c i t i z e n c re a t i v i t y brazilian technobrega & funk carioca [email protected]...
TRANSCRIPT
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Citizen creativity
Remix
creative commons
peripheries
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Introduction
• Civic creativity : – Arts and culture are not peripheral to
development, but are at the core of human expression and development.
• Citizen creativity (criatividade cidadã) :– Peripheries are building their own view of art,
culture and development (post-colonial view)
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People in “developing” need to fight everyday for survival and for creating a sense of citizenship.
Surprising initiatives emerge then, born from the lack of resources and the lack of an institutional frame that guarantee the citizen rights.
It is often a subversive, marginal, sometimes violent, but lively creative
Marginal
Subversive
“Débrouillarde”
go-getter
Peripheries citizen creativity
EmergentCollective
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A citizen creativity with
hungry
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We do not want just foodWe want food, entertainement and
art!
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We cannot talk about « civic creativities » without talking about culture, content, history.
My concept of citizen creativity is therefore entirely colored by Brazilian culture.
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Brazil, a country of REMIX
Darcy Ribeiro
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Manifesto antropofagico & REMIX
RIP: A Remix Manifesto
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Manifesto antropofagico
Art modern week – 1922 - SP
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A citizen creativity “antrophofagous”
« We will take in and swallow up all of the different influences. Our bodies absorb that which delights us and best suits our needs. Rather than denying the impact of other cultures, we claim them and paint them green and yellow “abrasileirando-as” (we Brazilianize them).
« Abaporu » du tupi-guarani, ABA et PORU, « l’homme qui mange », Tarsila
do Amaral, 1928
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Brazil, a country of REMIX
Brazil is well known as a country of « metissage », of assimilation, of appropriation, of remix. The movement creative commons found a strong synergy with the Brazilian culture.
RIP: A Remix Manifesto
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©Total Control v. No control
All Rights Reserved No Rights Protected
©Some Rights
Reserved
Balance
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« Creation doesn’t happen in isolation. No one creates in a vacuum. Everything comes of something else. It’s a chain reaction: music, literature, cinema … »
14
Sharing is the nature of creation
Gilberto Gil, Minister of Culture 2003-2008
RIP: A Remix Manifesto
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Introducing technobrega
Good Copy Bad Copy
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The « technobrega »
• Among the social transformations triggered by CC and the remix culture, one of the most amazing is a movement of a periphery known as BREGA.
• One of its streams is the TECHNO-BREGA, in the Amazonia region of Belem do Para, a city that combines the traditional and modern.
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Technobrega, a mix of influences: lyrics, rhythms and dance
• Appeared in the 60s, integrating initially several influences from the radio.
• The rhythm is a mix of several like calypso, merengue and cumbia, in addition to influences from rock and roll, twist and yé-yé.
• The dance is a mix of Caribean dances and Amazonian tribus dances.
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Belém do Pará, a land of technobrega
• Belém is the entrance door of the Brazilian Amazonian region, with 1,5 million inhabitants.
• It is a city known by a huge “metissage” among Portuguese and Brazilian native people (indians) TUPINAMBA.
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The traditional business model
Editor
Artists, groups
Producer
Retail
Fabricant
Distributor
Consumers
Professional studios
Financing almost all the processP$$$$$$$$$$$
$A « selected » minority
$$
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Remix & creative commons
disrupting traditional (center-
based) business models
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The open business model
Editor
Artists, groups, DJs
Productor
Retail
Fabricant
Distributor
Consumers
Professional studios In-house studios
“Camelots”, street vendors
Party salons Equipment
Entrepreneurs
P
P
P
P Stores
Huge acess to a lot of people
$$$$
$$
$$$
$$
Compilations(“piracy”)
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The open business model
Editor
Artists, groups, DJs
Productor
Retail
Fabricant
Distributor
Consumers
Professional studios In-house studios
“Camelots”, street vendors
Party salons Equipment
Entrepreneurs
P
P
P
P Stores
Huge acess to a lot of people
$$$$
$$
$$$
$$
Compilations(“piracy”)
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A new business model
Good Copy Bad Copy
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The market $$$ of technobrega
• Year 2006 (Belém):– Jobs: 6 500 positions• 1 639 groups/artists• 4 052 equipments• 860 trade + Tickets vendors, beer
vendors, security, cleaning
• It is a market of more than 400 new CD and more than 100 new DVDs per year, produced in the periphery, totally independent from the dominant editors (centers)
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The market $$$ of technobrega
• Year 2006 (Belém):– Average 4 300 shows per
month – In each show, an average of
77 CDs and 53 DVDs are sold.
• Income :– Groups : 3 millions $ /
month
• It is a market of more than 700 « aparelhagens » (equipment owners) in a city of the size of Montreal.
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Tecno brega
Pisadinha
The open business model is emerging in all the country
Funk mineiro
Forro eletronico
Funkcarioca
Lambadaocuiabano
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The « funk carioca »• Is a locally adapted variety of
Funk or Miami Bass, mixed with different Brazilian music styles, with macumba and candomble (music played during Afro-Brazilian rituals) and samba.
• Dance, performance, choreographies.
• Violence and sexual explicitness: social identity of favelas .
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Other global pheripheries
Grind and Dupstep
(England)
Hip-hop(Baltimore,
Texas)Miami Bass
Kuduro(Angola)
Bublin(Suriname)
Coupé decalé(Côte d’Ivoire,
France)
Kwaito(South Africa)
Villeras(Mexico)
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Sources
-RIP: A Remix Manifesto – BRETT GAYLOR-Good Copy Bad Copy - ANDREAS JOHNSEN; RALF CHRISTENSEN; HENRIK MOLTKE --Belém: uma Amazônia de atraçoes – la Mairie de la ville du Belém du Para
Videos -http://www.youtube.com/watch?v=hJ78j-JKS_4&feature=related-http://www.youtube.com/watch?v=zIgsL1LbNFI&feature=related