BOOKOFWINNERS2009

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WELCOME

Tonight we will have the best party in what hasundeniably been one of the worst years in recenttimes. But the packed house here tonight istestament to the fact that our industry is strongenough to survive. Not least we have everything tocelebrate in design excellence internationally. With

many UK design companies sourcing work abroad, the submissionsto this year’s FXAwards have come from all corners of the world.So with your successful projects submitted, it was my role tooversee a rigorous judging panel and transparent procedure. And Iam honoured that we invited a panel of 16 judges who are not onlyexperts in their field, but have the commitment and integrity to voicetheir opinions and argue your corner. They care desperately abouttheir winners and finalists, and with up to six judges presiding overthe most controversial categories, there were some lively scenes onyour behalf! But that’s how we like it at FX: not tame, predictable,routine or ordinary, but controversial, colourful, ambitious andchallenging!Have a fabulous evening, and congratulations to all the finalists!

Theresa DowlingEditor, FX

WELCOME

JUDGES

LEE PENSONCEOPenson GroupOur International BreakthroughTalentWinner of 2007 continuesto flourish since founding PensonGroup five years ago. Thisarchitecture, engineering andinterior design practice is enjoyingcommissions fromDubai’s CityHall and leisure resorts in Yemenand Costa Rica to projects inEurope, New York and Australia.

LEVENT ÇAGLARErgonomics consultantFIRALevent heads the ergonomic unitat FIRA (Furniture IndustryResearch Association), one ofEurope’s top three furnituretechnology centres. He isrecognised as the key UKergonomics expert in office andschool furniture. He has workedwith designers to create someiconic furniture pieces.

RICHARD EVERETTSenior directorCBRichard Ellis InvestorsCBRE Investors is a global realestate investment managementfirm with approximately$36.4bn in assets. CBREInvestors harnesses the research,investment sourcing and otherresources of the world’s premier,full-service real estate servicescompany.

MARK HENSMANManaging directorGIA EquationMark has more than 20 yearsof lighting design experienceand has worked on numerouslighting projects both in the UKand abroad. He establishedEquation Light Design in 1998and became the managingdirector of GIA Equation inOctober 2008 after his firm’smerger with GIA.

SARA WILKINSDirectorKSSSara heads upmultidisciplineprojects from stadia, educationand retail to restaurant,commercial and leisure. Anestablished architecture anddesign practice, KSS focuses on atotal commitment to clients, astrong service ethos and a trulyintegrated approach that puts theexperience of the ‘user’ at its heart.

KATERINA MCMAHONDesign directorMorganKaterina studied architecture atthe Bartlett, UCL, and completedan MA at the RCA in furnituredesign. Since becoming Morgan'sdesign director in 1992, she hasdesigned and developed a largecollection of contemporarycontract furniture. She is currentlyresponsible for design, marketingand brand development.

JOHN FOGARTYDirector of designBisley Office FurnitureBorn and educated in SouthAfrica, John came to the UK in1968 to study product design.Graduating in ’71 he initiallyentered the office furnitureindustry as a space planner –which has served him well inincorporating user needs intothe product design process.

PERNILLE STAFFORDInterior design directorScottBrownriggPernille studied 3D design atBerkshire College of Art and hasundertaken interiors projects thatinclude residential, restaurant,retail and office space, and hasbeen involved in building, runningand overseeing all commercialinterior projects within the office.She sits on the managementboard at the BCO.

ANNABELLE FILERCreative directorSCINAnnabelle calls herself an‘architectural deviant with apassion formaterials’. She is thecreative director for SCIN, thematerials sourcing and researchcompany based in London, andprefers to spend her eveningssnuggled up to Plastics FederationMonthly and the like, much to thechagrin of her family and friends.

DAVID BRUNTGlobal environment &sustainability directorAkzoNobel Decorative PaintsAfter finishing his PhD atCambridge David joined ICIPaints (now AkzoNobel) initiallyin R&D then soonmoved tomarketing – his passion. Hiscurrent role in sustainabilityreflects his personal interest inthe environment and leads theproduct innovation programme.

BOB BAYMANDirector‘i-am’ associatesBob is ‘explorer and pathfinder’ at‘i-am’. He is a brand consultantand helps businesses to build theircomplete customer experience.Clients have ranged fromWhitbread to Diesel and Interflora,from the City to Istanbul andMumbai. He adds that he is a 200mile-a-day commuter, fire-eater,duck keeper, and daisy grower.

IAN BAYLISSCreative directorUnited DesignersA founding member of UnitedDesigners, the Metropolitan Hotelwas one of his first projects. Heis involved with every projectthe company undertakes andis responsible for its creativeoutput. Recent projects includeThe Dolder Grand in Zurich,W Doha, and the Luxe inSpitalfields, London.

JILL ENTWISTLEEditor & writerJill is an editor and writer who nowspecialises in architectural lighting,following 12 years as the editor ofthemarket-leading Lightmagazine. She is the author oftwo RotoVision books on lighting –Designing with Light: Hotels, andDesigning with Light: Bars andRestaurants. She is an affiliatemember of the InternationalAssociation of Lighting Designers.

CLAUS SENDLINGERFounder andCEOofDesignHotelsDesign HotelsAfter gaining a degree in publicrelations, Claus went into eventplanning and PR for hotels andclubs. At the age of 23 hefounded Coordinates GmbH, anincentives and events agencyand in 1993 co-founded DesignHotels. He now primarilyconcentrates on its strategic andcreative development.

