booklet anthropocene an opening

8/22/2019 Booklet Anthropocene an Opening

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Nature as we know it is a concept that belongs to the past.No longer a force separate from and ambivalent tohuman activity, nature is not an obstacle nor a harmoniousother. Humanity forms nature. Humanity and nature are

one, embedded rom within the recent geological record.

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THURSDAY, JANUARY 10

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ANTHROPOCENIC RESEARCH FORUMP: W Lh (P-I K-

h; H-U B), DG (Pj OPEN P O P B, P-I K-h), S Hh (E HLy, Ry I Thy, Skhm),S S (E H L,R I Th, Sh), I N(I Mh S, N S L),P J (Cx S I IXXI, N S L), Dh Hz (Pj

AIME A Iq h M Ex, S P,P), H M (Pj AIME A Iq hM Ex, S P, P), E Wz(C Rh Ah, Gh, U L), A Lh (Pj 5h G C,Cnt f Rsach Achitct, Gdsmiths, Univsity

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OBJECTS: A ROCK AND A FLOPPY DISKprologue by Lain Dastn (Max-Panck-Institt fWhhh, B); : KK (H K W, B)

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WELCOMEB M. Sh (H K W, B),Rinhd Linfd (Institt f Gisch Wissn-h, F U B), Ch Shw( j h, B)

THE ANTHROPOCENE: WHERE ONEARTH ARE WE GOING?keynote W S (C Ch I,A N U, C); : Hh Th (Dh M, RhC C E S, Mh)

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ISLAND PERSPECTIVESnarratives and discussion wh A B(D Phh, C U, NwY), U K. H (I E S, U C, L A),

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(D Gh ES h U M, B);m: J V ( h j,Frankfurter Allgemeine Zeitung, F)

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VISUAL POSITIONSpresentations y H Fk(mmk ,B) G M(Lhh Mh &Khh, Z U Fhh)and smd stdi: Eizabth Eswth (Sch f Mdia

S, Th Nw Sh, Nw Y) J K( , Nw Y); : KH(I M- Kwh-

, Khhh M, K)

visual positions d , w- .H F w Parallele (2012), w

digi ii, dig iy- d h . M G M -w , x , i. dg di, bi bwEz Ew J K, w w , -q , vid w iv h x i -.

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IS THE ANTHROPOCENE A COSMOLOGY?dialogue w Jh Th (Dm Hy S S U P,Phh) J Zwz (Dm

G, U L); : CW (Mx-P-I Wh-hh, B)

C x w w w , w , w w .T A, , ww . D A w w x? W w

w w? T w x A , , ? I , z , - anthropos?

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I .Gilles Deleuze

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FRIDAY, JANUARY 11

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NATURE IS OVERkeynote R Kh (G Sh D,H Uy, Cm / Of MAh, OMA, R); :A Bh (Lhh Ah S-h, A B K, N)

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FRICTIONSroundtable; m: m : Ezh

Ewh (Sh M S, Th Nw Sh,Nw Y) J K ( , NwY), : Dh Ch(D H, U Ch), A B

(D Phh, C U, Nw Y),R G (D Ah, MhI Th, C),P T(D V C, Gh, U L); : L D(Mx-P-I Whhh, B)

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GEONTOLOGIES: A REQUIEMTO LATE LIBERALISMkeynote Ezh A. P(D Ah, C U, Nw Y); : Eh M Mzz (I

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ISLAND TIMESnarratives and discussion wh C C(D Eh, P S U,U P), N Gh(w , V), D R

(D H, U O, E),J Zwz (D G, U L); :Rh L(I Gh Wh, F U B)

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THE BERLIN SUN THEATER: A READINGlecture performance Mh T (D Ah, C U, Nw Y)

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METABOLISM

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SATURDAY, JANUARY 12

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BREATHBREAKFAST OR WHY ANDHOW BUDGETING IS ALWAYS PHYSICALperformance T B (S Bh D)A w- Mzz

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ISLAND OIKOSnarratives and discussion wh Ch B(I Kwh, H-U,B), A H(D S,U C), Mh D (Dm S, U C), P T(D-m V C, Gh, U L); :Th Mh(I Kwh, H-U, B)R -f w oikos , : w w A? Hw , , , , , z ? Hw A , ? T

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COSMOGRAMS, OR HOW TODO THINGS WITH WORLDSkeynote Jh Th (D H S S U P,Phh); : A A(P Sz-I A VhLwh, F U B)

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ISLAND GARDENSnarratives and discussion wh m :Ezh Ewh(Sh M S,Th Nw Sh, Nw Y) J K( , Nw Y), E M(w, C,MI),Mh T(Dm Ahy,C U, Nw Y),W S(CCh I, A N U, C);: Ch Shw ( j h, B)

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IS THE ANTHROPOCENE A DOOMSDAY DEVICE?dialogue w C W (D Eh,R U, H) C C(D Eh, P S U,U P); : C W (Mx-P-I Whhh, B)

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IS THE ANTHROPOCENE LEGAL?dialogue w Ch B (I K-wh, H-U, B) PT(D V C, Gh,U L); : C W(Mx-P-I Whhh, B)

U , Ah i b i w, , , ii igh. Wh wi g Ahiw, ? I g y i divii bw bj , w -. Hw w ?

