camile pissarro(1830 1903)french painter (a c )

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06.12.13 10:31 PM The Road to l'Hermitage in the Snow

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Page 1: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

06.12.13 10:31 PM

The Road to l'Hermitage in the

Snow

Page 2: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Road, Winter Sun and Snow

Page 3: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Fox Hill, Upper Norwood

Page 4: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Snow at Louveciennes

Page 5: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Louveciennes

Page 6: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Street in Pontoise, Winter

Page 7: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Street in Pontoise, Winter

Page 8: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Snow at Montfoucault

Page 9: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Farm at Montfoucault

Page 10: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Snow at l'Hermitage, Pontoise

Page 11: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Snow Effect at l'Hermitage, Pontoise

Page 12: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

The Red Roofs, View of a Village in Winter

Page 13: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Rabbit Warren at Pontoise, Snow

Page 14: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Snow Effect at Eragny, Road to Gisors

Page 15: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

The Road From Gisors To Pontoise

Page 16: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

" La Route de Versailles à Louveciennes "

Page 17: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Pontoise, snow effect

Page 18: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Horsechestnut Trees at Louveciennes

Page 19: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Road at Eragny, Winter

Page 20: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Entering the Forest of Marly

Page 21: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Pontoise the Road to Gisors in Winter

Page 22: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

The Road from Versailles to Saint Germain,

Page 23: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Louveciennes Road: Snow Effect

Page 24: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

The Versalles Road At Louvecienne

Page 25: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Snow house

Page 26: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Chestnut Orchard in Winter

Page 27: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Snowy Landscape at South Norwood

Page 28: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Winter scenery

Page 29: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Snowy Landscape, Eragny, Evening

Page 30: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Paysage sous bois

Page 31: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

The Seine Viewed from the Pont Neuf, Winter

Page 32: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Boulevard de Clichy - Winter Sunlight Effect

Page 33: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Avenue de l'Opera - Snow Effect

Page 34: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

Camille Pissarro (French 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean- Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality". Cezanne said "he was a father for me. A man to consult and a little like the good Lord," and he was also one of Gauguin's masters.Renoir referred to his work as "revolutionary", through his artistic portrayals of the "common man", as Pissarro insisted on painting individuals in natural settings without "artifice or grandeur".Pissarro is the only artist to have shown his work at all eight Paris Impressionist exhibitions, from 1874 to 1886. He "acted as a father figure not only to the Impressionists" but to all four of the major Post-Impressionists, including Georges Seurat, Paul Cézanne, Vincent van Gogh and Paul Gauguin

Page 35: CAMILE PISSARRO(1830 1903)FRENCH PAINTER (A C )

"Effet de neige

à Montfoucault”