cai wenwan's portfolio

52
1

Upload: masterportfolio

Post on 07-Apr-2016

219 views

Category:

Documents


1 download

DESCRIPTION

蔡文婉

TRANSCRIPT

Page 1: Cai Wenwan's portfolio

1

Page 2: Cai Wenwan's portfolio

2

Contents

1.SERIES of WORKS

1.1 Warmth and Dream ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄ 3

1.2 Gorgeous Queen ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄ 6

1.3 Celadon. And Ode ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄ 9

1.4 Butterflies Dance Lightly ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄ 14

1.5 The Beauty of Ecology ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄ 18

1.6 The Innovation in Cowboy Fashion ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄ 23

1.7 The Countryside Style ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄ 29

1.8 The Green Leaves Style ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄ 32

2 .Assignments

2.1 Pattern Designs of Cat ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄ 34

2.2 Study of Bandundu and Batik ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄ 40

2.3 Series of Little Table Assignment ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄ 43

2.4 Garments Designing ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄ 45

2.5 Effect Pictures Collection ┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄┄ 45

2.6 Coures of Garment ,Makeup and Dasigning ┄┄┄┄┄┄┄┄┄┄┄┄┄ 50

Page 3: Cai Wenwan's portfolio

3

Warmth and Dream

----- The Discussion of Application of Low-key Luxury Style in Formal

Dress Designing

Inspiration Source: The individuality and fascination of yellow carnation's "Outshine

others" and its Zigzag shape.

"Low Profile but Luxurious Style" was regarded as my theme. The representative

followers of yellow carnation were picked up tactfully as the fundamental struture.The

western stereoscopic clipping and the warm yellow carnation was selected to

emphasized the Low Profile but Luxurious Style. Thus, the streamlined textture with

classic and warm was appeared.In my desingn of modrem formal dress, I had blended

the elegant type and lines of western formaldress and the style of Low Profile But

Luxurious Style into my designs, which was built a real low luxury style but also

without lost the sexy attraction and a fashion style with magnificence.

Page 4: Cai Wenwan's portfolio

4

There is a strong relationship among the comforts of garment and the modeling and

type of garment. Both the three dimentional composition and the plane decomposition

are the significant fators of the rule of People First in garment designing. Therfore,

when I design this series of garment, I particular emphasis on improving the A shape

peplum above the 3D angle and the one-shoulder designing in garment's . Also I added

more types of them. I replaced the Big-Peplum who focus on sense of space with the

nature-hanging peplum or the peplum of three-dimensional cutting; comnined the many

puckers, the lace moulding, one-shoulder and oblique-shoulder designing into gaement

structure, which showing the low profile, delicacy and elegant luxurious effect

adequately.

The Effect Picture of Three Dimensional Structures

Chiffon Ruffled

Page 5: Cai Wenwan's portfolio

5

The processes of garment making: Plate-making grading, Tailoring, Hot Bonding

Lining, Spares Collecting, Waist Pull Shaped Parts, Splicing, Joining Shoulder Seam,

Sides-combining, Sewing of lining and Shell fabric, Front Fork Making, Ear Clip

Hanging, Lace Sewing, Bottom Edges Sewing, Pressing, Nail Bead, Checkout. Final

part is to check the forms, materials, processing technologies and decorative supplies

and etc.

Designing Notes:

The inspiration source of my design was from the concept of yellow carnation’s

traits of “Outshine others” and its Zigzag shape. I combined yellow carnation’s

beautiful and charming collors with the western three-dimensional clipping to show

the Low Profile but Luxurious style. Thus, the classic streamlined texture with warm

was appeared. In my desingning of modrem formal dress, I had blended the elegant

type and lines of western formaldress and the style of Low Profile but Luxurious Style

into my designs, which was built a real low profile but luxurious style but also without

lost the sexy attraction and a fashion style with sumtuousness. All of the above are

purpose on every female can own a formaldress, which is rich in lively sence of modern

but never lost the sumptuousness.

Page 6: Cai Wenwan's portfolio

6

Gorgeous Queen

--------The Application of Crease Factors of Rococo Style in Garment Designing.