PHILIP WATTSPrincipalPhilip Watts DesignPhilip heads up his company,winner of the FX 2007 interiordesign practice of the year.Designing across the country forYo!sushi, Bistrot Pierre, Ego, andKingly club, to name but a few,the practice also designs its ownhighly successful product range,with pieces as diverse as urinals,handles and lighting.

RABIH HAGEDirectorRabih HageRabih is an award-winningarchitect, designer, curator andowner of the Rabih HageGallery and Design Studio.He curates cutting-edgeexhibitions in his gallery,while the Design Studiocreates innovative interiorsand architecture.

SNOG PURE FROZEN YOGURT, SOHOBY CINIMOD STUDIOColour, textures, and a fresh approach to lighting, furniture and art combine to giveCinimod Studio’s interior for this specialist food outlet a totally unique flavour, andgets a ‘big kiss for being original’ from judges. The design brief for the debut store ofpure frozen-yogurt maker and retailer SNOGwas to create a high-end interiorenvironment of 'experience and emotions' that was uniquely British and whollyoriginal. Cinimod Studio’s response was full-on, creating a design concept that aimsto evoke the feeling of a perfect, never-ending summer.The vinyl-tile floor carries a photographic grass print and a 'bubbling sky'

continuously changes overhead. Cinimod Studio exploited the store’s ceiling heightto create a 'volumetric' and 'bubbling’ architectural lighting ofmore than 700individually hung bespoke globes in opal, frosted glass containing 2.5W of RGBLEDs. Bright pink was the colour of choice for the fascia signage and the internalback wall, applied in a bespoke pigment (a brand secret) that incorporatesfluorescent pigmentation. The space is designed to display art commissions – herefull colour vinyl cut-outs are directly applied to white glass walls. Bespoke tablesreminiscent of garden furniture are complemented byMarcelWanders’ Shitakemushroom stools fromMoroso.

FINALISTS

SPONSORED BY:

INAMOBY BLACKSHEEPThe judges liked the ‘interactivityand technology combined with thedesign elements’.

OSTERIA, CECERI E TRIABY GIANNONE PETRICONEASSOCIATES ARCHITECTS‘High quality and interestingmix ofmaterials used’, ‘nice details’, ‘goodand very consistent concept’.Photo: Ben Rahn

CONDUIT RESTAURANTBY STANLEY SAITOWITZ /NATOMA ARCHITECTSCommended for being ‘a littledifferent!’Photo: Rien Van Rijthoven

BAR ORRESTAURANTWINNER

THEMODERN PANTRYBY JUMP STUDIOS‘Nice contrast between traditionalGeorgian architecture andcontemporary design.’Photo: Rachael Smith

TOASTBY STANLEY SAITOWITZ /NATOMA ARCHITECTS‘Interesting’ design created to feel asif ‘walking inside a loaf of bread’.Photo: Rien Van Rijthoven

Photo: Cinimod Studio & David Barbour

‘Innovative and clever design – simplicity of usewithoutmanual controls’, said one judge, and ‘comfortable andsustainable’, said another, of the DiffrientWorld chair, taking it tojoint honours in this category. Designed byNiels Diffrient, itfeatures awinning combination of performance, sustainabilityand simplicity. There are just twomanual settings: one for seatheight and one for seat depth, while it adapts automatically tosupport the user while they recline. Humanscale's patent-pending Form-SensingMesh Technology instinctively fits eachuser's shape to provide tailor-made lumbar support. The chairalso has a frameless front edge that eliminates contact stress.It has been designedwith just eightmajor components and

80 parts overall, andweighs less than 11.3kg (25lbs). Modulardesign enables components to be easily upgraded or replaced,increasing the chair’s usable life, and 97 per cent of itscomponents are recyclable. TheDiffrientWorld chair is availablewith three armoptions and supports sitters weighing up to 21.5stone inweight – 95 per cent of the population.

SPONSORED BY:

JOINTWINNER

FINALISTS

COBIBY PEARSONLLOYDWITHSTEELCASE DESIGN STUDIO‘Cohesive forms combined with gooduse of rawmaterials. Simple andelegant.’

AC4BY VITRA‘Comfortable slim back withinnovative articulated back frame –ergonomic features well hidden.’

ARABY ORANGEBOX‘Highly sustainable, refinedengineering, comfortable flexibleback support.’

DIFFRIENT WORLD CHAIRBY HUMANSCALE

WORKSPACESEATING

Joint winner in this category, Embody provides ‘indisputablecomfort and health benefits’, to quote one judge, and‘distinctive design’ another said. Designers JeffWeber and thelate Bill Stumpf set out to solve what they had identified as aproblemwith the lack of physical harmony between officeworker and computer and came upwith a chair that had apositive health benefit. Focusing on findings that show that themind worksmore efficiently when blood circulates easily tocoremuscles and tissue, they designed their chair to reducestress onmuscle, bone and tissue. The narrow backrest allowsthe user’s arms tomove unimpeded, adding comfort andencouragingmore air into the lungs. Adjustable thoracicsupport provides a unique fit to a sitter’s spine, while amatrixof pixels creates dynamic seat and back surfaces thatautomatically conform to a user’s movements and distributesweight evenly. Embody's instinctive back adapts tomovement,supporting the full range of working postures. Rotation pointsare located within the seat and back, and the back’s base isfixed, relative to the seat. This encourages the body tomovenaturally into themost positive seated postures.

JOINTWINNEREMBODYBY HERMAN MILLER

VERYBYHAWORTHUK‘Proof that rectangular forms cancombine to produce a coordinatedand inviting chair.’

