beginning in the early 19th century this movement rejected the principles of classical art art was...
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• Beginning in the early 19th century this movement rejected the principles of classical art
• Art was to be a reflection of the artist’s inner feelings, the world the artist portrayed was one of his/her own imagination
• Works display warmth, emotion, and movement
• Landscapes conveyed a feeling of mysticism
• Use of light and color to convey a mood
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Wanderer Above the Sea of Fog
Caspar David Friedrich
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Chalk Cliffs at Rugen
Caspar David Friedrich
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Cloistered Cemetery in the Snow
Caspar David Friedrich
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Wreck of the Hope
or Sea of Ice
Caspar David Friedrich
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Rain, Steam, and Speed
Joseph Malford William Turner
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Liberty Leading the People
Eugene Delacroix
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Execution of the Defenders of Madrid
Third of May, 1808
Francisco Goya
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• Dominant after 1850
• Among the most important characteristics of Realism are a desire to depict the everyday life of ordinary people, whether peasants, workers, or prostitutes
• An attempt at photographic realism
• An interest in the natural environment.
• The French were leaders in Realist painting.
• “Realism” was first coined to describe the work of Gustave Courbet
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The Gleaners
Jean Millet
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The Stonebreakers
Gustave Courbet
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• A movement that originated in France in the 1870’s when a group of artists rejected the studios and museums and went out into the countryside to paint nature directly
• Named after Monet’s description of the effect of light on the French countryside
• Artists were concerned with representing contemporary experience rather than historical events or the imagination
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La Pied or The Magpie
Claude Monet
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The Beach at Sainte-Adresse
Claude Monet
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Boulevard des Capucines
Claude Monet
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Cache-Cache
or
Hide and Seek
Berthe Morisot
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A Bar at the Folies-Bergere
Edouard Manet
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The Boating Party
Pierre Auguste Renior
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The Turkeys at the Chateau de Rottembourg
Claude Monet
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Ladies in the Garden in Ville Avray
Claude Monet
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The Lunch at Argenteuil
Claude Monet
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• A late 19th century reaction to Impressionism
• Artists retained the Impressionists emphasis upon light and color but revolutionized it even further by paying more attention to structure and form
• Sought to use both color and line to express inner feelings and produce a personal statement of reality rather than an imitation of objects
• Marked a shift from objective reality to subjective reality; the real beginning of modern art
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Café Terrace at Night
Vincent van Gogh
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A Turn in the Road at LaRoche-Guyon
Paul Cezanne
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Sunday Afternoon on the
Island of the Grand Jatte
Seurat
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Friendship
Picasso