black & white relations

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  • 7/27/2019 Black & White Relations

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    Black-White Relations Name: Candace Rembert

    For this assignment you will be creating a short (approximately 500 words) reaction

    essay based upon two sources:

    1)Choose one of the three interviews from the Charley Gerard reading, Racial Identity

    and Three Lives, fromJazz in Black and White, 1998.2) Read A Statement about Making Music in the World,

    http://www.billbanfield.com/world-according-to-bill.html

    I agree with everything John Loehrke said in his interview. I cannot speak from

    experience since I was not around during the 70s, but I can only imagine that things were

    more docile and friendly because of the civil rights movement being so recent. It was

    almost as if whites were scared to do anything that would seem too racist for fear of a

    revolt, considering there were groups like the Black Panthers and other originations that

    prided themselves on being 100% black. Now, however, society is truly starting to treat

    blacks as equals and that doesnt settle well with some people, making racism even worse

    than it was. I believe that people back then had a place, and now days some racist people

    indirectly think that blacks have lost their place. In other words, blacks havebegun to

    become too equal. When Loehrke talked about a black violinist in the Baltimore

    Symphony, that struck a chord in me. Too many times have I found myself in that exact

    same position. The look that you get when you finally come in for a live audition that

    says, Youre a very fine musician, but youre black and that doesnt fit in our orchestra.

    Sometimes it feels as if it doesnt matter how talented or prepared you are, you can never

    be 100% equal because of the color of your skin. When Loerke told his violinist friend

    that he should audition for the New York Philharmonic and. His friends response was

    Oh, no, I would never even bother. When Loerke asked him why not? His friend

    simply pulled the skin on his cheeks. I remember a very similar conversation I had with

    a good friend of mine. She told me that I should audition for this position in a local

    http://www.billbanfield.com/world-according-to-bill.htmlhttp://www.billbanfield.com/world-according-to-bill.htmlhttp://www.billbanfield.com/world-according-to-bill.html
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    orchestra, and my response was very similar to Loerkes friend. I also agree with Loerke

    when he said that the same thing happens in jazz. While some orchstras say we dont

    want no niggers in this orchestra. Many jazz bands might say we dont want no whites

    in this band. I know this was not mentioned in the interview, but now days people

    always want to say how color blind they are. In my opinion, being color blind is just as

    damaging as being racist. When one says he/she is color blind, that is ignoring the

    race/identity of a person. People should be able to recognize the color of another persons

    skin and still be able to treat them the same as everyone else.