Each season's fashion week there is no lack of the Rococo style figure, whether Chanel "lead

a voluptuous life Byzantine", or D&G Rococo theatre undoubtedly wind, designers have to retrieve

the climax of fashion, to seize the soul element of each period, it is a very good laugh; is so great

influence on modern dress, I personally feel that modern man was in fact a little decadent, so this

kind of style is very easy to be modern people pushing hands. Twenty-first Century is "she" century,

is the rise of women's age. Occupation women have outstanding performance in all walks of life,

head up half the sky, contributing their talents for the society, creating wealth, but the occupation

female always being the world collectively referred to as the "strong woman", tough, strong is

synonymous with their. In fact they have a gentle, delicate, elegant, considerate. So I design the

Rococo fold elements, and the use of different methods, the material to reflect the occupation

female "rigidity" and "flexibility", so as to have a new understanding of contemporary

"superwoman".

Clothing color with a soft and sweet tone, highlighting the female tender, delicate; fabric

material selection of cowboys and light is more heavy chiffon, net yarn collision of strong contrast,

which reflect the occupation female unique personality; accessories in gold as the main color to

blue mosaic stones and chatons embellishment. The whole series of clothing in the design pay

attention to "just" combined with "soft" style, fashion, bold, publicity is not the feminine

morbidezza, fully demonstrated the important role of women in today's society.

Effect diagram

Page 7: Cai Wenwan's portfolio

7

In my designs, I accepted the Crease Factor of the period of Rococo, used the plus

materials with big or small or organ style wrinkles to let meshes and jeans made a

layering. Generaly, as the different materials anf wrinkles were merged, there are

magical sparks will appear. The type who seems much simple will like a solid sculpture

after proped with human’s body. The soft and mild pink series plus wrinkle chiffon,

there are pretty plenty sweetness and more visual impacts.The traditional or modern or

fashion factors were got together, they still maintain a female’s workplace traits: beauty

of external and inner, showing with display and individuality,which is going to make a

new visual impact. All of the above will made the external and inner beauty of women

more remarkable and harmonious.

Design style chart

This garment series was published as the way of sample figure, the others were

published as the way of three-dimensional cliping. There is a inseparable relationship

between the garment’s comfort and structure.The drawing of garment’s structure not

only related with the drawing specifation, but also the related with the materials, types

and technologies.This garment series were give priority to wrinkle factors, used diverse

forms to show different traits, used the different length of peplum to adjusted the

balance.

Page 8: Cai Wenwan's portfolio

8

In this series, the loose and plastic twills were used as the main material, and the

dreamlike jeans of blue series were selected to highlight the female’s blandness; the

voile was picked out to mark the outline of the garment.

Designing Notes:

In contemporary period of female rising, the black or white suits become a

constraint to modern females. Be doughty or be mighty are their names, meanwhile, the

blandness, prudence, elegance, understanding is another identity cards of them. The

Queen, who is magnificent, dignified and sacred, that’s the most appropriate title for

the modern female. This design utilized the Rococo’s wrinkle style, diverse forms and

materials to express the “Adamancy” and “Blandness” of modern females. Therefore,

all of the people will recognize the cognition of Modern Female.

Page 9: Cai Wenwan's portfolio

9

Celadon and Ode

-The Application of Plum Blossom in Chinoiserie Formal Dress

Inspiration Source: Plum blossom, it always appears in every family in spring

festival in China. That’s my motive to select it in my garment design. Also, the Chinese

traditional ink painting and other factors were selected into my garment series.

In my design, I absorbed the factors of double-breasted button, roll off,

gathering, tassel earring and the bamboo hat with plum-blossom painting, used

the Chinese style to manifest the rhythmic beauty of modern formal dress.

