canon-eos pro digital bro

7/30/2019 Canon-EOS Pro Digital Bro

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Widen Your Horizons

The new EOS5D has a full-frame 12.8 MegapixelCMOS sensor combined with Canon’s

DIGIC II Image Processor, a high-precision 9-pointAF system with 6 Supplemental

points, and “Picture Style” color control to deliver imagesof superior qualitywith

enough resolution for anyapplication, allin a compact lightweightbody.

uitive Speed, Massive Resolutiond Perfect Operation.ting the next generation of EOSprofessional digitalSLRs.

ning combination ofperformance, resolution and ease of use,

o of camerasis ready for anything. All Canon EOSdigitalSLRs

ne Canon designed high-resolution sensors with the blazingly

GICII Image Processor, for nearly instantresponse across the

Canon’s renowned build quality ensuresperfect operation

tter the situation. Compatibilitywith over 50 EF Lensesand

arietyof accessories, plus new technologies, like the Wireless

nsmitter WFT-E1A and Canon’s wide-formatprinters, ensures

e EOS system is the most advanced todayand is readyto be

tible with whatever tomorrow brings.

The World’sFastestDigital SLR* Refined

Canon’snew EOS-1D Mark II N can record at 8.5 fpsfor up to 48 frames in

one burst. It featuresCanon’s proven 8.2 MegapixelCMOS sensor with a

1.3x conversion factor, combined with the speed and intelligence ofthe

DIGIC II Image Processor, allin a rock-solid, magnesium alloy body.

*As ofAugust2005

Unparalled Resolution and Performance

The EOS-1DS MarkII is a musthave for those looking to capture huge,

beautifulimages fast. With a full-frame 16.7 Megapixelsensor, the

EOS-1DS MarkII capturesup to 32 consecutive framesat speedsup to

4 fps, rendering the largestfile in Canon Digital SLR history.



kI I

2.8L USM

ghtsReserved.

Mymainconcernwith anycamerasystem ishavinga widearrayof lensesavailable

thatare manufacturedto professionalstandards.Ilove usingextremewide-anglelenses

andthefullframechipontheEOS-1DsMarkIIallowsmetoutilizealloftheEOSlenses

totheir fullpotential.Thecreation ofthis particularphotographwasimmeasurablyfaster

thanpreviouslypossiblethanksto Canon’ssuperioruseof emergingtechnology.We

wereina studioina controlledlightingsituation,wiredto theinternetwith theart

directorhundredsofmiles away.Wewere ableto captureandsendshots instantly,

andthe artdirectorevaluated

andapprovedthe imagein

minutes.TheCanonEOS-1Ds

MarkIIconnected toa computer

ora networkisa remarkable

platformforphotographyin this

digitalage.”

Commercial ApplicationsGil Smith

‘‘



Camera: EOS-1DsMarkII

Lens: EF 70-200mmf/2.8LISUSM

©2005 MelvinSokolsky AllRightsReserved

As a photographer shooting fashion I’ve found that the relationship between the

subjectand photographer requiresa highly responsive camera, even more so than in

sports or journalism photography. In fashion, the cadence of shutter releaseswill spur

on the models performance in a kind of dance with the photographer. In myexperience,

the EOS-1DsMark II hasproved to be the bestwhen used in tandem with the vast

arsenalof lenses in the EOSline. I, in fact, prefer the 1DsMarkII to any of the 22MP

medium format backsboth in termsof image quality and FPSresponse time. For the

photo on the left, I deliberatelyplaced the modelin a cocoon of veils to create a

situation that would produce moiré and chromaticaberration problemsthat most

camerascould not handle. The veilsenvelop the modelwith multiple layersto amplify

the potentialmoiré problem; clearlythe EOS-1Ds MarkII performed flawlessly.”

Fashion PhotographyMelvin Sokolsky

‘‘

White Ba

Controls

The EOS-1DsM

white balance

PC-1 to PC-3, fo

of up to three t

To fine-tune wh

the 1DsMark I

white balance c

in addition to a

different white

bracketing opt

white balance

of lighting situ

Just as traditio

phers choose t

upon consider

saturation and

ture, the EOS-1

Color Matrixfun

the photograp

characteristics

changing films

are5 presetco

and 2 customiz

settings, allow

phers to fine-tu

space to their s

Whether using

preset color sp

customizing co

the shoot, pho

expect precise

everytime.

