buddy rhodes catalog of concrete … rhodes catalog of concrete ... of the inspiration of buddy and...

BU D DY R H O D E S CATA L O G o f C O NC R E T E P R O D U C T S & T E C H N I Q U E S

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This catalog marks both a long history and tradition of Buddy Rhodes, just as it represents a new beginning. We have compiled stories, techniques, recipes, process insights, a touch of inspiration, and a comprehensive list of materials for anyone inspired to create artisan concrete. The stories, ideas, and materials herein are the combined efforts of the large group of artisans, material specialists, chemists, and entrepreneurs.

The first section of this document is a collection

of stories, finishes, tips, recipes, techniques and insights. These are not intended to be

steadfast, but rather guidelines to assist in creating your vision. We hope this helps you

along in your journey of creating with the medium of concrete. If you have questions or

comments, please email us or give us a call. We would love to hear from you.

There are a number of places where the conversation is continuing. Find us on Facebook

as Buddy Rhodes Concrete Products, follow us on Instagram as @buddyrhodes,

follow us on Twitter as @buddyrhodescp, get inspiration from our Pinterest page at

Buddy Rhodes. If you like the tips and tricks you see here, check out our blog at blog.

buddyrhodes.com. If you want to have a conversation with other concrete artisans,

check out our forum at ask.buddyrhodes.com

We hope you enjoy!-The Buddy Rhodes Team

P| 3BUDDY RHODES CONCRETE PRODUCTS | Call us: 877-706-5303 | Email us at: [email protected]

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TABLE of CONTENTS

The BR Story ............................................................. 4

The Evolution ............................................................ 5

New Materials ........................................................... 6

Choosing a Finish ...................................................8-9

Guide to Recipes ................................................. 10-11

Craftsman Mix Recipes ........................................... 10

GFRC Recipes .......................................................... 14

ECC Recipes ............................................................. 18

Color Options ..................................................20-21

Curing ...................................................................... 22

Processing ................................................................ 23

Polishing .................................................................. 24

Etching ..................................................................... 25

Glazes ...................................................................... 26

Sealing ................................................................ 27-28

Products And Services ............................................ 29

Mixes .................................................................. 30-31

Admixtures .............................................................. 32

Water Reducers ....................................................... 33

Fibers ....................................................................... 34

Color Range ........................................................ 35-47

Glazes ...................................................................... 48

Sealer ....................................................................... 49

Tools ................................................................... 50-51

Pads .......................................................................... 52

Molds ....................................................................... 53

Raw Materials .................................................... 54-55

Training............................................................... 56-57

Credits ...................................................................... 58

PA G E

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| THE BR STORYAs a young man, Buddy Rhodes was consumed by clay. It was all he could think about,

night and day. More important than the material itself, Buddy was compelled by the creative

process. Eventually that creative process pushed his desire beyond the capacity of the

material he was creating with. His ideas were too big for a kiln.

Rather than let this limit his ability to create, Buddy struck out to find something different

to quench his desire as a maker. Buddy was after a material that would behave like clay,

but that could develop strength and durability without the need of a kiln. Buddy was after a

self-hardening clay.

Buddy found his solution in concrete, but not concrete in the way the world had come to

know, as a workhorse in the development of modern civilization- cold and utilitarian. Buddy

was investigating the material through his own lens, as a moldable and infinite material, and

from that process a whole new material came to life. Buddy created a material that behaved

like both clay and concrete, and from that moment an evolution began.

Buddy sought to create and to share with other makers who wished to do the same. Over

the decades of this collaboration, a whole new language has been born. A language in the

tradition of the craftsman movement, and a set of materials that would allow the maker

community to create their vision.


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BlueConcrete created a fertile ground to experiment and

develop concrete beyond the limitations it had always

known. This philosophy is revolutionizing the industry.

Buddy demanded more, and

created something new.

BlueConcrete demanded more,

and created something better.

Now these two brands have

joined forces to create the

Evolution of artisan concrete.

We have created materials that we believe are easier to use,

perform at the highest level available in artisan concrete, and

that expand the possibilities for makers around the world in

ways that only time will reveal.

Buddy started an evolution. These materials are his invitation

to you to join that evolution. This is not the end, but rather

the continuation. Now it’s time for you to continue the

tradition. Welcome to the Evolution!

We have created materials that we believe are easier to use, perform at the highest level available in artisan concrete, and that expand the possibilities for makers around the world .

| THE EVOLUTION

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Buddy has spent the past 2 years collaborating with the BlueConcrete team about ways to improve the materials we make available. BlueConcrete has spent extensive time working

with concrete professionals across all spectrums, from the DIYer to multi-

national industrial companies, in order to understand their needs and provide solutions to their troubles. It is the merger of the inspiration of Buddy and the technology of BlueConcrete that has brought these new materials into the world. Enjoy!

THE NEW MATERIALS

MIXESLooking at all the possible ways to approach mix design, we have settled on 4 mixes which are the building blocks from which

virtually anything can be created. Each one of these mixes are unique in their workability habits, and they are all built with

performance in mind. These mixes are incredibly strong and durable, but more importantly, they are versatile enough to build

virtually any finish possible with concrete.

B U D DY R H O D E S C O U N T E R M I X

The Original Recipe, this is the mix that started this all, famed for it’s ability to behave like clay. While we have

made significant improvements to this mix in the Buddy Rhodes Craftsman Mix, the Counter Mix will be available

to those who have made a habit of using this mix over the past decade. For recipes and instructions for this mix,

please visit our website. Cementitious Content 23.8 lb

B U D DY R H O D E S C R A F T S M A N M I X

The Craftsman Mix is our easiest mix to work and provides exceptional possibilities for a variety of surface finishes.

We have taken the mix Buddy created decades ago and have improved performance. The mix is formulated with

well proportioned ingredients and a dry polymer. Water is the only ingredient needed to achieve high performance

and great workability.

The Craftsman mix can be pressed up vertical surfaces, trowels like butter, and can be made fluid to conform

to any shape. It is ideal for the newcomer to concrete, but is also revered by professionals for it’s versatility.

Cementitious Content 20.5 lb

G F R C B L E N D E D M I X

GFRC (Glass Fiber Reinforced Concrete) has become the material of choice for many in the professional community.

BlueConcrete’s team was the first group in the artisan world to address the shortcomings of the GFRC mix design

and developed mixes that outperformed what the market had seen before. Buddy’s new GFRC mix is the next

generation of the Fuzion ZFRC, a mix that was developed and refined by people that work with GFRC professionally.

This mix can be sprayed, pressed, cast and troweled, and is a perfect high performance base mix for more traditional

concrete mixes. This GFRC mix can be made incredibly thin, and can be manipulated into virtually any shape. It is the

workhorse of our mixes and is the preferred choice for many of the most successful artisans in the concrete world.

While there is a slightly higher learning curve with this mix then there is with the Craftsman mix, it is still accessible

to newcomers who are looking to push the boundaries a bit further. Cementitious Content 26 lb


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E C C B L E N D E D M I X

This is a mix for the most demanding applications. ECC was developed to combat concrete’s naturally brittle

habits. This a big problem particularly in areas prone to earthquakes. ECC is an incredibly ductile material, allowing

unprecedented flex prior to failure. We have improved the workability of this mix. The ECC mix can be the consistency

of taffy or can behave like hard clay. With a skilled hand, this mix can also be cast, troweled, and pressed. This mix

performs at the highest level and is not for the faint of heart. This is a mix for masochists, madmen, engineers and

artisans with the highest demands of performance and durability. Cementitious Content 28.45 lb

1 0 P O U N D A R T I S A N M I X

This is just as it sounds. Ten pounds of a mix that just needs water. Reinforcement, water reducer, additional aggre-

gates, and pigment can be added to suit the project. This mix can be made very thin as it does not have any large

aggregates. This mix is ideal for smaller projects. Whether a base for a sculpture, handcrafted jewelry, objects for

the home and garden, or art, this mix brings the craft of concrete to artisans who want to create on a smaller scale.


A B O U T O U R B L E N D E D M I X E S

These mixes are available fully blended in 50lb bags using aggregates that have been specially selected for their

unique characteristics. They contain no water reducer, fiber or pigment, leaving ultimate control in your hands. We

have various recipes for you to try and a wide range of materials for you to choose from in order to create a mix

perfect for your needs.

A D M I X T U R E

Rather than just having mixes that are blended for you, we are introducing the capability to build your own mix using

your local materials. We will give you the recipe we use in our blended mixes, and you can follow that recipe using

your local ingredients to blend the mix yourself. You can also use these admixtures to create mixes entirely unique

to you. In fact, much of the development of this set of materials is based on artisans who have done just that, and

have come back to us to share their feedback and results.

and THERE’S MOREIn addition to the new pre-blended mixes and admixtures, we have improved the entire supporting cast.

New materials include

• Added reinforcement options

• New sealer options

• Limitless color options

• Glazes for a broad range of color tinting of finished concrete

• A selection of raw materials, as well as new tools and pads

We are expanding our voice in the arena of training and information, continuing to bring top of the line training from the

crew at Set in Stone and through the annual event of EPIC.

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Much of the success of an artisan concrete project boils down to selecting the right mix for a given project. What is the right mix? That depends on a few factors.

—What finish are you after?—What is your skill level?and so on…. These questions begin the process of picking the right mix

for the project. As you answer the various questions, the right mix will become more and more clear.

PICK THE FINISH THAT IS RIGHT FOR YOUR PROJECT.

W H O A R E YO U ?

This may simplify the decision making process more than anything. While not a steadfast rule, our mixes can be broken down

into how user friendly they are. The Craftsman Mix is a very simple mix to use, the GFRC mix requires a touch more effort,

and the ECC is for masochists and madmen. While there are certain exceptions to these rules (some of which will get pointed

out in the recipe section), this should give you a good reference point.

Each technique has its own unique finish qualities and working parameters so each has its own unique mix design. The basic ingredients are the same, but each technique section will explain and demonstrate its own particular procedure. When working with such specialized methods we must maintain respect for the medium and its timetable.

I just want “concrete countertops.” It’s just concrete, right? Correct, it is just concrete and concrete is an infinitely moldable material, that’s what makes it so cool. Since it is moldable, the first thing you need to figure is how you want it to look.

Cream Polished Ground Troweled


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FINISHESP R E S S E D —This is Buddy Rhodes’ Signature technique. The concrete is pressed into precast in forms, and excels for

vertical surfaces with minimal effort. The color options are endless. The size of your voids depends on how soft your mix is

and how hard you press. This is arguably the easiest finish to get great results from.

C R E A M —This finish is accomplished when very little processing is done to a neatly cast piece. This finish requires

significant attention to detail during the mold building process. It shows loads of character, while often being soft and

muted in appearance.

P O L I S H E D — This finish is commonly referred to as a “salt and pepper” finish. This is a result of polishing the concrete

after it has been cast. This can be achieved whether cast right side up, or precast upside down. This process exposes a small

amount of sand in the mix, which is where the name “salt and pepper” comes from.

G R O U N D — This is similar to Polished, but more of the surface is removed to expose the sand fully, or to expose decorative

aggregates. This is the process to use if you want to expose glass or other decorative aggregates.

T R O W E L E D —This is a finish that reflects the hand of the maker. Full of character and variation, every piece will be

different and unique.

H I G H S P R AY—This is a GFRC technique created when the mold is sprayed with variation, and often with different

colors. It produces variations in tone and texture, either subtly or dramatically.

V E I N E D — This is achieved when different colors of wet mix are blended to together and placed in the form. There are

numerous methods to achieve this finish.

G L A Z E D — All of these finishes can be glazed using various application techniques. The finish you choose will be the

undertone of color and movement that you see below the glaze. You can use a Sprayed or Lightly Ground finish, and add

a tint, creating a more monolithic finish. You can also use a Pressed or Veined finish, apply the glaze, and have far more

movement and character in the finished piece.

C U S T O M — For every finish we discuss, there is an artisan out there coming up with something new. Concrete is a material

of infinite possibilities. These mixes and techniques can be mixed, matched, and manipulated to create infinite variations.