Page 10: Cai Wenwan's portfolio

10

After the plentiful international activities were held in China, such as

Beijing Olympic Games, Guangzhou Asian Games, Shanghai World Expo,

Shenzhen University Games, within the scope of globe, raised a wave to wearing

the “Chinese Style” fashion clothing. In application of factors, I chose the

Chinese painting with typical and national features and the ancient font Xiao

Zhuang to make a classical dress. In structure, deconstruction methods of post-

modernity were used to replace the divide of body decoration, such as the vase type

dart of back, the combination of front vent and waist dart. Thus, the sense of classical

and streamline emerge at the right moment, which made a new breakthrough in

structure of formal dress. Also I pursuit more changes in specifics, such as frogs,

borders, gathering, plum-blossom painting etc. The tassel earrings which manifest the

national features and the bamboo hats which manifest the local village characteristics

of Jiang Nan were picked up as the decorations. In the whole series, I focus on the

combination of “Movement” and “Quiet”, solemn, artistic and vogue type, neat and

lively, totally expressed the elegance of formal dress of Chinese style and gave people

a sense of meaningful, thought-provoking and delightful.

Page 11: Cai Wenwan's portfolio

11

Design style chart

There is a solid relationship between the comforts and structure of garment. The

drawing of garment’s structure not only related with the drawing speciation, but also

the materials, types and technologies, Therefore, in this garment series designing, I took

some relative arrangements, samples plus washing shrinkage, dimensional stability

to ironing that’s the way to make it total match with the garments. The productions of

this series are narrow-waist garments. All of them are giving priorities to the wipe

sleeves, at the position of front bosom has a buttons structure, at the position of peplum

has a high split, ball gown, mini etc. There is a neckline dart and back structure at the

back part.

Matte Satin, Velvet, Georgette

The auxiliary material including the cotton ropes of borders, buttons, the fish bone and

breast implants as the support. This is strive for a combination between the decoration

style of not to stick to one pattern and the natural painting forms.

Page 12: Cai Wenwan's portfolio

12

辅料

Page 13: Cai Wenwan's portfolio

13

Designing Notes:

The designing inspiration of this series comes from the red plum-blossom

Page 14: Cai Wenwan's portfolio

14

in Chinese painting, the collar, high jag hem, drop shape front and the

combination of Han Chinese Clothing structure and Chinese painting, all of the

above are expresing the concept of The Past Serve the Present. Decorated with

the tassels, plate buttons, bamboo hats, enhance to a better effect. At the same

time, the freshness and concinnity of the plum-blossom brings people a poetic

visual enjoyment.

Celadon * Ode

--The Application of Celadon Emblazonry Pattern in Modern Formal Dress

Chinese traditional culture elements is the treasure of up and down five thousand years of the

Chinese nation civilization development, is the crystallization of the wisdom of working people in

our country. Chinese porcelain has a long history, the blue is our representative in China. It has a

long history, the mo cultural elements, is our rich cultural heritage of the Chinese nation, has been

loved belling is exquisite, rich in grain and unique lasting appeal, have high art value, become the

typical Chinese the people's, are widely used in modern fashion design, and in the clothing design

show the rich and colorful art form.

The inspiration source: Celadon from Jing De Town; The elegance of color white and

blue.

Page 15: Cai Wenwan's portfolio

15

This series used the classical white as the fundamental color, used the pure,

elegant blue and the divine black as the embellishment, to foil the special traits of

females’ beauty, bashfulness, dignity and elegance. Decorated with the “Black, White,

Blue” in color collocation, such as: White representing females’ dignity and elegance;

Black representing females’ sexy modeling and combinative application of traditional

or modern culture, even the trend of innovation; The whole white as the main color,

plus the pure and elegant blue-and-white to fortify the transcendent, to build a intact

color collection design.

This is a series of narrow-waist garment, including the line-style shape, neckerchief

shape and sloping-shoulder shape and etc. The sleeveless is the main design. At the part

of waist is a structure of flounce. At the part of peplum is high-jag, ball gown and the

combination of two different lining.

Page 16: Cai Wenwan's portfolio

16

Matte Satin, Silk net, Yogom Imitated Silk Fabric

The auxiliary material including the child-mother rope and beads and buckrams

and cheat pad as the support. This is strive for a combination between the decoration

style of not to stick to one pattern and the natural painting forms.