SPONSORED BY:

CASTLEFORD BRIDGEBY MCDOWELL+BENEDETTIThis landmark bridge is a source of local pride and hasmade an asset of theriverside, a once-neglected part of the town. Anchored by only three V-shapedsupports, the deck structure appears to hover over the river below, and the structuregently rises through the deck to create four benches, while the curves in the 130m-long s-shape give users the best views possible of the landscape and flow of whitewater. It is wide enough for wheelchairs and pushchairs and offers unrestrictedaccess. In this project, ‘community involvement was at the forefront at the designstage’, said one judge, while another described it as ‘materials sympatheticallymerging into the environment’. It offers a safe and pleasant pedestrian alternative tothe nearby Victorian road bridge, connecting residential and town-centre areas andencouraging residents to walk or cycle into town.It is the first major bridge in the UK that can claim a fully FSC certified ‘chain of

custody’, from supply through to construction. Naturally durable cumaru timberdecking boards were sourced from sustainable forests in Brazil. Denser than oak,cumaru can be used without preservatives or sealants. The bridge boards were fittedtogether with a bespoke, concealed, clamped fixing system that avoids invasivedrilling. Minimising disruption to the slender deck and streamlined form allows themaximum surface area to be walked on while allowing the wood to expand,contract and weather naturally.

FINALISTS

133HOUNDSDITCHBY SWANKE HAYDEN CONNELLARCHITECTS‘Great use of three contrastingmaterials’ mark this office building.Photo:Will Pryce

45MORTIMER STREETBYMOREYSMITHCommended for its use of glass inthis ‘elegant and understated’mixed-use development.Photo: Patrick Burrows

HELIPORTBYMISSION & ASSOCIATES‘Dramatic and impressive’ scheme inan angular existing building.

PUBLICSPACEWINNER

SPONSORED BY:

GOSH ROOFTOP TERRACE,LONDONBY SPACELAB‘Shows what could and should bedone with the vast rooftop areaof London.’

BLACKFRIARS RAMPEXTENSION – PUBLIC ACCESSRAMP, STAIRS AND LIGHTINGIMPROVEMENTSBY THE FACILITY ARCHITECTSA ‘fabulous result both day and nighton a limited budget’.

Photo: Timothy Soar

ARCHILEDEBY IGUZZINI ILLUMINAZIONE UKSaving energy and reducing light pollution are two aspects of the new Archilede LEDfitting by iGuzzini illuminazione UK highlighted by judges inmaking this award. TheLED luminaire, with a total power consumption of 106W, can produce the samequantity and quality of light on the road surface as a traditional 150Whigh-pressure sodium luminaire that would typically consume 178W. The arrangementof LEDs concentrates the light emission, avoiding light pollution and stray light whileallowing the best dissipation of the heat produced by them.The geometrical shape of the transparent screen protects the LEDs and circuitry

from the external environment and avoids any internal light reflection, therebyincreasing the efficiency of the luminaire. An ‘intelligent’ electronic control of thepower-supply system is used to program Archilede’s operation period.Whendimmed, up to 20 per cent of the system’s energy consumption is saved. Theautomatic electronic system, which controls the temperature of the LEDs andadjusts the power supply, also extends the average life of the LEDs and theelectronic circuit in the luminaire to 60,000 hours.

FINALISTS

SPONSORED BY:

PRO EVOLUTIONBY ACDC LIGHTING‘A genuinemove forward in smalldownlight technology.’

LIM (LIGHT IN MOTION)BYHAWORTHUKAn ‘unusual approach’ to desk-lightdesign, with ‘good sustainabilitycredentials’.

STADIUM PROBY CONCORDCommended for its ‘colour rendering’and ‘compact nature’.

LIGHTINGPRODUCTWINNER

ELEMENT LIGHTBYHUMANSCALEA ‘cool to touch’ LED light – thatdoesn’t cast shadows.

AERO II HYBRIDBY ZUMTOBEL LIGHTINGA ‘clever’ combination of LED andfluorescent lamps create a pleasingambience without glare.

'THE VILLAGE' CHANDELIERS,WESTFIELDBY REPLICA‘Sweeping lines, extensive use ofcrystals and invisible wiresmakes itpleasing to the eye’. ‘Innovation andingenuity.’

W+WBY ROCAExhibiting ‘impeccable green credentials’ and ‘innovative thinking that stands out’,said the judges, Roca has combined sustainability, functionality and stunningaesthetics to createW+W– an all-in-one washbasin andWC in vitreous china.Designed by the Roca Innovation Lab in collaboration with Gabriele and OscarBuratti, W+W combines the bathroom’s two essential elements in a single unit: tomaximise space while conserving water. W+W incorporates Roca’s new ‘water-reuse’ technology, using waste water from the washbasin to fill theWC cistern,which reduces water usage by up to 25 per cent compared with a standard 6/3ltrdual-flush unit. A double filtration system increases hygiene levels by removingimpurities and chemically treating the used basin water before it is recycled intoflushingmode.

FINALISTS

SPONSORED BY:

PALLASBYDESSOA carpet tile that ‘breaks new andnovel ground’.

BENU PETBY CHRISTIAN FISCHBACHERCO. AG‘Great re-use ofmaterial in a value-adding sense.’

ZERO CARBON LOFTBY GREEN STRUCTURES‘Great combination of attractivedesign and zero carbon performanceon a realistic scale.’

ECO PROJECTOR PRODUCT

WINNER

NEWGLOBAL HAWORTHHEADQUARTERSBYHAWORTHUKJudges commended the ‘superbergonomics’ – one even wanted towork there!

SYNAPSEBY TEKNION‘Simple. Beautiful.’