A R E T H E O T H E R C O N S I D E R AT I O N S ? Due to design considerations, the region where the work is to be done, and the

individuality of each artisan, there will always be other variables to consider. If you are stumped with a problem in figuring out which

mix to use, or which finish would best suit you, we have a forum that is a great resource for answering these very questions. ask.

buddyrhodes.com

W H Y I S T H I S S O C O M P L I C AT E D ? T H E O T H E R G U Y S S AY I J U S T H AV E T O A D D W AT E R T O T H E I R M I X !

Concrete is a complicated material. We believe that it is through discussion and consideration that the complexities of this material

are lessened. We don’t believe that over simplification makes anyone’s lives better. We have made an effort to simplify the process

where it can be simplified, based on many decades of direct experience in this medium. We hope to arm you with the facts and insights

so you can make good decisions.

Pressed High Spray Veined Glazed Custom

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There are as many concrete recipes and techniques as there are baking recipes and methods! Understand, these recipes are not steadfast rules, rather general guidelines around mixes used by professionals to achieve various results. These mixes can be

manipulated, modified and twisted to suit your creative needs. There are as many finish possibilities with these mixes as there

are artisans using them.

So let’s talk about some good practices.

T E M P E R AT U R E I S I M P O R TA N T.

When cement and water are combined, a chemical reaction

begins. This reaction produces heat, and is accelerated

by heat. The hotter the mix gets, the faster it hardens. For

large or complicated projects, you may need to extend the

working time of the mix. The important factor is to monitor

and understand the temperature of the mix. Once the

temperature of your mix reaches 70°F, the cement reaction

begins to accelerate. Keep the mix temperature in the high

50’s or low 60’s if possible.

One way to keep the mix cool is to use cold water and even

ice. How Cold? That depends on the other variables you are

dealing with. Some portion of your water is ice, in hotter times

up to 50% of your water weight will be ice, and other times it

means just using cool water.

WAT E R R E D U C E R S | P L A S T I C I Z E R S

Water Reducer is used in many of these mixes. The water reducers, also commonly known as plasticizers, are chemicals that

reduce the amount of water necessary to produce the mix consistency you are after. In general, the more water used, the

weaker the mix will be. Our goal is to minimize the water content and still maintain the required workability. Water can be

added in small doses in situations where the durability of the object is not paramount, but it should be used sparingly in the

mixing process.

Water reducers are used differently by virtually every artisan in order to meet their desired objective. Basically, everyone has

personal preferences, and that is ok.

GUIDE TO RECIPES

P| 1 1BUDDY RHODES CONCRETE PRODUCTS | Call us: 877-706-5303 | Email us at: [email protected]

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T H E R E A R E 2 T H I N G S T O C O N S I D E R W H E N D O S I N G YO U R WAT E R R E D U C E R .

• The more you add, the more inclined your mix will be to slump and consolidate. This is a concern if you are going up

vertical surfaces.

• How much is too much? You know you have gone beyond the threshold of water reducer dosages when you notice your

mix begin to separate, causing the heavier particles to sink to the bottom of your bucket. Depending on the severity of your

segregation, sometimes you can wait a bit for the mix to stiffen up, and remix. Sometimes you need to add more mix to

your bucket to balance out the consistency (keep your proportions in mind with this to ensure your color stays consistent).

T H E R E A R E N U M E R O U S WAY S T O M I X .

These mixes have been mixed in virtually every type of concrete and mortar mixer available. The ideal mixers are handheld

mortar mixers, particularly the CS Unitec Eibenstock EHR 12/1.3R, but less expensive mixers can be used as well. If you want

to graduate to a larger mixer, we are keen to the vertical shaft mixers carried by Imer. Get in touch with us, and we can set

you up with any of their tools. If you don’t have access to a mixer, and all you have is a hoe, is that enough? Sure, everyone

needs a workout!

R E I N F O R C E M E N T S

Each mix needs some type of reinforcement. We have a great blog post discussing the principles behind reinforcement of

artisan objects. Find that article, as well as other articles, at blog.buddyrhodes.com

One helpful hint when adding fibers to your mix in higher dosages-

If you create a scale in your mind from 1-10, where 1 is stiff and 10 is fluid, you will lose roughly 2 points in that scale when

adding fiber. So if the mix looks perfect when you start adding your fibers, you will find that the fibers make the mix a bit

too stiff.

See Page 34 to read more about our line of fiber reinforcements.

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You will be hard-pressed to find a more enjoyable concrete mix to work with. The consistency of this mix can be that of clay or fluid like pancake batter. The choice is yours and depends on your project. This mix can be pressed up vertical surfaces,

trowels like butter, and can be made fluid to conform to any shape. It is ideal for the newcomer to concrete, but is also revered

by professionals as one of the easiest and more enjoyable mixes there is to work with.

CRAFTSMAN MIX

T H E P R E S S T E C H N I Q U E

The press technique is Buddy Rhodes’ signature technique. It is achieved by using his

Craftsman Mix with as little water as possible to create a dry, clay like mix. Buddy’s adventure

into concrete began with his search for a “self-hardening” clay; so it makes sense that a clay

like mix would be central to his signature technique. This mix is then hand packed into the

mold; because the mix is so dry, during placement there are a lot of voids that naturally occur

creating a veined look. This is what we want; that beautiful structural geology.

In many cases, the pressed technique is approached in a similar manner to the composition

of GFRC (see next section). A thin layer is pressed into the form, followed by a backer mix

containing AR Glass Fiber, offering the piece the necessary structural reinforcement.

Because this mix is often pressed up vertical walls, it is important to be cautious with dosing

water reducer. If too much water reducer is added, the mix will have a tendency to slump

down your vertical surfaces. Water reducer should only be used sparingly in the surface mix

to soften the mix for improved workability. You can be slightly more liberal when adding

water reducer to the backer mix to compensate for the glass fiber stiffening the mix.

M I X I N G I N S T R U C T I O N S F O R C R A F T S M A N M I X

• Set aside +/- 30% of your dry mix.

• Add water and water reducer to 70% of your dry ingredients. Mix until fully blended.

• After initial blending, add any pigments you are using. Blend until homogeneous.

• Slowly add the remaining dry ingredients into the mix. Blend until homogeneous.

• For Backer Mixes- Slowly add the AR Glass Fiber, blend until homogeneous. Temper

with Water Reducer as needed for desired consistency.

*Overmixing of the glass fiber can cause the fiber to break down. Do not mix glass fiber

longer than 2 minutes. Mix as long as necessary for the fiber bundles to disperse through

the mix.

P R E S S R E C I P E

• 50 lb Craftsman Mix

• 6.8 lb Chilled Water

• 0-5 ml Water Reducer 420

• Pigment to taste

1.25- 1.5 lb Alkali Resistant

Glass Fiber (Backer/

Structural Mix Only)

Ideal for Pressed Finish

Skill Required v v v v v

This mix is typically cast at

1.25” - 1.5” thick. It can be

cast thinner, particularly

with the use of AR Glass

Fibers in the backer mix,

but consideration must be

given in the handling and

support of the piece.

One bag covers +/- 5 sq. ft.

at 1” thick.

Cement Content- 20.5 lb


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T H E T R O W E L T E C H N I Q U E

The trowel technique is different in that you are building

your forms right side up; either in the shop or actually cast

in place at the job site. This technique is a great opportunity

to show the unique hand and skill of the craftsman. The

final finish has an almost buttery, leathery look and feel.

This is due to the trowel work bringing up the cream and

working it at different stages of curing.

Cast in place objects can also be composed with a structural

mix containing fibers, and a finished surface that does not. If

additional reinforcement is needed, we would recommend

layers of glass scrim. You can opt to use steel as a means

to reinforce, but note that rebar should not be used with

these mixes. The maximum sized steel that should be used

is 9 ga. ladder wire.

This mix contains additional aggregate in order to improve

yield and reduce shrinkage. The mix that is added to the

surface (the layer that you trowel) can be made without

fiber to improve trowelability.

You can use water reducer to taste in this application. You

can opt for a stiffer mix that will be ready for troweling

sooner, or you can opt to make a more fluid mix that will be

a touch more difficult to trowel initially, but will consolidate

along the edges more efficiently, leaving fewer air voids

along the edge.

T R O W E L R E C I P E


• 15 lb 3/8” Aggregate (can be withheld in the troweling

layer)


• Water Reducer 420 to taste


• 20 Grams Acrylic Fiber AC 50 (recommended, particularly

in the troweled surface)

1.25- 1.5 lb Alkali Resistant Glass Fiber (Backer/Structural

Mix Only)

Ideal for - Cast in Place, Troweled, Polished, Ground


This depends on how much processing (pg 23) you intend to

do. The more processing you are willing to do, the easier it is

to achieve good results.

C A S T T E C H N I Q U E

The casting technique (Pour and vibrate) is fairly straight

forward. Build a watertight mold and pour in the concrete.

If mixed properly and vibrated well, a good clean surface

can be achieved free of any air pockets or bug holes.

For an aesthetic that includes pits and holes, minimize your

water reducer and/or vibration. Choices man, we’re all about

the choices.

C A S T I N G R E C I P E



• 5-10 fl oz Water Reducer Adva 555


0.1- 0.5 lb PVA 15, PVA 100, or Acrylic Fiber AC50

Ideal for Lightly Polished, Ground, Machined, Veined


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A GFRC Mix is a simple composite. GFRC typically consists of a surface layer (face/mist coat) without fiber, and a structural layer (backer mix) containing Alkali Resistant Glass Fibers. This mix can also be sprayed, poured, pressed, or troweled.

Due to the absence of larger aggregate in the mix, it is an ideal base mix to add decorative aggregates to, or to build a specific

custom mix from. In some cases the GFRC mix contains fibers throughout, such as the SCC mix. The introduction of GFRC to our industry has made possible stronger and lighter weight pieces. The mix can be used to create many different looks from a clean almost machined look to one of depth and variegation with pockets.

O C R E AT E YO U R

O W N G F R C B L E N D

You can source local sands

and cements to create your

own blend. Here is the

recipe for the blend, the

only thing you will need to

add is the GFRC Admixture.

Your blend will contain the

following:

• 24.6 lb Portland Cement

(We recommend Federal

White Cement)

• 21.8 lb 30/60 Mesh

Silica Sand

• 3.6 lb GFRC Admixture

GFRC

M I X I N G I N S T R U C T I O N S F O R G F R C

• Separate +/- 30% of dry mix and set aside

• Add water and 50% of the water reducer to 70% of your dry ingredients and mix until

fully blended.

• When using acrylic fiber- Mix fibers with 20% of the mix to create an acrylic fiber slurry.

• After initial blending, add acrylic fiber slurry and any pigments you are using.

Blend until homogeneous.

• Slowly add the remaining dry ingredients and water reducer into the mix. Blend until

homogeneous.

• For Backer Mixes- Slowly add the AR Glass Fiber. Blend until homogeneous.

Temper with Water Reducer as needed for desired consistency.

*Overmixing of the glass fiber can cause the fiber to break down. Do not mix glass fiber

longer than 2 minutes. It is best only to mix as long as necessary for the fiber bundles

to disperse through the mix.

This mix is typically done at 0.75” - 1” thick. This mix is often cast at ½” thick for

objects like tiles, but considerations must be given in the handling and support of

the piece.

One bag covers +/- 5 sq. ft. at 1” thick.

One bag produces +/- 30 sq ft of mist/face coat when sprayed.

Cement Content- 26 lb per bag


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S P R AY R E C I P E

• 50 lb GFRC Blended Mix


• 25 ml Water Reducer 420 (Additional may be required)


• 0.1 lb PVA 7, PVA 15, or Acrylic Fiber AC 50 (optional)

• 1.5- 1.75 lb Alkali Resistant Glass Fiber (Backer/Structural

Mix Only)

Ideal for Cream, Polished, Ground, High Spray

Particularly useful for large complex shapes and 3D objects.


S P R AY T E C H N I Q U E

The consistency of the sprayable mist coat should be

similar to a milkshake. You want the mix to be fluid enough

to move through the hopper (pg 50), but not so fluid that

it slumps down your vertical formwork. This is made easier

with a little practice. For the backer mix, you can make a

fluid mix that pours over the mist coat, or you can make

a thicker mix that is applied by hand, which is especially

useful for your vertical walls. The key to the process is

making sure that there is good bonding between layers.

This is accomplished with rollers (pg 50) and timing. Make

sure that the mist coat is not so soft that your backer mix

‘breaks’ the surface and shows fiber in your finished piece,

but you don’t want the mist coat to fully dry out.

