bach is the beginning and end of all music. max reger manifestacije/ozk... · katedrala marijina...

Festival ORGULJE ZAGREBAČKE KATEDRALE 2015.Festival ORGAN OF THE ZAGREB CATHEDRAL 2015

14/7 – 15/9

Katedrala Marijina Uznesenja, Kaptol 31Cathedral of the Assumption of the Blessed Virgin Mary, 31 Kaptol

Orgulje “Walcker” 1855. godinaOrgan “Walcker” from the year 1855

BACH je početak i završetak sve glazbe.BACH is the beginning and end of all music.

Max Reger

OZK knjizica 2016.indd 1 05/07/16 17:18

Odbor Festivala / Festival CommetteeAnđelko Klobučar, počasni predsjednikMsgr. Josip Kuhtić, rektor KatedraleEdmund Andler Borić, umjetnički voditelj Goran Končar, profesor Muzička akademija Zagreb Neven Kraljić, glavni katedralni orguljašMario Penzar, profesor Muzička akademija Zagreb Sanda Vojković, umjetnički savjetnik

Zahvaljujemo na podršci Zagrebačkoj nadbiskupiji i Upravi katedrale.

Uz potporu Ministarstva kulture RH, Gradskog ureda za kulturu Zagreb, Turističke zajednice Zagreba, Veleposlanstva Finske u Hrvatskoj, Talijanskog instituta za kulturu u Zagrebu, Austrijskog kulturnog foruma, Austrijske nacionalne manjine Grada Zagreba, Hrvatskog društva glazbenih umjetnika i podršku Zagrebačke nadbiskupije i Uprave katedrale. / With the support of the Ministry of Culture of the Republic of Croatia, the City of Zagreb department for culture, Zagreb Turist Office, Embassy of Finland in Croatia, Italian Culture Institut in Zagreb, Austrian Kulturforum Zagreb, Österreichische minderheit Zagreb and the support of the Zagreb Diocese and the management of the Cathedral.

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Austrijske nacionalne manjine Grada Zagreba


14. 7. / 20,00 Otvorenje festivala / Opening of the Festival ULRiKE ThEREsiA WEGELE,orgulje / organSuvremena austrijska orguljska glazba u ogledalu Johanna Sebastiana Bacha / Contemporary Austrian Organ Music In The Mirror of Johann Sebastian BachJohann sebastian Bach, Georg Aranyi-Aschner, Johann sebastian Bach, Franz Zebinger, Johann sebastian Bach, Gottfried von Einem, Johann sebastian Bach

21. 7. / 20,00BRAnKO MihAnOvić, oboa / oboeEDMUnD BORić-AnDLER, orgulje / organGeorg Friedrich händel, Max Reger, Marin Marais, Felix Mendelssohn, Jules Grison, Alessandro Marcello

28. 7. / 20,00nAThAn LAUBE, orgulje / organJohann sebastian Bach, Jean Jules Aimable Roger-Ducasse, herbert howells, Franz Liszt

11.8. / 20,00iGOR MUČić, trombon / tromboneKATARinA JAvORA, orgulje / organEnrique Crespo, Johann sebastian Bach, Georg Christoph Wagenseil, Petr Eben, Joaquín Rodrigo, Giovanni Gabrielli

PROGRAM18. 8. / 20,00MAnUEL TOMADin, orgulje / organsUOnO iTALiAnO – FRiULi in MUsiCAhinrich Zinck, Johann Ludwig Krebs, Felix Mendelssohn Bartholdy, Maurice Duruflé, Denis Bédard

25. 8. / 20,00TUOMAs PyRhönEn, orgulje / organJohann sebastian Bach, Robert schumann, Louis vierne, Tuomas Pyrhönen, Peteris vasks

8. 9. / 20,00nEvEn KRALJić, orgulje / organJohann sebastian Bach, Felix Mendelssohn, Louia J.A. Lefébure - Wély, Krsto Odak, noel Rawsthorne

15. 9. / 20,00GORAn KOnČAR, violina / violinPAvAO MAšić, orgulje / organAlexandre Boëly, Tomaso vitali – Leopold Charlier, Blagoje Bersa, Alfred hollins, Johann sebastian Bach – Felix Mendelssohn, Maurice Duruflé, Marcel Dupré

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O ORGULJAMA ZAGREBAČKE KATEDRALE

Zagrebačka katedrala smatra se najvećim i najvažnijim sakralnim objektom u Hrvatskoj. Gradnjom pripada monumentalnim gotičkim katedralama i o Zagrebu govori kao o snažnom srednjovjekovnom središtu. Osnivanje biskupije u Zagrebu 1093./1094. zasigurno je iniciralo gradnju stolne crkve. Mnogi arheološki nalazi svjedoče da je na ovom mjestu već postojala starija crkva. Katedrala kakvu mi poznajemo građena je u nekoliko etapa, uz prekide od 13. do početka 16.st. kada su dovršeni svodovi lađe. Ono što zasigurno znamo da je godine 1217. bila završena i posvećena. No, uskoro je teško stradala za provale Tatara 1242. god., da bi vrlo brzo biskup Timotej nastavio je temeljito obnavljati u gotičkom stilu. Južni masivni zvonik dobiva 1633.-1641. godine za vrijeme iznimno aktivnog biskupa Franje Hasanovića Ergeljskog. Graditelj iz tog razdoblja bio je Švicarac Ivan Albertal. On je sudjelovao ponovo i u obnovi katedrale nakon velikog požara 1645. godine. Tijekom 17. st., a poglavito u 18. st. unutrašnjost katedrale ispunjavana je baroknim inventarom, oltarima (osamnaest), propovjedaonicama, nadgrobnim pločama. Najteži udarac katedrala doživljava 1880. godine u velikom potresu. Nakon potresa u kom je i grad Zagreb teško nastradao provodi se temeljita obnova katedrale u neogotičkom slogu od 1880.-1906. god. Nacrte je priredio bečki graditelj F. Schmidt, a gradnju je vodio Hermann Bollé. Bollé je izvodio i radove na restauraciji te je djelomično izmijenio Schmidtove projekte. Upravo u ovoj restauraciji pod vodstvom Hermanna Bolléa katedrala dobiva svoj današnji prepoznatljivi izgled s dva vitka, visoka tornja, visokim krovištem, novim stupovima, novim oltarima, dok su oni barokni većinom uklonjeni. Uz mnoge hrvatske velikane koji ovdje dobivaju grobnicu najistaknutiji su Petar Zrinski i Fran Krsto Frankopan, te Ivan Antun Zrinski, Eugen Kvaternik i zasigurno najistaknutija osoba bl. Alojzije Stepinac po kom se često i katedrala zove Stepinčeva katedrala. Danas Zagrebu vizualni identitet daje upravo ova Bolléova katedrala. Ona zauzima središnje mjesto duhovnog života svih Hrvata.Današnje orgulje u katedrali nisu prvi takav instrument. Povijest orgulja katedrale je daleka i bogata. Prve vijesti o orguljama nalazimo već u 15. i 16. st. Nabavio ih je biskup Osvald, a već u 16. st. popravljao ih je A. Flauenstein. Katedralni orguljaš G. Štrukl podrijetlom iz Štajerske gradi godine 1647. novi instrument s trinaest registara. Već negdje oko 1690. godine ljubljanski orguljar I. Faller pregrađuje i povećava orgulje u kojima se očituje utjecaj južnonjemačke i talijanske orguljarske tradicije. Nakon toga dugo ne znamo ništa pouzdano što se zbiva s orguljama u katedrali sve do 1834. godine. Te godine u katedralu stiže novi do tada najveći instrument u Hrvatskoj,

