catalogue of musical renditions (2)

Pakistan National Council of the Arts National Intangible Heritage Archives

Catalogue Of

Musical Renditions

National Intangible Heritage Archives

A Joint Project of

Pakistan National Council of the Arts &

Pakistan National Commission of UNESCO

http://www.unesco.org.pk/

http://www.unesco.org.pk/�


Catalogue

Of Musical Renditions

• Supervision

Tauqeer A. Nasir Chief Exective Director Gerneral

• Researcher and Data Collection

Arif Jafri UNESCO Fellow of Bucharest University of Music Romania

• Project Director

Agha Khalid Zubair • Recording Engineer

Agha Sehir Tanveer • Computer Proecessing

Miss Salma Iftikhar (Project Grantee) Miss Khizra Ambreen (Project Grantee)


Acronyms

NIHA National Intangible Heritage Archives

PNCA Pakistani National Council of the Arts

PNCU Pakistan National Commission of UNESCO

UNESCO United Nations Education, Scientific and Cultural Organization

Pakistan National Council of the Arts National Intangible Heritage Archives Medium and their Abbreviations I = Instrumental V= Vocal AC AUDIO CASSETTES ACD AUDIO COMPACT DISCS

(Audio CD) DISCS

DISCS RECORDS (78 RPM)

DF

DOCUMENTARY FILMS (8, 16, 35 & 70mm)

DVC DIGITAL VEDIO CASSETTES DVD DEGITAL VIDEO DISCS EPD EXTENDED PLAYING DISCS

(45 RPM) F-F

FEATURE FILMS (8, 16, 35, 70 mm)

LPD LONG PLAYING DISCS (35.5 RMP)

SPT

SPOOL TAPE (MEGNETIC TAPES ¼)

VCD VIDEO COMPACT DISCS VHS VIDEO CASSETTES

(VIDEO HOME SERVICES) VUH VIDEO UMATIC HIGH BAND VUL VIDEO UMATIC LOW BAND

Pakistan National Council of the Arts National Intangible Heritage Archives Indexation Pattern of Vocal Music AC – 01 / VCL Audio Cassette No. 01 of Vocal Classical AC – 01 / VSC Audio Cassette No. 01 of Vocal Semi Classical AC – 01 / VFK Audio Compact Disc No. 01 of Vocal Folk LPD – 01 / VLT Long Playing Disc 33.5 RPM – Vocal Light SPT – 01 / VCL Spool Tape No. 01 – Vocal Classical SPT – 01 / I – SIT Spool Tape No. 01 – Instrumental Sitar VHS – 01 / QI Video Cassette (VHS) No. 01 of Qawali VHS – 01 / KI Video Cassette (VHS) No. 01 of Kafi

Vocal Music KFI Kafi (Mystic Music) NAT National & Patriotic Songs QLI Qawali, Qaul, Qalbana & Other Allied Forms VCL Vocal Classical Music VFK Vocal Folk Music VLT Vocal Light Music VSC Vocal Semi Classical Music

Pakistan National Council of the Arts National Intangible Heritage Archives Indexation Pattern of Instrumental Music Recordings I = Instrumental I- AL Instrumental ALGHOZA I-BNJ Instrumental BANJO I-BANS Instrumental BANSURI I-DK Instrumental DHOLAK / PER I-DLE Instrumental DHOLE / PER I-DIL Instrumental DILDUBA I-IK Instrumental IKTARA I-HRM Instrumental HARMONIUM I-JAL Instrumental JALTARUNG I-KB Instrumental KEYBOARD I-NQ Instrumental NAQQARA/PER I-PKJ Instrumental PAKHAWAJ/PER I-PN Instrumental PIANO I-RB Instrumental RUBAB I-SBN Instrumental SOOR BEEN I-SD Instrumental SAROD I-SIT Instrumental SITAR I-SRA Instrumental Sarinda, Surendo, Siroz I-SNR Instrumental SANTORE I-SRB Instrumental SOOR BAHAR I-SRI Instrumental SARANGI I-TA Instrumental TABLA/PER I-TNB Instrumental TANBORE/PER I-TT Instrumental TABLA TARUNG I-VN Instrumental VIOLIN I-VV Instrumental VICHITRA VEENA

Pakistan National Council of the Arts National Intangible Heritage Archives GHARANA MUSIC

Khayal Gayaki (style), as it exists today in the sub-continent, has been developed, nourished and brought to perfection under the aegis of different Gharanas founded by some of the great masters of this art during the past two hundred years. Haddoo Hassoo Khan (Gawalior), Tan Rus Khan (Dehli), Behram Khan (Jaipur), Ghagge Khuda Bukhsh (Agra), Abdul Karim Khan (Kirana) Ali Bukhsh Khan and Fateh Ali Khan (Patiala) – such are the immortals who have shaped and chiseled classical music into its present noble form.

The Gharana System originated and flourished under the lavish patronage of

princely states of the sub-continent, but under the new social order with the disappearance of these states from the scene, the Gharanas have also gone to seed and are fast disintegrating. This certainly would be a most undeserved and sad end to an institution which has been a most watchful and able custodian of our traditional classical music for the last two centuries.

Gharana Music System consists of eight (8) Gharanas;

1. Agra Gharana 2. Delhi Gharana 3. Gwalior Gharana 4. Kirana Gharana 5. Patiala Gharana 6. Qawwal Bachon Ka Gharana 7. Sham Chorasi Gharana 8. Talwandi Gharana

Pakistan National Council of the Arts National Intangible Heritage Archives AGRA GHARANA

Agra Gharana traces its lineage to Tansen and was originally a Gharana of Dhrupad Gayaki (Style). Shayamrang and his brother Sarasrang were its most celebrated representatives in the early nineteenth century. It was from them that Nathan Khan and Pir Bukhsh of Gawalior Gharanas learned some essential aspects of Dhrupad, Hori and Dhamar in order to enrich their own style of Khayal Gayaki (Style). Ghagge Khuda Bukhsh left Agra for Gawalior to become a disciple of Nathan Khan and Pir Bakhsh took the young son of their guru (Master) under their wing and after years of strenuous training, they were able to remove the rough edges of their disciple’s husky voice and transformed it into a well-rounded soulful voice of a peculiar touching quality. They also initiated him into the artistic discipline of Khayal Gayaki and so when Ghagge Khuda Bukhsh left Gawalior for Agra, he was already well set on the road to fame as one of the foremost Khayal singers of his time. Ghagge Khuda Bakhsh’s full-throated voice acquired under the strict guidance of Nathan Khan and Pir Bukhsh made use of a slight nasal resonance to cover the faint traces of gruffness still clinging to it. This lent certain pathos to his voice which pulled at the heart strings of his listeners. This peculiar mode of intonation has become the distinguishing mark of singers belonging to Agra Gharana.

During the succeeding generations Ghulam Abbas Khan, the eldest son of Ghagge

Khuda Bakhsh, Sher Khan his nephew and finally Nathan Khan, the illustrious son of Sherr Khan transformed Agra Gharana into one of the noblest Gharanas of Khayal Gayaki (Style).

In the more recent past Aftab - e – Mosiqi Fayyaz Khan manifested in his art all that

was stately, dignified and beautiful in Agra Gharana and bought it to the acme of perfection. Due to the early axchange of ideas between the two Gharanas, Agra and Gawalior have many features in common. Both utilizes full-throated voice to expound Dhrupad Ang Khayals and both excel in bol – tans, though the bol – tans of Agra are more polished, much livelier and hence more impressive. The bandish in Agra Gharana is invariable preceded by elaborate alap in nom – tom style, which helps in immediate identification of this Gharana.

Pakistan National Council of the Arts National Intangible Heritage Archives DELHI GHARANA

Delhi Gharana is the oldest Gharana of Khayal Gayaki (style) in the sub-continent, since its roots reach back to Naimat Khan Sadarang court musician to the fun – loving Mughul Emperor Muhammad Shah Rangeela (1719 – 1748). Sadarang stands at the head of a long line of eminent Khayal singers belonging to different Gharanas who were to come after him during the next century and were to establish, once and for all, the supremacy of Khayal Gayaki (style) over Dhrupad. Sadarang’s Khayal compositions that have come down to us are embellished with ‘Zamzamas’, ‘Murkis’, “Behlavas’ and ‘Drut Tans’ that show complete departure from Dhrupad Gayaki. Qawwal Bachon Ka Gharana which also is an out – shoot of Delhi Gharana concentrated mainly on intricate Tan Phirat and Layakari.

All the above mentioned elements of Khayal Gayaki found their perfect culmination in the art of Tan Rus Khan perhaps the ‘purest’ Khayal singer of all times.

Tan Rus Khan was the court musician of the last Mughal Emperor Bahadur Shah Zafar (1837 – 1857). This close association of Delhi Gharana from its very inception with the court at Delhi has lent it a certain prestigious position among other Gharanas and this has resulted in disdainful refusal of this Gharana to imbibe ideas from extraneous sources. Delhi Gharana is concerned mainly with the sensuousness and expressive power of ‘Sawara’ and ‘Laya and the ‘Bandish’ is treated not merely as a statement of a Raga but as a fine ‘Tonal Poem’. Rhythmic and Tonal patterns are not considered as ends in themselves but are treated as technical means to be employed to depict specific feelings, objects and movements.

The very names of different tans which have originated in this Gharana (Ustad

Chand Khan in one of his books has enumerated 105 of them) suggest not only the tonal pattern but also rhythmic swing involved in their execution. Jhoola Tan, Bijli Chamak Tan, Badal Garaj Tan, Hindola Tan, Bahao Tan, Chhalang Tan, Lachadar Tan, Shrinagar Tan, to name a few, all suggest a meaningful fusion of ‘Laya’ and ‘Swara’. Similarly one can visualize the ‘pattern of movement’ involved in ‘Sawari Ke Khayal’, ‘Palke Ke Khayal’ etc. Proud of its ancestry, this Gharana has scrupulously remained inside its own shell and this musical inbreeding has hastened its disintegration.

The direct line of this Gharana came to an end with the death of Khan Sahib Sardar

Khan the grandson of Tan Rus Khan, a few years ago in Pakistan. The other branch stemming from Ustad Mamman Khan and Ustad Bundu Khan the two greatest Sarangi players of the subcontinent is represented by the two septuagenarians – Ustad Chand Khan of Delhi and Ustad Ramzan Khan of Karachi.

Pakistan National Council of the Arts National Intangible Heritage Archives GAWALIOR GHARANA

The seed of Gawalior Gharana was sown by two eminent Khayal singers of the early nineteenth century Abdullah Khan and Qadir Bakhsh. They sang with full throated voice in the Dhrupad manner and their Gayaki was lucid and simple characterized by straightforward Tans occasionally embellished with Gamaks. Qadir Bukhsh two sons Nathan Khan and Pir Bakhsh who had received some training in Dhrupad, Hori and Dhamar from two great Dhrupad singers of their time Shyamrang and Sarasrang og Agra incorporated the characteristics of Dhrupad style with their own mode of Khayal singing inherited from their father. Their Dhrupad Ang Khayal compositions serene and stately and at the same time enlivened by rhythmic play of Hori and Dhamar were immensely popular throughout the sub – continent. Bol – Tans which play a prominent role in Dhrupad singing became an integral feature of Gwalior Gharana of Khayal Gayaki.

It was however, during the next generation that Haddoo Khan and Hassoo Khan the

two distinguished sons of Nathan Khan brought this Gharana to the pinnacle of its greatness. Groomed carefully in the best traditions of their Gharana, they soon came under the spell of Bade Muhammad Khan, of Qawwal Bachon Ka Gharana. Bade Muhammad Khan and his son Mubarak Ali Khan were celebrated for their intricate ‘Tan Phirat’ and ‘Layakari’. Haddoo Hassoo Khan avidly assimilated their technique and incorporated it with their own style of Bol – Bant and thus achieved a finally balanced fusion of ‘Laya’ and ‘Swara’ which is the ultimate goal of all Gharanas.

Mian Banney Khan, one of the ablest disciples of Haddoo Hassoo Khan, introduced

Gawalior Gharana’s Gayaki in our part of the century. Mian Mubarak Ali Khan of Sind and Khan Sahib Pyar Khan were his most eminent disciples and it is in their families that the fine gayaki of Gawalior Gharana has been preserved in its purest form.

Pakistan National Council of the Arts National Intangible Heritage Archives KIRANA GHARANA Kirana Gharana whose ancestry goes back to Naik Dhondoo and Naik Bhanoo in the fifteenth century was originally a Gharana of Dhrupad Gayaki. Later on it also produced some eminent beenkers and sarangi players of the great distinction like Rajab Ali Khan, Banday Ali Khan and Haider Bukhsh Khan. Emergence of this Gharana as one of the leading Gharanas of Khayal Gayaki is comparatively a recent event belonging t the beginning of the current century. This Gharana reach its perfection in the art if Khan Saheb Abdul Karim Khan and his cousin Khan Sahib Abdul Waheed Khan and the numbers of their disciples who have brought distinction and glory of their Gharana is legion. It includes such illustrious names as Amir Khan of Indore, Sawai Gandharva, Hira Bai Barodekar, Gangu Bai Hangal and Malka – e – Mausiqi Roshan Ara Begum. Kirana Gharana is predominantly ‘Swara’ oriented and concerns itself mainly with tonal patterns created leisurely and step by step in slow tempo. This gradual progression from note to note in ‘Vilambit Laya’ is the most characteristic feature of Kirana Gayaki. ‘Alap’ takes precedence over rhythmic progression and tonal ‘Naqqashi’ supersedes intricate ‘Phirat’ and ‘Layakari’. This formal structure of Kirana Gayaki in which ‘Swara’ dominates ‘Laya’ has been handled differently by the two masters of this Gharana Khan Sahib Abdul Waheed Khan and Khan Saheb Abdul Karim Khan. Abdul Waheed Khan employed the marked style of alap in which all the possible permutations and combinations of notes permissible in a Raga are used without taking into consideration their aesthetic significance. Hus approach was that of an Ustad, a scholar and a pedagogue. He sang with an open full – throated voice which though perfectly in tune, lacked sweetness and warmth of feelings. His Khayal recitals in ‘Vilambit Laya’ with their endless permutations of ‘Swara’ patterns though quite fascinating were at the serine time apt to tire the listeners. On the other hand, Khan Sahib Abdul Karim Khan’s exceptionally sweet and pointed voice possessed all the subtle shades and nuances of the ‘Swara’ (Srutis) and he could weave with its help tonal patterns of extreme delicacacy and beauty which soothed and at times hypnotized his listeners his peculiar mode of vocal intonation with a deliberately constricted wind – pipe lent a flavor of ‘Thumri’ to his ‘Khayal’ gayaki. This lightweight Gayaki is a fine synthesis of Karnataki and Hindustani styles and though it lacks the gravity of Abdul Waheed Khan’s style. It has a beauty, gracefulness and serenity that charms and captivates the listeners.

Pakistan National Council of the Arts National Intangible Heritage Archives PATIYALA GHARANA

Patiyala Gharana founded by Mian Kaloo and brought to perfection by his distinguished son ‘Jarnail’ Ali Bukhsh and his equally distinguished singing partner Fateh Ali Khan is the youngest Gharanaof Khayal Gayaki in the sub – continent. Coming at the tail – end of Gharana has freely absorbed in itself all that was noble and of abiding value in other Gharanas – especially Jaipur, Delhi, Gwalior, the three main sources of its musical training. Its versatility is due to the variety of musical ideas thus assimilated during its formative period.

Akaar the mode of vocal intonation and ‘Alap', (Behram Khan, Allah Banday Khan) sensuous expressiveness of the Swara and the lilting cadence of ‘Bandish’ (Tan Rus Khan) ‘bol – bant’ and ‘gamak’ (Haddoo Hasso Khan) and intricate tonal patterns of Tan ‘Taephirat’ (Bade Mubarak Ali Khan) have all contributed to the beautiful formal designs of Patiala Gayaki. Patiyala ‘Akaar’ surrounded by a soft halo of subtle overtones, is so delicately balanced that it requires years of ‘Mehnat’ and ‘Riaz’ for its true realization. Patiala ‘Bandish’ and ‘Asthai’ presentation is elegant, neat and graceful with beautiful tone colours and fine rhythmic swing. This Gharana is equally at home in all the three registers of ‘Laya’ ‘Vilambit’ ‘Madhya’ and ‘Drut’ and even in the fastest tempo ‘Swara’ and ‘Laya’ remain well balanced. The synthesis of soulfulness of ‘Swara’ and playfulness of ‘Laya’ achieved by Patiala Gharana is much more subtle and satisfying than the one achieved by Gwalior. Its electicism has made Patiala a ‘complete Gharana – a gharana per execellence.

Pakistan National Council of the Arts National Intangible Heritage Archives Qawwal Bachon Ka Gharana Qawwal Bachon Ka Gharana holds aunique position among the Gharanas of music in the Sub – Continent. Infact it is not a ‘regular’ Gharana sense that, unlike other Gharanas, it does not offer a complete ‘Kaeyda’ ot artistic discipline to be followed for delineation of Ragas, nor does it as aspire after a distinct and finished formal pattern of Khayal Gayaki which could set it apart from other Gharanas. This Gharana emanates from the Qawwals who used to perform at the ‘Dargahs’ of Khawaja Mueen – un – Din Chishti at Ajmer and Hazarat Nizam – ud – Din Aulia at Delhi. For these Qawwals ‘word’ was more important than ‘Swara’ and ‘massage’ took precedence over ‘Bandish’. In in order to bring the massage home these qawwals created tensions and counter – tensions and finally brought them to an effective climax. To bring out the significance of the ‘word’ they employed meaningful, fusion of ‘Laya’ and ‘Swara’ in the form of ‘Zamzamas’ and ‘Behlavas’ and for the climax they resorted to ‘Tan Phirat’ and ‘Layakari’. Later on when some eminent singers of this Gharana took to Khayal Gayaki they made ‘Tan Phirat’ and ‘Layakari’ be – all and end – all of music. Bade Muhammad Khan and his son Mubarak Ali Khan of this Gharana were wizards of the intricate ‘Tan Phirat’ and with their ‘Drut Tans’ of unusual complexity and dexterity they took the music by storm. No Gharana of Khayal Gayaki escaped hypnotic influence, even such great masters as Haddoo Khan, Ghaggi Khuda Bukhsh, Alahdiya Khan of Kolhapur and Tan Ras Khan came under their spell. Since then ‘Drut’ ‘Tan Phirat’ and ‘Tayarri’ has become an integral element in the formal organization of all Gharanas of a ‘Chhota Khayal’ in Drut Laya which ‘Tan Phirat’ and ‘Laya Kari’ play a dominant role and bring the recital to a satisfying conclusion. In the realm of Thumri too, where ‘word’ is an equal partner with ‘Swara’ and lends it a voluptuous sensuousness, the technique employed by Sadiq Ali Khan and his illustrious disciple Moj – ud – Din of this Gharana has proved most effective. Meaningful and suggestive ‘Behlavas’ creat and erotic mood in ‘Madhya Laya’ and the climax is created through ‘Tan Phirat’ in Drut Laya and this ‘Thha – Doon’ technique has become the standard of thumri recital.

Pakistan National Council of the Arts National Intangible Heritage Archives Sham Chorasi Gharana Tracing back its origin to Chand Khan and Suraj Khan eminent Dhrupad singers of the sixteenth century, Sham Corasi Gharana has produced some fine Dhrupad singers and Beenkars during the past three hundred years of existence as a prominent Gharana of Dhrupad Gayaki. Its transformation into one of the foremost Gharana of Khayal caliber this Gharana has produced, Ustad Salamat Ali Khan. Ustad Salamat Ali Khan his musical training from his father Ustad Vilayat Ali Khan and other elders of his Gharana and this initial training has supplied his Gayaki with a solid foundation. His crystal – clear, full – throated and natural vocal intonation, his mastery over ‘Laya’ and ‘Swara’, his lively bol – bant and his well modulated gamaks are precious gifts inherited from a Dhrupad Gharana of no mean distinction. He was barely nine years old when he made his first appearance as a vocalist at the famous Harvallabh Music Festival. It was a wonderful experience for young Salamat Ali khan as he sat enraptured listening to the performances of some of the greatest Khayal singers of his time. From amongst then he selected his models with fastidious care and then set to work in right earnest to reach perfection in his art. It was all sweet and tears at first with no Haddoo Hassoo Khan or Tan Ras Khan to guide him but after years of strenuous riaz and mehnat, he suddenly blossomed fort as a Khayal singers of exceptional power and sensibility. Like most of the renowned musicians in the past Ustad Salamat Ali Khan is free from sectarian prejudices and has freely absorbed all that is best and significant in other Gharanas and incorporated it with his personal style. His extremely flexible Akaar, majestic in the lower (Mandra), delicate and tender in the middle (Madhya), and nimble and playful in the upper (Taar) register, helps him to weave tonal patterns of the infinite variety. He is also equally at home in all the three registers of ‘Laya’, ‘Vilambit’, ‘Madhya’, ‘Drut’ and his command over Laya, probably, unsurpassed in the sub – continent. Sham Chorasi Akaar is Chaste, natural and dignified and avoids nasal resonance or other artificial devices employed by some Gharanas to lend sensuousness to the ‘Swara’. This ‘ascetic’ akaar has given a strong flavor of ‘spirituality’ to the Gayaki of Ustad Salamat Ali Khan.

Pakistan National Council of the Arts National Intangible Heritage Archives TALWANDI GHARANA

Dhrupad with its distinctive formals structure in four parts – asthai, antra, sanchari and abhog was evolved in the court of Raja Man Singh Tomar of Gwalior (1486 – 1516) and for the next two hundred years remained the prevalent form of Gayaki in the sub – continent. In the maintime ‘Khayal’ which had originated, almost simultaneously with dhrupad, in the court of Sultan Hussain Sharqi of Jaunpur (1458 – 1477) had found its ablest votary in Sadarang, the court musician of Muhammad Shah Rangeela (1719 – 1748). Sadarang’s Khayal compositions with their variety of tonal patterns and their rhythmic lilt became immensely popular and before this rising tide of Khayal Dhrupad started receding into the background. By the end of the nineteenth century Dhrupad wad disappearing into the mists of antiquinty and Khayal was emerging triumphantly as the Gayaki of the future.

During this transitional period from Dhrupad to Khayal many established Gharanas of Dhrupad Gayaki such as Agra. Gwalior and Jaipur transformed themselves into the supremacy of Khayal and continued their struggle for existence right into the middle of the twentieth century. The famous Talwandi Gharana belongs to these gallant fighters for a cause which was already doomed. Talwandi Gharana of Dhrupad Gayaki is one of the most respected Gharanas of music in the sub – continent. Its ancestors were among the prominent musicians at the Mughal court and names of a few of them like Chhatar Khan, Parvez Dad, Hamzan Khan, Khurram Dad and Jahangir Dad have come down to us in the writings of contemporary historians. In the most recent past the illustrious Mian Muala Bukhsh (1845 – 1930) was one of the greatest Dhrupad singers of his time and was visited by the late Pandit Bhatkhande during the latter’s painstaking search for valuable material for his collection of Dhrupad compositions of famous Gharanas.

Since Tan sen’s time there have been four distinct styles of Dhrupad Gayaki known as ‘Banis’. These are (a) Gobarhar or Shudh Bani, (b) Dagar Bani, (c) Khandhar Bani and musicians of this Gharana proudly distinguish themselves from others by calling themselves Khanderays.