Color Ma

CanonDigitalCamera



Camera: EOS-1DsMarkII

Lens: EF 50mmf/2.5 CompactMacro

©2005MichelTcherevko = AllRightsReserved

Canon’s DIG

Processor tu

captured by

into images

clarity and r

Photograph

precise, nat

smooth, life

spot-on whitspeed in an

lighting situ

By handling

image data,

Processor a

lower power

about1,200

taken on a f

normal cond

Photograph

as JPEG ima

or both sim

with

C

compressio

tremendous

with rich 12

lossless ima

Perfect for c

amazing resachieved wh

Canon’s RAW

a computer.

Commercial Studio PhotographyMichel Tcherevkoff

Here’s whatI like aboutthe Canon EOS system: Fastshooting, instant feedback,

instant changes in the color temperature, instantchange of ISO. No more changing of

film from B&Wto tungsten to daylight and everything in between, it’s all right there. No

more grain with high-speed film, no more need to shoot at low ISO to accommodate

slow tungsten film. Plus, you keep onlythe best shots! I love the high-resolution sensor,

and the big new LCD monitor isthe best! Few corporations today have a commitment to

innovative research and developmentbased on the demand of its customers. Canon

does. Pretty forward thinking!”

‘‘

DIGIC IISmartefrom St



The success

EOS-1D Mar

MarkII N ref

of the photo

resulting in a

fluid experie

photograph

the EO

1.3x co

and 8.

sensor

45-poi

Evalua

superb

and in

startup

EOS-1D

incorp

reques

such asan o

focusing scr

focusin low

2.5 inch LCD

providesa b

playback, an

at 170°from

values can n

in the view

photo

chan

with

cam

eye

feat

impr

all th

of the

shutte

1/800

In Photojournalism there isno such thing asa second chance - every moment is

unique and can never be reproduced. Therefore I need a camera system that is

incrediblyreliable, one that does not stand in between me and a photograph. I've come

to relyon Canon camerasto not onlycapture the decisive momentsbut also to make

photographsthat I could nothave otherwise. After five solid days of bad weather, and

with a looming deadline, we finallygot a clear sunset. I needed to

capture a dramaticshot ofthe Chrysler Building but did notwant to

isolate itas it’sa vitalpart ofthe city and rooted to the streetsbelow.

Since the surrounding buildings are lower, theyappeared in shadow

while the Chrysler appears to be in spotlight. Flying high above

New Yorkin a helicopter banking at45°, with one chance to gett he

shot that will tell your story, you need confidence in your equipment,

and that’swhyI use Canon.”

PhotojournalismVincent Laforet

Camera:EOS-1DMa rkII N

Lens: EF 16-35mmf/2.8LUSM

©2005VincentLaforet AllRightsReserved

‘‘

EOS-1D You SpoWe Liste



Sports PhotographyPeter Read Miller

FastCaFaster P

As the “1” d

alwaysbeen

flagship mo

line, Canon

compromise

construction

of the EOS-1

Photograph

an exceptio

performance

on par with

they’ve ever

to lightning

AF, sophisti

predictive A

and precise

metering, no

setting, the shoot8.5 JP

up to 48 sh

and at least

RAW images

responsive

Starting up

the EOS-1D

demonstrat

immediately

DIGIC II Ima

complement

speed in ca

by processi

them with c

speed and p

Since I started using the EOS-1 system, I’ve witnessed

Canon’s continual commitment to providing the most

advanced, adaptable, and highest quality equipment to

the professionalphotographer. Why did I switch to, and

continue to use, Canon EOS cameras and EFLenses?

Durability, functionality and flexibility. As a sports

photographer, my equipmentneeds to be astough and

adaptable as the athletes I cover. Theydon’taccept

excuses for second place and neither do myphoto

editors. The Canon EOS-1D Mark II N’sfast and accurate

auto-focus, high frame rate, plus the incredible sharp-

nessof Canon’s bright telephoto lenseswere all criticalto

my capturing the power and grace ofMaria Sharapova.