This same recipe is ideal for adding decorative aggregates

into your mix. You can add up to 10 lb of decorative

aggregates to the face/mist coat, and simply pour the mix

into your forms, followed by the backer mix just as if you

sprayed the mix.

S C C T E C H N I Q U E

SCC (Self Compacting/Consolidating Concrete) is a mix that

consolidates with minimal mechanical force. This mix is cast

directly into the forms, often without a face mix. This is a

great method for rapid casting of flat panels. The key to

success here is keeping in mind that the glass fibers are just

below the surface. Too much polishing and grinding on this

mix will expose fibers and be unsightly. Many people have

replaced the glass fiber with 0.6 lb of PVA100 fibers (or a

combination of PVA100 and PVA15), allowing the ability to

polish a bit further without having the fibers be as noticeable.

S C C /C A S T R E C I P E



• 5-10 fl oz Water Reducer Adva 555


• 1.5- 1.75 lb Alkali Resistant Glass Fiber

Ideal for Cream

Useful for Objects that will require minimal processing.

This will produce more variation than some of the other

‘machined’ finishes due to the fluid nature of the mix.

Skill Required v v v v v when cast.

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S C U L P TA B L E T E C H N I Q U E

Since there are no large aggregates in this mix, it is an ideal

mix for sculpting. Rather than applying the mist/face mix to

the mold surface first, followed by the backer mix, you can

apply the backer mix first, and finish off with a surface coat

that has fibers that will not show in the finished surface.

T R O W E L T E C H N I Q U E

There are artisans that will take the aforementioned recipes

and trowel these mixes. You can also add additional sand and

aggregate to this mix to increase yield and reduce shrinkage.

The composition will be the same as the sculpt recipe, adding

backer mix first, followed by the surface mix last.

S C U L P T R E C I P E



• Water Reducer 420 (Add to taste)


• 20 Grams Acrylic Fiber AC 50

• 1.5 lb Alkali Resistant Glass Fiber

(Backer/Structural Mix Only)

Ideal for Sculpting, Pressed


This really varies depending on the object. It is more complex

simply because you are doing the finishing while the mix is

workable, adding the ticking clock to the list of complexities.

Artist: Olga Ziemska Studio, “Dendrite”

T R O W E L R E C I P E


• 10 lb Coarse Sand (1/8”-1/4”)

• 20 lb 3/8” Aggregate


• Water Reducer 420 (Add to taste)



• 1.5 lb Alkali Resistant Glass Fiber

(Backer/Structural Mix Only)

Ideal for Troweled, Polished, Ground, Veined



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EC

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O C R E AT E YO U R

O W N E C C B L E N D

You can source local sands

and cements to create your

own blend. Here is the

recipe for the blend, the

only thing you will need to

add is the ECC Admixture.

• 26.15 lb Portland Cement

(We recommend Federal

White Cement)

• 7.1 lb 30/60 Mesh Silica

Sand

• 9 lb 40/120 Mesh Silica

Sand

• 7.75 lb ECC Admixture

M I X I N G I N S T R U C T I O N S F O R E C C

• Separate +/- 30% of dry mix and set aside

• Add water and water reducer to 70% of your dry ingredients and mix until fully blended.

• When using acrylic fiber, mix fibers with 20% of the mix to create an acrylic fiber slurry.

• After initial blending, add acrylic fiber slurry and any pigments you are using, blend

until homogeneous.

• Slowly add 60% of the remaining dry ingredients into the mix. Blend until homogeneous.

• Add PVA fibers slowly, while continuing to blend, until the fibers are fully dispersed.

• Add PVA 15 fibers first, followed by PVA 100.

• Blend about 3 minutes after final addition of fibers for full dispersion.

• Slowly add the remainder of the dry mix, blend until homogeneous.

• Temper with Water Reducer as needed for desired consistency.

This mix is typically done at 0.75” - 1” thick. This mix is often cast at 3/8” thick for

objects like tiles, but considerations must be given in the handling and support of

the piece.

One Bag covers +/- 5 sq. ft. at 1” thick.

Cement Content- 28.45 lb

The most advanced mix design available is ECC (Engineered Cementitious Composite). This mix was originally developed for use in seismic zones for it’s high ductility, and has been modified to maintain performance and improve the mix characteristics.

The key components to this mix design is the particle gradation and high dosage of fiber.

From a creative standpoint, this mix can conform to highly unusual workabilties, allowing for many possible variations in finish. While this mix takes some getting used to, the professionals that use it swear by the vast possibilities and performance associated with this mix. It is very strong, it will bend before it breaks, and it produces unrivaled aesthetics and durability.

ECC

These mixes contain fiber throughout the mix, which will ultimately become part of the finish. In the case of troweled finishes,

a composition similar to those mentioned with GFRC can be utilized. Instead of eliminating fibers throughout the face mix,

you increase the loading of acrylic fibers which trowel well, and decrease the loading of PVA 100 which are far more visible in

finished surfaces.


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C A S T R E C I P E

This mix has a soft consistency, not as fluid as the flowable

mix, but easier to move around than the clay mix. This mix

is ideal for casting and troweling. Many effects are created

using this mix in interesting ways during casting, and

often in combination with the Clay mix. These mixes can

be pressed together without having color bleed between

the mixes, opening up a world of possibilities with finishes

and movement.

C A S T R E C I P E (S O F T )

• 50 lb ECC Blended Mix

• 8.6- 8.9 lb Chilled Water


• 110 Grams PVA RECS 15



Ideal for Troweled, Polished, Ground, Veined


C L AY M I X

This is a stiff mix, which can be pressed up vertical walls

and into molds to create beautiful finishes. While it is quite

a bit different to work with than is the Craftsman Mix,

you can achieve brilliant veined finishes with tremendous

durability. Patience is key when mixing this recipe, adding

the fibers too quickly can choke the mix.

C L AY R E C I P E (S T I F F )







Ideal for Troweled, Lightly Polished, Ground, Machined, Veined


F L O WA B L E T E C H N I Q U E

This Recipe produces a fluid ECC mix. It can be placed

directly into forms, and will consolidate with minimal effort.

F L O WA B L E R E C I P E ( F L U I D)






Ideal for Cream, Polished, Ground, Veined


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COAL

SMOKE

CHOCOLATE

SKY

STRAW

SLATE

MUSHROOM

MOSS

EARTH

UNIVERSE

WHEAT

ASH

BRICK

SAND

We are unique in our ability to offer limitless color options. We have 3 options when it comes to integrally coloring your concrete. Whatever color you are after, and however you would

like to accomplish that, one of these options will meet your needs. The

pigments we use are designed specifically to withstand the caustic nature of cement, are uv stable, and provide the largest range of color possibility on the planet.

COLOR TELLS A STORY

B U D DY R H O D E S S I G N AT U R E C O L O R S E R I E S

This is a series of colors that are timeless, aesthetically rich, and simple to use. They are produced so that 1lb of pigment

produces outstanding shades of color when added to one bag of mix. The amount of pigment used per bag can be increased

(up to double) to produce richer tones, and can be reduced to create more subtle colors.

WINE


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C U S T O M C O L O R

If you don’t find the color you are after in the BR Color

Series, no problem! We will match any color in Benjamin

Moore’s color range for you. That’s right, you name the color,

and we will make it for you. These colors are formulated to

be added at a certain percentage of your cement content.

Regardless of the mix you are using, this method means

you can pigment your mix to any color. We have formulated

the 200 most popular colors, which you can find starting

on page 38.

P U R E P I G M E N T S

Prefer to blend your own custom colors? You have the power to

formulate any color using our range of Pure Pigments. The Pure

Pigment range consists of 28 base pigments packaged in small

quantities suitable for the artisan, or in bulk for the professional.

B E N J A M I N M O O R E ™

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Concrete develops strength through a process called hydration. We want concrete to be as hard and dense as possible, so we create an environment where hydration is as efficient as

possible, this is called curing. So what does this all mean?

CURING OVERVIEW

C U R I N G

When cement comes in contact with water, a chemical reaction begins to take place. This chemical reaction uses the

elements of the cement and the water, and converts these elements into a crystalline formation. This is hydration, and

this hydration is most efficient in a humid and warm environment. If humidity and heat cease to be present, the process

of hydration is stifled and slows to a snails pace, and we don’t want that to happen.

In order to see that concrete reaches its maximum potential, we create a curing environment, meaning we go through

the necessary steps to keep the concrete warm and moist for the first hours or days after casting. Moist felt, covered with

plastic to keep the moisture from escaping, often covered again by blankets or insulation to keep the heat from escaping.

This will create an environment ideal for concrete to develop strength.

So how persistent do I need to be in this step, and how long should I allow the concrete to be in this curing environment?

Whether we are talking about cured meats, or fine wine, or bourbon, or hot sauce, the mark of quality is often referenced

in the period of time that the product was allowed to develop its genius, and what kind of environment it was allowed

to do so in. Equally true, there is plenty of good things in the world that are not babied to perfection, and they serve a

perfectly good function. Ultimately this is a choice for you to make.

If you create a good curing environment, anything beyond 72 hours in the mold is beyond good. 48 hours is ideal.

24 hours is common (and can be improved using heating blankets, but only under guidelines of a pro). One note of

caution, if the concrete is in a mold that is built with a material that is absorbent (ie. melamine) extended periods

of moisture and heat can cause bad things to happen to the mold which will reflect into the finished surface.

Troweled finishes should not have plastic placed directly on them during the curing process, as it is likely to

leave discolorations.

Wait a minute! This seems complicated and these other companies say I can pull their product from the mold in 16 hours and it will be super strong.

This is true with all of our mixes as well, our concrete will

be super hard and strong the next day to move around

and polish and so on. The point is that there is chemistry

taking place, and to ignore this reality out of negligence

or ignorance would negate all the efforts made to create

something awesome! All good things have nuance,

and we want you to embrace and understand that

nuance of the material, just as an artisan winemaker

appreciates nuance in the effort of providing you with

an experience, not a bottle of Boone’s Farm.


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Just a minute before you pull your concrete from the mold! Take a minute and give a little polish to the bottom of your concrete and round over the corners. This will give you

an indescribable happiness every time you, your clients, or one of your

guests does what everyone does when they address a piece of furniture, run their hand along the underside of the piece.

PROCESSING OVERVIEW

P R O C E S S I N G

Now that you have demolded, what’s next? The answer to

this question depends on 2 things, what was it you had in

mind to begin with, and what you received as the result of

casting. Certain techniques will render you with something

that needs very little processing. Other techniques will

require a bit of processing prior to being ready to seal and

finish your piece.

There will normally be voids or pinholes to be filled. This

is accomplished with the Bone Paste Plus, perhaps some

pigment, and a bit of water. The new Bone Paste Plus

includes a polymer blended in, so the acrylic additive is no

longer necessary, just add water. The paste doesn’t have

any large particles, so it is soft and smooth, allowing it to

easily fill holes and voids. This process is not dissimilar to

mudding drywall, paste is applied and polished off.

If you’ve chosen a pressed finish, now is the time to add

some character. Fill the voids with one color, or multiple

colors. The color can be similar to the base color, or it can

be complimentary or contrasting color. Fill the voids, a

little bit at a time, allowing each layer to dry fully (a few

hours depending on the temperature) before adding the

next layer. Be sure you leave a thin ‘skim coat’ of your final

color, not so much that you will have to polish forever, but

enough that you will fully fill the voids.

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The most important thing to understand before polishing is the “geology” of the concrete. The finished surface is the

“cream layer” consisting of very fine materials only. As you work your way into the slab, the next layer you will find is a fine

bit of sand, the “salt and pepper layer”. Then you will begin to fully expose the sand particles, the “sand layer”. Finally you

will enter the “aggregate layer” where your sand and any additional aggregate is fully exposed. When polishing into your

concrete, you will progressively encounter these various layers.

Your choice of grinding and polishing tools, pads, and process will reflect what you are trying to accomplish. To maintain

the cream layer, lightly polish the concrete using pads that are 200 grit or higher. The higher grits produce higher sheen.

To expose your aggregate, begin grinding with more aggressive grit pads, progressing to higher grits until reaching the

desired sheen and exposure.

P O L I S H I N G - W E T O R D RY ?

