band expressions series angels from the realms of glory · angels from the realms of glory was a...

16
PROGRAM NOTES Angels from the Realms of Glory was a Christmas poem written in 1816 by an English Moravian missionary named James Montgomery (1771–1854). The text has been set to music with several melodies; however, the most recognized, “Regent Square,” was composed by Henry Thomas Smart in 1867 and is the basis for this setting. Smart was almost completely blind when he composed this regal carol tune. It is interesting to note that his daughter recorded his compositions so that his work could continue. He was a prolific composer with numerous works that included cantatas, trios, duets, songs, an opera, an oratorio, and many hymn tunes. Studying music as a youngster with his father, his early musical career involved work as a church organist where he was recognized as one of England’s finest in addition to his compositional prowess. NOTES TO THE CONDUCTOR The arrangement begins with a fanfare statement by the brass echoed by the full ensemble. The melody, initially presented by solo clarinet at measure 11, has only subtle chime punctuation. Make certain the chime player does not overpower the melody. The simple melody builds in complexity, first becoming a clarinet duet, then adding woodwind voices one-by-one. Strive for careful balance among the players through the entire section from measure 16 through 29, ensuring that the percussion does not overpower. The segment beginning at measure 30 is a restatement of the opening fanfare, this time by the woodwind choir, then echoed by the full ensemble building to a tutti statement of the melody. From measure 38 to the end is the opportunity for your percussionists to contribute to the excitement and emotion of the arrangement. We hope you find Angels from the Realms of Glory to be musically fulfilling and educationally sound addition to your repertoire. Angels from the Realms of Glory HENRY T. SMART Arranged by ROBERT W. SMITH (ASCAP) and MICHAEL STORY (ASCAP) Correlates with Band Expressions, Book II BAND EXPRESSIONS SERIES INSTRUMENTATION 1 Conductor 8 Flute 2 Oboe 2 Bassoon 4 1st B b Clarinet 4 2nd B b Clarinet 2 B b Bass Clarinet 5 E b Alto Saxophone 2 B b Tenor Saxophone 2 E b Baritone Saxophone 4 1st B b Trumpet 4 2nd B b Trumpet 4 F Horn 4 Trombone 2 Baritone 2 Baritone Treble Clef 4 Tuba 1 Optional Piano/Keyboard 2 Mallet Percussion (Chimes/Bells) 1 Optional Timpani (Tune:F, B b , E b ) 4 Percussion 1 (Wind Chimes or Mark Tree/Snare Drum, Bass Drum/Triangle) 2 Percussion 2 (Suspended Cymbal, Crash Cymbals) WORLD PARTS Available for download from www.alfred.com/worldparts Horn in E b Trombone in B b Bass Clef Trombone in B b Treble Clef Baritone in B b Bass Clef Tuba in E b Bass Clef Tuba in E b Treble Clef Tuba in B b Bass Clef Tuba in B b Treble Clef Preview Only Legal Use Requires Purchase

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Page 1: BAND EXPRESSIONS SERIES Angels from the Realms of Glory · Angels from the Realms of Glory was a Christmas poem written in 1816 by an English Moravian missionary named James Montgomery

PROGRAM NOTESAngels from the Realms of Glory was a Christmas poem written in 1816 by an English Moravian missionary named James Montgomery (1771–1854). The text has been set to music with several melodies; however, the most recognized, “Regent Square,” was composed by Henry Thomas Smart in 1867 and is the basis for this setting.

Smart was almost completely blind when he composed this regal carol tune. It is interesting to note that his daughter recorded his compositions so that his work could continue. He was a prolific composer with numerous works that included cantatas, trios, duets, songs, an opera, an oratorio, and many hymn tunes. Studying music as a youngster with his father, his early musical career involved work as a church organist where he was recognized as one of England’s finest in addition to his compositional prowess.

