baerenreiter cover a5+4mm 26.02.17 22:48 stránka 1 ...€¦ · jazz piano studies (cz/ger/eng) h...

SALES CATALOGUE 2017 /2018Bärenreiter Prahab

CZECHMUSICBÄRENREITER URTEXToffering the best of Czech music

www.baerenreiter.cz [email protected] www.baerenreiter.com

Your Music Dealer

BÄRENREITER URTEXT is a seal of quality assigned onlyto scholarly-critical editions. It guarantees that the musicaltext represents the current state of research, preparedin accordance with clearly defined editorial guidelines.Bärenreiter Urtext: the last word in authentic text —the musicians’ choice.

Bäre

nrei

ter P

raha

• SP

A 31

4

4mm 148148

Baerenreiter_COVER_A5+4mm 26.02.17 22:48 Stránka 1

obálka_angl_2017.indd 1 2.3.2017 12:46:19

Bärenreiter UrtextYour next performance is worth it.

Bärenreiter Urtext is a seal of quality assigned only to

scholarly-critical editions. It guarantees that the musical

text represents the current state of research, prepared

in accordance with clearly defined editorial guidelines.

Bärenreiter Urtext: the last word in authentic text –

the musicians' choice.

Bärenreiter Urtext also offers the best of Czech music.See more inside the catalogue.

Other Bärenreiter catalogues

You will find a PDF of these catalogues on www.baerenreiter.com under “Service”.

Ask for the printed catalogues at your music dealers.

BärenreiterMusic for Organ

2014/2015

Your Music Dealer:

Bärenreiter-Verlag · 34111 Kassel · Germany · www.baerenreiter.com · SPA 238

Bärenreiter – Das Programm 2016/2017SPA 478 (Ger)The most comprehensive catalogue for all solo instruments, chamber music and solo voice. Vocal scores and study scores are also included.

Bärenreiter – Music for Organ 2014/2015SPA 238 (Eng)Bärenreiter's Urtext programme for organ as well as collections and series. You will also find jazz works, transcriptions, works for organ and voice, as well as a selection of contemporary music.

Bärenreiter – Choral Music 2016/2017SPA 30 (Eng)The catalogue includes sacred and secular choral works as well as choral collections, selected facsimiles, and books relating to vocal music.

Bärenreiter – Musikbücher 2016/2017SPA 494 (Ger)The catalogue contains a wide range of books on music, facsimiles, and reprints of historical editions.

Bärenreiter – The Programme 2016/2017

SPA 480 (Eng)Bärenreiter's bestsellers for piano, organ, strings, winds,

chamber ensembles, and solo voice. It also lists study and orchestral scores, facsimiles

and reprints, as well as books on music.

Bärenreiter – Music for Piano 2017/2018

SPA 233 (Eng)Bärenreiter's complete Urtext programme for piano as well

as all educational titles and collections for solo and piano

four hands. Chamber music with piano is also listed.

Bärenreiter – Musik für Streichen 2017/2018

SPA 234 (Ger)Bärenreiter's complete Urtext

programme for strings as well as all educational titles and collections. There is an

extensive list of Bärenreiter chamber music editions as

well as a list of study scores, books and facsimiles relating

to string music.

Bärenreiter – Chormusik 2014/2015

SPA 481 (Ger)The catalogue includes works

for mixed, male, female and children's choir a cappella

and other choral sacred and secular works. Books relating

to choral music are also listed.

obálka_angl_2017.indd 2 2.3.2017 12:46:25













2014/2015

Your Music Dealer:



















to string music.






obálka_angl_2017.indd 2 2.3.2017 12:46:25

1

CONTENTS

PIANO / KEYBOARD Piano Solo (piano two hands) ��3Piano Duet (piano four hands) ��11Piano Concertos �� 13

HARPSICHORDHarpsichord Solo ��14Harpsichord Concertos ��14

ORGANOrgan Solo ��14Organ Concertos �� 15

ACCORDION �� 15

VIOLINViolin Solo �� 172 Violins Solo ��18Violin and Piano ��18Violin Concertos �� 21

VIOLAViola Solo ��23Viola and Piano ��23Viola Concertos ��23

VIOLONCELLOVioloncello Solo �� 24Violoncello and Piano �� 24Cello Concertos �� 25

DOUBLE BASS��26

HARP ��32

GUITAR ��32

WINDSRecorder ��32Flute ��33Oboe (English Horn) ��33Clarinet �� 34Saxophone ��35Bassoon ��35French Horn ��36Trumpet ��36Trombone ��36

PERCUSSION ��37

CHAMBER MUSICPiano Trio ��41Piano Quartet ��41Piano Quintet �� 42String Duo �� 42String Trio �� 42String Quartet �� 43String Quintet ��46String Sextet ��46Wind Ensembles ��46Wind Ensembles and Piano �� 47Miscellaneous Ensembles �� 47Miscellaneous Ensembles and Piano ��49

ORCHESTRAString Orchestra �� 51Chamber Orchestra �� 52Symphony Orchestra ��53

SOLO VOICE (VOICES) �� 60

CHORAL MUSIC / SACRED AND SECULAR WORKS

Collections �� 66Children's Choir �� 67Female Choir �� 67Male Choir �� 67Mixed Choir ��68

OPERA ��75

THEMATIC CATALOGUES ��75

Index of composers �� 76Promotional Gifts ��77Index of edition numbers ��77

The catalogue contains a wide selection of Czech music titles from the production of Bärenreiter music publishing house� For more information about the complete offer, please see our website www.baerenreiter.cz / www.baerenreiter.com




Your Music Dealer


Bäre

nrei

ter P

raha

• SP

A 31

4

4mm 148148


www�youtube�com/BaerenreiterVerlag

www�facebook�com/baerenreiter

Contents valid as of February 2017�Errors excepted and delivery terms subject to change without notice�

Printed by Bärenreiter Praha s�r�o�, náměstí Jiřího z Poděbrad 112/19, 130 00 Praha 3, Czech Republic, in March 2017� www�baerenreiter�cz

This catalogue can be downloaded as a PDF fromwww.baerenreiter.cz www.baerenreiter.com

2 3

PIANO / KEYBOARDCONTACTS

ABBREVIATIONS AND KEY TO FIGURES

B Jarmil Burghauser: Antonín Dvořák� Thematic Catalogue

BA Bärenreiter editionsH Bärenreiter Praha

editions taken up from the production of Editio Supraphon and its predecessors, or new titles with contemporary Czech music

H. Harry Halbreich: Bohuslav Martinů� Werkverzeichnis und Biografie

TP study score of Bärenreiter editions

ADCE Antonín Dvořák Complete Edition [Complete Edition of the Works of Antonín Dvořák]

AMO Adam Michna z Otradovic – Compositiones

BMCE The Bohuslav Martinů Complete Edition

LJCE Leoš Janáček Complete Edition [Complete Critical Edition of the Works of Leoš Janáček]

MAB Musica Antiqua BohemicaMKCE Miloslav Kabeláč

Complete Edition [Complete Critical Edition of Miloslav Kabeláč's Works]

Cz CzechEng English Fr French Ger German Ital Italian Lat LatinRu RussianSp Spanish

arr. arrangedEd. / Eds. Editor / EditorsIMC International Music

Competition maj majormin minorrev. revisedVol. Volume

Central and Eastern Europe

Bärenreiter Praha s.r.o.náměstí Jiřího z Poděbrad 19 130 00 Praha 3, Czech RepublicTel�: +420 / 274 001 933 +420 / 274 001 918Fax: +420 / 222 220 829info@barenreiter�czwww�baerenreiter�cz www�baerenreiter�com

Australia – Hong Kong – Ireland – Malaysia – New Zealand – Singapore – South Africa – United Kingdom

Bärenreiter LtdBurnt Mill, Elizabeth Way, Harlow Essex CM20 2HX, EnglandTel�: +44 / 1279 / 82 89 30 Fax: +44 / 1279 / 82 89 31info@barenreiter�co�uk

All other countries

Bärenreiter-VerlagKarl Vötterle GmbH & Co� KGHeinrich-Schütz-Allee 35-3734131 Kassel · GermanyTel�: +49 / 561 31 05-0 Fax: +49 / 561 31 05-240info@barenreiter�comwww�baerenreiter�com

For all inquiries, please use the contact information above or contact your local sheet music retailer.

Piano Solo(piano two hands)

Pieces for Children and Youth / Educational Works / Collections Classici boemici II

Dusík, Rejcha, Škroup, Tomášek, VoříšekEd� V� J� Sýkora MAB I/20H 1356

Classics and Their Contemporaries IDusík, Rejcha, Škroup, Tomášek, VoříšekRev� by A� Sarauer, D� KřížkováH 4497

Classics and Their Contemporaries IIBeethoven, Cimarosa, Clementi, Czerny, Dušek, Haslinger, Haydn, W� A� Mozart, Mysliveček, Pleyel, Rössler, Steibelt, Vaňhal Rev� by A� Sarauer, D� KřížkováH 5077

Czech Piano MusicDusík, Dvořák, Fibich, Janáček, Martinů, V� Novák, Smetana, Suk, Tomášek, VoříšekRev� by K� ŠolcH 5033

Czech SonatinasJ� A� Benda, Dusík, Dušek, L� Koželuh, Mysliveček, Vaňhal, VoříšekEds� K� Emingerová, O� Kredba MAB I/17H 1122

Dlouhý Milan(*1938)

Tell Me, Tell Me, Dandelion (Ptám se, ptám se, pampeliško)A cycle of instructive pieces (Cz/Ger/Eng)Rev� by J� UxováH 7781

Dusík Jan Ladislav(1760–1812)

Twelve Melodic Studies for Piano Op. 16 COPYEd� V� J� SýkoraMAB I/21H 907

Dvořák Antonín(1841–1904)

Largo from Symphony No. 9 in E min “From the New World” Op. 95Arr� by L� Láska in an easy styleH 1810

Dvořák Milan(*1934)

Jazz Piano Studies (Cz/Ger/Eng)H 5020 Vol� 1H 7082 Vol� 2

Eben Petr(1929–2007)

The World of Children (Svět malých)20 little compositionsRev� by I� HurníkH 3211

Three Pieces in CH 6421

For Young People from Modern Czech Composers

Ed� V� JůzlováH 7591

Graham Peter(*1952)

Subversive Etudes (Jinakosti)BA 9585→ see more on the next page

Hanuš Jan (1915–2004)

Moments in Nature (Vteřiny v přírodě) Op. 18A cycle of ten miniatures for the youngest pianistsRev� by E� DoležalováH 2031

The Story of Ten Brothers (O deseti bratrech) Op. 32Easy exercises and etudes for young fingers (Cz/Ger/Eng)H 2242

Hradecký Emil(*1953)

A Little Jazz Album(Cz/Ger/Eng)H 7325

Jazz Etudes for Young PianistsEd� Š� Krejčí (Cz/Ger/Eng)H 7974


NEW 2017

Two-Part Piano Miniatures on One Page (Dvouhlasé klavírní skladbičky na jednu stránku) Illustrations (black-and-white) by Andrea Tachezy(Cz/Ger/Eng)H 8034To appear in August 2017

This album offers imaginative piano miniatures of diverse character and style, which are easy to play, have interesting melodies, and are cleverly composed to really have just two parts, one for each hand�

● 15 easy and short performance pieces for beginning pianists

● Another original Czech contribution to educational piano literature

Hurník Ilja(1922–2013)

Jazz piccolo (Džezík)easy piano pieces (Cz/Ger)H 6329

Studies (Etudy)H 6474

Korte Oldřich F.(1926–2014)

Excursion (Exkurse)A cycle of instructive pieces (Cz/Ger/Eng)H 7948

COPY Authorised copy on request (offered for selected out-of-print titles)

• Bärenreiter-Verlag Kassel production

Contents

° Performance material available on sale

♦ Performance material available on hire

4 5

I

Crotchets and Quavers ● Viertel und Achtel

Moderato

3. Čtvrtky a osminky

mf

7

poco f mf mf

13

poco f

19

25

2

4

3

4

2

4

3

4

2

4

3

4

4

4

2

4

3

4

2

4

3

4

2

4

3

4

4

4

4

4

2

4

3

4

2

4

3

4

4

4

2

4

3

4

2

4

3

4

2

4

3

4

2

4

3

4

2

4

3

4

2

4

3

4

3

4

2

4

3

4

2

4

3

4

3

4

2

4

3

4

2

4

3

4

3

4

2

4

3

4

3

4

2

4

3

4

5

[ ]

2

2

[ ]

2

[ ]

5

1

5

2

4

4

( )

5

4

3

3

[ ]

[ ]

[ ]

[ ]

4 2 4

2

4

1

2

5

1

5

2

4

1

3

1

4

2

5

4

1

2

1

2

BA 9586

12

PIANO / KEYBOARDPIANO / KEYBOARD

Martinů Bohuslav(1890–1959)

NEW 2016

Easy Piano Pieces and DancesEd� L� Harasim BernáBA 9586

Black Bottom H 165, Foxtrot H 126bis, Crotchets and Quavers (Čtvrtky a osminky) H 257, One-step H 127bis, Foxtrot Born “On the Corner” (Foxtrot narozený „Na růžku”) H 123bis, Christmas (Vánoce) H 167

Though Bohuslav Martinů produced a lot of educational works for the piano, not all of them have been published and many delightful pieces have remained unknown�

Martinů's four-part piano cycle Crotschets and Quavers, appears for the first time� The work, composed in Paris in 1937, was previously known only from his correspondence and was long considered lost until a copyist’s manuscript of it resurfaced in Brno in 2011� The jazz piece One-step, composed in 1921, is also made accessible here for the first time� It hitherto only existed in the composer’s autograph�

● Six appealing pieces, two of them published for the first time

● Preface (Cz/Eng/Ger) and fingering by the editor

● Easy to moderate level of difficulty


Fables (Bajky) H. 1385 pieces in moderate level of difficultyH 3363

Christmas (Le Noël /Vánoce) H. 167Three pieces: Sleigh (Sáně), Christmas Carol (Vánoční koleda), Childern's Lullaby (Dětská ukolébavka)Rev� by K� ŠolcH 5081

Spring in the Garden (Jaro v zahradě) H. 1254 children's pieces Ed� A� BřezinaH 3257

Slavický Klement(1910–1999)

12 Small StudiesRev� by E� KleinováH 4149

Smetana Bedřich(1824–1884)

A selection of Piano Compositions IEd� V� Štěpán, rev� by K� Šolcmoderate level of technical difficultyH 1979

From: Bohuslav Martinů, Crotchets and Quavers from Easy Piano Pieces and Dances • BA 9586

Innocence (Nevinnost), Love (Láska), Polka in E-flat maj (op� posth�), Album Leaves (Lístky do památníku) Op� 2 Nos� 2, 3, 6, Polkas in E maj, in E-flat maj, in G min, in E min, Idyll (Idyla), Souvenir (Vzpomínka), A Pleasant Landscape (Přívětivá krajina)

Treasure of Melodies II 5 easy instructive pieces inincreasing level of difficultyEd� H� SéquardtováH 4499

Sonatinas and Rondos IClementi, Dusík, KuhlauRev� by V� KurzH 235

Suk Josef(1874–1935)

About Mother (De maman / O matince) Op. 28 COPY“Simple piano pieces for my little son” Ed� B� SelvaH 297

Love Song (Píseň lásky) Op. 7 No. 1Arr� by P� Blažek, rev� by K� ŠolcH 2424

Repertoire WorksBenda Jiří Antonín(1722–1795)

Sonate I–XVIEd� V� J� Sýkora MAB I/24H 1796


Sonate I–VII COPYEd� V� J� Sýkora MAB I/46H 3099

Sonate VIII–XVI COPYEd� V� J� Sýkora MAB I/53H 3289

Sonate XVII–XXIIIEd� V� J� Sýkora MAB I/59H 3413

Sonate XXIV–XXIXEd� V� J� Sýkora MAB I/63H 3756

Dušek František Xaver(1731–1799)

NEW 2016

Complete Sonatas for Keyboard Urtext / Ed� V� SpurnýBA 11513 Vol� IBA 11514 Vol� II→ see more on the next page


Dumka Op. 35, Furiant Op. 12, Two Little Pearls (Dvě perličky) B 156ADCE V/3H 6676

Humoresque in G-flat maj Op. 101 No. 7Urtext / Eds� P� Kvasničková, M� ŠtědronskáPreface (Cz/Eng/Ger), critical commentary (Cz/Eng) and facsimile pagesBA 9503

Humoresques Op. 101ADCE V/4H 1274

Impromptu B 129, Humoresque B 138 ADCE V/3H 2850

For open-minded teachers and inquisitive kids

Graham Peter(*1952)

Subversive Etudes (Jinakosti)for pianoIllustrations by Andrea TachezyBA 9585

Graham’s witty piano miniatures offer a natural means of practising finger technique, rhythm, and aural imagination� The melodies are distinctive and appealing, and the rhythms are simple yet original� The short pieces help students to develop their sense of polyphony and flexibility of play, and they enrich the students’ range of expression in ways which are rarely found in piano teaching literature�

These simple genre paintings offer glimpses into the musical cultures of different countries (e�g� Game- lan, Balkan Dance, African Games), music history and styles of compo-sers like Janáček, Debussy, or Satie, and into musical genres (opera, film)�

Peter Graham (actually Jaroslav Šťastný) teaches composition at the Janáček Academy of Arts in Brno�

● Miniature recital pieces for piano with amusing illustrations

● A welcome addition to the piano teaching literature

● Simple and entertaining genre paintings

● Easy to moderate level of difficulty

4

Dětský karneval

takf

tak- tak- ta ki- ta- ki-

Vesele

mp

1.

f

2.

f

4

4

4

4

- tak -

tak - tak -

ta - ki - ta ta - ki - ta ta - ka

Children’s Carnival / KinderfaschingMerrily / Fröhlich

6 7



Mazurkas Op. 56ADCE V/2H 2907Piano Compositions 1 COPYH 7040-01

Dumka Op� 35, Eclogues B 103, Furiants Op� 42, Piano Pieces Op� 52, Silhouettes Op� 8, Tema con variazioni Op� 36, Waltzes Op� 54Piano Compositions 2 COPYH 7040-02

Mazurkas Op� 56, Impromptu in D min B 129, Dumka and Furiant Op� 12, Poetic Tone-Pictures Op� 85, Suite in A maj Op� 98, Humoresques Op� 101, Dances: Polka in E maj B 3, Minuets Op� 28 and Scottish Dances Op� 41, Album Leaves B 109/2, B 128a, B 158, B 109/1/2/4, B 116, Humoresque in F-sharp maj B 138, Two Little Pearls B 156, Lullaby, Capriccio B 188/1, 2Piano Compositions Op. 52Eclogue, Gigue, Impromptu, Intermezzo ADCE V/2H 3177Poetic Tone-Pictures (Poetické nálady) Op. 85Eds� J� Burghauser, A� ČubrADCE V/3H 338Silhouettes Op. 812 piano pieces ADCE V/1H 1763Slavonic Dances Op. 46 (Series I) Arr� by K� ŠolcH 1359Slavonic Dances Op. 72 (Series II) Arr� by K� ŠolcH 1428 COPY

Suite in A maj Op. 98ADCE V/4H 2226Symphony No. 9 in E min “From the New World” Op. 95 Arr� by K� ŠolcH 1110Tema con variazioni Op. 36 COPYADCE V/1H 1126Waltzes Op. 54ADCE V/2H 1498


UniversiLiturgical movement for piano Prague Spring IMC Commission (2004)H 7917

Veni creator spiritusImprovisation on the Gregorian ThemeH 7744

Fibich Zdeněk(1850–1900)

Images, Impressions et Souvenirs (Nálady, dojmy a upomínky) Op. 41 Rev� by K� ŠolcH 384 Vol� IH 425 Vol� II H 675 Vol� IIIH 676 Vol� IV

Fišer Luboš(1935–1999)

Complete Sonatas for Pianoby one of the most distinctive figures of Czech music of the 20th century� His 2nd Sonata (1957) was subsequently remo-ved from his compositional repertoire by the composer himself�

H 7911 Sonata I H 7957 Sonata III H 7988 Sonata IV H 7757 Sonata V H 7758 Sonata VI “Fras”

(The Devil)H 7766 Sonata VII H 7989 Sonata VIII


NEW 2016

Complete Sonatas for Keyboard Urtext / Ed� V� SpurnýBA 11513 Vol� IBA 11514 Vol� II

The Czech composer František Xaver Dušek was one of the leading figures in the musical life of late 18th century Prague� He was an outstanding pianist, composer and teacher whose pupils included Leopold Koželuch�

This edition in two volumes contains all 23 of his surviving piano sonatas, many of which were previously accessible only in old prints or manuscripts� They are presented in chronolo-gical order by publication date� A commentary by the editor offers useful tips on performan-ce practice�

Vol� I comprises 10 sonatas that where published in Dušek's lifetime by Breitkopf� The original prints of eight of them were lost� Thus the only sources for the current critical edition were period copies of the works�

Vol� II contains 13 sonatas left unpublished in Dušek's lifetime and preserved in manuscript form� Three of them appear here for the first time�

● First complete scholarly-critical edition

● Five previously unpublished sonatas

● Preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor

● Easy to play and suitable for teaching purposes

BA 11514 © 2016 by Bärenreiter Praha

Sonata XI

Allegro

7

13

19

25

2

4

2

4

František Xaver Dušek

(1731‒1799)

[ ]

[ ]

[ ]

3

2 1 3

2

1

3

2

[ ]


Dreams and Waltzes (Sny a valčíky)H 7795

Janáček Leoš(1854–1928)

A Recollection (Vzpomínka) COPYEd� J� TrojanH 5781

NEW 2018

Complete Works for PianoforteNew Urtext edition Ed� O� PivodaBA 11545 (replaces H 6070p)In preparation

In the Mists (V mlhách)Urtext with fingering Eds� J� Burghauser, L� KunderaFingering by R� KvapilNew preface by J� ZahrádkaBA 9500

Lachian Dances (Lašské tance) Arr� by J� MásloH 6065

On an Overgrown Path (Po zarostlém chodníčku) Series I–IIUrtext with fingering Eds� J� Burghauser, L� KunderaFingering by R� KvapilNew preface by J� ZahrádkaBA 9502

Sonata 1. X. 1905Urtext with fingering Eds� J� Burghauser, L� Kundera Fingering by R� KvapilNew preface by J� ZahrádkaBA 9501

Tema con variazioni (Zdenkas Variations / Zdenčiny variace) Rev� by R� KvapilH 6070-01

Ježek Jaroslav(1906–1942)

Bugatti StepH 3156

A virtuosic piano foxtrot (1931) was influenced by the composer's fascination with the Bugatti car�

Jírovec Vojtěch(1763–1850)

12 Waltzes for PianoEd� V� MüllerováH 4738

Kabeláč Miloslav(1908–1979)

Eight Preludes for Piano Op. 30 COPYH 2461

Motifs from Exotic Lands (Cizokrajné motivy) Op. 38Ed� Z� Nouza †MKCE V/4H 7906

Seven Pieces for Piano Op. 14Ed� Z� Nouza †MKCE V/5H 7857

Short Pieces for Piano (Drobné skladby pro klavír)Ed� Z� Nouza †MKCE V/6H 7842

Kalabis Viktor(1923–2006)

Entrata, aria e toccata Op. 41 COPYH 6354

Piano Sonata No. 3 Op. 57H 7415

8 9



SonataH 1842

Koželuh Leopold(1747–1818)

Complete Sonatas for KeyboardUrtext / Ed� Ch� Hogwood †BA 9511 Vol� IBA 9512 Vol� IIBA 9513 Vol� IIIBA 9514 Vol� IVBA 9515 Set of all 4 volumes(special set price)

50 keyboard sonatas from Leopold Koželuch (also Koželuh), the foremost representative of Czech music in the 18th century Vienna, span his entire career and mark not only the transition from the harpsichord and clavichord manner to the fully idiomatic forte-piano style, but also the evolution of the “classical sonata” during three decades (1773–1806)� The sonatas are presented chronologically according to the date of their first publication�

● First complete scholarly- critical edition

● Fills a gap in Czech and Central-European Classical repertoire

● Suitable for amateurs as well as professionals; ideal for teaching purposes

● Detailed preface (Eng/Cz/Ger), critical commentary (Eng) by the editor and facsimile pages


Film en miniature H. 148Cycle of six pieces Ed� V� Kafková H 5709

Puppets (Loutky) I-III H. 137, H. 116, H. 92Ed� A� BřezinaH 7875 Vol� I H 7946 Vol� II H 7963 Vol� III H 7970 All 3 volumes

combined

The charming pieces composed between 1912 and 1925 differ from one another in character� They take characters of Italian commedia dell´arte as their theme: Pierrot, Colombina and Harlequin�

● Detailed preface and critical commentary by the editor (Cz/Ger/Eng/Fr)

● Fingering by Giorgio Koukl

Quatre Mouvements H. 170Rev� by I� PopelkaH 6156

Mysliveček Josef(1737–1781)

Six SonatasRev� by V� Němec Preface on the composer and his works by O� Zuckerová (Cz/Ger/Eng)H 7330

Novák Vítězslav(1870–1949)

Sonatinas Op. 54 Nos. 1, 2Rev� by F� RauchH 475

Rejcha Antonín (1770–1836)

36 Fugues for PianoEd� V� J� Sýkora Preface by R� Dykast (Cz/Eng/Ger)BA 9541

The Czech composer Antonín Rejcha (also Anton Reicha) was famous as both an experimental composer and a teacher and theorist� His 36 Fugues for Piano testify to this experimentalism; they can be seen as a type of “Well-Tempered Piano of the new ages”, basing the traditional Baroque fugue on radically new fundaments�

Simon Ladislav(1929–2011)

Piano Sonata No. 2H 7445

Schulhoff Erwin(1894–1942)

Jazz Inspired Works Urtext / Ed� M� KubeBA 9559

Partita (1922) / Cinq études de jazz (1926) / Esquisses de jazz: Six pièces faciles pour piano (1927) / Hot Music: Ten Syncopated Studies (1928) / Suite dansante en jazz (1931)

Sonatas Nos. 1 – 3Urtext/ Ed� M� KubeBA 9560

Erwin Schulhoff was a Prague German-speaking composer� His compositions of the 1920s, with their blend of traditional genres, jazz syncopations, dance rhythms and moderately expanded tonality, were fully attuned to the tenor of the times�

● First Urtext editions

● Prefaces (Ger/Cz/Eng) and critical commentaries (Eng) by the editor


A selection of Piano Compositions IIIEd V� Štěpán, rev� by K� Šolcadvanced level of technical difficulty H 3374

Macbeth and the Witches (Macbeth a čarodějnice) Op� posth�, On the Seashore (Na břehu mořském), Bohemian Harvest (Slavnost českých sedláků), selection from Czech Dances: Polka in F maj, Furiant, Medvěd, Slepička, Obkročák

Album Leaves (Lístky do památníku)Urtext with fingering / Ed� J� Novotný New preface by J� Gabrielová (Cz/Eng/Ger)BA 9525

Album Leaves (Lístky do památníku) Opp� 2, 3, Sketches (Črty) Opp� 4, 5, Posthumous Compositions (Skladby z pozůstalosti), Compositions for Various Occasions (Skladby příležitostně uplatněné)

Czech Dances Urtext with fingering / Ed� J� Novotný New preface by J� Gabrielová (Cz/Eng/Ger)BA 9507 (replaces H 7308)

Series I: Polkas in F-sharp min, in A min, in F maj, in B-flat maj, Series II: Furiant, Slepička, Oves, Medvěd, Cibulička, Dupák, Hulán, Obkročák, Sousedská, Skočná

Early Piano Works Urtext with fingering / Ed� J� Novotný New preface by J� Gabrielová (Cz/Eng/Ger)BA 9527

Compositions from the years 1840–1849: Bagatelles et impromptus, Six morceaux caractéristiques Op� 1, Wedding Scenes (Svatební scény), first Polkas: Louisa's (Louisina), Dahlia (Jiřinková), From the Student Life (Ze studentského života), Souvenir of Plzeň (Vzpomínka na Plzeň), Polka in E-flat maj

