cast list for the printed program pops...unchained melody farah & chapter 6 girl singer medley...

SPC The Fifties: The Golden Age Of Black & White

As of 2/9/17 1

Tech Rider

Signed by Orchestra______________________ date__________________ Signed by ISS____________________________date__________________

Please return all of tech rider with the contract. A counter signed copy will be returned to you


As of 2/9/17 2

The Fifties, The Golden Age Of Black &

White

Cast List for the Printed Program

Conducted by

TBD

- Starring -

Chapter Six Karen Murphy

Farah Alvin

***Casting is subject to change, please confirm cast with Brandy

Rodgers


As of 2/9/17 3

CONTACT NUMBERS

Brandy Rodgers Production Manager/ 317-231-6771 Company Manager 317-340-9198 C

Laura Cones ISO / SPC Librarian 317-231-6778

All technical and performance related questions should be

directed to Brandy Rodgers


As of 2/9/17 4

Show Order - Not For

Printed Program

Title ACT I

Artist

The 1950’s Overture Orchestra

Four by Six: Hits of the

Decade Chapter 6

Donna Reed

Theme/Commercials Karen, Chapter 6, and Orchestra

How Did He Look/Cry Me A

River Karen

I Love Lucy Theme Orchestra

Unchained Melody Farah & Chapter 6

Girl Singer Medley Karen & Farah

Mambo Italiano Farah, Karen, & Chapter 6

INTERMISSION

ACT TWO

Rock Around the Pops Orchestra

Jump Jive and Wail (no orchestra) Chapter 6

Game Show – Queen for a

Day Karen, Jack, Chapter 6

The Golden Age of Black and

White Orchestra & Chapter 6

Theme From A Summer

Place/Moulin Rouge Orchestra

The Unforgettable Medley Chapter 6

Elvis Medley All

‘Lucy’ Bows All

Happy Trails (sing-a-long) (encore) All

At the Hop – playoff

(encore) Orchestra


As of 2/9/17 5

Bios & Pictures for Programs

Please contact Brandy Rodgers for updated bios and Headshots. Bios will be available within 6 months of the concert dates. Bios and headshots can be distributed by CD or email as Word documents and tif / jpeg image files. P.R. Images are included on a CD that will be sent with the fully executed, counter-signed contract.


As of 2/9/17 6

The Fifties

INSTRUMENTATION

3 Flutes ( 2nd

& 3rd double Piccolo)

2 Oboes (no Eng. Horn)

3 Clarinets (3rd

/Bass Clarinet)

2 Bassoons

Alto & Tenor Sax 1 (one player who doubles)

Alto & Tenor Sax 2 (one player who doubles)

Baritone Sax

4 Horns

3 Trumpets (Lead trumpet is fairly high, but not a true screamer part. -One trumpet plays the Billy Regis solo of “Cherry Pink and Apple Blossom White”.) 3 Trombones

1 Tuba

Timpani

Trap Set ***

3 Percussion (includes a car horn and Large crank siren)

Harp

1 Keyboard – Piano / Synth / Celeste (must be versed in 1950’s style) ***

Electric& Acoustic guitar, Banjo, Mandolin (one player versed in the fifties style)

Fender Bass Guitar & upright rhythm bass (one player on this instrument exclusively, also versed in fifties style) ***

Strings (10 – 8 – 5 – 5 - 4 minimum)

Please see “stage layout” for details


As of 2/9/17 7

Symphonic Pops Consortium

THE FIFTIES: The Golden Age of Black & White

Plus 8 Vocal Soloists

*** please note that a crank siren and a car horn are needed for percussion, typically

requiring a rental

Instrumentation Detail and Music Rental Information

(Note: Title listings for printed programs should come from Consortium producers, NOT from the titles below.

Also note that the ‘men’s chorus’ listed below references Chapter 6.)

