baroque art – 1600-1750 1.begins in rome -renaissance artists did everything “perfectly”, so...

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Page 1: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism
Page 2: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

Baroque Art – 1600-1750

1. Begins in Rome

-Renaissance artists did everything “perfectly”, so it was a time to change…

-Reaction to Mannerism

Page 3: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism
Page 4: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

Baroque Art – 1600-1750

1. Begins in Rome

-Renaissance artists did everything “perfectly”, so it was a time to change…

-Reaction to Mannerism

2. Every country that develops it, adds its own “spin”

3. Most common element = Use of light to achieve maximum emotional impact.

Page 5: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

Baroque Art – 1600-1750

1. Begins in Rome

-Renaissance artists did everything “perfectly”, so it was a time to change…

-Reaction to Mannerism

2. Every country that develops it, adds its own “spin”

3. Most common element = Use of light to achieve maximum emotional impact.

4. Patrons = wealthy & burghers looking for home improvements for living rooms…

5. Emphasis on emotion + dynamism rather than rationality + stasis

Page 6: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

Baroque Art – 1600-1750

Two distinct “schools” of Baroque Art:

1. Catholic Countries: Italy, Flanders (Flemish), Spain, France

2. Protestant Countries: England & Holland (Dutch)

Page 7: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

Baroque Art – 1600-1750

Catholic Countries: Italy, Flanders (Flemish), Spain, France

Common Traits that reflect the values of the time:

-Gigantic religious works to display their faith’s triumph and to over-whelm and attract new worshippers.

-Massive displays of wealth by absolute monarchs to enchant and impress visitors.

Page 8: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

Baroque Art – 1600-1750

Catholic Countries: Italy, Flanders (Flemish), Spain, France

What to look for:

-Use of light – harsh light from single source to concentrate your eye (chiaroscuro but for focal point…).

-Saints and miracles looking like ordinary people and events

-dynamic explosion of energy – images captured at height of action

-VERY fat female nudes

-portraits – posed to show refinement but looked “real”

Page 9: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

CaravaggioItalian

Conversion of St. Paul

Page 10: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

Caravaggio Italian

The Supper at Emmaus

Page 11: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

BerniniItalian

David

Page 12: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

David

Page 13: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

The Ecstasy of St. Theresa

BerniniItalian

Page 14: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

This supreme example of Baroque art was the first masterpiece that the twenty-six year old genius, Gianlorenzo Bernini made for St. Peter's Basilica. It is impossible not to admire this fantastic, sumptuous bronze canopy supported by four spiral columns, richly decorated with gold, as it majestically rises upward. It is the largest known bronze artwork. He sent most of his life working on St. Peter’s Cathedral

Baldachin of St. Peter’s Cathedral

BerniniItalian

Page 15: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

RubensFlemish

The Descent from the Cross

Page 16: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

The Hippopotamus Hunt

RubensFlemish

Page 17: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

Marie Arrives at Marseilles

RubensFlemish

Page 18: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

The Three Graces

RubensFlemish

Page 19: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

Van DyckFlemish

Charles I at the Hunt

Page 20: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

Count of Ossuna

Van DyckFlemish

Page 21: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism
Page 22: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

VelazquezSpanish

Portrait of Pope Innocent X

Page 23: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

VelazquezSpanish

Las Meninas

This painting was voted in 1985 as “the greatest work of art by a human being.”

Page 24: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

In the seventeenth century, France was the most powerful country in the world and Louis XIV tapped the finest talents to glorify his monarchy. France replaced Rome as the center of European art (a distinction it held until WWII) even though its art was modeled on Roman relics…

Poussin was the most famous French artist.

Painted antiquity – French Baroque art is often referred to as “Classicism” because it was copied so often during the next 200 years.

Page 25: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

PoussinFrench

Burial of Phocion

Page 26: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

PoussinFrench

Autumn or The Grapesbrought from thePromised Land.

Page 27: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

The classic example of Baroque art/style

Page 28: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

Baroque Art – 1600-1750

Protestant Countries: Holland (Dutch) & England

Common Traits that reflect the values of the time:

-Still lifes

-Landscapes

-Portraits

-Very little to no religious imagery

Page 29: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism
Page 30: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

RuisdaelDutch

The Sunbeam

Page 31: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

RuisdaelDutch

The Sunbeam

Page 32: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

HalsDutch

The Jolly Toper

Jester with a Lute

Page 33: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

HalsDutch

The Laughing Cavalier

Page 34: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

RembrandtDutch

Page 35: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

RembrandtDutch

Night Watch

Page 36: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

RembrandtDutch

The Masters of the Cloth Guild

Page 37: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

VermeerDutch

The Geographer

Page 38: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

VermeerDutch

The Milkmaid

Page 39: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

Girl with a Pearl Earring

VermeerDutch

Page 40: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

VermeerDutch

The Artist’s Studio

Page 41: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

HogarthEnglish

Breakfast Scene from Marriage a la Mode

Page 42: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

HogarthEnglish

Gin Lane

Page 43: Baroque Art – 1600-1750 1.Begins in Rome -Renaissance artists did everything “perfectly”, so it was a time to change… -Reaction to Mannerism

GainsboroughEnglish

ReynoldsEnglish