institute, Reading Groups, and other
social groups.
- Ensure data capture to support an ongoing relationship
© Audiences London 2012 22
Higher engagement and potential, higher penetration (pink)
Description:
- Concentrated geographically to the west, north and north west of Wolverhampton, with pockets around
Dudley, Sandwell and Walsall in urban, suburban and some rural areas.
- Affluent and low income, but mostly moderate income households, older retirees, empty nesters and
families with older children, and some younger professionals.
- Moderate to high engagement with cultural activities, ie. likely to have a general interest as well as
some with a more specialist interest from the AAI highly engaged and somewhat engaged groups.
Main Acorn Types
Established Home Owning Workers, Middle Income, Older Couples, Mature Families in Suburban Semis, Well-
Off Managers, Detached Houses Low Income, Larger Families, Semis Low Income, Older People, Smaller
Semis, Working Families with Mortgages.
Main Mosaic Types
Yesterday's Captains, Innate Conservatives, Production Managers, Mid-Market Families, Legacy of Labour,
Low Spending Elders, Clocking Off Small Wage Owners.
Ideas for CRM and/or engagement
This group is highly engaged and most likely familiar with the local offer, and will therefore be seeking extras,
added value and specific calls to action to keep them engaged. They will be motivated, as with group 1, by a
specialist interest, a family day out, social trips or treats and educational activities for themselves or kids, but
also by a sense of needing to use and engage with the local cultural offer or they may even have more of a
habit to go to local venues on a regular basis. Suggestions are therefore:
- Direct marketing postal and/or online
- Social media with extra content – video/photo, and options for interaction/comment
- Regular updates with calls to action and recommendations
- Excellent customer service will ensure that they act as ambassadors
- Exclusive offers including added value ie. food/drink, tours, behind the scenes,
programmes/catalogues (possibly pre-pay with ticket), pre-ordered interval drinks
- Engage with activity of the organisation, behind the scenes, notes from the curator/director
- Respond to extras ie. talks, interviews, depth information either live or online
- Potential membership/friends if suitably cultivated
Lower engagement, some penetration (blue)
Description:
- Mostly, urban areas to the east, south and south east of Wolverhampton, central Walsall and Dudley
- Lower engagement with culture, but where the offer is right, ie. for families, children’s activities or as a
social night out with recognisable names or at a local attraction they will engage.
- Mostly moderate and lower income households, retirees, empty nesters, families with a range of older
and younger children.
- Likely to rely on public transport more.
© Audiences London 2012 23
Main Acorn Types
Established Home Owning Workers, Low Income Larger Families, Semis, Low Income, Older People, Smaller
Semis, Low Income Families, Terraced Estates, Families and Single Parents, Semis, and Terraces Low Income
Asian Families.
Main Mosaic Types
Settled Ex-Tenants, Legacy of Labour, Worn-Out Workers, New Parents in Need, Clocking Off, Asian Identities
Low-Key Starters.
Ideas for CRM and/or engagement
This group will be harder to engage, and may engage more regularly as participants than audiences or visitors.
They will be less familiar with more formal cultural venues, and may need advice and guidance on what’s on
offer and how to engage. However, they are potentially very social and community minded, and mostly family
oriented (as parents or grandparents), so like to feel that there is something on offer to entertain them or for
their children to engage with. For the ABC region they are therefore more engaged culturally than the profile
might suggest, as this group makes up a high proportion of the population. They will be motivated by getting
together with friends or as a family, or simply occupying the children, although some may have particular
interests in cultural activities, certain performers or local artists. Likely to be once a year pantomime attenders,
popular music attenders or users of cafes during the day time. Suggestions are therefore:
- Targeting the right kind of offer – activities for children, family day out, workshop or
performances/exhibitions with familiar names, local performers/artists.
- Good information on facilities ie. food/drink, can you bring sandwiches, what to do when they get there
- Stress on the kind of experience they’ll have, with guarantees as to what they’ll see.
- Topline information will engage them ie. branded shows, names of famous artists, detailed facts about
the people involved or the history of the artists will not engage them.
- Emphasise value for money, discounted ticket prices, packages, offers.
Low engagement, very little penetration (green)
Description:
- Mostly in urban areas away from Wolverhampton and towards the South East and Birmingham.
- Low penetration as a result of distance from the Black Country venues, but also because of their socio-
demographic characteristics.
- Mostly lower incomes, low potential to engage with cultural activity, dominated by lower income families
with younger children or large families.
- Population such as this will fall into the AAI non-engaged segments and require particular community
engagement approaches to attract them with cultural activity, as well as some somewhat engaged
households.
- It may not benefit some organisations to focus on attracting such groups as engaging them can be
resource intensive and requires specialist skills.
© Audiences London 2012 24
Main Acorn Types
Established Home Owning Workers, Low Income Larger Families, Semis, Low Income, Older People, Smaller
Semis, Low Income Families, Terraced Estates, Families and Single Parents, Semis and Terraces, Low Income
Asian Families.
Main Mosaic Types
Legacy of Labour, Worn-Out Workers, New Parents in Need, Asian Identities, Low-Key Starters.