Total Instrumentation: Fl Ob Cl Bn Hn Trp Tbn Tu Tmp Perc. Hp Keybd Extra Strings

3 2 3 2 4 3 3 1 1 4 1 1 5 10 8 5 5 4

00:05:00

The 1950s Overture **aka: Fifties Prelude**

Fl: 3 1,2/P,P Hn: 4 1,2,3,4 Timp: 1 1

Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1 1

Cl: 3 1,2,3/BC Tb: 3 1,2,3 Kbd: 1 (1 plyr)

Bn: 2 1,2 Tu: 1 1 Piano; Celesta; Synthesizer

Prc: 4 (Vibes OR Marimba; Temple Blks OR Horse Hooves)

Ext: 5 3 Saxes (Altos dbl Tenors), Elec. Guit / Acoustic Guit / Mandolin, Elec. Bass

Strings: at least 10/8/5/5/4

Bass Drum; Bongo Drums; Chimes; Congas; Cymbals (Pair); Drum Set; Guiro; Horse Hooves; Maracas; Marimba; Orchestra Bells; Tambourine; Temple Blocks; Vibraphone; Wood Block; Xylophone

Baritone Saxophone; Electric Bass; Electric Guitar; Mandolin; Acoustic Guitar; Alto Sax/Tenor Sax 1; Alto Sax/Tenor Sax 2

Solo Instruments:

Comments:

00:06:00

Four By Six: Hits of the Decade

Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1

Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1 1

Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Piano/Celeste

Bn: 2 1,2 Tu: 1 1 Celesta; Piano

Prc: 4 Ext: 5 3 Saxes (2 dbl on alto & ten); Electric Bass, Gtr


Claves; Dinner Gong; Drum Set; Finger Cymbals; Gong; Guiro; Orchestra Bells; Shaker; Small Triangle; Tambourine; Triangle; Vibraphone; Vibraslap; Wind Chimes

Alto Sax/Tenor Sax 1; Alto Sax/Tenor Sax 2; Baritone Saxophone; Electric Bass; Guitar

Solo Instruments: Men's Chorus


As of 2/9/17 8

00:04:00

At Home With Mrs. Murphy

Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1

Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1

Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Pno/Celeste

Bn: 2 1,2 Tu: 1 1 Celeste; Piano

Prc: 4 Ext: 5 Strings: at least 10/8/5/5/4

Chimes; Cymbals (Pair); Drum Set; Orchestra Bells; Suspended Cymbal; Vibraphone

Alto Saxophone; Tenor Saxophone; Baritone Saxophone; Electric Bass; Guitar

Solo Instruments: Female Voice; Men's Chorus

Comments:

00:05:00

How Did He Look/Cry Me a River

Fl: 3 1,2,3 Hn: 4 1,2,3,4 Timp: 1 1

Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1

Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1

Bn: 2 1,2 Tu: 1 1 Piano


Chimes; Drum Set; Orchestra Bells; Vibraphone

Guitar; Electric Bass

Solo Instruments: Female Voice

Comments:

00:03:00

I Love Lucy

Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1

Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1 1

Cl: 3 1,2,3/BC Tb: 3 1,2,3 Kbd: 1 Pno/Celeste/Synth (1 plyr)

Bn: 2 1,2 Tu: 1 1 Celeste; Piano; Synthesizer

Prc: 4 (Shaker OR Maracas) Ext: 3 3 Saxes Strings: at least 10/8/5/5/4

Bongo Drums; Congas; Cymbals (Pair); Drum Set; Orchestra Bells; Shaker; Vibraphone

Baritone Saxophone; Tenor Saxophone; Alto Saxophone

Solo Instruments:

Comments:

00:05:00

Unchained Melody

Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1

Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1 1



Prc: 4 Ext: 5 3 Saxes, Electric Bass, Gtr Strings: at least 10/8/5/5/4

Bass Drum; Chimes; Cymbals (Pair); Drum Set; Orchestra Bells; Suspended Cymbal; Triangle; Vibraphone

Tenor Sax 1; Tenor Sax 2; Baritone Saxophone; Guitar; Electric Bass

Solo Instruments: Female Voice; Men's Chorus

Comments:


As of 2/9/17 9

00:12:00

Girl Singers Medley

Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1

Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1 1

Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Pno/Cel/Synth (= Honky Tonk, Harpsichord, Synth. Banjo)


Prc: 4 Ext: 5 (Gtr= accoustic, elec, banjo) 3 saxes, Electric Bass


Bass Drum; Bongo Drums; Cymbals (Pair); Drum Set; Finger Cymbals; Marimba; Orchestra Bells; Suspended Cymbal; Tambourine; Triangle; Vibraphone; Xylophone

Alto Saxophone; Baritone Saxophone; Tenor Saxophone; Electric Bass; Guitar; Electric Guitar; Banjo

Solo Instruments: 2 Female Voice; Men's Chorus

Comments:

00:04:00

Mambo Italiano

Fl: 3 1,2,P Hn: 4 1,2,3,4 Timp: 1 1

Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1 1

Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Pno/Synth/Celeste


Prc: 4 Ext: 5 Strings:

Bongo Drums; Claves; Conga; Cowbell; Drum Set; Guiro; Marimba; Orchestra Bells; Vibraslap; Xylophone

Alto Saxophone; Baritone Saxophone; Tenor Saxophone; Electric Bass; Mandolin

Full Strings

Solo Instruments:

Comments:

Intermission 00:20:00

00:04:00

Rock Around the Pops

Fl: 3 1,2,P Hn: 4 1,2,3,4 Timp: 1 1

Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1 1



Prc: 4 Ext: 5 3 Saxes; Elec. Gtr; Elec. Bs.