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IS THE ANTHROPOCENE ORIGINAL?dialogue w Jh Lw (D S,O Uy, M Ky) D R(D H, U O, E);: C W (Mx-Pk-I

Whhh, B)

S w, A . E E R , w w. S w A . N, A ,

en vogue.F w , w

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january

12


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ISLAND TECHNnarratives and discussion wh R G(D Ah, Mh I Th, C), X L R(, F), Jh Lw (D S, OU, M K), C W(D Eh, R U, H); : KH (I M- Kwh-

, Khhh M C

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q . P techns w , . I x , , w - . I

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IS THE ANTHROPOCENE LUXURY OR NECESSITY?dialogue w A B(D Phh, C U, Nw Y), A H(D S, U C);: C W(Mx-P-I Whhh, B)

T w A : w w . S ,w, x,

. Y, q w

f . A q q , , :w A w ?

saturday,

january

12


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IS THE ANTHROPOCENE BEAUTIFUL?dialoguew E M(w, C, MI) E E(D Gh E- S, U M, B);: C W(Mx-Pk-I Whhh, B)

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IN THE ARCHIVET : w w w w w , w w w w. P.Jacques Derrida

F z, , , A w JL B x w, , , . I T TL, J L B : . W The Nature o the Physical World, AE B w w : -z w w w, w , B M.D -x, B E w " " () w w . P w , B L, w w w

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saturday,

january

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w. T w , ,w, w w , , , w - - , ,, , z.

O x w , the anthropoceneproject w , , q w- w. in the archive x w , x-, :w, , S A, w w , , - . W w, w , w, w , w x . A w w : arch A G -, , , .

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x, x ? I , -w, ?

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SUNDAY, JANUARY 13

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STORYTELLING IN THE ANTROPOCENEroundtable; : Kw Eh (w , D V C, Gh,U L); : U K. H(I E S, U C, L A), C C(D Eh, P S U, U P),D R (D H, U O, E), X L R ( , F),J Zwz (D G, U L), : Ch Mh(Rh CC E S, Mh)

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w , q:w , w w ? T w -x w w - ? S - w A

. Hw -- A w , - -w, , x?

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HISTORY ON AN EXPANDED CANVAS:THE ANTHROPOCENE'S INVITATIONkeynote Dh Ch (D H,U Ch); : J R(Mx-P-I Whhh, B)

I , w , z , ? P- D C w A. W w w A? C w w

w .

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Armen Avanessian (Berlin)

, V P

P-Sz-I , F U- B 00. T R P S- P w w

G D , CU, Nw Y , Y U, Nw H .P : Phnomeno-logie ironischen Geistes: Ethik, Poetik

und Politik der Moderne (00) (w L Sw)Aestheticsand Contemporary Art(0)..

Akeel Bilgrami (New York) J P P C U C G T. H Politics and theMoral Psychology o Identityw 0. H w w What is a Muslim?Gandhi, The Philosopher. H w .

. , , Torsten Blume (Dessau)

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x. T B x.T B x B-W-G: E zL, H-U, B..

Arno Brandlhuber (Berlin)

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Christina von Braun (Berlin)

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-S. S

w w w .H Der Preis desGeldes (0).. ,

About the Participants Dipesh Chakrabarty (Chicago) D H D SA L Cz U C. H Subaltern Studies Postcolonial Studies. H

, S A, M-B .. , 4

Claire Colebrook (University Park, PA)

E P SU. H z , ,

. S w , , q , . S Extinction w - S Critical Climate Change I C C C.. , , 4

Lorraine Daston (Berlin)

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, . H N R W DN H M A EI I S.. ,

Michelle Dobr (Caen)

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Erle Ellis (Baltimore)

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- D (E).. , 40

Kodwo Eshun (London)

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Harun Farocki (Berlin)

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Filmkritik. H V A B K ..

Dieter Gerten (Potsdam)

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Nikolaus Geyrhalter (Vienna)

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w , , . H ww Our Daily Bread (00)w w ..

Rene Green (Cambridge, MA)

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ACT, MIT P A, C T. Hw w x , w w w . S

w w .. ,

Aldo Haesler (Caen)

U C F. H - , .H w CEO I M

(Swz) - I . H Das letzte Tabu: RuchloseGedanken aus der Intimsphre des

Geldes (0). ,

Karin Harrasser (Cologne)

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/ , / . KH w D U:L S & P F.. ,

Dorothea Heinz (Paris) S P P 0 N S 0. S PD . I B L AIME A Iq M Ex, w - x .