NEW 2018

Macbeth and the Witches (Macbeth a čarodějnice) Op. posth. Sketch to a scene from ShakespeareUrtext / Ed� J� GabrielováBA 11537In preparation

● First-ever scholarly-critical edition

Macbeth and the Witches is one of Smetana's virtuosic ‘Lisztian’ compositions� Based on motifs from the opening scene of Act IV of Shakespeare's tragedy, it originated in 1859 as a piano sketch and was probably meant to be orchestrated� It falls into Smetana's Swedish period, which gave rise to three symphonic poems, including one on Shakespeare's Richard III. Later the work took hold as a piano piece and was orchestrated by Jarmil Burghauser�

On the Seashore (Na břehu mořském) / Concert Etude in C maj (Koncertní etuda C dur) / Fantasia on Czech Folksongs (Fantasie na české národní písně)included also Allegro capriccioso and Etude in A minUrtext with fingering / Ed� J� NovotnýNew preface by J� Gabrielová (Cz/Eng/Ger)BA 9519

10 11



Piano Compositions 1 Ed� J� NovotnýH 7333

Bagatelles et impromptus and other early piano compositions: Polkas (Betty's, Louisa's, Dahlia, Polka in E-flat maj), Duet, Impro-mptu I, Impromptu II, Impromptu III, Composition without name, Apparation at the Ball (Vidění na plese), From the Student Life (Ze studentského života), Souve-nir of Plzeň (Vzpomínka na Plzeň)

Piano Compositions 5Ed� J� NovotnýH 7460

Six morceaux caractéristiques Op� 1, The Curious One (Zvědavý), Forest Emotions and Impressions (Lesní city a dojmy), Waltzes, Album Leaves (Skladby psané do památníku)

Piano Compositions 6Ed� J� NovotnýH 7215

Dreams (Rêves / Sny), Wedding Scenes (Svatební scény), Treasury of Melodies I (Poklad melodií I)

PolkasUrtext with fingering / Ed� J� NovotnýNew preface by J� Gabrielová (Cz/Eng/Ger)BA 9506

Three Drawing-Room Polkas (Tři salonní polky) Op� 7, Three Poetic Polkas (Tři poetické polky) Op� 8, Souvenir of Bohemia in the Form of Polkas (Vzpomínka na Čechy ve formě polek) Opp� 12, 13, Polkas from the 1850s (Polky z let padesátých)

Rêves (Dreams / Sny) Six morceaux caractéristiques pour le pianoUrtext with fingering / Ed� J� GabrielováBA 9529

The six pieces of “Rêves” were written in 1875, when Smetana had already lost his hearing� This significant work by the composer was not included in the Complete Edition of Works for Piano� This new edition is based on the first printed edition of 1879 by Emanuel Starý�

● First critical edition


● With the historical fingering by Smetana's contemporary, Jindřich Kàan z Albestů


Lullabies (Ukolébavky) Op. 33 Rev� by K� ŠolcH 4154

Piano Compositions Op. 7 Rev� by K� ŠolcH 5766

Love Song (Píseň lásky), Humoresque, Recollections (Vzpomínky), Idylls (Idylky), Dumka, Capriccietto

Radúz and Mahulena Op. 13Music to a Slovak fairy tale in 4 acts by Julius ZeyerH 1879 piano reductin

(Roman Veselý)

Spring (Jaro) Op. 22aFive pieces for pianoRev� by K� Šolc H 298

Things Lived and Dreamt (Životem a snem) Op. 30 Ten Pieces for PianoUrtext / Ed� J� GabrielováBA 9561 The cycle Things Lived and Dreamt (Životem a snem) has been called the “diary of an artist”� Although Suk's musical language never exceeds the bounds of tonality, his wealth of resources, the flexible harmony, chords of stacked thirds and meticulous performance instructions were new to the Bohemia of his day�

The autograph contains many cuts, overwritings and barely decipherable passages, yet it is carefully prepared and largely identical to the first edition of 1909� This first scholarly-critical edition takes all source variants into account for the first time�

● Magnum opus of Suk's piano music

● First ever scholarly-critical edition


Tomášek Václav Jan(1774–1850)

Eclogues pour le pianoforte I COPY(Opp� 35, 39, 47, 51)Ed� A� BorkováMAB I/73H 4872

Eclogues pour le pianoforte II COPY(Opp� 63, 66, 83)Ed� A� BorkováMAB I/74H 5390

Vaňhal Jan Křtitel(1739–1813)

Twelve Sonatines (Dodici Sonatine)Rev� by V� Němec Preface by O� Zuckerová (Cz/Ger/Eng) H 7461

Voříšek Jan Václav Hugo(1791–1825)

Composizioni per piano soloEd� O� ZuckerováMAB I/52H 3237

Impromptus Op. 7Ed� V� HelfertMAB I/1H 2182

XII rhapsodies pour le pianoforte Op. 1, Vol. I (Rhapsodies I–VI)Ed� V� J� Sýkora MAB I/78H 6036

XII rhapsodies pour le pianoforte Op. 1, Vol. II (Rhapsodies VII–XII) COPYEd� V� J� Sýkora MAB I/79H 6114

Sonata in B-flat min Op. 20Ed� O� ZuckerováMAB I/4H 7133

Piano Duet(piano four hands)

Pieces for Children and Youth / Educational Works


Scottish Dances Op. 41piano four hands arrangement of the original piece for two hands (in piano album Dances, ADCE V/1)(Cz/Ger/Eng)H 5851


The Little Green Forest (Hájíčku zelený)Arrangements of Folk Songs (Cz/Ger/Eng)Rev� by J� Němcová, V� Němec H 6657


Jazz Pieces for Twenty Fingers(Cz/Ger/Eng)piano four hands arrangements of popular dances – Waltz, Ragtime, Samba, Tango etc� H 7975


Playing with Four Hands (Cz/Ger) H 6155

Kopelent Marek(*1932)

Two (Dva)H 6474

p dim.

sempre p molto

a tempo

41

poco

pp44

poco

pp

*) See Critical Report.

pp leggiero

48

dim.

poco sostenuto

pp

51

4

2 2

*)

8

mp mp

Andante sostenuto

pp poco

sempre dolcissimo

Vivace

9

dolce

17

pp

sempre pp e dolcissimo

poco

pppoco

25

poco marcato ma pp poco marc.

pp

32

mf marcato il basso

dim.

perdendosi pp

6

8

6

8

(Tajemně a velmi vzdušně)

(Mysterious and very airy)

(Geheimnisvoll und sehr duftig)

III

poco

poco

9

From: Josef Suk, Things Lived and Dreamt Op. 30 • BA 9561

12 13


Repertoire Works


From the Bohemian Forest (Ze Šumavy) Op. 68Cycle of six characteristic pieces Ed� A� ČubrBA 9565

In the Spinning-room (Na přástkách), By the Black Lake (U Černého jezera), Walpurg's Night (Noc filipo- jakubská), In the Wait (Na čekání), Silent Woods (Klid), From Troublous Times (Z bouřlivých dob)

In the third cycle for piano four hands, following Slavonic Dances and Legends, Dvořák drew his inspiration from the countryside that he enjoyed visiting in his free time�

● Popular piano miniatures, which can be played also individually and are ideal as encore pieces

● New preface by Hans-Joachim Hinrichsen and Ivana Rentsch (Ger/Eng/Cz)

● Primo and Secondo parts printed on facing pages

Legends (Legendy) Op. 59Eds� F� Bartoš, A� Pokorný, K� ŠolcADCE V/6H 1801

NEW 2016

Slavonic Dances (Slovanské tance) Op. 46 and Op. 72Ed� J� BurghauserBA 9547 Op� 46 / Series IBA 9548 Op� 72 / Series II

● Unique masterpieces of European music for domestic use and concert performance

● New preface by Hans-Joachim Hinrichsen and Ivana Rentsch (Ger/Eng/Cz)

● Newly engraved with Primo and Secondo parts printed on facing pages


Sonata in B-flat maj for Piano Four Hands Op. 28 COPY Eds� A� Pokorný, K� ŠolcH 3879


InnocenzaRev� by J� Němcová, V� NěmecH 7717

Hurník Lukáš(*1967)

Hot-SuiteRev� by J� Němcová, V� NěmecH 7638


SinfoniettaH 7741 piano reduction

for four hands (František Jílek)

Kabeláč Miloslav (1908–1979)

Small Suite (Malá suita) Op. 42 COPY H 3598


Vltava (The Moldau)Symphonic poem from the cycle My Country (Má vlast) in the original version for piano duet Urtext / Ed� H� Macdonald Preface by O� MojžíšováBA 9549

● Informative preface including a contribution by Smetana scholar Olga Mojžíšová (Cz/Eng/Ger)

● Primo and Secondo parts printed on facing pages

(score and orchestral parts – see section ORCHESTRA)


Symphony in D majH 7323 piano reduction for four hands (Karel Šolc)(score and orchestral parts – see section ORCHESTRA)

Piano Concertos

Bořkovec Pavel(1894–1972)

Concerto No. 1 for Piano and Small OrchestraH 4985 study score ♦


Concerto in G min for Piano and Orchestra Op. 33 COPYWith two solo parts (scored in parallel) – the original by the composer and an arrangement by V� Kurz ADCE III/10H 1780 piano reduction ♦

(Karel Šolc)

(will be replaced by BA 10420-90)

Concerto in G min for Piano and Orchestra Op. 33 Urtext / Ed� R� van SteijnBA 10420 scoreBA 10420-90 piano reduction ♦

(Antonín Dvořák)(will replace H 1780)In preparation

Dvořak's Piano Concerto in G minor Op� 33 (1876) acquired a reputation as a thankless,pianistically difficult and ineffective work and has therefore led a wallflower existence in the shadow of his

Violin and Cello Concertos� Today, it is considered inadvisable to ‘remedy’ Dvořak’s music in any way, and we prefer to return unconditionally to the authentic text, avoiding all adjustments and ‘improvements’�

This new edition proceeds fromthe autograph score and the complete printed edition issued by Hainauer of Breslau in 1883� It also includes an edition of thecomposer’s original piano reduction, with a second piano taking the place of the orchestra�


Concerto da camera for piano and chamber orchestraH 5422 score ♦


Capriccio for Piano Left Hand and Wind Ensemble flute / piccolo, 2 trumpets, 3 trombones, tenor tuba ossia French horn Eds� L� Faltus, J� Procházková LJCE E/5BA 6856• cloth bound score

with partsUrtext / Eds� L� Faltus, J� ProcházkováPreface by J� ProcházkováBA 9535 score and parts in

slipcover

The Capriccio was written in the autumn of 1926 at the suggestion of the pianist Otakar Hollmann, an invalid from the First World War� Like his con-temporary Paul Wittgenstein, Hollmann urged composers to write something for piano left hand; he succeeded in persua-ding Bohuslav Martinů, Erwin Schulhoff and Janáček to do this� Janáček did not want, as he put it, to compose a “dance for one leg”, but finally wrote a four-movement work with associations to military music�



ff

Presto

fz

10

p

pp

p

1. 2.

18

pp

poco a poco cresc.

28

f p

cresc.

35

fz

f

42

3

4

3

4

Antonín Dvořák, op. 46

1

[ ]

[ ]

][

SECONDO2

BA 9547© 2017 by Bärenreiter Praha

ff

Presto

fz

10

p

pp

1.

18

p pp poco fz a poco cresc. fz

2.

26

fp

34

cresc.

f

41

3

4

3

4


1

[ ]

[ ]

[ ]

PRIMO3


ff

Presto

fz

10

p

pp

p

1. 2.

18

pp

poco a poco cresc.

28

f p

cresc.

35

fz

f

42

3

4

3

4


1

[ ]

[ ]

][

SECONDO2

BA 9547© 2017 by Bärenreiter Praha

ff

Presto

fz

10

p

pp

1.

18

p pp poco fz a poco cresc. fz

2.

26

fp

34

cresc.

f

41

3

4

3

4


1

[ ]

[ ]

[ ]

PRIMO3

From: Antonín Dvořák, Slavonic Dance No. 1 (furiant) from the Slavonic Dances Op. 46 four hands • BA 9547

NEW 2018

14 15

ORGAN / ACCORDIONHARPSICHORD / ORGAN / ACCORDION


Musica dominicalis (Nedělní hudba)(Cz/Ger/Eng)H 3761

● Eben's most famous composition for organ

● Revised edition with notes on interpretation by Jan Hora in cooperation with the composer

Ten Chorale PreludesH 7845


ReliefH 7967


Organ WorksEds� M� Buček, L� FaltusLJCE F/2BA 6852-01• cloth bound scoreUrtext / Eds� M� Buček, L� FaltusWith preface by J� Zahrádka (Cz/Eng/Ger)BA 9524

Three Pieces for Organ from Prague Studies in 1874–1875 (Overture, Varyto, Choral Fantasy), Two Pieces for Organ self-published in 1884, Postludium – the penultimate part of the famous Glagolitic Mass


NEW 2017

Two Phantasies Ed� J� HoraH 8028

Novák Jan(1921–1984)

Iubilationes per organoH 7865

Old Czech Organ ChristmasJosef Seger, Jakub V� Paus, František X� Brixi, Jiří I� Linek, Jan K� Vaňhal, Jan K� Kuchař, Karel B� KopřivaEd� J� SmolkaH 7690

Organ Compositions of Old Czech Masters

František X� Brixi, Jan K� Vaňhal, Jan K� Kuchař, Karel F� PitschEd� B� Geist, rev� by M� KampelsheimerH 4506

Seger Josef Ferdinand Norbert(1716-1782)

Composizioni per organo (Preludi e fughe) COPYEd� V� BělskýMAB I/56H 3364

Slavický Milan(1947–2009)

Sursum cordaH 7873

Štědroň Miloš(*1942)

Claudio Monteverde: Praga 1595Prague Spring IMC Commission (2006)H 7969

Teml Jiří(*1935)

The Alchemists (Alchymisté)H 7976

Organ Concertos

Brixi František Xaver(1732–1771)

Concerto Fa maggiore per organo principale2 French horns, violin I II, viola, basso continuoEd� J� ReinbergerMAB I/26H 1852 score ♦

Due concerti per organo2 clarinas in D, violin I II, viola, violoncello and double bassin D maj, in G majEd� V� BělskýMAB I/75H 4923 score ♦

Accordion

Havlíček Ilja – Machalíčková Františka – Ondruš Ján

School of Accordion Playing(Cz/Ger)H 3204


Concertino for piano, 2 violins, viola, clarinet, French horn and bassoonH 4342 score with parts


Concerto for Piano and Orchestra No. 4 “Incantation” H. 358BA 4318-90• piano reduction ♦

(Karel Šolc)

Harpsichord Solo

Dušek František Xaver (1731–1799)

Sonate per il clavicembaloin F, C, G, G, D, A, F, E-flat majRev� by M� Knotková, A� NěmecMAB I/8H 380

Gemrot Jiří(*1957)

Plays for Harpsichord (Hry pro cembalo)Prague Spring IMC Commission (2005)H 7896

Rychlík Jan(1916–1964)

Hommaggi gravicembalistici per cembaloRev� by K� ŠromH 5318

HarpsichordConcertos

Benda Jiří Antonín(1722–1795)

Concerto in G min for Harpsichord and Strings violin I II, viola, violoncello (double bass)Ed� V� BělskýMAB I/10H 7438 score with parts ♦

Due concerti per cembalo COPYviolin I II, viola, violoncello (double bass) in F maj, in G majEd� V� BělskýMAB I/77H 5805 score ♦

Tre concerti per cembaloviolin I II, viola, violoncello (double bass) in F min, in B min, in G majEd� V� BělskýMAB I/45H 2981 score

(♦ only in F and B min)

Organ Solo

Černohorský Bohuslav Matěj(1684–1742)

Composizioni per organo COPYEd� J� ŠafaříkMAB I/3H 4346


Largo from the Symphony No. 9 in E min “From the New World” Op. 95Arr� by M� Kampelsheimer in an easy styleH 1809

Symphony No. 9 in E min “From the New World” Op. 95Transcription for organ by Z� SzathmáryBA 8472•

● Welcome addition to the organ repertoire

● Outstanding virtuoso organ writing

Preludes and Fugues for Organ B 302Eds� J� Burghauser, A� ČubrADCE VII/3H 6334

♦ Performance material available on hire From: Petr Eben, Musica dominicalis • H 3761 • Bärenreiter-Verlag Kassel production

S O U B O R N É K R I T I C K É V Y D Á N ÍK R I T I S C H E G E S A M T A U S G A B E C O M P L E T E C R I T I C A L E D I T I O N

KABELÁČMiloslav

H 8028

BÄRENREITER PRAHA

V/12

Dvě fantazieZwei FantasienTwo Fantasias

op. 32

ORGAN

KLAVÍR

16 17

VIOLIN

School of Violin Technique Op. 1BA 9552 Book 1: 1st PositionBA 9553 Book 2: 2nd–7th PositionBA 9554 Book 3: Changing PositionsBA 9555 Book 4: Exercises in Double

Stops and Harmonics

● The pivotal work of a leading violin pedagogue

● The most frequently used system of practising scales and broken chords worldwide to this day

● For intermediate and advanced violinists

● Lifelong study material even for professionals

Changes of Position and Preparatory Scale Studies Op. 8BA 9557

● Exercises devoted to changes of position and preparatory studies for scales over three octaves (in thirds, sixths, octaves and tenths)

● Moderate level of difficulty

School of Bowing Technique Op. 2BA 9591 Book 1: Exercises for the

Right Arm BA 9592 Book 2: Exercises for the

Wrist IBA 9593 Book 3: Exercises for the

Wrist II

● An exceptional work of educational violin literature for the right hand

● The famous “four thousand” variations of systematically ordered bowing exercises

● Divided into three sections, this new edition combines the original six volumes in groups of two

● Increasing order of difficulty: easy – moderate – advanced

Preparatory Trill Studies and the Development of Double-Stopping Op. 7 BA 9556

● Exercises dealing with the position of the fingers, their placement on the strings, practising finger-stopping and shifting along the fingerboard in the basic positions

● Moderate to advanced level of difficulty

NEW BÄRENREITER PUBLICATIONS OF ŠEVČÍK'S PRINCIPAL WORKSEdited by Jaroslav Foltýnbased on authentic sources from the early 20th century and Ševčík's posthumous papers

Bärenreiter

ŠEVČÍK

BA 9555Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1

Sešit 4 / Book 4 / Heft 4

Bärenreiter Praha · www.baerenreiter.czBärenreiter-Verlag · Kassel · www.baerenreiter.com

Škola houslové technikySchool of Violin TechniqueSchule der Violintechnik

op. 1


Cvičení dvojhmatová a flažoletová Exercises in Double Stops and Harmonics

Übungen mit Doppelgriffen und Flageolett -Tönen

ISMN 979-0-2601-0722-9

1 · 14

1/1 - líc: HKS 41 K, rub: barva papíru Salzer

Bärenreiter

ŠEVČÍK





op. 1


Výměny poloh / Changing Positions / Lagenwechsel

ISMN 979-0-2601-0721-2

1 · 14


Bärenreiter

ŠEVČÍK





op. 1


2.– 7. poloha / 2nd– 7th Position / 2.– 7. Lage

ISMN 979-0-2601-0712-0

1 · 14


Bärenreiter

ŠEVČÍK





op. 1


1. poloha / 1st Position / 1. Lage

ISMN 979-0-2601-0711-3

1 · 14

1/2 - líc: HKS 41 K, rub: barva papíru Salzer + černá barva

Bärenreiter

ŠEVČÍK

BA 9557Ševčík, Výměny poloh a průprava ke cvičení stupnic / Changes of Position and Preparatory Scale Studies /

Lagenwechsel und Tonleiter-Vorstudien · op. 8


Výměny poloh a průprava ke cvičení stupnic

Changes of Position and Preparatory Scale Studies

Lagenwechsel und Tonleiter-Vorstudien

op. 8

ISMN 979-0-2601-0727-4

1 · 15

Bärenreiter

ŠEVČÍK

BA 9552Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1

Svazek 1 / Volume 1 / Band 1


Škola smyčcové technikySchool of Bowing Technique

Schule der Bogentechnik

op. 2


ISMN 979-0-2601-0711-3

1 · 14

1/1 - líc: 1/1 - líc: černý plát = HKS 41 K / barva papíru Salzer pozor kod v K.-černá

Bärenreiter

ŠEVČÍK






op. 2


ISMN 979-0-2601-0711-3

1 · 14


Bärenreiter

ŠEVČÍK






op. 2


ISMN 979-0-2601-0711-3

1 · 14


Bärenreiter

ŠEVČÍK

BA 9556Ševčík, Průprava k trylku a výcvik prstového úhozu /

Preparatory Trill Studies and the Development of Double-Stopping / Triller-Vorstudien und Entwicklung des Finger-Anschlags · op. 7


Průprava k trylku a výcvik prstového úhozu

Preparatory Trill Studies and the Development of Double-StoppingTriller-Vorstudien und Entwicklung

des Finger-Anschlags

op. 7

ISMN 979-0-2601-0760-1

1 · 15

Violin Solo(with accompaniment)

Educational Works

Gola Zdeněk(*1929)

Violin Technique(Cz/Ger/Eng)BA 9550 Vol� 1BA 9551 Vol� 2

The exercises in this two-part textbook are intended for violinists who already have a basic knowledge of how to shift position and how to play double stops� The method used in both volumes is fundamentally different from those of other violin textbooks, and it brings a new approach to exercising finger technique� The author sees the left hand technique as constituting the basis of violin play�

● New method for practising left hand technique

● Around 500 position combinations

● Progressive method for achieving, renewing and maintaining confidence in both positioning and intonation

● Preface and commentaries to the exercises (Cz/Ger/Eng)

● Advanced level of technical difficulty

ŠKOLA HOUSLOVÝCH ETUD IETÜDENSCHULE FÜR DIE VIOLINE I

I. POLOHA I. LAGE

BÄRENREITER PRAHAH 5993

S E Š I T H E F T

1– 2

Krůček Václav(*1927)

School of Violin Studies I1st Position (Cz/Ger)H 5993 Vol� 1, 2

School of Violin Studies IIPlaying in Positions (Cz/Ger)H 6187 Vol� 3, 4

Ševčík Otakar(1852–1934)

Changes of Position and Preparatory Scale Studies Op. 8 Ed� J� FoltýnBA 9557 → see more on the facing page

Preparatory Trill Studies and the Development of Double-Stopping Op. 7 Ed� J� FoltýnBA 9556 → see more on the facing page

Preparatory Exercises in Double-Stopping Op. 9Ed� N� KubátH 2090

School of Violin Technique Op. 1 Ed� J� Foltýn BA 9552 Book 1 BA 9553 Book 2 BA 9554 Book 3 BA 9555 Book 4→ see more on the facing page

School of Bowing Technique Op. 2Ed� J� FoltýnBA 9591 Book 1 BA 9592 Book 2 BA 9593 Book 3→ see more on the facing page

Violin School for Beginners Op. 6 Ed� N� KubátH 257 Book 1H 54 Book 4H 55 Book 5H 258 Book 7

NEW 2017

Forty Variations for Violin Op. 3 Ed� P� KudelásekBA 11521 (replaces H 2627)To appear in November 2017

This relatively small one-volume work by Otakar Ševčík holds a special place in his extensive educational oeuvre� It follows up on his systematic “step-by-step” work with the right hand, which is meticulously detailed in the preceding Opus 2, but it can also be seen as an independent source of stimuli for the violinist's daily chores or as an extremely effective and condensed means of mastering the broad range of motions of the right hand – from basic to virtuoso� An ideal set of exercises for the hurried age of today�

● New edition of another of Ševčík's works for practising the right hand

● Follows up on the School of Bowing Technique Op� 2

● Preface (Cz/Eng/Ger) by the editor, the prominent Prague Conservatoire pedagogue Pavel Kudelásek

● Moderate to advanced level of difficulty

DV

OŘ

ÁK

· Dum

ky · op. 90 Bärenreiter Bärenreiter

ŠEVČÍK

Čtyřicet variací pro housle

Forty Variations for the Violin

Vierzig Variationen für Violine

op. 3

18 19

VIOLIN VIOLIN

Repertoire Works Benda František(1709–1786)

Caprice COPYfor violin soloRev� by J� ČeledaH 3133


Cruxfor violin, timpani and bellsReproduction of the autograph from the property of I� ŠtrausH 7966 performance score

Hanuš Jan (1915–2004)

A Zest for Life (Chuť žít) Op. 127A Fantasy Variation for Solo Violin in Response to Pierre Teilhard de Chardin's Thoughts Rev� by P� MacečekH 7881

Loudová Ivana(*1941)

Canto solitariofor violin soloPrague Spring IMC Commission (2003)H 7859

Šporcl Pavel(* 1973)

NEW 2017

Where Is My Home (Kde domov můj) virtuoso variations on the Czech national anthem for violin soloH 8039

2 Violins(solo / with accompaniment)

Educational WorksMicka Josef(1903–1993)

Elementary Studiesfor violin with the 2nd violin accompaniment H 5450

First Encounter with Masters14 short pieces for violin in the 1st position with the 2nd violin accompaniment (or piano accompaniment)H 3089

Repertoire Works Dvořák Antonín(1841–1904)

Humoresque in G-flat maj Op. 101 No. 7for two violinsArr� by J� ŽemlaH 1591-03 parts

Feld Jindřich(1925–2007)

Sonatina for Two ViolinsH 1927 parts

Kramář-Krommer František Vincenc (1759–1831)

Six Duettini for soprano and alto recorders / 2 violins / 2 clarinetsArr� by L� DanielH 5862 score with 1 part

(alto recorder)


Concerto for Two Violins and Orchestra H. 329

Duo concertante for Two Violins and Orchestra H. 264(both works – see section Violin Concertos)


Melodyfor two violinsEd� Z� Nouza †H 7951 score with parts

Tůma František Ignác Antonín(1704–1774)

Composizioni strumentaliSonatas / Partitas / Sinfonias for two violins and basso continuoEd� V� BělskýMAB I/69H 4376 score

Violin and Piano

Pieces for Children and YouthDvořák Antonín(1841–1904)

Humoresque in G-flat maj Op. 101 No. 7Rev� by L� Láska, A� PokornýH 1592 score with part

Largo from Symphony No. 9 in E min “From the New World” Op. 95 Arr� by A� Pokorný in an easy styleH 1811 score with part

Slavonic Dances Op. 46 Nos. 1–4Arr� by A� PokornýH 3235 score with part

Two Waltzes Op. 54 Nos. 1, 4for violin / viola and piano Arr� by J� Kocian, viola part rev� by K� MoravecH 1890 score (violin version)

with viola part


Sonatina semplicefor violin / flute and pianoRev� by B� Purger, V� ŽilkaH 2414 score with parts


Intermezzo H. 2614 compositions for violin with piano accompanimentRev� by V� Nopp, K� ŠolcH 5259 score with part

Sonatina H. 262Rev� by V� NoppH 2172 score with part

Micka Josef(1903–1993)

First Encounter with Masters14 short pieces for violin in the 1st position with piano accompaniment (or the 2nd violin accompaniment)H 3089


Compositions for Violin and PianoArr� by J� Suk, J� Kocian in an easy styleH 7823 score with part

Melody (Melodie), Bagatelle (Bagatela), Lullaby (Ukolébavka), Evening Mood (Večerní nálada), Village Serenade (Vesnická serenáda), Song of Love (Píseň lásky

Repertoire WorksBenda František(1709–1786)

Quatro sonatein A maj, in A min, in G maj, in A majEds� J� Štědroň, B� ŠtědroňMAB I/57H 3578 score with part


Sonatas Op. 69 Nos. 1, 2Eds� J� Štědroň, B� ŠtědroňMAB I/41H 2704 score with part


Capriccio B 81Concert RondoEds� J� Burghauser, A� ČubrADCE IV/1H 5543 score with part