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mađarskog graditelja F. Fochta. No, zbog pogrešaka u konstrukciji ubrzo su prodane crkvi u Pregradi. Bile su to tromanualne orgulje s četrdesetak registara.I danas se još nalaze u Pregradi u prilično lošem stanju. Godine 1852. Kaptol naručuje orgulje kod ugledne njemačke tvrtke Walcker iz Ludwigsburga s četiri manuala, pedalom i pedeset registara. Postavljene su već 1855. Ono što je iznimno važno je da tvrtka Walcker u to vrijeme biva poznata u cijelom svijetu te iznimno cijenjena, a njene velike orgulje su tad već stajale u crkvama u Hamburgu, Ulmu, Bostonu i one najveće u Rigi. Ove zagrebačke orgulje ubrajaju se među pet najvrjednijih ostvarenja spomenute tvrtke. Nakon potresa 1880. godine i one su teško stradale, te su u razdoblju koje je dolazilo bile izložene učestalim intervencijama kojekakvih orguljaških majstora. Sve do 1912. godine kad sve te prilično loše intervencije uklanja tvrtka Walcker koja ih je i gradila, te ih i modernizira. Posljednji veći restauratorski zahvat na njima bio je 1978. godine.Orgulje zagrebačke katedrale pripadaju u red koncertnih orgulja romantičnih zvukovnih osobina s preko 6000 svirala, te sedamdeset osam registara i četiri manuala. Instrument je to na kom je moguće izvoditi doslovno svu orguljašku literaturu od stare glazbe pa sve do najsuvremenijih skladbi. Kako za solističke koncerte sjajan je i za komorno muziciranje. Smatraju se vrhunskim dostignućem orguljarskog umijeća i danas su jedne od najvećih u Europi i svijetu a ujedno se svrstavaju među deset najljepših i najkvalitetnijih orgulja u svijetu. Svirale su smještene u monumentalnom neogotičkom kućištu koje se izvrsno uklopilo u prostor katedrale. Tko je bio graditelj kućišta ostala je nepoznanica. Spomenik su kulture nulte kategorije, registrirane pri Ministarstvu kulture RH kao zaštićeno kulturno dobro.


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ABOuT THE ORGAN OF THE ZAGREB CATHEDRAL

The Zagreb Cathedral is an exceptional edifice. It is considered to be the greatest and most important sacral building in Croatia. It is an edifice that belongs among the monumental Gothic cathedrals and it indicates that Zagreb was a powerful medieval centre. The institution of the bishopric in Zagreb in 1093-1094 definitely initiated the building of the cathedral. Many archaeological finds prove that there already stood another old church. The cathedral as we know it was built in several stages, with interruptions between the 13th to the beginning of the 16th century, when the arches of the aisles were completed. What we definitely know is that the cathedral was completed and consecrated in the year 1217. However, it was severely destroyed at the time of the Tartarian incursion in the year 1242, but Bishop Timotheus continued thoroughly with its restoration in the Gothic style. The cathedral gets the southern massive bell-tower in the period from 1633 to 1641, at the time of the extremely active bishop Franjo Ergelski Hasanović. The builder of this period was the Swiss Ivan Albertal. He also participated in the restoration of the cathedral after the great fire of the year 1645. In the course of the 17th century and especially in the 18th century the interior of the cathedral was filled-in with baroque inventory, altars (eighteen), pulpits and memorial plates. The cathedral experienced the hardest blow in the great earthquake of the year 1880. After the earthquake which also gravely destroyed Zagreb there was a fundamental restoration of the cathedral undertaken and from 1880 to 1906 the cathedral was restored in the Neo-gothic style. The projects were prepared by the Viennese architect F. Schmidt; the construction was carried out byHermann Bollé. Bollé also carried out the work on the restoration, and he partly changed Schmidt’s projects. It was exactly in this restoration carried out under the management of Hermann Bollé that the cathedral received its current recognizable view with the two slender towers, tall truss roof, new pillars and new altars while the baroque ones were mostly removed. Along with many Croatian eminent men who were given crypts here, there are Petar Zrinski and Fran Krsto Frankopan, Ivan Antun Zrinski, Eugen Kvaternik and the definitely most outstanding person among all, the blessed Alojzije Stepinac, whose name is present in the frequently named cathedral as Stepinec’ cathedral. Nowadays, it is Bollé’s cathedral that gives the visual identity to Zagreb. The cathedral takes central place of the spiritual life of all Croats.The present-day organ in the cathedral is not the first instrument there. The history of the cathedral organ is far-reaching and rich. We already come upon news about the organ in the 15th and 16th century. The organ was


acquired by bishop Osvald and it was repaired in the 16th century by A. Flauenstein. The cathedral organist G. Štrukl, originating from Styria, built a new instrument with thirteen registers in 1647. Somewhere round the year 1690 the organist I. Faller from Ljubljana re-built and augmented the organ by which the influence of the south-German and Italian organ tradition can be detected. After that we know nothing definite about the doings in the cathedral connected with the organ – all up to the year 1834. In this year a new instrument arrived in the cathedral, the biggest instrument in Croatia of that time. The instrument was the work of the Hungarian organ builder F. Focht. However, owing to some errors in the construction the organ was soon sold to the church in Pregrada. It was a three-manual organ with some forty registers. They are still in the Pregrada church in a rather poor state. In 1852 Kaptol ordered a new organ from the German firm Walcker from Ludwigsburg, an organ with four manuals, pedal and fifty registers. The organ was soon built-up – in the year 1855. What is very important is that the firm Walcker was at that time already known across the world and exceptionally appreciated; their big organs were already standing in the churches of Hamburg, Ulm, Boston and the biggest one in Riga. The Zagreb organ is included among the five most valuable works of the mentioned firm. After the 1880 earthquake the organ suffered great damage, so that in the coming period they were subject to various frequent interventions performed by all sorts of organ builders. This went on until the year 1912 when the organ builder firm Walcker, the firm that built the organ, removed the results of the rather bad interventions and also modernized the organ. The last major restoration undertaking was the one performed in the year 1978.The organ of the Zagreb cathedral belong to the line of concert organs with romantic sound characteristics with more than 6,000 flue pipes, seventy-eight registers and four manuals. It is an instrument on which it is possible to perform literally all the organ literature, from early music all through to the most modern compositions. It is splendid both for soloist concerts and chamber music-making. The organ is considered a major achievement of organist skill and it is one of the biggest in Europe and the world; at the same time they can be classified among the ten finest and top-quality organs in the world. The flue pipes are positioned in the monumental Neo-gothic swell box that excellently fitted in the cathedral space. It remained an unknown fact who the builder of the swell box was. As a zero-category monument of culture the organ is registered with the Ministry of Culture of the Republic of Croatia as a protected cultural good.