Ideas for CRM and/or engagement
This group will for whatever reason not have cultural engagement high on their list of priorities, although they
may well watch television and listen to music, they will not be in the habit of going out to engage in cultural
activities. They may however, if approached appropriately with the right offer greatly benefit from the right kind
of engagement using more community engagement techniques and partnerships with local community
organisations or services. Some kinds of activities may have instrumental impacts in terms or developing
confidence and skills and developing social engagement, or may be about escapism and widening horizons.
Suggestions are therefore:
- Partnerships with local community organisations or local authority services to engage
- Outreach ie. taking work to the communities, performing in community centres and schools, or offering
workshops to engage groups with cultural activities
- Engaging with community key workers, gate-keepers or leaders
- Promotion at a local level through shops, local media and radio
- Discounts, subsidised or free tickets
- Local ambassadors, local ticket shops
Conclusions and Outcomes
Informing CRM
This analysis and profiling, as well as reference to the wealth of information provided by Acorn and Mosaic on
the types, provides individual venues with a huge resource to inform their CRM planning as it supports them
with:
- Identifying geographic areas and demographic types which have
o potential for further engagement if existing relationships are built upon
o those which represent a potential for growth in reach and
o those which are less engaged within the region.
- Devising the appropriate marketing mix to engage these different groups.
- Developing effective messaging, tone and style which the different groups might respond to.
- Identifying the CRM needs of each group – in relation to communications or customer service.
As a result of this project, organisations will be able to do some or all of the following:
- Use the profiling to inform an ongoing process of developing a working segmentation of audiences and
visitors.
© Audiences London 2012 25
- Consider how to integrate a range of different types of communications messages within regular
marketing activity, on and offline, which might appeal to a range of different types of audience groups
and build relationships with them.
- Recognise that while individuals may not be loyal or regular attenders, there are population types which
have a high potential to engage and which organisations should target as a segment.
- Engage the organisation internally with the process of CRM, whether through greater interaction with
audiences and visitors generally, improved customer service, data collection (marketing and/or
research) or increasing understanding of the positioning and branding of the organisation which inform
key organisational communications messages.
Outcomes
- The project introduced different ways of approaching CRM and provided a launch-pad from which to
develop a CRM strategy by helping to understand where audiences and visitors are from and what
they’re like.
- The individual organisation’s profiling acts as a baseline against which progress can be tracked. The
regional profile represents potential, so organisations can assess the gap between their profiling and
the regional potential to inform priorities and targets. As some of the analysis was of mailing list data, it
may not be completely representative of attendance, so further data collection from attenders is
important as an ongoing process.
- The project has also provided a further opportunity for organisations to network and discuss their issues
and challenges, through its seminars and events.
- The opportunity to view audience profiling collectively has cemented some nascent collaborations –
particularly of the Wolverhampton organisations and provided organisations with the evidence and
information they might need to launch new partnerships.
- Strategically the regional profiling indicates that organisations draw audiences and visitors from across
the region and across local authority borders.
- The organisations collectively also engage a range of population types, which are reflective of the
make-up of the local population, some more and others less likely to engage with culture.
- The regional picture also indicates that the participating organisations do have a discrete catchment
area, which only touches on the population of Birmingham. Therefore it seems that touring work should
consider the Black Country as a separate region to Birmingham and therefore performances and shows
could go to both areas and thereby extend their reach.
Looking forward:
The next step is to develop an ongoing data-sharing programme for the participating organisations so that they
can monitor success against objectives and KPIs on an ongoing basis.
© Audiences London 2012 26
Appendix
Caveats
- The data used to generate the regional profile includes a combination of mailing list and box office data
- Therefore it includes both attenders and ‘intenders’
- So, there are potentially types of attender effectively not represented within the datasets, although in
Audiences London’s experience, the data used is a good proxy for the existing and potential
audience/visitor base.
- Given that the majority of data was drawn from Wolverhampton venues, audiences are concentrated in
and around Wolverhampton
- Although less data was available for Dudley and Sandwell statistical adjustments were made to even
things out
- The data is representative of a spread of types of organisation including performing arts venues,
cinemas, galleries and museums
Mosaic and Acorn profiling
- Mosaic and Acorn are similar in their approach. Both combine information from over 400 sources to
create a profile for the households across the nation.
- Audience members are assigned to a ‘Group’ which describes their socio-economic and socio-cultural
behaviour. There are 15 Groups in Mosaic and 17 in Acorn (Acorn also has 5 overall Categories into
which the Groups fit).
- Each Group is then broken down into a number of Types so each audience member has a further more
detailed categorisation. In total there are 67 types in Mosaic and 56 in Acorn.
- Mosaic and Acorn are used across a number of business sectors and we have found it to be an
effective tool when applied to the arts. This kind of profiling is particularly useful for:
o Understanding your audiences
o Identifying propensity to engage with culture
o Identifying hot-spots
o Understanding cold-spots
o Targeting to post-code level
o Selecting promotional/advertising media
o Selecting marketing messages
o Providing information on audiences to potential and existing funders and supporters
o Reporting to funders and supporters
For full details of the Acorn segmentation and descriptions of the Categories, Groups and Types download the
guide here: http://www.audienceslondon.org/3525/our-resources/acorn-user-guide.html and for Mosaic Group
and Type portraits download them from here: http://www.audienceslondon.org/1843/our-resources/mosaic-
profiling.html
For further details on the methodology and approach for this work please contact:
Penny Mills, Audiences London [email protected] 0207 407 4625