AC / VCL

Audio Cassette / Vocal Classical

Pakistan National Council of the Arts National Intangible Heritage Archives AC. No: _____ / VCL

Volume: _________

Artist Abdul Karim Khan Saheb Gharana Kerana Gharana Cassette Duration

30+30=60 minutes (C-60)

Production Karachi Music Centre; Sommerset Street, Karachi

Contents

Side “A” Side “B” 1- Khayal in Raga – LALIT

(Bhairo Thath) Mudh Teen Tal, “Bhavda yarda Jaban”

1- Khayal in Raga – PATDEEP (Misher Male Thath) Mudh Teen Tal, “Dhan Dhan Dhari”

2- Khayal in Raga – GOJRI TODI (Todi Thath) Drut Teen Tal, “Begun Gun Gae”

2- Khayal in Raga – MISHRA KAFI (Kafi Thath) “Bhavri Dam De Gae”

3- Tarana in Raga – MARWA (Marwa Thath) Drut Teen Tal

3- Khayal in Raga – ABHOGI KANHRA (Kafi Thath) Mudh Teen Tal, “Banna Rangeela”

4- Khayal in Raga – MISHRA ZANGOLA (Jangla) “Ram Nagariya Mein Kese Jaon”

4- Khayal in Raga – DERBARI KANHRA (Asawari Thath) Mudh Teen Tal, “Jhanak jhanakva Morey”

5- Filler: Raga – MUDHWANTI on Santoor By Shiv Kumar Sharma, Mudh Teen Tal

5- Filler: Raga – Mudhusanti on Santoor By Shiv Kumar Sharma, Drut Teen Tal

Instrumental Accompaniment: • Tabla: • Sarangi: • Harmonium: • Tanpura: • Interview:

Note:

a) Ustad Abdul kareem khan was the most notable of Kerana singers (Born 1889 died 1937) Learnt Khayal and Thumri singing from his father ustad kaley khan and uncle ustad Abdullah Khan, who hailed from Kerana, a town in District Saharanpur, India. He enjoys the credit of being the ustad (Teacher) of Legendry Singers like Malika-e- Mauseeqi Roshan Ara Bagum and Hirabai Barodeker. Ms. Deepali Nag has guoted the followimg compliment of Aftab-e- Mauseeqi, ustad Faiyaz Khan (1881-5-11-1950) of Agra:- Debabadprasad Garg of Mahishadal said, on being told about the death of Abdul Karim Khan in 1937, after a pause of a few minutes, Khan Saheb (ustad Faiyaz Khan) had said “Sur Mar Gaya” i.e Melody is deed! What a fine compliment from one Musician to the other.

Book - Faiyaz Khan by Ms. Deepali (NAG- Page No.41)


b) With reference to filler (Ring – 5) as per Side “A”. Raga “Mudhwanti” does not fit in any of

the ten fundamental groups (Thanth) by Pandit Bhat Khunday in 1927. However this Thath as well as raga hes been mentioned as DHARMOTI and GOHRI MANOHARI respectively in Karnataka Sangeet (Music of South India).

Nath Jogi was the first to expose this Raga, slightly before the formation of Pakistan and was

popularized by Ustad Ashiq Ali Khan and Ustad Umeed Ali Khan (Ustad Ghulam Haider Khan “100 Acchop Rag” 1983- Page 14).


AC. No: _____ / VCL Volume: _________

Artist Abdul Karim Khan Saheb Gharana Kerana Gharana Cassette Duration 30+30=60 minutes (C-60) Production Karachi Music Centre; Sommerset Street, Karachi.

Contents

Side “A” Side “B”

1- Khayal in Raga – LALIT (Bhairon Thath) Mudh Teen Tal, “Bhavda Yarda Joban”

1- Khayal in Raga – PATDEEP (Misher Male Thath) Mudh Teen Tal, “Dhan Dhan Dhari”

2- Khayal in Raga – GOJRI TODI (Todi Thath) Drut Teen Tal, “Begun Gun Gae”

2- Khayal in Raga – MISHRA KAFI (Kafi Thath) “Bhavri Dam De Gae”

3- Tarana in Raga – MARWA (Marwa Thath) Drut Teen Tal

3- Khayal in Raga – ABHOGI KANHRA (Kafi Thath) Mudh Teen Tal, “Banra Rangeela”

4- Khayal in Raga – MISHRA ZANGOLA (Jangla) “Ram Nagariya Mein Kese Jaon”

4- Khayal in Raga – DERBARI KANHRA (Asawari Thath) Mudh Teen Tal, “Jhanak Jhanakva Morey”

5- Filler: Raga – MUDHVANTI ON SANTOOR By Shiv Kumar Sharma Drut Teen Tal

Instrumental Accompaniments

• Tabla: • Sarangi: • Harmonian:

Note:

a) Ustad Abdul Karim Khan was the most notable of Kerana singers. Born 1868 (died 1937) Learnt Khayal and Thumri singing from his father ustad Kaley Khan and uncle ustad Abdullah Khan , who hailed from Karana, a Town in District Saharanpur, India. He enjoy’s the credit of being the ustad of Legendry singers like Malika-e- Mauseeqi Roshan ara Begum and Hirabai Barodeker. Ms.Deepali Nag has quoted the following compliment of Aftab-e-Mauseeqi, ustad Faiyaz Khan (1881-05-11-1950) of Agra:

“Debarasad Gary of Mahishadal said, on being told about the death of Abdul Karim Khan in 1937, after a pause of a few minutes, Khan Saheb (ustad Faiyaz Khan) had said “Sur Mar Gaya” i.e. Melody is dead! What a fine compliment from one Musician to the other”.


(Book: - Ustad Faiyaz Khan by Ms.Deepali ‘Nag-Page No-41’)

b) With reference to filler (Ring-5) as per side “A”, Raga ‘Mudhwanti’ does note fit in any of thr

ten foudamental groups (Thath) framed by Pandit Bhat Khunday in 1927. However this Thath as well as raga has been mentioned as DHARMOTI and GOHRI MANOHAR respectively in Karnataka Sangeet (Music of South India).

Nath Jogi was the first to expose this Raga, slightly before the formation of Pakistan and was papularised by ustad Ashiq Ali Khan and ustad Umeed Ali Khan. (Ustad Ghulam Haider Khan “100 Aechop Raga” 1983-page 14)


AC. No: _____ / VCL Volume: __ II____

Artist Abdul Karim Khan Saheb Gharana Kerana Gharana Cassette Duration 30+30=60 minutes (C-60)

Rendition time 43 minutes Production Karachi Music Centre; Sommerset Street, Karachi

Contents


1- Khayal in Raga – BILAWAL (Bilawal Thath) Mudh Teen Tal, “ Piyara Nazar Nahin Aonda”

1- Khayal in Raga – SARPARDA (Bilawal Thath) “Gopala Mori Karana”

2- Thumari in Raga – TALUNG (Khamach Thath) “Sajan Sung Kahey Naina Lagae” Mudh Teen Tal

2- Dadra in Raga – GHARA (Kafi Thath) “Kaun Albeley Ki Nar” Dadra Tal

3- Khayal in Raga – BASANT (Porbi Thath) “Phagwa Brij Dekhan Ko Chalo Ri” Mudh and Drut teen Tal

3- Khayal in Raga – MALKAUNS (Bhairvin Thath) “Piran Jani” Khayal in Mudh Teen Tal

4- Khayal Ang Thumri in Raga – SHUDH PILU (Kafi Thath) “Soch Samajh Nadan” Mudh Teen Tal

4- Thumri – BHAIRVIN “Jamuna Ke Teer” Mudh Teen Tal

Instrumental Accompaniment:

• Tabla: Zahid Imran Farani • Sarangi: • Harmonium: • Tanpura:

Note:

Khan Saheb Abdul Karim Khan had a gifted voice stretched over three complete octaves in which he used to sing with equal ease and dexterity. His Tonic note (KHURAJ) used to be the 4th white note of Middle octave “f” or chotha 4th safeid of Mudh Saptak, which is guite unusual. (For detail please see under volume I)


AC. No: _____ / VLT Volume: ___________

Artist Amanat Ali Khan, Ustad Gharana Patyala Gharana Cassette Duration 30+30=60 minutes (C-60), Rendition time 43 minutes Type of Renditions

Vocal Light (VLT) Ghazals

Production Disco Music; Liberty Market, Gulberg III – Lahore.

Contents

Side “A” Side “B” 1- Insha Ji Otho Ab Koch Karo

Ghazal, Ibn - e – Insha 1- Kabhi Jo Nikhat - e - Gul

Ghazal 2- Mora Jia Na Lage Bin Teray Yar

Geet, Adeem Hashmi 2- Yeh Na Thi Hamari Qismat

Ghazal, Mirza Ghalib 3- Piyar Nahin Hei Soor Sey Jis Ko

Raga – Malkauns (Teen Tal) 3- Mazey Jehab Ke Apni Nazar Mein

Ghazal 4- Kub Aaoge, Mera Tum Bin Jia Odas

Thumri – Bhairvin (Mughlai Tal) 4- Jo Guzar Gae Hei

Ghazal 5- Kesi Guzar Gae Hei Jawani

Ghazal 5- Yeh Arzo Thi Tojhe Gul Ke Robro Kertey

Ghazal, Atish Lakhnavi 6- Yar ko Mein Ne, Mojhay Yaar Ne

Ghazal, Atish Lakhnavi 6- Mah-e-Nau Ko Aya

Ghazal 7- Honton Pe Kabhi On Ke Mera Naam

Ghazal, Ada Jafri Instrumental Accompaniment:

• Tabla: • Sarangi: • Harmonium: • Tanpura: • Interview:

Note:

Ustad Amanat ali Khan (1927 to16-9-1974 at Lahore) son of Ustad Akhtar Hussain Khan, died February 1974 at Lahore and Grand son of ustad Ali Bukhsh Khan, alias Gernail Khan (died 1915) the founder of Patyala Gharana Although Amanat Ali Khan was a classical vocalist, yet he astonished our world of Music by singing Ghazal Geet and received tremendous applause, both by people and professionals. He emerges as light vocalist in middle of 1971. That was the time when Master Ghazal singers like, “Mehdi Hassan, Ghulam Ali Ejaz Hussain Hazravi, Madam Fareeda Khanam and Iqbal Bano were enjoying complete monopoly as the only five Ghazal Geet Veterans and for a new entrant it was quite an up hill task to rank himself amongst the rulling Ghazal Geet singers, but ustad Amanat Ali Khan made his debut as a Ghazal Geet Singer with a loud bang. Since


than he is ranked as one of the few top Ghazal Geet Singers of Pakistan’s world of Music, The pedegri of late ustad Amanat Ali Khan is as under;


AC. No: _____ / VCL Volume: ____I____

Artist 1. Amanat Ali Khan (Ustad)

2. Fateh Ali Khan (Ustad) Gharana Patyala Cassette Duration 30+30=60 minutes (C-60) Production A PNCA Production, Islamabad

Contents


(Light Renditions) 1- Khayal in Raga – MALKAUNS

(Bhairvin Thath) Drut in Teen Tal, “Piyar Nahin Hei Jisko”

1- Ghazal “Kesi Guzer Gai Hei Jawani Na Pocchiye”

2- Khayal in Raga – DERBARI (Asawari Thath) Drut Khayal Iktala “Nain So Naib Milae Rakne Ko”

2- Ghazal, Aatish “Ye Aarzo Thi”

3- Khayal in Raga – KALAWATI (Khamach Thath) Drut Khayal Teen Tal “Piya Nahin Aae Morey Sakhi”

3- Thumri – BHAIRVIN “Kub Aao Ge, Mera Toom Bin Jia Odas Re”

4- Khayal in Raga – RAM SAAKH (Khamach Thath) Mudh Jhup Tal “Karam Karo Mo Pe”

4- Kafi “Qadar Na Jani Beqadra Ve”




AC. No: _____ / VCL Volume: ____________

Artist Ameer Khan (Ustad), Indor Walay Gharana Kerana Gharana Cassette Duration

30+30=60 minutes

Production Private Collection of Mr. Zahid Farani

Contents

Side “A” Side “B” 1- Khayal in Raga – AIMAN

(Bilampat , Jhomra Tal) 1- Khayal in Raga – AIMAN

(Durat Iktala) 2- Khayal in Raga – MADHUKAUNS

(Bilampat Jhomra Tal) Instrumental Accompaniment:

• Tabla: Mian Shaukat Hussain • Sarangi: Nazim Ali Khan • Harmonium:

Note:

Raga “MADHU KAUNS” is a less familiar Raga, also known as Raga “SOGUND” IN Music world of Pakistan, also known as Raga “Hemawti” in south Indian Music also known as Raga “SULTANI” and is said to be a composition of Nawab Wajid Ali Shah (Died-1861) of Awadh State (U.P, India).


AC. No: _____ / VCL Volume: _________

Artist Ameer Khan (Ustad) , Indor Walay Gharana Kerana Gharana Cassette Duration

30+30=60 minutes

Production Private Collection of Mr. Zahid Imran Farani

Contents

Side “A” Side “B” 1- Khayal in Raga – HUNS DHOON

(Bilawal Thath) Bilampat khayal, “IKTALA” Followed by Tarana in Drut Teen Tal.

1- Khayal in Raga – MALKAUNS (Bharvin Thath) Jin ke Mun Ram Biraje, Bilam IKTALA Mere Ghar Aae Balama, Drut Teen Tal.


• Tabla: • Sarangi: • Harmonium:

Note:

It is donated by Mr.Zahid Imran Farani.


AC. No: _____ / VCL Volume: _________

Artist Ameer Khan , Indor Walay (Ustad) Gharana Kerana Gharana Cassette Duration

30+30=60 minutes (C-60)

Production Radio Recording (All India Radio) Presented by Zahid Imran Farani

Contents


1- Empty

1- Khayal in Raga – Anundi Bilampat Jhomra Tal, Drut Iktala




AC. No: _____ / VCL Volume: ____________

Artist Ameer Khan, Ustad (Indor Waley) Gharana Kerana Cassette Duration 45+45=90 minutes (C-90) Producttion All India Radio Concert, a Private collection of Mr. Zahid Imran Farani,

Islamabad.

Contents

Side “A” Side “B” 1- Khayal in Raga – SHUDH KALYAN

(Kalyan Thath) Bilampat Khayal Jhomra Tal

1- Khayal in Raga – JAE JAE WANTI (Carried over from Side “A”, continuation of ring No.2 of Side “A”)

2- Khayal in Raga – JAE JAE WANTI (Khamach Thath) Bilampat Khayal Jhomra Tal (Carried over to ring No.1 of Side “B”)

2- Khayal in Raga – SUHA KANHRA (Kafi Thath) Tarana in Drut Teen Tal

3- Khayal in Raga – CHARUKESHI (Misher Male Thath) Khayal in Mudh and Drut Teen Tal “Laj Rakho Toom Meri”

4- Khayal in Raga – BHATYAR (Marwa Thath) Khayal in Mudh Jhup Tal



Note:

a- RAGA – CHARUKESHI is a popular Raga of South India and is mentioned under “MUKHARI” Thath. Charukesh does not fit into any of the Ten Thaths of Pandit Bhat Khundey (1862-1940). A combination of BHIRON and BHAIRVIN Thath in first and second TATRACHORD respectively, not a common Raga in Pakistan and North Indian Music System.

b- BHATYAR is a RAGA of MARWA Thath. Almost all Ragas of MARWA Thath are rendered slightly before or after sun set. But due to the excessive use of SHUDH MADHIM (4th Augmented or Tritone above Tonic) is the main tonal characteristic of Ragas of MARWA Thath.


Raga BHANKAR or BHIKAR, Raga PUNCHAM and Raga LALIT PUNCHAM are other Ragas of MARWA Thath, which completely takes after the tonal character of Raga BHATYAR is devotional or Mysticism.


AC. No: _____ / VCL Volume: _________

Artist 1. Ameer Khan (Ustad) , Indor walay

2. Baray Ghulam Ali Khan (Qasuri) 3. Kishori Amonkar

Gharana 1. Kerana Gharana 2. Qawal Bachon Ka Gharana

Cassette Duration

30+30=60 minutes (C-60)

Production A PNCA Production, Islamabad

Contents

Side “A” Side “B” 1- Interview Ustad Baray Ghulam Ali Khan

22:00 minutes 1- Khayal in Raga – SHUDH KALYAN

24:30 minutes (Kalyan Thath)

2- Tarana in Raga – TILAK KAMOD (Bilawal Thath) Teen Tal 08:05 minutes

2- Khayal in Raga – BERAGI (Bhairon Thath)



Note: Side “A” – Radio Recording (All India Radio) Side “B” – It is a donation by Mr. Zahid Imran Farani, Islamabad.

I. Concert Recording II. Radio Recording of Madam Kishori Amonkar, Radio Recording (All India Radio)


AC. No: _______ / VCL Volume: ____________

Artist Ashiq Ali Khan (Ustad) Gharana Patyala Cassette Duration

30+30=60 minutes (C-60)

Production It has tranferd from L.P. Private Collectiom to Mr. Zahid Farani.

Contents

Side “A” Side “B” 1- Khayal in Raga – DERBARI

(Asawari Thath) Bilampat Iktala

1- Ashiq Ali Khan and Umeed Ali Khan Khayal in Raga – LALIT (Bhairon Thath)

a) Bilampzt Iktala, “Rein Ka Sapna” b) Drut Khayal,

Teen Tal, “Piho Piho Ratat Papiha” 2- Khayal in Raga – PORIYA DHANASRI

(Porabi Thath) Drut Iktala, “Khoosh Rahey Sanam”

2- Khayal in Raga – SHAM KALYAN (Kalyan Thath) Bilmpat Dhamar (Punjabi), “Sawan Ki”

3- Khayal in Raga – BASANT Drut Teen Tal

3- Ashiq Ali Khan Khayal in Raga – GOON KALI (Bhairon Thath) Mudh Teen Tal Punjabi Theka, “Hey Kartar”

4- Khayal in HINDOL BAHAR (Misher Male Thath)

4- Khayal in Raga – BHAIRON (Bhairon Thath)

5- Khayal in Raga BHAIRON BAHAR (Misher Male Thath) Bilampat in Jhomra Tal

5- Khayal in Komal Rekhab – ASAWARI (Bhairvin Thath) Drut Iktala

6- Thumari in PILU (Kafi Thath)

6- Khayal in Raga – NUT NARAINI (Khamach Thath) Drut Teen Tal, “Laj Rakho Kartar”

7- Multani Kafi (Bhairvin Thath) “Dilber Milsi Kedey War”

8- Sindhi Kafi Shah Lateef in SINDHDA (Kafi Thath)

Instrumental Accompaniment: • Tabla: • Sarangi: • Harmonium:

Note:

Pakistan National Council of the Arts National Intangible Heritage Archives Ustad Ashiq Ali Khan (1895-1948 at Karachi, Pakistan) known as Baray Ashiq Ali Khan; a representative of Patyala Gharana, Ashiq Ali Khan was the only son of Ustad Fateh Ali Khan alias KERNEL KHAN, one of the two founders of Patyala Gharana i.e, Ustad Ali Bux alias “Gernel” (1835-1915) and Fateh Ali Khan alias “Kernel” (died 1904).

Ustad Fateh Ali Khan Kernel was a fast friend of Ali Bux Khan Gernel and had no blood relation with Gernel Khan. Ustad ashiq Ali Khan died unmarried in 1948 at Lahore. He became a legend in his life time. He is said to be the initiater of “Palta” (Solmization) and “Tehai” (Triplet) following are his known disciples.

Ustad Baray Ghulam Ali Khan, Chhotey Ashiq Ali Khan, Amanat Ali Qusuri (youngest Brother of Baray Ghulam Ali Khan) Mukhtar Bagam, Fareeda Khanam, Zahida Perveen, Bilawal Balgium and many others.

AC. No: _____ / VCL


Volume: ____III____ Artist Bashir Ahmad Khan (Ustad)

(1939-2003) Gharana Delhi Gharana of Seni Kalawantan Cassette Duration 30 + 30 = 60 minutes (C - 60) Production A PNCA, Islamabad Production

Contents


1- Khayal in Raga – JAE JAE VANTI KANHRA (Misher Male, combination of Khamach and Kafi Thath) Bilampat Iktala, “Ae Re Nanadia” Mudh Teen Tal, “ Albela Sajan”

1- Khayal in Raga – PAT BEHAG Mudh Teen Tal “Babu Ji Thari Soni Mandaiya Kiyon”

2- DADRA (Combination of Raga – KOSHAK DHANI and Raga – SRI RANJANI) (Bilawal Khamach Thath) “Katey Katey Nahin Ren”

2 Khayal in Raga – MANYARI BILAWAL (Misher Male Thath) (A combination of Bilawal and Bhairon Thath, 1st and 2nd Tatra Chord, respectively) Khayal in Mudh Teen Tal, “Tero Derbar”

3- Khayal in Raga – DEVGARI BILAWAL ( Bilawal Thath) Mudh Teen Tal, “Sogher Bana Ghar Aya”

4- Khayal in Raga – ILAIYA BILAWAL (Bilawal Thath) Mudh Teen Tal, “Kahan Gaey Wo Log”



AC. No: _____ / VCL


Volume: _________

Artist Baray Ghulam Ali Khan Qasuri (Ustad) Gharana Qawal Bachon Ka Dehli Gharana and Patyala Gharana Cassette Duration

45+45=90 Minutes (C-90)

Production Private Collection of Mr. Zahid Farani

Contents

Side “A” Side “B” 1- Thomari in Raga – TILAK KAMOD

(Bilawal Thath) 1- Khayal in Raga – DARBARI

(Asawari Thath) a) Bilampat Iktala b) Drut Teen Tal (Anokha Ladala)

2- Thomari in Raga – KHAMACH (Khamach Thath)

3- Thomari in Raga – PAHADI (Bilawal Thath)

2- Khayal in Raga – KOSHAK DHANI (Bilawal Thath)

a) Bilampat Iktala b) Drut Teen Tal 4- Thomari in Raga – BHAIRVIN

(Bhaivin Thath) Instrumental Accompaniment:

• Tabla: • Tanpura:

Note:

Ustad Baray Ghulam Ali Khan was an indirect disciple of Mian Qutab Bukhsh Khan Alias “Tan Rus khan” (1770-1872) of Qawal Bachon ka Dehli Gharan. He received his training in KHAYAL singing from Ustad Ashiq Ali Khan, S/O Ustad Fateh Ali, alias Kernail Khan and title holder of “Tan Kaptan” (1830-1898) of Patyala Gharana, who was a direct disciple of Tan Rus Khan. Later on he established his own “QASURE” Gharana, an auxilary of Qawal Bachon ka Gharana.

AC. No: _____ / VCL


Volume: _________

Artist Baray Ghulam Ali Khan Qasuri (Ustad) Gharana Qawal Bachon Ka Dehli Gharana Cassette Duration

30+30=60 Minutes (C-60)

Production Karachi Music Centre; Sommerset Street, Saddar Karachi.

Contents

Side “A” Side “B” 1- Khayal in Raga – GOJRI TODI

(Todi Thath) 1- Khayal in Raga – ADANA

(Asawari Thath) 2- Khayal in Raga – DESI TODI

(Todi Thath) 2- Khayal in Raga – MAL KAUNS

(Bhairvin Thath) 3- Khayal in Raga – BHIMPALAS

(Kafi Thath) 3- Khayal in Raga – PARAJ

(Porabi Thath) 4- Khayal in Raga – KAMOD

(Kalyan Thath) 4- Thumri in Raga – PAHARI

(Bilawal Thath) 5- Khayal in Raga – KEDARA

(Kalyan Thath) 5- Thumri in Raga – PAHARI

(Bilawal Thath) 6- Thumri – PAHADI

(Bilawal Thath) 6- Khayal in Raga – BHOPAL Todi

(Bhairvin Thath) 7- Khayal in Raga – JAE JAEWANTI

(Khamach Thath) 7- Bhajjan in Raga – MISHER KAFI

(Kafi Thath) 8- Khayal in Raga – DERBARI

(Asawari Thath)



Note:

Ring No. 6 and 7 are rendered by Professor Vinayak Rao Patwardhon, a representative of Gawalior Gharana.