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14. 7. / 20,00

Otvorenje festivala / Opening of the Festival ULRiKE ThEREsiA WEGELE, orgulje / organ (Austrija/ Austria)

Suvremena austrijska orguljska glazba u ogledalu Johanna Sebastiana BachaContemporary Austrian Organ Music In The Mirror of Johann Sebastian Bach

Johann sebastian Bach (1685-1750) Fantazija u G-duru / Fantasia in G major Pièce d’Orgue, BWV 572/2 Wo soll ich fliehen hin, BWV 646Georg Aranyi-Aschner (*1923) Erinnerung (2009)Johann sebastian Bach An Wasserflüssen Babylon, BWV 653 Toccata, Adagio i Fuga u C-duru, BWV 564 Ich ruf zu dir, Herr Jesu Christ, BWV 639Franz Zebinger (*1946) Fantasia (2010)Johann sebastian Bach Largo iz Sonate za orgulje br. 2 u c-molu / from Organ sonata No. 2 in C minor, BWV 526Gottfried von Einem (1918-1996) Sonata za orgulje / Sonata for organ, Op. 64Johann sebastian Bach Preludij i Fuga u C-duru / Prelude and Fugue in C major, BWV 547

21. 7. / 20,00BRAnKO MihAnOvić, oboa / oboe (Hrvatska / Croatia)

EDMUnD BORić-AnDLER, orgulje / organ (Hrvatska / Croatia)

Georg Friedrich händel (1685-1759) Koncert br. 3. u g molu za obou i orgulje /

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Concert No. 3. in G minor for oboe and organ Grave Allegro Sarabande. Largo Allegro Passacaglia u g-molu za orgulje / in G minor for organMax Reger (1873-1916) Preludij, intermezzo i toccata / Prelude, Intermezzo and Toccata, Op. 59Marin Marais (1656-1728) Les Folies d’Espagne za obou i orgulje / for oboe and organ Felix Mendelssohn (1809-1847) Preludij i fuga u d-molu / Prelude and Fugue in D minorJules Grison (1842-1896) Toccata u F-duru / in F majorAlessandro Marcello (1684-1750) Koncert u d-molu za obou i orgulje / Concert in D minor for oboe and organ Andante e spiccato Adagio Presto

28. 7. / 20,00nAThAn LAUBE, orgulje / organ (SAD / USA)

Johann sebastian Bach (1685-1750) Kromatska fantazija i fuga, BWV 903, transkripcija Max Reger / Chromatic Fantasia and Fugue, BWV 903, transcription Max RegerJean Jules Aimable Roger-Ducasse (1873-1954) Pastorale pour Orgue herbert howells (1892-1983) Three Psalm Preludes, Set 1, op. 32 No. 3: “Yea, though I walk through the valley of the shadow of death, I shall fear no evil: for thou art with me; thy rod and thy staff they comfort me.” (Psalm 23, verse 4)

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Franz Liszt (1811-1886) Fantazija i fuga s temom korala Ad nos, ad salutarem undam / Fantasy and Fugue on the chorale Ad nos, ad salutarem undam

11.8. / 20,00iGOR MUČić, trombon / trombone (Hrvatska / Croatia)

KATARinA JAvORA, orgulje / organ (Hrvatska / Croatia)

Enrique Crespo (1941) Improvisation No.1Johann sebastian Bach (1685-1750) Preludij i fuga u h-molu / Prelude and Fugue in B-minor, BWV 544Georg Christoph Wagenseil (1717-1777) Koncert za alt trombon u Es-duru / Concerto for alt trombone in Es-major Adagio Allegro assaiPetr Eben (1929-2007) Invocations za trombon i orgulje / for trombone and organ Invocation I Invocation II Joaquín Rodrigo (1901-1999) Concierto de Aranjuez Adagio (arr. Danijel Požgaj za eufonij / for euphonium)Giovanni Gabrielli (1554-1612) Fanfare

18. 8. / 20,00MAnUEL TOMADin, orgulje / organ (Italija / Italy)

sUOnO iTALiAnO – FRiULi in MUsiCAhinrich Zinck (1715 – 1799) Preludij – Fuga – Adagio - Chaconna in D

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Johann Ludwig Krebs (1713 – 1780) Zeuch ein zu deinen Toren A 2 klavier et pedale Toccata e Fuga in A pro organo pleno Fantasia sopra Freu Dich sehr, o meine Seele Heut triunphieret Gottes Sohn Felix Mendelssohn Bartholdy (1809 – 1847) Sonata op. 65 br. 4 / Sonate Op. 65 No. 4 Allegro con brio Andante Religioso Allegretto Allegro Maestoso e Vivace Maurice Duruflé (1902 – 1986) Preludij iz Suite op. 5 / Prelude from the Suite Op. 5 Denis Bédard (1950) Triptyque: Ouverture – Invocation - Toccatina

25. 8. / 20,00TUOMAs PyRhönEn, orgulje / organ (Finska / Finland)

Johann sebastian Bach (1685-1750) Preludij i fuga u e-molu / Praelude and Fugue in E minor, BWV 548Robert schumann (1810-1856) Reveries iz Dječjih prizora op.15 / from the Children´s scenes, Op.15 (obrada / arrangement by Tuomas Pyrhönen)Louis vierne (1870-1937) Caprice (Phantasy Pieces 1, Op. 51) Clair de lune (Phantasy pieces 2, Op. 53)Tuomas Pyrhönen (1969) Improvizacija na hrvatsku temu / Improvisation on a Croatian themePeteris vasks (1946) Te Deum (1991)

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8. 9. / 20,00nEvEn KRALJić, orgulje / organ (Hrvatska / Croatia)

Johann sebastian Bach (1685 - 1750) Passacaglia, BWV 582 Wachet auf, ruft uns die Stimme, BWV 645

Felix Mendelssohn (1809 - 1847) Sonata br. 1 u f-molu, op. 65 / Sonate No. 1 in F minor, Op. 65 Allegro moderato e serioso Adagio Andante recitativo Allegro assai vivace

Louia J.A. Lefébure - Wély (1817 - 1869) Meditaciones religiosas, op.122 Andante (Choeur de Voix humaines)

Krsto Odak (1888 - 1965) Prva passacaglia u g-molu, op. 35 / First Passacaglia in G minor, Op. 35

noel Rawsthorne (1929) Hornpipe humoresque

15. 9. / 20,00GORAn KOnČAR, violina / violin (Hrvatska / Croatia)

PAvAO MAšić, orgulje / organ (Hrvatska / Croatia)

Alexandre Boëly (1785 - 1858) Fantazija i fuga u B-duru, op.18 br.6 / Fantaisie and Fugue in B major, Op.18 No.6

Tomaso vitali – Leopold Charlier Ciaccona u g-molu / in G minor

Blagoje Bersa (1873 - 1934) Idila (obrada za orgulje / arrangement for organ Pavao Mašić)

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Alfred hollins (1865-1942) Koncertna uvertira br. 2 u c-molu / Concert uverture No. 2 in C minor

Johann sebastian Bach – Felix Mendelssohn Ciaccona u d-molu / in D minor

Maurice Duruflé (1902 - 1986) Sicilienne, op. 5/2

Marcel Dupré (1886 - 1971) Preludij i fuga u g-molu, op.7/3 / Praelude and Fugue in G minor, Op.7/3

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EDMUnD AnDLER-BORić na Muzičkoj akademiji u Zagrebu diplomirao je klavir u klasi prof. Ide Gamulin, orgulje u klasi prof. Ljerke Očić, a magisterij orgulja u klasi prof. Maria Penzara. Orguljašku interpretaciju usavršavao je u majstorskim klasama Jaroslava Tume, Pietera van Dijka i Daniela Rotha. Godine 1999. odnio je apsolutnu pobjedu na II. hrvatskom natjecanju orguljaša Franjo Dugan. Ističe se izvedbama virtuoznih skladbi iz razdoblja romantizma kao i suvremene glazbe. Osobito je aktivan kao koncertant te je s održanih nekoliko stotina koncerata po Europi, Južnoafričkoj republici, SAD-u i Rusiji najistaknutiji mladi umjetnik orguljaš. Godine 2010. dobitnik je nagrade Franjo Dugan za poseban doprinos očuvanju i promociji orguljaške baštine. Osim što je gostovao na mnogim festivalima, jedan je od pokretača takvih događaja u Hrvatskoj: umjetnički je voditelj festivala Orgulje Zagrebačke katedrale, jedan je od pokretača međunarodnog orguljaškog festivala Ars organi Sisciae u Sisku te suradnik festivala Orgulje otoka Visa. Kao solist uz orgulje surađuje sa Simfonijskim orkestrom HRT-a i dirigentima Nikšom Barezom i Pavlom Dešpaljem, te Simfonijskim orkestrom Mostar. Izdavačka kuća Croatia Records izdala mu je prvi solistički CD 2009. godine koji je i nagrađen hrvatskom diskografskom nagradom Porin 2010. 2013. godine objavio je drugi, a 2016. i treći solistički CD Sisačka orguljaška baština u izdanju Croatie Records.