. Ursula K. Heise (Los Angeles)

E UCLA w G Fw. H , A, W

E, J, - , z z

. H Sense o Place and Senseo Planet: The Environmental

Imagination o the Global (00), Nach der Natur: Das Artensterben

und die moderne Kultur(00).. , 4

Sabine Hhler (Stockholm)

KTH RI T S.T

0 . H w S E - w 0 0.

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Pablo Jensen (Lyon)

I x (IXXI) L. H w . I w BL , x w w. H

z - z, Le Monde Diplomatique..
http://de.wikipedia.org/wiki/Cambridge_(Massachusetts)http://de.wikipedia.org/wiki/Cambridge_(Massachusetts)


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Rem Koolhaas (Cambridge, MA)

, , , G S D H U. H OMA (Of M- A), w C CT q B, - AMO,

- . K Delirious New York() S,M,L,XL ().. 0

Adrian Lahoud (London)

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, x ,, x

. H - w The Lie oForms in the Cityx x ..

John Law (Milton Keynes)

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R S-CC (CRESC), S L M T w CRESC O U M U. H , -

; w .. ,

Reinhold Leinelder (Berlin)

FU B ( G Az-) R CC E S Lw-Mx-U- M. H W B B G Uw- S- Nz L LB.. 0,

Wolgang Lucht (Potsdam)

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E S A PI C I R(PIK). H C S S D- G, H-U-, B. T ,

, x

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Xavier Le Roy (France)

U M, w . S004, - . H w

x x , , . H wRetrospective w F T B.. , 4

Thomas Macho (Berlin)

H-U, B . H w - H Hz-Z K 00 00 PF III. H w w I K K- M,B-U W 00 -0, 00 0 w I K-w, H-U.

.

Emma Marris (Columbia, MI)

w -. S w , ,, , , , . H Conservation, Wired, NatureMedicine, OnEarth, Nature,w w .I 0, M , Rambunctious Garden: Saving

Nature in a Post-Wild World, wx

.. 4, 40

Ethel de Matala Mazza (Berlin)

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Christo Mauch(Munich) R CC E S A ( ) L-w-Mx-U M.P w G H I W, D.C. A x U.S.H, ,

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Gloria Meynen (Berlin / Friedrichs-

haen)

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000 00 w ' I, S,N H Hz-Z K(H-U, B). F00 0 w w NFS B / NCCR I C U B. S 0


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L M & K Z U, F.

Heiko Mller (Paris )

w .H U K B, w w f 00 00. A

S P P, w AIME AIq M Ex, B L..

Ioan Negrutiu(Lyon)

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I M S( ). A, w , ,

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Elizabeth A. Povinelli (New York)

- C U.H .S , Economies o

Abandonment: Social Belon ging and

Endurance in Late Liberalism (0).The Cunning o Recognition (0).Karrabing-Low Tide Turning, - w Lz J,w B SC 0..

raumlaborberlin (Berlin)

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Jrgen Renn (Berlin)

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x w, w .. , 4

Daniel Rosenberg (Eugene, OR)

RD. C H C, U O. H z q-

.W A G, Cartographies o Time: A History o

the Timeline (00) w SH, Histories o the Future (00).H -- Cabinet: AQuarterly o Art and Culture. H - w .. , , 4

Bernd M. Scherer (Berlin)

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004 q A D f M. S J 0, I E E,H-U, B.. 0

smudge studio (New York)

w Jamie Kruse (, ,Nw Y) Elizabeth Ellsworth

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. T - , Making theGeologic Now: Material Conditions

o Contemporary Lie (0).. , , 4

Sverker Srlin (Stockholm) KTHE H L- S. F The Future o Naturew P. W L. R (0), Northscapes: History, Technolo-

gy, and the Making o Arctic Environ-

ments, w D. J (0)..

Will Stefen (Canberra )

F S E S A N U (ANU)

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Michael Taussig(New York ) - C U NwY. S w , ,


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Paulo Tavares (Quito/London)

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Aq , D A P U C E.. , ,

John Tresch (Philadelphia)

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Technology ater Napoleon (0).. ,

Helmuth Trischler (Munich) DM M Lw-Mx-U -

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Julia Voss (Frankurt)

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theorie 18371874 w . T w M S Fachsprachen and Normalsprachen(0). W M M A Frankurter

Allgemeine Zeit ung 00..

Eyal Weizman (London)

, , C R A G, U L.S 0 - E R C F A, w. H DAAR B S, P..

Cary Wole (Houston)

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Jan Zalasiewicz (Leicester )

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Katrin Klingan (Berlin)

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Christian Schwgerl (Berlin)

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Cordula Hamschmidt (Berlin)

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Flora Lysen (Berlin)

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Janek Mller (Berlin)

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P Q PD S 0, w L HKW.Christoph Rosol (Berlin)

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Ashkan Sepahvand (Berlin)

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Cecelia Watson (Berlin)

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