canon and the disruptive shift to digital imaging

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How Canon survived and prospered in the shift to digital photography.

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Page 1: Canon and the Disruptive shift to Digital Imaging
Page 2: Canon and the Disruptive shift to Digital Imaging

Christian Sandström holds a PhD from Chalmers University of Technology, Sweden. He writes and speaks about disruptive innovation and technological change.

Page 3: Canon and the Disruptive shift to Digital Imaging

As we know, the digital revolution has swept through the camera industry over the

last decade.

Page 4: Canon and the Disruptive shift to Digital Imaging

It has popularized photography in a way that we could never have imagined.

Page 5: Canon and the Disruptive shift to Digital Imaging
Page 6: Canon and the Disruptive shift to Digital Imaging
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Page 10: Canon and the Disruptive shift to Digital Imaging

Many camera manufacturers have suffered greatly in

this shift…

Page 11: Canon and the Disruptive shift to Digital Imaging

Hasselblad was in deep trouble.

Page 12: Canon and the Disruptive shift to Digital Imaging

Konica left the industry after trying to survive through a

merger with Minolta.

Page 13: Canon and the Disruptive shift to Digital Imaging

Polaroid is also resting in peace.

Page 14: Canon and the Disruptive shift to Digital Imaging

And so was Leica.

Page 15: Canon and the Disruptive shift to Digital Imaging

Agfa went bankrupt in 2005.

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Kodak have huge problems.

Page 17: Canon and the Disruptive shift to Digital Imaging

Contax died.

Page 18: Canon and the Disruptive shift to Digital Imaging

Bronica died.

Page 19: Canon and the Disruptive shift to Digital Imaging

When film died, Ilford died.

Page 20: Canon and the Disruptive shift to Digital Imaging

However, some companies have

prospered from the shift to digital imaging.

Page 21: Canon and the Disruptive shift to Digital Imaging

So far, Canon is one of the companies that not only survived, but also

increased their dominance with the

shift to digital imaging.

Page 22: Canon and the Disruptive shift to Digital Imaging

According to the American market

researcher IDC, Canon sold 12.6 million digital

cameras in 2004 and had a market share of

17 percent.

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Page 27: Canon and the Disruptive shift to Digital Imaging

By taking a look at how

Canon handled the shift, we

can learn a lot about how

technological revolutions can

be managed.

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Page 29: Canon and the Disruptive shift to Digital Imaging

Let’s go back to the early days of digital imaging and look at how Canon turned this

threat into an opportunity.

Page 30: Canon and the Disruptive shift to Digital Imaging

The road to the realm of digital imaging has been long and bumpy, even for Canon.

Page 31: Canon and the Disruptive shift to Digital Imaging

In 1981, the industry was shaken when SONY launched their Mavica, a

camera that used floppy discs instead of film.

Page 32: Canon and the Disruptive shift to Digital Imaging

In Japan it was referred to as ’the Mavica shock’. This event put

digital imaging on the roadmap.

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Many companies invested in and launched their own

’Mavicas’ during the 1980s.

Page 34: Canon and the Disruptive shift to Digital Imaging

Canon formed a task force to develop a colour Mavica in 1981. It was launched in 1986. Fujifilm came up with something similar in 1988.

Page 35: Canon and the Disruptive shift to Digital Imaging

Canon’s RC-701 which was launched in 1986 cost 3000 dollars. Needless to say, at such a price point it did not

reach any massmarkets.

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None of the Mavica style cameras lead to

any great success.

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The Mavica was simply not the way forward to digital imaging.

Page 38: Canon and the Disruptive shift to Digital Imaging

But Canon had learnt a lot about digital imaging by

entering at this point.

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A lot of internal development had been done and with this competence, it became much easier to follow the advances in the field.

Page 40: Canon and the Disruptive shift to Digital Imaging

Since the required competence was different, Canon recruited engineers and

managers from electronic companies.

Page 41: Canon and the Disruptive shift to Digital Imaging

They wanted to do things in-house since it was important to obtain knowledge

and renew the resource base.

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Digital imaging was developed in a separate organization that was not subject to the daily

internal competition for resources.

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However, Canon was not the leading company in digital imaging in the early 1990s.

Page 44: Canon and the Disruptive shift to Digital Imaging

At this point, some of the first applications of digital imaging

started to prosper.

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Leaf and Kodak among others developed digital backs that could be attached to medium

format cameras.

Page 46: Canon and the Disruptive shift to Digital Imaging

One of the first digital cameras was a

Kodak/Nikon product, launched in 1991.

Page 47: Canon and the Disruptive shift to Digital Imaging

These backs could be attached to Hasselblad cameras instead of film.

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It looked like this.

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Yes, big and bulky.

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Canon never entered this segment. It was probably too far away from its core segments.

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Page 52: Canon and the Disruptive shift to Digital Imaging

In 1994, Apple launched the QuickTake camera.

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It looked like a pair of binoculars, could store 32 photos and was the

first camera that could be connected to a PC.