Mazurek Op. 49Eds� J� Hanuš, K� ŠolcADCE IV/1H 1550 score with part


Romance in F min Op. 11 Urtext / Ed� J� HájekBA 9571 score with part

Originally written for violin and orchestra between 1873 and 1877, Dvořák's Romance immediately followed his String Quartet in F minor (1873) and draws on the theme from its slow movement�

Our edition is the first to avail itself of the autograph of Dvořák's own version for violin and piano� Compared to the well-known piano reduction by Josef Zubatý, it differs from

the orchestral version in several important respects and is also one bar shorter�

Our new edition, containing the composer's more authentic version, can nevertheless also serve as a piano reduction to the orchestral version�

● First edition of a piano version based on Dvořák's autograph of the piano part

● Detailed preface by David R� Beveridge (Cz/Eng/Ger)

● Critical commentary (Eng) by the editor

20 21

VIOLIN VIOLIN

Violin Concertos(solo / 2 violins)


NEW 2017

Concerto in A min for Violin and Orchestra Op. 53 → see more on the next page


Concerto for Violin and OrchestraH 6696 piano reduction ♦


The Wandering of a Little Soul (Putování dušičky) Violin ConcertoEds� L� Faltus, M� ŠtědroňLJCE H/4H 7738 score ♦H 7504 piano reduction

(Leoš Faltus)Kalabis Viktor(1923–2006)

Concerto No. 2 for Violin and Piano Op. 49 Violin part rev� by J� SukH 6674 score ♦

Kaprálová Vítězslava(1915–1940)

Concertino for Violin, Clarinet and Orchestra Op. 21 COPYBased on the composer's draft, realised by M� Štědroň, L� FaltusH 7919 score ♦


Romantic Pieces (Romantické kusy) Op. 75Eds� A� Pokorný, K� ŠolcNew preface by D� R� Beveridge and fingering by J� Micka BA 9576 score with part

Sonata in F maj Op. 57 COPYEds� A� Pokorný, K� Šolc Violin part rev� by S� NovákADCE IV/1H 2178 score with part

Sonatina in G maj Op. 100Ed� A� Čubr Violin part rev� by J� FeldADCE IV/1H 1364 score with part


Idyll (Selanka) Op. 16for clarinet / violin and piano Violin transcription by the composerH 3754 score with parts

Sonatina Op. 27Violin part rev� by V� SnítilH 1442 score with part


Hands (Ruce)Sonata for Violin and PianoViolin part rev� by I� ŠtrausH 3884 score with part

Hanuš Jan(1915–2004)

Suite to the Paintings of Mánes (Suita podle Mánesových obrazů) Op. 22 Rev� by S� ŠormH 465 score with part


A Blown-Away Leaf (Lístek odvanutý)from the piano cycle On an Overgrown Path Arr� by J� ŠtědroňH 2043 score with part

Dumka Revised version based on composer's autograph of the violin partEd� A� NěmcováH 7743 score with part


Works for Violin and PianoRomance, Dumka, SonataEds� J� Krejčí, A� NěmcováLJCE E/1BA 6849• cloth bound score

with part

Works for Violin and PianoRomance, Dumka, SonataUrtext / Eds� J� Krejčí, A� NěmcováNew preface by A� NěmcováBA 11512 score with part

● With a revised version of Dumka with original dynamic markings

Kocian Jaroslav(1883–1950)

Serenade in D majViolin part rev� by V� SnítilH 7938 score with part

Three Compositions for Violin and Piano Op. 19 Nos. 1, 2, 3Mélodie, Chanson printanière, Lullaby H 7874 score with part

Trois pièces d'impression pour violin et piano Op. 18 Nos. 1, 2, 3Méditation du soir, Intermezzo pittoresque, Hymne au printemps H 7825 score with part

Two Compositions for Violin and Piano Op. 17 Nos. 1, 2Serenade in G maj, HumoresqueViolin part rev� by V� SnítilH 7802 score with part


Dialoghi filosofici (Philosofical Dialogues)Violin part rev� by I� ŠtrausH 6582 score with part

Kubelík Jan(1880–1940)

BurlesqueViolin part rev� by V� SnítilH 7914 score with part

MinuetH 7817 score with part

Kubička Miroslav(*1951)

Sonata H 7916 score with part


Impromptu H. 166Three Compositions for Violin and PianoEd� I� PopelkaH 5906 score with part

Matys Jiří(*1927)

Capriccio Violin part rev� by B� KotmelH 5317 score with part


Sonata super “Hoson Zes…”for violin / flute and piano Ed� J� ČižmářH 7855 score with 2 parts

Ondříček František (1857–1922)

Scherzo capriccioso Op. 18Violin part rev� by V� SnítilH 7915 score with part


From the Homeland (Z domoviny)Two Duets for Violin and PianoUrtext / Eds� F� Bartoš, J� Plavec, K� ŠolcViolin part rev� by I� Štraus New preface by M� OttlováBA 9526 score with part


Sonata per il pianoforte con violino obligatoRev� by J� Panocha, A� DítětováH 5445 score with part


Sonata in G maj Op. 5 COPYEds� J� Štědroň, B� ŠtědroňMAB I/30H 2078 score with part



Key violin concertos of the 20th century

Bohuslav Martinů(1890–1959)NEW 2016

Concerto No. 1 for Violin and Orchestra H. 226 Violin part rev� by J� SukBA 11527-90 piano reduction ♦(replaces H 5797) (Karel Šolc)

[The score for Concerto No� 1 (BA 6720 / H 5798) also available on sale]

NEW 2016

Concerto No. 2 for Violin and Orchestra H. 293 Violin part rev� by B� BělčíkBA 11529-90 piano reduction ♦(replaces H 5286) (Karel Šolc)

The Violin Concerto No. 1 (written in Paris 1932–33) was never performed during the composer's lifetime and was even considered lost after his death� It was not until 1961 that this concerto was discovered� The world premiere was given by Czech violinist Josef Suk with the Chicago Symphony under G� Solti in 1973�

After hearing the Boston Symphony Orchestra perform Martinů's Symphony No. 1 in New York, Mischa Elman commissioned the composer to write a violin concerto for him� Martinů thereupon composed his Violin Concerto No. 2 in 1943� That same year Elman played the solo part at the world premiere with S� Koussevitzky conducting the Boston Symphony�

● Both concertos with new prefaces by Martinů scholar Sandra Bergmannová (Cz/Eng/Ger)

● Solo parts of both concertos revised by leading Czech violinists and internationally respected performers of Martinů's music

Koncert č. 2 / Concerto No. 2 / Konzert Nr. 2

I

Violino

© 2016 by Bärenreiter PrahaBA 11529-90

20

25

30

35

40

45

50

55

60 65

Bohuslav Martinů(1890–1959)

22 23

39 New Publications 2/2014 · The Programme

New Issue Title

Bärenreiter Study Score Reader

Quick start with a free demo version of the score to Debussy’s Prélude à l’après-midi d’un faune!

The great masterpieces of classical music from Bach to Debussy

Study music easily and conveniently on your iPad

High-resolution, razor-sharp images of orchestral scores in superb

Bärenreiter quality

Build your own mobile music library

Constantly expanding library of digitalized scores

For detailed information:www.baerenreiter.com

◼

◼

◼

VIOLIN / VIOLA


Concerto da camera H. 285for violin, string orchestra, piano and percussionEds� S� Bergmannová, J� Franková, P� SilverthorneBMCE III/1, 7 (in one volume with Rhapsody-Concerto for Viola and Orchestra H� 337)BA 10578-01 cloth bound scoreIn preparation

Concerto for Two Violins and Orchestra H. 329BA 3842• study score ♦BA 3842-90• piano reduction

(Karel Šolc)

Duo concertant for Two Violins and Orchestra H. 264BA 4317• study score ♦BA 4317-90• piano reduction

(Karel Šolc)


NEW 2017

Concerto in A min for Violin and Orchestra Op. 53Urtext / Ed� I� CividiniBA 10422 score ° (replaces H 1597)BA 10422-90 piano reduction

(Antonín Dvořák?)(replaces H 1005) TP 422 study score(TP 422 appears in November 2017)

Dvořák's Violin Concerto was composed between 1879 and 1882, with the active assistance of Joseph Joachim, and was issued by the publisher Fritz Simrock, Berlin in 1883� Its premiere took place in October of that same year with František Ondříček as soloist�

This new Urtext edition is based on the first edition (score, solo violin part, piano reduction and orchestral parts)� It also takes Dvořák's autograph which served as a master copy for the engraving into consideration� A fresh assessment of Dvořák's manuscript made it possible to reconstruct several variants ignored in the first and sub-sequent editions and to clarify ambiguities in the notation and articulation�

An important component of our Urtext edition is the original piano reduction, which probably stems from Dvořák himself, and in which we published Joseph Joachim's fingering�

● First Urtext edition of the original piano reduction

● Variants in the solo part rendered as ossia passages

● Preface on the work's genesis (Ger/Cz/Eng) and detailed critical commentary (Eng) by the editor

Slavický Milan(1947–2009)

The Way of the Heart (Cesta srdce) Story for violin solo, winds, percussion, celesta and harpH 6931 score – facsimile ♦

Vranický Antonín(1761–1820)

Concerto in B-flat maj for Violin and OrchestraEds� F� Krejčí, V� StrakaViolin part rev� by F� KrejčíMAB I/16H 916 piano reduction

Viola Solo

Educational WorksKolář Augustin

School of Viola Playing for Beginners (Cz/Ger)H 6791 four books

in slipcover

Viola and Piano

Pieces for Children and YouthFeld Jindřich(1925–2007)

Little Sonatina for Viola and Piano COPYH 5850

Repertoire WorksDvořák Antonín(1841–1904)

Two Waltzes Op. 54 Nos. 1, 4for violin / viola and piano Arr� by J� Kocian, viola part rev� by K� MoravecH 1890 score (violin version)

with viola part


Concertante Music for Viola and PianoH 7528 score with part

Viola Concertos


Concerto for Viola and Orchestra H 7987 piano reduction ♦


Rhapsody-Concerto for Viola and Orchestra H. 337BA 4316• study score ♦BA 4316-90• piano reduction

(Jürgen Sommer)




BA 10422-90

Violino solo

Joseph Joachim zugeeignet

© 2017 by Bärenreiter Praha

Koncert pro housle

Violin Concerto

Konzert für Violine

I

f

Allegro ma non troppo

6

rit.

11

f

dim.

in tempo

14

cresc.

23

ff

rit.

in tempo

27

f

54

ff

59

63

cresc.

66

c

Viol. I

33


cresc.

f

33

6655

66 66

33

4

33

33

33

55 66 66

22

Viol. I, II

33

A

§

3333

33

33 33

ff

66

33

#

1

33

B

New Urtext edition of a romantic concerto masterpiece

39 New Publications 2/2014 · The Programme

New Issue Title


Quick start with a free demo version of the score to Debussy’s Prélude à l’après-midi d’un faune!



High-resolution, razor-sharp images of orchestral scores in superb

Bärenreiter quality

Build your own mobile music library

Constantly expanding library of digitalized scores

For detailed information:www.baerenreiter.com

◼

◼

◼

VIOLIN

Bärenreiter

DVOŘÁKB Ä R E N R E I T E R U R T E X T

Koncert a mollpro housle a orchestr

Concerto in A minorfor Violin and Orchestra

Konzert a-Mollfür Violine und Orchester

op. 53

NEW 2018

Quick start with a free demo version of the scoreto Debussy's Prélude à l’après-midi d’un faune!




High-resolution, razor-sharp images of orchestral scores

Option of entering personal markings and annotations

Gradually expanding library of digitalized scores

For detailed information: www�baerenreiter�com

24 25

VIOLONCELLOVIOLA / VIOLONCELLO


NEW 2018

Rhapsody-Concerto for Viola and Orchestra H. 337Eds� S� Bergmannová, J� Franková, P� SilverthorneBMCE III/1, 7 (in one volume with Concerto da camera H� 285)BA 10578-01 cloth bound scoreIn preparation


NEW 2016

Concerto in C maj for Viola and OrchestraViola part rev� by J� Plichta BA 11531-90 piano reduction ♦(replaces H 3586) (Vilém Blažek)

The Bohemian composer Jan Křtitel Vaňhal/Johann Baptist Vanhal (1739–1813) settled in Vienna around 1763� There he wrote several concertos for various instruments, of which two for viola have survived� Both are evidently not original compositions, but arrangements of Vaňhal's own works by his contemporaries� The Viola Concerto in C major is based on Vaňhal's cello concerto in the same key�

● Popular repertoire piece from the Viennese Classical period available once again

● Solo part with cadenzas for each movement

● New preface by Phillip Schmidt (Ger/Cz/Eng)

Violoncello Solo

Educational WorksŠevčík Otakar(1852–1934)

NEW 2018

School of Bowing Technique for Violoncello Op. 2originally for violin, now in transcription for violoncello Ed� T� Jamník BA 11547 Book 1BA 11548 Book 2BA 11549 Book 3In preparation

Repertoire WorksKukal Ondřej(*1964)

Violoncelliana – 2nd Rhapsody for Solo Violoncello Op. 32Prague Spring IMC Commission (2012)H 8021

Tichý Vladimír(*1946)

ExclamationPrague Spring IMC Commission (2006)H 7949

Violoncello and Piano

Repertoire WorksDvořák Antonín(1841–1904)

Cello CompositionsSlavonic Dances Op� 46 Nos� 3, 8, Polonaise in A maj B 94 Ed� J� BurghauserCello part rev� by J� Chuchro ADCE IV/3H 5305 score with part

Polonaise in A maj Op. post. (B 94)Ed� K� StorckBA 6965• score with part

Rondo in G min Op. 94ADCE IV/3H 1487 score with part

Silent Woods (Klid) Op. 68 No. 5Ed� A� ČubrADCE IV/3H 1532 score with part

NEW 2017

Slavonic Dances Op. 46for violoncello and pianoArr� by J� GemrotBA 9568 score with part

In 1891 Dvořák arranged the final, eighth dance of his popular first set of the Slavonic Dances Op� 46 for violoncello and piano� The Czech composer Jiří Gemrot (b� 1957) has followed his example and has arranged the remaining dances for the same scoring� However in order to approach Dvořák's ideal sound Gemrot based his arrangements on the composer's orchestral score� Dvořák's own arrangement of Slavonic Dance No. 8 has been taken from the ADCE IV/3 (see Cello Compositions H 5305)�

● First complete edition of the first set of Slavonic Dances arranged for violoncello and piano by Jiří Gemrot

● A welcome addition to the violoncello repertoire

● Includes Dvořák's own arrangement of Dance No. 8

● With fingering and bowing by Tomáš Jamník

● Preface by Eva Velická (Cz/Eng/Ger)


Suita balladica H 2156 score with part


Sonata COPYH 7778 score with part


Works for Violoncello and PianoA Tale (Pohádka), PrestoUrtext / Eds� J� Fukač, B� Havlík, J� ZahrádkaPreface by J� Zahrádka(Cz/Eng/Ger)BA 9509 score with part

● With the four-movement version of A Tale


Sonata Op. 9Ed� Z� Nouza † Cello part rev� by D� VeisMKCE IV/3H 7793 score with part


Ritornel Op. 25Eds� M� Štědroň, L� FaltusH 7827 score with part


KarrakCello part rev� by J� BártaH 7725 score (facsimile)

with part


Sonata No. 3 H. 340Ed� A� Březina, Cello part rev� by M� SedlákH 7893 score with part

Variations on a Slovakian Theme H. 378BA 3969• score with part

Cello Concertos


Concerto in A maj for Violoncello and Orchestra B 10 COPYEds� J� Burghauser, K� Šolc Cello part rev� by M� SádloADCE VII/2H 5674 piano reduction by

the composer ♦

Concerto in B min for Violoncello and Orchestra Op. 104Urtext / Ed� J� Del MarBA 9045• score °BA 9045-40• critical

commentary (Eng)

BA 9045-90• piano reduction by the composer

TP 620• study score

● With Dvořák's final and definitive version of the solo cello part, now published for the first time since 1896

● With hundreds of corrections in the solo cello part as well as the orchestral parts

● With hitherto unknown details regarding the collaboration between Dvořák and Wihan

● With Dvořák's original piano reduction

● With Feuermann's and Casals' alternatives to a passage in the first movement♦ Performance material

available on hire • Bärenreiter-Verlag Kassel production

From: Antonín Dvořák, arr. by Jiří Gemrot, Slavonic Dances Op. 46 for violoncello and piano • BA 9568

p fz fz fz fz cresc. f

Allegro vivace

p

f

p

pdim.

10

dim. p

fz fz dim.

18

dim. pp fz

fz

p molto espress.

27

p dolce p molto espress.

2

4

2

4

2

4

V

cresc.

32

26 27

VIOLONCELLO / DOUBLE BASS


Concerto in B min for Violoncello and Orchestra Op. 104Cello part rev� by L� Zelenka Piano part by the composer rev� by K� ŠolcADCE III/12H 1598 score COPYH 1200 piano reduction by

the composer ♦


Sonata da camera H. 283for violoncello and chamber orchestraBA 4319• study score ♦BA 4319-90• piano reduction


Concerto in A maj for Violoncello and OrchestraH 6973 piano reduction

(Josef Rut)

Double Bass

Educational WorksČerný František(1861–1940)

Technical Studies for Double Bass (Cz/Ger)H 4179

Repertoire Works Kubička Miroslav(*1951)

Fierce and Frolicsome (Hrátky hravé i dravé)Rondo for double bass and piano H 7982 score with part


Hertl František(1906–1973)

NEW 2016

Sonata for Double Bass and PianoDouble bass part rev� by J� HudecBA 11530 score with part (replaces H 2068)

The renowned Czech bass player, composer and conductor František Hertl (1906–1973) led the double bass section of the Czech Philharmonic during the Václav Talich era and later taught at the Conservatoire and the

Sonáta / Sonata / Sonate

František Hertl (1906 –1973)

I

Contrabbasso

Pianoforte


Academy of Music in Prague� An outstanding virtuoso, he had a consummate mastery of his instrument’s expressive potential and sound qualities� He also wrote successful concert and educational works for his instrument�

Composed in 1946, Hertl’s only Sonata for Double Bass and Piano in three movements is a work of artistic and technical challenges that has maintained its place in the double bass repertoire to the present day� The musical text of our edition is based on the original publication (1956), this time with a new revision of the solo part by Jiří Hudec, the first double bass player of the present Czech Philharmonic�

● New edition of a major repertoire piece for double bass

● Solo part revised by respected Czech double bass virtuoso Jiří Hudec

● Preface by Hertl’s last pupil, Jan Balcar (Cz/Eng/Ger)

BÄRENREITER URTEXT offering the best

of Czech music

Bärenreiter Urtext is a seal of quality assigned only to scholarly-critical editions. It guarantees that the musical text represents the current state of research, prepared in accordance with clearly defined editorial guidelines. Bärenreiter Urtext: the last word in authentic text – the musicians' choice.

Your next performance is worth it� www�baerenreiter�cz


KLAVÍR KLAVÍR

28 29

Why choose Bärenreiter Urtext? Think of the time you spend practising and rehearsing for lessons and concerts. Can you really be sure that the music you play from reflects what the composer wanted?

Indeed, works have always been edited reflecting the taste of the time, often leading to a gradual deviation from what the composer had in mind. Most copied or downloaded music comes from old, heavily edited or even faulty editions. How disappointing to realise that you have wasted your time and energy on a musical text you cannot trust.

With Bärenreiter Urtext editions you can have confidence in the validity of the musical text. But what is an urtext

edition? At Bärenreiter the label “urtext” describes a scholarly-critical edition based on all known sources.

In the past, it has often been difficult for musicians to really know if what they were playing was true to the composer's intentions. Publications were heavily elaborated with editors' own – often questionable – additions and interpretations. In order to adequately judge the quality of an edition, musicians would need to examine manuscripts and sources themselves.

Bärenreiter takes on all this background work for you, our aim being to produce urtext editions reflecting the latest musicological research. Our editors, experts in their field, strive to set down a work as closely as possible to the composer's intentions. This isn't as easy as it sounds. Bärenreiter's musicologists often have to travel around the world to track down sources for a composition. They work like detectives, deciphering manuscripts which are sometimes almost illegible and evaluating conflicting sources.

Isn't urtext just a copy of the autograph? As a musician you certainly can appreciate how difficult it can be to grasp what the composer actually intended, especially when we have no recordings of the performances. Simply looking at the autograph – assuming it exists – is not enough. What if the composer made corrections in the first printed edition? Obviously in this case the autograph only provides part of the story of a composition. As many sources as possible need to be assessed in order to compile a Bärenreiter Urtext edition including sketches, letters, autographs, manuscript copies, proofs, first editions, first editions with autograph corrections, contemporary reviews and comments by contemporaries.

No cost or effort is spared by Bärenreiter when it comes to amassing and piecing together all the available information. An indispensable part of every urtext edition is the critical commentary where all editorial decisions and discrepancies between the sources are meticulously recorded. Only in this way can the true genius of the composer and his work be revealed.

What else can I expect from a Bärenreiter Urtext edition?A trustworthy musical text alone does not yet justify the label of Bärenreiter Urtext. Integral parts of Bärenreiter Urtext editions are:

• Information on the genesis and history of the work

• A description of the sources• Valuable notes on performance practice• A critical commentary explaining all source

discrepancies and editorial decisions.

But it's not all about musicology. Bärenreiter also satisfies your practical needs as a performer. Bärenreiter Urtext editions offer:

• Page turns, fold-out pages, and cues where you need them

• For solo string works additional parts with fingering and bowing

• In the case of solo concertos and vocal scores, straightforward piano reductions

• A well-presented layout and a user-friendly format

• Excellent print quality• Superior paper and binding• Solid, “Made in Germany” quality

What does the word urtext mean?The German prefix ur- literally means “original” or “earliest”. The earliest use of the term urtext goes back to the 19th century, where it appeared in connection with literary texts. It referred to the original texts of writers such as Goethe or Shakespeare which scholars tried to restore and free from editorial additions. In music, urtext is now a label used for scholarly-critical editions based on all known sources.

KLAVÍR KLAVÍR

30 31

9

89

sf sf sf

ff

92

ff ff

ff

ff ff

ff ff

ff

95

ff

ff

ff

sf

sf

sf

sf

sf

sf

][

[ ]

[ ]

[ ]

4

Think of your next performanceWith print-outs from downloads you miss out. Your performances miss out.

Don't waste time by messing with loose paper copies. Build your personal music library with Bärenreiter Urtext editions. Make our editions your own. Take advantage of our expertise and complement it with your personal markings and comments which you will be able to refer to all your life.

Make a Bärenreiter Urtext edition a lifetime investment. Your next performance is worth it.

Let's take this as an exampleSuk's Piano Quartet Op. 1 was published twice in the composer's lifetime. The second edition incorporated the composer's revision, noted by Otakar Šourek into a copy of the first edition (which was used as the engraver's copy for the second edition). The altered first movement was condensed with string-instrument imitation and with semiquaver passages in the piano, and this compositional arrangement of fifteen bars (Suk's autograph of the changes is missing) had to be re-engraved. But an oversight caused the omission of several dynamic markings, although these certainly still belong in the modified versi-on of the passage. Therefore, the Urtext edition re-inscribes these markings according to the first edition and comments on this decision in the critical commentary.

In picture A we see the version from the first edition from 1892. Every two bars the crescendo wedge and ff marking confirm that the music should retain a strong dynamic. Otakar Šourek (and possibly Suk himself before that) marked these wedges only into the piano part of the amended section (picture B ). This sole wedge is also somewhat illegible because that area of the page is muddled by the boundary between two glued pieces of paper. The second edition (picture C ) omitted even this last wedge, together with

C

D

the initial fortissimo in the piano part. Seeing that this omission was almost certainly not intentional, but rather a mere oversight, in our edition (picture D ) we return to the dynamic markings of the first edition. As we can see, it was not possible to merely reprint the second edition of the quartet from 1924; a study of the sources shows that even that edition was not without errors, due to inconsistent proofreading.

This shows one of many examples that Bärenrei-ter Urtext is not simply a copy of the autograph or a re-engraving of the first edition; it repre-sents a thorough examination of all aspects of a work enriching our understanding of it with conclusive results.