AC. No: _____ / VCL


Volume: _________


30+30=60 Minutes (C-60)

Production EMI, Pakistan, released by Karachi Music center. It is a donation by Mr. Zahid Farani.

Contents


1- Khayal in Raga – SHUDH SARUNG (Kafi Thath) Bilampat, Iktal, Drut, Teen Tal.

1- Khayal and Sadhra in Raga – MEGH (Kafi Thath)

2- Thumri in SIND BHAIRVIN (Bhairvin Thath) “Prem Ke Phandey Mein Aa Ke Sajni”

2- Thumri – PHADI (Bilawal Thath)

3- Thumri in Raga – SOHNI (Marwa Thath) “Prem Ki Marey Kattar”

3- Thumri – BEHARI (Kalyan Thath) “Prem Agan Jiara Jalae”

4- Thumri in Ragni – PILU (Kafi Thath) “Katey Na Heen Birha Ki Raat”

4- Thumri – JUNGLA BHAIRVIN (Bhairvin Thath) “Naina Morey Taras Rahey Re”




AC. No: _____ / VCL Volume: _________


30+30=60 Minutes (C-60)

Production Private Collection. It is a donation by Mr. Zahid Imran Farhani, Islamabad.

Contents


1- Khayal in Raga – DERBARI (Asawari Thath)

1- Tarana in Raga – BAGESHRI (Kafi Thath)

2- Khayal in Raga – ADANA BAHAR (Misher Male)

2- Thumri – PAHARI (Bilawal Thath)

3- Khayal in Raga – HINDOL (Misher Male)



Note:

Raga ADANA BAHAR is a combination of Two Ragas i.e. Raga ADANA of Asawari Thath and Raga HINDOL BAHAR of Kalyan Thath therefore it is not grouped in any of Ten fundamental Thaths. Such Ragas are said to be of Misher Mail Ragas, meaning combination of Two or more.


AC. No: _____ / VLT Volume: ___________

Artist Barkat Ali Khan Qasuri (Ustad) Gharana Qawal Bachon Ka Gharana Cassette Duration

30+30=60 Minutes (C-60)

Production A Lok Virsa Production, Islamabad.

Contents

Side “A” Side “B” 1- Wo Aa Ke Khwab Mein

(Ghazal, Mirza Ghalib) 1- Baghon Mein Paray Jhooley

(Geet, Charagh Hassan Hasrat)

2- Dono Jehan Teri Mohabat Mein (Ghazal, Faiz Ahmed Faiz)

2- Piya Kub Se Hamein (Dadra in Ragni BHAIRVIN)

3- Hasti Apni Hobab Ki Si Hei (Ghazal, Mir Taqi Mir)

3- Dum Dum Dokhrey (Kafi Khwaja Fareed in BHAIRVIN)

4- Ah Ko Chahiey (Ghazal ,written by Mirza Ghalib)

4- Ho Watan Bolae (Kafi Khwaja Fareed in SINDHRA)

5- Ratiyan Kahan Ganwain (Thumri BHAIRVIN)

5- Wo Mein Mer Mitiyan (Thumri Ang Punjabi Geet in BHAIRVIN)



Note:

Ustad Barkat Ali Khan (Born Qasure 1907 died 1963 at Lahore) was the younger brother of late Ustad Baray Ghulam Ali Khan (died-1968, New Delhi-India). He had his training from his paternal uncle late Ustad Kalay Khan and also from his elder brother Baray Ghulam Ali Khan. His illustrious teachers trained him well to render all forms of our Music with equal ease and dexterity.


AC. No: _____ / VCL Volume: _________

Artist 1. Bhimsen Joshi (India)

2. Hari Prasad Chorrasia 3. Sultan Khan, Sarangi Nawaz (India)

Gharana Kerana Gharana Cassette Duration 45+45=90 minutes (C-90) Production A private Collection of Mr. Zahid Imran Farani, Islamabad.

Contents


1- Khayal in Raga – LALIT PANCHAM (Misher Male Thath) A combination of Raga – LALIT of Bhairon Thath Raga – BHANKAR of Marva Thath Khayal in Mudh Teen Tal

1- Instumental Flute by Pandit Hari Prasad Chorrasia, India. Khayal in Raga – MARU BEHAG (Kalyan Thath) On flute (BANSURI) Teen Tal

2- Khayal in Raga – GAWATI (Khamach Thath) Bilampat Jhup Tal, Drut Teen Tal

2- Khayal in Raga – RAGESHRI (Khamach Thath) On flute Bansuri By Pandit Hari Prasad Chorrasia. Mudh Jhup Tal

3- Khayal in Raga – OSHAAQ on Sarangi (Misher male Thath) A Combination of Bahairvin and Bhairon Thath by Ustad Sultan Khan (India). Khayal in Mudh ROPAK Tal



Note:

a) Bhimsen Joshi (1922 to 2009) was an exellent exponent of Khayal Gaeki (Style), was an outstading disciple of Professor, SAVAI GANDHERVA, who was student of late Ustad Abdul Karim Khan Saheb of KERANA Gharana. This Bhimsen Joshi was a grand disciple of Abdul Karim Khan Saheb, deid 1937. Bhimsen Joshi made his debut in 1952, by singing Raga “DESI” with Usdat Ameer Khan of Indor, in feature film BAIU BAVRA.


b) Raga Lalit Pancham is a Combination of Raga Lalit of Bhairon Thath and Raga Bhankar of Marva Thath. Lalit in “Utang” (First Tatra chord) and Raga “Bhankar” in Porvang (Second Tatra Chord) this Raga in its tonal quality takes after with another Raga “SOHAG”, According to the “Grunths” (Ancient Theatises of Music of South India) Raga Lalit is a Raga of SURIYA KANT Thath and its DHIWAT/Dha (That is 6th Major above Tonic) is Shudh (Natural). Raga Lalit Panchan is another raga of Marva thath which also has all the tonal characters of Raga “ Bhankar”, Moreover our Raga Lalit is mentioned in South Indian Music system with Panchain (5th perfect above tonic or Dominent) where as our Raga Latil is Sung without Pancham. However the Raga Lalit Pancham is a Combination of Lalit and Bhankar.


AC. No: _____ / VCL Volume: _________

Artist Faiyaz Khan (Ustad)

Disciple of his Maternal Ground Father Ustad Ghulam Hussain Khan (1825-1934)

Gharana Agra Gharana Cassette Duration

30+30=60 minutes (C-60)

Production Karachi Music Centre; Sommerset Street, Sadar Karachi.

Contents

Side “A” Side “B” 1- Alap and Khayal in Raga – BHANKAR

(Marwa Thath) Mudh Teen Tal, “Hey Kartar”

1- a) Alap in Raga – DES (Khamach Thath)

b) Hori in Raga – DES in Dhamar Tal “Aaj Holi Khelat Nunad Lal”



Note: Faiyaz Khan (Ustad), Agrey Waley was born at Agra in 1881 and died 05-11-1950 at Agra India.


AC. No: _____ / VCL - VLT

Volume: ____I_____

Artist Fareeda Khanam, Madam (Born in Amritsar-1935) Disciple of Ustad Badey Ashiq Ali Khan of Patyala Gharana

Title Fareeda Khanam Cassette Duration 30+30=60 minutes (C-60) Production PNCA Islamabad – 1997

Contents


1- Khayal in Raga – KAMOD (Kalyan Thath) Khayal in Mudh Teen Tal “Chhand De Mora Anchra”

1- Khayal in Raga – DURGA (Bilawal Thath) Sakhi Mori Rom Jhom

2- Merey Hum Nafas Merey Humnava Ghazal, Shakeel Badayuni

2 Youn Saja Chaand Ke Chhalka Terey Andaz Ka Rung Ghazal, Faiz Ahmed Faiz

3- Na Ganwao Navik-e-Neem Shub Ghazal, Faiz Ahmed Faiz

3- Khayal in Raga – NUT NARAINI (Khamach Thath) Khayal in Mudh and Drut Teen Tal “Laj Rakho Kertar”




AC. No: _____ / VCL

Volume: _________

Artist 1. Fateh Ali Khan (Ustad) 2. Amjad Amanat Ali Khan

Gharana Patyala Gharana Cassette Duration

30+30=60 minutes (C-60)

Production Lok Virsa, Islamabad

Contents

Side “A” Side “B” 1- Interview 1- Khayal in Raga – MALOHA KEDARA

(Bilawal Thath) Bilampat in Iktala, “Anchra Mora Chhando” Drut Teen Tal, “Kahon Aali Kesey Jia Dharka”

2- BHAIRVIN KAFI

2- Thumri – BHAIRVIN (Bhairvin Thath) “Bhar Pichkari Na Maro To Se Hari”

3- Thumri – KHAMACH (Khamach Thath) “Mora Piya Mo se Bolat Na”, Mudh Teen Tal.

3- Thumri – BHAIRVIN (Rupak Tal) “Kub Aao Ge Toom Aao Ge”

4- PAHADI Geet “Ve Kidda Sohna Lagna”


• Tabla: Talib Hussain (Ustad) – (Side “A” of Cassette) Shaukat Hussain (Ustad) – (Side “B” of Cassette) • Sarangi: Nazim Ali Khan (Ustad) • Harmonium:

Note:- a- Amjad Amanat Ali (Born 1954 at Lahore and died 01-12-2002 at Lahore) was the eldest

son of Late Ustad Amanat Ali Khan (died 16-09-1974 at Lahore). b- Recording of the under refernce concert was registered in 1985 at the Lok Virsa

Auditorium at Shakar Puriyan Islamabad. Almost after a span of ¼ century, ”Thumri Khamach” as per ring No, 3 of side “A” was reproduced by his nephew “Shafqat Amanat Ali in 2009, under the title “Khamach” in a fusionistic style in accompaniment with western Pop Musical Instruments.


AC. No: _____ / VCL Volume: _________

Artist Ghulam Ali Khan

(Ustad Chhotry Ghulam Ali Khan Qasuri) Gharana Qasure Gharana, an auxiliary of Qawal Bachon ka Delhi Gharana Cassette Duration 30+30=60 minutes (C-60) Production Lok Virsa, Islamabad

Contents


1- Interview 1- Khayal in Raga – JAI JAI WANTI (Khamach Thath) Mudh Teen Tal “ Dholan Away Tan Mein Lanwan Ni Kalaway”

2- Khayal in Raga – GAUND MALHAR (Khamach Thath)

a) Mudh and Drut Khayal Teen Tal, “Sawan ke Jhook Aae Ri Badra”

b) Drut Khayal Iktala, “Bhega Bagh”

2- Khayal in Raga GHARA (Kafi Thath) Mudh Iktala, “Meinu Ve Chaheenda Yar”

3- Dadra in Raga – KHAMACH (Khamach Thath) “Toom Bin Raja Nahin Mai Ko Chin”

3- Khayal in Raga – DERBARI (Asawari Thath)

a) Mudh Teen Tal, “Saheladiyan Aain Sub Bun Thun Aisi Banno Ki”

b) “Ajab Khel Kartar Ke”, Composition in Mudh Teen Tal

c) “Yar - e - Mun Baya Baya”, Composition in Mudh and Drut Iktala

4- Thumri “BHAIRVIN” (Bhairvin Thath) “Baju Bund Khool Khool Jaen” Deep Chudi Tal


• Tabla: Muneer Hussain • Sarangi: Allah Rakha Khan • Harmonium: Mohammed Aslam and Basheer Ali • Tanpura: Ms. Sara Zaman and Ms. Samina Syed • Interview: Ms. Sara Zaman


AC. No: _____ / VCL Volume: ____II____

Artist Ghulam Ali Khan

(Ustad Chhotey Ghulam Ali Khan Qasuri) Gharana Qasure Gharana, an auxiliary of Qawal Bachon ka Delhi Gharana. Cassette Duration

30=30=60 minutes (C-60)

Production Lok Virsa, Islamabad.

Contents

Side “A” Side “B” 1- Khayal in Raga – ALLAIYA BILAWAL

(Bilampat Thath) Bilampat Khayal Ikwai Tal “Tu Bhali Nibhai We Yar” Drut Teen Tal, “Pochhda Nain Je Hal”

1- Khayal in Raga – KEDARA (Kalyan Thath)

a) Khayal in Mudh Rupak Tal, “Godhey Rung Ranga”

b) Drut Khayal Iktala, “Tori Chhub Dekhan Ko Nari, Sub Aain Bari Bari”

2- Khayal – ANG KAFI

(khamach Thath) Mudh Teen Tal , “Dholan Aawe”

2- Khayal in Raga – LALIT (Bhairon Thath) Mudh teen Tal, “Saiyo Ni Jogi Aaya”


• Tabla: Muneer Hussain • Sarangi: Allah Rakha Khan • Harmonium: Mohammed Aslam and Basheer Ali • Tanpura: Ms. Sara Zaman and Ms. Samina Syed • Interview: Ms. Sara Zaman


AC. No: _____ / VCL Volume: _________

Artist 1. Ghulam Shabbir Khan

2. Ghulam Jaffar Khan (Disciples of Ustad Niaz Hussain Shami, Abdul Lateef Khan and Ghulam Hussain Khan, Ludehaney Walay)

Gharana Sham Chorrasi Cassette Duration

30=30=60 minutes (C-60)

Production Radio Recording. Private Collection of Mrs. Rana Ali

Contents

Side “A” Side “B” 1- Empty 1- Khayal in Raga – SARASWATI

(Misher Male Thath) Bilampat Khayal in Iktala, “Sanwrey Torey Nain” Drut khayal in Teen Tal, “Peharva Mein Ka Se Kahon”



Note:

Raga Saraswati has not been mentioned in Moaraful-ul-Naghmat by Thakur Nawab Ali as well as by Pandit Bhat Khunday in any of the volumes of his Sangeet Padhati as it does not fit in any of his Ten Thaths.hoowever its Thath is Mentioned as “Wachaspati” in Kernataka Sangeet (Music of South India) Raga Saraswati was papularised in Pakistan by Ustad Ashiq Ali Khan and Ustad Nathu Khan Sarangi Nawas.


AC. No: _____ / VCL Volume: _________

Artist Malini Rajorker (India) Gharana Gawalior and Kalawanton ka Delhi Gharana Cassette Duration

30+30=60 minutes (C-60)

Production Tranferd from L.P. Private Collection to Mr. Zahid Farani

Contents

Side “A” Side “B” 1- Khayal in Raga – BHOPAL TODI

(Todi Thath) 1- Tappa in Raga – KHAMACH

(Khamach Thath) Mudh Teen Tal, Punjabi Theka

2- Khayal in Raga – KAUSHAK RANJNI 2- Khayal in Raga – BAGESHRI (Kafi Thath)


• Tabla: • Sarangi: • Harmonium: • Tanpura:


AC. No: ____ / VCL Volume: _____I____

Artist Malika Pukhraj, Madam Gharana Talwandi Ka Dhrupad Gharana, disciple of Maula Bukhsh Khan (Ustad),

Talwandi Waley and Akhtar Hussain (Ustad) of Patyala Gharana. Cassette Duration 30+30=60 minutes (C-60) Title of Cassette Malika Pukraj – Volume I Production A PNCA Production – 1997

Contents


1- Mein Jo Madhosh Hoa Ghazal

1- Zulmat Kadey Mein Meri Ghazal

2- Wo Batain Teri, Wo Fasane Terey Ghazal, Abdul Hameed Adum

2- Zahid Na Keh Borri Ghazal

3- Nigah - e - Yar Jisey Ghazal

3- Kiya Keh Gai Kisi Ki Nazar Ghazal

4- Wo Kehtey Hain Ranjish Ki Batain Ghazal

4- Arey Megusaro Sawerey Sawerey Ghazal

5- Her Aik Jalwa - e - Rangeen Ghazal

5- Jis Ko Na Taab - e - Zabt Ho Ghazal

6- Raz - e - Ulfat Ayan Natto Jae Ghazal, Behzad Lakhnawi

6- Ehd - e - Rangeen Ki Yadgar Hon Mein Ghazal

7- Jagein Tamam Raat Jagaen Tamam Raat Ghazal

7- Kub Thehrey Ga Dard - e - Dil Ghazal, Faiz Ahmed Faiz

8- Taskeen Ko Hum Na Roein Jo Ghazal, Mirza Ghalib

8- Abhi To Mein Jawan Hon Nazm, Hafeez Jalundhri

Instrumental Accompaniment • Tabla: • Sarangi: • Harmonian:

Note:

Malika Pukhraj, Madam (born at Jammu Kashmir and died 2007 at Lahore) was a disciple of Maula Bukhsh (Ustad) Talwandi Walay of Dhrupad Gharana of Talwandi. Latter on, she became disciple of Akhtar Hussain Khan (Ustad), Son of Ali Bukhsh alias Gernail Khan (Ustad), founder of Patyala Gharana. Although her discipleship with Maula Bukhsh Khan (Ustad) is spread over a short span of one year, yet blend of Dhrupad can not be separated from her renditions. Serenity of her Gaiki or Style is the main characteristic of her renditions. She was an outstanding exponent of ghazal form of our music and her excellence as an exponent of Pahadi / Kashmiri folk songs is matchless, which she has very successfully transmitted to her illustrious daughter Ms. Tahira Syed. Both, Mother and Daughter are the reciepients of President of Pakistan’s Medal for Pride of Performance.


AC. No: _____ / VCL Volume: ___________

Artist M. Iqbal (Ustad) Gharana Rampur, an auxiliary of Delhi Gharana of SENIS Cassette Duration

30+30=60 minutes (C-60)

Production Produced and Released by Lok Virsa, Islamabad.

Contents

Side “A” Side “B” 1- Interview of Ustad M. Iqbal

Interviewer, Khalil Ahmed (Music Composer), Died 17-07-1997 at Lahore.

1- Khayal in Raga – MALOHA KEDARA (Bilawal Thath) Bilampat in Iktala, “Anchra Mora Chhando” Drut Teen Tal, “Kahon Aali Kesey Jia Dharka”

2- Khayal & Tarana in Raga – SHRI / SRI (Porabi Thath)

a) Bilampat in Iktal, “Sanjh Bhai” b) Tarana, Drut Teen Tal

2- Khayal in Raga – LALIT (Bhairon Thath) Bilampat in Iktala, “Ik Baat Batao Pia Ka mo so Chuke Pari” Drut Teen Tal, “Jogia Merey Gher Aao”

3- Khayal in Raga – SHIV MADHIM (A Raga of Kernataka Music system of South India) Mudh Teen Tal, “ Charanwa Lagey”

3- Thumri – BHAIRVIN (Bhairvin Thath) Tala Deep Chundi, “Bhor Bhai Re Piya Oth Jago”

4- Thumri – PILU (Kafi Thath) Deep Chandi Tal, “Morey Naina Lagey”




Ac No: ________ / VCL Volume: _____________

Note:

Raga CHANDAR KAUNS is a sweet combination of Kafi and Bhairon Thath, Kafi in first and BHAIRON in upper Tatrachord. The term “MISHER MALE” stands for “combination”. Thus the Ragas, which are composed by fusing two or more Ragas of different Thaths, fall under the purview of “MISHER MALE” Thath. Raga JOG is a Panta Tonic Night Raga and is a combination of “KAFI” and “KHAMACH” Thath in first and second Tatra Chord, respectively. Ustad M.Iqbal born Patyala (died 11-08-1986) was a mentionable disciple of Sarangi Maaestro, Ustad Hamid Hussain Khan of DELHI Gharana of SENIS also known as Kalawantan-e- Delhi. Ustad M. Iqbal was cultural officer of Italian Embassy at Islamabad. He breathed his Last on 11-08-1986 at Islamabad.

Artist M. Iqbal (Ustad) (Born 1924, Died 11- 08-1986)

Gharana Rampur, an auxiliary of Dehli Gharana Cassette Duration

30+30=60 Minutes (C-60)

Production A PNCA Production, Islamabad

Contents

Side “A” Side “B” 1- Khayal in Raga – BEHAGDA

(Bilawal Thath) Bilampat Iktala, “ Piyari Pug Ho Lal Dhariey” Drut, Teen Tal, “Dhan Dhan Ri”

1- Khayal – NUT BHAIRON (Misher Male Thath) Mudh Teen Tal, “Kaison Keriey”

2- Khayal in Raga – CHANDAR KAUNS (Misher Male) Bilampat Jhup Tal, “Bhalo Matwaro” Drut, Teen Tal, “Aray Ja Ja Re Kagwaa”

2- Khayal in Raga – JOG (Misher Male Thath) Bilampat Jhup Tal, “E Ri Aaj” Drut, Teen Tal, “Balam Tohey Kaisey”




AC No: _________ / VCL Volume: _______________

Artist 1. M. Iqbal (Ustad) (Born 1924, Died 11- 08-1986)

2. Amanat Ali Khan, Fateh Ali Khan Gharana 1. Rampur

2. Patyala Cassette Duration

30+30=60 Minutes (C-60)

Production Private Collection of Arif Jafri (Radio Recording)

Contents

Side “A” Side “B” 1- Amanat Ali Khan , Fateh Ali Khan

Thumri BHIRVIN “Kub Aao Ge Toom Aao Ge”

1- Khayal in Raga – AIMAN (Kalyan Thath) “Jadu Bhari Piya Ki Najariya” (Drut Teen Tal)

2- Ustad M. Iqbal Khayal in Raga – KEDARA (Kalyan Thath) “Mor Bolay Bagan Mein” Drut Teen Tal

2- Khayal in Raga – KAFI KANHRA (Kafi Thath) Drut Teen Tal

3- Jo Bhi Dookh Yad Na Tha (Ghazal, Ahmed Faraz)

3- Khayal in Raga – DURGA (Bilawal Thath) Drut Teen Tal

4- Dadra in Raga – MALTI/SHIV RANJNI (Kafi Thath) “Tani Dhirey Se Bol”

4- Thumri in SHUDH KHAMACH (Khamach Thath)

5- Thumri – BEHARI/KOSYA (Bilawal Thath)




AC. No: _____ / VCL Volume: ___________

Artist Mohammed Tufail Niazi Gharana Kapoorthala Gharana Cassette Duration 30+30=60 minutes (C-60) Title of Cassette Mohammed Tufail Niazi – Volume I Production Lok Virsa, Islamabad

Contents


1- Mein Nain Jana Khedeyan De Nal Punjabi Geet

1- Sada Chidiyan Da Chanba We Babula Traditional Marriage Song

2- Sada Kaleyan Da dil Nain Lagda Punjabi Geet

2- We To Nedey Vus We Kafi Ang Punjabi Geet

3- Sajna Wachhora Tera Punjabi Geet

3- Charkha Lenda Pheriyan Punjabhi Geet

4- Ni Ranjha Jogda Bun Aaya Kafi, Bulleh Shah

4- Mein Vi Jana Jhok Ranjhan Di Nal Merey Koi Challey Kafi, Shah Hussain

Instrumental Accompaniment Orchestra:

• Tabla: Mian Shaukat Hussain Abdul Sattar Tari Mohammed Ajmal Khan • Sarangi: Nabi Bux Khan, Ustad Allah Rakha Khan • Vichitra Veena: Abdul Rasheed Beenkar, Sarod, Sharif Khan • Shehnai: Aurangzeb Khan alias Rungi Khan

Note:

Ustad Mohammed Tufail Niazi (born Jalundhar 1920 and died 22-09-1990 at Islamabad) was a legendry Folk singer of Indo – Pakistan sub continent, whose excellence in folk rendering is yet to be surpassed. His Masterly Command over tinging of his renditions with a blend of classical, use of BEDAAR Notes (a forbidden note of the Raga or Melody) embalishing of Folk renditions with coloraturas (MURKI) short passages and perfect intonation separates him from his contemporary singers.