MARKS & SPENCER,SILVERBURNBY 3DREIDA project with ‘excellentenvironmental savings yet all thefunctionality of a store shoppingexperience’.Photo: Andrew Lee

BARCLAYS BANK PICCADILLY CIRCUS, LONDONBY AUKETT TYTHERLEIGHCreating the ultimate retail experience was the focus for this three-floor flagshipbank store in the heart of London’sWest End. The design had to entice in newcustomers while creating a whole new approach to financial retailing, yet thefinished product had to be totally functional as well as being visually striking in itslocation at a top tourist hotspot. Aukett Tytherleigh’s concept aimed to position thebank as their first choice in themind of existing customers while enticing in newones with an inspiring, friendly and original environment delivering quality services.Details such as dark-pink ribbon-like curlicues that wind and twist to outline thequeuing areas and spiralling staircases greet customers at ground level. On higherfloors, bold colour on walls and floors have been introduced, while slotted half-moondividers provide privacy at consultation and general desk areas. No wonder theproject was described by one judge as ‘taking on the industry!’

FINALISTS

ELORD HILLSBY JHP DESIGN‘Brave and original’ with ‘eye-catching organic futuristic forms.’

AJMALBY PORTLAND‘A truly beautiful solution where allcomponents sit in harmony andevery detail has been carefullyconsidered.’Photo: Charles Crowell

DJSBY PANORAMA‘Totallymad for it!’Photo: Ng Siu Fung

RETAILSPACE

WINNER

SPONSORED BY:

THE SHOWROOMOF LIGHTSBY RAJAN SUBHEDARARCHITECTS‘An exceptional designdemonstrating a controlled palette,humour and discovery all within anincredibly low budget. Fantastic.’Photo: Jimit Shah

TOMMYHILFIGER, COLOGNEBY RPA VISION‘Wonderful separation ofmoods.Takes the brand on to new places.’

ROOM CONCEPT STORE @ KLCCTWIN TOWERMALAYSIABY ROOM INTERIOR DESIGN‘Bold. Delicious. Sweet shop foradults.’

Photo: Dennis Gilbert

SMART WORKING TWENTY4 TABLINGBY ORANGEBOXSmartworking Twenty4 is designed to help transformworking environmentswhether as an update of an existing space or as a new, inspirational workplace.Focusing onmultiuse and space saving as a solution in the drive tomaximiseefficiency, flexibility and productivity, Smartworking Twenty4 is designed to deliverthe full potential offered by the converged office and address the trends presentedby amore collaborative workplace. Central to the brand are Smartworking Twenty4tables, which allow for a broader scope of workspace scenarios, as well as presentingefficient and desirable work areas. Each table has secure bulk storage andpower/data connection below the work surface, accessed via simple sliding tops.They are flexible, modular and scalable, and can be configured for individual orgroup use. Screens can be added in open-plan spaces to create an effective degreeof visual privacy. Available in various finishes, from laminates to real wood veneers,SmartWorking Twenty4 was described by judges as ‘very clever use of otherwisewasted space’.

FINALISTS

SPONSORED BY:

WORKITBY VITRA‘Minimalistic design with highflexibility andmodularity.’

ENLITEBY KI (UK)‘Attractive leg designs with unusualworktops. Would work well in flexibleclassroom designs.’

MOREBY INTERNATIONAL OFFICECONCEPT S.P.A.‘Pure lines belie space andcomponent-efficient use of half-cantilevered tops. Elegant simplicity.’

WORKSPACESYSTEMSFURNITUREWINNER

W/R/S (WALL RAIL SYSTEM)BY TEKNION‘Dominant horizontals ensure strongvisual integration with whicheversystems programme it is partnered.’

PLAYNSBY VITRA‘A brilliant combination of goodergonomics and design.’

BOUNDARYBY CONRAN & PARTNERSIn what judges called a ‘fantastic holistic concept’ Conran & Partners has created aboutique hotel full of thoughtfulness, character and design notes fromwhat was adilapidated1893 industrial building in Shoreditch. The design ethos is pared down.Natural, sturdy and hardwearingmaterials have been used and bespoke furnitureby Conran’s sister-company Benchmark is featured. Lovingly lit displays of objetstrouvés adorn exposed original brickwork walls, along with specially commissionedartwork. Twelve guest rooms on the first and second floors each have their ownunique design inspired by legendary designers or designmovements that theowners admire. These include Le Corbusier and Charlotte Perriand, Mies van derRohe, Eileen Gray and Charles and Ray Eames. On the third and fourth floors arefour duplex suites designed by Terence Conran, Vicki Conran, Priscilla Carluccio, andcreative director of the Conran Shop Polly Dickens, while Sir David Tang designed afurther double-width suite. Placed at basement level is a restaurant, with a featureglass wall allowing views on to the open kitchen and a seafood bar.

FINALISTS

SPONSORED BY:

WHOTEL DOWNTOWNATLANTABY BURDIFILEK‘Innovative, interesting and uniquedecor, good to visit.’Photo: Ben Rahn

THEWNEWYORKBY BBG-BBGM‘Good international style with goodvolumes.’Photo: Fred Charles

ANDEL’S LODZ:OP ARCHITEKTENBY JESTICO +WHILES‘Good integration of contemporaryarchitecture in an historic building.’Photo: Ales Jungmann

HOTEL

WINNER

ANDEL'S BERLINBY JESTICO +WHILESCommended in particular for thelobby’s ‘golden egg’ installation.Photo: Ales Jungmann

DUSIT D2 BARAQUDA PATTAYABYDWP‘Creative, functional, welcoming’,especially for its size.