A

B

missing ff

illegible wedge

missing wedge

32 33

WINDSHARP / GUITAR / WINDS

Harp

ISMN 979-0-2601-0235-4

tisk 3/1 - žlutá, hnědá, červená - viz vzor / barva papíru Salzer

MUSICA ANTIQUA

BOHEMICA

22

JAN LADISLAV DUSÍK

SIX SONATINES

POUR LA HARPE



Six Sonatinas for HarpEd� M� Zunová MAB I/22H 1748

Teml Jiří(*1935)

Calligrams (Kaligramy)7 compositions for harp Rev� by M� Šimečková-SpitzerováH 7414

Guitar

Educational Works / Pieces for Children and Youth

Jirmal Jiří(*1925)

School of Guitar Playing for Beginners (Cz/Ger)H 5194

Rak Štěpán(*1945)

Minute Solos (Minutová sóla)Short Compositions for Guitar Beginners(Cz/Ger/Eng)H 7236

Zelenka Milan – Obrovská Jana(*1939 / 1930–1987)

Collection for Guitar I (Album pro kytaru I) Short performance piecesfrom easy to advanced level of difficulty(Cz/Ger)H 6415

Repertoire Works Hybler Martin(*1977)

The Scent of Faded Shades (Vůně vyhaslých stínů) Op. 14 H 7876

Jirmal Jiří(*1925)

Happy WaltzH 7792

Joy of Bossa NovaH 7796

Prelude in Jazz / CanzonettaPrelude in Jazz for solo guitar Canzonetta for solo guitar with the 2nd guitar ad lib� H 7828

Suite Azure (Recuerdos para Laurindo Almeida) H 7869


Partita in A per flauto e pianoH 3819 score with part


Sonatina for Flute and PianoH 7890


Sonata super “Hoson Zes…” for flute / violin and pianoEd� J� ČižmářH 7855 score with 2 parts

Other chamber works with flute – see section CHAMBER MUSIC

Flute Concertos

Benda František(1709–1786)

Tre concerti per flauto traverso ed orchestra da camera COPYin G maj, in E min, in A maj Ed� V� BělskýMAB I/80H 6211 score ♦

KLAVÍRNÍ VÝTAHKLAVIERAUSZUG

PIANO REDUCTION

BÄRENREITER PRAHA

J I N D Ř I C H F E L D

KONC ERTPRO FL ÉTNU A SM YČCOV Ý ORCHESTR ,

K L AV ÍR , H A R FU A BICÍ NÁSTROJE

KON Z ERT

FÜR FLÖTE, STR EICHORCHESTER , K L AV IER , H A R FE UND SCHL AGZEUG

CONC ERTO

FOR FLUTE A ND STR ING ORCHESTR A , PI A NO, H A R P A ND PERCUSSIONS


Concerto for Fluteand string orchestra, piano, harp and percussions H 3869 piano reduction ♦

Fils Antonín(1733–1760)

Concerto Re maggiore per flauto ed orchestraEds� H� Kašlík, F� Suchý With cadenza by F� SuchýMAB I/18H 53 piano reduction

(František Suchý) with part ♦


Concerto in D maj for Flute and OrchestraEd� M� MunclingerH 4721 score ♦

Oboe (English Horn)and Piano

Pieces for Children and YouthRychlík Jan(1916–1964)

Studies for English Horn with pianoLullaby, RondoH 1276 score with part

Repertoire WorksFeld Jindřich(1925–2007)

Three Compositionsfor oboe / flute / clarinet and pianoH 4557 score with parts

Pelikán Jaroslav(*1970)

Sonatina for Oboe and PianoPrague Spring IMC Commission (2008)H 7991 score with part

Losy Jan Antonín(1650–1721)

Pièces de guitareEd� J� PohankaMAB I/38H 2498

Recorder / 2 Recorders(solo / with accompaniment)

Pieces for Children and Youth / Educational WorksKramář-Krommer František Vincenc(1759–1831)

Six Duettini for soprano and alto recorders / 2 violins / 2 clarinetsArr� by L� DanielH 5862 score with 1 part (alto

recorder)

Nykl Jan

35 Studies for Soprano Recorder for intermediate players, can also be used for the flute and other wind instrumentsH 7132

Repertoire WorksFinger Gottfried(1656–1730)

Sonata in F majfor alto recorder and basso continuoEd� M� KlementH 7850 score with parts

Flute Solo

Repertoire WorksKabeláč Miloslav(1908–1979)

Compositions for Flute Solo Ed� Z� Nouza †MKCE IV/5H 7910

Short Suite (Partita piccola) Op� 13, Improvisation on the Own Theme Op� 29b (from Six Lullabies Op� 29 No� 3)

Flute / 2 Flutesand Piano

Pieces for Children and Youth Eben Petr(1929–2007)

Sketch for C.B. (Skica pro C. B.)for 2 flutes and pianoH 7135 score

Sonatina semplicefor flute / violin and pianoRev� by V� Žilka, B� PurgerH 2414 score with parts


Jazz Windsfor jazz flute / jazz trumpet / jazz trombone with piano accompanimentH 7931 score with parts

Repertoire WorksFeld Jindřich(1925–2007)


Hlaváč Miroslav(1923–2008)

Two Pastorales for flute and pianoH 7149 score with part


34 35

WINDSWINDS

Clarinet Concertos


Concertino for Violin, Clarinet and Orchestra Op. 21 COPYBased on the composer's draft, realised by M� Štědroň, L� FaltusH 7919 score ♦

Kramář-Krommer František Vincenc(1759–1831)

Concerto in E-flat maj for Clarinet and Orchestra Op. 36Ed� J� KratochvílMAB I/13H 888 piano reduction ♦

(Ladislav Simon) (practical edition)

Kukal Ondřej(*1964)

Clarinettino – Concertino for Clarinet and StringsH 7898 piano reduction

(Radek Škeřík) with part ♦

Saxophone

Gruber Rudolf(*1944)

Etudes for Saxophone(Cz/Ger)H 5215

Bassoon Solo

Educational WorksPivoňka Karel(1907–1986)

Rhytmical Etudes for BassoonH 3291

Virtuoso Etudes for BassoonH 1217

Bassoon and Piano

Repertoire WorksGemrot Jiří(*1957)

Rapsodia per fagotto e pianoforteH 7406 score with part

Other chamber works with bassoon – see section CHAMBER MUSIC

Bassoon Concertos

Neruda Jan Křtitel Jiří(1707–1780)

Concerto Do maggiore per fagotto ed archiEd� E� DrápelaH 7567 scoreH 7646 piano reduction

(Julie Drápelová)

Pauer Jiří(1919–2007)

Concerto per fagotto ed orchestra COPYBassoon part rev� by K� BidloH 2544 piano reduction ♦ (Jiří Pauer)

Pelikán Jaroslav(*1970)

ConcertinoVariazioni per fagotto, orchestra d'archi, arpa e timpaniPrague Spring IMC Commission (2002)H 7854 piano reduction

(Miloš Bok) with part

H 3723

ISMN 979-0-2601-0739-7

PANTONE 2955 C - totožná barva se vzorovým výtiskem

K L E M E N T S L A V I C K Ý

BÄRENREITER PRAHA

SU I TA PRO HOBOJ A K L AV ÍR

SU I T EFÜR OBOE UND K L AV IER

SU I T EFOR OBOE A ND PI A NO


Suite for Oboe and Piano H 3723 score with part

Other chamber works with oboe – see section CHAMBER MUSIC

Oboe Concertos


Concerto in F maj for Oboe and Orchestra Op. 52Ed� F� SuchýMAB I/27H 1933 piano reduction

(František Suchý) with part ♦

Clarinet / 2–3 Clarinets Solo

Pieces for Children and Youth / Educational WorksKramář-Krommer František Vincenc(1759–1831)

Six Duettini for soprano and alto recorders / 2 violins / 2 clarinetsArr� by L� DanielH 5862 score with 1 part (alto

recorder)

Teml Jiří(*1935)

Chap-Book (Špalíček)easy pieces for two clarinetsRev� by J� KrejčíH 7830 score

Zákostelecký Bedřich(*1942)

School of Clarinet Playing(Cz/Ger)H 5631 Vol� 1H 6339 Vol� 2

Repertoire WorksHusa Karel(1921–2016)

Three Studies for Solo ClarinetPrague Spring IMC Commission (2008)H 7992

Nudera Vojtěch(1746–1811)

Four Polonaises for 3 basset horns or clarinets(Cz/Ger)Ed� J� KratochvílH 7750 score with 3 parts

Clarinet and Piano

Repertoire Works




Idyll (Selanka) Op. 16for clarinet / violin and pianoClarinet part rev� by M� KostohryzH 3754 score with parts


Sonata for Clarinet and Piano (after the Sonata for Violin and Piano)Arr� by S� BrillBA 9581 score with part

● Welcome addition to the clarinetist's repertoire

● Janáček's masterpiece in a convincing arrangement for clarinet based on the LJCE, Vol� E/1

● Preface by the arranger, Israeli clarinetist Shirley Brill (Eng/Cz/Ger)

● A competition piece of the Leoš Janáček International Competition 2014 in Brno (Czech Republic)

Klusák Jan(*1934)

Recitativo e canto per clarinetto e pianoPrague Spring IMC Commission (2002)H 7867 score with part

Matějů Zbyněk(*1958)

Smorfia (Grimace /Škleb) for clarinet and pianoH 7788 score with part

Other chamber works with clarinet – see section CHAMBER MUSIC


© 2014 by Bärenreiter PrahaBA 9581

*) optional; also in b. 78

Clarinetto in Sib/B

mf sf f

Con moto (h. = 60) a tempo

8

fp

16

cresc.

accel.

22

mf

Meno mosso (q = 94)

28

dim. p p dolce sf

1.

rit. Adagio rit.

a tempo (q = 90)

37

sf f cresc. p

2.

fcresc. p

accel. Un poco meno

49

3

4

senza rigore

Sonáta / Sonata / Sonate

Leoš Janáček (1854–1928)

Arr. Shirley Brill

I

3

slap tongue*)

1

1

AdagioTempo I, un poco più mosso

1

3

espress.

1

3

1

42a

(q = 160) accel. Un poco meno

(q = 160)

f espress.

(q = 160)

55

mf

rit.

Tempo I

62

67

f mf

Adagio Tempo I, un poco più mosso

74

p

accel.

81

mf

rit. Meno mosso (q = 94)

88

f dim. p dim.

Adagio rit.

95

f pp

a tempo (q = 90) Meno

102

3

3

3

1

3

33

3

4

3

slap tongue

1

1

1

2

3

1

2

3 3

2

3

Adagio

Clarinetto in Sib/B

3

From: Leoš Janáček, arr. by Shirley Brill, Sonata for Clarinet and Piano •BA 9581

36 37

WINDS WINDS / PERCUSSION

French Horn / 2–4 French Horns Solo

Educational Works / CollectionsKaucký Emanuel – Petr Miloš

Short Studies for Horn H 6837

Old Hunting FanfaresAnonymous, Ondřej Anton, Leopold Koželuh, Albín Mašek, Leopold E� Měchurafor 4 French hornsEd� O� Zuckerová, rev� by J� ŠtefanH 4562 score

Repertoire WorksKalabis Viktor(1923–2006)

Invocation Op. 90H 7804

Stich-Punto Jan Václav(1746–1803)

24 Duets for French HornsEd� F� ŠolcH 4422 score

Other chamber works with French horn – see section CHAMBER MUSIC

French Horn Concertos

Pauer Jiří(1919–2007)

Concerto for French Horn and Orchestra COPYH 2955 piano reduction ♦ (Jiří Pauer)

Trumpet and Piano / Organ

Pieces for Children and Youth Hradecký Emil(*1953)

Jazz Windsfor jazz flute / jazz trumpet /jazz trombone with piano accompanimentH 7931 score with partsH 7931 ncd score with parts + CD

Repertoire Works

● Inspired by Chagall's stained-glass windows for the synagogue in Jerusalem

Kučera Jan(*1977)

The Jokerfor trumpet nad pianoPrague Spring IMC Commission (2010)H 8001

Other chamber works with trumpet – see section CHAMBER MUSIC

Trombone and Piano

Pieces for Children and Youth


Jazz Winds for jazz flute / jazz trumpet /jazz trombone with piano accompanimentH 7931 score with partsH 7931 ncd score with parts + CD

Repertoire WorksSimon Ladislav(1929–2011)

Fantasia per trombone e pianofortePrague Spring IMC Commission (2004)H 7913 score with part

Other chamber works with trombone – see section CHAMBER MUSIC

Trombone Concertos

Matěj Josef(1922–1992)

Concerto No. 1 for Trombone and Orchestra COPYH 2726 piano reduction

(with part) by the composer ♦

Percussion

Educational WorksKubánek Libor(*1964)

School of Percussion Playing (Cz/Ger)H 7745

School of Side Drum Playing(Cz/Ger)Easy to advanced level of difficultyH 7753

Tuzar Josef

Studies for Side Drum(Cz)H 4156

Repertoire WorksFišer Luboš(1935–1999)

Cruxfor violin, timpani and bells reproduction of the autograph from the property of I� ŠtrausH 7966 performance score

Ištvan Miloslav(1928–1990)

Capricciofor vibraphone, marimba and percussionH 7932 score with parts


8 invenzioni Op. 45per strumenti a percussione for 6 playersEd� Z� Nouza †MKCE IV/10H 7993 score

8 ricercari Op. 51per strumenti a percussionefor 1–6 playersEd� Z� Nouza †MKCE IV/11H 7994 score

● 8 invenzioni – one of the composer's most famous works

● 8 ricercari – first printed edition

● Both compositions written for and premiered by Les Percussions de Strasbourg

21

H 6390

21


H 7993

82

From: Miloslav Kabeláč, 8 invenzioni Op. 45 (final bars) • H 7993


Windows (Okna)Four Movements for Trumpet and Organ after Marc ChagallTrumpet part rev� by L� KozderkaOrgan part rev� by M� ŠlechtaH 6390 score with part

● One of the composer's most frequently performed pieces worldwide since its creation in 1976

● both instruments retain a

great deal of independence, progressing in their own rhythmic patterns, intersecting in places

Trombone Solo

Repertoire WorksKurz Ivan(*1947)

A Soloist's Sustenance (Sólistův chléb) for tenor trombonePrague Spring IMC Commission (2011)Rev� by J� SušickýH 8019

KLAVÍR KLAVÍR

38 39

B O H U S L A V M A R T I N Ů

T H E C O M P L E T E E D I T I O NSubscription offer

Bärenreiter is publishing The Bohuslav Martinů CompleteEdition, a scholarly-critical edition that will presentthe complete oeuvre of this major twentieth centurycomposer for the first time.

Martinů’s works in all their versions and arrangements,as well as newly discovered and previously unpublishedcompositions will be included.

The First Ten Volumes Series VI/2, 1 The Epic of Gilgamesh, H 351, Ed� Aleš Březina already published BA 10571-01Series II/1, 4 Symphony No. 4, H 305, Ed� Sharon Andrea Choa already published BA 10572-01Series IV/4, 1 Les Rondes, H 200, Serenade No. 1, H 217, Serenade No. 3, H 218, Stowe Pastorals, H 335, Nonet No. 2, H 374, Ed� Jitka Zichová already published BA 10574-01Series VI/2, 3 Otvírání studánek (The Opening of the Springs), H 354, Legenda z dýmu bramborové nati (The Legend of the Smoke from Potato Tops), H 360, Romance z pampelišek (A Dandelion Romance), H 364, Mikeš z hor (Mikesh from the Mountains), H 375 already published BA 10575-01Series IV/3, 2 String Quartet No. 4, H 256, String Quartet No. 5, H 268, String Quartet No. 6, H 312, String Quartet No. 7, H 314 2017 BA 10576-01Series III/2, 4 Concerto for String Quartet and Orchestra, H 207, Sinfonia concertante, H 322 2018 BA 10577-01Series III/1, 7 Concerto da camera for Violin, String Orchestra, Piano and Percussion, H 285, Rhapsody-Concerto for Viola and Orchestra, H 337 2018 BA 10578-01Series III/1, 6 Incantation� Concerto for Piano and Orchestra No� 4, H 358, Concerto in B-flat for Piano and Orchestra (Fantasia concertante), H 366 BA 10579-01Series VI/2, 2 Svatební košile (The Spectre's Bride), H 214�I A, Polní mše (Field Mass), H 279, Ed� Paul Wingfield BA 10573-01Series I/1, 12 Ariane, Lyric Opera in One Act, H 370 BA 10580-01

The Subscription Available on complete subscription or partial subscription by series at reduced prices�The volumes can also be purchased individually�

The Edition Commissioned by theBohuslav Martinů Foundation (Prague)�Edited by the BohuslavMartinů Institute (Prague)�Director: Aleš Březina

Editorial BoardPeter Ackermann, SandraBergmannová, Dietrich Berke (†),Aleš Březina, Klaus Döge (†),Jarmila Gabrielová, Jonáš Hájek,Christopher Hogwood (†),Adéla Kovářová, KateřinaMaýrová, Marek Pechač,Daniela Philippi, Ivana Rentsch,Giselher Schubert,Arne Stollberg, Eva Velická,Paul Wingfield, Jitka Zichová,Vít Zouhar, Pavel Žůrek

Each volume includesa detailed Forewordand a Critical Report,both in English and Czech,format: 25�5 x 32�5 cm,cloth bound�

The StructureEight series (indicatedby Roman numerals)divided into subseries(indicated by Arabicnumerals)� Approx�100 volumes in total�

I Stage works and film music

II Orchestral musicIII Concertos and other

concertato worksIV Chamber musicV Keyboard worksVI Choral works and

songsVII Piano reductions

by the composerVIII Supplements and

varia

Please ask for the brochure“Bohuslav Martinů · The Complete Edition”(Eng/Ger) · SPA 275

40 41

CHAMBER MUSIC

Piano Trio(piano, violin, violoncello – if not mentioned otherwise)


NEW 2016

Dumky Op. 90 Urtext / Ed� Ch� FlammBA 9567 score with parts(replaces H 1551)

The dumka is a Slavic folk song or dance of a melancholy cha-racter� Dvořák's magnum opus in the piano trio genre takes its name from its dumka move-ments, which he composed in Prague in 1890-91� After long hesitation Dvořák also prepared a piano arrangement four hands while he was in the United Sta-tes in the summer of 1893�

Our new edition draws on the original Simrock print while ca-refully confronting the various reissues with the autograph and taking note of Dvořák's sketches as well as his later four-hand piano arrangement� A critical commentary provides detailed information on the work's sour-ces, tempo markings and formal divisions of the movements�

● Urtext edition reflecting the latest musicological research

● Detailed preface (Ger/Cz/Eng) and critical commentary (Eng) by the editor

● Supplemented by the initial, draft version of dumka No� 3


NEW 2016

Piano Trio in B-flat maj Op. 21Ed� A� ČubrWith a new preface by D� R� Beveridge(Eng/ Cz/Ger)BA 9578 score with parts(replaces H 1128)

Piano Trio in F min Op. 65Ed� F� BartošWith a new preface by H�-J� Hinrichsen and I� Rentsch(Ger/ Cz/ Eng)BA 9564 score with parts

Piano Trio in G min Op. 26Eds� A� Pokorný, K� Šolc With a new preface by E� Velická(Cz/Eng/Ger)BA 9538 score with parts


Trio for Violin / Flute, Violoncello and PianoH 7962 score with parts


Frescoes (Fresky) Op. 51H 7860 score with parts

Martinů Bohuslav (1890–1959)

Concertino for Piano Trio and String Orchestra H. 232 COPYH 284 score ♦


Piano Trio in G minUrtext / Eds� F� Bartoš, J� Plavec, K� ŠolcBA 9518 score with parts


Elegy Op. 23[a]“Under the Influence of Zeyer's Vyšehrad” the composer's own arrange-ment for piano trioH 7807 score with parts(original version – see section Miscellaneous Ensembles)

Škroup František Jan(1801–1862)

Trio in E-flat maj Op. 27for piano, violin / clarinet and violoncelloUrtext / Ed� M� HarlowBA 9521 score with parts

● First Urtext edition

● Two alternative versions and scorings of the work

● Preface (Eng/Ger/Cz ) and critical commentary (Eng) by the editor

Piano Quartet(piano, violin, viola, violoncello – if not mentioned otherwise)


Bagatelles (Maličkosti) Op. 47for two violins, violoncello and piano / harmoniumEds� A� Pokorný, K� Šolc ADCE IV/10H 2271 score with parts


CZECH MUSIC QUARTERLY

164_ Emmanuel VillaumeCharles IV and Music

Contempuls / Space & Sound

Music in the Stalinist Era

Jiří NekvasilPavel Haas

Socialist realism in Czechoslovakia?

163 _

Czech Music Quarterly is a magazine in English focused on Czech classical music. Czech Music Quarterly provides a wide spectrum of information for music professionals and the general music public alike. Czech Music Quarterly offers interviews and portraits of Czech composers and performers, often with a special focus on contemporary classical music, information about current events, reviews and wide-ranging articles from leading Czech musicologists.

Czech Music Quarterly has been published every 3 months since 1995.

Published by Czech Music Information CentreBesední 3, 118 00 Prague 1, Czech Republic

[email protected]

Clara NovákováLeopold Koželuh

Socialist Realism

Czech Ear Project

162 _

Richard Šeda

Improvised MusicSouth Pole

Rudolfi ne Prague Composers

161 _

42 43

CHAMBER MUSICCHAMBER MUSIC


NEW 2017

Piano Quartet in D maj Op. 23Urtext / Ed� R� TaitBA 9574 score with parts in

slipcover(replaces H 2552)To appear in May 2017

Dvořak's Piano Quartet in D major, though composed at the height of his artistic maturity, is to date unjustly oversha-dowed by his more popular works� It was written within the space of 18 days in the summer of 1875 and was later revised, probably in preparation for its publication� This revisi-on, which was also taken into account for the first edition issued by the publisher Schle-singer, Berlin in 1880, serves as the primary source for this new Urtext edition� The premiere took place in Prague in 1880�

● New Urtext edition

● Detailed preface (Eng/Cz/Ger) by Dvořák scholar David R� Beveridge

● Critical commentary (Eng) by the editor

Piano Quartet in E-flat maj Op. 87 Eds� A� Pokorný, K� Šolc With a new preface by E� Velická(Cz/Eng/Ger)BA 9537 score and parts

in slipcover


Quartet Op. 11 COPYfor violin, viola, violoncello and pianoH 3331 score with parts


Piano Quartet in A min Op. 1Urtext / Ed� Z� Nouza †BA 9546 score with parts

● First scholarly-critical edition


Piano Quintet(piano, 2 violins, viola, violoncello)

Dvořák Antonín(1841–1904)Piano Quintet in A maj Op. 5 Eds� J� Burghauser, K� ŠolcWith a new preface by D� R� Beveridge (Eng/Cz/Ger)BA 11539 score with parts

in slipcover(replaces H 2783)To appear in June 2017

In 1887 Dvořák revised several of his works from the 1860s and 1870s, most of them he then published for the first time� He thoroughly revised also his Piano Quintet in A major Op� 5, but he declined to publish it� Instead, he wrote a new one in the same key – the famous Op� 81� Dvořak's first Piano Quintet in A major was never published during his lifetime�


Piano Quintet in A maj Op. 81 Ed� A� Čubr With a new preface by D� R� Beveridge(Eng/Ger/Cz)BA 9573 score with parts

in slipcover


Piano QuintetH 7719 score with parts


Quintet in D maj Op. 42 COPYfor violin I, clarinet / violin II, French horn / viola, violoncello and pianoH 3998 score with parts


Quintet Op. 8 COPY for two violins, viola, violoncello and pianoEd� by V� MusilH 5330 score with parts

String Duo

Kukal Ondřej (*1964)

Present – Duo for Violin and VioloncelloH 7964 score with parts

String Trio


Miniatures (Drobnosti) Op. 75a / Gavotte B 164Miniatures – for two violins and viola Gavotte – for three violinsADCE IV/4H 3392-01 parts in slipcover

Terzetto in C maj Op. 74for two violins and viola Composed as an occasional composition for amateursEd� J� BurghauserBA 9543 parts in slipcover


Serenade No. 2 H. 216 COPYfor two violins and violaH 1501 partsH 6508 score

String Trio No. 1 H. 136for violin, viola and violoncelloEd� E� VelickáPreface and critical commentary by the editor(Cz/Ger/Eng/Fr)H 7965-22 parts in slipcoverH 7965 study score


Trio in G maj COPY for violin, violoncello and double bassH 5649 score with parts

Teml Jiří(*1935)

Koledníčekpopular Czech and Moravian Christmas songs for 2 violins / clarinets and violoncellostring parts rev� by M� ŠkampaH 7852 parts in slipcover

String Quartet


Cypresses (Cypřiše) B 152Ed� F� Bartoš ADCE IV/7H 6663 parts in slipcover H 2306 study score

Quartet Movement in F maj B 120ADCE IV/7H 6902-01 parts in slipcover

String Quartet No. 1 in A maj Op. 2 Eds� J� Burghauser, A� ČubrOriginal Burghauser's preface updated and expanded by H� SchickBA 9539 parts in slipcoverTP 539 study score

String Quartet No. 2 in B-flat maj B 17Eds� A� Pokorný, K� ŠolcBA 9540 parts in slipcoverTP 540 study score

String Quartet No. 3 in D maj B 18ADCE IV/5H 3813 parts in slipcover

String Quartet No. 4 in E min B 19ADCE IV/5H 4592 parts in slipcover

String Quartet No. 5 in F min Op. 9Eds� J� Burghauser, A� ČubrOriginal Burghauser's preface updated and expanded by H� SchickBA 9545 parts in slipcoverTP 535 study score

String Quartet No. 6 in A min Op. 12 ADCE IV/5H 6549 parts in slipcover

String Quartet No. 7 in A min Op. 16ADCE IV/6H 2849 parts in slipcover

String Quartet No. 8 in E maj Op. 80ADCE IV/6H 1834 parts in slipcover H 1835 study score

String Quartet No. 9 in D min Op. 34ADCE IV/6H 1481 parts in slipcover

String Quartet No. 10 in E-flat maj Op. 51ADCE IV/6H 1595 parts in slipcover

String Quartet No. 11 in C maj Op. 61ADCE IV/7H 1791 parts in slipcover

String Quartet No. 12 in F maj Op. 96 “American”ADCE IV/7H 1594 parts in slipcoverH 1304 study score

String Quartet No. 13 in G maj Op. 106ADCE IV/7H 1732 parts in slipcover

String Quartet No. 14 in A-flat maj Op. 105ADCE IV/7 H 1569 parts in slipcover

Two Waltzes Op. 54No� 1 in A maj, No� 4 in D-flat majADCE IV/6H 2803 parts in slipcover


String Quartet No. 6H 7764 score with parts


String Quartet in A maj COPYH 100 parts


Variations on an Unknown Theme (Variace na neznámé téma) for string quartetFirst printed edition H 8023 score with parts


On an Overgrown Path (Po zarostlém chodníčku)Arr� by J� BurghauserH 6173 score with parts

String Quartet No. 1 “Inspired by Tolstoy's Kreutzer Sonata”Urtext / Eds� L� Faltus, M� ŠtědroňBA 9520 parts in slipcoverTP 520 study score

String Quartet No. 2 “Intimate Letters”Eds� L� Faltus, M� ŠtědroňLJCE E/4BA 6857 / H 7832cloth bound score with partsUrtext / Eds� L� Faltus, M� ŠtědroňBA 9533 parts in slipcoverTP 533 study score

NEW 2017

44 45



NEW 2016

Meditation on the Old Czech Hymn “St Wenceslas” Op. 35a for String Quartet Urtext / Ed� Z� Nouza †BA 9583 parts in slipcoverTP 583 study score(Orchestral version – see section String Orchestra)

Josef Suk played the 2nd violin in the Bohemian String Quartet� Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert� Suk decided to

supplement this obligatory piece with a work inspired by the ancient sacred Bohemian St Wenceslas hymn� The hymn's message – a plea for the well-being of the Czech people, directed at their patron saint – was immediately understood by the audience�

The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914 (the version for string orchestra in November 1914)� That same year the piece was published by Fr� A� Urbánek together with arrangements for piano and organ�

This first Urtext edition was prepared in two scorings – one for string quartet and another for string orchestra� The orchestral arrangement differs from the quartet version in some details in connection with the added part for double bass�


● Informative preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor

● Two versions published in two separate editions


String Quartet No. 1 in B-flat maj Op. 11Urtext / Ed� Z� Nouza †BA 9530 parts in slipcoverTP 530 study score


● Includes both versions of the 4th movement – the original one from 1896 and the late revision from 1915, which could be played also separately as an encore


String Quartet No. 2 Op. 31Urtext / Ed� Z� Nouza †BA 9536 parts in slipcoverTP 536 study score

The single-movement String Quartet No. 2 by Josef Suk was written at the height of his compositional powers� Completed in Křečovice in May 1911, this demanding work, with its complex harmonies and motivic structure, seemed avant-garde for its day: the Ber-lin premiere of November 1912 was accompanied by protests from the audience�



Janáček Leoš(1854–1928)NEW 2017

Youth (Mládí) for String Quartet(after the wind sextet Youth)Arr� by K� MařatkaBA 11543 parts in slipcoverTP 521 study scoreTo appear in November 2017

The French-based Czech com-poser Kryštof Mařatka (b� 1972) is a great admirer of Janáček, and with his arrangement of Janáček's wind sextet Youth he hopes to expand the repertoire options for string quartets�

Janáček's masterpiece was written in the height of his creativity in 1924� Mařatka was able to transform the zestful nature of the winds, which give the work its unique character, into the vibrant timbre of strings, thus creating the “third string quartet” of Leoš Janáček�

● A welcome addition to the string quartet repertoire

● Janáček's wind sextet masterpiece in a convincing arrangement for string quartet

● Preface by the arranger, Czech composer Kryštof Mařatka (Cz/Eng/Ger)

Kukal Ondřej(*1964)

String Quartet Op. 9H 7958 score with parts


NEW 2018

Concerto for String Quartet and Orchestra H. 207Eds� Ch� Hogwood †, M� Pechač, P� Žůrek BMCE III/2/4 (in one volume with Sinfonia concertante H� 322)BA 10577-01 cloth bound scoreIn preparation

NEW 2017

String Quartets Nos. 4–7 No� 4 H� 256 (1937), No� 5 H� 268 (1938), No� 6 H� 312 (1946), No� 7 H� 314 (1947) Ed� A� Březina and the Bohuslav Martinů InstituteBMCE IV/3/2BA 10576-01 cloth bound scoreTo appear in June 2017→ see more about the BMCE on pp� 38-39

With eight string quartets, Martinů is one of the major representatives of the genre in twentieth-century music� The present critical edition differs considerably from all the previous practical editions, including the recent Urtext ones, as it was preceded by thorough heuristic research, which helped uncover numerous new musical and non-musical sources�

Knowledge of this complete source material enabled the creation of editions of the utmost precision and also eluci-dated the aesthetic and formal foundations of the works� In the light of these findings, Martinů's string quartets can be seen as a systematically developed series of compositions that share an ingenuously structured and innovative connection of form and musical matter�


● Detailed preface (Aleš Březina) and critical commentary by the editors from the Bohuslav Martinů Institute (Eng/Cz)


String Quartet No. 4 H. 256Eds� A� Březina, I� ŠtrausH 7844-22 parts in slipcoverH 7844 study score

String Quartet No. 5 H. 268Eds� A� Březina, A� KlemensH 7941-22 parts in slipcoverH 7941 study score

String Quartet No. 6 H. 312Eds� A� Březina, I� ŠtrausH 7968-22 parts in slipcoverH 7968 study score

Matys Jiří(*1927)

String Quartet No. 1 Op. 21H 6428 score with parts

String Quartet No. 3 Op. 37H 3986 score with parts

String Quartet No. 6Prague Spring IMC Commission (2005)H 7944-22 parts in slipcoverH 7944 study score


String Quartet No. 1 in E min “From My Life”Urtext / Eds� F� Bartoš, J� Plavec, K� ŠolcBA 9516 parts in slipcoverTP 516 study score

String Quartet No. 2 in D minUrtext / Eds� F� Bartoš, J� Plavec, K� ŠolcBA 9517 parts in slipcoverTP 517 study score


Minuet COPYfor string quartet Ed� M� NovýH 6967 score with parts

Bärenreiter

Mládí

úprava pro smyčcové kvarteto

Youth

arrangement for String Quartet

Die JugendBearbeitung für Streichquartett

Hlasy / Parts / Stimmen

JANÁČEK

Bärenreiter

JANÁČEK

Mládíúprava pro smyčcové kvarteto

Youtharrangement for String Quartet

Die JugendBearbeitung für Streichquartett

TP 583 © 2016 by Bärenreiter Praha

Meditace

Violino I

Violino II

Viola

Violoncello

sempre molto p

Adagio, ma con moto

p espress.

sempre molto p

sempre molto p

poco

cresc. cresc.