Dry polishing is likely to produce a higher sheen, even at lower grits, and it will produce a dust that is not good for your

health. Wet polishing is messier, but safer for your health and it produces a sheen that is more true to the grits you are

using. Careful attention should be given when using electric tools in a wet environment.

As for tools, you can use a wet/dry variable speed polisher, or a random orbital polisher. Variable speed polishers and

grinders are best for aggressive grinding, and are faster with polishing. The fastest option is our Planetary Polisher which

utilizes three grinding heads working in unison. It is a great tool for a very good price. It will speed up the process on

large pieces to a remarkable degree, but you will still need to finish the border and edges with a polisher. Random Orbital

Sanders are nice since they are less likely to leave “swirl marks” in the way that polishers do. It is a slower and more

methodical process, but it is easier for containing water in the case of wet polishing or dust in the case of dry polishing.

Most often, you will want to do a bit of grinding and polishing. This will allow you to clean up edges and remove any casting residue, or it could allow you to fully expose a glass aggregate

you have added to the mix, all depending on how you go about polishing.

POLISHING OVERVIEW

The Non Woven Abrasive Pads are

a great finishing pad. They help

remove swirl marks, residue, and

slurry that may not have made it off

during your process.

For detail work, the Hand Polishing

Pads are ideal. Best if used wet, these

allow you to easily polish edges and

hard to reach spots, and for small

objects can be all you need to use.

After polishing, clean off all residue,

water, and dust. Be sure to dry

everything off so that the concrete

is ready for the next step (whether

etching, glazing, or sealing).


ET

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Etching is a process of washing and profiling the concrete with an acidic, or non acidic solution. In the case of a

“full treatment”, the entire surface is flooded with water, then an acidic solution is applied. The concentration of the

acidic solution varies based on the desired texture and working time. Several rinses will neutralize the acid, follow this

with a wet buffing using Non Woven Abrasives (pg 52).

W H Y E T C H ?

Etching opens up the surface so that the sealer is more easily received, it flattens the sheen, it also allows ‘tooth’

for materials like Glazes. While it is not necessary, and in many situations it is not practical, it is a useful technique in

many situations.

A unique and versatile finishing technique used by many professionals is etching the concrete. Etching can be done in conjunction with stencils to produce designs, or an entire

surface treatment. ETCHING OVERVIEW

Dice Stencils are applied to concrete cubes in preparation

for etching and glazing.

Following being etched, and having the glaze added,

the stencils were removed, and the dice were further

antiqued with glaze.

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H E L P F U L T I P S F O R A P P LY I N G G L A Z E S :

• The material can be applied over polished concrete, but it will be far more durable and

rich in concrete that is matted or etched.

• When the glaze is wet, it is active. When you rub across a still wet area, it will remove the

material. This can either be a cool effect, or a precursor to cursing.

• The longer the glaze has been dried, the harder it will be to remove. Soon after

drying, it can be removed with a wet towel, if removed the next day it will require

diamond abrasives.

• Apply thin layers. You will end up with a more durable finish applying multiple thin layers

as opposed to one thick layer.

• The first coat is the hardest. When the concrete is thirsty, it is tough to keep from getting

streaks. You can dilute the glaze with 50% distilled water. If you want to make an even

more dilute solution, you can make a base of 25% CH Prep, 25% FS Sealz, and 50% water.

With this formula, you can make as dilute a glaze as you want. The further the dilution

on your first layer, the more forgiving.

• While this is compatible with many different sealers, and it in fact, enhances the

performance of many sealers, it should be tested with non BR Sealers.

• You can combine these colors to make virtually any color you want. This is very useful if

you have concrete colors you want to shift the color of, or if you simply want to enhance

a color. If you want help formulating a color to suit a particular situation, let us know and

we can help you in that process.

• A dilute version of the Black Glaze is a very effective way to enhance virtually any color.

In many cases, this will produce the most durable ‘wet look’ effect you will find.

• Protect your piece with sealer. These Glazes are fully UV stable, and will stand up to a fair

bit of abrasion, but sealer will help protect them for the long haul.

Glazes can be used to produce color enhancements, whether to produce a full color treatment, or to shade the color in one direction or the other. Glazes are a water based color treatment

that will produce a consistent color regardless of the state of the concrete.

GLAZING OVERVIEW

Whether applied over stencils to create patterns, used as a tint, or applied to create variation and movement, the

possibilities are endless. There are many techniques for application, which include rubbing with a microfiber cloth,

dabbing with a cloth, applying with a roller or brush, and so on.


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Concrete is inherently a porous material and often needs to be sealed for particular environments and uses. There are a multitude of systems and products on the market used for sealing concrete. There is no magic answer, every sealer and system

has pros and cons. We offer 2 systems for sealing concrete, developed after many years of experience, trial and error, and

observation. Like most things we value, concrete requires care and attention. We love concrete because of its handcrafted nature, ageless beauty, and ability to develop its own life story. If a carefree and sterile material is what you are wanting, you are in the wrong place.

SEALING OVERVIEW

Buddy’s system is a combination of penetrating sealer, a satin acrylic sealer, and beeswax. The penetrating sealer is a primer, the satin sealer is a protective coat that provides decent stain

resistance, and the wax is an optional maintenance step.

BR SYSTEM

Do you need to use all three? Not necessarily, but here is the scoop. The penetrating sealer provides a primer that will

improve stain resistance and repels liquids. This adds further protection if there is a failure of the satin sealer, or there is

prolonged exposure to staining agents. The satin sealer provides your main source of protection, particularly against acids.

The wax is an optional step, it provides a sacrificial layer, and allows for an easy process for rejuvenating your concrete. The

only downside to the wax is that it is hard to remove if you want to reseal your countertops. We have a great 3 part blog post

about this if you visit blog.buddyrhodes.com

This sealer system is easy to apply, easy to repair, and provides good protection, making it a great choice for many situations.

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I C T S Y S T E M

ICT is a hybrid reactive sealing system. What the heck does that mean? Reactive sealers penetrate into the concrete, convert

weak material into crystalline structures, and block the pore structure of the concrete from penetration of foreign materials.

It does all this while maintaining breathability, so you don’t have the concern of the sealer “lifting” if moisture penetrates.

The hybrid part of the equation is that ICT also includes advanced technology to improve the stain resistance of the concrete.

This sealer is the highest performing reactive sealer on the marketplace, and has been developed over many years specifically

for artisan concrete applications.

Here’s the catch- ICT relies on the concrete you are applying it on. This is not a classic topical or penetrating sealer that

cures to itself and sits on or in the concrete. This means that the curing, processing, and application of the sealer happens

thoughtfully to increase the effectiveness of the system.

When well applied to high performance concrete, there is not a sealer in the market that can compete with ICT. This is a popular choice among professionals, but it requires close

attention throughout the entire process of creating and finishing concrete. For more

details, a full application guide and application video can be found on our website.

ICT SYSTEM


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The depth of our product line equals the depth of knowledge

required to use them individually. We have compiled a wide

range of materials and support in order to meet this challenge.

It’s our goal to assist you in creating your vision.

Many of our products and services have been

discussed in the preceding pages. Our list of

products also includes a wide range of raw

materials. If you don’t see something you are

looking for, check out our website. If you still

can’t find it, let us know.

P U R C H A S I N G A N D S H I P P I N G

Each of these materials are available for purchase on our website. In

addition, you will find a list of local distributors that stock some of

the products. The depth of the product offering, and the challenges

of shipping heavy items preclude local stocks of all the products. If

you can’t find anyone locally, contact us.

Shipping heavy goods can be complicated. The e-store is

very accurate for shipping UPS and Fedex. It is not always as

accurate for very heavy shipments. Because we ship significant

quantities with multiple carriers, we have substantial freight

discounts available to us. If you are not satisfied with the

freight cost provided by the e-store, select the option “pay by

phone” and we will discuss shipping options for your order.

PRODUCTS & SERVICES

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MIX

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B U D DY R H O D E S C O U N T E R M I X

The Original Recipe, this is the mix that started this all, famed for it’s ability to behave like clay.

While we have made significant improvements to this mix in the Buddy Rhodes Craftsman

Mix, the Counter Mix will be available to those who have made a habit of using this mix over

the past decade. For recipes and instructions for this mix, please visit our website.


Packaged in 50 lb bags

B U D DY R H O D E S ’ C R A F T S M A N M I X- is an artisan concrete blend designed to

exhibit clay like properties in the wet state. The consistency of the mix lends itself to being

applied with Buddy’s signature press technique, applying up vertical surfaces with minimal

molding and the simplicity of application. This mix is also ideal for troweling, and can be

plasticized to create a pourable mix. The mix uses all white ingredients, naturally curing to

a bone white. The mix can be pigmented to any color using the BR Color Series, Custom

Color, or our Pure Pigments. The mix has all of the necessary high performance ingredients

preblended, including curing polymer, only water and necessary reinforcement need to be

added. The workability of the mix can be changed with the addition of our series of water

reducers. Primary reinforcement can be achieved using our series of reinforcing fibers.



G F R C B L E N D E D M I X is a carefully proportioned blend of cement, sand, pozzolans,

curing polymer and performances additives designed to the highest performance

standards. This mix can be used in a multitude of ways, serving as a base mix for infinite

applications. The mix is ideal for spraying, fiber reinforced scc (self compacting/consolidating

concrete), and with minimal modifications can be pressed, troweled, or converted into a

high performance wet cast mix or terrazzo mix. When reinforced with fiber, this mix can

be created with minimal thickness and high tensile strengths. This mix reaches impressive

strengths in under 24 hours, allowing for rapid turn around when necessary. The mix uses all

white ingredients, naturally curing to a bone white. The mix can be pigmented to any color

using the BR Color Series, Custom Color, or with our Pure Pigments. The mix has all of the

necessary high performance ingredients preblended, including curing polymer, only water

and necessary reinforcement need to be added. The workability of the mix can be changed

with the addition of our series of water reducers. Primary reinforcement can be achieved

using our series of reinforcing fibers.

Cementitious Content 26 lb



MIX

ES

E C C B L E N D E D M I X is designed using the most advanced concrete mix design theory

currently available. This mix is designed to produce tremendous ductility and tensile capacity,

and is more likely to bend than break. This mix produces a very dense and strong concrete.

Boasting impressive strengths, the habits of workability with these mixes open up unique

and interesting possibilities as well. This mix can create workabilities that range from taffy to

clay to pancake batter. ECC mixes require careful care be given through the mixing process

to ensure success, and should be carefully considered by one unfamiliar with the material.

ECC is reinforced with high loadings of fiber which are carefully chosen so as not to affect

the finished visual aesthetic (see recipes). The mix uses all white ingredients, naturally curing

to a bone white. The mix can be pigmented to any color using the BR Color Series, Custom

Color, or our Pure Pigments. The mix has all of the necessary high performance ingredients

preblended, including curing polymer, only water and necessary reinforcement need to

be added. The workability of the mix can be changed with the addition of our series of

water reducers.



1 0 P O U N D A R T I S A N M I X- Ten pounds of a specially formulated concrete mix that

is ideal for artistic, sculptural, and craft projects. This mix has only fine sand as aggregate,

allowing for casting thin sections. The mix cures to a bone white color and may be pigmented

to any color using the BR Color Series, Custom Color, or our Pure Pigments. The mix has all

of the necessary high performance ingredients preblended, including curing polymer, only

water and necessary reinforcement need to be added. The workability of the mix can be

changed with the addition of our series of water reducers. Primary reinforcement can be

achieved using our series of reinforcing fibers.


Packaged in 10 lb Pails

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G F R C A D M I X T U R E is a polymer modified multi component admixture which provides

strength and durability for GFRC mixes. This admixture can be added to other blended

concrete mixes and from scratch formulas to increase strength and improve workability.

The blend is a carefully proportioned mix of chemical and mineral admixtures to combat the

inherent weaknesses in concrete. The use of this admixture eliminates the need for curing

polymers, pozzolans, defoamers, and shrinkage reducers. Highly refined in composition, this

admix provides maximum performance at minimal weight, reducing shipping costs and other

concerns related to comparable products, including risk of freezing common with liquid

curing polymers.