Photo: Lisa Linder

BASED UPON SURFACESBY BASED UPONThe judges were unanimous inmaking this the winner. Design studio Based Uponhas pioneered the use of liquidmetal in the past five years, experimenting withtechniques based on etching, casting and sculpting. It uses liquidmetal, lacquer andresin to hand-makemultilayered surfaces. It creates bespoke surfaces for one-offfeatures and large-scale compositions on everything fromwalls, ceilings, doors, andfloors, to kitchens, bathrooms, tables and chairs, and sculptural work. One judgedescribed its work as creating a ‘material that offers limitless opportunities and everyone striking’.The surfaces often integrate location-specific details or are personalised to an

individual, the history of an area or place. Most of Based Upon’s work is inspired bynature and often cast directly from it, such as rattlesnake and stingray skin, bark,leaves, rocks and fish scales.Based Upon operates as a design-and-fit studio creating one-off furniture pieces

and artwork, as well as an interiors-focused business creating hand-crafted surfaces.Its first project was for Nobu Berkeley in the USA, and other work can be seen atLondon’s May Fair Hotel, the Langham, Fortnum&Mason and Harrods, and DonnaKaran stores. Its first large sculpture, Based Upon Number One, is on public showat the Cass Sculpture Foundation at the Goodwood international sporting venuein Sussex.

FINALISTS

SPONSORED BY:

AMTICO FIBER COLLECTIONBY AMTICOThis complex and luxurious rangecombinesmetallic and woven fabricsfor a burnished gleam.

THE VERSAFLEX SYSTEMBY INTERFACEFLOR‘Negates the problems of using twodifferent floor finishes, thus openingup a world of opportunity.’

STELLA MCCARTNEY, PARISBY APA‘Genuine craftsmanshipmeets highqualitymaterials’ in this‘confectioners’ delight.’Photo: Nick Hufton

SURFACES

WINNER

AR PLUS HIGH GLOSS PLAINCOLOURSBY FORMICA‘These new abrasion-resistant high-gloss laminates extend boundaries.Colours are stunning too.’

TWILIGHTBY BOLON ABLightmeets dark in this ‘must-have’vinyl. ‘Highly creative and practicaltoo.’

THE HEDONIST COLLECTIONBYDE ANGELIS & GARNERLimited edition British-producedwall-art using sustainable paper.‘A creative and inventive application.’

Photo: Mark Henderson

MANCHESTER SQUAREBY SHHThe brief for this private company in London’sWest End asked for a 'high-impact,21st-century office interior with a strong personality' that hadmore in commonwith a gentlemen's club than a traditional office space. In unifying two separatebuildings that included a Grade II-listed Georgian townhouse, SHH exploited thegenerously proportioned interiors by developing distinct personalities for individualspaces by varying colour saturation, the degree of formality, and boldly separatingoffices from dramaticmeeting spaces.Bespoke pieces, such as two statement contemporary chandeliers designed by

Michael Anastassiades, and four wall projections by artist Hugo Dalton, wereintroduced. The latter are a series of sketches of ballet dancersmorphed with floralmotifs, laser-cut on to stainless steel disks and fitted into ceiling-mounted projectors.Lighting was an important factor in creating both warmth andmood.This was described as an ‘elegant, adventurous approach to an old building’

by one judge.

FINALISTS

SPONSORED BY:

GHDBY CAREYJONES‘Has the wow factor. The entrance ismagical, with sublime detailing andbeautiful finishes.’Photo: Chris Gascoigne

LANGLANDBY THE INTERIORS GROUP /JUMP STUDIOSCombines personal space withfunctionality on a large scale.’

LEF FUTURE CENTERBY KOSSMANN.DEJONG‘An inventive and exciting space’which inspires its users. ‘Fantastic.’Photo: ThijsWolzak

WORKSPACEENVIRONMENT

WINNER

ENGINEBY JUMP STUDIOS‘Dynamic and original’ schemewithin an existing building.Photo: Gareth Gardner

UTOPIA’S NEWOFFICE ONWHITELADIES ROAD, BRISTOLBYUTOPIAA ‘challenging design’ that is ‘bold,fabulous and inspirational’.Photo: Rebecca Faith Photography

Photo: James Silverman

WELLSTEAD PRIMARY SCHOOLBY HAMPSHIRE COUNTY COUNCILPraised by one judge as ‘a true collaboration and a real understanding of a schoolthrough the eyes of a child’, this project is located at the heart of a new housingdevelopment on the site of an old farm and provides community space and 210places for primary-aged children. The interior design of the school makes referenceto the building’s architecture and the locale, giving it resonance and a sense of place.A key element in the concept wasmaking reference to the original farm and to theoutdoors. Farmyard graphics decorate the school, there is a ‘meadow’ carpeting inthe library, chairs resemble the sculptural qualities of flowers, and the soft purple-grey of the carpet in circulation areas echoes the slate shingle in the courtyard.The school has been created from holistic, legible and sustainable strategies,incorporating innovative technology such as ground source heat pumps, solarpanels and buildingmanagement systems, all built within tight financial constraints.The building has also been designed tomaximise daylight and natural ventilation,and incorporates the latest information and computer technology.

FINALISTS

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CHELSEA ANDWESTMINSTERHOSPITAL NHS FOUNDATIONTRUSTBY AREA SQJudges commented on their ‘surpriseand delight’ on discovering the use ofthis ‘stunning’ and ‘fantastic’ scheme.

CENTRE FOR HOSPITALITYAND CULINARY ARTS,GEORGE BROWN COLLEGEBYGOWHASTINGSARCHITECTSA ‘successful and professional’ realworking environment, withsustainability credentials to boot.Photo: TomArban Photography

VCU BRANDCENTERBY CLIVEWILKINSONARCHITECTSExposed original brick walls andwood trussesmark the historicalvalue of this modern adaptation.Photo: Allen T. Jones

PUBLICSECTOR

WINNER

NEW LINE LEARNING ACADEMYBY GENSLERA project which ‘stretches theboundaries of transformationaleducation’.