7

cresc. cresc.

cresc.

cresc.

f dim. molto dim. molto p dim.

perdendo

molto p

poco cresc.

dim.

12

f dim. molto dim. molto p dim.

molto p

poco cresc. dim.

cresc. f dim. molto dim. molto p dim.

poco cresc. dim.

cresc. f dim. molto dim. molto pmolto p poco cresc.

dim.

c

2

4

c

c

2

4

c

c

2

4

c

c

2

4

c

3

2

c

3

2

c

3

2

c

3

2

c

2

4

c

2

4

c

2

4

c

2

4

c

ru

con sord.

Prof. D Ferd. Pečírkovi v upřímném přátelství

Josef Suk, op. 35a

na staročeský chorál „Svatý Václave“

sempre molto p

con sord.

con sord.

con sord.

espress.

molto p

46 47


Dialogues (Rozhovory)for string quintetH 7923 score with parts


Tre quintetti d'archi IV–VI COPYfor 2 violins, 2 violas and double bassEd� V� BělskýMAB I/83H 7037 score

String Sextet


String Sextet in A maj Op. 48for 2 violins, 2 violas and 2 violoncellosEds� J� Burghauser, A� ČubrBA 9566 parts in slipcover

Schulhoff Erwin(1894–1942)

Sextetfor 2 violins, 2 violas and 2 violoncellos Ed� M� Rische BA 7488-22•parts in slipcoverBA 7488• study score

Wind Ensembles

Blatný Pavel(*1931)

Scena con ottoni (Scéna pro žestě)for 2 trumpets, 2 trombones and French hornH 6214 score with parts


Six Parthiasfor 2 oboes and bassoonEd� M� KlementH 5628 score with parts

CHAMBER MUSIC CHAMBER MUSIC


Piccola musica da camera Op. 27for flute, oboe, clarinet, French horn and bassoonH 4757 score with parts


Trio in F maj and Variations on Pleyel's Theme COPYfor 2 oboes and French hornEd� M� KlementH 5808 score with parts


Tre ottetti per due oboi, due clarinetti, due corni e due fagotti COPYin E-flat maj, in E-flat maj, in B-flat maj Ed� C� SchoenbaumMAB I/55H 3406 score with parts

Rejcha Antonín(1770–1836)

Tre quintetti – Parte I, Op. 88 No. 3 COPYfor flute, oboe, clarinet, French horn and bassoonEds� R� Hertl, V� Smetáček, rev� by M� ŠpeťkoMAB I/33aH 7140 parts in slipcover

Serenate Boëme, partite e notturni

Antonín Kammel, Jiří Družecký, František X. Dušek, Vincenc Mašek for 2 oboes, 2 French horns and bassoon Ed� V� BělskýMAB I/35H 2304 score

Trojan Václav(1907–1983)

Divertimento per quintetto a fiato COPYfor flute, oboe, clarinet, French horn and bassoonH 6250 score with parts

Vranický Antonín(1761–1820)

Marches for Wind Instrumentsfor 2 oboes, 2 clarinets, 2 French horns, trumpet, 2 bassoons and contrabassoon Ed� A� MyslíkH 4890 score with parts

Wind Ensemblesand Piano


Music for Oboe, Bassoon and PianoH 7452 score with parts


Impromptus Op. 45 COPYfor trumpet / flute, oboe, clarinet and piano H 3843 score with parts


Capriccio for Piano Left Hand and Wind Ensemble flute / piccolo, 2 trumpets, 3 trombones, tenor tuba ossia French horn Eds� L� Faltus, J� Procházková LJCE E/5BA 6856• cloth bound score

with partsUrtext / Eds� L� Faltus, J� ProcházkováPreface by J� ProcházkováBA 9535 score and parts in

slipcover (French horn part included)

MiscellaneousEnsembles


NEW 2016

Serenade in D min Op. 44for 2 oboes, 2 clarinets, 2 bassoons, contrabassoon ad lib�, 3 French horns, violoncello and double bass→ see more about the edition in section Chamber Orchestra on p� 51

Fiala Josef(1748–1816)

Two Duetsfor oboe and viola / violoncelloEd� M� KlementH 7787 score with parts

Two Oboe Quartets COPYfor oboe, violin, viola and violoncelloEd� and rev� by M� KlementH 4203 score with parts


Cruxfor violin, timpani and bellsReproduction of the autograph from the property of I� ŠtrausH 7966 performance score


Nonet No. 2 “In Honour of Nature” Op. 44 for flute, oboe, clarinet, bassoon, French horn, violin, viola, violoncello and double bassH 6465 score ♦


Two Oboe Quartets in C maj, in F majfor oboe, violin, viola and violoncelloEd� J� PohankaMAB I/42H 2705 score with parts


Chamber Music for 6-9 Instruments I Ed� J� ZichováBMCE IV/4, 1BA 10574-01 cloth bound score

Les Rondes H� 200 [with piano], Serenade No. 1 H� 217, Serenade No. 3 H� 218, Stowe Pastorals (Pastorely ze Stowe) H� 335, Nonet No. 2 H� 374

→ see more about BMCE on pp� 38-39

♦ Performance material available on hire • Bärenreiter-Verlag Kassel production

Vranický Pavel(1756–1808)

Quartetti per archi II Op. 16 Nos. 1–6Ed� S� OndráčekPreface by O� Zuckerová (Cz/Ger/Eng)MAB I/84H 7481 score(parts for each individual quartet available upon request)

Zámečník Evžen(*1939)

Meditation for string quartetH 6406 score with parts

String Quintet


Nocturno in B maj Op. 40for 2 violins, viola, violoncello and double bassEds� J� Burghauser, M� NovýADCE III/24H 6590 score with parts

String Quintet in A min Op. 1for 2 violins, 2 violas and violoncelloADCE IV/9H 6782-22 parts in slipcover

String Quintet in E-flat maj Op. 97for 2 violins, 2 violas and violoncelloEd� F� BartošA new preface by D� R� Beveridge BA 9542 parts in slipcoverTP 532 study score

String Quintet in G maj Op. 77 for 2 violins, viola, violoncello and double bassEds� F� Bartoš, A� PokornýBA 9577 parts in slipcoverTP 577 study score

● Dvořák's famous quintet with double bass

● This edition also includes the Intermezzo from the original five-movement version of the quintet

● Preface by David R� Beveridge (Eng/Cz/Ger)


Quintetto COPY (Variations on chorale)for 2 trumpets, French horn and 2 trombonesH 5166 score with parts

Quintetto per stromenti a fiato COPYfor flute, oboe, clarinet, French horn and bassoonH 4397 score with parts


Wind Quintet No. 2 COPYfor flute, oboe, clarinet, French horn and bassoonH 5196 score with parts


Music of the Tower (Hudba věže) Op. 88 (Tribute to Bohuslav Martinů)for 2 trumpets, French horn and 2 trombones H 6477 score with parts


Youth (Mládí)Wind Sextet for flute / piccolo, oboe, clarinet, French horn, bassoon and bass clarinetUrtext / Eds� J� Doležal, L� FaltusBA 9528 parts in slipcover TP 528 study score


Wind Sextet Op. 8 COPYfor flute, English horn, 2 clarinets, French horn and bassoon H 2023 study score ♦

48 49



NEW 2017

Nonet No. 2 H. 374 for flute, oboe, clarinet, bassoon, French horn, violin, viola, violoncello and double bassUrtext / Ed� J� ZichováTP 440 study score ♦(replaces H 3022) To appear in October 2017

Martinů wrote Nonet No. 2 in the last year of his life as a commission for the Czech Nonet, which gave the world premiere at the Salzburger Festspiele on 27 July 1959� Nonet No. 2 was published posthumously in autumn later that year�

The main source for the edition is the autograph score� The referential sources consists of a copy of the autograph score, the first printed edition, which contains partly authorised amendments by the Czech Nonet, and corrections found in the extant correspondence between Martinů and violinist Emil Leichner, the artistic director of the Czech Nonet� Unlike the BMCE version, this edition transposes the clarinet part to B-flat�

● First Urtext edition based on the Bohuslav Martinů Complete Edition IV/4/1 (Chamber Music for 6–9 Instruments I)

● Clarinet part transposed to B-flat

● Preface (Cz/Eng/Ger) by the editor


Promenades H. 274for flute, violin and harpsichord BA 3327• score with parts

Serenade No. 1 H. 217 COPYfor clarinet, French horn, 3 violins and viola H 1500 partsH 362 study score(also available on hire)

Serenade No. 3 H. 218 COPYfor oboe, clarinet, 4 violins and violoncelloH 1502 partsH 365 study score(also available on hire)


Four Sonatas COPYfor flute, violin and violoncelloEd� M� KlementH 6033 score with parts

Rejcha Antonín(1770–1836)

Tre quartetti Op. 98 Nos. 1–3in G min, in C maj, in G maj for flute, violin, viola and violoncello Ed� K� Janetzki, rev� by J� RuisMAB I/65aH 3917-22 parts in slipcover

Tre quartetti Op. 98 Nos. 4–6in E min, in A maj, in D majfor flute, violin, viola and violoncello Ed� S� OndráčekMAB I/85, I/85aH 7800-22 parts in slipcoverH 7800 score

Rössler-Rosetti František Antonín(1746–1792)

Notturno in D COPYfor flute, violin, viola, violoncello and Frech horn in DEd� V� BělskýMAB I/32H 2171 score


Elegy Op. 23“Under the Influence of Zeyer's Vyšehrad”for violin solo, violoncello solo, string quartet, harmonium and harpEds� K� Řehák, M� SvobodováH 7404 score with parts

Village Serenade (Vesnická serenáda) s. op.the composer's own arrangement (originally for piano solo) for 2 clarinets, 3 violins, viola, violoncello and double bass suitable for amateur musicians Ed� M� NovýH 7952 score with parts

Teml Jiří(*1935)

Koledníčekpopular Czech and Moravian Christmas songs for 2 violins / clarinets and violoncello H 7852 parts in slipcover

MiscellaneousEnsembles and Piano


Trio for Flute / Violin, Violoncello and PianoH 7962 score with parts


Quintet in D maj Op. 42 COPYfor violin I, clarinet / violin II, French horn / viola, violoncello and pianoH 3998 score with parts



ORCHESTRA

Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran-tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra-mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran-tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra-mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran-tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra-mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek

The Musica Antiqua Bohemica (MAB) edition series is a collection of the compositions of various authors of Czech origin ranging from the Baroque period to that of early Romanticism. It was begun in 1934 by the Brno musicologist Vladimír Helfert; after a wartime break and the death of the origi-nal editor, it was taken up by the Prague publisher Supraphon and later Bärenreiter Praha, and its last volume was published in 2003.

The first, instrumental series maps the life and work of Czech compo-sers both in European metropolises

of the 17th and 18th century and at the courts of their domestic nobility. The series has published critical editions of the works of Jiří Antonín Benda, Antonín Rejcha, František Xaver Dušek, the most revelational editorial impact can be seen in the multi-volume inclusions of Jan Ladislav Dusík, Pavel Josef Vejvanovský, Jan Václav Hugo Voříšek, and other authors who had previously been largely underestimated. It comprises compositions of all genres, ranging from piano and violin works to chamber music and symphonic scores.

In 1969 this instrumental series was complemented by another, vocal one, which includes significant representations of works by Jan Dismas Zelenka and Jiří Anto-nín Benda; the youngest author chronologically is Jan Václav Hugo Voříšek (1791–1825).

Although it is merely an incomplete study on Czech music history, the MAB edition series constitutes a unique anthology of compositions of the given period, thus acting as a basic guideline for further research in this field, especially in the region of Central Europe.

MUSICA ANTIQUA BOHEMICA

MUSICA ANTIQUA

BOHEMICA

48

PAVEL JOSEF VEJVANOVSKÝ

COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484

3 přímé barvy - viz VZOR!!! MUSICA ANTIQUA

BOHEMICA

48


COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484


BOHEMICA

48


COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484


BOHEMICA

48


COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484


BOHEMICA

48


COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484


BOHEMICA

48


COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484


BOHEMICA

48


COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484


BOHEMICA

48


COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484


BOHEMICA

48


COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484

3 přímé barvy - viz VZOR!!!

MUSICA ANTIQUA

BOHEMICASERIA II

5

JAN DISMAS ZELENK A

PSALMIET

MAGNIFICAT

ISMN 979-0-2601-0248-4

PARTITURA

9 790260 102484



MUSICA ANTIQUA

BOHEMICASERIA II

5

JAN DISMAS ZELENK A

PSALMIET

MAGNIFICAT

ISMN 979-0-2601-0248-4

PARTITURA

9 790260 102484



MUSICA ANTIQUA

BOHEMICASERIA II

5

JAN DISMAS ZELENK A

PSALMIET

MAGNIFICAT

ISMN 979-0-2601-0248-4

PARTITURA

9 790260 102484



MUSICA ANTIQUA

BOHEMICASERIA II

5

JAN DISMAS ZELENK A

PSALMIET

MAGNIFICAT

ISMN 979-0-2601-0248-4

PARTITURA

9 790260 102484



MUSICA ANTIQUA

BOHEMICASERIA II

5

JAN DISMAS ZELENK A

PSALMIET

MAGNIFICAT

ISMN 979-0-2601-0248-4

PARTITURA

9 790260 102484



MUSICA ANTIQUA

BOHEMICASERIA II

5

JAN DISMAS ZELENK A

PSALMIET

MAGNIFICAT

ISMN 979-0-2601-0248-4

PARTITURA

9 790260 102484



MUSICA ANTIQUA

BOHEMICASERIA II

5

JAN DISMAS ZELENK A

PSALMIET

MAGNIFICAT

ISMN 979-0-2601-0248-4

PARTITURA

9 790260 102484



MUSICA ANTIQUA

BOHEMICASERIA II

5

JAN DISMAS ZELENK A

PSALMIET

MAGNIFICAT

ISMN 979-0-2601-0248-4

PARTITURA

9 790260 102484



MUSICA ANTIQUA

BOHEMICASERIA II

5

JAN DISMAS ZELENK A

PSALMIET

MAGNIFICAT

ISMN 979-0-2601-0248-4

PARTITURA

9 790260 102484



MUSICA ANTIQUA

BOHEMICA

48


COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484


MUSICA ANTIQUA

BOHEMICASERIA II

5

JAN DISMAS ZELENK A

PSALMIET

MAGNIFICAT

ISMN 979-0-2601-0248-4

PARTITURA

9 790260 102484



MAB● A unique collection of

compositions from Central -European music of the 17th, 18th, and early 19th century

● All genres of instrumental music and choral works

● Each publication includes a detailed preface by the editor, a list of sources and relevant literature, and a critical commentary (Cz/Ger/Eng)

Bärenreiter

MARTINŮB Ä R E N R E I T E R U R T E X T

Nonet č. 2

Nonet No. 2

Nonett Nr. 2

H 374

50 51

ORCHESTRACHAMBER MUSIC


Sonata da camerafor flute, oboe / violin, violoncello, harpsichord / piano H 3002 score with parts

Hurník Lukáš(*1967)

Fusion Musicfor oboe, clarinet, bassoon and piano H 7863 score with parts


Concertino for piano, 2 violins, viola, clarinet, French horn and bassoonH 4342 score with parts


Les Rondes H. 200for oboe, clarinet, bassoon, trumpet, 2 violins and piano H 208 study score ♦

Sonata for Flute, Violin and Piano H. 254BA 3326• score with piano


Bagatelle “Carrying a Bouquet” („S kyticí v ruce“)for flute (violin ad lib�), violin and piano H 7820 score with parts

Škroup František Jan(1801–1862)

Trio in E-flat maj Op. 27for piano, clarinet / violin and violoncelloUrtext / Ed� M� HarlowBA 9521 score with parts


● Two alternative versions and scorings of the work

● Preface (Eng/Ger/Cz ) and critical commentary (Eng) by the editor


The Bärenreiter film …Renowned conductor and musicologist

Christopher Hogwood takes you on ajourney through Bärenreiter. Come

with us behind the scenes.

You will be given an insight intothe editorial and production process

of an Urtext edition. The history of thisfamily-owned company is also revealed.

… at www.baerenreiter.comsee section About us

String Orchestra(concertos with string orchestra – see individual instruments)


NEW 2016

Serenade in E maj for String Orchestra Op. 22 Urtext / Ed� R� TaitBA 10423 score °(replaces H 971)

Dvořák's Serenade in E major Op� 22 is one of his most popular and frequently played works� It was written in the spring of 1875� The score and parts were published by Bote & Bock, Berlin, in 1879�

This Urtext edition is based on the composer's autograph score� It corrects numerous mistakes in articulation and dynamic markings that the composer himself noted into his own Bote & Bock (1st edition) copy of the work� For the first time, the editor incorporates omitted passages from the autograph, marking them with Vi-de� This reconstruction makes it possible to clarify the piece’s structure�

The instructive preface by Kateřina Nová offers profound insight into the work, its manuscript history, and the mystery of Dvořák's revision of the work�

● Dvořák's original concept presented for the first time

● Included Vi-de passages (in both score and parts) omitted by the composer in the autograph score (see example)

● Detailed preface (Cz/Eng/Ger) by Kateřina Nová, Head of the Dvořák Museum in Prague, and critical commentary (Eng) by the editor


Sinfonietta da camera per archiviolin I II, viola, violoncello, double bass H 5643 score ♦


Ella-Polkaviolin I II, viola, violoncello, double bass and trianglefor string orchestra arr� by the composerEd� M� NovýH 7953 score and parts


NEW 2016

Meditation on the Old Czech Hymn “St Wenceslas” Op. 35a for String Orchestra Urtext / Ed� Z� Nouza †BA 9584 °(Chamber version – see section String Quartet)

This first Urtext edition was prepared in two scorings – one for string quartet and another for string orchestra� The orchestral arrangement differs from the quartet version in some details in connection with the added part for double bass�


● Informative preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor

● Two versions published in two separate editions

Viol I

Viol II

Va

Vc

Cb

dolce fz

[a tempo]

118

dolce fz

p

p

p

Viol I

Viol II

Va

Vc

Cb

cresc. molto f

129

cresc. molto f pp

cresc. f

pp

f pp

f pp

Viol I

Viol II

Va

Vc

Cb

141

f dim.

cresc. f dim.

cresc. f

cresc. f dim.

[ ]

pizz.

pizz.

arco

arco

[ ]

22

Viol I

Viol II

Va

Vc

Cb

p fz dim. p

Vi ‒

153

p fz dim. p

p mf dim. p

p mf dim. p

p mf p

p fz p

Viol I

Viol II

Va

Vc

Cb

f dim. p

164

f dim. p

f dim. p

f dim. p p

f dim. p

f dim. p

molto espressivo

molto espressivo

[ ]

solo

[ ]

[ ]

23


52 53

ORCHESTRAORCHESTRA


Sousedská [A type of Czech folk dance]violin I–V, double bass / violoncello, cymbals, triangle, snare drum and bass drum Ed� Z� Nouza †H 7954 score and parts

Šesták Zdeněk(*1925)

Concerto per orchestra d'archiviolin I II, viola, violoncello, double bass H 6429 score

Vodička Václav(1720–1774)

Sinfonia in Cviolin I II, viola, violoncello, double bass, harpsichord Rev� by H� Krupka, J� SnížkováH 3740 score ♦

Zach Jan(1699–1773)

Cinque sinfonie d'archiviolin I II, viola, double bassEd� J� PohankaMAB I/43H 2852 score and parts

Chamber Orchestra(concertos with chamber orchestra – see individual instruments)

Benda Jiří Antonín(1722–1795)

Sinfonie I–IIIin D maj, in G maj, in C majflute, oboe, French horn I II, violin I II, viola, violoncello, double bass, harpsichord Ed� J� PohankaMAB I/58H 3555 score and parts

Sinfonie IV–VIin F maj, in G maj, in E-flat majflute I II, oboe I II, French horn I II, violin solo, violin I II, viola, violoncello, double bass, harpsichord Ed� J� PohankaMAB I/62H 3789 score and parts


NEW 2016

Serenade Op. 44for Wind Instruments, Violoncello and Double BassUrtext / Ed� R� TaitBA 10424 score(replaces H 1928)BA 10424-22 set of parts

in slipcover

In 1878 Dvořák visited Vienna and was so impressed by a performance of Mozart's Wind Serenade in B-flat major K� 361 that he wrote his own wind serenade within the space of two weeks after his return� Taking Mozart's piece as his model, he supplemented the wind bound


Serenade

Oboe I, II

Clarinetto I, II

in Sib/B

Fagotto I, II

Contraffagotto

(ad libitum)

Corno I, II

in Fa/F

Corno III

in Sib/B basso

Violoncello

Contrabbasso

f

Moderato quasi Marcia

f

f

f

f

f

f

f

Ob I, II

Clar I, II

in Sib/B

Fag I, II

Cfag

Cor I, II

in Fa/F

Cor III

in Sib/B basso

Vc

Cb

p

6

p

p

p

p

p

p

c

c

c

c

c

c

c

c

a2


I

Herrn Louis Ehlert zugeeignet

[

]

[

]

[

a2

]

[

]

[

]

[

]

a2

[

]

a2

[

]

[

]

[ ]

[

]

[

]

[

]

[ ]

[ ]

[

]

[

]

with a bass part for violoncello and double bass�

The Serenade Op� 44, which also delighted Johannes Brahms, was issued by Dvořák's publisher Simrock shortly after its premiere� Our new Urtext edition draws on this first print while using the autograph to correct a number of mistakes and above all inconsistencies in articulation�

● First Urtext edition of Dvořák's popular wind serenade

● Detailed preface by Dvořák expert David R� Beveridge (Eng/Cz/Ger)

● Critical commentary by the editor (Eng)


Concertino pastoralefor three solo instruments (flute, oboe, clarinet / violin) and string orchestra (violin I II III, viola, violoncello, double bass)H 7877 scoreH 7877-22 parts COPY

Fils Antonín(1733–1760)

Sei sinfonie per orchestra2 flutes, 2 French horns, violin I II, viola, double bassEd� J� PohankaMAB I/44H 2958 score ♦

Koželuh Leopold(1747–1818)

Tre sinfoniein D maj, in F maj, in G min2 oboes, 2 bassoons, 2 French horns, stringsEd� M� PoštolkaMAB I/72H 4585 score ♦


Divertimento (Serenade No. 4) H. 215violin solo, viola solo, 2 oboes, piano, stringsH 1503 parts H 366 study score COPY(also available on hire)

Rejcha Antonín (1770–1836)

Symphony in E-flat maj Op. 41flute, 2 oboes, 2 bassoons, 2 French horns, timpani, stringsEd� V� BělskýMAB I/76H 5270 score ♦

Tomášek Václav Jan(1774–1850)

Symphony in D maj Op. 30flute, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, timpani, strings Ed� Š� JedličkováH 7568 score ♦

Vejvanovský Pavel Josef(1640–1693)

Composizioni per orchestraEd� J� PohankaMAB 1/47–49H 3079 Vol� 1 score ♦H 3171 Vol� 2 score ♦H 3230 Vol� 3 score ♦Serenate e sonate per orchestrafor 2 clarinas, strings and basso continuoEd� J� PohankaMAB I/36H 2334 score ♦

Zelenka Jan Dismas(1679–1745)

Composizioni per orchestra ISinfonia, Hipocondrie, Capriccio I–VEds� C� Schoenbaum, O� PulkertMAB I/61H 3788 score ♦

Symphony orchestra(concertos with symphony orchestra – see individual instruments)

Blatný Pavel(*1931)

Bells (Zvony)H 7311 study score ♦

In modo classicoVariations for string quartet and jazz orchestraH 6614 study score ♦

Bořkovec Pavel(1894–1972)

The Pied Piper (Krysař)Ballet in two scenes based on an old Saxon story(Cz/Ger)H 1648 score ♦


Czech Suite Op. 39 COPYADCE III/17H 519 score ♦

Josef Kajetán Tyl Op. 62Incidental music to the play by František Ferdinand ŠamberkADCE I/9H 5849 score ♦

Dvořák Antonín(1841–1904)NEW 2017

Slavonic Rhapsody in D maj Op. 45/1 Urtext / Ed� R� Simon BA 10401 score ° To appear in June 2017

NEW 2018

Slavonic Rhapsody in G min Op. 45/2Urtext / Ed� R� Simon BA 10402 score ° In preparation

NEW 2018

Slavonic Rhapsody in A-flat maj Op. 45/3Urtext / Ed� R� Simon BA 10403 score ° In preparation

Dvořák's Slavonic Rhapsodies Op� 45 were composed in 1878 and issued by the publisher Simrock, Berlin the following year� These three independent orchestral works were published with the same opus number and mark the beginning of his so-called Slavonic period�

The Slavonic Rhapsody op. 45/1 in D major now appears in an Urtext edition� The editor has made use of the first edition, authorised by the composer, as the principal source of his new scholarly-critical edition�

● A work marking the beginning of Dvořák’s so-called Slavonic period

● Preface (Eng/Cz/Ger) and critical commentary (Eng) by the editor

♦ Performance material available on hire ° Performance material available

on sale

54 55

ORCHESTRA


Suite in A maj Op. 98b COPYADCE III/17H 2307 score ♦

Symphony No. 1 in C min B 9 “The Bells of Zlonice” („Zlonické zvony“)Ed� F� BartošTP 501• study score ♦

Symphony No. 2 in B-flat maj Op. 4Ed� F� BartošTP 502• study score ♦

Symphony No. 3 in E-flat maj Op. 10Ed� F� BartošTP 503• study score ♦

Symphony No. 4 in D min Op. 13Ed� F� BartošTP 504• study score ♦

Symphony No. 5 in F maj Op. 76Ed� F� BartošTP 505• study score ♦

Symphony No. 6 in D maj Op. 60Ed� F� BartošTP 506• study score ♦

Symphony No. 7 in D min Op. 70Urtext / Ed� J� Del MarBA 10417• score °BA 10417-40• critical commentary (Eng) TP 617• study score

Dvořák's Symphony No. 7 re-ceived its premiere on 22 April 1885 in London conducted by the composer himself� The following June the 2nd move-ment was shortened by some 40 bars and the work was published in this form in 1885 by Simrock�

The editor of this new scho-larly-critical edition has drawn on all the available sources including letters� The original version of the 2nd movement appears in the appendix as well as in the performance material�


● Contains the original London version of the 2nd movement

● Detailed preface by the editor (Cz/Eng/Ger)

Symphony No. 7 in D min Op. 70Ed� F� BartošTP 507• study score ♦

Symphony No. 8 in G maj Op. 88Ed� F� BartošTP 508• study score ♦

Symphony No. 9 in E min Op. 95 “From the New World”Ed� F� BartošTP 509• study score ♦


Symphony No. 2H 7178 score ♦


Symphony No 3 Op. 38H 2741-66 study score ♦

Symphony No. 4 for Large Orchestra Op. 49H 3506 study score ♦


Con brio per orchestraH 7803 score ♦


The Danube (Dunaj)symphony (with soprano solo)critical reconstruction of the composer's unfinished symphonyEds� L� Faltus, M� ŠtědroňLJCE H/3BA 6861 / H 7950 cloth bound

score ♦

The Danube symphony with four movements was written intermittently over the course of five years from 1923 to 1928� Janáček's death prevented it from being finished� Based on the composer’s autograph draft and other sources, the score was completed by leading Janáček experts and eminent editors of the LJCE, Miloš Štědroň and Leoš Faltus� This is the first time the complete score was published in print�

Two DancesCossack Dance (Kozáček), Serbian Reel (Srbské kolo)Ed� J� BurghauserBA 6171 / H 4657 score ♦

Lachian Dances (Lašské tance)Eds� J� Burghauser, R� EliškaLJCE D/4BA 6845• cloth bound score ♦H 6571 score (practical

edition) ♦

Entr'actes from the opera The Cunning Little Vixen (Meziaktní hudba z opery Příhody lišky Bystroušky)Arr� by F� JílekH 7505 study score

Suite from the opera From the House of the Death (Suita z opery Z mrtvého domu)Arr� by F� JílekH 7506 study score

SinfoniettaH 7741 piano reduction

for four hands only (František Jílek) ♦

Taras BulbaRhapsody for OrchestraEds� J� Burghauser, J� HanušLJCE D/7BA 6842• cloth bound score ♦H 3616 score (practical

edition) ♦




56 57

ORCHESTRA


Taras Bulba Rhapsody for OrchestraUrtext / Eds� J� Burghauser, J� HanušTP 842 study score ♦

● 20th century repertoire piece available in a new study score

● Notation based on the LJCE D/7

● With a new preface by Jiří Zahrádka (Cz/Eng/Ger)

The Fiddler's Child (Šumařovo dítě)Ballad for OrchestraEds� J� Burghauser, R� EliškaLJCE D/6BA 6848• cloth bound score ♦H 6798-02 score ♦ H 6798 score (practical

edition) ♦


Mystery of Time (Mysterium času) Op. 31 COPYPassacaglia per grande orchestraH 2799 study score ♦


Symphony No. 2 – Sinfonia pacis Op. 18H 3759 study score ♦


Concerto grossoH 7554 study score ♦

The Story of the Flutes (Příběh fléten) COPYH 3684 study score ♦

Krejčí Iša(1904–1968)

XX variazioni per orchestrato an original theme in folk song styleH 5553 score


NEW 2018

Sinfonia concertante H. 322for oboe, basson, violin, violon-cello and small orchestraEds� Ch� Hogwood †, M� Pechač, P� Žůrek BMCE III/2/4 (in one volume with Concerto for String Quartet and Orchestra H� 207)BA 10577-01 cloth bound scoreIn preparation

Symphony No. 4 H. 305Ed� S� A� Choa BMCE II/1, 4BA 10572-01 cloth bound score


● Detailed preface and critical commentary by the editor (Eng/Cz)

→ see more about BMCE on pp� 38-39


Moravian Dance Fantasias (Moravské taneční fantazie)H 1211-66 study score ♦

Rhapsodic Variations (Rapsodické variace)for large orchestraH 2888 study score ♦

Symfonietta IIIConcerto per orchestra H 7004 score ♦


My Country (Má vlast)the most representative and best-known cycle of tone poems in Czech musicUrtext / Ed� F� BartošWith a new preface by M� OttlováTP 557 study score

My Country (Má vlast)Practical performance revision of each of the tone poems based on the critical editionEd� J� Burghauser

Vyšehrad COPYH 6427-01 score ♦

Vltava COPYH 6427-02 score ♦

Šárka COPYH 6427-03 score ♦

From Bohemian Fields and Groves (Z českých luhů a hájů) COPYH 6427-04 score ♦

Tábor H 6427-05 score ♦

Blaník COPYH 6427-06 score ♦

March for the Shakespeare Celebration (Pochod ke slavnosti Shakespearově)H 3096-66 study score ♦

Prague Carnival (Pražský karneval)H 4054-66 study score ♦

♦ Performance material available on hire • Bärenreiter-Verlag Kassel production

P I A N OO R G A N

V I O L O N C E L L OF L U T E

P E R C U S S I O N

Find your inspiration for the 2018/2019 concert season in the Bärenreiter catalogue

ORCHESTRAL WORKS available on hire (selection) • Symphony No. 1 in D Op. 11 (for strings and percussion)• Symphony No. 2 in C Op. 15 (for large orchestra)

• Symphony No. 3 in F Op. 33 (for organ, brass and timpani)• Symphony No. 4 in A “Camerata” Op. 36 (for chamber orchestra) • Symphony No. 5 in B-flat minor “Dramatic” Op. 41 (for soprano solo

and large orchestra) • Symphony No. 7 Op. 52 (for reciter and large orchestra) • Symphony No. 8 “Antiphonies” Op. 54 (for soprano solo, mixed

choir, percussion and organ) Premiere recording of complete Kabeláč symphonies now

on Supraphon (2016)• Overture No. 2 Op. 17 (for large orchestra)• Mystery of Time Op. 31 (for large orchestra)

• Reflections Op. 49 (for large orchestra)• Eufemias Mysterion Op. 50 (for chamber orchestra and

soprano solo)• Metamorphoses II Op. 58 (for large orchestra and piano solo)

KABELÁČ YEAR 2018Discover the eminent

Czech composer Miloslav Kabeláč (1908–1979)

58 59

ORCHESTRAORCHESTRA

Smetana Bedřich (1824–1884)

Vltava / The MoldauUrtext / Ed� H� MacdonaldBA 9558 score °TP 558 study score

(the composer's own version for piano four hands – see section Piano Duet)

Vyšehrad and Vltava (The Moldau), the first two symphonic poems of the six-part cycle My Country, were composed in quick succession in 1874�

They were first published in the composer’s arrangement four hands in December 1879, followed by the score and orchestral parts, which were proofread by Smetana himself, in the first half of 1880�

Owing to the large number of misprints in the Urbánek first edition of The Moldau, Hugh Macdonald has based his new edition on the autograph score, with cross-references to the first edition and the composer’s own version for piano duet�

● Preface on the creation and reception of the work by Olga Mojžíšová (Cz/Eng/Ger)

● Note on the edition (Cz/Eng/Ger) and a detailed critical commentary (Eng) by the editor

Smetana Bedřich (1824–1884)

NEW 2017

Šárka Urtext / Ed� H� MacdonaldBA 11532 score ♦To appear in December 2017

Smetana composed Šárka, the third work of the cycle My Country, in January and February 1875� While the composer's own arrangement four hands was published by Urbánek in 1880, the score was not printed until 1888, four years after the composer's death�

Due to the grave defects of the posthumous first edition of the score, the editor assessed the main source to be the autograph score with markings by conductor Adolf Čech, who headed the premiere of Šárka on 17 March 1877� The autograph and printed versions for piano duet served as referential sources�

● Preface by the eminent Smetana scholar Olga Mojžíšová (Cz/Eng/Ger)

● Note on the edition (Cz/Eng/Ger) and a detailed critical commentary (Eng) by the editor

NEW 2018

From Bohemian Fields and Groves (Z českých luhů a hájů)Urtext / Ed� H� MacdonaldBA 11533 score ♦In preparation


NEW 2017

“Asrael” Symphony Op. 27 → see more on the facing page

Scherzo fantastique Op. 25Rev� by V� MusilH 5183 score

The Winter's Tale (Pohádka zimního večera) Op. 9 COPYConcert overture for large orchestraHM 941 score ♦

Radúz and Mahulena Op. 13Music to a Slovak fairy tale in 4 acts by Julius ZeyerH 1879 piano reductin only

(Roman Veselý)

Teml Jiří(*1935)

Concerto grosso (Hommage à Haendel)H 7531 study score

MUSICA ANTIQUA

BOHEMICA

34

JAN VÁCLAV (HUGO) VOŘÍŠEK

S I N F O N I A

ISMN 979-0-2601-0248-4

Re maggiore

PARTITURA

9 790260 102484



Symphony in D maj 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, 2 trumpets, timpani, stringsEd� J� Racek, rev� by F� BartošMAB I/34H 2262 score ♦H 7323 piano reduction

for four hands (Karel Šolc)



New Urtext editions of Smetana's famous symphonic poems


NEW 2017

“Asrael” Symphony Op. 27 Urtext / Ed� J� HájekBA 9532 score ♦(replaces H 3978)To appear in December 2017

When Antonín Dvořák died on 1 May 1904, his son-in-law Josef Suk decided to honour his memory with a funeral symphony� Suk began drafting his second symphony around February 1905, but his work was interrupted by another tragedy – the death of his beloved wife Otilie� This event had a significant impact on the composition (he discarded his initial draft of the fourth movement and replaced it with a completely new one)� The five-movement symphony named after the Angel of Death is dedicated to Dvořák and his daughter�

“Asrael” Symphony was premiered in the National Theatre in Prague on 3 February 1907 under the baton of Karel Kovařovic� The score was published by Breitkopf & Härtel in Leipzig that very year, the piano reduction by Roman Veselý found its way to print five years later�

The main source of the present edition is the first print, supplemented by Suk’s September 1921 corrections, which were sparked by Václav Talich, chief conductor of the Czech Philharmonic� Talich made note of the corrections in his own printed copy of the score� The biggest change is the addition of the fifth and sixth horn ad libitum to the orchestra�


°

¢

°

¢

°

¢

°

¢

Symfonie / Symphony / Symphonie

(Asrael)

Josef Suk, op. 27


Flauto piccolo

(Flauto grande)

Flauto grande

Oboe

Corno inglese

Clarinetto

in Sib/B

Clarinetto basso

in Sib/B

Fagotto

Contraffagotto

Corno

in Fa/F

Corno

in Fa/F

Corno

in Fa/F

(ad lib.)

Tromba

in Do/C

Tromba

in Do/C

Trombone

Trombone

Tuba

Timpani

Gran Cassa

Piatti

Violino I

Violino II

Viola

Violoncello

Contrabbasso

Andante sostenuto più largamente1

mf

p molto cresc.

pp p dim. poco pp pp cresc. molto cresc.

p molto cresc.

p pp ppp

Andante sostenuto più largamente

pp p dim. poco pp pp poco cresc. molto cresc.

pp p dim.

poco

pp pp poco cresc. molto cresc.

pp p dim. ppp

p

ppp dim. ppp

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

3

4

[I. díl / Part I / I. Teil]

I

Vznešené památce Dvořákově a Otilčině.

Dem teuren Andenken Anton Dvořáks und seiner Tochter, meiner Gattin Otilie.

I

II

I

II

I

II

I

I

II

I

I

II

III

IV

V

VI

I

II

III

I

II

III

sul G

pizz.

pizz.

First scholarly-critical edition of “Asrael”the famous symphony in memory of Dvořák and his daughter

DV

OŘ

ÁK

· Dum

ky · op. 90 Bärenreiter Bärenreiter

SUKB Ä R E N R E I T E R U R T E X T

Partitura / Score / Partitur

Symfonie / Symphony / Symphonie

„Asrael“

op. 27

● First-ever scholarly-critical edition

● Detailed preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor

● Contains Suk's later corrections, including the fifth and sixth horn ad libitum

60 61

SOLO VOICESOLO VOICE

Moravian Duets (Moravské dvojzpěvy) Opp. 20, 32, 38for two voices (soprano and tenor / soprano and alto) and piano to words of Moravian folk songs(Cz/Ger/Eng)Ed� A� ČubrADCE VI/3H 337

Rusalka's Song to the Moon (Píseň Rusalky o měsíčku)Aria for soprano and piano from the 1st act of the opera RusalkaText by Jaroslav Kvapil (Cz/Ger/Eng)H 4460 vocal score ♦

(Karel Šolc) Russian Songs (Ruské písně) COPYfor two female voices and piano(Cz/Ru)ADCE VII/5H 441 NEW 2018

Songs I (Písně I) for voice and pianoLyrics: Cz/Eng/Ger Urtext / Ed� V� Vejvodová BA 11515 for high voiceBA 11516 for low voice In preparation

Two Songs for Baritone (Dvě písně pro baryton) s� op� (B 13), Songs to Words by Eliška Krásnohorská (Písně na slova Elišky Krásnohorské) s� op� (B 23), The Orphan (Sirotek) Op� 5, Rosemary (Rozmarýna) s� op� (B 24bis), Four Songs to the Words of Serbian Folk Poems (Čtyři písně na slova srbské lidové poezie) Op� 6, Songs from the Dvůr Králové Manuscript (Písně z Rukopisu královédvorského) Op� 7, Evening Songs (Večerní písně) Opp� 3, 9

This volume includes songs from Dvořák's early period, many of them are almost unknown and rarely performed� Some songs were previously unpublished� Now they appear in the first Urtext edition�


Solo Voice (Voices)


Biblical Songs (Biblické písně) Op. 99for voice and pianoto words from the Book of Psalms (Cz/Ger/Eng)Ed� A� ČubrADCE VI/2H 1758-96 for high voiceH 1560-97 for low voice(will be replaced by BA 10425, BA 10426)orchestral arrangement by A. Dvořák (the first five songs) and J. Burghauser with J. Hanuš (the second five songs) available on hire (only for low voice)

NEW 2018

Biblical Songs (Biblické písně) Op. 99for voice and pianoto words from the Book of Psalms (Cz/Eng/Ger)Urtext / Ed� Eva VelickáPreface by D� R� BeveridgeBA 10425 for high voice(will replace H 1758)BA 10426 for low voice(will replace H 1560)In preparation

A masterpiece of Dvořák’s song oeuvre� The cycle of ten Biblical Songs was composed in New York in spring 1894� While still in New York, Dvořák prepared orchestral arrangements of the first five songs in the first January week 1895� The original piano version of the cycle was first published by Simrock in Berlin in early 1895�

Cypresses (Cypřiše) B 11for tenor and pianoSong cycle to words by Gustav Pfleger-Moravský (Cz)Urtext / Ed� A� FreseBA 9569

● First ever Urtext edition of 18 love songs by young Dvořák

● Literal translations of the lyrics included (Eng/Ger)

● With a detailed preface by David R� Beveridge (Eng/Ger/Cz) and a critical commentary (Eng) by the editor

Evening Songs (Večerní písně) Opp. 3, 9 COPYfor voice and piano to words by Vítězslav Hálek (Cz/Eng)Ed� A� ČubrADCE VI/1H 553(will be replaced by a new Urtext edition as part of the volume Songs I – BA 11515, BA 11516)

Gypsy Songs (Cigánské melodie) Op. 55for voice and pianoto words by Adolf Heyduk (Cz/Eng/Ger)Ed� A� ČubrADCE VI/1H 1559 for high voiceH 1739 for low voice (will be replaced by BA 10431, BA 10432)orchestral arrangement by J. Teml available on hire (only for low voice)

NEW 2017

Gypsy Songs (Cigánské melodie) Op. 55for voice and pianoto words by Adolf Heyduk (Cz/Eng/Ger)Urtext / Ed� V� VejvodováBA 10431 for high voice (replace H 1559)BA 10432 for low voice(replaces H 1739)To appear in October 2017

1� I chant my lay, a hymn of love (Má píseň zas mi láskou zní), 2� Hark, how my triangle (Aj! Kterak trojhranec můj

přerozkošně zní), 3� Silent and lone the woods around (A les je tichý kolem kol), 4� Songs my mother taught me (Když mne stará matka), 5� Tune thy strings, oh gipsy! (Struna naladěna), 6� In his wide and ample, airy linen vesture (Široké rukávy), 7� Cloudy heights of Tatra (Dejte klec jestřábu)

Dvořák composed the song cycle Gypsy Songs Op� 55 to the words by Czech poet Adolf Heyduk in early 1880 by request of the tenor Gustav Walter, a member of the Vienna Court Opera, to whom the cycle is dedicated� Dvořák wrote the music directly for the German translations of the poems, which were provided for this purpose by the poet himself� The songs were first published by Simrock in German in summer 1880; the same publisher released another version including lyrics in Czech and English a year later�

Editor Veronika Vejvodová chose the first edition as the main source� The cycle is published in two transpositions for high and low voice�

● Third volume of the new five-volume Urtext edition of Dvořák’s complete songs for voice and piano

● One of the most popular and most famous Romantic song cycles

● Detailed preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor

Nat

iona

l Mus

eum

– C

zech

Mus

eum

of M

usic

DVOŘÁK SONG PROJECTA new five-volume Urtext edition

Antonín Dvořák's complete vocal works for solo voice and piano

Cypresses B 1118 love songs for tenor and piano by young Dvořák in their original form

Songs IAn album of songs from composer's early period, unknown pieces included

Songs IIAn album of songs from composer’s late period, unknown pieces included

Gypsy Songs Op. 55One of the most popular and most famous Romantic song cycles

Biblical Songs Op. 99Dvořák’s last song cycle, a masterpiece of his song oeuvre

● Three song cycles and two albums with songs issued in chronological order

● New Urtext and first Urtext editions, with some songs published for the first time ever

● Each volume published in two versions – for high and low voice (except for Cypresses, written for tenor)

● Lyrics in three languages (Cz/Eng/Ger) for each vocal part in all volumes (except for Cypresses in Czech with literal translations in English and German)

● Detailed prefaces (Cz/Eng/Ger) and critical commentaries (Eng) by the editors Veronika Vejvodová (Songs I, Songs II, Gypsy Songs), Eva Velická (Biblical Songs) and Andreas Frese (Cypresses)

62 63

SOLO VOICE


Songs II (Písně II) for voice and pianoLyrics: Cz/Eng/Ger Urtext / Ed� V� Vejvodová BA 11517 for high voiceBA 11518 for low voice To appear in May 2017

Three Modern Greek Songs (Tři novořecké básně) Op� 50 (B 84a, B 84b), Songs on Poems by Gustav Pfleger-Moravský (Písně na slova Gustava Pflegra-Moravského) Op� 2 (B 123–124), Two Czech Folk Poems (Dvě písně na lidové texty) s� op� (B 142), In Folk Style (V národním tónu) Op� 73 (B 146), Four Songs (Čtyři písně) Op� 82 (B 157), Love Songs (Písně milostné) Op� 83 (B 160), Lullaby (Ukolébavka) s� op� (B 160), Song from The Smith of Lešetín (Zpěv z Lešetínského kováře) op� posth� (B 204)

Songs II comprises mature works from Dvořák's late period� Besides the well-known cycle Love Songs, the volume also contains some less-known or entirely unknown and previously unpublished pieces�

● Second volume of the new five-volume Urtext edition of Dvořák's complete songs for voice and piano

● First Urtext edition with detailed preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor

● First-ever print of some of the songs

Songs from the Dvůr Králové Manuscript (Písně z Rukopisu královedvorského) Op. 7 COPYfor voice and piano(Cz/Ger/Eng)Ed� A� ČubrADCE VI/1H 3082(will be replaced by a new Urtext edition as part of the volume Songs I – BA 11515, BA 11516)

Songs to Words by Eliška Krásnohorská B 23 COPYfor voice and piano(Cz/Ger/Eng) Eds� J� Burghauser, A� ČubrADCE VI/1H 2632(will be replaced by a new Urtext edition as part of the volume Songs I – BA 11515, BA 11516)

Three Spiritual Songs (Tři duchovní zpěvy) Op. 19bfor low voice and organ (Lat) Eds� J� Burghauser, A� ČubrADCE VI/1H 4956

Ave Maria, Hymnus ad laudes in festo SS� Trinitatis, Ave maris stella

Eben Petr (1929–2007)

Nursery Songs (Říkanky)for soprano and piano to words of English limericks children's favourite songs, suitable for teaching English (Eng/Cz)H 7810

Secret Songs (Písně nejtajnější / Heimliche Lieder) for low voice and piano Love songs to words by various authors (Cz/Ger)H 3533

Six Songs of Love (Šestero piesní milostných / Sechs Minnelieder)for low voice and piano Six songs to original medieval love poetry (in 5 original langua-ges with translations into Czech) (Cz/Eng/Ger/Ital/Fr)H 2464

Songs from Teschen (Písně z Těšínska / Lieder aus dem Teschnerland)for lower voice and piano to words of Silesian folk songs (Cz/Ger)H 5311

Spi,

Sleep,

Schlaf,

p

mé

my

mein

zla

ten

gol

té

der

dnes

-

-

-

bou

lit

wo

be

tle

nne

-

-

-

le

gol

vo

-

-

té

den

lles

-

-

-

ma

che

klei

lé

rub,

nes

-

-

-

dě

child

Kin

ťá

of

de

-

-

tko;

mine.

lein;

-

-

Andante

p

noc

Night

dun

se

has

kle-

tem

fal

Nacht

ná

len

kommt

-

-

kva

dark

ei

pem

and

lig

-

-

blí

som

nä

ží,

bre,

her,

-

-

-

spá

eye

Schlaf

mf

nek

lids

be

-

-

ví

droop

schwert-

čka

with

die

- ma

hea

Au

lá

vy

gen

-

-

-

tí

slum

lie

p

-

-

-

-

rit.

7

mf p

ží,

ber,

der,

-

-

-

spi,

sleep,

schlaf,

pp

mé

my

mein

pou

ce

Her

pát

lan

ze

-

-

-

ko!

dine!

lein!

-

-

-

in tempo rit.

14

pp

3

8

3

8

3

8

Ukolébavka/Lullaby/Wiegenlied

Antonín Dvořák, B 194

100

From: Antonín Dvořák, Lullaby (published for the first time) from the volume Songs II • BA 11517

SUPRAPHON a. s.www.supraphon.com | [email protected]/SupraphonClassics | www.twitter.com/SupraphonCZ | Available on

TREASURY OF THE GREATEST CZECH MUSIC

SUPRAPHON LION IN THE WORLD OF MUSIC

KABELÁČ / THE COMPLETE SYMPHONIESPrague Radio Symphony Orchestra conductor Marko Ivanović

MARTINŮ / CANTATASPrague Philharmonic Choir conductor Lukáš Vasilek

MARTINŮ – HUSA – KALABIS – FELD VIOLA SONATASKristina Fialová viola Igor Ardašev piano

MARTINŮ / THE COMPLETE PIANO TRIOS

Smetana Trio

DVOŘÁK / SONGSCYPRESSES, EVENING SONGS,

GYPSY SONGSPavol Breslik tenor

Robert Pechanec piano

The first complete recording

Diapason d´Or BBC Music Magazine Disc of the Month

BBC Music Magazine Award Nomination Sunday Times Album of the Week

SU

420

2-2

SU

419

8-2

SU

421

1-2

SU

420

5-2

SU

419

7-2

SU

421

5-2

MARTINŮ / ARIANE, DOUBLE CONCERTO

Simona Šaturová soprano Essener Philharmoniker

conductor Tomáš Netopil

Sunday Times Album of the Week

Gramophone Editor’s ChoiceBBC Music Magazine Choral & Song Choice

NEW 2017

64 65

SOLO VOICE

Eben Petr (1929–2007)

Songs for a Lute (Písně k loutně) for voice and lute / guitar to words of medieval and Renaissance love poetry (in original languages)(Cz/Eng/Fr/Ger)a small pendant to the cycle Six Songs of Love, suitable for an amateur singer and guitarist in one Rev� by J� TichotaH 6300

Foerster Josef Bohuslav(1859–1951)

Erotikon Op. 23Four songs for high voice and piano (Cz/Ger)H 7849


Umbrella from Piccadilly (Deštník z Piccadilly) Op. 103Three songs for bass and large orchestra to words by Jaroslav Seifert (Cz)(with literal English and German translations of the lyrics) H 7439 study score ♦


Four Ballads (Čtyři balady)for medium voice and piano to words of folk poetry (Cz/Ger)Rev� by J� TrojanH 6497

Moravian Folk Poetry in Songs (Moravská lidová poezie v písních) for voice and piano(Cz/Ger)H 4570

Silesian Songs (Slezské písně) for low voice and piano to words from a collection of folk songs by Helena Salichová(Cz)Rev� by B� ŠtědroňH 1403

SOLO VOICE


Five Romantic Songs about Love to Words by R. M. Rilke (Pět romantických písní o lásce na slova R. M. Rilka) Op. 38for high voice and piano(Ger/Cz)H 7841


Love Carol (Koleda milostná) for medium / high voice and piano (together with Love Carol by Bohuslav Martinů)(Cz/Ger)Ed� I� PopelkaH 5585


Excited Song (Zjitřený zpěv) for baritone and brass quintet (2 trumpets, French horn, 2 trombones) to words by Josef Hora (Cz)H 7791 score with parts


Four Songs on Czech Folk Poetry (Čtyři písně na slova české lidové poezie) H. 282bis

for voice and piano (Cz/Ger/Eng)Ed� A� BřezinaH 7809

Love Carol (Koleda milostná) H. 259for medium / high voice and piano (together with Love Carol by Vítězslava Kaprálová)(Cz/Ger)Ed� I� PopelkaH 5585

New Chap-Book (Nový Špalíček) H. 288for voice and pianoEight songs on Moravian folk poetry (Cz/Ger) Ed� I� PopelkaH 6132

Bohuslav Martinů

LIEDER AUF EINER SEITESONGS ON ONE PAGE

Canto e Piano


Songs on One Page (Písničky na jednu stránku) H. 294for high voice and pianoSeven songs on Moravian folk poetry(Cz/Eng)H 5094orchestral arrangement by J. Teml available on hire

Bohuslav Martinů

LIEDER AUF ZWEI SEITENSONGS ON TWO PAGES

Canto e Piano


Songs on Two Pages (Písničky na dvě stránky) H. 302for high voice and piano Seven songs on Moravian folk poetry (Cz/Eng)H 5095

Two Songs to the Text of Negro Folk Poetry (Dvě písně na texty negerské poezie) H. 232bis

for voice and piano(Cz/Ger)Ed� I� PopelkaH 5988

Michna Adam Václav z Otradovic(1600–1676)

NEW 2017

The Czech Lute (Loutna česká) A collection of 13 songs for two voices, two violins and basso continuo to words by the composer (Cz)Ed� P� DaněkH 8040 parts with particell

in slipcoverTo appear in December 2017

The Czech Lute is a 1653 collec-tion of 13 strophic songs� Each of them is introduced by an instrumental ritornel; the cycle represents the first occurrence of ritornel songs in Czech�

Until recently the notation of the instrumental ritornels was unknown because the parts of the first and second violins were lost� The discovery of the part of the first violin in January 2014 by the editor of this edition was unique accomplishment that enabled the first reliable recon-struction of the work with the help of the basso continuo part, even though the notation of the second violin remains missing�

The premiere CD recording of this authentic version of The Czech Lute was created by Adam Viktora and Ensemble Inégal for Nibiru in 2015�

● Most famous song collection of the Czech Baroque

● Reconstruction of the work based on the newly discovered part of the first violin

● First-ever edition of instrumental ritornels with the reconstructed part of the second violin and the fully notated basso continuo by Adam Viktora




NEW 2016

The Diary of One Who Disappeared (Zápisník zmizelého)for tenor, alto, three female voices and pianoto words by Ozef Kalda(Cz/Eng/Ger)Urtext / Ed� J� ZahrádkaBA 9575 score (replaces H 935)arrangement for chamber orchestra by M. Štědroň and M. Orson Štědroň available on hire

Janáček's intimate chamber-music drama about the passio-nate love of a simple farm boy

for a beautiful gypsy girl is one of his great vocal masterpieces�

This cycle of 22 songs for tenor (an alto and three female voices are added in three numbers) was composed on a setting of poems that were published anonymously� It was not until 80 years later that their author was identified as the regional poet and writer Ozef Kalda� The cycle also contains theatrical elements, such as the alto entrance and exit cues and lighting effects�

Composed in 1917–19, the Diary was premiered in Brno in 1921 from a manuscript prepared by Gustav Homola� The same manuscript served as a basis for the first edition which was issued by the Brno publisher Oldřich Pazdírek in 1921 as well as for this current first Urtext edition�


● Detailed preface (Cz/Eng/Ger) with new information on the genesis of the work and critical commentary (Eng) by the editor

● Numbers IX to XI which include the alto and three female voices behind the scene also available online in a PDF form on our website for download


Tenore

Pianoforte

Ich

Po

One

traf

mf

tkal

day

ei

- sem

I

ne-

mla

met

jun

dou

a

ge

-

- Zi

ci

Gyp

geu-

gán

sy

ne

-

-

-

ku,

girl,

rin,

-

-

Andante (q . = 76) accel.

pp

°

ne

leicht

lithe

sf

sla

schritt

as

- sa

sie

a

ja

wie

deer

ko

ein

was

- laň,

Reh,

she,

přes

schwarz

black

pr

auf

hair

sa

der

lay

-

6

sf

cresc.