AC. No: _____ / VCL Volume: ____________

Artist 1. Munawar Ali Khan

2. Hameed Ahmed Khan Gharana 1. Qawal Bachon Ka Gharana

2. Dehli ka Seni Gharana Cassette Duration

45+45=90 Minutes (C-90)

Production Private Collection of Mr. Zahid Imran Farani, Islamabad

Contents

Side “A” Side “B” 1- Khayal in Raga – DESI TODI

(Todi Thath) Bilampat Teen Tal

1- Khayal in Raga – BASANT MOKHARI (Bhairvin Thath) Bilampat Teen Tal, Drut Iktal

2- Khayal in Raga – GOJARI TODI (Todi Thath) Drut Iktal

2- Thumri in Raga – BHAIRVIN

3- Dadra in Raga – JANGLA BHAI RON 3- Khayal in Raga – RUSRANJANI (Bilawal Thath) Bilampat, Drut Teen Tal

4- Khayal in Raga SOORATH (Khamach Thath) Teen Tal, Mudh Leia

4- Tarana in Raga SHAHANA (Kafi Thath)




AC. No: _____ / VCL Volume: ____________

Artist Munawar Ali Khan and his Son Ghulam Raza Khan Gharana Qawal Bachon Ka Dehli Gharana Cassette Duration

30+30=60 Minutes (C-60)

Production Radio City Islamabad

Contents

Side “A” Side “B” 1- Khayal in Raga – KOMAL REKHAB

ASAWRI (Bhairvin Thath)

1- Khayal in Raga – GAUD SARUNG (Kalyan Thath)

2- Dhoon in RAGNI PILU (Kafi Thath)

3- Bhajan in RAGNI (Bilawal Thath)


• Tabla: Tanmoy Bose • Tanpura: Mithilesh Amin

Note:

Late Ustad Munawar Ali Khan (Died:- 2004) was the son of Ustad Baray Ghulam Ali Khan Qasuri (Died -1968 at Delhi, India) Usdat Baray Ghulam Ali Khan Saheb is an indirect disciple of Qawal Bachon ka Delhi gharana. He later on established his own Qasure Gharana, which is an auxiliary of Qawal Bachon ka Gharana.

The presentation of Raga in pure classical “Khayal” form was transmitted to Usdat Baray Ghulam Ali Khan though Ustad Baray Ashiq Ali Khan (died 1948 at Karachi) son of Usdat Fatheh Ali Khan, alias “Kernail Khan” one of the two founder members of Patyala gharana.

Ustad Fatheh Ali Khan, alias Kernail Khan, titled as “Tan Kaptan” (1830-1898) was the prodigious disciple of Mian Qutab Bukhsh Khan, alias “Tan Rus Khan (1770-1872) of Qawal Bachon ka Delhi Gharana.

However Ustad Baray Ghulam Ali Khan preferred his son Munawar Ali Khan, to be the direct disciple of late Ustad Sardar Khan, (died 1960 at Lahore) grand son of Mian Qutab Bukhsh Tan Rus Khan.


AC. No: _____ / VCL Volume: _________

Artist 1- Nazakat Ali Khan (Ustad)

2- Salamat Ali Khan (Ustad) Gharana Sham Chorrasi Cassette Duration 45+45=90 minutes (C-90) Production Radio Recordings, a Private Collection of Mr. Zahid Imran Farani, Islamabad.

Contents


1- Khayal in Raga – RAGESHRI (Khamach Thath) Bilampat in Jhomra Tal, “Piya Perdes” Drut Teen Tal, “Dhan Dhan Mero Bhag”

1- Khayal in Raga – BHOPALI (Kalyan Thath) Bilampat in JhomraTal, “Mori Sudh Na Li” Drut Teen Tal, “Tarana”, “Ta Na, De Re, Na, Tad.Re, Dani”

2- Khayal in Raga – GOJRI TODI (Todi Thath) Bilampat in Ikwai Tal, “Ja Ja Re Ja” Drut Teen Tal, “Sotan Ghar Na Ja”, Followed by Tarana Drut Teen Tal, “Tan Na De Re Na Deem”

2- Khayal in Raga – MALKAUN (Bhairvin Thath) Bilampat in Ikwai Tal, “Koyaliya Boley” Drut Teen Tal, “Torey Bina”


• Tabla: Shaukat Hussain Khan (Ustad) • Sarangi: Nazim Ali Khan (Ustad) • Harmonium:


AC. No: _____ / VCL Volume: _________


2- Salamat Ali Khan (Ustad) Gharana Sham Chorrasi Gharana Cassette Duration 45+45=90 minutes (C-90) Production Karachi Music Centre, Sommeret Street Karachi.

Contents


1- Interview 1- Khayal in Raga – BHOPALI (Kalyan Thath) Bilampat in Jhomra Tal, “Mori Sudh Li Na” Followed by Tarana “BHOPALI” in Teen Tal

2- Khayal in Raga – RAGESHRI (Bilawal Thath) Bilampat Jhomra, “Piya Perdes” Drut Teen Tal, “Dhan Dhan Mero”

2- Khayal in Raga – MALKAUNS (Bhairvin Thath) Bilampat in Jhomra Tal, “Torey Bina” Drut Teen Tal, “Mohay Kul Na Aae”

3- Khayal in Raga – GOJRI TODI (Todi Thath) Bilampat IKWAI Tal, “Ja Ja Re” Drut Teen Tal, “Sotan Ghar Na Ja” Followed by Taran in GOJRI TODI in Teen Tal



Note: 1. Nazakat Ali Khan (Ustad), (1930 at Sham Chorrassi, Jalundar and died 1985 at Rawalpindi). 2. Salamat Ali Khan (Ustad), (12-12-1934 at Sham Chorrasi, Jalundar and died 09-07-2001 at

Lahore). He is a disciple of Ustad Wilayat Ali Khan (father) Niaz Hussain Shami (Maternal Cousin) and Ustad Ghazanfar Ali (Maternal Uncle).

a. It is a private collection of Mr. Imran Zahid Farani. b. Nazakat Ali Khan (Ustad), Salamat Ali Khan hails from a family of DHRUPAD singers

of Sham Chorrasi, a village in Drst Jalundhar in Indian Punjab. In 1947, the whole family opted for Pakistan and settled in Multan. Both the prodigious brothers received their primary Music education from their illustrious father Willayat Ali Khan (Ustad). Later on their first cousin and also brother in aw, Niaz Hussain Shami


c. (died 1975-Lahore) took the responsibility of Ali Brothers grooming (Nazakat Ali Khan, Salamat Ali Khan, Tassadaq Ali Khan, Akhter Ali Khan (Died -1997) and Zakir Ali Khan (Died – 03-07-2004). Ustad Nazakat,Salamat also had training in Khayal Singing from their maternal uncle Ustad Ghazanfar Ali Khan alias GAJU KHAN> they also recived mentionable guidance from Ustad Fateh Ali Khan Qawal died, 1963 at Layalpur, father of NUSRAT FATEH ALI KHAN (died 16-08-1997). Ustad Nazakat, Salamat are one of those who become Legend in their life time. They are the one who bestowed upon Pakistan’s World of Music, with purely Pakistan style of Khayal, Thumri and Kafi singing.


AC. No: _____ / VCL Volume: ______I_____

Artist Nisar Hussain Khan (India)

(Died 1998) Gharana Sehsawan Cassette Duration 30+30=60 minutes (C-60) Production Transferred from L.P. A private collection of Mr. Zahid Imran Farani,

Islamabad.

Contents

Side “A” Side “B” 1- Tarana in Raga – JAE JAEWANTI

(Khamach Thath) 1- Tarana in Raga – DES

(Khamach Thath) Mudh and Drut Teen Tal

2- Tarana in Raga – HAMEER (Kalyan Thath) Mudh and Drut Iktala

3- Tarana in Raga – PURIYA (Marwa Thath) Drut Teen Tal

4- Tarana in Raga – BHAIRVIN (Bhairvin Thath) Drut Teen Tal




AC. No: _____ / VCL Volume: _________

Artist Pandit Onkar Nath Thakur

(1897-1867) Gharana Gawalior Gharana Cassette Duration

30+30=60 minutes (C-60)

Production Marketed by Rhythm House, Bombay India and released by Karachi Music Centre, Sommerset Street, Karachi.

Contents


1- Khayal in Raga – CHHAYA NUT (Kalyan Thath) Bilampat Khayal Iktala, “Karat Ho Jhoti Batiyan”

1- Khayal in Raga – CHHAYA NUT (Carried over from Side “A”) Mudh and Drut Khayal in Teen Tal “Bhari Gagari Mori Dhulkai Chhail” “Toom Rakho Ho Mun Mein Kutch Mael”

2- VANDAY MATRUM Instrumental Accompaniment:


Note: Raga CHHAYA NUT is a popular Night Raga of Kalyan Thath but old musical Treatises have

mentioned CHHAYA NUT as a Raga of Bilawal That. However Pandit Bhaat Khunday has grouped this raga in Kalyan Thath due tothe occasional use of Tiwar Modhim (augmented 4th above Tonic or Tri-tone).

Parichat Grunth, 18th century and “Rag Tarangni”17th century has mentioned “CHHAYA NUT” as a Raga of Kedaar Thath and Shankra Bharan Male, respectively. Ustad Ghulam Haider Khan and Ustad Bader-u-Zaman are also of the opinion that Raga Chhaya Nut is a Raga of Bilawal Thath.


AC. No: _____ / VCL Volume: ______I_____

Artist Perveen Sultana (India) Gharana Rampur, an auxiliary of Gawalior Cassette Duration 30+30=60 minutes (C-60) Production Karachi Music Centre

Contents


1- Khayal in Raga – MEGH (Kafi Thath) Bilampat Iktala “Aeri Jal Jhar Lae” Drut Teen Tal, “Badra Barsan Laga”

1- Khayal in Raga – MIAN KI MALHAR (Kafi Thath) Bilampat Iktala, “Naveli Ritu Aai” Drut Teen Tal, “Damkey Damani”

2- Khayal in Raga – SARUNG KAUNS (Misher Male Thath) Bilampat Iktala, “Guru Charan” Drut Teen Tal, “Jagi Re Sari Ren”

2- Khayal in Raga – MANAVI Bilampat Iktala, “Mere Nain Mein Baso” Drut Teen Tal, “Mora Neendaniya”


• Tabla: Nazam-u-DIN Khan • Sarangi: • Harmonian: Mehmood Dhulpuri


AC. No: _____ / VCL Volume: _____II_____

Artist Parveen Sultana (India) Gharana Rampur Cassette Duration 30+30=60 minutes (C-60) Production HMV- Delhi India

Contents


1- Khayal in Raga – MEGH (Kafi Thath) Bilampat Iktala , “Ae Ri Jal Jhar Lae” Drut Teen Tal, “Badarwa Barsan”

1- Khayal in Raga – MANAVI Bilampat Iktala, “Merey Nain Mein Baso” Drut Teen Tal, “Mora Neendaniya Nasani”

2- Thumri in Raga “Taras Gae Morey Nain”




AC. No: _____ / VCL Volume: _________

Artist Rasheed Khan, Ustad (India) Gharana Qawal Bachon ka Gharana – Delhi Cassette Duration 30+30=60 minutes (C-60) Production Kabul Music Centre Collection of Mr. Zahid Imran Farani, Islamabad.

Contents


1- Khayal in Raga – MIAN KI TODI (Todi Thath) Bilampat Iktala, “Ab Morey Ram” Mudh and Drut, Teen Tal, “Kub Mori Naiya Par Karoge”

1- Khayal in Raga – PURIYA (Marwa Thath) Bilampat Iktala , “Piya Goonvanta” Mudh and Drut, Teen Tal, “Main Tou Ker Aai Piya Sung Rung Raliyan”

2- BHAJAN of Mira Bai “Koi Kahio Re Prabo Aawan Ki”



Note: Teen Tal BUNDISH of RAGA – GOJRI TODI and RAGA – PORIYA are Composition of Main Qutab Bux Tan Rus Khan.


AC. No: _____ / VCL Volume: ____________

Artist Roshan Ara Begum, Malika- e-Mausiqi Gharana Kerana Gharana Cassette Duration

30+30=60 minutes

Production A PNCA Production, Islamabad.

Contents

Side “A” Side “B” 1- Khayal in Raga – KALAWATI

(Khamach Thath) 1- Khayal in Raga – DES

(Khamach Thath) 2- Khayal in Raga – ANUNDI

(Kalyan Thath) 2- Thumri in Raga – JHUNJOTI

(Khamach Thath) Instrumental Accompaniment:


Note:

Roshan Ara Begum, Malika- e-Mausiqi (1915 to 5-12-1982) disciple of Ustad Abdul Karim Khan Saheb of Kerana School of Music (1868 – 1937).


AC. No: _____ / VCL Volume: ____________


30+30=60 minutes


Contents

Side “A” Side “B” 1- Khayal in Raga – BHIBAS

(Bhairon Thath) 1- Khayal in Raga – LALIT

(Bhairon Thath) 2- Khayal in Raga – JAUNPURI

(Asawari Thath) 2- Khayal in Raga – BHATIYAR

(Marwa Thath) 3- Thumri in Raga – GHARA

(Kafi Thath) Instrumental Accompaniment:


Note:



AC. No: _____ / VCL Volume: ____________


30+30=60 minutes

Production An EMI Production

Contents

Side “A” Side “B” 1- Khayal in Raga – MARU BEHAG

(Kalyan Thath) 1- Khayal in Raga – KAMOD

(kalyan Thath) 2- Khayal in Raga – Adana

(Asawari Thath) 2- Khayal in Raga – Shudh Kalyan

(Kalyan Thath) Instrumental Accompaniment:

• Tabla: Ustad Shaukat Hussain Khan • Sarangi: Nazim Ali Khan

Note:



AC. No: _____ / VCL Volume: ___________


30+30=60 minutes


Contents

Side “A” Side “B” 1- Khayal in Raga – SHANKRA

(Bilawal Thath) 1- Khayal in Raga – BAHAR

(Kafi Thath) 2- Khayal in Raga – BASANT

(Porabi Thath) 2- Khayal in Raga – NAEKI KANHRA

(Kafi Thath) 3- Khayal in Raga – PORIYA DHANASRI

(Porabi Thath) Instrumental Accompaniment:


Note:

Roshan Ara Begum, Malika- e-Mausiqi (1915 to 5-12-1982) disciple of Ustad Abdul Karim Khan Saheb of Kerana School of Music (1868 – 1937). This cassette is a PNCA production, Volume IV.


AC. No: _____ / VCL Volume: ___________


30+30=60 minutes (C-60)

Production Pakistan Broad Casting (PBC) Production

Contents

Side “A” Side “B” 1- Raga – KAMOD

“Balam Rangeele” 1- Raga – AIMAN

“Aai Re Main Toori Nagaria” Instrumental Accompaniment:

• Tabla: Mian Shaukat Hussain khan Sarangi (Nazimali) • Sarangi: Nazim Ali Khan • Harmonium:

Note:

Roshan Ara Begum, Malika- e-Mausiqi (1915 to 5-12-1982) disciple of Ustad Abdul Karim Khan Saheb of Kerana School of Music (1868 – 1937). This cassette is a PNCA production, Volume IV.


AC. No: _____ / VCL

Volume: _________

Artist 1. Salamat Ali Khan (Ustad) 2. Sharafat Ali Khan (Son) 3. Shafqat Ali Khan


30+30=60 minutes (C-60)

Production Direct Recording from PTV’s Classical Music programme “RAG RUNG”. A private collection of Arif Jafri, Islamabad.

Contents


1- Khayal in Raga – HUNS DHOON (Bilawal Thath) Bilampat Khayal in Jhomra Tal, “Lagi Lagan” Mudh and Drut khayal in Jhup Tal, Kul Na Parat Mai Ko”. Followed by Taran in Drut Iktala, “O, De, Tab, Na, De, Re, Na, Ta, De, Re, Dani”

1- Tarana in Raga – HUNS DHOON Drut Iktala (Carried over from side “A”)

2- Shafqat Ali Khan Khayal in Raga – RAGESHRI (khamach Thath) Bilampat Khayal in Ikwai Tal, “Piya Perdes” Followed by Tarana in Drut Teen Tal

Instrumental Accompaniment: • Tabla: Ustad Mian Shaukat Hussain • Sarangi: Nazim Ali Khan • Harmonium:


AC. No: _____ / VCL - VSC

Volume: __________________

Artist 1- Salamat Ali Khan (Ustad) 2- Sharafat Ali Khan (Son)


30+30=60 minutes (C-60)


Contents

Side “A” Side “B” 1- Thumri in Raga – PAHARI

(Bilawal Thath) “Jiya Le Gaeo Re Mora Gaon Ka Chhora”

1- Dadra in Ragni – PAHARI (Bilawal Thath) “Daradwa Na Jana”

2- Kafi Khwaja Fareed in Raga – SINDH BHAIRVIN “Ishaq Anokhdi Peed”

2- Khayal in Raga – SUHA KANHRA (Kafi Thath) Drut Khayal in Iktala “Piherva Morey Aae”. TARANA RAGA - SUHA KANHRA Drut Teen Tal Drut Khyal in SUHA KANHRA in Asule Fakhta Tal, “Moj Darya”

Instrumental Accompaniment: • Tabla: Gulam Abbas • Sarangi: Ustad Allah Rakha Khan (Ustad)

(Pride of Performance) • Harmonium:

Note: With Reference to Ring 2 of side “B”;

a) The Bundish (Composition) of Raga “SUHA KANHRA” belongs to “Mian Nemat Khan” alias “SADA RUNG” (1668 to 1743). A legendry Musician of 17th and 18th century, Chief Court Musician of 11th Mughal King, “Mohammed Shah alias Rangeela (1719-1748).

b) Tala “Asule Fakhta” is a Persian Rhythm, Said to be introduced by “Hazrat Ameer Khusrau”

(1253-1325 AD) in subcontinental Music System. ASULE, meaning Principle where as the Word “Fakhta” stand’s for Dove (Principle of Dove’s Singing) The Tala is derieved from Female Doves Voice whose one singing circle comprises of 5 beats and goes like:-

//: K 0 – 0 – K 0 – 0 – K 0 : // 1 2 3 4 5


Therefore the Tala ASULE “FAKHTA” is a circle of 5 beats to a bar. Its tone syllables are as under:- //: Dhin Dhin Dha Dha Dhin Dhin Dha Dha Kut Ta : // 1 2 3 4 5 K 0 0 0 0 K 0 The Tala Asule Fakhta is mentioned in Persian Music treatises as Fakhta Zarab. (Book – Nizam-ul-Mulk Toosi, Urdu translation by Maula Abdul Razzaq Kanpuri – Karachi 1960, with refrence to Fakhta Zarab).


AC. No: _____ / VCL

Volume: _________

Artist 1- Salamat Ali Khan (Ustad) 2- Sharafat Ali Khan (Son)


30+30=60 minutes (C-60)


Contents

Side “A” Side “B” 1- Khayal in Raga – BHOPALI

(Kalyan Thath) Bilampat in Jhomra Tal, “Sudh Aan Le”.

1- Khayal in Raga – BHOPALI (Bilampat Khayal carried over from Side “A”) Mudh and Drut Khayal in Jhup Tal, Followed by Tarana in Teen Tal.


• Tabla: Ghulam Abbass • Sarangi: Allah Rakha Khan (Ustad)

(Pride of Performance) • Harmonium:

Note: With reference to Jhup Tal Composition” Punjtun Pak”;

This famous Bandish (Composition) is a Creation of Mian Qutab Bux alias “Tan Rus Khan (1770 – 1872). The founder of Khiyal Gharana of Dehlis Qawal Bachey, Mian Kalu Ji died 1845, (approximate) and his son, Ustad Ali Bux Khan, alias Jenail Khan, Died 1935, and his friend Fateh Ali Khan alias Kernail Khan (Founders of Patyala Gharana, are the Direct disciples of Tan Rus Khan Sahib, all Patyala and Qasure Musicians, including Ustad Baray and Chhotey Ghulam Ali Khan).


AC. No: _____ / VCL Volume: _________


2- Salamat Ali Khan (Ustad) Gharana Sham Chorrasi Cassette Duration

30+30=60 minutes (C-60)

Production Private Collection of Mr. Zahid Imran Farani, transfered from L.P to audio cassette.

Contents


1- Khayal in Raga – DERBARI (Asawari Thath) Bilampat in Jhomra Tal, “Hazrat Torak Kaman Ke Bul Bul Jaie” Drut Teen Tal, “Aaj Moray Ghar Aai Re”

1- Khayal in Raga – KALAWATI (Khamaeh Thath) Bilampat in Ikwai Tal, “Piya Gher Aai” Drut Teen Tal, “Ban Ban Aae”


• Tabla: Mohammed Tufail Narowali (Ustad) • Sarangi: Hussain Bux (Ustad) • Harmonium:


AC. No: _____ / VCL

Volume: ___________

Artist Sharafat Ali Khan Gharana Sham Chorasi Cassette Duration

30+30=60 minutes (C-60)

Production Private Collection of Mr. Zahid Imran Farani (Drawing Room Recording)

Contents

Side “A” Side “B” 1- Alap and Khayal in Raga – DERBARI

(Asawari Thath) Bilampat Khayal in Jhomra Tal

1- Khayal in Raga – DERBARI (Asawari Thath) Mudh and Drut in Teen Tal “Kin Beran Kaan Bharey”


• Tabla: Zahid Imran Farani • Sarangi: • Harmonium: • Tanpura:

Note: Sharafat Ali Khan (eldest s/o, Ustad Salamat Ali Khan), born 24-06-1955 and died 30-11-2009 at Lahore.


AC. No: _____ / VCL

Volume:______I______ Artist Umeed Ali Khan (Ustad), Gawaliori

(1911 - 1979) Gharana Gawalior Gharana Instrument Tabla Cassette Duration 30+30=60 Minutes (C-60) Production Lok Virsa, Islamabad

Contents


1- Khayal in Raga – DERBARI (ASAWARI THATH) Bilampat and Mudh Teen Tal “Saiyo Ni Meinu Ranjha Piyara Lagda”

1- Khayal in Raga – MALKAUNS (BHAIRVIN THATH) Bilampat Iktala “Peer Na Jani” Drut Khayal Teen Tal “Jag Omung Othi”

2- Khayal in Raga – TIRWAN (PORABI THATH) Bilampat Iktala ”E Main Jagi”

2- Khayal in Raga – DERBARI (BHAIRON THATH) Bilampat Khayal Iktala “Kub Gher Aaen Morey Piya” Drut Khayal in ASULE FAKHTA TAL “Aao Morey Gher”

3- Khayal in Raga – NILAMBERI (KAFI THATH)

3- Thumri PAHADI (BILAWAL THATH) “Mein Bheij Piya Pachhtai”



Note: Ustad Umeed Ali Khan (Born 1911 Amritsar, India, Died 1979 at Lahore) was a legendry classical and semi classical vocalist of Pakistan and a representative of Gawalior Gharana. He was disciple of Ustad Piyaray Khan Khan (Father). Such a Stalwart of our world of Music, that he did not even hesitate to sing in Duo with legendry Ashiq Ali Khan of Patyal and got registered Raga “Lalit” and Raga Sham Kalyan” in a 78 RMP Disc of HMV in 1944. In his last days, he lost his hearing sence and hung his fiddle in 1976. In

Pakistan National Council of the Arts National Intangible Heritage Archives recognition of his meritorious services in the field of Music, he was awarded with the President of Pakistan’s Medal for Pride of Performance in 1968.


