VIOLIN

by CAROL BARRATTMore than 25 pieces for violin and piano

Plus de 25 morceaux pour violon et piano Mehr als 25 Stcke fr Violine und Klavier

Ms de 25 piezas para violn y piano

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CAROL BARRATT

rayo!Violin

More than 25 pieces for violin and piano

Edited by Edward Huws Jones

BOOSEY@IIAWKESLondon New York Berlin Sydney

PREFACEThe pieces in Bravo! Violin take the student progressively through theearly grades. They consist mainly of original material, with a fewarrangements too - sorne well-known, sorne more unusual. These piecesare intended to encourage the student to perform - rather than mereiy play- whenever the opportunity arises.Ah too often, the early stages of leaming an instrument can be a sohitaryprocess. Wherever possible, these pieces should be played with theirkeyboard accompaniments. Hearing the keyboard parts wihi lead to anawareness and appreciation of different musical styles and a sense ofharmony, not just melody. In addition, playing with an accompanimentdeveiops the pupils ability to maintain his or her own part while histeningto another. And of course, its fun!

PREFACELes rnorceaux se trouvant dans Bravo! Violon guident progressivementltudiant travers les premiers niveaux. lis consistent surtout en desmorceaux originais, mais u y a galement quelques arrangements -certains clbres, dautres plus iiihabituels. Ces morceaux ont le butdencourager ltudiant interprter - plutt qu se contenter de jouer -ds quil en a ioccasion.Bien trop souvent, les premiers pas de lapprentissage dun instrumentpeuvent tre une entreprise bien soiitaire. Ji faudrait jouer ces morceauxayee ieur accompagnement au ciavier chaque fois que cest possibie.Gr~ce lcoute des parties du clavier, ji sera possibie de prendreconscience et dapprcier djffrents types musicaux et le sens deiharmonie, et non pas seuiement ceiui de la rnlodie. De plus, en jouantavec un accompagnement, llve dveioppe sa capacit de maintenir sapropre partie tout en coutant celle dune autre. Et bien sur, cest trsamusant!

VORWORTDie Musikstcke in Bravo! Violine leiten den Schler Schritt ffir Schrittdurch die ersten Stufen. Sie bestehen haupts~ichlich aus Originalmaterial,aber auch aus einigen Arrangements - teils wohlbekannt, teils eherungew5hnlich. Diese Musikstcke sollen den Schler ermutigen, wannimmer sich die Gelegenheit bietet, vorzutragen anstatt lediglich zu spielen.Alizu oil ki5nnen die ersten Versuche, em Instrument zu erlernen, emeinsamer Vorgang sein. Diese Stcke sollten nach Mglichkeit mitKlavierbegleitung gespielt werden. Das Hi5ren der Klavierstimme ffihrt zueiner erhhten Wahrnehmung und Wrdigung von verschiedenenMusikrichtungen und zu einer Empfindung fr Harmonie und nichtallein fr die Melodie. Zus~itzlich hill das Spielen mit Begleitung demSchler, seine eigene Stimme zu spielen, whrend er euler anderen zuhrt.Und nafflrlich machts SpaB!

PREFACIOLas piezas musicales de Bravo! Violn integran un mtodo progresivoideal en las etapas iniciales del aprendizaje musical. La mayora son obrasoriginales, aunque tambin hay arreglos -algunos famosos, otros menosconocidos- y estn concebidas para alentar al alumno a interpretar, y nosimplemente tocar, siempre que se presente la oportunidad.Con demasiada frecuencia las etapas iniciales del aprendizaje de uninstrumento musical se convierten en un proceso solitario. Por ello esaconsejable interpretar estas piezas con su acompaamiento al tecladosiempre que sea posible. Al or la parte del teclado, el intrprete sesensibiliza y aprecia los diferentes estilos musicales y la armona, ademsde la meloda. Es ms, al tocar con acompaamiento el alumno desarrollala capacidad de interpretar su parte a la vez que escucha otra. Y, porsupuesto es muy divertido!

CONTENTS

Barratt Round Dance 2Barrafl Quirk 2Czerny Rise and Shine! 3Barratt String Along 3French Folk Song Fais Dodo 4Kabalevsky Polka 4Kabalevsky Russian Dance 4Barratt Shortcake-Walk 5French-Canadian Folk Song Qn the Wing 5Duncombe Minuet 6Barratt Hunt the Rosin! 7Scottish Folk Tune Torry Burn 7Schubert German Dance 8Barratt Out-of-Step March 8Hungarian Folk Song Sowing Marjoram 9Scottish Folk Song The Night Visiting Song 9Barraft Penny-Stinkards 10Barratt Wimbledon Waltz 11Barrafl Ballyhoo! 11Barratt Harvest Time 12Barratt Fivepins 13Swedish Folk Song Midsummer Fire 13Barraft Barrel Blues 14Anon. English Jig 14Tchaikovsky The Hurdy-Gurdy 15Barratt Three Variations on Cat in the Snow 16

IMPORTANT NOTICE: The unauthorised copying of the whole or any part of this publication is illegal.~

ROUND DANCE

Based on a l7th-century tune by Joachim von der Hafe

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QUIRK

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3Allegretto

RISE AND SHINE!

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STRING ALONG

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4FAIS DODO(Goodnight, Sleep Tight!)