Bass Drum; Chimes; Cymbals (Pair); Drum Set; Orchestra Bells; Suspended Cymbal; Vibraphone; Xylophone

Alto Saxophone; Baritone Saxophone; Tenor Saxophone; Electric Bass; Electric Guitar

Solo Instruments:

Comments:

00:02:00

Jump, Jive an' Wail

Fl: 0 Hn: 0 Timp: 0

Ob: 0 Tp: 0 Harp: 0

Cl: 0 Tb: 0 Kbd: 0

Bn: 0 Tu: 0



Comments: NO ORCH.


As of 2/9/17 10

00:05:00

Game Show: Queen for a Day

Fl: 3 1,2,3 Hn: 4 1,2,3,4 Timp: 1 1

Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1 1

Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 Pno/Synth

Bn: 2 1,2 Tu: 1 1 Synthesizer; Piano


Chimes; Drum Set; Orchestra Bells; Xylophone

Alto Saxophone; Baritone Saxophone; Tenor Saxophone; Guitar; Electric Bass

Full Strings

Solo Instruments: 6 Actor; Narrator

Comments:

00:06:00

The Golden Age of Black and White

Fl: 3 1,2,P Hn: 5 1,2,3,4,Asst. Timp: 1 1

Ob: 2 1,2 Tp: 4 1,2,3,Asst Harp: 1 1

Cl: 3 1,2,3 Tb: 3 1,2,3 Kbd: 1 (one player)

Bn: 2 1,2 Tu: 1 1 Piano; Synthesizer; Celesta; Celeste

Prc: 3 Ext: 5 3 saxes, Guitar (1 plyr), Elec. Bass


Bass Drum; Car Horn; Chimes; Cymbals (Pair); Drum Set; Horse Hooves; Orchestra Bells; Pop Gun; Lg. Crank Siren; Small Triangle; Suspended Cymbal; Triangle; Vibraphone; Whip; Xylophone

Tenor Sax 1; Tenor Sax 2; Baritone Saxophone; Electric Bass; Electric Guitar; Acoustic Guitar


Comments: Vocals are opt'l

00:04:00

Song from Moulin Rouge **segue to** Theme from A Summer Place

Fl: 3 1,2,3 Hn: 3 1,2,3 Timp: 1 1

Ob: 0 Tp: 3 1,2,3 Harp: 1

Cl: 3 1,2,3 Tb: 3 1,2,3 Kbd: 1 Pno/Celeste

Bn: 0 Tu: 0 Celeste; Piano


Drum Set; Orchestra Bells; Vibraphone

Guitar; Electric Bass

Solo Instruments:

Comments: Moulin Rouge has only Strings, vibes, kybd, gtr, rhy bass. Addt’l instruments are for

Summer Place. MUST RENT THESE 2 TUNES FROM TERRY WOODSON: 323-464-1946

00:08:00

The Unforgettable Medley

Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1

Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1



Prc: 4 Ext: 5 3 Saxes (2nd dbls alto&ten); Electric Bass; Gtr


Cymbals (Pair); Drum Set; Orchestra Bells; Suspended Cymbal; Triangle; Vibraphone; Xylophone

Alto Sax 1; Alto Sax/Tenor Sax 2; Baritone Saxophone; Electric Bass; Guitar

Solo Instruments:

Comments:


As of 2/9/17 11

00:10:00

Elvis Medley

Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1

Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1 1



Prc: 4 Brake Drum OR Anvil Ext: 5 3 Saxes, Elec. Gtr, Elec. Bs.