AC. No: _____ / VCL Volume: ___________

Artist 1. Tajummal Hussain Khan 2. Ahmed Ali Khan Rehmat Ali Khan 3. Khan Bundhu (India)

Gharana 1. Kerana 2. 2.Gawalior 3. Seni Gharna of Delhi

Cassette Duration 30+30=60 minutes (C-60) Production Side, “A” Radio recording, PBC Karachi

Side, “B” Radio recording, All India Radio

Contents

Side “A” Side “B” 1- Raga – DERBARI

By Tajammal Hussain Khan. Bilampat Iktala, “Ghonghat ke Pat Khol” Drut Teen Tal, ” Jhannan Jhanak Jhun Baje Bichhwa”

1- Khayal in Raga – GOR MALHAR (Khamach Thath) By Khan Bundhu Bilampat Teen Tal, “Maan Na Kar” Drut Teen Tal, “Piherva Aj Na Aae”

2- Thumri – BHAIRVIN “Bara Jori Nahin” Teen Tal

3- Khayal in Raga – VANTI (Kafi Thath) By Ustad Ahmed Ali Khan, Rehmat Ali Khan. Bilampat Iktala, “Kub Ghar Aao Ge”



Note:

a) Tajammal Hussain Khan does not hail from a family of Musicians. His thirst for music took him to be a disciple of Mr.G.A Farooq, a disciple of Ustad Abdul Waheed Khan of Kerana alias Behrey Waheed Khan died 1948.

b) Ustad Ahmed Ali Khan and Rehmat Ali Khan are the direct representatives of Gawalior Gharana and both are disciple of their cousin, Ustad Umeed Ali Khan. They had initial training from their father, Ustad Misri Khan.


AC. No: _____ / VCL Volume: ___________

Artist 1. Baray Ghulam Ali Khan

2. Roshan Aa Begam 3. Salamat Ali Khan 4. Nazakat Ali Khan 5. Amanat Ali Khan 6. Fateh Ali Khan 7. Ashiq Ali Khan 8. Chotay Ghulam Ali Khan 9. Assad Ali Khan 10. Ghulam Hussain Shagan

Contents

Side “A” Side “B” 1- Khayal in Raga – KAMOD

(Kalyan Thath) Drut Teen Tal, “Chand De Mora Anchra” Ustad Baray Ghulam Ali Khan

1- Khayal in Raga – TILAK KAMOD (Khamach Thath) Bilampat Khayal in Iktala Ustad Chotay Ghulam Ali Khan

2- Khayal in Raga – ANUNDI (Kalyan Thath) Teen Tal, “Bare Sainyan” Roshan Aa Begam

2- Khayal in Raga – CHHAYA NUT (Kalyan Thath) Bilampat Iktala, “Kesay Kesay Bol” Ustad Assad Ali Khan

3- Khayal in Raga – BAGESHRI (Kafi Thath) Mudh and Drut Teen Tal, “ Kaun Gut Bai Ke” Ustad Nazakat Ali Khan and Salamat Ali Khan

3- Khayal in Raga – PORBI (Porbi Thath) Bilampat Khayal in Iktala Ustad Ghulam Hussain Shagan

4- Khayal in Raga – DERBARI (Asawari Thath) Ustad Amanat Ali Khan and Fateh Ali Khan

5- Khayal in Raga – BASANT (Porbi Thath) Drut khayal teen tal, “Phagwa Brij Dekhan” Ustad Ashiq Ali Khan



Note:

A PNCA production titled “50 Years of Golden Music of Pakistan” released on 14-08-1997 in connection with Pakistan’s Golden Jubilee Celebrations. The under refrence title comprises of 4 audio cassettes of C-60, containing 36 legendry voices of the music artists of Pakistan.


AC. No: _____ / VCL

Volume: ______I_____

Artist 1. Zaheer-ud-Din Dagar (India) 2. Faiyaz-u-Din Dagar

Gharana Seni Gharana of Kalawantan-e-Delhi Cassette Duration 30+30=60 minutes (C-60) Production Ustad Faiyaz-u-Din Dagar Memorial Trust, 379 Asiad Village – New Delhi

India

Contents

Side “A” Side “B” 1- Dhrupad in Raga – MARWA

(Marwa Thath) Alap

1- Alap and Composition in – Dhammar in Raga – MARWA Continuation of Side “A” (Vocal Jugalbandi)


• Pakhawaj accompaniment: Laxmi Narayan Pawar • Tabla: • Sarangi: • Harmonian:


AC / VLT (Audio Cassette / Vocal Light)


AC. No: _____ / VLT Volume: ____I____

Artist Bagam Akhtar Faizabadi (India)

Died 1996 Gharana Agra Gharana Title of Cassette The Golden Collection- Volume - I Cassette Duration 30+30=60 minutes (C-60) Production Personal Collection of Mr. Zahid Imran Farani, Islamabad.

Dubbed from L.P.

Contents

Side “A” Side “B” 1- Aey Mohabbat Terey Anjam Pe

Ghazal, Shakeel Badayoni 1- Dayam Para Hoye Terey Der Par Nahin

Ghazal, Mirza Ghalib 2- Ab Chhalktey Hoye Saghar

Ghazal, Ali Ahmed Jaleeli 2- Kuchh Tou Doniya Ki Inayaat Ne

Ghazal, Sudershan 3- Diwana Banana Hei Tou

Ghazal, Ali Ahmed Jaleeli 3- Na Socha Na Samjha

Ghazal, Mir Taqi Mir 4- Wo Jo Hum Mein Tum Mein Qarar Tha

Ghazal, Momin Khan Momin 4- Dil Ki Baat Kahi Nahin Jati

Ghazal, Kaifi Azmi 5- Ulti Ho Gain Sub Tadbeeren

Ghazal, Mir Taqi Mir 5- Itna Tou Zingagi Mein

Ghazal, Kaifi Azmi Instrumental Accompaniments


Note:

Born 1920 at Faizabad, a town in Lukhnow Drst, U.P, India; Bagam Akhtar Faizabad is a legendry Light and Semi Classical Vocalist of the Indo – Pakistan Subcontinent. Bagam Akhtar Faizabad has unique and enticing style, later on she became a school of thought in Ghazal, Thumri, Dadra and Geet singing. Before her the Ghazal singing was confined to just Astai Antra (The Composition). She is the first to introduce improvisation in ghazal singing, such as use of Murki (Colloraturas) and BEHLAVAS (improvisation of Raga or Melody on the one syllable “Aa”.

She was introduced to the people of the subcontinent the in 1930 as Talkie Film Heroine. Few of her movies are, “Mohabat ke Aansu” of new Theatres, (1931) “Mumtaz Begam” of East India film (1933) “Roop Kumari” (1934) of Maiden Theatres. “Ameena”, 1934 of Kali film of Calcutta.


AC. No: _____ / VLT Volume: _________

Artist Bagam Akhtar Faizabadi (India)

Died 1996 Title The Golden Collection of Bagam Akhtar-Volume-II Cassette Duration 30+30=60 minutes (C-60) Production Personel collection of Mr.Zahid Farani. Duble from L.P.

Contents


1- Zikr Os Parivash Ka Ghazal, Mirza Ghalib

1- Ozr Aaney Mein Bhi Hei Ghazl, Mirza Daagh

2- Merey Humsafar Merey Hum Ghazal, Shakeel Badayoni

2 Kis Se Pochhein Ghazal, Taskeen Qureshi

3- Ishq Mein Gherat-e- Jazbat Ne Ghazal, Sudershan Fakir

3- Onki Berukhi Mein Ghazal, Ameer Qizalbash

4- Merey Naseeb Ne Jub Ghazal, Shad Tamaknat

4- Zindagi Ka Dard Le Ker Ghazal, Shakeel Badayoni

5- Ab Tou Yehi Hein Dil Ki Doaen Ghazal, Taskeen Qureshi

5- Rah-e- Aashiqi Ke Yas Sadunwala




AC. No: _____ / VLT Volume: _________

Artist Fareeda Khanam, Madam

(Born in Amritsar - 1935) Disciple of Ustad Badey Ashiq Ali Khan Of Patyala Gharana

Gharana Patyala Cassette Duration 30+30=60 minutes (C-60) Production PNCA Islamabad – 1997

Contents


1- Khayal in Raga – KAMOD (Kalyan Thath) Khayal in Mudh Teen Tal Chhand De Mora Anchra

1- Khayal in Raga – DURGA (Bilawal Thath) Sakhi Mori Rom Jhom

2- Merey Hum Nafas Merey Humnava Ghazal, Shakeel Badayuni

2 Youn Saja Chaand Ke Chhalka Terey Andaz Ka Rung Ghazal, Faiz Ahmed Faiz

3- Na Ganwao Navik-e-Neem Shub Ghazal, Faiz Ahmed Faiz

3- Khayal in Raga NUT NARAINI (Khamach Thath) Khayal in Mudh and Drut Teen Tal “Laj Rakho Kertar”



Note:

Recepient of Pride of Performance and sitara-e-Imtiaz born at Amritsan, 1935; Madam Fareeda Khanam is the most out standing Light and sami classical vocalist of Pakistan, equally popular in music world of India. At the tender age of 8, her father Feroz Din took her to Patyala waley Ustad Ashiq Ali Khan to be his disciple, who trained her to sing out all form our music, right from classical Khayal to Light Ghazal Geet with equal and dexterity. In her Thumri and Ghazal singing, she is also inspired by her elder sister, late Mukhtar Bagam (born Amritsar 1923) Fareeda Khanam is the younger sister of late Mukhtar Bagam and elder sister of late film star Madam Rani .


AC. No: _____ / VLT Volume: ____I_____

Artist Ghulam Ali

(Born 1941 at Village Kaleykey of Drst Sialkot) Gharana Qasure Gharana. An auxiliary of Qawal Bachon Ka Delhi Gharana. Cassette Duration 30+30=60 minutes (C-60) Title of Cassette Ghulam Ali in concert. 1996 Production PNCA, Islamabad

Contents


1- Bechein Bohat Phirna Ghazal, Muneer Niazi

1- Ishq Mojh Ko Nahin Vehshat Hi Sahi Ghazal, Mirza Assad Ullah Khan Ghalib

2- Khatir Se Ya Lehaaz Sey Ghazal, Daagh Dehlavi

2- Mein Nazar Sey Pi Raha Hoon Ghazal, Anwar Hussain

3- Youn Saja Chand Key Chhalka Ghazal, Faiz Ahmed Faiz

3- Ley Chala Jan Meri Roth Key Jana Tera Ghazal



Note:

Born 1941 at village Kaley Key, Drst Sialkot, recipient of Pride of Performance, Ghulam Ali is ranked as one of the few best exponents of Ghazal singing, whose style/Gaiki has become a school of thought for almost all Ghazal Singers of the Indo-Pakistan subcontinent. He is equally popular in the Music World of Pakistan as well as India, Afghanistan, Bangla Desh and Nepal. He had his early Training from Ustad Barkat Ali Khan (Died 27-5-1963 at Lahore) Aftar his death, he came under the discipleship of Barkat Ali Khan’s youngest brother Ustad Amanat Ali Khan Qasuri (died 1981 at Lahore) who exposed all secrets of our music to his prodigious disciple and turned him into a living legend.


AC. No: _____ / VLT Volume: _________

Artist Ghulam Ali

Born 1941 at village “Kaleykey of Drst Sialkot” Gharana Qasure Gharana. An auxiliary of Qawal Bachon Ka Delhi Gharana. Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Ghulam Ali in concert. 1996 Production PNCA Islamabad

Contents


1- Bechein Bohat Phirna Ghazal, Muneer Niazi

1- Ishq Mojh Ko Nahin Vehshat Hi Sahi Ghazal, Mirza Assad Ullah Khan Ghalib

2- Khatir Se Ya Lehaaz Sey Ghazal, Daagh Dehlavi

2- Mein Nazar Sey Pi Raha Hoon Ghazal, Anwar Hussain

3- Youn Saja Chand Key Chhalka Ghazal, Faiz Ahmed Faiz

3- Ley Chala Jan Meri Roth Key Jana Tera Ghazal



Note:

Born 1941 at village Kaley Key, Drst Sialkot, recipient of Pride of Performance Ghulam Ali is ranked as one of the few best exponents of Ghazal singing, whose style/Gaiki has become a school of thought for almost all Ghazal Singers of the Indo-Pakistan subcontinent. He is equally popular in the Music World of Pakistan as well as India, Afghanistan, Bangla Desh and Nepal.

He had his early Training from Ustad Barkat Ali Khan (died 27-5-1963 at Lahore); after his death he came under discipleship of Barkat Ali Khan’s youngest brother Ustad Amanat Ali Khan Qasuri (died 1981 at Lahore) who exposed all music secrets to his prodigious disciple and turned him into a living legend.


AC. No: _____ / VLT Volume: _________

Artist Iqbal Bano

(16-08-1938 to 21-04-2009) Gharana Delhi Gharana of seni Kalawantan-e-Delhi Title of Cassette Iqbal Bano, Volume-I Cassette Duration 30+30=60 minutes (C-60) Production Lok Virsa, Islamabad

Contents


1- Wo is Tarah Se Jo Aae Ghazal, Nasir Kazmi

1- Anjuman Anjuman Shanasai Tufail Hoshiyar Puri

2- Payal Men Geet Hein Film song, Qateel Shifai (Film “Qatil” released on 22-01-1955)

2- Ho Sanam Bichhwa Bajey Re Film Song (Qateel Shifai) (Film “Ankh Ka Nasha” released on 30-05-1957)

3- Wo Zolf Khool Gai Tou Ghazal, Aziz Hamid Madni

3- Ab Ke Hum Bichhdey Ghazal, Ahmed Faraz

4- Kub Thehrey Ga Dard-e-Dil Instrumental Accompaniments


Note:

Madam Iqbal Bano; born on 16-08-1938 at Rohtak - Drst Hisar, India and died 21-04-2009 at Lahore. Her father, Mohsin Ali Khan migererated to Delhi, when she was just 5 years of age, she started learning from Ustad Chhotey Chand Khan Delhi waley. She migerated to Pakistan in September 1947 along her family and later on settled in Lahore (Anarkali). She made her debut in 1954 by singing a film song, “Tou Lakh Chaley Ri Gori Thum Thum Ke” Later on her songs, “Ulfat Ki Nai Manzil Ko Chala” (Film Gumnam) “Bichhwa Bajey” (Ankh Ka Nasha) “Toot Gaiyan Choriyan, Dopata Siron Leh Gaya” (Dulla Bhatti) “Ambwa Ki Daliyon Pe Jholna Jhula Ja, Abke Sawan Tou Ghar Aa Ja (Film Nagan) took her to the heights of popularity. But “Thumri, Dadra, Ghazal, Geet remained her forms of concentration. She will be remembered for her enticing style of semi classical and light renditions based on perfect intonation and perfection of pronouciation and above all presentation of Raga with its purity in light renditions are the mentionable of her Gaiki or style.


AC. No: _____ / VLT Volume: ____I____

Artist Iqbal Bano (Madam)

16-8-1938 to 21-4-2009 Gharana Delhi Gharana of Seni Kalawantan-e-Delhi Cassette Duration 30+30=60 minutes (C-60) Production Lok Virsa, Islamabad

Contents


1- Thumri in Raga – Des (Khamach Thath) “Na Hin Paray Mohey Chein”

1- Thumri in Raga – TALUNG “Torey Naina Jadu Bharey”

2- Thumri – PILU (Kafi Thath) Gori Teray Naina Kajar Bin Karey”

2- Thumri in Raga – GOR MALHAR (Khamach Thath) “Ghir Aai Baderiya Sawan Ki” Teen Tal , “Masit Khani Theka”

3- Thumri – TILAK KAMOD (Bilawal Thath) “Na Ja Re Morey Saiyan”

3- Thumri – BHAIRVIN “Ratiyan Kahan Ganwain Re Balam Herjai Re”



Note: About Iqbal Bano, please see foot note as per “Iqbal Bano, Volume I”.


AC. No: _____ / VLT Volume: ____IV____

Artist Iqbal Bano, Madam

(16.08.1938 – 21.04.2009) Gharana Delhi Gharana of Seni Kalawantan Cassette Duration 30 + 30 = 60 minutes (C - 60) Title of Cassette Mayari Mausiqi, Iqbal Bano, Volume II Production A PNCA, Islamabad Production, Concert Recording

Contents


1- Garifta Dil Hay Bohat Ghazal Nasir Kazmi

1- Khamosh Ho Kiyon Ghazal Ahmad Faraz

2- Ambwa Ki Daliyon Pe Film Song ‘Film Nagan, 1959’

2 Mohabbat Karnay Walay Kum Na Hongay Ghaza Hafeez Hushyarpuri

3- Dil Ki Baton Ko Badey Piyar Se Ghazal Shabnam Shakeel

3- Dasht e Tanhai Mein Nazm, Faiz Ahmad Faiz

4- Ram Karey Kahin Nainan Dadra Khamach (Traditional)

4- Hum Dekhien Gey Nazm, Faiz Ahmad Faiz

5- Payal Mein Geet Hain Film Song of Feature Film “Qatil”1955 Lyrics, Qateel Shifai



Note: Iqbal Bano, please see under volume I


AC. No: _____ / VLT Volume: ____III____

Artist Iqbal Bano, Madam

(16.08.1938 – 21.04.2009) Gharana Delhi Gharana of Seni Kalawantan Cassette Duration 30 + 30 = 60 minutes (C - 60) Title of Cassette Mayari Mausiqi, Iqbal Bano, Volume II Production A PNCA, Islamabad Production, Concert Recording

Contents


1- Ranjish hi Sahi Ghazal, Ahmad Faraz

1- Na Hareef Na Shareek e Gham Ghazal

2- Anjuman Anjuman Shanasai Tufail Hushyarpuri

2 Dagh e Dil Hum Ko Ghazal

3- Dayam Pada Hua Terey Dar Per Mirza Ghalib

3- Thumri Pilu (Kafi Thath) “Nadiya Dhirey Baho Jao”

4- Toti Hay Nazar Ki Aas Kahan Ghazal

4- ‘Ulfat Ki Nai Manzil Ko Chala’ Film Song of feature film ’Gomnam’ 1954 Lyrics Qateel Shifai

5- Ho Balam Bichhwa Bajey Film song of feature film “Aankh Ka Nasha” 1957 Lyrics, Qateel Shifai



Note: Iqbal Bano, please see under volume I


AC. No: _____ / VLT Volume: __ II____

Artist Malika Pukhraj, Madam

Disciple of Maula Bukhsh Khan (Ustad), Talwandi Waley and Akhtar Hussain (Ustad) of Patyala Gharana.

Gharana Talwandi Ka Dhrupad Gharana Cassette Duration 30+30=60 minutes (C-60) Title of Cassette Malika Pukraj – Volume II Production A PNCA Production – 1997

Contents


1- Kiya Mojhe Ishq Ne Ghazal

1- Yeh Kaun Sakhi Hein Ghazal

2- Dard Se Merey Ghazal

2- Merey Qatil Ghazal

3- Terey Ishq Ki Ghazal, Dr. Alama Iqbal

3- Kahin Aah Bun Ke Lub Pe Ghazal

4- Yeh Gunbad - e – Minai Ghazal, Dr. Alama Iqbal

4- Sokhan Dard Ka Ab Kaha Jae Na Ghazal

5- Lehra Ke Jhom Jhom Ke Ghazal

5- Kub Tuk Dil Ki Kheir Manaen Ghazal

Instrumental Accompaniment


Note:

Malika Pukhraj, Madam (born at Jammu Kashmir and died 2007 at Lahore) was a disciple of Maula Bukhsh (Ustad) Talwandi Walay of Dhrupad Gharana of Talwandi. Latter on, she became disciple of Akhtar Hussain Khan (Ustad), Son of Ali Bukhsh alias Gernail Khan (Ustad), founder of Patyala Gharana. Although her discipleship with Maula Bukhsh Khan (Ustad) is spread over a short span of one year, yet blend of Dhrupad can not be separated from her renditions. Serenity of her Gaiki or Style is the main characteristic of her renditions. She was an outstanding exponent of ghazal form of our music and her excellence as an exponent of Pahadi / Kashmiri folk songs is matchless, which she has very successfully transmitted to her illustrious daughter Ms. Tahira Syed. Both, Mother and Daughter are the reciepients of President of Pakistan’s Medal for Pride of Performance.


AC. No: _____ / VLT Volume: ____________

Artist 1. Malika Pukhraj

(1926-2007) 2. Tahira Syed (Daughter)

Gharana 1. Talwandi 2. Patyala Gharana

Title of Cassette Aks Der Aks, Malika Pukhraj and Tahira Syed Cassette Duration 30+30=60 minutes (C-60) Title of Cassette Malika Pukraj – Volume II Production A PNCA Production, Islamabad - 1997

Contents


1- Khuda Wo Waqt Na Lae Nazm

1- Wo Batein Teri Wo Fasaney Tery Ghazal, Abdul Hameed Adum

2- Lo Phir Bahar Aai Geet

2- Teri Jo Pazeib (Tahira Syed Solo) Geet

3- Pia Baj Piyala Pia Jae Na Ghazal

3- Kya Sarokar Ab Kisi Se Ghazal

4- Be Zabani Bayan Na Ho Jae Ghazal

4- Mojhe Yad Kerney Walo Ghazal

5- Jhanjher Phabdi Na Kashmiri Lok Geet

5- Mehndi Se Likh Do Geet

6- Pal Pal Bai Jana Kashmiri Lok Geet

6- Ab Ke Yon Mosam - e - Bahar Aaya

Instrumental Accompaniment


Note: For Madam Malika Pukhraj, please see under Vol - I.


AC. No: _____ / VLT Volume: ___IV____

Artist 1. Malika Pukhraj

(1926-2007) 2. Tahira Syed (Daughter)

Gharana 1. Talwandi 2. Patyala Gharana

Title of Cassette “Malika Pukhraj and Tahira Syed” Pahadi Geet Cassette Duration 30+30=60 minutes (C-60) Title of Cassette Malika Pukraj – Volume II Production A PNCA Production, Islamabad - 1997

Contents


1- Kis KIs Jana Naukeriya Kashmiri Pahadi Folk Song

1- Ho Ho Madiey Jindediey Kashmiri Pahadi Folk Song

2- Allah Beluwa Ho Kashmiri Pahadi Folk Song

2- Maney Di Mauj Moya Hansna Kashmiri Pahadi Folk Song

3- Madey Bunk Deya Chachua Kashmiri Pahadi Folk Song

3- Mithiyan Beriyan Kashmiri Pahadi Folk Song

4- Jora Kinju Dolna, Manda Kinju Bolna Kashmiri Pahadi Folk Song

4- Fiker Na Ker Goriey Kashmiri Pahadi Folk Song

5- Bindu Majorya Mein Nain Jana Terey Nal Kashmiri Lok Geet

5- Maney Di Mauj Moya Hunsna Khedna Kashmiri Pahadi Folk Song

6- Razi Rehna Kashmiri Pahadi Folk Song

6- Pal Pal Bal Jana Ho jindey Kashmiri Pahadi Folk Song

7- Filler: Solo Flute, “PAHADI” Mr. Inayat Ali




AC. No: _____ / VLT Volume: ____________

Artist Mohammed Tufail Niazi (Ustad) Gharana Jalundher Gharana, Punjab ka Doaba Gharana (East Punjab) Cassette Duration 30+30=60 minutes (C-60) Title of Cassette Mohammed Tufail Niazi – Volume II Production Lok Virsa, Islamabad

Contents


1- Hae Ruba Naion Lagda Dil Mera Punjabi Geet, Manzoor Jhalla

1- Na Maar Nenan De Teer Traditional Marriage Song

2- Mein Nain Jana Khedeyan De Nal Punjabi Geet

2- To Nedey Nedey Vus We Kai fang Punjabi Geet

3- Ranjha Jogi Aa Ni Gaya Punjabi Geet

3- Dil Taang Taang E Saraiki Folk Song

4- Gul Soon Ja Kodiey Motyarey Punjabi Geet

5- Lai Be Qadran Nal Yari Punjabi Geet

6- Punjabi BHAJAN Devotional / Tradition

Instrumental Accompaniment Orchestra:

• Tabla: Mian Shaukat Hussain Mohammad Ajmal (Disciple of Mian Shaukat Hussain) • Sarangi: Allah Rakha Khan, Ustad • Flute (Bansuri): Baber Ali • Harmonian: Mubarik Ali Niazi

Note:

Ustad Mohammed Tufail Niazi (born Jalundhar 1920 and died 22-09-1990 at Islamabad) was a legendry Folk singer of Indo – Pakistan sub continent, whose excellence in folk rendering is yet to be surpassed. His Masterly Command over tinging of his renditions with a blend of classical, use of BEDAAR Notes (a forbidden note of the Raga or Melody) embalishing of Folk renditions with coloraturas (MURKI) short passages and perfect intonation separates him from his contemporary singers.