EDMUnD AnDLER-BORić won his first degree in the piano with Ida Gamulin and the organ with Ljerka Očić, going on to do a Master`s degree in the organ with Mario Penzar. He continued further studies in the organ interpretation in the master classes of Jaroslav Tuma, Pieter van Dijk and Daniel Roth. As an excellent student he was the absolute winner at the 2nd Franjo Dugan Croatian Organist Competition in 1999 and captured attention by his performance of virtuoso compositions from the period from Romanticism to contemporary music. He is particularly active in appearing at concerts, having given several hundred concerts all over Croatia, in Slovenia, the Netherlands, Germany, Hungary, Serbia, Bosnia and Herzegovina, the Czech Republic, Slovakia, Italy, Austria, South Africa, Russia and the USA, making him the most prominent young concert artist. As well as making guest appearances at many festivals, he has launched several events of this kind in Croatia: he is one of the initiators and the artistic director of the international organ festivals Organ of the Zagreb Cathedral and Ars organi Sisciae in Sisak as well as Organ of the island Vis. The Croatia Records publishing house published his first soloist CD in 2009 that was awarded the Croatian discography prize Porin in 2010. 2013

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released a second and 2016 third CD under the name Sisak Organ Heritage published by Croatia Records.

KATARinA JAvORA (Zagreb, 1986.) maturirala je klavir u glazbenoj školi Blagoje Bersa u Zagrebu u klasi profesorice Renate Strojin Richter. Na Muzičkoj Akademiji u Zagrebu diplomirala je orgulje u klasi profesorice Ljerke Očić, dok je čembalo učila kod profesora Pavla Mašića, a diplomirala u klasi profesorice Višnje Mažuran. Na akademiji u Zagrebu je također završila i studij teorije glazbe. Osvojila je nekoliko nagrada na natjecanju HDGPP, te nagradu fonda Janka Šanjek. Kao solist i u komornim sastavima nastupala je na raznim festivalima u Hrvatskoj, Austriji, Češkoj i Francuskoj, kao i na na natjecanjima Ferdo Livadić, Petr Eben, mo. Vinko Lesić i tribini Darko Lukić. Diplomski studij orgulja (koncertni smjer) je završila pri Universität für Musik und darstellende Kunst u Beču u razredu profesora Pier Damiana Perettija, dok je čembalo učila kod profesora Emanuela Schmelzera Ziringera. Pohađala je seminare za interpretaciju orguljske i čembalističke literature u Hrvatskoj i inozemstvu (Theo Jellema, Martin Sander, Bernhard Klapprott, Nathan Laube, Hans Fagius, Luigi F. Tagliavini, Chrostoph Bossert, Aline Zylberajch, Jean Baptiste Robin i mnogi drugi). Trenutno predaje glazbeno teoretske predmete, orgulje i čembalo u glazbenoj školi Brkanović, i u glazbenoj školi Franjo Lučić, a od 2000. godine je orguljašica u župnoj crkvi sv. Male Terezije od Djeteta Isusa u Zagrebu.

KATARinA JAvORA (1986.) was born in Zagreb, where she graduated piano in class of prof. Renata Strojin Richter. She finished her organ studies on Zagreb Music Academy in class of prof. Ljerka Očić. She studied harpsichord in the class of prof. Pavao Mašić, prof. Emanuel Schmelzer Ziringer. She completed her harpsichord master degree on Zagreb Music Academy in class of prof. Višnja Mažuran. 2013. year she completed her master degree in organ at the University of Music and Performing Arts in Vienna in the class of Pier Damiano Peretti. During her studies she performed as a soloist, in chamber ensembles and with orchestras in various festivals in Croatia, Austria and France. She has participated in several regional competitions and national competition HDGPP, and Ferdo Livadić, Darko Lukić, Vinko Lesić and Petr Eben competition. Katarina Javora won special Rector’s prize 2011. year. She attended various seminars by Croatian and foreign professors such as Libor Dudaš, Theo Jellema, Martin

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Sander, Ferdinando Luigi Tagliavini, Chr. Bossert, Ante Knešaurek. Pavao Mašic, Aline Zylberajch, Jean Baptiste Robin, Hans Fagius, Nathan Laube ...She is on the and of Theory of music study on Musical Academy in Zagreb. She is an organ player in the Church of St. Therese of the Child Jesus and she teaches in Music schools Brkanović in Zagreb and Franjo Lučić in Velika Gorica.

GORAn KOnČAR, jedan od najistaknutijih hrvatskih violinista, studirao je na Muzičkoj akademiji u Zagrebu kod Martina Barića i Josipa Klime, a magistrirao 1978. u razredu Leonida Kogana na Konzervatoriju Čajkovski u Moskvi. Usavršavao se kod Maxa Rostalau Bernu i Henryka Szerynga u Ženevi, te potom kod Yfraha Neamana u Londonu čiji je asistent od 1981.- 83. na Guildhall School of Music. Od 1988. profesor je na Muzičkoj akademiji sveučilišta u Zagrebu. Drži majstorske tečajeve u Madridu, Berlinu, Torinu, Milanu, Sidneyu, Tokyu, Pekingu, Stellenboschu i drugdje. Godine 2004. pokreće LAUS ljetnu akademiju u Dubrovniku zajedno s najvećim svjetskim violinističkim imenima (Zakhar Bron, Viktor Tretyakov, Dmitry Sitkovetsky, Leonid Sorokow). Međunarodnu solističku karijeru započeo je 1982. gostujući u većini europskih zemalja, SAD-u, Japanu, Koreji i Izraelu. Od 1984. do 1994. bio je koncertni majstor Royal Philharmonic Orchestra u Londonu, Simfonijskog orkestra Hrvatske radiotelevizije i Zagrebačke filharmonije. Koncertirao je s uglednim orkestrima i dirigentima diljem svijeta. Dobitnik je prvih i posebnih nagrada na državnim natjecanjima u zemlji, nagrade Glazbeni život u Moskvi (1980.) za izvedbu Koncerta za violinu i orkestar Dmitrija Šostakoviča, prve nagrade na Međunarodnom natjecanju u Bratislavi (1984.) te drugih visokih priznanja. U popisu nagrada osobito se ističe Nagrada Vladimir Nazor (2006.). U svojoj solističkoj i pedagoškoj praksi posebno je posvećen interpretacijama djela Johanna Sebastiana Bacha (Solo sonate i partite), a zatim repertoaru koji je radio s Maxom Rostalom (W.A.Mozart te francuski repertoar - M. Ravel, C. Debussy i C. Franck), Yfrahom Neamanom (J. S. Bach, M. Bruch, E. Bloch, F. Mendelssohn) te Leonidom Koganom (ruska literatura - P.I.Čajkovski, A. Glazunov, A. Hačaturjan, S. Prokofjev te D. Šostakovič za izvedbu kojega je bio prvi stranac koji je osvojio rusku nagradu). Posebnu pozornost posvećuje izvedbi klasika 20. stoljeća (B. Bartok, B. Martinu, S. Gubajdulina, A. Nilsson, K. Goldmark) te suvremenim djelima zbog čega mu niz skladatelja posvećuje kompozicije (Boris Papandopulo, Milko Kelemen, Giuseppe Gavazza, D. Holloway, Ivo Malec). Prvu mu je ploču izdao EMI 1984. u Londonu, a