Bass Drum; Brake Drum; Cymbals (Pair); Drum Set; Orchestra Bells; Pop Gun; Slapstick; Vibraphone; Xylophone

Alto Saxophone; Baritone Saxophone; Tenor Saxophone; Electric Bass; Electric Guitar

Solo Instruments:

Comments:

**DO NOT LIST IN PROGRAM** 00:01:00

I Love Lucy Bows Encore

Fl: 3 1,2,3/P Hn: 4 1,2,3,4 Timp: 1 1

Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1 1

Cl: 3 1,2,3 Tb: 3 1,2,3 Kbd: 1

Bn: 2 1,2 Tu: 1 1 Piano

Prc: 4 Ext: 3 3 saxes Strings: at least 10/8/5/5/4

Bongo Drums; Congas; Cymbals (Pair); Orchestra Bells; Shaker

Alto Sax 1; Alto Sax 2; Baritone Saxophone

Solo Instruments:

Comments:


Happy Trails Encore

Fl: 3 1,2,3 Hn: 4 1,2,3,4 Timp: 1 1

Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1 1

Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1 pno/celeste


Prc: 3 Ext: 4 2 saxes, Elec. Bs., Gtr Strings: at least 10/8/5/5/4

Orchestra Bells; Temple Blocks; Vibraphone

Tenor Sax 1; Tenor Sax 2; Electric Bass; Guitar

Solo Instruments: Chorus

Comments:


At The Hop (Playoff) Encore

Fl: 3 1,2,P Hn: 4 1,2,3,4 Timp: 1 1

Ob: 2 1,2 Tp: 3 1,2,3 Harp: 1 1

Cl: 3 1,2,BC Tb: 3 1,2,3 Kbd: 1

Bn: 2 1,2 Tu: 1 1 Piano

Prc: 4 Ext: 5 3 Saxes, Elec. Bs., Gtr Strings: at least 10/8/5/5/4

Bass Drum; Chimes; Drum Set; Orchestra Bells; Tambourine; Vibraphone

Alto Saxophone; Baritone Saxophone; Tenor Saxophone; Guitar; Electric Bass

Solo Instruments: Chorus

Comments:

* = Encore


As of 2/9/17 12

SPC Drum Set Requirements

Please note that the SPC travels with a drummer, Steve Hanna. Here are his minimum

needs, which must be provided by host orchestra:

Pro-line gear: DW (Drum Workshop), Yamaha, Pearl, Gretcsh

Standard 5 piece kit with stands, pedals, and throne:

Snare drum – 5x14

Bass drum – 16x20 or 22

High tom – 8x10

Middle tom – 8x12

Floor tom – 16x16

Hi-hat stand with cymbal clutch

Snare drum stand

Bass drum pedal

Cymbal stands – 4

Drum throne (stool/seat)

A coated Remo Ambassador Batter head is requested for snare drum for brush work.

Steve will bring his own cymbals, sticks, and sound effects.

If you have any questions, contact Steve Hanna at: Home 317/257-3786 Cell 317/250-5056 [email protected]

mailto:[email protected]


As of 2/9/17 13

LOCAL NEEDS

To be provided by the Local Producing Orchestra

Three 24 to 28” stools are needed (Black or Wood tone)

A FOUR PERSON RHYTHM SECTION - MAY BE PLACED UP CENTER OR NEAR THE BRASS 1) PIANO, 2) TRAP SET, 3) ACCUSTIC BASS & FENDER, 4) GUITAR

A 6 FOOT GRAND IS ACCEPTABLE FOR USE.

PENDING CONDUCTOR APPROVAL, THE CELESTE MAY BE PLAYED ON THE SYNTH. SYNTHESIZER MAKE AND MODEL MUST BE SUBMITED TO BRANDY RODGERS PRIOR TO CONDUCTOR’S ARRIVAL.

Roundtrip shipment (FedEx 3 day or UPS 3 day) of music, costumes, and prop boxes. SPC staff will supply address labels, with values of contents. The cost of the shipment, and insurance for these packages, is the responsibility of the local orchestra. FedEx 3 day Express or UPS Air 3 Day is acceptable. Ground Shipping is not acceptable due to insurance limitations.

A “crank siren” (typically requiring a rental) and a car horn are needed for percussion. Please see stage layout for orchestra set up details. Two wardrobe dressers are needed for:

5 hours steaming and ironing prep

each performance starting 1 1/2 hours prior to curtain 2 mic stands for wireless handhelds

OPTIONAL: A “Fifties” sign is available free of charge, except for shipping and insurance (approx $700 - $1000 depending on shipping distance, round trip). Six electrical circuits are needed for the “Fifties” sign. It takes less than 45 minutes to hang the sign in most halls, and it looks fabulous.


As of 2/9/17 14

Stage Layout:

See the schematic for details – especially concerning orchestra set up.