Packaged in 3.6 lb water soluble bags, and in 30 lb bags

E C C A D M I X T U R E is a polymer modified multi-component admixture which provides

strength, premium working characteristics, and durability for ECC mixes. This admixture can

be added to other blended concrete mixes and from scratch formulas to increase strength

and improve workability. The blend is a carefully proportioned mix of chemical and mineral

admixtures to combat the inherent weaknesses in concrete. The use of this admixture

eliminates the need for curing polymers, pozzolans, defoamers, and shrinkage reducers.

Highly refined in composition, this admix provides maximum performance at minimal weight,

reducing shipping costs and other concerns related to comparable products, including risk of

freezing common with liquid curing polymers.

Packaged in 30 lb bags.

B O N E PA S T E P L U S is a blend of cement, pozzolan, and polymer that is specially

formulated for filling voids in artisan cast concrete. The paste doesn’t have any large particles,

so it is soft and smooth, allowing it to easily fill holes and voids. The only necessary additive

for the Bone Paste Plus is water, as it already has a polymer blended into the formula. Pigment

can be added to achieve a desired color shade.

Packaged in 8 lb Pails.


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WAT E R R E D U C E R 2 0 5 is a powdered polycarboxylate based plasticizer and pozzolan

blend. It is a dry white multi-component material that can also replace pozzolan or metakaolin

material in certain mix designs. Ideal for use in GFRC mist and backer coats, or as a water

reducer in any concrete formulation. This unique blend offers both water reducing capability

as well as pozzolanic benefits, improving the workability, strength and durability of concrete.

WR 205 is 1/10th as potent as WR 310.

Packaged in 5 lb containers and 30 lb. bags

(Formerly SuperSealz)

Dosage Rate: 0.5- 10% of Cement Weight

WR 205 has a wide range of dosage rates, depending on the application and mix. In GFRC mist coats, use the lower end of

the dosage range, typically 2-6 grams per lb of cement used. In wet-cast mixes, dosage ranges can approach 10% of the

cement weight. The ultimate indicator of an overdosage of plasticizer is segregation of the mix. Make test batches prior to

production to ensure optimum dosage.

WAT E R R E D U C E R 3 1 0 is a unique and powerful powdered polycarboxylate plasticizer

designed to significantly reduce water requirements. This is an incredibly potent plasticizer,

and must be carefully managed to avoid over plasticizing which will lead to segregation.

WR 310 has 10 times the potency of WR 205.

Packaged in 4 lb and 20 lb Containers

(Formerly Super Flowz)

Dosage Rate: 0.05%- 1.5% of Cement Weight

The ultimate indicator of an overdosage of plasticizer is segregation of the mix. Make test batches prior to production

to ensure optimum dosage.

WAT E R R E D U C E R 4 2 0 is a liquid high range water reducer formulated specifically for

concrete blends with high fines and cementitious content, and is suited for self-compacting

concrete(SCC) mixes. It is great to use for ‘trimming’ mixes to achieve the optimum workability.

Packaged in Quarts, Gallons

(Formerly Liquid Flowz)

Dosage Rate: 0.1- 2% of Cement Weight

The ultimate indicator of an overdosage of plasticizer is segregation of the mix. Make test batches prior to production

to ensure optimum dosage. See recipes section for dosage instructions with our blends.

WAT E R R E D U C E R 5 5 5 (ADVA® Cast 555) is a high efficiency polycarboxylate based

superplasticizer ideally suited for use when making Self-Consolidating Concrete (SCC). ADVA®

Cast 555 has been formulated to impart maximum desired workability without segregation

to concrete.

Packaged in Quarts, Gallons, and 5 Gallon Pails

Dosage Rate: 0.5- 1.5% of Cement Weight

Dosage range of ADVA® Cast 555 can vary with the type of application, but will normally range from 8 to 20 fl oz for 100

lbs. of cement. The ultimate indicator of an overdosage of plasticizer is segregation of the mix. Make test batches prior to

production to ensure optimum dosage.

WATERREDUCER 205 Powder

A powdered polycarboxylate based plasticizer and pozzolan blend. It is primarily used in application where accurate

dosing and plasticizer is control is required.

��DIncreases the flowability of the mix without the addition of

water, creating a stronger mix and ease of use.

buddyrhodes.com1-877-706 -5303

lb

For Instructions, Technical Data,and Recipes visit:

www.buddyrhodes.com/productinfo/

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A L K A L I R E S I S TA N T G L A S S F I B E R S are designed specifically for use in

concrete. Alkali Resistant (AR) Glass fibers are manufactured from a specially formulated glass

composition with an optimum level of Zirconia (ZrO2) to be suitable for use in concrete. These

AR fibers are designed to resist breaking down during mixing and processing so that it stays

basically as a bundle of filaments. These products are particularly suitable for Premix GFRC

and other mortar and concrete reinforcement applications. AR glass fiber have high tensile

strength and modulus, do not rust like steel, and are easily incorporated into concrete mixes.

Our fibers are 19mm (3/4”) in length with, 200 filaments per stand, with a filament diameter of 18 microns. These fibers

impart strength in a concrete unit due to their bundled nature. Due to the fact that they are bundled fibers, they are more

likely to show up in finished surfaces if precautions are not taken. See recipes section to read more about this.

Packaged in 1 lb, 12 lb, and 44 lb bags

A L K A L I R E S I S TA N T G L A S S S C R I M is an oriented fiber fabric. Scrims are

particularly used in conjunction with fiber reinforced mixes to provide additional tensile

strengths in locations that will experience point specific strain. When they are placed in the

tensile regions of the product they can significantly increase the flexural strength of the

composite. This scrim is produced with 10mm X 10mm webbing, and comes in 40” wide rolls. It is available in lengths of 15’,

50’, 100’, and 300’

P VA F I B E R S (polyvinyl alcohol) are high-performance reinforcement fibers for

concrete and mortar. PVA fibers are well-suited for a wide variety of applications because of their

superior crack-fighting properties, high modulus of elasticity, excellent tensile and molecular

bond strength, and high resistance to alkali, UV, chemicals, fatigue and abrasion. PVA fibers

are unique in their ability to create a molecular bond with mortar and concrete that is 300%

greater than other fibers.

These are monofilament fibers that are available in 3 different deniers (diameter of the fiber)- 7, 15, and 100. The fiber lengths

are 1/4” (PVA7), 3/8” (PVA15), and 1/2” (PVA100). Due to the fine nature of these fibers, and the fact that they disperse into

monofilament fibers, they are less likely to be visible in a finished surface. How visible they are in relation to each other is in

direct proportion to their various diameters (7 is least visible, 100 is most visible). Equally true, the smaller the fiber, the more

fibers there are for any given unit of measure, the more likely they are to choke mixes at higher dosage rates. This is why the

PVA100 fibers are dosed at higher rates in the more flowable mixes than are the PVA15.


A C RY L I C F I B E R - A C 5 0 is a fiber reinforcement for concrete that enhances

the performance and durability of concrete, adding years to its useful life. This modified

polymer fiber, made of staple fiber, reduces shrinkage cracks and provides reinforcement.

Reduces permeability, increases impact and abrasion resistance, and improves tensile and

flexural properties of concrete mixes.

These fibers are the least visible of our fiber offerings, and they are the easiest fiber to trowel,

making them especially useful for troweled surfaces.

Packaged in 1 lb, 8 lb, and 40 lb bags


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BR COLOR SERIESThe Buddy Rhodes colors were selected by Buddy and are timeless, aesthetically rich, and simple to use. The amount

of pigment used per bag can be increased (up to double) to produce richer tones, and can be reduced to create more

subtle colors. These colors are available in 1lb bags, and also in bulk. Sample Color tiles are available in ‘standard’

and ‘fancy’ packaging.

COAL

SMOKE

WINE

CHOCOLATE

SKY

STRAW

SLATE

MUSHROOM

MOSS

EARTH

UNIVERSE

WHEAT

ASH

BRICK

SAND

The Buddy Rhodes color options are powered by BlueConcrete™. At BlueConcrete™ we’re passionate about color, we understand the nuance of light and hue. Our

impeccable science, advanced technology, and the eyes of experience deliver color matching that’s very personally yours. Choose from the

BR Series of Color, Custom Color, or Pure Pigments. For color that’s right for your project choose the pigment science of BlueConcrete™.

COLOR IS PERSONAL

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B E N J A M I N M O O R E T M

HOW TO ORDER CUSTOM COLOR All colors are formulated as a percentage of the Total Cementitious Binder (TCB) of your mix. TCB is a combination of the

cementitious materials in the mix, including all cement and Pozzolans. The TCB is multiplied by the “Loading Percentage

Rate”, listed with each of the color swatches, this determines how much pigment needs to be added to your mix.

H E R E ’ S H O W I T W O R K S -

• Determine your color - You are a big fan of swimming, so you pick “2058-30 Deep Ocean” as your color. Look at the

swatch and you will see a little % number on the swatch, this is your loading rate(LR). It has a loading rate of 8.55% or .0855

• Determine your TCB- Your mix is a blend of cement, pozzolan (maybe), sand, aggregate, and so on. For the sake of

example, we will say that your mix has 10 lb of cement, and 2 lb of VCAS as a pozzolan. So, Your TCB is 12lb

• Determine your Number of Batches - How much coverage will you get with your mix? This will determine how many

batches of concrete you will need to make, which will tell you how much pigment you need. Let’s say your mix covers 2 sq

ft at 1.5” thick, and the piece you are making is 10 sq ft and 1.5” thick. You will need 5 batches of mix.

• Round up - It is good practice to add 10% to that amount for slurry, spillage, and test samples. To add 10%, multiply by 1.1

• Round up one more time - These pigments are sold incrementally by the pound.

• Determine the cost - Each color has a TYPE # ,and each number has a cost listed. You picked Deep Ocean, which is a Type

II color that costs $15.80 per lb when purchased in increments of 5 lb or more.

Do you have a color you have in mind that you want to match? We can do that for you. You name the color, and we will match it for you. One simple way to do that is to reference Benjamin MooreTM colors. Our in-house color lab can match any Benjamin

MooreTM color, allowing your project seamless color expression in any artisan concrete project.

We have outlayed 200 standard custom colors that have been preformulated, which you will see swatches for in the following pages. If you don’t find what you are after in those 200 colors, our lab will custom formulate the color you want.

CUSTOMCOLOR

12 (TCB) x .0855 (LR) = 1.026

1.026 x 1.1 = 1.1286

1.1286 x 5 (batches) = 5.645 (6lb needed)

6 x $15.80 = $94.80

You will need 6 lb of pigment, and it will cost $94.80.

You are ready to order.


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If you are using the blends we have listed in our recipes, we

can make this simple for you.

HERE ARE THE AMOUNTS OF TCB PER 50 LB OF THE

BLENDS FOUND IN OUR MIXES.

If you follow the recipes given to create your own blends,

the same will be true.

TCB per bag

Counter Mix - 23.5 lb

Craftsman Mix - 20.5 lb

GFRC Mix - 26 lb

ECC Mix - 28.45 lb

10lb Artisan Mix - 5.2 lb

I am using an 80 lb bag of an off the shelf product. What is my TCB? Who knows? Most “off the shelf” products are proprietary,

and the manufactures do not disclose how much cement is

in the product. So the amount of cement you get can range

wildly. We use 20lb (25%) as our guess more often than not.

Also keep in mind that most of these mixes are not white,

but rather grey, so you will not get a perfect color match.

I am using mix out of a Ready Mix truck, how do I know what to add?Most ready mix applications refer to their mixes as “x”

Sack Mixes. The “x” in question is the number of sacks of

Portland cement used to make one yard of concrete. You

would multiply that amount (“x”) by 94.4 lb (the number

of pounds of cement in a bag). Then multiply that by the

number of yards of concrete in your truck. Keep in mind that

most ready mix applications are made with grey cement.

So what if I want a color, but I am stuck with using grey cement?There are many colors not possible in grey cement,

particularly light, and many bright, colors. That said, you can

have custom blends made using grey cement, no different

than if you were sending in a custom tile (pg 43). If you want

to get it real close, then you are wise to send us the cement

you are using, as grey cement color varies wildly from region

to region.

I am using another company’s countertop mix, does that make me bad?

Of course not, but we can help you make that mix a custom

color. We have formulated with most of the competitive

products on the market, and are glad to assist you.

I have another concrete project to pigment, will this work?It doesn’t matter if it is a swimming pool plaster, an overlay,

a carvable mix, or a driveway, if it is made from cement, we

can make you a color to your liking! Just shoot us an email, or

give us a call, with what you are hoping to accomplish, and

we will be glad to assist you.