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snima za BBC, CBS, France Musique, HRT te druge radijske i televizijske postaje. Croatia Records je objavila jednu od rijetkih integralnih izvedbi solo violinskih sonata Eugènea Ysaÿe. Od 1987. do 2012. vodi Zagrebački kvartet te punih četvrt stoljeća svoje umijeće i umjetnost ugrađuje u postojanje ovog najdugovječnijega, ne samo hrvatskog već i europskog komornog sastava. U svom profesionalnom djelovanju posebnu pažnju posvećuje proučavanjiu zvuka povijesnih instrumenata kao i osvještavanju vrijednosti tonskog drveta iz Hrvatske i Bosne od kojeg su izrađivani najvredniji instrumenti.

GORAn KOnČAR, one of the most outstanding Croatian violinists, studied at the Zagreb Music Academy in the classes of Martin Borić and Josip Klima. He achieved his M.A. Degree in the class of Leonid Kogan at the Conservatory Tchaikovsky in Moscow. He continued his enhancement with Max Rostal in Bern and Henryk Szeryng in Geneve. Then he continued enhancing with Yfrah Neaman in London to become his assistant at the Guildhall School of Music in the period 1981 – 1983. Since 1988 Končar has been professor at the Academy of Music, University of Zagreb. He held master classes in Madrid, Berlin, Turin, Milan, Sidney, Tokyo, Beijing, Stellenbosch and elsewhere. In the year 2004 he initiated the LAUS Summer Academy in Dubrovnik, together with the greatest violinist names (Zakhar Bron, Viktor Tretyakov, Dmitry Sitkovetsky, Leonid Sorokow). He started his International soloist career in 1982, undertaking guest tours in the majority of European countries, the USA, Japan and Israel. In the period from 1984 to 1994 he was concert master of the Royal Philharmonic Orchestra in London, the Croatian Radio&Television Symphony Orchestra and the Zagreb Philharmonic. He also performed in many concerts with eminent orchestras and conductors all throughout the world. Končar is the winner of the first and special awards at the national competitions in the country, further on of the award Music Life in Moscow (1980) for the performance of the Concerto for the violin and orchestra by Dmitri Shostakovich, the first prize at the International Competition in Bratislava (1984) and other top acknowledgments. On the list of awards the outstanding one is the Vladimir Nazor Award (2006). In his soloist and pedagogical career Končar was particularly dedicated to the interpretation of the works of Johann Sebastian Bach (Solo sonatas and partitas), also to the repertoire that he worked with Max Rostal (W. A. Mozart and the French repertoire – M. Debussy and C. Franck), with Yfrah Neaman (J. S. Bach, M. Bruch, E. Bloch, F. Mendelssohn) and Leonid Kogan (Russian literature – P.I.

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Tchaikovsky, A. Glazunov, A Khachaturian, S. Prokofiev and D. Shostakovich - for the performance of which he won a Russian award as the first foreigner). He continued dedicating special attention to the performance of 20th century classics (B. Bartok, B. Martinu, S. Gubaidulina, A. Nilsson, K. Goldmark) as well as contemporary works on account of which a range of composers dedicated their compositions to him (Boris Papandopulo, Milko Kelemen, Giuseppe Gavazza, D. Holloway and Ivo Malec). Končar’s first disc was published in 1984 by EMI in London, and he also recorded for the BBC, CBS, France Musique, HRT and other radio and television stations. Croatia Records published one of the rare integral performances of Eugène Ysaÿe’s solo violin sonatas. From 1987 to 2012 he directed the Zagreb Quartet and for the quarter of the century he embedded his skill and art into the existence of this oldest chamber ensemble, not only Croatian but European as well. In his professional activity Končar dedicated his particular attention to the investigation of the sound of historical instruments as well as the enlightenment of the value of tone-wood from Croatia and Bosnia that are used for the building of the most valuable instruments.

nEvEn KRALJić (SUŠAK, 1976.) Nakon završenog srednjoškolskog glazbenog obrazovanja u Rijeci, studirao je i diplomirao na Institutu za crkvenu glazbu Albe Vidaković pri KBF-u u Zagrebu. Nakon toga diplomira orgulje na Muzičkoj akademiji u Zagrebu u klasi prof. Ljerke Očić. Više od osamnaest godina bio je orguljaš Bazilike Majke Božje Trsatske a od 2004. g. stalni je orguljaš Zagrebačke katedrale. Od brojnih orguljaških koncerta na kojima je nastupio potrebno je izdvojiti nastupe prilikom trećeg pastirskog posjeta pape Ivana Pavla II. Hrvatskoj i Rijeci (2003.) i njegovog posjeta Bazilici Majke Božje Trsatske, te posjeta pape Benedikta XVI. gradu Zagrebu (2011.). Osobito je svečano bilo tijekom sv. mise na hipodromu te sviranje na svečanoj Večernjoj u Zagrebačkoj katedrali. Surađuje sa solistima, zborovima i orkestrima te priređuje koncerte u zemlji i inozemstvu. Ostvario je i više nosača zvuka do sada.

nEvEn KRALJić, born in Sušak in 1976, after having completed his secondary musical education in Rijeka studied and graduated from the Albe Vidaković Institute for Church Music at the KBH [Catholic Faculty of Theology] in Zagreb. Afterwards he graduated in the organ at the Zagreb Music Academy in Zagreb in the class of professor Ljerka Očić. For more than eighteen years he was

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organist he was organist in the Church of Our Lady of Trsat and since 2004 he is permanent organist of the Zagreb Cathedral. From the numerous organist concerts where he appeared, it is necessary to single out the appearances on the occasion of the third pastoral visit of Pope John Paul II to Croatia and Rijeka (2003) and his visit to the Church of Our Lady of Trsat. This also refers to the visit of the Pope Benedict XVI to the town of Zagreb (2011). The particularly festive atmosphere was during the course of the Holy Mass on the hippodrome and the Vespers in the Zagreb Cathedral. Kraljić co-operates with soloists, choirs and orchestras and prepares concerts at home and abroad. He has also made a number of media sound recording so far.

Zvijezda među mladim koncertnim orguljašima nAThAn LAUBE brzo je osvojio svoje mjesto u svjetskoj eliti izvođača. Uz gust koncertni raspored, Nathan Laube djeluje kao docent na Eastman School of Music u Rochesteru, New York, gdje predaje uz ugledne profesore Davida Higgsa i Edoarda Bellottia. Nathan Laube magistrirao je orgulje na Visokoj glazbenoj školi u Stuttgartu, u Njemačkoj u klasi Ludgera Lohmanna. Kao Fulbrightov stipendist, Laube je proveo akademsku godinu 2010/2011 na studju uz Michela Bouvarda i Jana Willema Jansena na Conservatoire à Rayonnement Régional de Toulouse. Laube je stekao diplomu na Curtis Institute of Music u Philadelphiji, gdje je studirao orgulje sa Alanom Morrisonom i klavir sa Susan Starr. Kao crkveni glazbenik, Nathan je djelovao od 2011. do 2013., kao rezidencijalni umjetnik u katedrali Presvetog Trojstva u Parizu. Nathan često drži majstorske tečajeve i radionice. Nedavno je objavio dva nova CD-a; Grand Koncert Stephena Paulusa za Naxos (NAXOS 8,559740) snimljen sa Nashville Simphony Orchestra, pod dirigentskim vodstvom Giancarla Guerrera, te novi solo recital snimljen u Stadtkirche u Nagoldu, Njemačka za Ambiente (AMBIENTE ACD-1062).