FIDM SAN DIEGO CAMPUSBY CLIVEWILKINSONARCHITECTS‘Inspirational, unique, creative, andtailored to the client/user.’

ABACUS – STADIUM SEATBY FORUM SEATING AND ARUPWith an eye on the global market, the design team created the open, ergonomicdesign of Abacus to suit a wide variety of body shapes and sizes andmaximisesitting comfort. The seat shape has been devised to avoid wasting space in curvedrows, thereby having the potential to increase revenue for a stadium.With only fourmain component parts – back, seat and two clips used to attached the pieces to thebeam – Abacus is easy and quick to install, maintain, replace and re-space. Armscan be added or removed and upholstery retro-fitted. Judges described it as ‘a goodfunctional solution with light but strong components’.Abacus is manufactured entirely in the EU; for larger projects beyond, its template

can be shipped for local manufacture and can bemade from recycled plastic andrecycled back. Soon to be available is a fully recycled option using landfill wasteprocessed via powder impressionmoulding, with skins coloured tomatch club livery.The first installation of Abacus has recently been completed at a rugby stadium

in Northern Ireland.

FINALISTS

SPONSORED BY:

NEWTONBY ORANGEBOX‘A creative approach to school chairdesign. Built-in adjustability rockingmotion.’

KOSMOSBY EXTREMIS‘A good design which allows differentseating arrangements from a seatto a flamboyant ottoman.Technologically outstanding.’

GIUSEPPINABY BONALDOA ‘modern, ironic reinterpretation ofthe traditional kitchen chair’ turnsthem into ‘fun cafe chairs’.

PUBLIC, LEISUREOR WORKSPACEFURNITUREWINNER

FILOBY BENE‘Beautifully unbroken smooth tops,elegant legs and concealed cabling’makes these tables attractive.

FITBY INTERSTUHL‘An excellent, imaginative designusing innovative fibres and weavingtechnologies. Fun and ergonomicaesthetics all in one.’

SPA IN IRELANDBY LIGHTING DESIGN INTERNATIONALCreating a series of calming, coherent and relaxing spaces in a newly carved-outbasement was the brief for Spa in Ireland, where the lighting scheme needed to beversatile yet discreet, enhancing and complementary, while creating the correctambience for this tranquil retreat. The result waswhat one judge called ‘a perfectexample of the synergy of a lighting schemewith the architecture’. Another simplysaid: ‘Just superb.’Natural daylight illuminates the pool’s endwall by day (artificially at night), via a

hidden skylight, reflecting light across the space to accentuate the sculptural form ofthe GRG ceiling. It is halo-lit from its angular perimeter, with two concealed, indirectlight sources bouncing light down thewalls and defining its contours. For versatileambiance, cold cathode lights the space by day in a crispmid-white and colourvariable LEDs providewarmwhite glows or dramatic colours during the evening.The pool is illuminated by two banks of narrow-beam cool white LEDs, enhancing

thewater’s blue hue, while its lining of black Sicilian Basaltinamirrors the play of lightcast across the undulating ceiling above it. Sauna and steam roomhave darkerinterior finishes andmood lighting fromRAL finished louvered downlighters, partiallyconcealed in vertical corner recesses.

FINALISTS

ESPA AT THE EUROPE HOTELBYDPA LIGHTINGCONSULTANTSA series of carefully craftedpresentationsmake up this ‘highlyatmospheric scheme’.Photo: Europe Hotel

SHEIKHZAYEDBINSULTANALNAHYANMOSQUE,EXT.LIGHTINGBYSPEIRS ANDMAJORASSOCIATESCommended for a ‘creative andsympathetic treatment of an iconicbuilding’.Photo: Allan Tuft

DOVER CASTLE, THE GREATTOWER PROJECTBY SUTTON VANE ASSOCIATESThe judges commented on the‘consistent lighting language’.

LIGHTINGDESIGNWINNER

SPONSORED BY:

THE STUDIO, ANDAZHOTELBY ELEKTRA LIGHTING‘Impressive’ use of a singleitem design.

NIKE TOWNLONDONBYDPA LIGHTINGCONSULTANTSExcellent cohesion ofbrand within a ‘deceptivelydifficult space’.Photo: Nike

DEVONSHIRE SQUARE,LONDONBY SPEIRS ANDMAJORASSOCIATES‘Cleverly put together andcarefully detailed.’Photo: James Newton

CASTLEFORD BRIDGEBY SUTTON VANEASSOCIATESA ‘simpleandsubtle’ schemethat ‘respects thestructureanddramaticallyenhancestheviewof thewater’.Photo: Craig Russell &Stuart Powell

Photo: Christian Richters

SEEING THE LIGHTBY MIGLIORE+SERVETTO ARCHITETTI ASSOCIATIThe New York Times Style Magazine, better known simply as T in its iconic fontOld English, and the International Herald Tribune Style Magazine wanted tocelebrate light and transparency in design. Migliore+Servetto Architetti Associatiand TMagazine curated Seeing the Light, a temporary exhibit during SaloneInternazionale del Mobile in Milan, bringing to life a cover of T’s quarterly designsupplement T:Design, inspired by the photography of RaymondMeier. Starting inthe corridor of the Bulgari Hotel, seven Flos Superarchimoon lamps spotlightedthe T graphic printed on aluminium sheeting. Scattered across the hotel’s gardenwas an installation of 12 oversized boxes, made in raw, bleached wood, stencilledwith the T logo and designed to look like shipping crates. The boxes opened onone side to reveal upholstered interiors trimmedwith neon lights, showcasingobjects by some of the design world’s most influential names. Illuminated vases,glass pieces, chairs and lamps had all been designed with a dedication to light,transparency and lightness.