NOTES TO THE CONDUCTORThe arrangement begins with a fanfare statement by the brass echoed by the full ensemble. The melody, initially presented by solo clarinet at measure 11, has only subtle chime punctuation. Make certain the chime player does not overpower the melody. The simple melody builds in complexity, first becoming a clarinet duet, then adding woodwind voices one-by-one. Strive for careful balance among the players through the entire section from measure 16 through 29, ensuring that the percussion does not overpower.

The segment beginning at measure 30 is a restatement of the opening fanfare, this time by the woodwind choir, then echoed by the full ensemble building to a tutti statement of the melody. From measure 38 to the end is the opportunity for your percussionists to contribute to the excitement and emotion of the arrangement.

We hope you find Angels from the Realms of Glory to be musically fulfilling and educationally sound addition to your repertoire.

Angels from the Realms of Glory

HENRY T. SMART Arranged by ROBERT W. SMITH (ASCAP) and MICHAEL STORY (ASCAP)

Correlates with Band Expressions, Book II

BAND EXPRESSIONS™ SERIES

INSTRUMENTATION

1 Conductor 8 Flute 2 Oboe 2 Bassoon 4 1st B b Clarinet 4 2nd B b Clarinet 2 B b Bass Clarinet 5 Eb Alto Saxophone 2 B b Tenor Saxophone 2 Eb Baritone Saxophone 4 1st B b Trumpet 4 2nd B b Trumpet 4 F Horn 4 Trombone 2 Baritone

2 Baritone Treble Clef 4 Tuba 1 Optional Piano/Keyboard 2 Mallet Percussion

(Chimes/Bells) 1 Optional Timpani

(Tune:F, B b, Eb) 4 Percussion 1

(Wind Chimes or Mark Tree/Snare Drum, Bass Drum/Triangle)

2 Percussion 2 (Suspended Cymbal, Crash Cymbals)

WORLD PARTSAvailable for download from

www.alfred.com/worldparts

Horn in EbTrombone in B b Bass ClefTrombone in B b Treble ClefBaritone in B b Bass ClefTuba in Eb Bass ClefTuba in Eb Treble ClefTuba in B b Bass ClefTuba in B b Treble Clef

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Page 3: BAND EXPRESSIONS SERIES Angels from the Realms of Glory · Angels from the Realms of Glory was a Christmas poem written in 1816 by an English Moravian missionary named James Montgomery

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By Henry T. SmartArranged by Robert W. Smith (ASCAP)

and Michael Story (ASCAP)

© 2010 BELWIN-MILLS PUBLISHING CORP. (ASCAP),a division of ALFRED MUSIC PUBLISHING CO., INC.

All Rights Reserved including Public Performance

FULL SCOREApprox. Duration - 3:00

Angels from the Realms of Glory

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Page 6: BAND EXPRESSIONS SERIES Angels from the Realms of Glory · Angels from the Realms of Glory was a Christmas poem written in 1816 by an English Moravian missionary named James Montgomery

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Page 7: BAND EXPRESSIONS SERIES Angels from the Realms of Glory · Angels from the Realms of Glory was a Christmas poem written in 1816 by an English Moravian missionary named James Montgomery

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Page 8: BAND EXPRESSIONS SERIES Angels from the Realms of Glory · Angels from the Realms of Glory was a Christmas poem written in 1816 by an English Moravian missionary named James Montgomery

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Page 9: BAND EXPRESSIONS SERIES Angels from the Realms of Glory · Angels from the Realms of Glory was a Christmas poem written in 1816 by an English Moravian missionary named James Montgomery

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&?

ãã

bbbb

bb

#

#

bbbbbbbbb

bbbbbb

Cls.

Tpts.

Tbn.

Pno./Kybd.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

œ œ œ œœ œ ˙wœ œ œ œœ œ ˙wwwwœ œ œ œœ œ ˙www

wœœ œœ œœ œœwwœ œ œ œ œ œ œ œwOæ— ± —

42

J¿‰ Œ Ó

F

.œ Jœ œ œ

.œ Jœ œ œ˙ œ œ

.œ Jœ œ œ

.œ jœ œ œ˙ œ œœ œ œ œ

œ œ œ œ˙ œ œ

..œœ Jœ œ œ

.œ jœ œ œœ œ œ œœ œ œ œœ œ œ œ

˙ œ œ..œœ jœœ œœ œœ

˙̇ œœ œœœ œ œ œ œ œ œ œ˙ ˙O— ± —

43

div.