The color you have in mind is not so simple?

We can match a physical color reference, for example a

fabric swatch, a piece of tile, or perhaps even a river rock.

Call us and we will help you achieve your desired color.

Additional charges apply.

C O L O R C O L L E C T I O N S P R I C I N G B Y T Y P EType I 1-4 lbs - $15.80 lb

5-50 lb - $9.95 lb

50 + lb - Call for Pricing

Type II 1-4 lbs - $25.80 lb

5-50 lb - $15.80 lb

50 + lb- Call for Pricing

Type III 1-4 lbs - $43.80 lb

5-50 lb - $35.00 lb

50 + lb - Call for Pricing

*For colors not included in this color guide, there will be

an additional, one time charge of $75 for other Benjamin

Moore™ and custom color formulations.

B E S T P R A C T I C E S :

The final appearance of the concrete product is determined

by a combination of several color factors, including surface

texture, color of the cement-pigment paste, aggregate

color, admixtures, and water/cement ratio. Test using a

small batch of your mix design before any large pour. Use

the same steps and example as ordering to figure your color

test mix design.

N O T E : All Custom Color Formulas are developed using

Federal White Cement. Colors will change if blended in

other white or grey cements.

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HC-76 Davenport Tan 3 .7 8 %

TY

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I

HC-77 Alexandra Beige 5 . 5 5 %

TY

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I

HC-79 Greenbrier Beige 2 . 3 3 %

TY

PE

I

HC-80 Bleeker Beige 3 . 2 4 %

TY

PE

I

HC-78 Litchfield Gray 5 . 4 6 %

TY

PE

I

HC-81 Manchester Tan 4 . 1 2 %

TY

PE

I

HC-85 Farview Taupe 5 . 3 2 %

TY

PE

IHC-87 Ashley Gray 4 . 5 6 %

TY

PE

I

HC-94 Old Salem Gray 1 . 4 0 %

TY

PE

I

HC-10 Stuart Gold 2 . 0 0 %

TY

PE

I

HC-12 Concord Ivory 3 . 1 8 %

TY

PE

I

HC-14 Princeton Gold 3 . 3 2 %

TY

PE

I

HC-36 Hepplewhite Ivory 3 .7 6 %

TY

PE

I

HC-40 Greenfield Pumpkin2 . 5 8 %

TY

PE

I

HC-43 Tyler Taupe 3 . 0 4 %

TY

PE

I

HC-44 Lenox Tan 3 . 5 2 %

TY

PE

I

HC-45 Shaker Beige 3 . 0 1 %

TY

PE

I

HC-46 Jackson Tan 4 .7 0 %

TY

PE

I

HC-48 Bradstreet Beige 3 . 0 8 %

TY

PE

I

HC-50 Georgian Brick 7 . 0 8 %

TY

PE

I

HC-51 Audubon Russet6 . 0 8 %

TY

PE

I

HC-58 Chippendale Rosestone 3 . 4 0 %

TY

PE

I

HC-59 Odessa Pink 6 . 3 7 %

TY

PE

I

HC-61 New London Burgundy 7 . 0 7 %

TY

PE

II

HC-66 Garrison Red 7 . 2 5 %

TY

PE

I

HC-71 Hasbrouck Brown 2 . 9 6 %

TY

PE

III

HC-72 Branchport Brown 9 . 2 8 %

TY

PE

II

BC-00 Beautiful Color 0 . 0 0 %

TY

PE

I

Benjamin Moore™ Color Number

Benjamin Moore™ Color Name

Loading Percentage Rate

Type Group

L E G E N D


TY

PE

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Type Group

L E G E N D


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HC-95 Sag Harbor Gray 1 . 9 5 %

HC-166 Kendall Charcoal3 . 8 2 %

TY

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HC-96 Richmond Gray 3 . 3 4 %

TY

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HC-107 Gettysburg Gray 4 . 6 2 %

TY

PE

I

HC-100 Gloucester Sage 4 . 1 2 %

TY

PE

I

HC-109 Sussex Green 4 . 5 2 %

TY

PE

I

HC-114 Saybrook Sage 3 . 0 2 %

TY

PE

I

HC-115 Georgian Green 3 . 3 9 %

TY

PE

I

HC-118 Sherwood Green 6 .7 4 %

TY

PE

II

HC-122 Great Barrington Green6 . 2 0 %

TY

PE

I

HC-124 Caldwell Green 7 . 2 6 %

TY

PE

I

HC-130 Webster Green4 . 2 0 %

TY

PE

II

HC-134 Tarrytown Green 6 . 3 1 %

TY

PE

II

HC-145 Van Courtland Blue 2 . 1 9 %

TY

PE

II

HC-148 Jamestown Blue 5 . 9 6 %

TY

PE

III

HC-151 Buckland Blue3 . 9 6 %

TY

PE

II

HC-152 Whipple Blue3 . 3 1 %

TY

PE

II

HC-155 Newburyport Blue6 .7 6 %

TY

PE

II

HC-159 Philipsburg Blue5 . 6 1 %

TY

PE

II

HC-160 Knoxville Gray2 . 6 5 %

TY

PE

II

HC-164 Puritan Gray2 .7 0 %

TY

PE

II

TY

PE

II

HC-171 Wickham Gray 3 . 9 6 %

TY

PE

I

HC-173 Edgecomb Gray 4 . 2 5 %

TY

PE

I

27 San Antonio Rose 7 . 9 6 %

TY

PE

I

31 Georgia Peach5 . 2 0 %

TY

PE

II

32 Coral Rock6 . 9 8 %

TY

PE

II

35 Baked Clay 7 . 2 4 %

TY

PE

I

45 Romantica 3 . 2 2 %

TY

PE

III

103 Sweet N’ Sour 2 . 4 2 %

TY

PE

I

123 Citrus Blossom4 . 6 7 %

TY

PE

III

135 Peach Cider 5 . 3 8 %

TY

PE

I

143 Golden Light 5 . 6 6 %

TY

PE

I

166 Orange Ice4 . 2 0 %

TY

PE

III

180 Beverly Hills 4 . 8 5 %

TY

PE

I

181 Pan for Gold 6 . 2 2 %

TY

PE

I

182 Glowing Ember 9 . 2 4 %

TY

PE

I

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815 Swiss Blue 6 . 0 9 %

650 Highlands Green5 . 0 8 %

726 Rendezvous Bay2 . 8 5 %

727 Calypso Blue3 . 6 3 %

774 I’ve got the Blues2 . 5 3 %

809 Soft Jazz4 . 5 2 %

221 Golden Garden 2 . 1 8 %

TY

PE

I

224 Grecian Gold 9 . 2 4 %

TY

PE

I

231 Aged Bronze 1 0 . 3 0 %

TY

PE

I

235 Oakridge 3 . 8 1 %

TY

PE

I

267 Canvas 4 . 8 4 %

TY

PE

I

276 Cambridge Heights5 . 9 0 %

TY

PE

III

278 Angels Trumpet3 . 4 2 %

TY

PE

II

509 Cypress Green 6 . 1 8 %

TY

PE

I

546 Courtyard Green9 . 1 1 %

TY

PE

II

590 Celadon4 . 4 %

TY

PE

II

607 Albuquerque Teal3 . 8 8 %

TY

PE

II

641 Everglades4 . 8 2 %

TY

PE

II

TY

PE

II

676 Spirit in the Sky3 . 1 0 %

TY

PE

II

678 Pacific Rim9 . 2 0 %

TY

PE

I

684 Shenendoah2 . 2 4 %

TY

PE

II

705 Sioux Falls3 . 3 6 %

TY

PE

II

711 Boca Raton Blue1 . 3 6 %

TY

PE

II

TY

PE

II

TY

PE

II

TY

PE

III

TY

PE

II

TY

PE

I

826 Stunning1 0 . 0 8 %

TY

PE

II

829 Sunrise 4 . 4 1 %

TY

PE

I836 Sea View 5 . 6 5 %

TY

PE

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874 Fanfare 3 . 1 2 %

TY

PE

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TY

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1080 White Oaks 5 . 4 0 %

1089 Chilled Chardonnay 2 . 1 6 %

1434 Into the Twilight3 . 3 4 %

OC-7 Creamy White 3 . 3 9 %

2041-20 Fiddlehead Green9 . 6 4 %

1054 Sherwood Tan 4 . 9 5 %

TY

PE

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1070 Barley Harvest 7 . 6 9 %

TY

PE

I

1075 Fairway Oaks 1 . 9 2 %

TY

PE

IT

YP

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TY

PE

I

1126 Baked Pretzel 8 . 2 4 %

TY

PE

I

1162 Wooded Vista 5 . 5 6 %

TY

PE

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1383 Iris Bliss6 . 8 9 %

TY

PE

II

TY

PE

II

1575 Rainy Afternoon 7 . 1 2 %

TY

PE

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OC-16 Cedar Key 7 . 5 2 %

TY

PE

IOC-20 Pale Oak 3 . 1 7 %

TY

PE

I

OC-22 Calm 4 . 0 4 %

TY

PE

I

OC-25 Cloud Cover 4 . 0 3 %

TY

PE

I

OC-32 Tapestry Beige 2 . 2 0 %

TY

PE

I

OC-73 Opal 5 . 2 2 %

TY

PE

I

OC-83 Antique White 9 .7 8 %

TY

PE

I

OC-85 Mayonnaise 7 . 5 2 %

TY

PE

I

Sail Cloth 4 . 1 2 %

TY

PE

I

Platinum Gray 2 . 9 5 %

TY

PE

I

AC-27 Galveston Gray 3 . 8 4 %

TY

PE

I

2000-10 Red1 0 . 4 4 %

TY

PE

III

2000-40 Strawberry Shortcake5 . 1 2 %

TY

PE

III

2005-10 Red Rock8 .7 6 %

TY

PE

III

2005-20 Hot Apple Spice 6 .7 2 %

TY

PE

III

2008-30 Rasberry Blush 4 . 0 8 %

TY

PE

III

2009-10 Redstone 1 0 . 8 8 %

TY

PE

III

2015-10 Electric Orange9 .7 8 %

TY

PE

III

2017-30 Tangelo1 0 . 3 4 %

TY

PE

III

2020-30 Sparkling Sun1 1 . 0 2 %

TY

PE

III

2022-30 Bright Yellow8 . 1 0 %

TY

PE

III

2032-20 Traffic Light Green9 . 5 2 %

TY

PE

III

2036-20 Irish Moss6 . 0 0 %

TY

PE

III

TY

PE

II

2048-40 Poolside Blue3 . 4 6 %

TY

PE

II

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2098-10 Barrell Brown1 0 . 2 0 %

2058-30 Deep Ocean8 . 5 5 %

TY

PE

II

2059-40 Yosemite Blue2 .7 0 %

TY

PE

II

2064-20 Patriot Blue 8 . 0 0 %

TY

PE

II

2066-10 Blue 8 . 1 6 %

TY

PE

II

2066-30 Big Country Blue 5 . 8 0 %

TY

PE

II

2067-30 Twilight Blue8 . 0 0 %

TY

PE

II

2068-30 Scandinavian Blue9 . 4 4 %

TY

PE

II

2071-10 Exotic Purple4 .7 6 %

TY

PE

III

2071-20 Gentle Violet4 . 3 8 %

TY

PE

III

2075-20 Mulberry6 . 6 4 %

TY

PE

III

2088-10 Red Oxide8 . 1 6 %

TY

PE

III

2092-20 Sienna9 .7 4 %

TY

PE

III

2094-20 Copper Mine 4 . 9 6 %

TY

PE

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2106-30 Pine Cone 6 . 5 4 %

TY

PE

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2107-10 Chocolate Candy1 1 . 4 8 %

TY

PE

II

2108-20 Sierra Spruce1 0 . 1 4 %

TY

PE

II

2110-20 Brown Tar9 . 1 3 %

TY

PE

II

2112-30 Stone Brown5 .7 4 %

TY

PE

II

2115-10 Appalachian Brown9 . 8 0 %

TY

PE

II

2117-20 Galaxy3 . 5 2 %

TY

PE

II

2117-40 Tropical Dust4 . 1 0 %

TY

PE

II

2118-40 Sea Life3 . 2 8 %

TY

PE

II

2119-40 Silver Streak3 . 6 0 %

TY

PE

II

2120-50 Silver Spring7 . 8 8 %

TY

PE

II

2121-20 Steel Wool 5 . 0 8 %

TY

PE

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2121-10 Gray3 . 3 2 %

TY

PE

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TY

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2126-30 Anchor Gray 8 . 0 7 %

TY

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2121-20 Steel Wool5 . 0 8 %

TY

PE

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2126-40 Sweatshirt Gray5 . 5 2 %

TY

PE

III

2127-30 Gravel Grey5 . 8 4 %

TY

PE

II

2131-30 Lead Grey3 . 5 8 %

TY

PE

II

2136-40 Agean Teal3 . 2 6 %

TY

PE

II

2123-30 Sea Star2 . 0 6 %

TY

PE

II

2137-30 Durango6 . 6 0 %

TY

PE

I

2140-20 Tuscany Green8 . 8 2 %

TY

PE

II

2143-10 Sage7 . 5 2 %

TY

PE

II

2144-20 Eucalyptus Leaf3 . 1 4 %

TY

PE

II

2145-10 Avocado8 . 9 5 %

TY

PE

III

2146-30 Split Pea6 . 6 5 %

TY

PE

II

2147-20 Olive Moss9 . 4 6 %

TY

PE

II

Heritage Red9 . 6 6 %

TY

PE

III

Our lab recently created this beautiful base color plus

metallic pigment for a custom kitchen by Steve Millard.

