bravura brass - lothar klein
DESCRIPTION
for brass quintetTRANSCRIPT
rWUra0Grass
'(Yom bnnc, lH b z,
ofhkYxIe1 11
K.
j.. Brix^nGrassAl)1' ^5I-VtO
J=184
r
4
15 33 1 513 5 - 3
3911.n-‘
.3
n .010 ' ^^iON^ Sly
3
3
D-, ,
3
^ ^!l ^ ^i•I
3
1 ;
11
iilii'i^^!*/1^- - MkONMEIGMIniiii^SA^9i^(.'' W L7
>' _t
3
33
jjj
7
.mow
wia
> >... >
lar^l^alm !.!^mei^a__
>> if 7
innamssassk-Am ms
f ► t3 s
T
^
^ +
p a^~
1
wY-
^ ?
^ ^^"'"
^P y ^ ^ ^ I +1 4 111_
_.
^^
d I
S+
0
Sc >
34
7'
1--t-‘, y
"'& "'Si""01
ti;
rr
7-1+4A
A •
en
-
^o
f
r-/ ,^,
J, .
r
-
1 r 1^i •
n
-d-*1q‘+10 1 _1+. Ill i
[4-
11111I 11
If 1
o , ..
^dT
-^r
• ^
-1-4
4
4
A
.n
A
A
A
A
t4
t
I4A
In this BAGATELLE the players after their initial entrance improvise the
phrases asindicated by the bracketts. The movement should last about one minute to
one:15. TPT 1 is time-keeper; as 1:15 approaches the Tpt.1 adds the
sF accent at which signal the other players stop immediately. At the piano
dynamic all players should play as PP as they can to the end. Time for 1:15
begins at the "Tempo di Lone Ranger."
After the fermata of three seconds, Tpt. 1 gives the up-beat for the
final measures in tempo. These improvisatory sections are ob viously not
synchronized. Also note that the improvisatory phrases are framed by a
rest or breath mark permitting the player to focus between phrases.
Each player plays as much OR as little as the minute allows. Keep it
going; the effect should be one of comic disorder. Play p possible.
T9 B;'iteIte
f
P
=^,s"MSiaa iEMMIMn^sANISMSEWE. sMR MMINSSfAi'wIn=IIEM_BIM
M ME
nw.mlw ME MEN ''nOMn__M fin —w IiIENM
1c'„po d i "Lone
n
QA ► caAevI3a, -
o n:A. MEEM—raM&raIM4EIMIAMILMEM f a. MLA
NM'WSEIL'WEE1W/WM
si^
EIMMMI
^ns^^^ =^—f^—^
57^=^-
1.. 1
J
A
IM' IMES MM. MEMO =MIEN WE MIEMP
MEN. =MEW
S
{')'‘IO Ifo Yn a rc .
kb
t
3
4.
S
i I
Vu
S
'4
TL1.
Bt ue YaSS 71) Alit; 14
1
'PtL
C
A{'110
Y
t0
1 1V
(
i 7
,-3.Jb -r-
-^- corn V; b,a,^^^^ rte., ^®
L- 3
a12
]3.
L 0
si'
3
3
L_3
v
g
p
—- ^asw era ssrrr.•alanw % •^r^^_ ams^^^lal^a^ sri aw^^iii
l
f
6
T
-I••
P
s"
'
c^^
3n 1s
t
J
L 7"-
-
--
,-, ^.
-
^-- -- ^-_ -
. -
KIIIMII•11111W IIIIM1111111MI• E11IME
,o =11=21.
L.—. 3^- - 3
--1
P
C./
i 1.fp <<.
-.
.t
0 Pe ,
7-1
^-L.
J l1
i '0Y
3 ta npp
4-011nWOn_I
W..Y --
IInilV
—+-
Y .
-4 0 D 4- 0 Siva,
Eorn
=_^__,_^ p
^J•Yi ^^_.^'_i ie.
il^ICi
IEMO• F
Sor^•
eoh Sorel^^^^((((
/111 i`
JV
^
(JVii
Solo
B[ cs S+yl^
ad tlblfttln1-- 3
jTeviy4 °I/
Ccvt ovtl. —
^^^- 1!
A_
_.Ifii^r♦^1•^i^
iba• A ^sQ.
,J I
WU,
a
0-4
0
— fail vk1Ke • - l
* T'lhc. Stna So P4. TO %21 I . Ti. v.'hlust mot
pverpoWe I- CV. Trt.l1 tin.
i
1Ln,
0p 5'
4 ea
9 fd
f '
f --sf1
L..3 _f
3
3
3 3
4
--
47 5P
--I-
>
2;-I- -
7
7
5p
r P
Q
I N^
s—
)1-yOl
nL
, YrlulC. , a
_ r3 aI(L Str&15\it7 _ _
=--' 1fJ
‘'f7 1p?
5 0 10
t
..® - P 'motto to_)3
Ii-a
yle
--- g -- -3J
^.w K
,
1 i^ L
56 )b
—0- s
I in^ W^^^'!tli^^^
—- 1
s > e ffj)
7-
i
-"9 J
j. M
t Lt'VOOSs va,CCCI.
^
i-,
^
t
p pS
J
9
ivk(vc g l
i ss
_
ns (I
j -
_-- - _
r-- - ,.
_
I I
/t .
Y4Ivcy;tc6 wig5fIsstocm'1
►ti;s^ /-)'¼4-Ft .
12