° °

čer

Brust

on

né

die

her

- le

Zöp

shoul

lí

fe,

ders,

-

-

-

ky

das

her

- a

Au

eyes

o

ge

were

-

či

ein

deep

- bez

finst

as

dna

rer

the

-

zhlaň.

See.

see.

11

sf

cresc.

°

6

16

6

16

6

16

*) Na jevišti přítmí.

On a dimly lit stage.

Halbdunkle Bühne.

*)

Leoš Janáček

I

44 44 44

2222

2222

2222

sf

44 44

44

44

2222

2222

22

22

22

22

44

44

44

22

22

22

22

22

22

66 67

CHORAL MUSIC / SACRED AND SECULAR WORKSSOLO VOICE / CHORAL MUSIC / SACRED AND SECULAR WORKS


Tre notturni COPYfor 2 sopranos, 2 clarinets, 2 French horns and strings (Ital) Ed� V� BělskýMAB II/7H 5182 score ♦

Petrarch Songs (Písně na Petrarku)Songs for medium voice and piano on poems by Francesco Petrarca 19 songs in different languages from 19 European composers from 18th to 20th centuries (Ital/Fr/Cz/Eng/Ger) Ed� M� BrunsH 7934

Plánický Josef Antonín(1691–1732)

Opella ecclesiasticaTwelve sacred cantatas (Lat) for soprano, alto and bass solo, 2 bassoons, strings, and organ Ed� J� SehnalMAB II/3H 4496 score

Rychlík Jan(1914–1964)

South Bohemian Folk Songs (Jihočeské písně a písničky) for voice, violin, clarinet, bass clarinet and piano(Cz/Ger)H 5489 score with parts

Sluka Luboš(*1928)

Renaissance Songs (Písně renesanční)Three songs for mezzo-soprano / baritone and piano(Cz/Ger)H 3402


Evening Songs (Večerní písně)for low voice (arr� by J� E� Zelinka) and piano Five songs to words by Vítězslav Hálek (Cz/Ger/Eng)Rev� by K� ŠolcH 2844

Collections

Music of the Piarist Monasteries IMoravian church compositions of the 17th and 18th centuriesfor mixed choir, 2 horns, strings and organ(Lat) Ed� T� HanzlíkH 7905 score COPY

Repertorium troporum bohemiae medii aevi, pars I–IV

Tropi proprii missae – pars I(Lat)Ed� H� Vlhová-WörnerH 7878

Tropi ordinarii missae – pars IIKyrie eleisonGloria in excelsis Deo(Lat)Ed� H� Vlhová-WörnerH 7959

Tropi ordinarii missae – pars IIISanctus(Lat)Ed� H� Vlhová-WörnerH 8017

Tropi ordinarii missae – pars IVAgnus Dei(Lat)Ed� H� Vlhová-WörnerH 8030

The five volume editorial pro-ject Repertorium troporum bohemiae medii aevi introduces the texts and musical editions of mass tropes from Czech sources from the 11th–16th centuries� The tropes are edited along with their native chants; as such, these publications would interest both the acade-mic community, as well as those interested in performance�

Many of the texts and melodies are made accessible for the very first time� The edition contains numerous commentaries, int-roductory studies (Cz/Eng) and enclosed facsimilies�

The internationally respected musicologist Hana Vlhová-Wör-ner is the author of numerous publications on church music and Latin liturgical poetry in Bohemia and Central Europe from the 11th to 16th centuries and one of the editors of the Jistebnice Hymnal�

Children's Choir


AlleluiaEpilogue from the oratorio Apologia Sokratus for children's and mixed choir and organ Organ version arr� by Ph� Brunelle(original Greek of Plato's Apologia Sokratus)H 7900 score

The Twig Grows Green (Zelená se snítka) 14 songs for children's choir and piano(Cz/Ger)H 2335 score


Children's Choruses A selection from the author's cycles of children's choruses a cappella (Cz)H 7136 choral score

Missa Vinea Crucisfor children's / female choir and orchestra or organ(Lat)H 7768 score (organ version)orchestral version available on hire

Pololáník Zdeněk(*1935)

Cantus laetitiaefor children's or female choir a cappella(Lat)H 7885 choral score

Female Choir


Of Swallows and Girls (O vlaštovkách a dívkách) Nine folk songs for female choir a cappella (Cz) H 4233 choral score


Greek Dictionary (Řecký slovník)Nine female choruses with harp/ piano accompaniment (to single Greek words) Harp part rev� by L� VáchalováH 6145 score


Missa Vinea Crucisfor children's / female choir and orchestra or organ (Lat)H 7768 score (organ version)orchestral version available on hire


Hradčany Songs (Hradčanské písničky)for female choir with flute and harp accompanimentto words by František S� Procházka(Cz/Ger/Eng)H 4248 score

Kašpar RuckýBallad for female choir a cappella with soprano solo to words by František S� Procházka(Cz/Ger)H 6001 choral score

The Wolf's Track (Vlčí stopa)for female choir and piano to words by Jaroslav Vrchlický(Cz/Ger)H 4515 score


Opening of the Wells (Otvírání studánek) H. 354Cantata for soprano, alto and baritone solos, reciter, female choir, 2 violins, viola and piano to words by Miloslav Bureš (Cz/Eng/Ger)H 2122 score with

instrumental parts→ see more on p� 73

Pololáník Zdeněk(*1935)

Cantus laetitiaefor children's or female choir a cappella(Lat)H 7885 choral score


Female ChorusesThree three-part female choruses a cappella Má hvězda, Přiletěly vlaštovičky, Za hory slunce zapadá (Cz)H 7811 choral score

Male Choir


Choral Songs (Sborové písně) B 66 COPYfor male choir (Cz)HM 150 choral score


In honorem CaroliCantata for male choir and orchestra to words from the Foundation Charter of Charles University (Cz/Lat/Ger)H 6615 score ♦


Ave Maria COPYfor male choir a cappella to words by Lord Byron (Cz)Ed� J� TrojanH 6276 choral score

Čarták on Soláň (Na Soláni čarták)Cantata for male choir and orchestra to words by Martin Kurt (pseu-donym of Maxmilián Kunert)(Cz/Ger/Eng) Eds� J� Hanuš, M� ŠtědroňLJCE B/3BA 6844• cloth bound score ♦H 6450 score (practical

edition) ♦H 2576-90 vocal score

(Břetislav Bakala)

Pastorelle boemicheCzech Christmas PastoralsDaniel A� F� Milčinský (instrumental ), Tomáš N� Koutník, Jiří I� Linek, Jan Michaličkafor soloists (soprano, tenor, bass), mixed choir and chamber orchestra (Cz)Ed� J� BerkovecMAB I/23H 1819 score ♦


KLAVÍR

68 69

CHORAL MUSIC / SACRED AND SECULAR WORKS


Echoes of Folk Songs (Ohlas národních písní) for male choir a cappella (Cz)Ed� J� TrojanH 5951 choral score

True Love (Láska opravdivá), I Am Most Astonished (Divím se milému), The Sunken Garland (Vínek stonulý)

Four Male Partsongs (Čtveřice mužských sborů)for male choir a cappellaH 2486 choral score (Cz)H 2486-01 choral score (Ger)

The Threat (Výhrůžka), Oh Love! (Ó lásko), Oh, Army (Ach, vojna, vojna), Your Beautiful Eyes (Krásné oči tvé)

Four Moravian Male Choruses (Čtvero mužských sborů moravských)for male choir a cappella to words of Moravian folk poetry (Cz)H 7769 choral score

You Know (Dež viš), Mosquitoes (Komáři), The Evening Witch (Klekánica), Parting (Rozloučení)

Male Choruses I (Mužské sbory I)for male choir a cappella(Cz/Ger/Eng)Eds� L� Faltus, P� OlivaLJCE C/1BA 6847• cloth bound choral

score

Ploughing (Orání), Fickleness of Love (Nestálost lásky), Lonesome without Solace I (Osamělá bez těchy I), True Love (Láska opravdivá), I am most astonished (Divím se milému), The Sunken Garland (Vínek stonulý), Wailing Melancholy (Zpěvná duma), You Cannot Escape from Fate (Osudu neujdeš), Two Doves in a Fir Tree (Na košatej jedli), At the Ferry (Na prievoze), Four Male Partsongs (Čtveřice mužských sborů): The Threat (Výhrůžka), Oh Love! (Ó lásko), Oh, Army (Ach, vojna, vojna), Your Beautiful Eyes (Krásné oči tvé), Parting (Loučení), The Dove (Holubička), The Jealous Lover (Žárlivec), Birch Tree (Což ta

naše bříza), Seek Repose (Odpočiň si), Festive Chorus (Slavnostní sbor), Lonesame without Solace II (Osamělá bez těchy II)

Male Choruses II (Mužské sbory II) for male choir a cappella (Cz/Ger/Eng)Eds� L� Faltus, P� OlivaLJCE C/2BA 6858 / H 7840 cloth bound choral score

Ave Maria, The Wreath (Vínek), Four Moravian Male-Voice Choruses on Moravian folk poetry (Čtvero mužských sborů moravských): You Know (Dež viš), Mosquitoes (Komáři), The Evening Witch (Klekánica), Parting (Rozloučení), Halfar the Schoolmaster (Kantor Halfar), Maryčka Magdónova (1st version), Maryčka Magdónova (2nd version), The Seventy Thousand (Sedmdesát tisíc), The Eiderdown (Perina), The Czech Legion (Česká legie), The Wandering Madman (Potulný šílenec), Our Flag (Naše vlajka), Chorus for laying the foundation stone of the Masaryk University in Brno, various supplements

The Wandering Madman (Potulný šílenec)for male choir a cappella with soprano solo to words by Rabindranath Tagore (Cz/Ger)H 6003 choral score

The Seventy Thousand (Sedmdesát tisíc)for mail choir a cappella to words by Petr Bezruč (Cz)H 6002 choral score

True Love (Láska opravdivá)for male choir a cappella to words of folk poetry(Ger/Eng)H 3026 choral score

Wailing Melancholy (Zpěvná duma)for male choir a cappella to words by František L� Čelakovský (Cz/Ger)Ed� J� TrojanH 6256 choral score

Martinů Bohuslav (1890–1959)

Brigand Songs (Zbojnické písně) H. 361 COPYTen male choruses a cappella to words of Moravian folk poetry(Cz/Ger/Eng)H 2880 choral score

Field Mass (Polní mše) H. 279 COPYCantata for male choir with baritone solo and orchestra to words by Jiří Mucha(Cz)literal translations of the lyrics (Ru/Eng/Fr) includedH 277 score ♦


Festive Chorus (Slavnostní sbor) COPYfor male choir a cappella to words by Emanuel Züngel(Cz)H 5561 choral score

Mixed Choir

Brixi Šimon(1693–1735)

MagnificatCantata for mixed choir, 2 trumpets (clarinas), strings and organ(Lat) Ed� V� BělskýMAB II/2H 4151 score


Hymnus “Heirs of the White Mountain” („Dědicové Bílé Hory“) Op. 30Short cantata for mixed choir and orchestra to words by Vítězslav Hálek(Cz/Ger/Eng) ADCE II/5H 3530 score ♦ COPYH 3750 vocal score

(Karel Šolc) COPY

In Nature's Realm (V přírodě) Op. 63 COPYfor mixed choir a cappella to words by Vítězslav Hálek (Cz)ADCE VI/4H 522 choral score

See our website atwww.philharmonicchoir.cz

TRUSTEE

We’ve been with you for over eight decades now

PFS_INZ_148x210_Baerenreiter 27.02.17 9:37 Stránka 1



70 71

CHORAL MUSIC / SACRED AND SECULAR WORKSCHORAL MUSIC / SACRED AND SECULAR WORKS


Mass in D maj Op. 86 (organ version)for soloists, mixed choir and organ(Lat)Eds� J� Burgauser, A� ČubrADCE II/7H 4952 score (with preface

by J� Burghauser)(will be replaced by BA 10434)

NEW 2018

Mass in D maj Op. 86(organ version)for soloists, mixed choir and organ(Lat)Urtext / Ed� H� UtidijanBA 10434 score (with newly

discovered cello and double bass parts)

(will replace H 4952)BA 10435 choral score with

organIn preparation

Psalm 149 (Žalm 149) Op. 79for mixed choir and orchestra(Cz/Ger/Eng) ADCE II/6H 4508 vocal score ♦

(Karel Šolc)

Requiem Op. 89for soloists, mixed choir and chamber orchestra Arr� by J� Linckelmann(Lat)BA 9582 score °● Standard choral work with

a manageable reduced orchestration

● A stylistically appropriate as well as tried and tested arrangement

● In keeping with the vocal score H 2924-90

Requiem Op. 89for soloists, mixed choir and orchestra(Lat) ADCE II/4H 2924-90 vocal score ♦

(Karel Šolc)

Six Moravian Duets (Šest moravských dvojzpěvů)for mixed choir and pianoto words of Moravian folk songs (Cz/Ger)Arr� by L� Janáček, with original piano partEd� V� NěmecH 7718 choral score(will be replaced by BA 10429)NEW 2018

Urtext / Ed� K� Viktorová BA 10429 choral score(will replace H 7718)In preparation

St Ludmila (Svatá Ludmila) Op. 71Oratorio for soloists, mixed choir and orchestra to words by Jaroslav Vrchlický (Cz/Ger/Eng) ADCE II/3H 4027 vocal score ♦

(František Bartoš)

Stabat Mater Op. 58Cantata for soloists, mixed choir and orchestra (Lat)Ed� A� ČubrADCE II/1H 2268 study score ♦H 1882 vocal score

(Karel Šolc)

Stabat Mater Op. 58Cantata for soloists, mixed choir and orchestra(Lat)Vocal score based on Dvořák's original piano version Urtext / Eds� J� Kachlík, M� SrnkaH 7920 vocal score by the

composer ♦

Te Deum Op. 103for solo soprano and bass, mixed choir and orchestra(Lat)ADCE II/6H 4522 score COPYH 4523-90 vocal score ♦

(Karel Šolc)

The Spectre's Bride (Svatební košile) Op. 69 Ballad to words by Karel Jaromír Erben for soloists, mixed choir and orchestra(Cz/Ger/Eng)ADCE II/2With a new preface by D� PhilippiBA 9544-90 vocal score ♦

(Karel Šolc)


AlleluiaEpilogue from the oratorio Apologia Sokratus for children's and mixed choir and organOrgan version arr� by Ph� Brunelle(original Greek of Plato's Apologia Sokratus)H 7900 score

Love and Death (Láska a smrt) COPYfor mixed choir a cappella to words of folk poetry(CZ/Ger)H 3863 choral score

Salve Regina / Cantico delle creatureCanticle of the Sun of Francis of Assisi for mixed choir a cappella(Lat/Ital [Umbrian])BA 6429• choral score

The Night (Noc)for mixed choir a cappella to words by Karel Hynek Mácha(Cz/Ger/Eng)H 7847 choral score

Ubi caritas et amorfor mixed choir a cappella to words by anonymous (Lat/Ital)BA 5404• choral score


Caprichosdouble-chorus composition a cappella for chamber and mixed choirsH 4439 score


AmarusCantata for soloists, mixed choir and orchestra to words by Jaroslav Vrchlický(Cz/Ger/Eng)Eds� L� Faltus, M� Kučerová, M� ŠtědroňLJCE B/1BA 6851• cloth bound scoreH 7382-01 scoreH 7735 vocal score ♦

(Zdeněk Král)

Elegy on the Death of My Daughter Olga (Elegie na smrt dcery Olgy) Cantata for tenor solo, mixed choir and piano to words by Marie N� Vevericová(Cz/Ger/Eng) Ed� T� StrakováH 2572 scoreFestive Chorus (Slavnostní sbor)for male solo quartet, female and male choir with piano to words by K� Kučera(Cz/Ger)Ed� J� TrojanH 5264 score

Glagolitic Mass (Glagolská mše / Mša glagolskaja)for soloists, mixed choir, organ and orchestra(Old Church Slavonic text)Eds� L� Faltus, J� ZahrádkaLJCE B/5–IPreface (Cz/Ger/Eng/Fr/Ru) and critical commentary (Cz/Ger) by J� Zahrádka BA 6862 / H 7935 cloth bound score, final authorised version ♦LJCE B/5–IIBA 6863 / H 8020 cloth bound score, “September 1927” version ♦

Urtext / Eds� L� Faltus, J� Zahrádka(final authorised version)Preface (Cz/Eng/Ger) by J� ZahrádkaWith translation of an Old Church Slavonic text into Cz/Ger/Eng in the vocal score TP 862 study score BA 6862-90 vocal score

(Martin Zehn)

Graduale in festo Purificationis B. V. M.for mixed choir a cappella (Lat) Ed� J� TrojanH 4698 choral score

Hail Mary (Zdrávas Maria)Ave Maria for soprano / tenor, mixed choir (ad lib�), violin, piano / organ(Cz/Ger)Ed� B� BakalaH 6252 score

Mass in B-flat maj According to “Messe pour orgue” by F� Liszt for mixed choir and organ (Lat)Ed� J� BurghauserH 6239 score

Mass in E-flat maj (Unfinished Mass)for soloists, mixed choir and organ (Lat)Ed� J� Trojan, Credo completed by V� PetrželkaH 5086 score ♦Lord Have Mercy upon Us (Hospodine!)for soloists, 2 mixed choirs, 4 trumpets, trombone, tuba, harp and organ (Cz/Ger) Ed� J� TrojanH 4700 score (with

harp part) ♦BA 6079• score °The Eternal Gospel (Věčné evangelium)Cantata for soloists, mixed choir and orchestra to words by Jaroslav Vrchlický (Cz/Ger/Eng)Eds� L� Faltus, M� ŠtědroňLJCE B/4BA 6860• cloth bound score ♦H 7736-01 score ♦Urtext / Eds� L� Faltus, M� ŠtědroňBA 6860-90 vocal score

(Leoš Faltus) The Lord's Prayer (Otčenáš)for mixed choir with tenor solo, harp and organ (Cz/Ger) Ed� B� ŠtědroňH 3712 score H 3712-64 harp part

Three Mixed Chorusesfor mixed choir a cappella(Cz/Ger)Ed� J� TrojanH 6154 choral score

Píseň v jeseni (Herbstlied), Kačena divoká (Die Wildente), Naše píseň (Unser Lied)

Kopřiva Václav Jan(1708–1789)

Offertorium ex D “Vox clamantis in deserto”for mixed choir, chamber orchestra (2 trumpets – clarinas, strings) and organ (Lat)Ed� Z� ŠestákH 7442 score

Linek Jiří Ignác(1725–1791)

Missa pastoralis ex F / Pastorellafor mixed choir with solos, 2 horns, strings and organ (Missa: Lat, Pastorella: Cz/Ger)Ed� J� BerkovecMAB II/13H 7226 score ♦

Madelka Simon Bar Jona(cca 1550–1598)

Seven Penitential Psalms (Sedm kajících žalmů)For five voices(Lat) Ed� M� KlementH 7999 choral score

♦ Performance material available on hire • Bärenreiter-Verlag Kassel production ° Performance material available

on sale

72 73

CHORAL MUSIC / SACRED AND SECULAR WORKSCHORAL MUSIC / SACRED AND SECULAR WORKS


The Epic of Gilgamesh (Epos o Gilgamešovi) H. 351Oratorio for soloists, narrator, mixed choir and orchestraLibretto in original English versionEd� A� BřezinaBMCE VI/2, 1BA 10571-01 cloth bound score→ see more about BMCE

on pp� 38-39

For fourteen long years Marti-nů mused over a composition “of the genre of Cavalieri's ‘Rappresentatione di anima e di corpo'”, before finally compo-sing his masterly choral work at the turn of December 1954 and January 1955, thus creating one of the most impressive choral scores of the 20th cen-tury� He compiled the libretto from the texts of one of the oldest extant works of literatu-re, the Ancient Babylonian Epic of Gilgamesh�

The greatest contribution of this critical edition is the disco-very and first publication of the composer's detailed requi-rements for a semi-theatrical staging of the work and the extension of the Narrator's role in accordance with Martinů's original intentions�




Legend from the Smoke of Potato Fires (Legenda z dýmu bramborové nati) H. 360Cantata for solo soprano, alto and baritone, mixed choir and instrumental ensemble (flute, clarinet, French horn, accordion, piano) to words by Miloslav Bureš (Cz/Eng/Ger) H 2996 scoreH 2996-22 instrumental parts

Madrigals (Part-Song Book) H. 380Four madrigals for mixed choir a cappella on Moravian folk songs (Cz/Ger)1� Am Donaustrom

(Tam s tej strany Dunaja)BA 3755• choral score2� Ej, steht ein Wäldchen

(Ej, jeden hájek)BA 3756• choral score

3� Auf der Erde hat nichts Weile (Na tom světě nic stálého)

BA 3757• choral score4� Glaubst du, daß ich wohl

nichts wüßte? (A ty si myslíš)BA 3758• choral score

Mikesh from the Hills (Mikeš z hor) H. 375Cantata for solo soprano and tenor, mixed choir, 2 violins, viola and piano to words by Miloslav Bureš (Cz/Eng/Ger) H 2992 scoreH 2992-22 instrumental parts

Romance from the Dandelions (Romance z pampelišek) H. 364 Cantata for mixed choir with soprano solo to words by Miloslav Bureš (Cz/Eng/Ger)H 2997 choral score

Bureš Cantatas – Martinů choral masterpiecespractical editions: H 2122 / H 2992 / H 2996 / H 2997

● The cycle of Martinů's chamber cantatas frequently performed worldwide

● All four masterpieces are written to words by Miloslav Bureš, a fellow native of the composer from Polička

● Bureš Cantatas, composed between 1955–59, express the composer's deep feeling of homesickness, especially in the Opening of the Wells, the most known and the most popular of them


NEW 2017

Opening of the Springs (Otvírání studánek) H� 354The Legend of the Smoke from Potato Tops (Legenda z dýmu bramborové nati) H� 360A Dandelion Romance (Romance z pampelišek) H� 364Mikesh from the Mountains (Mikeš z hor) H� 375Lyrics in the original CzechEd� V� ZouharBMCE VI/2/3BA 10575-01 cloth bound score→ see more about BMCE

on pp� 38-39

Martinů was often inspired by Czech and Moravian folk music in his compositions� However, in the late 1950s his intense focus on the poems of Bureš, which drew on folk customs, had another, personal dimension�

Through these four cantatas, Martinů could return to his homeland at least in a spiritual way� The cantatas are primarily choral works augmented with solo voices or minor instrumental accompaniment�

The need for a critical edition of these cantatas stems from the fact that the composer did not participate in the publication of any of them, aside from his cursory post-publication proof-reading of Opening of the Springs� The previous editions of these works contained numerous minor errors, inconsistencies and solutions that went against the intentions of the composer�



● Literal translation of the lyrics by Adam Prentis included (Eng)

{

¡

¢

¡

¢

{

¡

¢

353

Bar solo

Vl II

Vla

*) Editor’s suggestion; PS2: , A:

358

Bar solo

S

A

Vl II

Vla

34

343434

3434

z ru ky- do ru ky- si po dá- vá- me- těž ký

f

- klíč, klíč od do mo- va.

3

-

∑

Vl I

f p

f p

f p

Pf f p

=

∑ ∑ ∑ ∑Stu

p

dán- ko,- ru

pp

bín- ko.-

=

Stu

pdán- ko,-

∑hlu

pbáň- ko,-

∑stu

pdán- ko,-

pp

ru

bín- ko.