AC. No: _____ / VLT Volume: _________

Artist Muneer Hussain

(Light Voclist, play back) Born 1930 at Lahore and died 27-09-1995 at Lahore

Gharana Rubabi Gharana / Gawlior Gharana Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Muneer Hussain, Geet or Naghmey Production PNCA Islamabad - 1995

Contents


1- Ae Meri Zindagi Urdu Feature Film Song

1- Na Milta Ger Yeh Tauba k Sahara Filmi Qawali

2- Arz Hei Yeh Gila Naheen Urdu Feature Film Song

2- Q Vanjli Valedeya Punjabi Film Song

3- Qarar Lootney Waley Urdu Feature Film Song

3- Dila Thehr ja Yaar Da Punjabi Film Song

4- Jo Dil Ko Todtey Hein Urdu Feature Film Song

4- Tum Joog Joog Jeo Maharaj Urdu Feature Film Song

5- Kiun Nenan Neer Bahae Urdu Feature Film Song

5- Bhool Janeya Kisey Dey Nal Punjabi Feature Film Song

6- Panchhi Tey Perdesi Punjabi Feature Film Song



Note:

Born, 1930 at Lahore, died 27-09-1995 at Lahore, Muneer Hussain was an outstanding Light Vocalist of Pakistani (electronic media, stage and Film Industry). He hailed from a mentionable “RUBABI” family of Lahore. His father Rodey Khan and Uncle Bodey Khan are ranked as two of the few best classical singers of 20th century. Muneer Hussain made his debut as a Radio Voice of Lahore Radio in 1953. He Started singing for feature Films in 1954. During his musical career, he sung for some 155 feature films.


AC. No: _____ / VLT Volume: _____I____

Artist Muneer Hussain

(Light Voclist, Play Back) Born 1930 at Lahore and died 27-09-1995 at Lahore

Gharana Rubabi Gharana / Gawlior Gharana Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Muneer Hussain, Geet or Naghmey Production PNCA Islamabad- 1995

Contents


1- Ae Meri Zindagi Urdu Feature Film Song

1- Na Milta Ger Yeh Tauba k Sahara Film Qawali

2- Arz Hei Yeh Gila Naheen Urdu Feature Film Song

2- Q Vanjli Valedeya Punjabi Film Song

3- Qarar Lootney Waley Urdu Feature Film Song

3- Dila Thehr ja Yaar Da Punjabi Film Song

4- Jo Dil Ko Todtey Hein Urdu Feature Film Song

4- Tum Joog Jhoog Jeo Maharaj Urdu Feature Film Song

5- Kiun Nenan Neer Bahae Urdu Feature Film Song

5- Bhool Janeya Kisey Dey Nal Punjabi Feature Film Song

6- Panchhi Tey Perdesi Punjabi Feature Film Song



Note:

Born, 1930 at Lahore, died 27-09-1995 at Lahore, Muneer Hussain was an outstanding Light Vocalist of Pakistani (electronic media, stage and Film Industry). He hailed from a mentionable “RUBABI” FAMILY OF Lahore. His father Rorey Khan and Uncle Bodey Khanwho are ranked as two of the few best classical singers of 20th century. Muneer Hussain made his debut as a Radio voice of Lahore Radio in 1953. Started singing for feature Films in 1954. During his musical career, he sung for some 155 feature films.


AC. No: _____ / VLT Volume: ____I____

Artist Muni Bagam (Nadira Bagam) Gharana Bangal Title of Cassette Muni Bagum in Concert - volume I Cassette Duration 30+30=60 minutes (C-60) Production EMI, Karachi

Contents


1- Har Tajalli Ko Mein Dekhon Ghazal, Qammar Talalvi

1- Hosn Sey Raswa Na Ho Ga Ghazal, Qammar Jalalvi

2- Marey Hum Nafas Merey Humnawa Ghazal, Shakeel Badayoni Shakeel Badayoni

2- Mujhe Baghban Sey Gila Nahin Ghazal, Qammar Jalalvi

3- Dekhtey hein Raqs Ghazal, Qammar Jalalvi

3- Jub Aas Ka Deeepak Bojhta Hei Ghazal, Soz akbar Abadi

4- Fasley Aesey bhi Hongey Ghazl, Adeem Hashmi

4- Zindgi Dey Cha Loko Sarey Mook Gae Punjabi Geet



Note:

Nadira Bagam (born 1956 at Dacca, East Pakistan), commonly known as Munni Bagam, made her debut from a stage programme of Karachi Arts Council in 1973. She is almost a house hold name in Pakistan and perhaps the only female light vocalist, having over 100 audio releases. Currently she is based at Karachi.


AC. No: _____ / VLT Volume: _________

Artist Munni Bagam (Nadira Bagam) Title The Golden Collection of Bagam Akhtar-Volume-II Cassette Duration 45+45=90 minutes (C-90) Production PTV Concert Recording

Contents


1- Kabhi Kaha Na Kisi Sey Terey Fasaney Ko Ghazal, Qammar jalalvi

1- Weisey Tou Badi Sachai Sey Ghazal, Qammar Jalalvi

2- Phir Sawan Root Ki Pawan Chali Ghazal, Nasir Kazmi

2 Koi Hum Nafas Nahin Hei Ghazal, Mustafa Zaidi

3- Rung Batein Karein Baaton Se Khushbo Aae Ghazal, Zia Jalun Dheri

3- Milatey Ho Os Ko Khak Me Jo Dil Sey Milta Hei Ghazal, Dagh Dehlavi

4- Aap Apni Aarzo Se Beganey Ho Gae Hein Ghazal, Saif-u-Din Saif

5- Dil Ke Liey Hayat Ka PKa Pegham Bun Gain Ghazal, Baqi Siddiqui

6- Ehd-e-Wafa Kahan Ka Faqat Nam Ke Liey Ghazal, Ahmed Zafar

7- Fasiley Aesey Bhi Honge Ghazal, Adeem Hashmi

8- Kya Ishq Tha Judai Sey Roswai Bun Gaya Ghazal, Qateel Shifai




AC. No: _____ / VLT Volume: ____________

Artist Nusrat Fateh Ali Khan

(14-10-1948 to 16-08-1997) Gharana Jalundhar ka Qawal Gharana. An auxiliary of Qawal Bacchon ka Gharana Cassette Duration 30=30=60 minutes (C-60) Production Rehmat Gramaphone Company, Aminpur Bazar Faisalabad.

Contents


1- “Chul Merey Dil” Ghazal

1- “Konplein Phir Phute Aain” Ghazal

2- “Yadon Key Saey” Ghazal

2- “Galay Liptey Hein Wo” Ghazal

3- “Kub Yad Mein Tera Sath” Ghazal

3- “Admi Admi Se Milta Hei” Ghazal

4- “Dost Kya Khube Wafaon Ka Sila” Ghazal

4- “Kahan Aa Ke Rukay They” Ghazal

5- “Ae Kaash Tujhey” Ghazal



Note:

Born 14-10-1948 at Faisalabad (then Layalpur) and died 16-8-1997 at London; Nusrat Fateh Ali Khan started his career as a Qawal sometime in 1967. He had his basic Music education from his father, Ustad Fateh Ali Khan Qawal Jalundhar walay. After his father’s death in 1963, he came under the guidance of his paternal uncles, i-e Ustad Mubarik Ali Khan and Ustad Nawazish Ali Khan, who exposed all secrets of rendering all forms of our music with equal ease and complete command, right from all devotional forms of qawali to classical khayal and light Ghazal and geet. He was a house hold name in the indo Pakistan subcontinent but also gained equal popularity in Europe, America, Africa, Canada and far eastern countries.


AC. No: _____ / VLT Volume: ____________

Artist Nusrat Fateh Ali Khan

(Born, 14-10-1948 at Layalpur, Faisalabad and died 16-08-1997 at London – burried at Faisalabad)

Gharana Jalundher Ka Qawalon Ka Gharana (An auxiliary of Qawal Bachon Ka Gharana)

Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Nusrat Fateh Ali Khan Production Personnel Collection of Arif Jafri, Islamabad.

Contents


1- Dekhi Hein Jub Se Hum Ne Geet Ang Ghazal

1- Meri Aankhon Ko, Aankhon Ka Kinara Kaun De Ga Geet

2- Son Lay Pukar Kabhi Aa Ja Geet

2- Jis Simt Bhi Dekhon Ghazal

3- Dookh Roag Tou Chahat Ke Geet

3- Dookh Rog Ko Chahat Ke Geet

4- O Jan-e-Mun-e-Wafa Geet

4- Suna Suna Din Lagta Hei Geet

5- Janay Kub Hongay Kum Geet

5- Meinu Soachan Diyan De Gaya Soghatan Punjabi Geet


• Tabla: Zahid Imran Farani • Sarangi: • Harmonium: • Tanpura: • Interview:


AC. No: _____ / VLT

Volume: ______II______

Artist Nusrat Fateh Ali Khan (Born, 14-10-1948 at Layalpur, Faisalabad, died 16-08-1997 at London, buried at Faisalabad)

Gharana Jalundher Ka Qawalon Ka Gharana. (An auxiliary of Qawal Bachon Ka Gharana)

Cassette Duration 30+30=60 minutes (C-60) Title of Cassette Nusrat Fateh Ali Khan Production Sonic Enterprize Karachi - 1996

Contents


1- Afreen Afreen, Husn – e – Janaa Ki Tareef Keisey Karon Indian Feature Film Song, Lyrics, Javed Akhter

1- Jism Damakta Hei Indian Feature Film Geet Lyrics, Javed Akhter

2- Mein Or Meri Awargi Indian Film Song Lyrics, Javed Akhter

2- Aap Sey Mil Ke Indian Feature Film Geet Lyrics, Javed Akhter

3- Ab Kiya Sochain Indian Film Song Lyrics, Javed Akhter

3- Shehr Ke Dokandaro Indian Feature Film Geet Lyrics, Javed Akhter

4- Afreen Afreen Indian Feature Film Remix Song Lyrics, Javed Akhter


• Tabla: Zahid Imran Farani • Sarangi: • Harmonium: • Tanpura: • Interview:


AC. No: _____ / VLT - FOLK Volume: _________I__________

Artist Shaukat Ali

(Vocalist Light and Folk) Born 1946 at village Dinga Drst Gujrat Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Saif-ul-Maluke

Abstract from popular musical narrative of Punjab “Saif-ul-Maluke” by Mian Mohammad Bukhsh died 1907 at Lahore, buried at Khodi Sharif, Drst Mirpur.

Production Lyric Gold Presentation (Lahore)

Contents

Side “A” Side “B” 1- Abstracts from famous Punjabi musical

Narrative by Mian Mohammad Bhukhsh. 1- Saif-ul-Maluke


• Bass Flute accompaniment by Mr. Inayat Ali (Elder brother of Shaukat Ali)

Note:

Recipient of President of Pakistan’ s Medal of Pride of Performance, born 1946 at village “Dinga” Tehsil Malakwal, Drst Gujrat, Shaukat is an outstanding exponent of Punjabi Folk songs, with particular reference to “SAIF-UL-MALUKE” the popular ballad of Punjabi by Mian Mohammad Bukhsh.

Shaukat Ali was bestowed upon with the title of “Lok Geeton Ka Shehzada” (Prince of Folk Songs) by all Pakistan Music conference, held at Lahore in 1972. He recived his music education from his father (Faqir Hussain) and his elder brother Ustad Inayat Ali. Shaukat Ali made his debut in 1963, by singing an evergreen Patriotic song in duo with Masood Rana “Sathiyo Mujahido, Jag otha Hei sara Watan” . He is a house hold name in Pakistan and equally respected in India as well.


AC. No: _____ / VLT Volume: _________

Artist 1- Malika Pukhraj

(1926 – 2007) 2- Nasim Bagam

(Died 19-08-1971 at Lahore) 3- Ghulam Ali

(Born 1941 at Kaley Drst Sialkot) 4- Surraya Multanikar

(Born 1940 at Multan) 5- Fazal Hussain

(Died 29-09-1992 at Lahore) 6- Saleem Raza

(Died 25-11-1987 at Monteriyal Canada) 7- Naheed Niazi

(Born 26-02-1940) 8- Muneer Hussain

(Died 27-09-1995 at Lahore) 9- Mala Bagam

(Died 06-03-1990 at Lahore) 10- Ahmed Rushdi

(Died 11-04-1983 at Karachi) 11- Masood Rana

(Died 04-10-1995 at Sahiwal) 12- Reshman

(Born 1943 at Laiah) Gharana Gawalior Gharana of Dehli

Disciples of Ustad Latafat Hussain Khan Khurjey Waley (Died-2004) Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Golden Voices of Pakistan (1947-1997) Production PNCA, Islamabad, A golden Jubilee Celebration release, 1997.

Contents


1- Wo Batein Teri Wo Fasaney Tere Malika Pukhraj

1- Jan-e-Baharan Film Song Saleem Raza

2- Hum Bhol Gae Her Baat Nasim Bagam

2- Ik Apna Ik Begana Film Song Naheed Niazi

3- Mein Ney Lakhon Ke Bol Sahey Dadra in Raga – MARO BEHAG Ghulam Ali

3- Arz Hei Ye Gila Nahin Film Song Muneer Hussain

4- Najeriya Kahey Milai Sajna Khayal Composition in Raga – ADANA In Teen Tal Surraiya Multaniker

4- Tarapna Bhi Hamein Aata Hei Film Song Mala Bagam

Pakistan National Council of the Arts National Intangible Heritage Archives 5- Ya Rub Dil-e-Hijran Mein

Non Film Ghazal Fazal Hussain

5- Dil Toom Ko Dey Diya Hei Film Song Ahmed Rushdi

6- Ho Gai Zindagi Mojhey Piyari Film Song Masood Rana

7- Akser Shab-e-Tanhai Mein Reshman



Note:

The under reference cassette, titled “Golden Voices of Pakistan”, was released in 1997 to mark the Golden Jubilee Celebrations (1947 to 1997). It comprises of 4 audio Cassettes, each of 60 minutes of duration, containing 43 Golden voices of music world of Pakistan. The title is available in a card board pack of 4 audio cassettes from PNCA, Islamabad.


AC. No: _____ / VLT Volume: _________

Artist 1- Zubeda Khanam

(Born 1935 at Lahore) 2- Inayat Hussain Bhatti

(Died 09-07-1997 at Lahore) 3- Bashir Ali Mahi

(Born, 1913 at Qasure, died 1970 at Lahore) 4- Noor Jehan Bagam

(Born 1941 Lahore, died 1968 Lahore) 5- Kausar Parveen

(Died 03-12-1968 Lahore) 6- Sharafat Ali

(Died 1981 at Karachi) 7- Ejaz Hussain Hazravi

(Born 29-02-1928 at Hazro, died 05-12-1989 at Rawalpindi) 8- Abida Perveen

(Born 20-04-1957 at Larkana) 9- Tahira Syed

(Born 1951 at Lahore) 10- Shaukat Ali

(Born 1946 at Dingo) 11- Naiyara Noor

(Born 1952 at Sylhet East Pakistan ) 12- Naheed Akhtar

(Born 1954) 13- Tasawar Khanam

(Born 1950 at Rawalpindi) Cassette Duration 30+30=60 minutes (C-60) Title of Cassette Golden Voice of Pakistan, Volume – IV Production PNCA, Islamabad

A Pakistan Golden Jubilee Celebration release, 1997

Contents

Side “A” Side “B” 1- “Asan Jan Ke Meet Lsi Akh Vey” (Punjabi

Film Song Zubeda Khanum

1- Ye Batein Jhoti Batein Hein Non Filmi Ghazal Abida Perveen

2- Bhagan Waleyo Punjabi Film Song Inayat Hussain Bhatti

2- Kuchh Batein Unkahi Non Film Ghazal Tahira Syed

3- Kis Ki Awaz Kaan Mein Aai Ghazal Bashir Ali Mahi

3- Saif-ul-Mauke (Abstract from popular Punjabi musical narrative “saif-ul-maluke by mian Mohammed Bukhsh,died 1907) Shaukat Ali

4- Ochiyan Lamiyan Tahlian Non Filmi Song

4- Kabhi Hum Bhi Khabsorat They Non Film


Noor Janahn Begam

Naiyara Noor

5- Her Qadam Per Sitam Film Song Kausar Parveen

5- Tojhey Pyar Kertey Kertey Film Song Naheed Akhtar

6- Jub Teray Shehr Saey Quzarta hoon Film Song Sharafat Ali

6- Ve Sub Toun Sohneyan Film Song Tasawar Khanam

7- Jehan Tera Naqsh-e-Qadam Non Filmi Ghazal Ejaz Hussain Hazravi



Note:

a) Bashir Ali Mahi (Born 1913 at Qasure, died 1970 at Lahore) was disciple and younger brother of Ustad Badey Ghulam Ali Khan. He was an excellent exponent of Thumri and Ghazal Geet.

b) Noor Jehan Bagam, born 1941 at Lahore, died 1968 at Lahore in a road accident. She was a popular voice of Radio Pakistan of 50’s and 60’s. A disciple of Ustad Sardar Khan Dehli Waley died 1962 at Lahore. Her ever green Melodies, which she sung for Radio Pakistan Lahore, are as under:

• Dil Soach Samajh Ke Lanvin Dookhdey Umran Dey • Na Dil Deindi Bedardi Noon , Na Koonj Vangon Kurlandi • Ochiyan Lamian Tahlian, Te Heith Vagey Darya Ve Mahiya • Ravi Diyan Chhalan

c) Sharafat Ali (Syed) was not a professional vocalist, but yet an accomplished singer. He

appeared on the horizon of Music World of Pakistan with a bang by singing an ever green song “Jub Terey Shehr Sey Guzarta Hoon” , for feature film “WADA” released a classical duet with Late Madam Zahida Perveen. The song “Bar Bar Tersein Morey Nain” was a light version of Khayal in Raga “SHAHANA” of Kafi Thath in Drut Iktala. Both of his above mentioned songsgained Nations vide popularity. His career started with feature Film WADA and ended with the same movie. Why he hung his fiddle? Is a mystery. He was a Government Servant.

For detail about the title, please see under vol, I of “Golden Voices of Pakistan”.


AC. No: _____ / VLT Volume: ____IV_____

Artist 1. Zubeda Khanam

(Born 1939 at Lahore) 2. Inayat Hussain Bhati

(Died 09-07-1997 at Lahore) 3. Bashir Ali Mahi

(Born, 1913, Qasure, Died 1970 at Lahore) 4. Noor Jehan Bagam

(Born 1941 Lahore, died 1968 Lahore) 5. Kausar Parveen

(Died 03-12-1968 Lahore) 6. Sharafat Ali

(Died 1981 at Karachi) 7. Ejaz Hussain Hazravi

(Born 29-02-1928 at Hazro – died 05-12-1989 at Rawalpindi) 8. Abida Perveen

(Born 20-04-1957 at Larkana) 9. Tahira Syed

(Born 1951 at Lahore) 10. Shaukat Ali

(Born 1946 at Dinga) 11. Naiyara Noor

(Born 1952 at Sylhet East Pakistan) 12. Naheed Akhtar

(Born 1954) 13. Tasawar Khanam

(Born 1950 at Rawalpindi) Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Golden Voice of Pakistan, Volume – IV Production PNCA Islamabad. A Pakistan Golden Jubilee Celebration release, 1997

Contents


1- “Asan Jan Ke Meet Lsi Akh Vey” (Punjabi Film Song) Zubeda Khanum

1- Ye Batein Jhoti Batein Hein (Non Filmi Gazal) Abida Perveen

2- Bhagan Waleyo (Punjabi Film Song) Inayat Hussain Bhatti

2- Kuch Batein Unkahi (Non Filmi Ghazal) Tahira Syed.

3- Kis Ki Awaz Kaan Mein Aai (Ghazal) Bashir Ali Mahi

3- Saif-ul-Mauke (Abstract from popular Punjabi musical narrative “saif-ul-maluke by mian Mohammed Bukhsh,died 1907) Shaukat Ali

4- Ochiyan Lamiyan Tahlian (Non Filmi Song)

4- Kabhi Hum Bhi Khabsorat They (Non Filmi)


Noor Janahn Begam Naiyara Noor

5- Her Qadam Per Sitam (Film Song) Kausar Parveen

5- Tojhey Pyar Kertey Kertey (Film Song) Naheed Akhtar

6- Jub Teray Shehr Saey Quzarta hoon (Film song) Sharafat Ali

6- Ve Sub Toun Sohneyan (Film Song) Tasawar Khanam

7- Jehan Tera Naqsh-e-Qadam (Non Filmi Ghazal) Ejaz Hussain Hazravi



Note:

a) Bashir Ali Mahi (Born 1913 at Qasure, died 1970 at Lahore was disciple and younger brother of Ustad Badey Ghulam Ali Khan. He was an excellent exponent of Thumri and Ghazal Geet.

b) Noor Jehan Bagam, born 1941 at Lahore, died 1968 at Lahore in a road accident. She was a popular voice of Radio Pakistan of 50’s and 60’s. A disciple of Ustad Sardar Khan Dehli Waley died 1962 at Lahore. Her ever green Melodies, which she sung for Radio Pakistan Lahore, are as under:

• Dil Soach Samajh Ke Lanvin Dookhdey Umran Dey • Na Dil Deindi Bedardi Noon, Na Koonj Vangon Kurlandi • Ochiyan Lamian Tahlian, Te Heith Vagey Darya Ve Mahiya • Ravi Diyan Chhalan

c) Sharafat Ali (Syed) was not a professional vocalist, but yet an accompalished singer. He

appeared on the horizon of Music World of Pakistan with a bang by singing an ever green song “Jub Terey Shehr Sey Guzarta Hoon” , for feature film “WADA” a classical duet with Late Madam Zahida Perveen. The song “Bar Bar Tersein Morey Nain” was a light version of Khayal in Raga “SHAHANA” of Kafi Thath in Drut Iktala. Both of his above mentioned melodis gained Nation vide popularity. His career started with feature Film WADA and ended with the same movie. Why he hung his fiddle? Is a mystery. He was a Government Servant.

For detail about the title, please see under Vol.I of “Golden Voices of Pakistan”.


AC. No: _____ / VLT - FOLK Volume: ____I_____

Artist Shaukat Ali

(Vocalist Light and Folk) Born 1946 at village Dinga Drst Gujrat

Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Saif-ul-Maluke

Abstract from popular musical narrative of Punjab “Saif-ul-Maluke” by Mian Mohammad Bukhsh who died 1907 at Lahore and buried at Khodi Sharif, Drst Mirpur.

Production Lyric Gold Presentation (Lahore)

Contents

Side “A” Side “B” 1- Abstracts from famous Punjabi musical

Narrative Saif – ul – Maluke by Mian Mohammad Bhukhsh.

1- Saif-ul-Maluke


• Bass Flute accompaniment by Mr. Inayat Ali (Elder brother of Shaukat Ali)

Note:

Recepient of President of Pakistan’s Medal of Pride of Performance, born 1946 at village “Dinga” Tehsil Malakwal, Drst Gujrat, Shaukat is an outstanding exponent of Punjabi Folk songs, with particular reference to “SAIF-UL-MALUKE” the popular ballad of Punjabi by Mian Mohammad Bukhsh.