FINALISTS

SPONSORED BY:

NEWMUSEUMOF PATRA,PATRA, GREECEBY BOBOTIS ARCHITECTSA ‘good contemporary contrast forhistorical location and exhibits’.Photo: Charalambos Louizidis

FIAT EXHIBITION STANDS2008/2009BYMIGLIORE+SERVETTOARCHITETTI ASSOCIATICommended as ‘simple, effective,creative’.Photo: Courtesy of Fiat Group

SHENYANG VANKE CORPORATEGALLERYBYMISSION & ASSOCIATES‘Beautiful lines, futuristic and fantasticfeat of engineering.’ ‘Spectacularlycreative.’

MUSEUM OREXHIBITIONSPACEWINNER

HUMANSCALE STAND,ORGATEC 2008BYMOREYSMITH‘Excellent sense of scale’ with ‘stronggraphics’.

FUSIONWORLDBYMET STUDIO DESIGNContemporary design’ with ‘greatuse ofmaterials and finishes’.Photo: Kelley Cheng

MANCHESTER UNITEDEXPERIENCEBYMET STUDIO DESIGNThe judges liked the ‘subversivetheming’ on this ‘simple, straight-to-the-point’ environment.Photo: Kerun IP

Photo: Marco Guastalla

SOFITEL ST JAMES SO SPABY SPARCSTUDIORising superbly to what judges described as ‘an incredibly challenging brief’Sparcstudio created a freestanding spa pavilion within a Grade II listed banking halladjacent to the Sofitel London St James. It needed to complement and preserve theexistingmarble-clad walls and ornate ceilings while providing retail, relaxation andtreatment areas. An illuminated, curved glass bridge provides a transition zone fromthe bustle of the hotel foyer to the spa, in which a double-height space and cut-fretpatterned screens reveal the original banking hall. Marble columns, plaster ceilingswith intricately detailed decorativemouldings and rose-colouredmarble-clad wallshave been restored. In the pavilion’s centre salon chairs skirt a long, underlit bespokerefectory table. Illuminated display shelves and credenzas are framed by cut-fretdecorative screens. Gold leaf lines display niches and elliptical feature coffers withconcealedmood lighting are in each treatment suite. The original curved, marblestaircase provides access to dressing rooms, where walls are clad in dark, chocolate-coloured and veinedmarble and floors are finished with grey limestone.

FINALISTS

SPONSORED BY:

RED BOX KARAOKE @ THEGARDENSMALLBYDMZ (MALAYSIA) SDN BHDAn entertainment hub emphasisingnatural elements such as flowers,grasses, stones, and wood.

ESPA RIGABY DW2

The judges admired the ‘unusualspaces’ of this destination spa.Photo: Patrick Butler-Madden

IVYBYWOODS BAGOT /HECKER PHELAN /GUTHRIE MERIVALE GROUP‘Fun spaces, functional but notpretentious.’Photo: ShannonMcGrath

LEISURE ORENTERTAINMENTVENUEWINNER

BRITISHMUSIC EXPERIENCEBY LAND DESIGN STUDIOA ‘hands-on interactive leisureexperience’ that looks ‘cooland funky’.Photo: NickWood

SOFITEL ST JAMES HOTEL SO FITBY SPARCSTUDIOMatching the brief for ‘vibrant andenergising’, and admired for theattention to detail.

W+WBY ROCAAnother win forW+W, and selected by a different panel of judges to the Eco Projector Product category.W+W exhibits ‘impeccable green credentials’ and ‘innovativethinking that stands out’, said the judges, Roca has combined sustainability,functionality and stunning aesthetics to createW+W– an all-in-one washbasinandWC in vitreous china. Designed by the Roca Innovation Lab in collaboration withGabriele and Oscar Buratti, W+W combines the bathroom’s two essential elementsin a single unit, tomaximise space while conserving water. W+W incorporatesRoca’s new ‘water-reuse’ technology, using waste water from the washbasin to filltheWC cistern, which reduces water usage by up to 25 per cent compared with astandard 6/3ltr dual-flush unit. A double filtration system increases hygiene levelsby removing impurities and chemically treating the used basin water before it isrecycled into flushingmode.

FINALISTS

SPONSORED BY:

TACTILESBY INTERFACEFLOR‘Game-changing design’ that is‘simple yet inspired’.

LAZY BASTARDBY VIADUCT‘The deep seat and upholstery are‘refreshingly different.’

'THE VILLAGE' CHANDELIERS,WESTFIELDBY REPLICA‘Intricate beauty’ on a ‘grand-scaleproject’.

2009 PRODUCTOF THE YEAR

WINNER

HOUDINIBY VIADUCT‘Aesthetically pleasing forms thatexploit the shaped plywoodmanufacturing process.’

BITEBY BISLEY‘Great. Added valuemakes thisproduct extra appealing.’

VEGETALBY VITRA‘Top styling from aworthy worldleader in furniture.’