-

Stu

p

dán- ko,-

∑hlu

p

báň- ko,-

∑stu

p

dán- ko,- ru

pp

bín- ko.-

Vl I ∑ ∑

∑ ∑

∑ ∑

Pf

∑ ∑

ª

∑ ∑

ª - ª ª

ª - ª ª

ª - ª ª

ªªª

- ªªª ªªª

ªªª

ªª ªª ªª

ª ª

ª ª ª ª ª ª ª ª

ª ª ª ª

ª ª ª ª ª

ª ª ª ª ª

ª ª ª ª ª

ªªª ªªª ªªª ªªª ªªª

ªª ªª ªª ªª ªª

BA 10575-01 Partitur 7K B&O 25/01/2016

26


Czech Marian Music (Česká mariánská muzika)Cantilenae sacre bohemicae ad honorem Beatae Mariae Virginis63 four-part songs (Cz) Ed� J� Sehnal, texts rev� by L� ŠtukavecAMO 1H 7240 choral score

Holy Year Music (Svatoroční muzika)Cantiones sacre per tempus totius anni118 four-part songs (Cz) Eds� F� Malý, J� Sehnal, texts rev� by L� ŠtukavecAMO 5H 7824 choral score

Missa Sancti Wenceslaifor mixed choir and instrumental ensemble (Lat)Ed� J� SehnalMAB II/1H 4035 score ♦

Officium vespertinum – pars I: Psalmi Ifor mixed choir and instrumental ensemble(Lat) Eds� J� Sehnal, V� BělskýAMO 6H 7837 score ♦

Officium vespertinum – pars II: Psalmi IIfor mixed choir and instrumental ensemble (Lat)Eds� J� Sehnal, V� BělskýAMO 7H 7880 score ♦

Officium vespertinum – pars III: Compositiones ad honorem B. M. V. / Falsi burdoni a due corefor mixed choir and instrumental ensemble(Lat) Eds� J� Sehnal, V� BělskýAMO 8H 7979 score ♦

Sacra et litaniae – pars I: Missa Ifor mixed choir and instrumental ensemble (Lat) Eds� J� Sehnal, V� BělskýAMO 2H 7332 score ♦



74 75

OPERA / THEMATIC CATALOGUESCHORAL MUSIC / SACRED AND SECULAR WORKS


Sacra et litaniae – pars II: Missa IIfor mixed choir and instrumental ensemble (Lat) Eds� J� Sehnal, V� BělskýAMO 3H 7595 score ♦

Sacra et litaniae – pars III: Missa IIIfor mixed choir and instrumental ensemble (Lat) Eds� J� Sehnal, V� BělskýAMO 4H 7808 score ♦

Sacra et litaniae – pars IV: Missa IVfor mixed choir and instrumental ensemble (Lat) Eds� J� Sehnal, V� BělskýAMO 9H 7990 score ♦

Sacra et litaniae – pars V: Missa Vfor mixed choir and instrumental ensemble (Lat) Eds� J� Sehnal, V� BělskýAMO 10H 7995 score ♦

Sacra et litaniae – pars VI: Missa pro defunctisfor mixed choir and instrumental ensemble (Lat) Eds� J� Sehnal, V� BělskýAMO 11H 7996 score ♦

Sacra et litaniae – pars VII, VIII, IX – Litaniae de SS. nomine Jesu, Litaniae B. M. V. / Te Deumfor 4 soloists, mixed choir and instrumental ensemble (Lat) Eds� J� Sehnal, V� BělskýAMO 12H 7997 score ♦


Aesopia (VI Phaedri fabellae cantatae atque saltatae cum prologo et epilogo) 1st version for mixed choir, soloists and piano (Lat)H 7882 score ♦

Ryba Jakub Jan(1765–1815)

Czech Christmas Mass (Česká mše vánoční)for soloists, mixed choir, orchestra and organthe most popular Czech Christmas Mass of all times (Cz/Ger)H 5572 vocal score ♦

(Josef Hercl)


Psalmifor solo voices, mixed choir and organ(Lat)H 7383 score


Czech Song (Česká píseň)Cantata for mixed choir and orchestra to words by Jan z HvězdyH 7402 vocal score ♦

(Karel Šolc) (Cz)H 7402n vocal score ♦

(Karel Šolc) (Ger)

Šesták Zdeněk(*1925)

Laudate Dominum, omnes gentesfor mixed choir a cappella(Lat)H 7924 choral score

Teml Jiří(*1935)

KrédoCycle of mixed choruses a cappella with baritone solo to words by Jan Tůma(Cz)H 7858 choral score


Missa in B (Missa solemnis Op. 24)for mixed choir, solo voices and orchestra (Lat) Eds� J� Berkovec, O� ZuckerováMAB II/15H 7739 score ♦


Missa Divi Xaverii ZWV 12 for soloists, mixed choir and orchestra (Lat) Urtext / Ed� V� LuksBA 9594 score BA 9594-90 vocal score ♦

(Václav Luks)

Missa Divi Xaverii ZWV 12, an expansive and unusually richly scored work, marks a highlight in Zelenka's œuvre� It was composed in 1729 while he was working at the Dresden court�

The principal source of this first edition is the damaged autograph score which had long been kept under lock and key� Passages missing because of its damaged condition have been supplemented using secondary sources or reconstructed by Václav Luks, clearly marked as such in the musical text�

● Magnum opus of Zelenka's music and the Bohemian Baroque

● Scholarly-critical first edition

● Significant enrichment to sacred choral repertoire

● Also suitable for ambitious amateur choirs

● Instructive preface (Cz/Eng/Ger) by J� Stockigt and critical commentary (Eng) by the editor



Psalmi et Magnificatfor mixed choir, orchestra and organ (Lat) Ed� V� BělskýMAB II/5H 4974 score (♦ selection)

Sub olea pacis et palma virtutis COPY(melodrama de Sancto Wenceslao)(Lat)Ed� V� BělskýMAB II/12H 6825 score

Opera


Kate and the Devil (Čert a Káča) Op. 112 COPYopera in 3 actslibretto by Adolf Wenig (Cz/Ger) Eds� J� Burghauser, A� PokornýH 454 vocal score by the

composer

Rusalka Op. 114lyric fairy tale in 3 actslibretto by Jaroslav Kvapil (Cz/Ger/Eng)German translation by E� Schmidt, English translation by D� RusbridgeNew preface by J� Gabrielová Urtext / Ed� J� Burghauser BA 9510-90 vocal score

(Karel Šolc)

The Jacobin (Jakobín) Op. 84opera in 3 actslibretto by Marie Červinková-Riegrová (Cz/Ger) Eds� F� Bartoš, A� PokornýADCE I/10H 3955 score in 2 volumes


NEW 2016

Fate (Osud) opera in 3 actslibretto by Leoš Janáček and Fedora Bartošová(Cz/Ger/Eng) Ed� J� ZahrádkaGerman translation by C� H� Henneberg, English translation by R� Blumer Preface by the editor (Cz/Eng/Ger)LJCE A/5BA 9562-01 / H 8038-01 cloth bound score ♦Urtext / Ed� J� Zahrádka(Cz/Ger)BA 9562-90 vocal score

(Rasmus Baumann)

NEW 2018

The Makropulos Case (Věc Makropulos)“Brno version” opera in 3 acts after the eponymous play by Karel Čapeklibretto by Leoš Janáček (Cz/Ger)Ed� T� HanusGerman translation by K� LückerLJCE A/9BA 9579-01 cloth bound

score ♦ BA 9579-90 vocal score

(David Švec)In preparation


The Bartered Bride (Prodaná nevěsta)comic opera in 3 actslibretto by Karel Sabina (Cz/Ger)German translation by K� HonolkaNew preface by M� OttlováOverture for piano solo arr� by Jindřich Kàan z AlbestůUrtext / Ed� F� BartošBA 9534-90 vocal score by the

composer ♦

The Kiss (Hubička) COPYopera in 2 actslibretto by Eliška Krásnohorská(Cz) Ed� F� BartošH 2819 vocal score by

the composer

The Secret (Tajemství)opera in 3 acts libretto by Eliška Krásnohorská(Cz) Ed� F� BartošH 1630 vocal score

(Karel Šolc)

Thematic Catalogues

Burghauser Jarmil

Antonín Dvořák. Thematic Catalogue844 pages (Cz/Ger/Eng)Bibliography by J� Burghauser, J� ClaphamH 7755

Hudec Vladimír

Zdeněk Fibich. Thematic Catalogue854 pages (Cz/Ger/Eng)H 7843

Nouza Zdeněk – Nový Miroslav

Josef Suk. Thematic Catalogue of the Works550 pages (Cz/Eng)H 7955

Padrta Karel

Franz Krommer. Thematischer Katalog seiner musikalischen Werke428 pages (Ger)H 7759

Schnierer MilošRev� by L� Peřinová

Vítězslav Novák. The Thematic and Bibliographical Catalogue522 pages (Cz/Eng)H 7814

Zuckerová Olga

Jan Hugo Voříšek. Thematic Catalogue96 pages (Eng)H 7777


76 77

INDEX OF EDITION NUMBERSINDEX OF COMPOSERS

BBenda František 18, 19, 33Benda Jiří Antonín 5, 14, 52Blatný Pavel 46, 53Bořkovec Pavel 13, 53Brixi František Xaver 15Brixi Šimon 68Burghauser Jarmil 75ČČernohorský Bohuslav Matěj 14Černý František 26DDlouhý Milan 3Dusík Jan Ladislav 3, 5, 19, 32Dušek František Xaver 5, 6, 14, 46Dvořák Antonín 3, 5, 6, 11, 12, 13, 14,

18, 19, 20, 21, 22, 23, 24, 25, 26, 41, 42, 43, 46, 47, 51, 52, 53, 55, 60, 61, 62, 67, 68, 70, 75

Dvořák Milan 3EEben Petr 3, 7, 11, 15, 18, 25, 33, 36,

42, 46, 47, 53, 62, 64, 67, 70FFeld Jindřich 18, 21, 23, 33, 34, 41,

43, 46, 49, 51, 55Fiala Josef 47Fibich Zdeněk 7, 12, 20, 34, 42,

43, 49Fils Antonín 33, 53Finger Gottfried 32Fišer Luboš 7, 13, 15, 18, 20, 25, 37,

43, 47, 70Foerster Josef Bohuslav 64GGemrot Jiří 14, 35Gola Zdeněk 17Graham Peter 3, 4Gruber Rudolf 35HHanuš Jan 3, 18, 20, 41, 46, 47, 55,

64Havlíček Ilja – Machalíčková

Františka – Ondruš Ján 15Hertl František 26Hlaváč Miroslav 33Hradecký Emil 3, 11, 33, 36, 37Hudec Vladimír 75Hurník Ilja 3, 11, 12, 33, 50, 55, 67Hurník Lukáš 12, 50Husa Karel 34Hybler Martin 32IIštvan Miloslav 37

JJanáček Leoš 7, 12, 13, 14, 15, 20, 21,

25, 34, 43, 44, 46, 47, 50, 55, 57, 64, 67, 68, 71, 75

Ježek Jaroslav 7Jirmal Jiří 32Jírovec Vojtěch 7KKabeláč Miloslav 7, 12, 15, 25, 33,

37, 46, 57Kalabis Viktor 7, 21, 36, 47, 57, 65Kaprálová Vítězslava 21, 25, 35, 65Kaucký Emanuel – Petr Miloš 36Klusák Jan 34Kocian Jaroslav 20Kolář Augustin 23Kopelent Marek 11, 25, 65Kopřiva Václav Jan 71Korte Oldřich F� 3, 8, 20, 57Koželuh Leopold 8, 53Kramář-Krommer František

Vincenc 18, 32, 34, 35, 47Krejčí Iša 57Krůček Václav 17Kubánek Libor 37Kubelík Jan 20Kubička Miroslav 20, 26, 33, 46Kučera Jan 36Kukal Ondřej 24, 35, 42, 44Kurz Ivan 36LLinek Jiří Ignác 71Losy Jan Antonín 32Loudová Ivana 18MMadelka Simon Bar Jona 71Martinů Bohuslav 4, 5, 8, 14, 18, 20,

21, 23, 24, 25, 26, 41, 43, 44, 47, 49, 50, 53, 57, 65, 67, 68, 72, 73

Matěj Josef 37Matějů Zbyněk 34Matys Jiří 20, 44Micka Josef 18, 19Michna Adam Václav

z Otradovic 65, 73, 74Mysliveček Josef 8, 33, 43, 46, 47,

49, 66NNeruda Jan Křtitel Jiří 35Nouza Zdeněk – Nový Miroslav 75Novák Jan 15, 20, 33, 74Novák Vítězslav 8Nudera Vojtěch 34Nykl Jan 32OOndříček František 20

PPadrta Karel 75Pauer Jiří 35, 36Pelikán Jaroslav 33, 35Pivoňka Karel 35Plánický Josef Antonín 66Pololáník Zdeněk 67RRak Štěpán 32Rejcha Antonín 8, 47, 49, 53Rössler-Rosetti František

Antonín 49Ryba Jakub Jan 74Rychlík Jan 14, 33, 66SSeger Josef Ferdinand Norbert 15Schnierer Miloš 75Schulhoff Erwin 9, 46Simon Ladislav 8, 37Slavický Klement 5, 34, 57, 74Slavický Milan 15, 23Sluka Luboš 66Smetana Bedřich 5, 9, 10, 13, 20, 41,

44, 57, 58, 66, 67, 68, 74, 75Stich-Punto Jan Václav 36Suk Josef 5, 10, 18, 19, 41, 42, 44, 45,

49, 50, 51, 52, 58, 59ŠŠesták Zdeněk 52, 74Ševčík Otakar 17, 24Škroup František Jan 41, 50Šporcl Pavel 18Štědroň Miloš 15TTeml Jiří 15, 32, 34, 43, 49, 58, 74Tichý Vladimír 24Tomášek Václav Jan 11, 53Trojan Václav 47Tůma František Ignác Antonín 18Tuzar Josef 37VVaňhal Jan Křtitel 11, 20, 24, 26Vejvanovský Pavel Josef 53Vodička Václav 52Voříšek Jan Václav Hugo 11, 13, 20,

58, 74Vranický Antonín 23, 47Vranický Pavel 46ZZach Jan 52Zákostelecký Bedřich 34Zámečník Evžen 46Zelenka Jan Dismas 53, 74, 75Zelenka Milan – Obrovská Jana 32Zuckerová Olga 75

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Notes Notes

www.baerenreiter.com The Musicians’ Choice

● A student lesson book ● A general note book● A gift

Format: DIN A 6 (10�5 cm x 14�8 cm / 4�1 inches x 5�8 inches) 32 pages · binding: stapled

BA 8100 Mozart redBA 8100-20 Schubert yellowBA 8100-21 Dvořák orangeBA 8100-24 Telemann green

Bärenreiter Notes

NEW 2016

NEW 2017

BA

BA 3326• �� 50BA 3327• ��49BA 3755• ��73BA 3756• ��73BA 3757• ��73BA 3758•��73BA 3842• ��23BA 3842-90• ��23BA 3969• ��25BA 4316• ��23BA 4316-90• ��23BA 4317• ��23BA 4317-90• ��23BA 4318-90• �� 14BA 4319• �� 26BA 4319-90• �� 26BA 5404•�� 70BA 6079• ��71BA 6171 / H 4657 ��55BA 6429• �� 70BA 6842•��55BA 6844• �� 67BA 6845• ��55BA 6847• ��68BA 6848• ��57BA 6849• �� 20BA 6851• ��71BA 6852-01• ��15BA 6856• ��13, 47BA 6857 / H 7832 ��43BA 6858 / H 7840 ��68BA 6860• ��71BA 6860-90 ��71BA 6861 / H 7950 ��55BA 6862 / H 7935 ��71BA 6862-90 ��71BA 6863 / H 8020 ��71BA 6965• ��24BA 7488• �� 46BA 7488-22• �� 46BA 8100 ��77BA 8100-20 ��77BA 8100-21 ��77BA 8100-24 ��77BA 8472• �� 14BA 9045• ��25BA 9045-40• ��25BA 9045-90• ��25BA 9500 �� 7BA 9501 �� 7BA 9502 �� 7BA 9503 �� 5BA 9506 ��10BA 9507 ��9BA 9509 ��25BA 9510-90 ��75BA 9511 ��8

78 79

INDEX OF EDITION NUMBERS INDEX OF EDITION NUMBERS

H

H 53 ��33H 54 ��17H 55 ��17H 100 ��43H 208 �� 50H 235 �� 5H 257 ��17H 258 ��17H 277 ��68H 284 �� 41H 297 �� 5H 298 ��10H 337 ��61H 338 ��6H 362 ��49H 365 ��49H 366 ��53H 380 �� 14H 384 �� 7H 425 �� 7H 441 ��61H 454 ��75H 465 �� 20H 475 ��8H 519 ��53H 522 ��68H 553 ��60H 675 �� 7H 676 �� 7H 888 ��35H 907 �� 3H 916 ��23H 1110 ��6H 1122 �� 3H 1126 ��6H 1200 �� 26H 1211-66 ��57H 1217 ��35H 1274 �� 5H 1276 ��33H 1304 ��43H 1356 �� 3H 1359 ��6H 1364 �� 20H 1403 ��64H 1428 ��6H 1442 �� 20H 1481 ��43H 1487 ��24H 1498��6H 1500 ��49H 1501 ��43H 1502 ��49H 1503 ��53H 1532 ��24H 1550 �� 19H 1559 ��60H 1560-97 ��60H 1569 ��43

H 1591-03 �� 18H 1592 �� 18H 1594 ��43H 1595 ��43H 1598 �� 26H 1630��75H 1648��53H 1732 ��43H 1739 ��60H 1748 ��32H 1758-96 ��60H 1763 ��6H 1780 ��13H 1791 ��43H 1796 �� 5H 1801 �� 12H 1809 �� 14H 1810 �� 3H 1811 �� 18H 1819 ��66H 1834 ��43H 1835 ��43H 1842 ��8H 1852 ��15H 1879 �� 10, 58H 1882 �� 70H 1890 ��18, 23H 1927 �� 18H 1933 ��34H 1979 �� 5H 2023 �� 46H 2031 �� 3H 2043 �� 20H 2078 �� 20H 2090 ��17H 2122�� 67H 2156 ��25H 2171 ��49H 2172 �� 18H 2178 �� 20H 2182 �� 11H 2226 ��6H 2242 �� 3H 2262 ��58H 2268 �� 70H 2271 �� 41H 2304 ��47H 2306 ��43H 2307 ��55H 2334 ��53H 2335 �� 67H 2414 ��18, 33H 2424 �� 5H 2461 �� 7H 2464 �� 62H 2486 ��68H 2486-01 ��68H 2498 ��32H 2544 ��35H 2572 ��71H 2576-90 �� 67

H 2632 �� 62H 2704 �� 19H 2705 ��47H 2726 ��37H 2741-66 ��55H 2799 ��57H 2803 ��43H 2819 ��75H 2844 ��66H 2849 ��43H 2850 �� 5H 2852 ��52H 2880 ��68H 2888 ��57H 2907 ��6H 2924-90 �� 70H 2955 �� 36H 2958 ��53H 2981 �� 14H 2992 ��73H 2992-22 ��73H 2996 ��73H 2996-22 ��73H 2997 ��73H 3026 ��68H 3079 ��53H 3082 �� 62H 3089��18, 19H 3096-66 ��57H 3099 �� 5H 3133 �� 18H 3156 �� 7H 3171 ��53H 3177 ��6H 3204 ��15H 3211 �� 3H 3230 ��53H 3235 �� 18H 3237 �� 11H 3257 �� 5H 3289 �� 5H 3291 ��35H 3331 ��42H 3363 �� 5H 3364 ��15H 3374 ��9H 3392-01 ��42H 3402 ��66H 3406��47H 3413 �� 5H 3506 ��55H 3530 ��68H 3533 �� 62H 3555 ��52H 3578 �� 19H 3598 �� 12H 3616 ��55H 3684 ��57H 3712 ��71H 3712-64 ��71H 3723 ��34

BA 9578 �� 41BA 9579-01 ��75BA 9579-90 ��75BA 9581 ��34BA 9582 �� 70BA 9583 ��45BA 9584 ° ��51BA 9585 ��3, 4BA 9586 ��4BA 9591 ��17BA 9592 ��17BA 9593 ��17BA 9594��74BA 9594-90 ��74BA 10401 ��53BA 10402��53BA 10403 ��53BA 10417• ��55BA 10417-40• ��55BA 10420 ��13BA 10420-90 ��13BA 10422 ��22BA 10422-90 ��22BA 10423 ��51BA 10424 ��52BA 10424-22 ��52BA 10425 ��60BA 10426 ��60BA 10429 �� 70BA 10431 ��60BA 10432 ��60BA 10434 �� 70BA 10435 �� 70BA 10571-01 ��72BA 10572-01 ��57BA 10574-01 ��47BA 10575-01 ��72BA 10576-01 �� 44BA 10577-01 ��44, 57BA 10578-01 ��23, 24BA 11512�� 20BA 11513 �� 5, 6BA 11514 �� 5, 6BA 11515 ��61BA 11516 ��61BA 11517 �� 62BA 11518 �� 62BA 11521��17BA 11527-90�� 21BA 11529-90 �� 21BA 11530 �� 26BA 11531-90 ��24BA 11532 ��58BA 11533 ��58BA 11537 ��9BA 11539 ��42BA 11543 �� 44BA 11545 �� 7BA 11547 ��24BA 11548 ��24BA 11549 ��24

H 3740 ��52H 3750 ��68H 3754 �� 20, 34H 3756 �� 5H 3759 ��57H 3761 ��15H 3788 ��53H 3789 ��52H 3813 ��43H 3819 ��33H 3843 ��47H 3863 �� 70H 3869 ��33H 3879 �� 12H 3884 �� 20H 3917-22 ��49H 3955 ��75H 3986 �� 44H 3998 ��42, 49H 4027 �� 70H 4035 ��73H 4054-66 ��57H 4149�� 5H 4151 ��68H 4154 ��10H 4156 ��37H 4179 �� 26H 4203 ��47H 4233 �� 67H 4248 �� 67H 4342 ��14, 50H 4346 �� 14H 4376 �� 18H 4397 �� 46H 4422 �� 36H 4439 �� 70H 4460 ��61H 4496 ��66H 4497 �� 3H 4499 �� 5H 4506��15H 4508 �� 70H 4515 �� 67H 4522 �� 70H 4523-90 �� 70H 4557 �� 33, 34H 4562 �� 36H 4570 ��64H 4585 ��53H 4592 ��43H 4698 ��71H 4700��71H 4721��33H 4738 �� 7H 4757 ��47H 4872 �� 11H 4890 ��47H 4923 ��15H 4952 �� 70H 4956 �� 62H 4974 ��75

H 4985 ��13H 5020 �� 3H 5033 �� 3H 5077 �� 3H 5081 �� 5H 5086 ��71H 5094�� 65H 5095 �� 65H 5166 �� 46H 5182 ��66H 5183 ��58H 5194 ��32H 5196 �� 46H 5215 ��35H 5259 �� 18H 5264 ��71H 5270 ��53H 5305 ��24H 5311 �� 62H 5317 �� 20H 5318 �� 14H 5330 ��42H 5390 �� 11H 5422 ��13H 5445 �� 20H 5450 �� 18H 5489 ��66H 5543 �� 19H 5553 ��57H 5561 ��68H 5572 ��74H 5585 �� 65H 5628 �� 46H 5631 ��34H 5643 ��51H 5649 ��43H 5674��25H 5709 ��8H 5766 ��10H 5781 �� 7H 5805 �� 14H 5808 ��47H 5849 ��53H 5850 ��23H 5851 �� 11H 5862 ��18, 32, 34H 5906 �� 20H 5951 ��68H 5988 �� 65H 5993 ��17H 6001 �� 67H 6002 ��68H 6003 ��68H 6033 ��49H 6036 �� 11H 6065 �� 7H 6070-01 �� 7H 6114�� 11H 6132 �� 65H 6145 �� 67H 6154 ��71

H 6155 �� 11H 6156 ��8H 6173 ��43H 6187 ��17H 6211 ��33H 6214 �� 46H 6239 ��71H 6250 ��47H 6252 ��71H 6256 ��68H 6276 �� 67H 6300 ��64H 6329 �� 3H 6334 �� 14H 6339 ��34H 6354 �� 7H 6390 �� 36H 6406 �� 46H 6415 ��32H 6421 �� 3H 6427-01 ��57H 6427-02 ��57H 6427-03 ��57H 6427-04 ��57H 6427-05 ��57H 6427-06 ��57H 6428 �� 44H 6429 ��52H 6450�� 67H 6465 ��47H 6474 ��3, 11H 6477 �� 46H 6497 ��64H 6508 ��43H 6549 ��43H 6571 ��55H 6582 �� 20H 6590 �� 46H 6614 ��53H 6615 �� 67H 6657 �� 11H 6663 ��43H 6674 �� 21H 6676�� 5H 6696 �� 21H 6782-22 �� 46H 6791 ��23H 6798-02 ��57H 6798 ��57H 6825 ��75H 6837 �� 36H 6902-01 ��43H 6931 ��23H 6967�� 44H 6973 �� 26H 7004 ��57H 7037�� 46H 7040-01 ��6H 7040-02 ��6H 7082 �� 3H 7132 ��32

BA 9512 ��8BA 9513 ��8BA 9514 ��8BA 9515 ��8BA 9516 �� 44BA 9517 �� 44BA 9518 �� 41BA 9519 ��9BA 9520 ��43BA 9521 ��41, 50BA 9524 ��15BA 9525 ��9BA 9526 �� 20BA 9527 ��9BA 9528 �� 46BA 9529 ��10BA 9530 ��45BA 9532 �� 59BA 9533 ��43BA 9534-90 ��75BA 9535 ��13, 47BA 9536 ��45BA 9537 ��42BA 9538 �� 41BA 9539 ��43BA 9540 ��43BA 9541 ��8BA 9542 �� 46BA 9543 ��42BA 9544-90 �� 70BA 9545 ��43BA 9546 ��42BA 9547 �� 12BA 9548 �� 12BA 9549��13BA 9550 ��17BA 9551 ��17BA 9552 ��17BA 9553 ��17BA 9554 ��17BA 9555 ��17BA 9556 ��17BA 9557 ��17BA 9558 ��58BA 9559 ��9BA 9560 ��9BA 9561 ��10BA 9562-01 / H 8038-01 ��75BA 9562-90 ��75BA 9564�� 41BA 9565 �� 12BA 9566 �� 46BA 9567 �� 41BA 9568 ��24BA 9569 ��60BA 9571 �� 19BA 9573 ��42BA 9574 ��42BA 9575 ��64BA 9576 �� 20BA 9577 �� 46

80

INDEX OF EDITION NUMBERS

H 7133 �� 11H 7135 ��33H 7136 �� 67H 7140 ��47H 7149 ��33H 7178 ��55H 7215 ��10H 7226 ��71H 7236��32H 7240 ��73H 7311 ��53H 7323 ��13, 58H 7325 �� 3H 7330��8H 7332 ��73H 7333 ��10H 7382-01 ��71H 7383 ��74H 7402 ��74H 7402n ��74H 7404 ��49H 7406 ��35H 7414 ��32H 7415 �� 7H 7438 �� 14H 7439 ��64H 7442 ��71H 7445 ��8H 7452 ��47H 7460 ��10H 7461 �� 11H 7481 �� 46H 7504 �� 21H 7505 ��55H 7506 ��55H 7528 ��23H 7531 ��58H 7554 ��57H 7567 ��35H 7568 ��53H 7591 �� 3H 7595 ��74H 7638 �� 12H 7646 ��35H 7690 ��15H 7717 �� 12H 7718 �� 70H 7719 ��42H 7725 ��25H 7735 ��71H 7736-01 ��71H 7738 �� 21H 7739 ��74H 7741 ��12, 55H 7743 �� 20H 7744 �� 7H 7745 ��37H 7750 ��34H 7753 ��37H 7755 ��75H 7757 �� 7

H 7758 �� 7H 7759 ��75H 7764 ��43H 7766 �� 7H 7768 �� 67H 7769 ��68H 7777 ��75H 7778 ��25H 7781 �� 3H 7787 ��47H 7788 ��34H 7791 �� 65H 7792 ��32H 7793 ��25H 7795 �� 7H 7796 ��32H 7800 ��49H 7800-22 ��49H 7802 �� 20H 7803 ��55H 7804 �� 36H 7807 �� 41H 7808 ��74H 7809�� 65H 7810 �� 62H 7811 �� 67H 7814 ��75H 7817 �� 20H 7820 �� 50H 7823 �� 19H 7824 ��73H 7825 �� 20H 7827 ��25H 7828 ��32H 7830 ��34H 7837 ��73H 7841 �� 65H 7842 �� 7H 7843 ��75H 7844 �� 44H 7844-22 �� 44H 7845 ��15H 7847 �� 70H 7849 ��64H 7850 ��32H 7852 �� 43, 49H 7854 ��35H 7855 ��20, 33H 7857 �� 7H 7858 ��74H 7859 �� 18H 7860�� 41H 7863 �� 50H 7865 ��15H 7867 ��34H 7869 ��32H 7873 ��15H 7874 �� 20H 7875 ��8H 7876 ��32H 7877 ��53

H 7877-22 ��53H 7878 ��66H 7880 ��73H 7881 �� 18H 7882 ��74H 7885 �� 67H 7890��33H 7893 ��25H 7896 �� 14H 7898 ��35H 7900 ��67, 70H 7905 ��66H 7906 �� 7H 7910��33H 7911 �� 7H 7913 ��37H 7914 �� 20H 7915 �� 20H 7916 �� 20H 7917 �� 7H 7919 ��21, 35H 7920 �� 70H 7923�� 46H 7924 ��74H 7931 �� 33, 36, 37H 7932��37H 7934 ��66H 7938 �� 20H 7941 �� 44H 7941-22 �� 44H 7944 �� 44H 7944-22 �� 44H 7946 ��8H 7948 �� 3H 7949 ��24H 7951 �� 18H 7952��49H 7953 ��51H 7954 ��52H 7955 ��75H 7957 �� 7H 7958 �� 44H 7959 ��66H 7962 ��41, 49H 7963 ��8H 7964 ��42H 7965 ��43H 7965-22 ��43H 7966�� 18, 37, 47H 7967 ��15H 7968 �� 44H 7968-22 �� 44H 7969��15H 7970 ��8H 7974�� 3H 7975 �� 11H 7976 ��15H 7979 ��73H 7982 �� 26H 7987 ��23H 7988 �� 7

H 7989 �� 7H 7990 ��74H 7991 ��33H 7992 ��34H 7993 ��37H 7994 ��37H 7995 ��74H 7996��74H 7997 ��74H 7999��71H 8001 �� 36H 8017 ��66H 8019 �� 36H 8021 ��24H 8023 ��43H 8028 ��15H 8030 ��66H 8034 �� 3H 8039�� 18H 8040 �� 65HM 150 �� 67HM 941 ��58

TP

TP 422 ��22TP 440 ��49TP 501• ��55TP 502• ��55TP 503• ��55TP 504• ��55TP 505• ��55TP 506• ��55TP 507• ��55TP 508• ��55TP 509• ��55TP 516 �� 44TP 517 �� 44TP 520 ��43TP 521 �� 44TP 528 �� 46TP 530 ��45TP 532 �� 46TP 533 ��43TP 535 ��43TP 536 ��45TP 539 ��43TP 540 ��43TP 557 ��57TP 558 ��58TP 577 �� 46TP 583 ��45TP 617• ��55TP 620• ��25 TP 842 ��57TP 862 ��71













2014/2015

Your Music Dealer:



















to string music.






obálka_angl_2017.indd 2 2.3.2017 12:46:25













2014/2015

Your Music Dealer:



















to string music.






obálka_angl_2017.indd 2 2.3.2017 12:46:25




Your Music Dealer


Bäre

nrei

ter P

raha

• SP

A 31

4

4mm 148148


obálka_angl_2017.indd 1 2.3.2017 12:46:19

baerenreiter cover a5+4mm 26.02.17 22:48 stránka 1 ...€¦ · jazz piano studies (cz/ger/eng) h...

Documents