Shaukat Ali was bestowed upon with the title of “Lok Geeton Ka Shehzada” (Prince of Folk Songs) by all Pakistan Music conference, held at Lahore in 1972. He took music education from his father (Faqir Hussain) and his elder brother Ustad Inayat Ali. Shaukat Ali made his debut in 1963, by singing an evergreen Patriotic song in duo with Masood Rana “Sathiyo Mujahido, Jag Otha Hei Sara Watan”. He is a house hold name in Pakistan and equally respected in India as well.


AC. No: _____ / VLT Volume: _________

Artist 1. Baray Ghulam Ali Khan

(Died 1968 at Delhi, India) 2. Barkat Ali Khan

(Died 19-07-1963 at Lahore, Pakistan) 3. Roshan Ara Begam

(Died 05-12-1982 at Lala Mosa, Pakistan) 4. Mukhtar Begam

(Died 22-06-1986 at Lahore, Pakistan) 5. Khursheed Begam

(Died 1986 at Lahore, Pakistan) 6. Umroozai Begam 7. Rafiq Ghaznavi

(Died 1975 at Karachi, Pakistan) 8. Kajjan Begam

(Died 1998 at Karachi, Pakistan) 9. Salamat Ali Khan

(Died 11-07-2011 at Lahore, Pakistan) 10. Amanat Ali Khan & Fateh Ali Khan

(Amanat Ali Khan – Died 16-09-1974 at Lahore, Pakistan) Cassette Duration 30+30=60 minutes (C-60) Production A PNCA production-1997

Contents


1- Thumri Raga – KOSHAK DHANI “Yad Piya Ki Aai” Ustad Baray Ghulam Ali Khan

1- “Heer” Rafique Ghaznavi

2- Thumri Ang Geet “Baghon Mein Paray Jholay” (Lyricist: Chiragh Hassan Hasrat, Artist: Ustad Barkat Ali Khan)

2- “Nahin Lagey Jiara Hamara” Kajjan Begam

3- Ghazal “Honay Ko Tuo Kuchh Hao Nahin Hai” Roshan Ara Begam

3- Dodra – PAHARI “Saiyan Bedardi Se Jia Mora Laga” Ustad Salamat Ali Khan

4- Ghazal “Merey Qabo Mein Na” Mukhar Begam

4- Khayal in Raga – MALKAUNS Drut Teen Tal Ustad Amanat Ali Khan and Fateh Ali Khan

5- “Ghata Ghun Ghor Ghor” Film Song of Tan Sen 1944 By Khursheed Begam, alias Tani

6- “Mera Salam Le Ja” Popular Radio Geet of 1943 Umroozia Begam

Pakistan National Council of the Arts National Intangible Heritage Archives Instrumental Accompaniments


Note:

A PNCA production titled, “Golden Voices of Pakistan” released on 14-08-1997. The under refrence title comprises of 4 cassettes of C-60 minutes, containing 43 golden voices of Pakistan. (Available from PNCA Islamabad)


AC. No: _____ / VLT Volume: ___III___

Artist Naheed Niazi

(Born 26-2-1940 at Delhi, India) Mehdi Hassan Khan Ustad (Born 27-6-1933 at Jalpur India) Saleem Raza (Died 25-11-1987 at Monteryal, Canada) Ghulam Abbass (Born 1-1-1954 at chiniot Drst Jhung) S.B Jhon (Born 1914 at Lahore) Amanat Ali Khan (Born 1932 Patyala, India, died 16-9-1974 Lahore) Malika Pukhraj (Born 1926 at Jammu, Died 2007 at Lahore)

Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Ghazal Geet Production Music Archives Collection PNCA,2011

Contents


1- “Ik bar Phir Kaho Zara” (Geet) Naheed Niazi

1-

2- 2-




AC. No: _____ / VCL – Assorted Volume: ____I____

Artist 1- Ghulam Ali Khan (Badey)

(Died 1968 at Delhi) 2- Roshan Ara Bagam, Malika-e- Mausiqi

(1915 to 05-12-1982) 3- Nazakat Ali Khan Ustad

(Died 1983 at Rawalpindi) 4- Salamat Ali Khan Ustad

(12-12-1934 to 2001) 5- Amanat Ali Khan Ustad

(Died 16-09-1974 at Lahore) 6- Fateh Ali Khan

(Born 1939 at Patyala , India) 7- Ashiq Ali Khan Ustad

(Died 1948 at Lahore) 8- Ghulam Ali Khan Chhotey

(Born 1910 at Qasure Died 29-12-1986 at Lahore) 9- Assad Ali Khan , Ustad Agrey Waley

(Died 1981- Karachi) 10- Ghulam Hussian Shagan Ustad

(Born-1927 at Amritsar India) Gharana 1- Delhi Qawal Bachon Ka Gharana

2- Kerana Gharara 3- Sham Chorasi Gharana 4- Sham Chorasi Gharana 5- Patyala Gharana 6- Patyala Ghrana 7- Patyala Ghrana 8- Delhi Ka Qawal Bachon Ka Gharana 9- Agra Gharana 10- Gawalior Gharana

Cassette Duration 30+30=60 minutes (C-60) Title of Cassette 50 years of Golden Music of Pakistan ( 1947-1997) Production PNCA, Islamabad 1997 - A Pakistan Golden Jubilee Celebration Release

Contents


1- Khayal in Raga – KAMOD (Kalyan Thath) “Chhand Dey Mora Anchra” (Mudh Teen Tal) Ustad Badey Ghulam Ali Khan

1- Khayal in Raga – TILAK KAMOD (Bilawal Thath) Bilampat Iktala Ghulam Ali Khan (Ustad Chootay Ghulam Ali Khan)

Pakistan National Council of the Arts National Intangible Heritage Archives 2- Khayal in Raga – ANUNDI

(Kalyan Thath) “Barey Saiyan” (Bilampat Iktabla) Rashan ara Bagam

2- Khayal in Raga – NUT BEHAG “Kesey Kesey Bol” Bilampat Iktala

3- Khayal in Raga – BAGESHRI (Kafi Thath) “Kaun Gat Bai Ke Saiyan, Nahin Ghar Aae” (Bilampat and Drut Teen Tal) Ustad Nazakat Ali, Salamat Ali Khan

3- Khayal in Raga – PORABI (Porabi Thath) Bilampat Iktala

4- Khayal in Raga – DERBARI (Asawari Thath) “Nain So Nain Milae Rakhney Ko” (Drut Iktala) Ustad Amanat Ali Khan and Ustad Fateh Ali Khan

5- Khayal in Raga – BASANT BAHAR (Misher Male Thath) Combination of Porabi and Kafi Thath) Ustad Ashiq Ali Khan




AC. No: _____ / VLT Volume: _________

Artist 1- Malika Pukhraj

(1926 – 2007) 2- Nasim Bagam

(Died 19-08-1971 at Lahore) 3- Ghulam Ali

(Born 1941 at Kaley Key Drst Sialkot) 4- Surraiya Multanikar

(Born 1940 at Multan) 5- Fazal Hussain

(Died 29-09-1992 at Lahore) 6- Saleem Raza

(Died 25-11-1987 at Monteriyal Canada) 7- Naheed Niazi

(Born 26-02-1940) 8- Muneer Hussain

(Died 27-09-1995 at Lahore) 9- Mala Bagam

(Died 06-03-1990 at Lahore) 10- Ahmed Rushdi

(Died 11-04-1983 at Karachi) 11- Masood Rana

(Died 04-10-1995 at Sahiwal) 12- Reshman

(Born 1943 at Laiah) Cassette Duration 30+30=60 minutes (C-60) Title of Cassette Golden Voices of Pakistan (1947-1997) Production PNCA, Islamabad, A golden Jubilee Celebration release, 1997.

Contents


1- Wo Batein Teri Wo Fasaney Tere (Malika Pukhraj)

1- Jan-e-Baharan (Saleem Raza) Film Song

2- Hum Bhol Gae Her Baat (Nasim Bagam)

2- Ik Apna Ik Begana (Naheed Niazi) Film Song

3- Mein Ney Lakhon Ke Bol Sahey (Ghulam Ali) Dadra in Raga – MARO BEHAG

3- Arz Hei Ye Gila Nahin (Muneer Hussain) Film Song

4- Najeriya Kahey Milai Sajna (Surraiya Multaniker) Khayal Composition in Raga – Adana in Teen Tal

4- Tarapna Bhi Hamein Aata Hei (Mala Bagam) Film Song

5- Ya Rub Dil-e-Hijran Mein Fazal Hussain

5- Dil Toom Ko Dey Diya Hei (Ahmed Rushdi)


Non Film Ghazal Film Song 6- Ho Gai Zindagi Mojhey Piyari

(Masood Rana) Film Song

7- Akser Shab-e-Tanhai Mein (Reshman)



Note:

The under reference cassette, titled “Golden Voices of Pakistan”, was released in 1997 to mark the Golden Jubilee Celebrations (1947 to 1997). It comprises of 4 audio Cassettes, each of 60 minutes of duration, containing 43 Golden voices in music of Pakistan. The title is available in a card board pack of 4 audio cassettes from PNCA, Islamabad.


AC / QI Audio Cassette / Qawali


AC. No: _____ / QI Volume: ____II____

Artist Ghulam Fareed Maqbool Ahmed Sabiri Gharana Gawalior Gharana Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Sawery Sawery Production Tip Top Music Islamabad.

Contents


1- Mera Koi Nahi Hei Terey Siwa Qawali

1- Shah-e-Madina Naat-e-Rasul-e-Maqbool

2- Aaey Hain Terey Dar Pe Qawali

2- Meri Tauba, Tauba Ya Rub Qawali

3- Mohabat Kerney Walo Qawali

3- Ali Maula Ali Maula Manqabat

4- Teri Nazr-e-Karam Ka Sahara Qawali

4- Sawerey Sawerey



Note:

a. Ghulam Fareed Sabiri, died 5-4-1994. b. Maqbool Ahmed Sabiri, died 21-09-2011.

For detail please see under Volume I of Ghulam Fareed Maqbool Sabiri Brothers.


AC. No: _____ / QI Volume: __________

Artist Ghulam Fareed Maqbool Sabiri Qawal

Disciples of Ustad Latafat Hussain Khan Khurjey Waley (Died-2004) Gharana Gawalior Gharana of Dehli Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Qawali, Music from Pakistan Production PNCA, Islamabad-1997

Contents


1- Bhar Do Jholi Meri Ya Mohammed Qawali

1- Surriya Al Habibi Qawali

2- Tajdar-e-Haram Qawali



Note:

Ustad Haji Ghulam Fareed Sabiri (Died 05-04-1994) at Karachi and his younger brother late Haji Maqbool Sabiri (Died 21-09-2011 at South Africa) is ranked as one of the few legends of Qawali in Pakistan. The disciples of Haji Ustad Latafat Hussain (Died – 2004) Sabiri Brothers made their debut from Radio Pakistan Karachi in 1959. Later on their Qawali rendition Tajdar-e-Haram (1968) took them to the pinnacles of popularity first to introduce the art of Qawali to United States (February – 1973).

Their “Soreelapun” (Perfect Intonation) separates them from their contemporary Qawals. Amjad Fareed Sabiri, S/O, Ghulam Fareed Sabiri is successfully carrying forward the Qawali Traditiond of his ancestors.Their family migerated to Pakistan in 1947 from KALYANA, a village in ROHTAK Town, of Drs Hisar (India).


AC. No: _____ / QI Volume: _____III___

Artist Ghulam Fareed Maqbool Ahmed Sabiri Gharana Gawalior Gharana Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Sawery Sawery Production Tip Top Music Islamabad

Contents


1- Mera Koi Nahi Hei Terey Siwa Qawali

1- Shah-e-Madina Naat-e-Rasul-e-Maqbool

2- Aaey Hain Terey Dar Pe Qawali

2- Meri Tauba, Tauba Ya Rub Qawali

3- Mohabat Kerney Walo Qawali

3- Ali Maula Ali Maula Manqabat

4- Teri Nazr-e-Karam Ka Sahara Qawali

4- Sawerey Sawerey



Note:

c. Ghulam Fareed Sabiri, died 5-4-1994. d. Maqbool Ahmed Sabiri, died 21-09-2011.

For detail please see under Volume I of Ghulam Fareed Maqbool Sabiri Brothers.


AC. No: _____ / QI Volume: ____I_____

Artist Ghulam Fareed Maqbool Sabiri Qawal Gharana Gawalior Gharana of Dehli, Disciples of Ustad Latafat Hussain Khan Khurjey

Waley (Died-2004) Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Qawali, Music from Pakistan Production PNCA, Islamabad – 1997

Contents


1- Bhar Do Jholi Meri Ya Mohammed Qawali

1- Surriya Al Habibi Qawali

2- Tajdar-e-Haram Qawali



Note:

Ustad Haji Ghulam Fareed Sabiri (Died 05-04-1994) at Karachi and his younger brother late Haji Maqbool Sabiri (Died 21-09-2011 at South Africa) is ranked as one of the few legends of Qawali in Pakistan. The disciples of Haji Ustad Latafat Hussain (Died – 2004), Sabiri Brothers made their debut from Radio Pakistan, Karachi in 1959. Later on their Qawali rendition Tajdar-e-Haram (1968) took them to the heights of popularity. They are the first to introduce the art of Qawali to United States (February – 1973). Their “Soreelapun” (Perfect Intonation) separates them from their contemporary Qawals. Amjad Fareed Sabiri, S/O, Ghulam Fareed Sabiri is successfully carrying forward the Qawali Traditiond of his ancestors. Their family migerated to Pakistan from Kalyana (a village in Rohtak Town of Drst Hisar, India) in 1947.


AC. No: _____ / QI Volume: ____IV____

Artist Ghulam Fareed Maqbool Sabiri Qawal

(Died 2004) Disciples of Ustad Latafat Hussain Khan Khurjey Waley

Gharana Gawalior Gharana of Delhi Title of cassette Qawali Music from Pakistan Cassette Duration 30+30=60 minutes (C-60) Production PNCA Islamabad, 1997

Contents


1- Bhar Do Jholi Meri Ya Mohammad Qawali

1- Surriya Ak Habibi Qawali

2 Tajdar-e-Haram Qawali




AC. No: _____ / Q I Volume: ___III___

Artist 1- Ghulam Fareed Sabiri Qawal

(Died 5-4-1994 Karachi) 2- Maqbool Ahmed Sabiri Qawal

(Died 21-09-2011 at South Africa) Gharana Gawalior Gharana Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Qawalian Production Personal Collection of Arif Jafri, Islamabad.

Contents


1- Hazir Hein Hazir Hein (Qawali)

1- Tajdar- e- Haram (Qawali)

2- Teiba Ke Janey Waley (Qawali)

2- Sir - e – La – Makan Sey Talab Hoi (Qawali)



Note:

For Sabiri brothers, please see under volume I, Ghulam Fareed maqbool Sabiri


AC. No: _____ / QI Volume: ________

Artist 1. Ghulam Fareed Sabiri Qawal

(Died 5-4-1994 Karachi) 2. Maqbool Ahmed Sabiri Qawal

(Died 21-09-2011 at South Africa) Gharana Gawalior Gharana Cassette Duration 30+30=60 minutes (C-60) Title of Cassette Qawalian Production A private collection of Arif Jafri, Islamabad.

Contents


1- Tajdar - e- Haram (Qawali)

2- Sirre Lamakan Sey Talab Hoi (Qawali)



Note: For Sabiri brothers, please see under volume I, Ghulam Fareed maqbool Sabiri.


AC. No: _____ / Q I Volume: ____I____

Artist Manzoor Ahmed Khan Niazi Qawal

(Born, 1925 at Delhi, India) Gharana Qawal Bachon ka Delhi Gharana Cassette Duration 30+30=60 minutes (C-60) Title of Cassette Manzoor Ahmed Khan Niazi Qawal Production PNCA, Islamabad-1997

(Concert Recording 25-10-1975, Liaqat Memorial Hall, Rawalpindi)

Contents

Side “A” Side “B” 1- Mein Kya Tha Mojhe Kya Bana Diya

Qawali 1- Chhap Tilak Sub Chheen Lini

Qawali, Lyrics Hazrat Amir Khusru 2- Lal Ni Mera Piya Ghar Aaya (Punjabi)

Qawali Lyrics, Baba Bulleh Shah



Note:

a) Manzoor Hussain Khan is the great Grandson of Mian Qutab Bukhsh Khan alias “ Tan Rus Khan (1770 – 1872), the legendary vocalist of 19th century and Chief Court Musician of last Mughal King “Bahadur Shah Zafar”.

b) Manzoor Ahmed Khan Niazi took his music training from his father Abdul Rahim Khan, both in Qawali and Classical Khayal singing. In 1947, he along with his family members opted for Pakistan and chose to settle in Karachi. He is 86 years of age at the time of the under reference citation, Mr. Manzoor Ahmed Khan Niazi is in his late 80’s (18-10-2011).


AC. No: _____ / QI Volume: ___I_____

Artist Manzoor Ahmed Khan Niazi Qawal

(Born, 1925 at Delhi, India) Gharana Qawal Bachon ka Delhi Gharana Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Manzoor Ahmed Khan Niazi Qawal Production PNCA, Islamabad-1997

(Concert Recording 25-10-1975, Liaqat Memorial Hall, Rawalpindi)

Contents

Side “A” Side “B” 1- Mein Kya Tha Mojhe Kya Bana Diya

Qawali 1- Chhap Tilak Sub Chheen Lini

Qawali, Lyrics Hazrat Amir Khusru 2- Lal Ni Mera Piya Ghar Aaya (Punjabi)

Qawali, Lyrics Baba Bulleh Shah Instrumental Accompaniment:


Note:

c) Manzoor Hussain Khan is the great Grandson of Mian Qutab Bukhsh Khan alais “Tan Rus Khan (1770 – 1872), the legendry vocalist of 19th centuary and Chief Musician of last Mughal King “Bahadur Shah Zafar”.

d) Manzoor Ahmed Khan Niazi took his music training from his father Abdul Rahim Khan, both in Qawali and Classical Khayal singing. In 1947, he along with his family members opted for Pakistan and chose to settle in Karachi. He is 86 years of age at the time of the under reference citation, Mr. Manzoor Ahmed Khan Niazi is in his late 80’s (18-10-2011).


AC. No: _____ / Q I Volume: ________

Artist 1- Mehr Ali Qawal

(Born 1948 at Multan) 2- Sher Ali Qawal

(Born 1952 at Multan) Gharana Qawal Bachon ka Delhi Gharana Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Mehr Ali, Sher Ali Qawal Production PNCA, Islamabad-1997 (A Golden Jubilee Celebration Released)

Contents


1- QAUL, “Mun Konto Maula” 1- Mahi Baj Akalian, (Kalam Khwaja Fareed) Saraiki Kafi

2- Mein Punj Tanni, Punj Tani, Punj Tani Aan Punjabi Qawali (Lyrics, KHAKI)



Note:

Recipient of President of Pakistan Medal for Pride of Performance Ustad Mehr Ali Khan, born 1948 at Multan and Sher Ali Khan born 1952 at Multan are ranked as most outstanding and popular Qawal of Pakistan. Both the brothers had their basic music education from their father Ustad Badar-u-Din, a representative of Talwandi Gharana. Later on came under the discipleship of ustad Bakhshi Khan Qawal (disciple of ustad Fateh Ali Khan Qawal Jalundhar Walay father of Nusrat Fateh Ali Khan).

Mehr Ali Khan Ser Ali Khan made their debut from Radio Pakistan Multan in 1975 as Classical singer but later, on decided to try their luck in the field of Qawali.


AC. No: _____ / QI – KFI Volume: ______IV______

Artist Mubarik Ali Khan Qawal

(Born 1904 at Jallandher India and died 1977 at Faisalabad) 2- Fateh Ali Khan Qawal

(Born 1906 at Jallandher, India, died 1963 at Lyalpur, Faisalabad) 3- Ghulam Fareed sabiri, Qawal

(Died 5-4-1994 at Karachi) 4- Maqbool Ahmed Sabiri Qawal

(Died 21-9-2011 at South Africa) 5- Qurban Hussain Qawal

(Died 1983 at Lahore) 6- Tufail Hussain Qawal

(Born 1937 at Ali Gudh, India) 7- Nusrat Fateh Ali Khan

(Born 14-10-1948 at Lyalpur, died 16-8-1997 at Landon and burried at Faisalabad) 8- Pathaney Khan

(Born 1920 at Kot Addu, Drst Muzaffar Gudh, died on 10-03-1997 at Kot Addu) 9- Zahida Perveen Madam

(Died 1974 at Lahore) 10- Abida Perveen

(Born 02-04-1957 at Larkana) Gharana 1- Delhi Qawal Bachon Ka Gharana

2- Delhi Qawal Bachon Ka Gharana 3- Gawalior Gharana 4- Gawalior Gharana 5- Delhi Ka Qawal Bachon Ka Gharana 6- Delhi Ka Qawal Bachon Ka Gharana 7- Delhi Ka Qawal Bachon Ka Gharana 8- Patyala Gharana 9- Patyala Gharana 10- Gawalior Gharana

Cassette Duration 30+30=60 minutes (C-60) Title of Cassette “Pakistan Mausiqi – 50 Sonehri Sal” (50 Years of Golden Music of Pakistan),

cassette 4, comprising of Qawali and Kafi. Production PNCA, Islamabad - A Pakistan Golden Jubilee Celebration Release 1997.

Contents


1- “Ilmon Bus Karin O Yar” Qawali by Ustad Mubarik Ali Khan and Ustad Fateh Ali Khan

1- “Ali Maula Ali Maula Ali Ali” Qawali by Ustad Nusrat Fateh Ali Khan Qawal

2- “Mun Konto Maula” ‘QAUL’ Ustad Ghulam Fareed Maqbool Ahmed Sabiri Qawal

2- “ Ki Hal Sonawan Dil Da” Kafi Khwaja Ghulam Fareed by Madam Zahida Perveen

3- “Mera Piya Ghar Aaya” 3- “Meinda Ishq Vi Tou”


Qawali by Qurban Hussain Tufail Hussain commonly known as Sormey Waley Qawal

Saraiki Kafi, Khwaja Ghulam Fareed by Pahaney Khan

4- “Sadey Vehrey Aaya Ker” Kafi Hazrat Sachal Sarmust by Madam Abida Perveen



Note: a- Item No 3 of Side “A” is the ever First Qawali Programmed Presented/Telecast on the inaugural of PTV, 29-11-1964 (Lahore). M/S. Qurban Tufail enjoy’s the credit of being the ever first Qawali artistes of Pakistan Television Corporation. b- Pathanay khan received his classical music education from Late Ustad Ashiq Ali Khan. Reference, Mr. Saeed Malik’s Article published in “The News”, (English Daily-Islamabad -17-02-2007)


AC. No: _____ / QI Volume: ____I____

Artist 1- Santoo Khan

(Born 1879 at Taran Taran, Drst Amritsar, died,1979 at Lahore) 2- Manzoor Hussain

(Born, 1939 at Amritsar) Cassette Duration 30=30=60 minutes (C-60) Title of Cassette Santoo Khan Manzoor Hussain Qawal Production PNCA, Islamabad-1997

Contents


1- Qaul, “Mun Koonto Maula” 1- Qawali, “Hosn-e-Khuda, Bakhuda Hosn-e-Rasule Hei”



Note:

a- Mushtaq Ahmed Khan, commonly known as “Santoo Khan, born 1879 at village Taran Taran, a town in Drst, Amritsar (India) and died 1979 at Lahore at the age of 100 years. He was one of the most outstanding Qawals of Indo Pakistan Subcontinent. His father Maula Bukhsh was a government servant but wanted him to be a classical vocalist. Santoo Khan studied up to class 8th and then became a disciple of Babu Lal Mohammed, a renowned classical vocalist of Delhi Gharana of Qawal Bachchey. Due to Mushtaq Ahmed’s Shoulder cut hair style, his friends started calling him SUNT (Saint), which later on became Santoo. He enjoys the credit of being the first musicians of Radio Pakistan as his Qawali:-

“Zamaney Ke Andaz Badley Gaey” “Naya Rag Hei Saaz Badley Gaey” (Iqbal) went on air at 0005 Hours (14-08-1947)

Late Mustafa Ali Hamadani will be remembered as the first on air voice of Radio Pakistan.