Matthew Plummer-Fernandez

The overwhelming favourite in this year’s shortlist for the Breakthrough Talentaward, Royal College of Art graduate Matthew Plummer-Fernandez wowedFX readers, who voted in our online poll, with his creative and intuitive approachto design.Much of Plummer-Fernandez’s work is conceptual: his Sound Chair, an armchair

whose intricate contours were inspired by sound waves, is more of a work of artthan a functional piece of furniture, while the Apifera, a flora-inspired installation forthe window of London department store Selfridges, wasmade from hundreds ofhand-crafted paper cones and attracted passers-by with a hypnotic movementdesigned to simulate breathing.Following his graduation from the RCA’s MA this summer, Plummer-Fernandez

has been busy converting the top floor of a disused factory in Erith, on the outskirtsof south-east of London, into a home/studio where he will live and work withpartner Michelle Shields.‘The concept of the factory, which was last occupied during the SecondWorld

War, is to ‘source local material andmanufacturing resources, including localindustrial waste, and use it to inform our designs, as well as commissioning otherdesigners to work within those constraints’, Plummer-Fernandez explains.‘I think it’s important for designers to step out of a “design consultancy” role and

take on deeper interests in other aspects of the product cycle. For some thismeansmoving into the retail end and starting their own shops and sales; for us, when wediscovered this old factory, it made sense to go intomaterial sourcing andproduction,’ he continues.Plummer-Fernandez recently won a commission to adapt his intricate

installation, The Apifera, as a display piece for a residential interior.

SPONSORED BY:

BREAKTHROUGHTALENT OFTHE YEARWINNER

David FoxDavid Fox DesignSince establishing product design consultancy David Fox Design in 2001, industrialdesigner David Fox has had huge success with products for Connection, Boss Design,Naughtone, Nomique, Edge Design and Oceedesign. He recently designed a rangeof taps for bathroom brasswaremanufacturer Vado.Inspired by a love of simplicity and visual harmony, Fox’s work has a timeless

quality which has been recognised worldwide, winning Best of Neocon Chicagoearlier this year for the Kruze chair, designed for Boss.‘Products need to have certain honesty and natural beauty,’ he says. ‘The simpler

an object is in balance and detail, the less you have to dislike over a period of time.If you use an example of a table or chair, this is something you interact with on adaily basis for a number of years; as an object this has to be something that offerslong-term visual harmony.’Attributing his skills as an industrial designer to the influences of his artist mother

and engineer father, Fox says that, ‘from the age of 16, I had no reservations aboutthe path I would like to tread’.‘It has been an interesting, and very rewarding creative journey so far,’ he says,

‘and there will be some exciting and varied collaborations in the future.’He lives and works in Leeds, which he describes as ‘a very progressive city for both

design and architecture’.

SPONSORED BY:

PRODUCTDESIGNER OFTHE YEARWINNER

Jump Studios

The decisive winner of this year’s Interior Designer of the Year award goes to a smallpractice with a big reputation – Jump Studios.Founders Simon Jordan, who previously worked as a creative strategist with an

advertising agency, and Shaun Fernandes, who trained as an architect and workedat Ron Arad Associates, founded the company in 2001, offering clients expertise inarchitecture, product design, interior design and graphic design.The company’s big break came in 2003with a commission to design the

London HQ for sports giant Nike, a project that went on to win numerous awardsand contributed to Jump Studios burgeoning reputation. In 2007, Jump took onanother high-profile London office project, this time for Red Bull, which went on tofeature regularly in office design publications. Its work has been shortlisted no lessthan three times in this year’s awards: in Bar and Restaurant and twice inWorkspace Environment.Alongsidemany high-profile clients, including smoothie company Innocent,

some of Jump’smost creative projects have been temporary. It has collaboratedwith Levi’s on several occasions, creating stunning installations for leading fashiontrade shows such as Pitti Imagine and Bread & Butter. More recently Jump Studiosdesigned the touring exhibition The Science of Spying for the Science Museum andan installation for Bloomberg’s London HQ.

SPONSORED BY:

INTERIOR DESIGNPRACTICE OFTHE YEARWINNER

Hussein Chalayan

Creative and inventive, and using engineering skills and technology to outstandingends, few designers push the boundaries of design like Hussein Chalayan.Twice named British Designer of the Year, Chalayan is best known as a fashion

designer, but his work transcends couture, often borrowing technology and designprocesses from industrial design and architecture. For his award-winning Airbornecollection, which showed in 2007, Chalayan created a dress adorned with15,000flickering LED lights. Shown in 2000, his Afterwords collection was inspired byarchitecture and furniture design, and included chairs and tables which can bedismantled and transformed into garments.Chalayan has also directed short films and, in 2005, he represented Turkey at

the 51st Venice Biennale with a video installation entitled Absent Presence, whichexplored themes of identity, geography, genetics, biology and anthropology andfeatured the actress Tilda Swinton. He is also creative director of sport fashionfor Puma.Chalayan wasmade anMBE in 2006 and, in January this year, London’s

Design Museum staged the exhibition Hussein Chalayan – From Fashion andBack, a retrospective of his work from the past 15 years. It received unreservedcritical acclaim.

SPONSORED BY:

OUTSTANDINGLIFETIMEACHIEVEMENTWINNER

Photo:LukeHayes

Photo:LukeHayes

Photo: Luke Hayes

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To save energy, Lutron integrates the control of electric light with the control of daylight. HyperionTM is an automated shading system that adjusts Sivoia® QS blinds throughout the day based on the sun’s position. This maximises the available daylight, but minimises glare and solar heat gain. It all helps create a more energy-efficient, productive and comfortable working environment.

Hyperion and Sivoia QS are part of Lutron’s new range of scalable, energy-saving products for commercial premises. To find out more, visit www.lutron.com/globalenergysolutionsor call 020 7702 0657.

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...for further information on entering or sponsoring the 20010 awards

www.fxdesignawards.com

FX INTERNATIONAL INTERIOR DESIGN AWARDS 2010

MAKE ADATE...30/11/10Last date for entries: 20/07/10

Notes

Notes