A star among young classical musicians, concert organist nAThAn LAUBE has quickly earned a place among the organ world’s elite performers. In addition to his busy performing schedule, Mr. Laube serves as Assistant Professor of Organ at The Eastman School of Music in Rochester, New York, where he teaches with distinguished professors David Higgs and Edoardo Bellotti. Nathan Laube holds a Master’s Degree in Organ from the Musikhochschule in Stuttgart, Germany where he was a student of Ludger Lohmann. As a recipient of a William Fulbright Grant, Nathan spent the 2010-

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2011 academic year studying with Michel Bouvard and Jan Willem Jansen at the Conservatoire à Rayonnement Régional de Toulouse. Nathan earned his Bachelor of Music Degree at the Curtis Institute of Music in Philadelphia, where he studied organ with Alan Morrison and piano with Susan Starr. As a church musician, Nathan most recently served from 2011-2013 as Artist-in-Residence at the American Cathedral of the Holy Trinity in Paris, France. Nathan is frequently asked to teach master classes and workshops in connection with his concerts. N. Laube has two new CD recordings available; the Stephen Paulus Grand Concerto on the Naxos label (NAXOS 8.559740) recorded with the Nashville Symphony, Giancarlo Guerrero, conducting, and a new solo recital recording on the Ambiente label (AMBIENTE ACD-1062), recorded at the Stadtkirche in Nagold, Germany.

PAvAO MAšić (Šibenik, 1980.), dobitnik nagrade Grand Prix Bach i nagrade publike na Bachovom natjecanju orguljaša u Lausanni (2006.), razvija uspješnu karijeru koncertnog orguljaša i čembalista. Raznovrsni interesi njegovog umjetničkog djelovanja obuhvaćaju repertoar baroka i romantizma – s naglaskom na opusima J. S. Bacha, te francuskih i hrvatskih skladatelja - koji, u kombinaciji s temeljitim istraživačkim radom, kao i konstantnom potragom za što izražajnijim interpretacijama, rezultiraju upečatljivim, virtuoznim i vrlo cijenjenim nastupima. Na Muzičkoj akademiji u Zagrebu diplomirao je studije čembala, orgulja i glazbenoteoretskih disciplina, a s najvišim ocjenama završio je potom poslijediplomske studije: orgulje u razredu Kei Koito na Visokoj školi za glazbu u Lausanni i čembalo u razredu dr. Roberta Hilla pri Visokoj školi za glazbu u Freiburgu im Breisgau. Jedan od najafirmiranijih hrvatskih glazbenih umjetnika mlade generacije, Mašić djeluje kao glavni orguljaš crkve sv. Marka na Gornjem gradu u Zagrebu gdje nastavlja bogatu tradiciju sviranja orgulja koja se u toj povijesnoj crkvi kontinuirano bilježi još od 1359. g. Usporedno djeluje i kao docent na Muzičkoj akademiji u Zagrebu gdje razvija široku pedagošku djelatnost i odgaja nove generacije čembalista i orguljaša. Redovito koncertira diljem Rusije, Europe i Izraela (Moskva, Sankt Petersburg, Basel, Lausanne, Budimpešta, Bratislava, Beč, Freiburg, Zaragoza, Porto, Jeruzalem, Betlehem, Nazaret, Tel Aviv). Kvaliteta njegova umjetničkog djelovanja prepoznata je s više od 20 važnih inozemnih i domaćih nagrada među kojima se izdvajaju nagrade na međunarodnim natjecanjima orguljaša u Lausanni, Zaragozi i Puli, a jedini je hrvatski kandidat koji je sudjelovao na čuvenom natjecanju

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orguljaša u St. Albansu u 50 godina njegova postojanja. Snima za Hrvatsku radioteleviziju i Croatiu Records; raznolika diskografija uključuje tri albuma ovjenčana s ukupno 7 Porina. Tako je njegov prvi album pod nazivom 1685. s djelima za čembalo Bacha, Handela i Scarlattija proglašen najboljim albumom klasične glazbe u 2012., dok je albumom 100% BACH, ostvarenom u suradnji s orguljašem Antom Knešaurekom, predstavljen djelić orguljskog opusa J. S. Bacha za čiju su prvu integralnu izvedbu u Hrvatskoj (17 recitala) dvojica orguljaša osvojili nagrade Milka Trnina i Nagradu grada Zagreba. Posljednji, dvostruki album Skladbi za orgulje Anđelka Klobučara također osvaja čak četiri Porina u više kategorija klasične glazbe.

PAvAO MAšić (Šibenik, 1980), winner of The Grand Prix Bach and Audience Prize at 2006 Bach Organ Competition of Lausanne actively pursues successful career of a concert organist and harpsichordist. Different aspects of his art include extensive interest in Baroque and Romantic music repertoire - especially music of J. S. Bach, French and Croatian composers – which, combined with in-depth exploration and constant need for expression, result in rich, virtuosic and much admired performances. He graduated from the Zagreb Music Academy: harpsichord, organ and music theory and later on he completed postgraduate studies with honours: organ with Kei Koito at the Haute École de Musique in Lausanne and harpsichord in the class of Dr. Robert Hill at the Hochschule für Musik in Freiburg im Breisgau. Since 1999, Pavao Mašić has been the Main Organist at St Mark’s Church in Zagreb, place of special historic importance with continuing tradition of organ playing thoroughly documented since 1359. Furthermore, he works as professor at the Zagreb Music Academy, where he is developing a wide pedagogical career raising new generations of harpsichordists and organists. He appears in recitals, both as harpsichordist and organist, performing at important concert venues throughout Europe, Israel & Russia (Moscow, Sankt Petersburg, Basel, Lausanne, Budapest, Bratislava, Vienna, Freiburg, Zaragoza, Porto, Jerusalem, Betlehem, Nazaret, Tel Aviv). The quality of his artistic work has been recognized through more than 20 important international and national awards, among which are prizes at international organ competitions in Lausanne, Zaragoza & Pula. He was the only Croatian candidate ever to perform at prestigious international organ competition in St Albans in 50 years of its existence. His recordings have been published by Croatian Radiotelevision and Croatia Records: his first solo CD, 1685, dedicated to the harpsichord works of J. S.

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Bach, G. F. Handel and D. Scarlatti received two Porin national discographical awards and was awarded The Best Classical Music Album in 2012. Next two albums were equally successful: award-winning CD 100% BACH (together with Ante Knešaurek) presents selection of organ music by J. S. Bach, while his most recent double CD recorded at the organ of Zagreb Cathedral in 2014 – which sums up the organ works of Andjelko Klobučar – received four Porin national discographical awards. Together with organist Ante Knešaurek he performed complete organ works of J. S. Bach in a cycle of 17 recitals (2010-2012). For this project, unique in Croatia, he was awarded two prominent awards: Milka Trnina Award and The City of Zagreb Award. These two organists continued their artistic collaboration in 2013 with integral performances of organ works by D. Buxtehude and C. Franck.