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Page 55: Canon and the Disruptive shift to Digital Imaging

The price? 800 dollars.

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Thus, while Canon had entered and explored digital imaging at an early point, the company was not very active

in the early 1990s…

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It seems that Canon started to invest heavily at exactly the right point…

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In 1995 Casio launched the QV10.

Page 59: Canon and the Disruptive shift to Digital Imaging

This is a landmark event in the history of digital imaging.

Page 60: Canon and the Disruptive shift to Digital Imaging

It had an image quality of 0,25 Megapixels and required 4 AA batteries.

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Not the greatest gadget mankind has invented.

Page 62: Canon and the Disruptive shift to Digital Imaging

But the concept of having a LCD screen and this design turned out to

be very attractive.

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Canon now realized that this was the way forward

to digital imaging and started to invest heavily.

Page 64: Canon and the Disruptive shift to Digital Imaging

Lagging behind both Casio and Sony, it was

time to catch up.

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Canon established a ’Digital Imaging Business Centre’ and allocated more resources to it.

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The Japanese firms worked jointly in an industry

association to solve critical technical issues.

Page 67: Canon and the Disruptive shift to Digital Imaging

Moreover, they made sure that the structure was modular, so that each

individual component could be improved separately.

Page 68: Canon and the Disruptive shift to Digital Imaging

Instead of fighting battles about standards, each company could instead focus on the

product and reducing R&D costs. This created a healthy competition - each one

differentiated within the defined settings.

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The modular, standardized structure also implied that consumer electronics

companies could work on each component.

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Memory cards…

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Image sensors…

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LCD screens…

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From 1996 and on, Canon kept launching better and cheaper compact cameras all

the time under the ‘Powershot’ brand.

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Each component

was now subject to

rapid improvement.

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Page 76: Canon and the Disruptive shift to Digital Imaging

Once the cameras were good enough and cheap enough…

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… The digital avalanche came into motion…

0

5

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1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005

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And Canon was now well positioned to benefit from this huge growth.

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Back in 2001-02, virtually all my friends got a compact digital camera as a christmas gift. Everyone started to take, send and share photos now.

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Page 81: Canon and the Disruptive shift to Digital Imaging

At this point, Canon spent a lot of money on marketing, and given that everyone knew the

brand, I guess it had a great impact in the christmas rush…

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Page 83: Canon and the Disruptive shift to Digital Imaging

Canon now got rid of all analogue development and grew their

digital camera business rapidly.

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Page 85: Canon and the Disruptive shift to Digital Imaging

As the performance of digital cameras became better and better, it

was now time to launch more advanced models as well.

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The Canon 1D was one of the first true alternative for professional photographers

who wanted digital cameras. It was mortal to many of the old camera firms…

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Portrait and wedding photography used to be synonymous with Hasselblad, Contax,

Bronica and Mamiya.

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All this changed within only a few years in 2000-2004.

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Hasselblad was in deep trouble.

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Digital SLR cameras from

Canon and Nikon were

cheaper, lighter and

easier to use than a medium format camera with a digital

back.

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Most firms in the medium format segment were now collapsing as consequence of what Canon and

Nikon had launched.

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Page 93: Canon and the Disruptive shift to Digital Imaging

As the sensors, optics and signal processing became better and cheaper, Canon now started to focus more

on a completely new segment – the ’prosumers’.

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Prosumers can be regarded as

advanced amateurs with a great interest in

photography that demand more than a

point and shoot camera.

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Page 96: Canon and the Disruptive shift to Digital Imaging

Canon has been very

dominant in this segment

which has grown

rapidly over the last years.

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People who did not even own a camera in the

1990s had become

advanced hobby photographers.

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Page 100: Canon and the Disruptive shift to Digital Imaging

Photography has been

popularized in a way that no

one could have

imagined.

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SLR Cameras grew at a stunning rate of 150 percent in 2004, mainly since those targeted

people who did not have a ’semi-high-end’ camera before.

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By 2005, Canon had become the market leader after six

years of record profits and a fantastic growth.

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Unlike all those companies that collapsed in the shift to

digital imaging, Canon mastered the shift and

emerged as the champion of digital imaging.

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Why?

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1. Canon entered early and explored digital imaging. While

this did not generate any profits, it was absolutely necessary in

order to follow the developments and be able to enter later on.

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2. Timing – entering too early is dangerous since you might bet on the wrong horse. Canon invested heavily after the landmark camera from Casio. This turned out to be a

perfect timing.

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3. Canon recruited people from electronic companies in order to

renew the competence base.

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4. The company separated much of its digital development,

thereby giving it freedom and preventing that the initiative

would be starved of resources.

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5. Canon kept searching for and created new market segments.

Compact cameras were often sold to people who had not owned a camera

before and later on the company created the prosumer segment. The

marketing investments seem to have been an important reason why

people chose Canon.

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Image attributions

Page 115: Canon and the Disruptive shift to Digital Imaging

Find out more:

www.christiansandstrom.org