Designing Process and Exhibition:

Where there is an excellent garment designing, there is a stringent supervision. This

design focus on a rigorous workmanship, a strict selection of the stitches, rigid

controlling in every process, that’s in order to guarantee the requirement in quality and

design and achieve all the best design. Process : Artificial Reproduction-----

Sample Making-----Retouching-----Pattern Tailoring-----Fabric Tailoring-----Ironing

and Matching-----Sewing and Clipping-----Low-hem Linking-----Lining Linking-----

Bonding of lining and face fabric---Back Fork Making-----Invisible Zipper Installing--

---Sequins Sewing-----Blue-and-White Pattern Painting

Page 17: Cai Wenwan's portfolio

17

Designing Notes:

This garment series is focus on the Blue and White Patterns as the bright spot in

my modern formal dress designing. The “Blue and White Porcelain” is a visual symbol

which is the primer. The artificial paintings and the sewing beads were collected. All of

the above were purpose to get rid of the external simple and superficial forms. Through

the profound exploration, to analyze the Chinese neo-aesthetic style which base on the

Page 18: Cai Wenwan's portfolio

18

Blue-and-White Patterns in Chinese traditional culture and the creative ideas, which

emphasizes on modern females’ dignity, concision and daring. What’s more, I absorbed

the factors of cheongsam of recent period of China and the modeling of contemporary

popular formal dress, deconstruct and recombine them with the fashion vision, to

product some more conformable Chinese formal dress and supply more choices to the

vogue, individual and cultivated celebrities.

Butterflies dance lightly

---Probe into cloth recreation in dress design

Brainstorming

Clothing plays a very important role in people's life. The clothing not only reflect

personal aesthetic accomplishment, more is reflected the development of social culture,

art, economy. In a class society, clothing represent certain power and position, to the

modern, clothing also along with the progress of the society, the development of science

and technology, people have different requirements for clothing, given a more profound

meaning.

Throughout the history of costume, is not difficult to find that there is a close

relationship between clothing association and School of art, fashion has the reputation

as "the art of time". With the pace of the times, fashion is to show us the meaning of it

Page 19: Cai Wenwan's portfolio

19

blew.

Based on the recreation of textile decoration in fashion design in the use of analysis

of formal beauty and romantic style clothing not waves, from modeling, material, color,

details of decoration, summed up the rules of combination of romantic style clothing

design elements, and to individual design practices, the fabric reconstruction applied in

fashion design the concrete show the romantic elements of fashion modern clothing of

the aesthetic impact.

Design style chart

Page 20: Cai Wenwan's portfolio

20

Effect diagram

Page 21: Cai Wenwan's portfolio

21

In this series, cloths are renovated on collar, shoulder, breast, waist and hem and

are reprocessed by combining pattern recreation with texture recreation. The

application of various crafting technology brings richer layers and more stereo effect to

costume.

Major material of beading Some details of costume

Creased design, which focuses on folding the

fabric and then sewing it, is the important form of

this series of interior-structure design. This series of

products apply both regularly-creased design and

irregularly-creased design not only to bring more

convenience to people in their daily activities, but

also to enrich the overall effect of fashion, to convey

the lingering charm of flow, liveliness, ease and

romance.

Page 22: Cai Wenwan's portfolio

22

Design Notes:

Walk by River Banks for Flowers, a poem written by a Tang poet, Du Fu, is the

inspiration for this series of design. Butterflies are colorful fairies who dance lightly.

They decorate spring, retouch the earth and present the scene of flowers booming. Also,

assonating fragrance drifts about in the poem. The design series compromises the

elegant and romantic female temperament in costumes, intermingle European

romanticism with revivalism capture and blend all the soft elements together to give

comfort, elegance and smartness to a new generation of females and thus to meet their

requirements and to live up to their expectation of fashion.