The high quality files, the larger buffer, the 2.5 inch LCD

screen and improved playbackall helped to make

everything faster and easier.”


Lens: EF 70-200mmf/2.8LIS US M

©2005PeterReadMiller AllRightsReserved

‘‘



The EOS-1D

advanced fe

complement

proven E-TTL

technology.

systems, E-T

averages the

capturing th

“plane” and

E-TTL II incor

information

EF Lenses fo

flash exposu

rendering co

exposures econtainsvar

levelsof ref

also elimina

that can occ

reflections b

areasthatre

high levelso

calculated re

E-TTL II preve

when photo

focus and re

shot. In this

calculates th

according to

information

reading offo

means more

exposure res

where the

choose

A telling, gleeful moment is there for an instant and then gone. A camera’s

ability to focus instantly and perfectly control flash exposure is often the difference

between a momentlost and one captured forever.

In dark reception halls, I often twist

the head ofmy Speedlite flash to

bounce off distant walls and

ceilings, trusting Canon’s

remarkable E-TTL II system to

handle the trickyexposure

challenge effortlessly. Whether

thatwall isyellow or blue, any color

castis instantlyeliminated by the

celebrated automatic white balance system.

Difficult shots are now routine thanksto Canon’s

industry-leading technology. I use Canon equipment

with fullconfidence that I am using the finest

photographictools available in the world today.”

Wedding PhotojournalismDenis Reggie


Lens: EF 24-70mmf/2.8LUSM

©2005DenisReggie AllRightsReserved

‘‘

Canon’s AdvancMeterinE-TTL II.

Masked Foc(Ec and Ee v

Idealfor portra

photographers

focusing scree

lines” or “blac

an image in a

square format.

are available fo

camerasaswe



The featuresthat attracted me to the Canon system are numerous…Let’s start with

the awesome selection oflenses. I own severalof Canon’sfast lenses and theyhave

given me a whole new look to my photographs. The fastlenses allow me to work in

available light, creating portraitsthat are simple and direct, yet make powerful

statements. I also love working with the EOS-1 body. It’sdurable and nimble all at the

same time. I can workthe menu features in the dark–with myeyes closed–and thisis

important during stressful shoots when I need to change a setting. Mostimportant:

Consistentexposures and accurate focus. That would be the key word…Consistency!

Thisconsistencyhelpskeep mywork fresh and exciting.”

Senior PortraitClay Blackmore

The EOS-1D

of the easie

customize to

personalsty

Six new “Pic

settingssim

characterist

film styles,

Snapshot m

print-from-th

Portraitmod

more natura

Landscape,

and greensa

sharpness,

Faithfuland

which can b

to emulate cblackand w

Canon’s new

matte focus

proven Cust

functions (tw

one for Com

and one for

(SD) memor

the ability to

and RAW im

memory card

and it’sclea

1D Mark II N

adaptable p


Lens: EF 300mmf/2.8LISUSM

©2005ClayBlackmore AllRightsReserved

‘‘

More OThe Wa



The new EO

advanced p

lightweight,

thatuses Ca

EFlenses wi

factor, an im

for photogra

to make the

EFlenses ra

full-frame CM

records 436that’s 12.8 M

than manyo

top-of–the-l

sensor, desi

Canon, prov

resolution im

the EOS-1Ds

usesCanon’s

Processor, h

9-point AFsy

Supplement

extended IS

50-3200 an

noise reduct

maximize th

the EOS 5D’

reduction. W

capabilities,

ma

b

is

ad

EO

I lookfor a camera that takesthe guessworkout of photography, a camera that is

easyto hold and use, that isan extension of myhands, head and heart. The instantI

picked up the new EOS5D, I knew this was it. Viewing the resultsof each shoton the

2.5” LCD monitor on the back of the camera, I’m able to focusin on the detailsthat are

usually missed untilI’m back at the computer viewing imageson a monitor. With the

EOS 5D’s advanced playback, I wasable to scrutinize every little detail, refining and

perfecting the picture with each successive exposure. Whata savings of time, talent

and money! Then, when viewing images on the backof the camera section by section

I was able to confirm in my own mind that I had accomplished whatI setout to do. The

Canon EOS5D and I were “bestbuddies” right after the first few testshots.”