Topical application mixed with water based acrylic sealer.

C U S T O M C O L O R E X A M P L E

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B L U ESB-35 Teal Blue1 . 0 0 %

SB-35 Teal Blue5 . 0 0 %

SB-35 Teal Blue8 . 0 0 %

SB-35 Teal Blue1 0 . 0 0 %

SB-40 Cobalt Blue1 . 0 0 %



SB-40 Cobalt Blue1 0 . 0 0 %

SB-44 Super Blue. 5 0 %

SB-44 Super Blue2 . 0 0 %




BLUECONCRETE™ Color Number

BLUECONCRETE™ Color Name


L E G E N D

Prefer to blend your own custom colors? You have the power to formulate any color using our range of Pure Pigments. Pure pigments are a selection of organic and inorganic

pigments suitable for use in concrete and packaged to meet your needs.

PURE PIGMENTS


PU

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SB-98 Black Oxide1 . 0 0 %


B L A C K


SB-98 Black Oxide1 0 . 0 0 %

DVD-101 Liquid Black. 5 0 %

DVD-101 Liquid Black2 . 0 0 %



SB-99C Cool Gray1 . 0 0 %




VG-1007 Super Black. 5 0 %

VG-1007 Super Black2 . 0 0 %



SB-99W Warm Gray1 . 0 0 %




W H I T E

SB-01 Titanium White1 . 0 0 %



SB-01 Titanium White1 0 . 0 0 %

SB-001 Ultra White. 5 0 %

SB-001 Ultra White2 . 0 0 %



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VG-20 Super Green0 . 5 0 %




MOSS Green1 . 0 0 %

MOSS Green5 . 0 0 %

MOSS Green8 . 0 0 %

MOSS Green1 0 . 0 0 %

G R E E N

SB-30 Green Oxide1 . 0 0 %



SB-30 Green Oxide1 0 . 0 0 %


BLUECONCRETE™ Color Number

BLUECONCRETE™ Color Name


L E G E N D

SB-48 Ultra Blue1 . 0 0 %



SB-48 Ultra Blue1 0 . 0 0 %

SB-54 Green Blue1 . 0 0 %



SB-54 Green Blue1 0 . 0 0 %

M A G E N TA / V I O L E T

SB-88 Super Violet. 5 0 %

SB-88 Super Violet2 . 0 0 %



DVD-75 Liquid Magenta. 5 0 %

DVD-75 Liquid Magenta2 . 0 0 %




PU

RE

PIG

ME

NT

S

SB-065 Red Oxide1 . 0 0 %



SB-065 Red Oxide1 0 . 0 0 %

R E DSB-09 Red Oxide1 . 0 0 %



SB-09 Red Oxide1 0 . 0 0 %

DVD-05 Liquid Red. 5 0 %

DVD-05 Liquid Red2 . 0 0 %



B U F FSB-144 Yellow Oxide1 . 0 0 %

SB-144 Yellow Oxide5 . 0 0 %

SB-144 Yellow Oxide8 . 0 0 %

SB-144 Yellow Oxide1 0 . 0 0 %

SB-155 Bright Yellow. 5 0 %

SB-155 Bright Yellow2 . 0 0 %



Curry1 . 0 0 %

Curry5 . 0 0 %

Curry8 . 0 0 %

Curry1 0 . 0 0 %

Walnut1. 0 0 %

Walnut5 . 0 0 %

Walnut8 . 0 0 %

Walnut1 0 . 0 0 %

Redwood1 . 0 0 %

Redwood5 . 0 0 %

Redwood8 . 0 0 %

Redwood1 0 . 0 0 %

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Glazes are a water based coloring treatment for use on cured concrete. They achieve the desired appearance with nano sized pigment particles that penetrate deeply into the concrete surface. The carrier reacts with the concrete to lock in the particles.

Glazes can be used in a multitude of ways, producing subtle tints or dramatic color variation. See Glazes

section for tips and tricks, application methods, and dilution rates.

GLAZES

Available in a wide color range, these colors can be

blended together to produce a wide array of shades.

Black, Blue, Leather, Red, Maple, Olive, Umber, Green,

Yellow, and White Glazes are UV stable, and do not

contain acids, metal salts, or acetone.

Packaged in 4oz Spray Bottles, Quarts, and Gallons

(Formerly Stainz)


ICT

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BR SYSTEMB U D DY R H O D E S P E N E T R AT I N G S E A L E R is an aqueous copolymer chemically

reactive dispersion that provides a durable and transparent protective barrier against oil and

water on concrete surfaces. This new chemistry offers invisible protection to both dense

and porous concrete and is extremely effective as a water sealer. It is used as the primer as

the first step in the Buddy Rhodes sealing system. This product is water based and food safe.

Packaged in Quarts

B U D DY R H O D E S S AT I N S E A L E R is the latest in water based acrylic micro

emulsion technology for concrete countertops. It creates a barrier coating that seals and

protects while enhancing the natural beauty of the concrete. The sealer will resist most stains

up to 72 hours; however, oils and solvents should be wiped up promptly. This is the second

step in the Buddy Rhodes sealing system. This product is water based and food safe.

Packaged in Quarts

B U D DY R H O D E S B E E S WA X helps resist stains and enhances the color of concrete

surfaces. It may be used for maintenance over the life of the concrete project. This is hard

wax “puck” that is rubbed across the surface, and buffed by hand or mechanically.

Packaged in 12 oz Jars

ICT SYSTEMC H P R E P is our premium reactive densifier and conditioner. CH Prep seals and densifies

the micro-channels to improve the abrasion resistance of the concrete. Using CH Prep as part

of sealing process works to establish an initial concentration gradient to bring free reactive

hydration byproducts to the surface of the concrete, enabling better reactions, and setting

the stage for FS Seals. CH Prep is the first step of the ICT sealing system. CH Prep can also

be incorporated in the processing stages of concrete to densify the surface for polishing,

and begin the sealing process. CH Prep can be used as a replacement for the Buddy Rhodes’

Penetrating sealer, providing better protection with minimal effort.

Packaged in Quarts and Gallons

F S S E A L S is hybrid reactive sealer with a micro acrylic emulsion, representing the most

advanced sealing technology available. FS Seals provides additional acid and stain protection,

will not peel or scratch. FS Seals is the second step in the ICT process.

Packaged in Quarts

C L E A N & S E T is the final step in the ICT sealing system. It accelerates the curing of ICT,

and is also effective as a cleaner for concrete sealed with ICT. Clean & Set is a pure acetic acid,

and should be diluted with 3 parts water, 1 part C&S.

Packaged in Gallons

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Here is our current offering of tools. Not listed here is the entire line of Imer tools and mixers which are available on request. Visit our website for more tool options.

K R A F T E Z Y D E C K P R O G U N & H O P P E R is the top selling spray gun for artisan

GFRC. Includes a 2.5 gallon hopper with built in handle, 40 degree hopper angle for easy

spraying, built in downward hopper angle for vertical or horizontal surfaces, adjustable air

regulator valve and quick connect, full grip trigger for ease and comfort, three interchangeable

air nozzles (air volume) and orifices (spray pattern) for fine tuning.

Simply put, this is the best gun on the market.

G F R C C O M PA C T I O N R O L L E R S help remove air and compact GFRC to help ensure

a good bond between face/mist coats and backer coats. Additionally they assist to leveling

the mix and orient fibers.

Roller sizes include- 1”x3”, 1”x6”, 2”x3”, 2”x6”, 2”x9”, and 3/8” corner roller

Sold individually or as a set.

B U D DY R H O D E S 5 ” V S P is a variable speed wet polisher. Achieve professional results

when grinding and polishing concrete. Use the BR VSP polisher to effectively grind and polish

your concrete surface with diamond tools up to 5 inches in diameter.

B R V S P S P E C I F I C AT I O N S :

• Maximum accessory diameter: 5 inch

• No load speed: 2000 - 4500 rpms

• Arbor thread: 5/8 inch 11 thread

• Power input: 120 V

• Power output: 900 watt

• Weight: 5.5 lbs

• Does NOT include 5” Backer Pad

TOOLS


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B U D DY R H O D E S P L A N E TA RY P O L I S H E R is a rugged, planetary powered tool

designed to produce a flat, swirl free finish on counter tops, floors, walls and steps. The unit

will grind, hone, polish or clean flat concrete surfaces with speed and efficiency. This is a true

planetary gear driven tool. The 10” platform turns at a lower rate than the higher rotational

speed of the 4” platens. This combination of rpm provides the optimal speed for diamond

polishing, producing a perfect finish 5 times faster than a single head polisher. The unit can

be powered by electric or pneumatic variable speed polishers with a collar size of 50mm or

less. A center coolant feed, precision bearings and sturdy construction make this the ultimate

tool for perfect flatness and a superior polish.

I N C L U D E S -

• 2 Vacuum Lines, Y Connector for Standard 2” Hose connections

• Dust Shroud

• Water Line and Garden Hose Adapter

• 3 Aluminum 4” Backer Pads

• BR Low rpm High Torque 5” Polisher

• D handle and side handle

• Heat Guard

• Carbon Brush Set

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We carry a range of abrasive materials to address grinding and polishing concrete. Visit our website for the entire list of abrasive materials.http://www.buddyrhodes.com/abrasives-and-pads/

B R H A N D P O L I S H I N G PA D S are electroplated diamond polishing pads manufactured to polish and grind hard

material such as concrete, glass and stone with ease. These pads are manufactured using an ergonomically designed, semi-

pliable foam backing with ambidextrous finger grips. The diamond surface has been extended to fill the entire face of the

pad allowing the diamond material to meet the edges of the pad without any foam buffers. Advanced electroplated bonding

procedures allow multiple embedded layers of diamond substrate for superior wear resistance. Highly uniformed diamond

bedding prevents chipping when working delicate materials while producing a uniformed grinding and polishing profile.

Effective for detail and edge polishing.

Available Grits- 60, 120, 200, 400

5 ” W E T 6 M M P O L I S H I N G PA D S are diamond abrasive polishing pads which have been manufactured with

advanced hard bond resin matrix to maximize life when used to grind and polish abrasive concrete surfaces. Above normal

concentration of premium diamond enables faster stock removal speeds and quicker overall polishing results while 6mm

thickness maximizes pad life. When used in a sequence from 50 grit to 3000 grit, these pads will remove material to expose

aggregate and create a remarkable polished concrete surface. Recommended to be used wet with a max RPM of 4000.

Available Grits- 50, 100, 200, 400, 800, 1500, 3000

6 ” O R B I TA L P O L I S H I N G PA D S are made specifically to polish concrete using orbital motion with or without the

use of water. When used dry, the pad design allows dust and particles to be extracted through and around the pad with a

series of dust extraction ports. Create a superior swirl free finish when dry polishing concrete using common random orbital

sanders. These pads can be cut down to accommodate 5” sanders.