The Beauty of Ecology

The Representation of Bird’s Natural Status on

Costume

Page 23: Cai Wenwan's portfolio

23

As global warming becomes more and more serious, people care more about the

problem of environmental protection. From transportation to domestic life, the concept

of LC (Low Carbon) affects many aspects of human life. Environmental protection is

not an empty talk. Nowadays, low-carbon lifestyle is more and more popular. The topic

“More environmental, more fashionable” is about anti-fur, anti-waste and making shoes

and bags from recyclable paper and plastic bottles. This topic shows that the real

fashionable attitude is to insist on environmental protection. The popularity of

Environmental Fashion not only brings us the enjoyment of beauty, but also a whole

new and healthy attitude of life and fashion. Fashion design is no longer only a thing of

creating new things. Nowadays, it’s creating amazing art in the context of no damage

and no killing. It can make a balance between these two aspects. The topic “Low-carbon

Lifestyle, The Representation of Bird’s Natural Status on Costume” uses the Natural

Status to show the gorgeousness of LC. No glittering, no heavy fur clothing. It just

extracts the natural colors from bird’s natural status and uses the most common

elements in daily life to present modern gorgeousness.

(一) (二) (三)

Page 24: Cai Wenwan's portfolio

24

(四) (五)

The design most concentrates on concise and natural style. So the structure

is relatively simple. This can avoid too much key points as that may makes the

design tacky and not clear about the topic. The main direction of this design is

in the structure of conciseness, adding some exaggerated and funny decoration.

(Picture 1) The first garment’ inspiration comes from raven. Raven is a kind of

nocturnal bird. It gives us the impression of pride and independence with little

bit loneliness and sorrow at the same time. So the structure of the first garment

is clear. Both wraps and skirts are fan-shaped, which show a kind of proud and

independent power likes raven. (Picture 2 & 3) The second and the third garments’

inspiration come from owl. They use owl’s most characteristic eyes to decorate,

which makes the design full of interest likes owl and also has a little bit black

humor. The design implies the impact of continually environmental disruption

on birds. The structures of the garments are short or long straight skirts, whose

form seems like a standing firm owl. (Picture 4) The ideas of fourth set of

garment came from the parrots. Parrot has an immediate relationship with the

human being. This set of apparel is symbolizing the preferable relation between

the nature and human being. The idea of upper part of the garment comes from

the limbs of flying parrots, then with a pant and showing the ease and

elegance..(Picture 5) Last set of garments were based on the idea of blue jay,

whose body profile is trenchant, layering and in a strong contrast with others.

Page 25: Cai Wenwan's portfolio

25

Color is the main point of this design. It uses the arrangement of more than 10 kinds

of color to show the colorful scene of nature. From night to day, from darkness to brightness,

from simple to splendid, it uses color to illustrate these gradual changes, which makes the

whole series of design be more interesting. This first garment is raven. The whole garment

is in black, with a little bit white color dotted. This makes the whole feeling not depressing.

The color of the dress gradually becomes dark brown, which means gradually leaving

darkness. The second garment-Owl continues the gradual change of the last garment. The

yellow color gradually appears which means the sunrise. The third garment has much white

color and also has the mixture of the colors. It has the feeling of everything coming back

to life. The forth garment begins to show the most representative color of nature -green.

Green color has the meaning of morning and also means the appearance of hope. The firth

garment extracts different blue colors from cyanocitta cristata. Blue color means light.

Layers of gradually changeable blue colors show the characteristic of cyanocitta cristata -

layers of its fur are distinct.

Page 26: Cai Wenwan's portfolio

26

Color Matching

The flat patternmaking of fabrics (Cotton)

Cotton is the best clothing material to illustrate nature and also the most low-

carbon material. Meanwhile, I co-ordinated with the wind-coat material which is

slight ,thin , movement and stabile, alao because of it can avoid an influence to the

effect of whole garment body. The most important is that the collorful material can

manifest the form of feather, it’s creative I consodered. With the diverse fibre ropes

were used in the patterns and accessories design, the modalities of them are binding and

splicing.

The showing of patterns and decorations

Page 27: Cai Wenwan's portfolio

27

The main point in technology was the dispose of wind-coat materials; all of them were

clipped and cohered by handcraft and spend a long time. Every garment need a diverse,

also the quantities of diverse color should be control in a befitting level, which is the

way of gradual change making.

The procedures of garments manufacturing: Plate making, Tailoring Ironing

Sticking and Collecting, Spares Collecting, Front pieces sewing Back pieces

making, Shoulder seam sewing, Collar Making, Collar Installing, Collar

Installing, Sleeves Installing, Handcraft, Pressing, Products Checkout .