Studio PortraitMonte Zucker

Camera:EOS5D

Lens: EF 85mmf/1.2LUSM

©2005MonteZucker AllRightsReserved

‘‘

(ShownwithoptionalWirelessFileTransmitterWFT-E1A)

The NewWide Ap



In a lot of waysyou are onlyas good asthe toolsyou

use–learn to use the best tools properlyand your

advantage is miles high. Assuch, I believe that having

my Canon camerasand lensesis criticalat everyjob I

photograph. Beautiful files, speedy focus, fast lenses,

Image Stabilization, high ISOs, easy exposure

compensation, and excellent dynamic range are critical to

capturing moving moments in life and it’sthose moments

that I earn myliving from. There can be no compromise.Photographing three little girls at sunset in

this remote setting required all the

elementsthat are importantto

my work. Having a compact,

lightweightcamera with the

imaging power of the EOS5D

made this shoot possible.

Without the right toolsthis

shootwould nothave been

possible.”

EnvironmentalPortraitMichele Celentano

The decided

features of t

builtinto a n

compact, ru

ergonomica

body. Builtw

alloybody c

and portabi

approximate

and under 2

easyto carry

longest pho

the grip isde

comfort, fea

where the p

middle finge

metallic mo

roulette whemore positiv

buttons and

labeled and

cues, so use

instinctive. T

design follo

optional BG

With a shutt

take a profe

frames, the

choice for a

secondaryS

a: EOS5DEF 70-200mmf/2.8LIS USM

5MicheleCelentano AllRightsReserved

‘‘

More FeLess Ca



The EOS5D

to provide th

with instant

valuable tim

images. A ne

screen with

230,000 pix

displays mo

it can also b

far greater a

other conven

(170°).The f

information

an RGB hist

displays the

Magnificatio

exposure an

has never b

is now simp

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Nature PhotographyGeorge Lepp

Every time I go into the field my Canon EOSdigital

system allowsme to capture precisely what I see. I need

a camera thatwill solve the photographic problemsthat

are inevitable in outdoor photography. Willthe camera’s

functions assist me, or be an obstacle to overcome?

Willit focusquickly enough? Stand up to the weather and

terrain I frequently find myself in? Mostimportantly, will

the image qualitybe up to the standardsthat myclients

and I demand? Canon has always been interested in what

those of us in the field have to say, and the improvements

made over the yearsreflectthat input. If not for the full-

frame sensor on the EOS5D, for example, this dramatic

“fisheye” shotwould not be possible.

Occasionallythey’lleven thinkof

something I didn’t even know

I needed!”

ActualSize (Shownwith

optionalBatteryGripBG-E4)

a: EOS5DEF 15mmf/2.8 Fisheye

5GeorgeLepp AllRightsReserved

‘‘

The Res



Historically,

sensorswer

for the very

SLR lines. T

3rd camera

SLR line to u

sensor, elim

conversion f

lensesfunct

on a 35mm

12.8 Megap

the 5D prod

with enough

reduce elect

out of the c

being a welc

wide-angle e

sensor alsopotential of

lenses. Add

focusing scr

one with gri

EOS5D is th

for creating

architectura

EOS5D also

AF sensor, w

supplement

points, whic

levelof acc

tracking. Th

combine wit

spot

C

Long before I switched to Canon digital SLRs, I made

a list offeaturesthat I required in a digitalcamera. Canon

was the first(and remains the only) manufacturer to meet

my requirements: full frame sensor, high pixel count,

bright LCD review, rapid operation and superlative image

quality. I bought one of the firstEOS-1Ds cameras

available, and every iteration since has only improved

upon its versatile, intelligent and reliable design. Now with

the EOS5D I've gotanother great option. A higher resolution full-frame camera in a compact, lightweight

body that affords me more versatility than ever before.

The high resolution, wide tonalrange sensor made this

kitchen image possible. Note the extreme density

range–from bright chrome to darkwood–and the mixed

lighting. The Canon sensor takes mixed lightsources in

stride, allowing faithfulimage capture without

supplemental lighting.”