œ œ œ œ œ

œ œ œ œ œ˙ œ œœ œ œ œ œœ œ œ œ œ˙ œ œ˙ œ œ˙ œ œ˙ œ œœ œ œ œ œœ œ œ œ œ˙ œ œ˙ ˙˙ ˙˙ œ œœœ œœ œœ œœ œœ˙̇ œœ œœœ œ œ œ œ œ

∑— .±

44

œ œ ˙œ œ ˙œ œn ˙œ œ ˙œ œ ˙œ œ# ˙œ œ# ˙œ œ# ˙œ œ# ˙œ œ ˙œ œ ˙œ œn ˙œ œ ˙œ œn ˙

œ œn ˙œœ œœ ˙̇œœ œœnn ˙̇œ œ œ ˙̇>

∑∑

45

w

wwwwwœ> œ> œ> œ>

œ> œ> œ> œ>wwwœ> œ> œ> œ>ww

wwwww

∑wæwæææw

46

pπp

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&&?&&&&&&

&&&???

&?

&?

ãã

bbbbbb

#

#

bbbbbbbbb

bbbbbb

Cls.

Tpts.

Tbn.

Pno./Kybd.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

.œ Jœ œ œ

.œ Jœ œ œ

.˙ œ

.œ Jœ œ œ

.œ jœ œ œ

.˙ œ˙ ˙˙ ˙

.˙ œ

.œ Jœ œ œ

.œ jœ œ œ˙ ˙ww

.˙ œ

..œœjœœ œœ œœ

..˙̇ œœŒ .˙

jœ ‰ Œ Ójœ ‰ Œ Ó

Jœ ‰ Œ Ó

47

OJ¿ ‰ Œ Ó

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ffffff

Chimes

fff

f

47

47

Majestic

Majestic

f

.œ Jœ œ œ

.œ Jœ œ œ˙ ˙

.œ Jœ œ œ

.œ jœ œ œ˙ ˙˙ ˙˙ ˙˙ ˙

.œ Jœ œ œ

.œ jœ œ œ˙ ˙˙ ˙˙ ˙˙ ˙

..œœ jœœ œœ œœ˙̇ ˙̇Œ .˙˙ ˙

48

œ œ œ œœ œ œ œœ œ œ œ œœ œ œ œœ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œ

œ œ œ œ œ

œ œ œ œœ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œ

œ œ œ œ œœœ œœ œœ œœœœ œœ œœ œœ œœ

∑∑∑

49

œ œ ˙œ œ ˙œ œ ˙œ œ ˙œ œ ˙œ œ ˙œ œ# œ œ œœ œ# œ œ œœ œ ˙

œ œ ˙œ œ ˙œ œn œ œ œœ œ ˙œ œn ˙

œ œ ˙œœ œœ ˙̇œœ œœ

˙̇Ó Œ œÓ æ̇wwæææ

50

p

.œ Jœ œ œ

.œ Jœ œ œ

.˙ œ

.œ Jœ œ œ

.œ jœ œ œ

.˙ œ˙ ˙˙ ˙

.˙ œ

.œ Jœ œ œ

.œ jœ œ œ˙ ˙ww

.˙ œ

..œœjœœ œœ œœ

..˙̇ œœœ .˙

jœ ‰ Œ Ójœ ‰ Œ Ó

Jœ ‰ Œ Ó

51

OJ¿ ‰ Œ Ó

ff

f

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&&?&&&&&&&&&???

&?

&?

ãã

bbbb

bb

#

#

bbbbbbbbb

bbbbbb

Cls.

Tpts.

Tbn.