Oboist BRAnKO MihAnOvić pohađao je Muzičku akademiju u Zagrebu te diplomirao na Visokoj državnoj glazbenoj školi u Freiburgu u klasi prof. Heinza Holligera. Bio je solo oboist Opere HNK u Zagrebu te od 1984. prvi oboist orkestra Zagrebačke filharmonije. 2001. izabran je za docenta, a od 2013. za redovnog profesora oboe na Muzičkoj akademiji u Zagrebu. Solistički je nastupao u većini europskih zemalja, Kini, Južnoj Americi, SAD-u te održao brojne koncerte uz pratnju renomiranih hrvatskih i inozemnih orkestara. Imenovan je ravnateljem Opere HNK u Zagrebu u dva mandata u razdoblju od 2005. do 2013. godine. Bio je član žirija domaćih i međunarodnih natjecanja kao i mnogobrojnih komornih ansambala poput Zagrebačkog puhačkog trija, Zagrebačkog puhačkog ansambla, ansambla Musica viva i Acoustic project. Brojne snimke ostvario je za Croatia records, Cantus, Aquaria records, Orfej i potrebe Hrvatskog radija. Dobitnik je strukovne nagrade Milka Trnina Hrvatskog društva glazbenih umjetnika.

Oboist BRAnKO MihAnOvić attended the Music Academy in Zagreb and graduated from the High State School of Music in Freiburg under Prof. Heinz Holliger. He was solo oboist at National Opera orchestra in Zagreb, and since 1984 the first oboist of the Zagreb Philharmonic Orchestra. 2001 was appointed assistant professor, and since 2013 as a Professor of oboe at the Music Academy in Zagreb. As a soloist he has performed in most European countries, China, South America, United States and held numerous concerts accompanied by renowned Croatian and foreign orchestras. He was

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appointed Opera director at the National Theatre in Zagreb from 2005 to 2013. He was a member of the jury of national and international competitions as well as numerous chamber ensembles like the Zagreb Wind Trio, Zagreb Wind Ensemble, Ensemble Musica Viva and Acoustic Project. A number of recordings were achieved by Croatia Records, Cantus, Aquarius records, Orpheus and for tCroatian Radio. He has received professional awards Milka Trnina assigned from Croatian Musical Artists Association.

ivAn MUČić rođen je 1989. godine u Čakovcu s prebivalištem u Dekanovcu. Prvu glazbenu naobrazbu iz trombona stekao je kod Stjepana Taradija koji ga je 2006. godine usmjerio u Glazbenu školu u Varaždinu u klasu prof. Stjepana Rukljića. Godine 2009. upisuje Muzičku akademiju u Zagrebu. Tijekom studija usavršavao se kod mnogih renomiranih glazbenika trombonista kao što su Dušan Kranjc, Stephan Poppe, Jaques Mauger, Branimir Slokar, Thomas Eibinger, Dietmar Kublbock, Jonas Bylund, Mike Svoboda, Kiril Ribarski, Mato Šantek, Antonello Mazzucco, Steven Mead (eufonij), Reinhold Friedrich (truba). Surađivao je s Varaždinskim komornim orkestrom te s gotovo svim zagrebačkim profesionalnim orkestrima i ansamblima kao što su Simfonijski orkestar HRT-a, Zagrebačka filharmonija, Orkestar Hrvatskog narodnog kazališta, Orkestar kazališta Komedija, Simfonijski puhački orkestar oružanih snaga RH, Ansambl Cantus i Vokalni ansambl Antiphonus. Akademske godine 2012./2013. na Muzičkoj akademiji u Zagrebu nastavlja studij u klasi prof. Marija Šinceka, te paralelno studira trombon u klasi prof. Dušana Kranjca na Akademiji za glasbo u Ljubljani kao Erasmus student. Početkom svibnja polaže audiciju za stalno radno mjesto u orkestru HNK Split. U jesen 2013. godine na 10. Međunarodnom natjecanju Ferdo Livadić jednoglasnom odlukom dobiva Nagradu Grada Samobora i HDS-a za izvedbu Sonate za trombon i klavir - Vox Gabrielli Stjepana Šuleka. U travnju 2014. godine osvojio je 1. nagradu te je ujedno postao i Laureat kategorije na Međunarodnom natjecanju Svirél u Sloveniji, dok je u svibnju iste godine dobio 1. nagradu i status Laureata na Međunarodnom natjecanju Petar Konjović u Beogradu. U srpnju 2014. godine solistički je nastupio na Osorskim glazbenim večerima. U listopadu 2014. godine održao je solistički recital skladbi hrvatskih autora za trombon i klavir tijekom festivala Samoborska glazbena jesen gdje je praizveo njemu posvećenu kompoziciju Toccatissima skladatelja Davora Bobića. Za izuzetna postignuća u akademskoj godini 2013./2014 dodijeljena mu je Dekanova nagrada. U ožujku

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2015. godine na međunarodnom natjecanju Woodwind&Brass u Varaždinu osvaja 1. nagradu i laureat je kategorije. U lipnju iste godine diplomirao je na Muzičkoj Akademiji u klasi docenta Marija Šinceka.

TUOMAs PyRhönEn danas je jedan od najaktivnijih finskih orguljaša. Studirao je na Sibelius akademiji u Helsinkiju gdje je diplomirao orgulje 1996. u klasi Kari Jussile. Studij je nastavio na Stuttgart Music University kod Ludgera Lohmanna gdje je magistrirao 1998. Usavršavao se u Finskoj, Nizozemskoj, Italiji i Velikoj Britaniji. Privatno je usavršavao orguljsku improvizaciju kod Andersa Bondemana u Stockholmu. Svoj nastupni koncert održao je u crkvi Kallio (Berghälls kyrka) u Helsinkiju 1998. Nastupao je u Mađarskoj, Estoniji, Litvi, Latviji, Rusiji, Švicarskoj, Danskoj, Italiji, Norveškoj, Islandu, Armeniji, Ukrajini, Novom Zenlandu, Poljskoj, Irskoj, Francuskoj, Švedskoj, Njemačkoj I SAD-u. Tuomas Pyrhönen osobitu pažnju posvećuje suvremenoj glazbi. Objavio je četiri nosača zvuka. Od 2001. godine djeluje kao orguljaš u crkvi Joensuu. Djeluje kao nastavnik i glazbeni kritičar. 2010. započinje doktorski studij na Sibelius akademiji s tezom Finska suvremena orguljaška glazba s kojom doktorira 2015. godine.

Doctor of music, TUOMAs PyRhönEn is nowadays among the most active Finnish concert organists. He studied at the Sibelius-Academy in Helsinki obtaining his bachelor of music exam in 1994 and organ diploma in 1996, studying organ as professor Kari Jussila’s student in 1996. Immediately after that he studied at the Stuttgart Music University with professor Ludger Lohmann achieving his Final artistic exam there in summer 1998. Mr Pyrhönen has supplemented his studies in Finland, the Netherlands, Italy and Great Britain. He studied privately organ improvisation with Anders Bondeman in Stockholm. Pyrhönen played his premiere concert at the Kallio (Berghälls kyrka) church in Helsinki in December 1998. As organist he has performed in Hungary, Estonia, Lithuania, Latvia, Russia, Switzerland, Denmark, Italy, Norway, Iceland, Armenia, Ukraine, New Zealand, Poland, Ireland, France, Sweden, Germany and United States. Tuomas Pyrhönen likes contemporary music very much. Pyrhönen has recorded four cd’s. Tuomas Pyrhönen has worked in Joensuu parish as church musician since February, 2002. He has also worked as organ teacher and music critic. Beginning autumn 2010 Pyrhönen started his doctoral studies Finnish

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contemporary organ music as his subject at the Sibelius Academy, Helsinki. He graduated there in November, 2015.