ArchitecturalPhotographyGerry Kopelow

a: EOS5DTS-E 24mmf/3.5L

5GerryKopelow AllRightsReserved

‘‘

ExpansPerspec



LCD Panel Illumination Button

Self-timer Lamp

Lens Release Button

PC Terminal

Digital Terminal

Remote Control Terminal (N3 type)

Video OUT Terminal

Viewfinder Eyepiece

Dioptric Adjustment Knob

CF Card Slot Cover

Depth-of-field Preview Button

Grip (Battery Compartment)

Tripod Socket

DC Coupler Cord Hole

Battery Compartment Cover Release Lever

Battery Compartment Cover

Multi-controller

AE Lock/FE Lock Button/Index/Reduce Button

AF Point Selection/Enlarge Button

CF Card Slot

Quick Control Dial

Power/Quick Control Dial Switch

JUMP Button

Erase Button

Playback Button

INFO/Trimming Orientation Button

MENU Button

Direct Print Button

LCD Screen

Eyecup

Flash-sync Contacts

Hot Shoe

Mode Dial

Shutter Button

Main Dial

LCD Panel

AF Mode Selection/White BalanceSelection Button

Drive Mode Selection/ISO Speed Button

Metering Mode Selection/Flash Exposure Compensation Button

Strap Mount

Strap Mount

Setting Button

Battery Level Mark

Flash Exposure Compensa

Auto

Daylight

Shade

Cloudy

Tungsten Light

White Fluorescent Light

Flash

Custom

Color Temperature

White Balance

Spot Metering Circle

Focusing Screen

Flash-ready

High-speed Sync (FP flash)

FE Lock

* AE Lock/AEB in-progress

Flash Exposure Compensa

Beeper

Custom Function

Recording QualityLarge/Fine

Large/Normal

Medium/Fine

Medium/Normal

Small/Fine

Small/Normal

RAW

ISO Speed

WB Correction

NOMENCLATURE for EOS 5D VIEWFINDER INFORM

TOP LCD PANEL INFO

40



SYSTEM CHART

Macro Twin LiteMT-24EX

Macro Ring LiteMR-14EX

580EX430EX220EXST-E2

EOS-1Ds Mark IIEOS-1D Mark II N

EOS 5D

Interface CableIFC-200D4IFC-450D4

IFC-200D44IFC-450D44

Focusing Screen Ec

Masked Focusing Screens(Ec and Ee versions available)

Focusing ScreenEe-D Ee-S

(5D only)

(1D Mark II N only)

EyeCup Ec-II(1D only)

EyeCup Eb(1DS/5D)

Focusing ScreenEe-A

(5D only)

Anti-Fog Eyepiece Ec

(1D series only)

Rubber Frame Ec(1D series only)

Eyepiece ExtenderEP-EX15

Rubber Frame Eb(5D only)

E-series DioptricAdjustment Lenses

Angle Finder C

Interface Cable

IFC-200D4(Mark II series only)

Interface CableIFC-400PCU

Video CableVC-100

Canon EF Lenses

EOS DigitalSolution Disk

DC Co

Ni-MH Charger NC-E2

Ni-MH Pack NP-E3

SoftwM

Strap L5

Hand Strap E1(1D only)

CR2025Lithium Battery

Date/time CR2016Lithium Battery

Battery GripBG-E4

Battery PackBP-511A, BP-514

Wide StrapEW-100DGR

Battery PackBP-511A

Car BatteryCable

CB-570

BatteryChargerCG-570

Battery ChargerCG-580 or CG-5L

Compact powerAdapterCA-570

Compact powerAdapter

CA-PS400

AC AdapterAC-E2

AC Adapter KitACK-E2

DC CouplerDR-400

Bundled

Accessories

46



C KNOWHOW

®

1-800-OK-CANONwww.usa.canon.com

Canon U.S.A., Inc.One Canon PlazaLake Success, NY 11042 U.S.A.

Canon Canada Inc.6390 Dixie RoadMississauga, Ontario L5T 1P7 Canada

Canon Latin America703 Waterford Way, Suite 400Miami, FL 33126 U.S.A.

Canon Mexicana, S. de R.L. de C.V.Blvd. Manuel Ávila Camacho No. 138, Piso 17Col. Lomas de ChapultepecC.P. 11000 México, D.F. Méxicowww.canon.com.mx

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