Available Grits- 60, 120, 200, 400, 800, 1500, 3000

4” D - H E X W E T/ D RY P O L I S H I N G PA D S are ceramic resin hybrid dry diamond pads that are used in wet or dry

polishing of concrete. Designed for use on the BR Triad planetary polisher, these pads incorporate 6mm diamond hexagonal

segments uniformly positioned to optimize planetary movement for superior surface finish quality. Proprietary segment

positioning allows these pads to maintain flexibility and eliminate pad chatter found in rigid diamond pads.

Available Grits- 50, 100, 200, 400, 800, 1500, 3000

S P I N F L E X PA D S are 7” diamond impregnated burnishing pads, excellent for final buffing, scratch removal,

and sheen enhancement.

Available Grits-120, 200, 400, 800, 1500, 3000

N O N W O V E N A B R A S I V E S (NWA) perform a variety of functions including cleaning, burnishing and swirl removal.

Perfect for mechanical scrubbing surfaces prior to sealing.

Available in a variety of grits in 5” and 7” discs, as well as 6”x9” pads.

ABRASIVES


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We offer a wide range of fiberglass, rubber, and foam molds in stock sizes and shapes, as well as build to suit custom molds. Our selection includes sink molds, furniture molds, and planter molds. Visit our website to see our entire collection of molds.

MOLDS

Interested in having a custom mold built?Let us assist you in that process. Whether you just need the mold built, or you are looking for consulting on how the mold

should be designed and constructed, let our team of artisans assist you in getting a mold perfectly suited to meet your needs.

Buddy Rhodes Concrete ProductsS I N KM O L D S

15 0 0 17 t h S t r e e t | S a n F r a n c i s c o , C A 9 410 7 | 415 - 4 31 - 8 0 7 0 | w w w . b u d d y r h o d e s . c o m

BUDDY RHODES SINK MOLDS allow the

creation of concrete sinks integrated into the

counter top. Simply place the sink mold in the

countertop form and form the counter around it.

Made from sturdy �berglass with a smooth

�nish, sink molds may be used hundreds of

times on countertop projects.

3-1/2"DIA.RUBBER DRAIN PLUG

7"

1/4"1-1/4"

1/2"

S m all R ectangle K itchen S ink M old3"R OUTSIDE CORNER

15-5/8"

20-3/4"


7-1/2"

1/2"1-1/4"

1/2"

Large R ectangle K itchen S ink M old

1"R OUTSIDE CORNER

15"

30"

6-1/2"3-1/4"

3"

1/4" 1-1/2"

1-1/2"DIA. RUBBERDRAIN PLUG

Trapezoid S ink M old

6-1/2" 4" 6-1/2"

11"

7"

4"

17"

1-1/4"DIA. RUBBER DRAIN PLUG

5-1/2"

S m all Oval B ath S ink M old

11"

14"

14"

1-1/2"DIA. RUBBER DRAIN PLUG

6"

1-1/2"

Oval B ath S ink M old

14"

17"


7"

1-1/4"

1/2"

Medium Rectangle Kitchen Sink Mold

1"R OUTSIDE CORNER

14-1/2"

24"

Trough B athS ink M old

1"R OUTSIDE CORNER

11"

40"1-1/4"DIA.

RUBBER DRAIN PLUG

2"

1-1/4"1/2"

Buddy Rhodes Furniture Molds take advantage

of the special qualities of our premier concrete

countertop mix. These reusable �berglass

molds bring Buddy’s unique designs to the the

concrete and masonry contractor, turning every

contractor into an artisan. Concrete furniture is

durable and timeless, yet modern.

BISTRO TABLE

29”

30”

6”

CONE TABLE30”

44”

6”

CONE TABLE36”

29”

6”

29”

36”

22”

DRUM TABLE

18”

10”

16”DRUM STOOL

18”

10”

15”

FLAT TOP STOOL

Buddy Rhodes Concrete ProductsF U R N I T U R EM O L D S


Buddy Rhodes Concrete ProductsP L A N T E RM O L D S


These monumental planters provide a powerful

yet elegant accent in settings as diverse as build-

ing lobbies, backyard patios, parking lots or

streetscapes. Designed for casting on site or in

the shop, a Buddy Rhodes planter provides the

architect, designer or contractor a unique option

to di�erentiate his o�ering from the competition.

TUB

20”

48”

48”

37”

32”

48” PLANTER

191/2”

31”

24”

31” PLANTER

16”

20”

13”

20” PLANTER

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If you are interested in creating your own High Performance mixes from scratch, we have a range of raw materials to assist you in that process. This is a resource for artisans

and professionals with experience in concrete materials. High quality pozzolans, polymers, cementitious materials, and other admixtures- we have the building blocks for you to build your

own mix. If you are using our mixes, or admixtures, you don’t need to add these as they are already built into the formulation, but you can decide to enhance properties of the mix using these raw ingredients where you see fit.

L I Q U I D P O LY M E R P L U S is an acrylic emulsion polymer specifically developed for use in High Performance Concrete.

This multi-component polymer enhances the durability of concrete by improving the concrete’s hydration through the curing

process, increasing density, flexural strength, color fastness, and overall durability in the finished concrete. This is an ideal

GFRC curing polymer.

Packaged in 40 lb pails, Totes

(Formerly Liquid Z+)

P O W D E R E D P O LY M E R 1 2 1 0 is a dry powdered polymer specifically developed for use in High Performance

Concrete. Much like the Liquid Polymer Plus, the 1210 enhances the durability of concrete by improving the concrete’s

hydration through the curing process, increasing density, flexural strength, color fastness, and overall durability in the

finished concrete. This polymer is favored by many due to reduced shipping costs, no risk of freezing in transport, and

reduced air in finished concrete surfaces.

Packaged in 10 lb Pails, 25 lb Pails

(Formerly PRA1210)

F E D E R A L W H I T E C E M E N T is a major manufacturer of white Portland cement in North America. From its two kiln

manufacturing facility, FWC provides, and is known for, its time tested consistent high quality and consistent white cement.

Federal White Cement is packaged in 92.4 lb Bags

Sold by the bag, pallet, or truckload

B U Z Z I U N I C E M C S A Additive is a hydraulic, cementitious binder, high in Calcium Aluminum Sulfate Crystals. When

used with Portland cement concrete, CSA accelerates the curing time and enhances the physical and chemical properties of

the mix. This is the basis for rapid setting mix designs.

Packaged in 50 lb Bags


V C A S is a pure white pozzolan. Pozzolans are value-added supplementary cementing materials that exhibit pozzolanic

activity. Comparable to fumed silica and metakaolin when tested in accordance with ASTM C618 and ASTM C1240.



U LT R A S E A L Z ™ is a multi-component blend of slag cement, pozzolan, plasticizer, E+ and other chemical and mineral

admixtures that when added to Portland cement, produces high performance and acid resistant concrete.

Packaged in 50 lb Bags Sold by the bag, pallet, or truckload

RAW MATERIALS


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U LT R A S E A L Z ™ Z F R C is a multi component blend of slag cement, pozzolan, E+ and other chemical and mineral

admixtures that when added to Portland cement, produces high performance and acid resistant concrete. Formulated

without plasticizer.



B U R G E S S O P T I P O Z Z® (Metakaolin) is a flash calcined (heat treated) product specifically engineered to develop

improved working characteristics, such as trowel ability, while also dramatically improving the strength of green and cured

concretes at various early, intermediate, and late measurement intervals.



S R A 1 0 1 is a shrinkage-reducing and crack-control admixture for cementitious mixes. It has been formulated to prevent

and reduce cracking or curling caused by shrinkage. SRA facilitates the expansion of concrete at the same rate as drying-

shrinkage during the curing cycle, thus reducing overall shrinkage and side effects associated with shrinkage.



(Formerly SRZ)

W E D R O N R O U N D S I L I C A is a clean, well graded silica sand with a sand particle that has a round shape which make

it a good sand for a variety of mix designs. These are the sands we use in our formulations.

Available in these sizes- 430, 480, 520, 730



S 1 5 0 - 5 0 0 L I G H T W E I G H T A G G R E G AT E is a hollow aluminum silicate sphere which can be used as a sand

replacement. The bulk density is 0.50 g/cc versus 2.65 g/cc of silica sand.



W E 1 0 1 is a white powder used to control and delay initial curing of concrete mixes, especially at elevated casting

temperatures or where extended work time is required. In addition to being used as a set retarder, WE101 also increases

ultimate compressive strength and other physical properties.

Packaged in 1 lb, 5 lb and 25 lb Pails

E+ (Electrolytes) technology increases density and improves vibration rheology. E+ charges the cement particles in a mix,

allows the particle to reach a higher level of hydration, thus resulting is a stronger concrete mix. E+ also improves depth of

color, imparts acid resistance and aids in the sealing process when reactive sealer is used.

Packaged by the pound.

N YA D G (wollastonite) increases the strength in a number of construction based materials while improving dimensional

stability and resistance to drying and freeze-thaw cracking. In addition, the availability of calcium ions from the wollastonite

mineral structure enables decreased setting times in some systems and can act as a counter to acidic media due to the

mineral’s high pH.



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Artisan concrete is not something you learn overnight. With vast possibilities, this is a material you can spend your entire life exploring and learning about. We offer a range of training and educational resources to assist you through this journey.

S E T I N S T O N E

One of the brightest, most talented, innovative, and creative groups of concrete artisans on the planet are the guys at Set in Stone

in Chattanooga, Tennessee. These guys boast a training facility and experience which is second to none. They host regular training

events at their studio in the wonderful town of Chattanooga. This training takes place in their working studio where they produce

work day in and day out. You will not find a more useful educational experience in the world of artisan concrete, whether you are

an advanced maker or someone new to the trade. There are 1 day and 3 day Workshops held on a quarterly basis.

TRAINING

P E R I O D I C W O R K S H O P S

We also schedule periodic training workshops around the world with a selection of various instructors. For those looking for

a similar training experience on the west coast, or internationally, send us a note on our website, and we will let you know

when we schedule an event.

D I S T R I B U T O R D E M O D AY S

In addition to these focused trainings, there are distributors around the country that hold periodic workshops and demo

days. If you are interested in attending one of these, contact your local distributor and let them know.


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The Buddy Rhodes team has a wide range of experience, in a wide range of industries. As it pertains to artisan concrete, a

number of us have operated professionally as concrete artisans, producing works around the world including countertops,

architectural details, bathtubs, furniture, water and fire features, industrial installations, and art installations. Our journeys

have brought us face to face with a wide range of challenges, complications, and demands.

Much of our time now is spent assisting people around the world with their own concrete ventures. We have assisted

everyone from DIYers to groups producing assets for Ford Motor Company. We have brought our expertise to them in an

effort to improve their ability to communicate in the medium of concrete.

Do you have a project, a business venture, a problem, or a great idea? Let us help you realize your vision and overcome your

hurdles. Contact us directly to discuss how we can help.

E P I C

Once a year, a special thing happens in the outskirts of Atlanta in our R&D studio. We call it EPIC. What is EPIC? It defies

easy description. It is an experience that is hard to measure, and for many who have attended, it is not a stretch to say it

was life changing. It is about concrete. It is about community. It is about camaraderie. It is about communion. It is about

communication. We understand that this is an incredibly vague explanation, one that makes very little sense. All we can tell

you is this- stay tuned for the announcement for next year’s EPIC, because tickets sell out fast. Once you see what it is, and

you miss it, you will spend the following year in a deep depression. Find details at http://www.buddyrhodes.com/epic/

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IMAGES COURTESY OFEric Boyd- Reaching Quiet Design

Dusty Baker- Stonecrete Artistry

Joe Bates- SC Fabrication

Olga Zimeska- Olga Zimeska Studio

Jonathan Haywood- Epic Artisan Concrete

Andy Barber- CounterKulture

Justin Burd and Nathan Smith- Set in Stone

James Mcgregor- Mcgregor Designs

Jason Pledger- Forever Design

Jon Schuler- CreativeCrete

Michael Karmody

Charles Coleman Photography

Chuck Anthony

Molly Rose Freeman

Mandala Studio

Buddy Rhodes Studio

Visit our website for more information about these and other talented artisans from around the world.


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buddy rhodes catalog of concrete … rhodes catalog of concrete ... of the inspiration of buddy and...

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