Page 28: Cai Wenwan's portfolio

28

Design Notes:

My inspiration comes from the beautiful ecology. As anyone who mention about

the nature, I will think of the footloose animals in the forest, experically the birds who

have multifarious peculiarities in the diverse period. In my design, I selected the colors

from bird’s feathers and re-grop them; also, my ideas of patterns designing came from

the bird’s body features. All my ideas are purposer on appeal th epeople who pursuing

the vogue to never discarding the beauty of ecology.

Page 29: Cai Wenwan's portfolio

29

The Innovation in Cowboy Fashion

---- The Application of Deconstructionism in Innovative Garment Designing

The inspiration source: The shark’shape and the patchwork patterns of fish-bone

abstraction.

Effect diagram

Page 30: Cai Wenwan's portfolio

30

With the wishes to give strong visual impression in this series of costumes, I apply

creative clothes to show jeans innovation and recreate the fabric in way of structuralism.

The inspiration stems from contour of fish and thus fabric is recreated by picking up

the shape of fish bones abstractly.

Page 31: Cai Wenwan's portfolio

31

To show contradiction of non-clothing structure and conflicts of fabric character

and to meet the young generation’s aesthetic requirements for clothing rebellion, this

series of costumes deconstruct and recreate denim in the manner of jumping, breaking,

splitting, combining and so on. On the whole, it focuses on inheritance and innovation

of cowboy culture and then interprets the culture in a deconstructive way. As a result,

it not only influences our daily life, but also arouses the young’s pursuit of cowboy

culture spirit.

Page 32: Cai Wenwan's portfolio

32

The Countryside Style

Effect diagram

Page 33: Cai Wenwan's portfolio

33

The Green Leaves Style

Design Notes:

The whole dress is based on green as inspiration comes from leaves in the forest.

With the recreation and overlapping of fabric, I make up the upper part of the dress

Page 34: Cai Wenwan's portfolio

34

The pattern designs of cat

The sketches of cat

Page 35: Cai Wenwan's portfolio

35

The transformation of features

Page 36: Cai Wenwan's portfolio

36

The transformation of spots

Page 37: Cai Wenwan's portfolio

37

The all sides liking

Page 38: Cai Wenwan's portfolio

38

The designing of brims

Page 39: Cai Wenwan's portfolio

39

The changing of lines

Page 40: Cai Wenwan's portfolio

40

Effect drawing

The study of Batik and Bandhnu

Page 41: Cai Wenwan's portfolio

41

I have found some pictures to manufacture the patterns on the webs.

The test process.

The second finished product

The first finished product.

Page 42: Cai Wenwan's portfolio

42

The third finished product. The combination of Batik and Bandundu.

Page 43: Cai Wenwan's portfolio

43

The procedures:

The series of Little Table

The Inspiration Source: All of the knitted garments were manufactured with fibers and

plants. On this basis, I used the architectural materials: the ropes, which is tough and

easy to modeling.

Page 44: Cai Wenwan's portfolio

44

The procedures:

Page 45: Cai Wenwan's portfolio

45

The Garments Designing

The Inspiration Source: The exquisite feathers of peafowl and they were used to make

the necklaces, earring, brooches and handbags.

The design drawing of children’s garment

Page 46: Cai Wenwan's portfolio

46

The statement of Theme: The Tranquil Gray brings us a sense of little adult. This

product was taking examples by the western design styles and the other new elements

to recreates.

Garmen

Page 47: Cai Wenwan's portfolio

47

Cheongsams

Vines

Page 48: Cai Wenwan's portfolio

48

The Rhythms in Contryside

Page 49: Cai Wenwan's portfolio

49

The effect pictures of knitted fabric

Page 50: Cai Wenwan's portfolio

50

The Innovative Garment and Makeup

This garment series was created by integrated the Beijing Opera Facial Masks and The

Makeup of Modern Stage

Page 51: Cai Wenwan's portfolio

51

Page 52: Cai Wenwan's portfolio

52