8’ – 10’ of down stage space is needed for the Vocalists. No special floor treatments (marley, etc) are needed.

There is an optional stage décor that needs a 2’ x 6’ space up stage center or in the corners for lights and fabric.

Cast Needs:

Five dressing rooms plus 1 for the conductor are requested. Dressing rooms will be discussed (knowing that some halls do not have large facilities) with tech personnel. Final dressing room assignments will be determined on-site.

Depending on the location of dressing rooms, a quick change booth on stage may be needed stage right. It will need a clothes rack, mirror, music stand for jewelry, running lights.

An iron, ironing board, and steamer are needed at all venues. Two wardrobe people are needed to prep the show (iron & steaming) for a 5 hour call. The concert requires 1 to 2 wardrobe staff as “run crew” and the call is 11/2 hours prior to curtain.

A minimum of ten 1 liter bottles of water are needed for each rehearsal and

performance. Towels are always appreciated.

2 mic stands for wireless handhelds


As of 2/9/17 15

SPACE NEEDS AND STAGE LAYOUT

BELOW IS A ROUGH SKETCH INDICATING THE PLACEMENT OF MICS, LIGHTING SPECIALS, AND STAGE ARRANGEMENT. PLACEMENTS WILL VARY FROM HALL TO HALL.

THE DOWN STAGE SPACE NEEDS TO BE BETWEEN 8’ TO 10’ DEEP. NO SPECIAL FLOOR TREATMENTS (MARLEY, ETC) ARE NEEDED.

DEPENDING ON DRESSING ROOM LOCATION – QUICK CHANGE BOOTHES MAY BE NEEDED.

THREE 24 - 28” TALL STOOLS ARE NEEDED (CAN BE BLACK OR WOOD TONE)

A FOUR PERSON RHYTHM SECTION - MAY BE PLACED UP CENTER OR NEAR THE BRASS 1) PIANO, 2) TRAP SET, 3) ACCUSTIC BASS & FENDER, 4) GUITAR

A 6 FOOT GRAND IS ACCEPTABLE FOR USE.

PENDING CONDUCTOR APPROVAL, THE CELESTE MAY BE PLAYED ON THE SYNTH. SYNTHESIZER MAKE AND MODEL MUST BE SUBMITED TO BRANDY RODGERS PRIOR TO CONDUCTOR’S ARRIVAL.

BU F H F ORCHESTRA CONDUCTOR S ORCHESTRA

----------------------------------------------------------------------------------------------------------------------

^ |

8’ TO 10’ SR SPECIAL CENTER | SL SPECIAL

top LIGHT SPECIAL | top LIGHT

TOP LIGHT V

DOWN STG EDGE ¼ POINT C ¼ POINT

L SYMBOL KEY: audience

CL = CENTER LINE BU= back up mic – WIRELSS HAND HELD, F= MUSIC STANDS FOR FEATHER FANS, S = 24” STOOL instead H = CONDUCTOR’S HOT SPOT MONITOR – SMALL W/ VOLUME CONTROL


As of 2/9/17 16

LIGHTING REQUESTS

THE LIST BELOW IS A WISH LIST. WE CAN WORK WITHIN EXISTING SYSTEMS AND BUDGETS WHEN NECESSARY.

FOR THE ORCHESTRA STAND LIGHTS - controlled by light board if possible

1 FULL STAGE NO COLOR WASH 3 FULL STAGE COLOR WASHES

BLUE (R79 OR 80), RED (R26 ), LT PINK (R34), 1 LIGHT PINK (R 337) FRONT COLOR WASH FOR BOWS

FOR THE CONDUCTOR

2 TOP LIGHTS (R55) (from up stage of conductor podium) – 2 units 2 FRONT LIGHT IN A LIGHT PINK COLOR (R337)

FOR THE DOWN STAGE AREA

3 SIDE LIGHT WASHES (OVERHEAD OR FROM BOX BOOMS) 3 lights per color , per side, if possible

BLUE (R68), MAGENTA (R46), PINK (R34), 1 GOBO WASH ( MIN. 4 - 6 INSTRUMENTS, 2 - 3 FROM EACH SIDE

- L202 AND BREAKUP) 2 FRONT LIGHT WASHES, CONTROLLED IN 5 AREAS– SL, MSL,

CENT, MSR, SR - A PINK ( R337) & A BLUE (R68) 3 TOP LIGHT SPECIALS – 1. SL, 2. CENT, 3. SR (R55) 2 BACK LIGHT OR TOP LIGHT WASHES –BLUE(R80), AMBER(R30)