MAnUEL TOMADin, diplomirao klavir, orgulje i kompoziciju te čembalo na Sveučilištu u Udinama. Posvećen je proučavanju izvedbene prakse renesansne i barokne glazbe. Usavršavao se na seminarima kod Claudioa Astronia, Andrea Marcona, Michaela Radulescua, Luca Scandali, Ferruccio Bartoletti, Peter Planyavsky, Olivier Latry Paolo Crivellaro, Jon Laukvik, Ludger Lohmann, Gustav Auzinger, Hans Fagius, Peter Van Dijk, Francesco di Lernia Eric Lebrun, Teo Theoliema. Od 2001. do 2003. studirao je na Schola Cantorum Basiliensis (Švicarska) s Jean Claude Zehnder i Andrea Marcon. Surađuje s M° Staropoli Manuel i član je ansambla za staru glazbe Terg Antiqua koja svira na izvornim instrumentima. Razvija intenzivnu koncertnu aktivnost u Italiji i u Europi. Objavio je seriju od dvadeset CD-ova Povijesne orgulje u regiji Friuli Venezia Giulia, mnogi od njih bili su ocjenjeni od strane kritike s pet zvjezdica. Također je profesor glazbih kolegija na originalnim instrumentima, čembalu i povijesnim orguljama na ljetnim glazbenim tečajevima u Sappada (Belluno, Italija), Staatliche Hochschule für Musik und Darstellende Kunst u Mannheimu (Njemačka), sv. Stanislava u Ljubljana i na beogradskoj akademiji. Osvojio je nagrade na važnim nacionalnim orguljskim natjecanjima kao i nagrade na međunarodnim natjecanjima među kojima je prva nagrada na Füssen - Breitenwang - Mittenwald natjecanju te druga nagrada (prva nije dodjeljena) na prestižnom natjecanju Paula Hofhaimer u Innsbrucku i to dva puta 2006. i 2010. Dobitnik je Grand Prix d ‘ECHO 2011. na Alkmaar Schnitger natjecanju. Umjetnički je ravnatelj Giovanni Battista Candotti međunarodnog orguljaškog festivala u Udinama i Antonio Vivaldi festivala u Trstu.

MAnUEL TOMADin, graduated in Piano, Organ and organistic composition, Harpsichord; he took a degree in harpsichord in the University of Udine. He also devotes himself constantly to the executive praxis of the Renaissance and Baroque music and also through the study of the essays and the tools of the epoch. He has followed courses of improvement with Claudio Astronio, Andrea Marcon, Michael Radulescu, Luca Scandali, Ferruccio Bartoletti, Peter Planyavsky, Olivier Latry, Paolo Crivellaro, Jon Laukvik, Ludger Lohmann, Gustav Auzinger, Hans Fagius, Peter Van Dijk, Francesco di Lernia, Eric Lebrun, Teo Theoliema. From 2001 to 2003 he has studied in the Schola Cantorum

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Basiliensis (Switzerland) with Jean Claude Zehnder and Andrea Marcon. It firmly collaborates with the M° Staropoli Manuel and it belongs to the group of ancient music Terg Antiqua with original instruments. It develops intense activity concert, in Italy and in Europe. Twenty CDs have engraved for the necklace Historical Organs of the Friuli Venezia Giulia, many of these have been reviewed with 5 stars by leading. It is also teacher of the courses of Music for original instruments, Harpsichord and historical Organ to the Summer musical Courses in Sappada (Belluno, Italy) Staatliche Hochschule fur musik und Darstellende Kunst in Mannheim (Germany), Sv Stanislava of Lubjana und in Beograd Accademy. He won 4 prizes in important national organ contests and 6 prizes in international contests. Among which the first prize in Fussen - Breitenwang - Mittenwald (Germany)’s contest and the second prize with first not assigned in the prestigious contest of Paul Hofhaimer in Innsbruck for two times ( 2006 – 2010). Winner of the Grand Prix d’ ECHO 2011 in the Alkmaar Schnitger Competition. He is artistic director of the Giovanni Battista Candotti Organ International Festival in Udine and Antonio Vivaldi Festival of Trieste.

ULRiKE ThEREsiA WEGELE rođena je u Weingartenu pokrajina Wuerttemberg u Njemačkoj. Od 1984. do 1989. studirala je na Državnoj školi za glazbu i izvedbene umjetnosti u Stuttgartu. Potom pohađa bečku Visoku glazbenu školu u klasi Michaela Radulescua. Godine 1993. diplomira orgulje, nakon što 1991. polaže ispit pri Katoličkom institutu za crkvenu glazbu. Pohađala je brojne majstorske tečajeve, a ubrzo i snima uživo u mnogim europskim zemljama i SAD-u. Od 1991. godine predaje na Visokoj školi za glazbu u Grazu, u Austriji. Godine 1992. pozvana je u Eisenstadtu držati orguljsku klasu na Joseph Haydn konzervatoriju. Osim predavanja i koncertiranja piše za nekoliko glazbenih časopisa. Od 1999. profesor je orgulja na Sveučilištu za glazbu u Grazu. Njezina pedagoška postignuća međunarodno su priznata. Od 2000. do 2010. bila je glazbeni savjetnik vlade regije Gradišća u Austriji te umjetnička ravnateljica Weinklang Music Festivala. Nastupala je na Međunarodnom orguljaškom festivalu u Granadi, Haydnfestivalu u Eisenstadtu, na najvećem svjetskom kongresu orguljaša u Washingtonu, u Riversideu, katedrali sv. Tome u New Yorku, na poznatom Pablo Casals festivalu u Pradesu i drugdje. Ulrike Theresia Wegele hvaljena je među vodećim orguljaša svoje generacije. Njezin široki repertoar obuhvaća djela skladana u vrijeme prije J.S.Bacha, zatim cjelokupni orguljski repertoar djela Johanna Sebastiana Bacha, zatim djela klasike, romantike i suvremene glazbe 21. stoljeća.

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ULRiKE ThEREsiA WEGELE was born in Weingarten, Wuerttemberg, Germany. From 1984 to 1989 she studied Catholic Church Musik at the State College of Music and Performing Arts in Stuttgart with Ludger Lohmann and was awarded her diploma. She then studied at the Vienna College of Music under Michael Radulescu, until 1993. In 1991 she took the highest level examination in Catholic Church Music. 1993 she was awarded the solo-diploma for organ with distinction. She added numerous master classes to her musical studies and subsequently made productions and live recordings in many European countries and the USA. Since 1991 Ulrike Theresia Wegele has lectured at the College of Music in Graz, Austria. In 1992 she was called to Eisenstadt for the organ class at the Joseph-Haydn-Conservatory. In addition to lecturing and giving concerts she writes for several musical magazines. Since 1999 she is professor for organ at the University for Music in Graz. Her achievements as a teacher are internationally recognized. From 2000 to 2010 she was the musical advisor for the government of Burgenland in Austria and the art director of the Weinklang Music Festival. Having performed at the International Organ Festival in Granada / Spain, the Haydnfestival in Eisenstadt, at the worlds biggest organ congress in Washington DC, at the Riverside Church and the St. Thomas Cathedral in New York City, at the renowned Pablo Casals Festival in Prades / France and others. Ulrike Theresia Wegele is praised among the leading organists of her generation. Her broad repertoire includes works of the time before J.S.Bach, the complete works by Johann Sebastian Bach, Classic, Romantic and contemporary music of the 21st century.

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