Pno./Kybd.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

.œ Jœ œ œ

.œ Jœ œ œ˙ ˙

.œ Jœ œ œ

.œ jœ œ œ˙ ˙˙ ˙˙ ˙˙ ˙

.œ Jœ œ œ

.œ jœ œ œ˙ ˙˙ ˙˙ ˙˙ ˙

..œœ jœœ œœ œœ˙̇ ˙̇Œ ˙ œ˙ æ̇

52

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F

œ œ œ œœ œ œ œœ œ œ œ œœ œ œ œœ œ œ œœ œ œ œ œœ œ œ œœ œ œ œœ œ œ œ œ

∑∑∑∑∑∑

œœ œœ œœ œœ∑

w∑∑

53

FFFFFFFFF

FF

œ œ ˙

œ œ ˙˙ ˙œ œ ˙

œ œ ˙˙ ˙œ œ ˙œ œ ˙˙ ˙

∑∑∑∑∑∑

œœ œœ ˙̇∑∑

Ó æ̇∑

54

p

p

œ œ œ œœ œ œ œœ œ œ œ œœ œ œ œœ œ œ œœ œ œ œ œœ œ œ œ œœ œ œ œ œ

œ œ œ œ œœ œ œ œœ œ œ œœ œ œ œ œœ œ œ œ

œ œ œ œ

œ œ œ œ œœœ œœ œœ œœœœ œœ œœ œœ œœœ œ œ œ

jœ ‰ Œ Ó∑

55

J¿‰ Œ Ó

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F

F

f

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&&?

&&&&&&&&&???

&?

&?ãã

bbbbbb

#

#

bbbbbbbbbbb

bbbb

Cls.

Tpts.

Tbn.

Pno./Kybd.

1

2

1

2

Fl.

Ob.

Bsn.

B. Cl.

T. Sax.

Bar. Sax.

Hn.

Bar.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

A. Sax.

>̇ >̇>̇ >̇Œ >̇ œ>>̇ >̇

>̇ >̇Œ >̇ œ>>̇ >̇>̇ >̇Œ >̇ œ>>̇ >̇

>̇ >̇>̇ >̇>̇ >̇

Œ >̇ œ>Œ >̇ œ>˙̇̇> ˙˙>̇Œ ˙̇

>œœ>

Œ >̇ œ>Œ >̇ œ>

56

f

p

w>

w>

w>w>

w>w>w>w>

w>w>

w>w>w>

w>

w>www>ww>œ> œ>

w>æwwæææ

57

OJ¿ ‰ Œ Ó

π

f

œ œ .˙œ œ .˙œ œ .˙œ œ .˙œ œ .˙œ œ .˙œ œ .˙œ œ .˙œ œ .˙œ œ .˙œ œ .˙œ œ .˙œ œ .˙œ œ .˙œ œ .˙œœ œœ ..˙̇œœ œœ ..˙̇

∑∑

jœ ‰ Œ ÓJœ ‰ Œ Ó

58

∑f

58

58

œ œ ˙ œ œ

œ œ ˙ œ œœ œ ˙ œœ œ ˙ œ œ

œ œ ˙ œ œœ œ ˙ œœ œ ˙ œ œœ œ ˙ œ œœ œ ˙ œ

œ œ ˙ œ œœ œ ˙ œ œœ œ ˙ œ œœ œ ˙ œ œœ œ ˙ œ œ

œ œ ˙ œœœ œœ ˙̇ œœ œœœœ œœ ˙̇ œœ

∑∑∑

59

ww>

w>∑

w>w>

∑w>

∑∑

w>w>w>

∑∑∑

www>∑

œ> œ> œ> œ>Ó œ> œ>

60

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p

div. wwU

wU

w>UwU

wU

w>UwUw>U

w>U

wUwU

wUw>U

w>U

w>U

wwwU

ww>U

w>U

wUæ>wwæ

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OUJ¿ ‰ Œ Ó

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ƒƒƒ

ƒ

ƒ

f

ƒ

ƒ

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