6 CIRCUITS FOR “Fifties” SIGN (OPT’L)

WALL WASHES IF POSSIBLE COLOR WASHES ON THE SHELL WALLS OR ON A

BACKDROP IS DESIRED, RED, BLUE, AMBER 2 FOLLOW SPOTS WITH A SOFT EDGE AND A SOFT PINK (R337)COLOR OPTIONAL: A “Fifties” sign is available free of charge, except for shipping and insurance (approx $700 - $1000 depending on shipping distance, round trip). 6 electrical circuits are needed for the “Fifties” sign. It takes less than 45 minutes to hang the sign in most halls, and it looks fabulous. We highly recommend the usage of this large scenic element. It’s original design and construction cost was approximately $10,000.00.


As of 2/9/17 17

SOUND REQUESTS SOUND REQUESTS

Orchestra must provide:

Nine (9) professional grade wireless handheld microphones with receivers (Shure UHF-R/Sennheiser/Audio Technica, etc.) with Shure Beta 87A capsules, or comparable.

1. Chuck Baritone 2. Nathan Tenor 3. A.D. Baritone 4. John Bass 5. Luke Tenor 6. Jarrett Tenor

7. Karen Murphy 8. Farah Alvin 9. back up placed at conductor’s podium

Four (4) professional grade wireless body pack transmitters with receivers (Shure UHF-R/Sennheiser/Audio Technica, etc.) Antennae combiner and remote

antennas preferred. Also need three (3) beige head set microphones, with

windscreens, and one (1) lav to be worn on shirt (black) to plug into the above mentioned body packs (Countryman E6 – medium or low sensitivity/DPA 4066, 4088/Sennheiser HSP4, etc.)

1. Karen Murphy 2. Farah Alvin 3. Luke – Act I only 4. Conductor (wears his black lav on his shirt)

Six (6) professional grade wireless in ear monitor (IEM) units (Shure PSM600/700, Sennheiser G2/G3, AKG, etc.). Antennae combiner and remote antennae is preferred

A separate monitor mix is needed for the in-ear monitors – can be 9 AUX

SENDS from the house console or a separate backstage monitor mixing console (must accommodate all vocal mics)

Compression is needed for all singers. There is huge variance in dynamic range from one song to the next.

1 “HOT SPOT” MONITOR FOR THE CONDUCTOR TO HEAR VOCALS Conductor needs about 30 % more volume of the women than the men

IN GENERAL ADDITIONAL MONITORS MIGHT BE NEEDED AT LEAST FOR: ***USE MONITORS AS PER YOUR STANDARD POPS SET UP


As of 2/9/17 18

IN GENERAL, ADDITIONAL MICS HAVE BEEN USED FOR: ***USE MICS AS PER YOUR STANDARD SET UP

Solo piano hi and lo

A dedicated Fender person plus an acoustic guitar are needed

If your hall typically requires mics on certain instruments for Pops concerts, please be prepared to add them as needed.

Hand held mics 1. Chuck Baritone 2. Nathan Tenor 3. A.D. Baritone 4. John Bass 5. Luke Tenor 6. Jarrett Tenor 7. Karen Soprano 8. Farah Soprano

Lav mics 9. Karen Murphy 10. Farah Alvin 11. Luke Act I Girl Medley 12. Conductor

Back up mic 13. On stage near Conductor Podium

(Orchestra provides mic) 2 mic stands for wireless handhelds are needed The orchestra needs to provide batteries for all equipment.


As of 2/9/17 19

SPC The Fifties! RETURN CONTACT SHEET

Name of Orchestra___________________________________________________________

Phone #___________________________ Fax # __________________________________

General Administrative Contact: ________________________________________________

Contact for technical information: Phone

Operations Manager: _________________________________________________________

Librarian: __________________________________________________________________

Merchandise Contact: ________________________________Phone______________________

Rehearsal & Performance Information Date Time Location Rehearsal / Performance

When does house open: Name of Hall

Phone number for tickets:

Hotel Information

Hotel Name: ________________________________Distance / time to theatre____________

Hotel Address: _______________________________________________________________ ______________________________________________________________

Hotel Phone #: ___________________________ Fax: _____________________________

Travel time from Airport to Hall / Hotel_________________

cast list for the printed program pops...unchained melody farah & chapter 6 girl singer medley...

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