French Folk Songarr. Carol Barratt

* Staccato notes to be played on the string

Copyright 1946 by Boosey & Hawkes Music Publishers Ltd for the United Kingdom,the British Commonwealth (excluding Canada) and the Republic of Ireland.This edition Copyright 2001 by Boosey & Hawkes Music Publishers Ltd. 11027a

Like a lullaby

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TWO DANCESPOLKA

Dniitri KabalevskyAllegro non troppo arr. Carol Barratt

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RUSSIAN DANCE

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QN THE WINGFrench-Canadian Folk Song

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HUNT THE ROSIN!

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Carol Barratt

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TORRY BURNScottish Folk Tune

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ModeratoFranz Schubert

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OUT-OF-STEP MARCH

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SOWING MARJORAM

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Hungarian Folk Songarr. Carol Barratt

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Scottish Folk SongSlowly and calmly arr. Carol Barratt

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PENNY-STINKARDS *Based on an Elizabethan tune

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* Penny-Stinkards were poor (and often smelly!) people around the time of Shakespeare who could only afford a penny in orderto stand below the stage of the theatre for their entertainment.

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WIMBLEDON WALTZ11

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BALLYHOO!

Boisterously Carol Barratt

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HARVEST TIMEBased on a Latviafl folk-song

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HARVEST TIMEBased on a Latvian folk-song

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FIVEPINS

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MIDSUMMER FIRESwedish Folk Song

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THE HURDY-GURDY15

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Peter Tchaikovskyarr. Carol Barratt

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THREE VARIATIONS ON CAT IN THE SNOW

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(A German Folk Song)

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After graduating from the Royal College of Music, CaroBarratt was awarded a Martin Musical scholarship forcomposition by the Philharmonic Society and studiedwith Elisabeth Lutyens. Her compositions have oftenbeen performed and broadcast, particularly the FluteSuite, Brass Quintet, Tuba Sonata, Oboe Sonatina andthe song cycle Love. . .a Strange Disease. HerMagn~flcat and Nunc dimittis were first performed in1992 at St Pauls Cathedral in London. In 1995 her SixSongs for Singing were chosen to be performed aspart of the celebrations of the 5Oth anniversary of theComposers Guild. A highly respected teacher, CarolBarratt now presents her unique compositional style inthe Bravo! series of music for young players.

Nach ihrem Abschlui3 am Royal College of Music erhieltCarol Barratt das Martin Musikstipendium frKomposition von der Philharmonischen Gesellschaftund studierte bei Elisabeth Lutyens. Iher Kompositionenwerden haufig aufgefhrt und im Rundfunk bertragen,vor allem die Flten-Suite, das Blechbl~serquintett, tieTuba-Sonate, die Oboen Sonate und der LierderzyklusLove. . .a Strange Disease. Ihr Magn~ficat und Nuncdimittis erklangen erstmals 1992 in der St. PaulsCathedral in London. 1995 wurden ihre SixSongs forSinging ausgew~hlt, um als em Bestandteil derFeierlichkeiten zum 5O-j~hrigen Jubilaum derComposers Guild aufgefhrt zu werden. Carol Barratt,de auch eme sehr renommierte Lehrerin ist, legt nun inder Reihe Bravo! Musik fr junge Instrumentalisten vor,in der ihr einzigartiger Kompositionsstil zum Ausdruckkommt.

Aprs avoir achev ses tudes au Royal College ofMusic de Londres, Carol Barratt obtint de laPhilharmonia Society une bourse de composition(Martin Musical scholarship) et suivit les coursdElisabeth Lutyens. Ses compositions ont souvent tjoues et retransmises ~ la radio ou la tlvision,notamment la Suite pour flte, le Quintette pourcuivres, la Sonate pour tuba, la Sonatine pour hautboiset le cycle de chants Love.. .a Strange Disease. LeMagn~flcat et Nunc Dimittis furent crs en 1992 ~ lacathdrale Saint Paul de Londres et les Six chants ~chanter furent excuts dans le cadre des festivits quimarqurent, en 1995, le cinquantenaire de la Guildedes compositeurs. Ensegnante de grand renom, CarolBarratt prsente aujourdhu son style de compositiontrs personnel dans la srie Bravo! de pices pourjeunes instrumentistes.

Tras graduarse en el Royal College of Music, CarolBarratt obtuvo la beca de composicin Martin Musical,concedida por la Philharmonia Society, y estudi bajola direccion de Elisabeth Lutyens.Sus obras se tocan en conciertos y se difundenradiofnicamente con regularidad, especialmente laSuite para flauta, el quinteto de viento, la sonata paratuba, la sonatina para oboe y el ciclo de cancionesLove. . .a Strange Disease. Sus obras Magn~ficat yNunc dimittis fueron estrenadas en la catedral de S.Pablo en Londres en 1992.En 1995 sus Seis canciones para voz fueron elegidaspara ser interpretadas en los actos conmemorativos delcincuenta aniversario de la sociedad de compositores.Maestra muy prestigiosa, Carol Barratt presenta en laactualidad su singular estilo de composicin en la serieBravo! para jvenes intrpretes.

ISMN M-060-11027-6

IllI~I h U IHUN U II~ U II9 790060 110276

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