Detail of the first on air voice is as under:- “Bismillah Hir Rehman Ir Rahim, Aaj 14, August 1947 Hei, Pakistan Moariz-e-Wajood Mein Aa Choka Hei. Ab Aap “Jan Mohammed Se “Qudsi Mashhadi” Ki Naat Samaat Fermaiey” The second announcement was:- “Ab Aap Santoo Khan, Mohammed Siddiq Qawal Sey Kalam-e-Iqbal Soniey,

“Zamaney Ke Andaz Badley Gaey” “Naya Rag Hei Saaz Badley Gaey” (Iqbal)

b- Mohammed Siddiq is the younger brother of Santoo Khan, who used to be the second “Mori or Soor Chokiya of the Qwal Party”. (Mori or Soor Chokiya are the lead singers of any Qawal Party)


AC / I Audio Cassette

Instrumental Music


AC. No: _____ / I – SD Volume:___ ___I________

Artist Amjad Ali Khan, Sarod Nawaz (India) Gharana Dehli Ka Seni Gharana Instrument Sarod Cassette Duration 30+30=60 Minutes (C-60) Production Shanmukhanada Hall, Bombay, India

Live Concert Recording 21 – 05 - 1983

Contents

Side “A” Side “B” 1- Raga SHUD KALYAN

(KALYAL THATH) Gat In Mudh and Drut Teen Tal Followed by Jhala

1- Raga DURGA on Sarod (BILAWAL THATH) Mudh and Drut Teen Tal

2-


• Tabla: Sharafat Ahmed (Delhi, India) • Sarangi: • Harmonian:

Note:

a. The charity concert was organized by Indian Cancer Society Bombay on 21 -05 – 1983 at Shanmukhanandan Hall Bombay, India. Ustad Amjad Ali Khan’s Father – in – Law, Pursh Ram Burva, who happened to be the first hero of Asami Feature Films, died of Cancer. After his death, Amjad Ali Khan and his wife has been working for the course of Cancer.

b. Cassette donated by Mr. Imran Zahid Farani


AC. No: _____ / I – SIT Volume: _______________

Artist Ashraf Shareef Khan, Sitarist

(Born 1962, Lahore) Instrument Sitar Cassette Duration 30 + 30 = 60 minutes (C - 60) Production A PNCA, Islamabad Production

(available also in Video, VHS and DVD)

Contents


1- Raga – AIMAN on Sitar, Alap and Jod

1- Raga – AIMAN Gat and Jhala (Continuation of Side “A”)


• Tabla Accompaniment: Late Ustad Shaukat Hussain Khan • Sarangi: • Harmonian:

Note:

Ashraf Shareef Khan born in 1962 at Lahore is the son and disciple of legendary sitar player Ustad Muhammad Shareef Khan, Poonch Waley and died in 1981 in Lahore. Shareef Khan learnt the art of sitar playing from his illustrious father Abdul Raheem Khan. Ashraf Shareef Khan migrated to Germany in 1996 currently based at BONN, republic of Germany.


AC. No: _____ / I – Banjo Volume:___ ______________

Artist Bilawal Balgium (Ustad), Banjo player Instrument Banjo Title of Cassette Bilawal Balgium Cassette Duration 45+45=90 Minutes (C - 90) Production Lok Virsa, Islamabad

Contents


1- Popular Sindhi Dance Tune “Jamalo” 1- Dervesh Dance Tune “Dhamal” 2- Balochi Wedding Song 2- Song of Balochi Deserts

3- Balochi Love Song 3- Folk Tune of Sheedis of Balochistan 4- Song of Sheep Hearders of Balochistan 4- A Khayal composition in Raga – MALKAUNS

(Bhairvin Thath) Mudh and Drut Teen Tal



Note:

Born in 1928 at Mirpur Khas (Sindh), Died 1977 at Lahore, Ustad Bilawal Balgaim was an astonishing exponent of “Banjo”, Recipient of president of Pakistan’s Medal for pride of performance, he is one of those, who become Legend in their life time. Till now, there is no one who could surpass his excellence in Banjo playing. He was an illustrious disciple of late ustad ASHIQ ALI KHAN of patyala Gharana.

He served as a staff artist of central production unit of radio Pakistan Lahore.


AC. No: _____ / I – SIT Volume:___ __II_____

Artist Fateh Ali Khan Ustad (Sitar Player) Gharana Feroz Khani Gharana in sitar playing Instrument Sitar Title of Cassette Hamaray Saaz (Sitar) Cassette Duration 45+45=90 Minutes (C - 90) Production PNCA Islamabad

Contents


1- Alap and Gat in Ragni Pilu (Kafi Thath)

1- Alap and Gat in Raga Mehtabi (Porabi Thath)

2- Alap and Gat in Raga Aiman (Kalyan Thath)

2- Alap and gat in Raga Poriya (Marwa Thath)



Note: For Ustad Fateh Ali Khan, please see under Ustad Fateh Ali Khan Sitar Player volume- 1.


AC. No: _____ / I – SIT Volume: ___________

Artist 1- Fateh Ali Khan Ustad Sitar Nawaz (Pride of Performance)

(22-11-1983) 2- Kabir Khan, Ustad, Sitar Nawaz (Pride of Performance)

Instrument Sitar Cassette Duration 30 + 30 = 60 minutes (C - 60) Production A PNCA, Islamabad Production (Concert Recordings)

Contents

Side “A”

Fateh Ali Khan Ustad Sitar Nawaz Side “B”

Kabir Khan, Ustad, Sitar Nawaz 1- Raga – AIMAN

(Kalyan Thath) Alap, Gat and Jhala, (Teen Tal)

1- Raga – GHARA (Khamach Thath) Alap, Gat and Jhala, (Teen Tal)


• Tabla: Late Ustad Manzoor Hussain of Rawalpindi Ustad Talib Hussain Lyalpuri

• Sarangi: • Harmonian:

Note:

a) Ustad Fateh Ali Khan was an illustrious disciple of his paternal uncle (Taya) Mian Mehboob Ali Fareedi, who learnt the art of sitar playing from a legendary sitar Maastro Syed Nasir Ud Din early 20th century, father of sitar player Nafees Ahmad Khan (Tamgha e Imtiaz) and violinist Raees Ahmed (Pride of Performance). He was also a renowned composer of feature films, scored music for AINA 1945; DIRECTOR 1947, DO KINARAY 1950, SHOLA 1952, HARJAI 1952, BEDARI 1957, SATHI 1959, TUM NA MANO 1961. He breathed his last on 22-11-1983 at Rawalpindi.

b) Recipient of President of Pakistan’s Medal for pride of Performance, Ustad Kabir Khan died in 2002 at Karachi. He hailed from SENI family of JAIPUR Gharana of sitar players. He was a disciple of late Ustad Muhammad Khan of JAIPUR (Rajistan, India). Ustad Kabir Khan is ranked as one of the three top sitarists of Pakistan. Ustad Sharif Khan of Poonch and Ustad Fateh Ali Khan.


AC. No: _____ / I – VVA Volume: ________________

Artist Habib Ali Khan Beenkar (Ustad)

(Died – 1975) Instrument Vichitra Veena Disciple Ustad Abdul Aziz Khan Beenkar (Brother)

(Died 1950) Cassette Duration 30+30=60 minutes (C-60) Production Joint release of Shalimar recording Co Islamabad.

Transfered from L.P to Audio Cassette.

Contents

Side “A” Side “B” 1- Raga – AIMAN on VICHITRA VEENA

Alap and Gat in Bilampit Teen Tal Mudh and Drut Teen Taal, Gat Jhala

1- Raga – MARU BEHAG (Kalyan Thath) On VICHITRA VEENA Alap and Bilampat Gat in Teen Tal Drut Teen Taal, Gat Jhala



Note:

Late ustad Faqir Habib Khan Beenkar (Beena Exponent) was the younger brother of late Ustad Abdul Aziz Khan Beenkar, the inventer of VICHITRA VEENA. Habib Ali Khan like his illustrosus brother started his musical career as a SARUNGI player and then in the quest of tonal perfection both the brothers switched over to VICHITRA VEENA, a variation of the ancient SARASWATI VEENA. VICHITRA VEENA was exposed to our Music some times in earliar part of the 20th century.


AC. No: _____ / I – SIT Volume: ______________

Artist Majid Khan

1940-2008, Disciple of late ustad Fateh Ali Khan (Sitarist) Instrument Sitar (Light and folk renditions with Orehestra) Cassette Duration 45+45=90 Minutes (C - 90) Production Lok Virsa, Islamabad

Contents


1- Under the Bough and Though 1- Pakhair Raghley ( Pashto folk song) 2- Oasis 2- Anticipation

3- Journey to Midnight 3- You are my Destiny 4- Calling East 4- Dancing Feet 5- Spring 5- Solitude Instrumental Accompaniments


Note:

Dr. Majid Khan, born Bahawalpur 1940, died 2008 Lahore, highly educated person, an agriculturist and also a homeo practitioner as well. His quest for music took him to be a disciple of Sitar Maestro, Late Ustad Fateh Ali Khan.

Mr. Majid Khan extensively toured abroad and won a great acclaim through his enthrawling renditions.

The cassette comprises of 10 renditions, 5 at each side. All renditions are traditional and also performed in a light and popular style.


AC. No: _____ / I – FLT Volume: _______________

Artist Masood Ahmad

(Bansuri Nawaz) Gharana, Disciple of Ustad Salamat Hussain of Delhi Gharana

Instrument Flute (Transverse base flute-with tonic “D”) Cassette Duration 45+45=90 Minutes (C - 90) Production EMI, Pakistan Ltd, Karachi

Contents


1- Raga AIMAN on flute (Kalyan Thath) Alap and Khayal in Mudh Teen Tal

1- Raga Chandar KAUNS MISHER MAIL Thath (Combination of Bhairon and Bhairvin Thath)

2- Raga RAGESHRI (Khamach Thath) Khayal in Mudh and Drut Teen Taal

2- Thumri KOSHAK DHANI (Bilawal Thath) Famous composition: Yad Piya Ki Aye, Kehrva Tal


• Tabla: Eid Muhammad Ajmeri 1937-2010 • Sarangi: • Harmonian:

Note:

Mr. Masood Ahmed (Born 1950, Karachi) is a Karachi based classical flutist and a disciple of recipient of pride of performance, ustad salamat Hussain (flutist). Masood Ahmad is a non professional. However, he is ranked as an outstanding exponent of concert flute.


AC. No: _____ / I-AL Volume: ____I____

Artist Misri Khan Jamali, Alghoza Player

(1921-1984) Instrument Alghoza (Double Flute) Title of Cassette Hamaray Saz, Alghoza Par Lok Dhoonein Cassette Duration 30 + 30 = 60 minutes (C - 60) Production A PNCA, Islamabad Production

(available also in Video, VHS and DVD)

Contents

Side “A” Side “B” 1- TALUNG

(Sindhi Folk Tune in Talung Raga)

1- Popular Devotional Tune SHAHBAZ QALANDAR (A popular composition in Raga – AIMAN)

2- Punjabi Folk Tune MAHIYA on Alghoza

2- Folk Tune of Sindh in Raga – MAAND

3- SARUNG Folk Tune of Sindh in Raga – SARUNG (Kafi Thath)

3- Sindhi Folk Tune PAHADI in Raga – PAHADI (Bilawal Thath)

4- RANO Sindhi Folk tale MOMAL RANO 4- SURATH Sindhi Folk Tale SURATH RAE DEACH, in Raga – SURATH of Khamach Thath



Note:

Recipient of President of Pakistan’s medal for pride of performance, Late Ustad Misri Khan was an outstanding exponent of popular Sindhi folk musical instrument Alghoza. Born 1921 in Nawab Shah Sindh, died at Nawab Shah Sindh 1984 was a disciple of Ustad Ali Murad Khan Jamali. As a member of national cultural delegations, he toured Afghanistan, England, U.S.S.R and Switzerland and won great acclaim for his country.


AC. No: _____ / I – SIT Volume: ________II_______

Artist 1- Muhammad Sharif Khan Poonch Waley

(1918-1981 Pride of Performance) 2- Ustad Kabir Khan Sitarist

(Born Jaipur India 1924, died 2002 at Karachi) (Pride of Performance)

Cassette Duration 45+45=90 Minutes (C - 90) Production PNCA production recorded on 26-10-1975 at Liaqat Memorial Hall

Rawalpindi in connection with the 700th birthday of Hazrat Amir Khusro.

Contents

Side “A” Ustad Sharif Khan

Side “B” Ustad Kabir Khan

1- “Raga Saazgiri” (Marwa Thath) Alap, Jod, Gat and Jhala

1- Raga “BAHAR” (Kafi Thath) Alap and gat (Mudh and Drut Teen Tal)

2- Raga “GHARA” (Khamach Thath) Alap and Gat, Mudh and Drut Teen Tal

Instrumental Accompaniments Tabla: Side “A” Late Ustad Shaukat Hussain Khan Side “B” Ustad Talib Hussain Lyalpur Walay



AC. No: _____ / I - TAB Volume: ______I______

Artist Mohammed Tufail Master

Tabla Nawaz (Born 1939 at Jammu and died at Rawalpindi 03-01-2001) Gharana Punjab Gharana in Tabla Playing Cassette Duration 30=30=60 minutes (C-60) Instrument Tabla Production Personnel Collection of Mr. Zahid Imran Farani; recorded at Mr. Faranis

Residence, F-7/4, Islamabad. (1987)

Contents

Side “A” Side “B” 1- Teen Tal (16 Matras)

Lehra accompaniment on harmonium by Arif Jafri.

1- Jhup Tal (10 Matras) Followed by improvisation of Kehrva Tal. Lehra accompaniment on harmonium by Arif Jafri.

2- Demonstration of Mojra Style Tabla Playing

3- Ab Ke Sau Bar Gham-e-Hijr Mein Ghazal

4- Manda Nain Bolna Kashmiri Geet



Note:

Master Muhammad Tufail was an outstanding Tabla exponent and an accomplished Harmonium player, a cornetier and a vocalist too. He served as music teacher at Islamabad Model College for Boys F-6/3; Islamabad also served PNCA’s Music Institute from 1972 to 2000.

Ustad Tufail was deciple of Ustad Des Khan (Father) and Tassadaq Jafar Kotiya. Mohammed Ajmal, Zahid Farani, Mohammed Ashraf, Sabir Hussain are his mentionable disciples.


AC. No: _____ / I - TAB Volume: ________I_______

Artist Mohammed Tufail Master, Tabla Nawaz

(Born 1939 at Jammu, died at Rawalpindi 03-01-2001) Gharana Punjab Gharana in Tabla Playing Cassette Duration 30=30=60 minutes (C-60) Instrument Tabla Production Personnel Collection of Mr. Zahid Farani; recorded at Mr. Faranis residence.

F-7/4, Islamabad. (1987)

Contents

Side “A” Side “B” 1- Teen Tal (16 Matras)

Lehra accompaniment on harmonium by Arif Jafri.

1- Jhup Tal (10 Matras) Followed by improvisation of Kehrva tal. Lehra accompaniment on harmonium by Arif Jafri.

2- Demonstration of Mojra Style Tabla Playing

3- Ab Ke Sau Bar Gham-e-Hijr Mein Ghazal

4- Manda Nain Bolna Kashmiri Geet



Note:

Master Muhammad Tufail was an outstanding Tabla exponent and an accomplished Harmonium player, a corntier and a vocalist too. He served as music teacher at Islamabad Model College for Boys F-6/3; Islamabad also served PNCA’s Music Institute from 1972 to 2000.

Ustad Tufail was deciple of Ustad Des Khan (Father) and Tassadaq Jafar Kotiya. Mohammed Ajmal, Zahid Farani, Mohammed Ashraf, Sabir Hussain are his mentionable disciples.


AC. No: _____ / I – INST - BAND Volume:_______ ______I____________

Artist Nazir Hussain Master

(Born 1938 at Amritsar, India) Leader of SOHN BAND LAHORE)

Gharana Gawalior Gharana Disciple of Late Master Sohni Khan (Father)

(Born 1907 at Amritsar, India) Title of Cassette ‘Traditional Sohni Band of Lahore’ Cassette Duration 30+30=60 Minutes (C-60) Production Music Archives, PNCA, Islamabad

Contents


1- Jiway Banra Marriage Song On SOHNI BRASS BAND

1- Sohneya Dil Da Mamla Punjabi Film Song On SOHNI BRASS BAND

2- Veer Mera Ghori Charheya Film Song On SOHNI BRASS BAND

2- Jis Din Say Piya Dil Lay Gaey Urdu Film Song On SOHNI BRASS BAND

3- Jhan Di Panwan Jhankar Mein Film Song On SOHNI BRASS BAND

3- Ik Bar Chalay Aao Urdu Film Song On SOHNI BRASS BAND

4- Wada Nah Tod Film Song On SOHNI BRASS BAND

4- A composition in Raga – MARU Bilampat Drut Iktala

5- Summi Meri Var Punjabi Folk Song On SOHNI BRASS BAND

5- Dhamal, Shahbaz Qalander Traditional

6- Rahon Main Teri – Kub Aae Film Song On SOHNI BRASS BAND

6- Baharoo Phol Barsao Indian Feature Film Song

7- Chandni Ratain Film Song On SOHNI BRASS BAND

7- Char Beta, Ya Qurban Pushto Folk Tune

8- Ho Jamalo Sindhi Folk Song On SOHNI BRASS BAND

9- Chhod Babul Da Gher Punjabi Film Song On SOHNI BRASS BAND


• Tabla:



Note: a. SOHNI BAND is one of the few reputed traditional mobile band group of Pakistan, also

known as “SHADI” (Marriage) Band. It was founded by Master Sohni Khan (1907 – 1976) in the year 1939. Master Sohni Khan was a legendry clarinetist of all times. He was disciple of Allah Ditta Naqurchi and Ustad Mubarik Ali Khan s/o Gamman Khan.

b. Master Nazir Hussain (Born 1938) is the eldest son of Master Sohni Khan and is heading the band group for the last 30 years.


AC. No: _____ / I – SD Volume:___ ___I________

Artist Sabir Hussain

(Born 1968 at Marala District Sialkot) Gharana Punjab Instrument Tabla Cassette Duration 30+30=60 Minutes (C-60)

Playing Time 30minutes, “A” Side Blanck - “B” Side

Production Personal Collection of Mr. Zahid Farani Drawing Room Recording at Mr. Imram Farani’s Residence at F – 7 /4, Islamabad – 1992

Contents


1- Improvisation of different rhythmic patrons of DADRA (6 Matras) KEHRVA TAL (8 – Matras) and Teen Tal (An informal Performance)



Note: Sabir Hussain born MARALA, a town in district Sialkot, an outstanding Tabla exponent, a light vocalist and an outstanding exponent of Harmonium. He is disciple of his elder brother, Late Ustad Mohammed Tufail Tabla Nawaz (Died 03 – 01 – 2001). Sabir Hussain shifted to USA in 1994.


AC. No: _____ / I – TAB Volume:____ ____________

Artist 1. Allah Rakha Khan (Ustad), Tabla Nawaz

(Born 1925 at Jammu Kashmir, Died 2008 at Lahore) 2. Zakir Hussain, Tabla Nawaz (S/O Allah Rakha)

(Born 1958 at Lahore) Gharana Punjab Ghrana in Tabla Playing Disciple of Late Ustad Mian Qadir Bukhsh Instrument Tabla Cassette Duration 30+30=60 Minutes (C-60) Production Karachi Music Center, Sommerset Street Karachi

Personal Collection of Mr,Zahid Farani Street 48, F-7/4, Islamabad

Contents


1- SULE FAKHTA TAL (ASULE FAKHTA) On Tabla, 5 Matras

1- Teen Tal On Tabla, 16 Matras

2- CHAR TAL KI SAWARI On Tabla, 11 Matras

2- Iktala On Tabla, 12 Matras



Note: Ustad Allah Rakha Khan came from Jammu Kashmir where he was born sometime in 1925, with the establishment of Lahore Radio in 1937, the whole family shifted to Lahore. At the age of 14, Allah Rakha Khan became a disciple of Ustad Mian Qadir Bukhsh. In 1947, the family opted for Pakistan. In 1958, Allah Rakha Khan migrated to along with his second wife and two sons, i.e Zakir Hussain and Faisal Quresh and sought Indian Nationality but some of his family members Sabir Khan (Young Brother) two daughters and first wife preferred to remain Pakistani Ms. Rohi Bano, the elderest daughter of Allah Rakha Khan earned fame as an accomplished heroin of Glass and Silver Screen of Pakistan. Allah Rakha Khan also earned fame as an outstanding composer of Indian Feature Films as A. R. Qureshi.

Pakistan National Council of the Arts National Intangible Heritage Archives After seeking Indian Nationality, Ustad Allah Rakha Khan came to Lahore in 1962 and provided Tabla accompaniment for famous Dance Song ‘Lagan Lagi Tori Sajan Munma’, (Film “BAJI” 1963 – Release, Sung by Madam Noor Jahan and Madam Fareeda Khanam). Ustad Allah Rakha Khan is a 20th century trend setter and founder of his own school of thought in Tabla Playing, which is being followed, not only in subcontinent but in Western World of Music also.


AC. No: _____ / I – TABLA & SARANGI Volume:____ ____________________ ________

Artist 1. Karim Bukhsh Peinal

(Died 1976 at Quetta) 2. Qadir Bukhsh Mian, Tabla Player

(Died 1961 at Lahore) 3. Ghulam Mohummed Khan (Ustad), Sarangi Player

(Died 1980 at Qasure) Instrument 1. Tabla

2. Sarangi Cassette Duration 30+30=60 Minutes (C-60) Production Personel Collection of Mr,Zahid Farani

Street 48, F-7/4, Islamabad

Contents

Side “A” Side “B” 1- Iktala (12 Matras)

Ustad Mian Qadir Bukhsh 1- 9 Tal Ki Sawari (29 Matras)

2- Jhup Tal (12 Matras) Ustad Mian Qadir Bukhsh

2- Raga Sawant Sarang (KAFI THATH) on Sarangi Mudh Teen Tal Ustad Ghulam Mohummed Khan



Note: Ustad Mian Qadir Bukhsh known as “Jagat” Ustad (Guru of all Tabla Maestro with Sawa Lukh (1, 25,000) disciples. Mian Qadir Bukhsh was disciple of Late Baba Malung Ali Khan (1872 – 1948 Buban District Hoshyarpur, India). Mian Qadir Bukhsh is said to be the founder of Punjab Gharana in Tabla playing. He served Radio Pakistan Lahore till his death. His illustrious disciples are, Ustad Allah Rakha Khan, Mian Shaukat Hussain, Iltaf Hussain Tafo, Jomul Hussain Khan and thousands others.


AC. No: _____ / I-SIT Volume: ____II____

Artist 1) Sharif Khan Poonch Waley Sitar Nawaz

2) Farrukh Bashir (Disciple of Ustad Sharif Khan) Instrument Sitar Cassette Duration 45+45=90 Minutes (C - 90) Production Concert Recording (Lahore Radio) Private collection of Mr. Zahid Farani

Contents


1- Raga DES (Khamach Thath) Alap, Gat and Jhala Tabla Accompaniment: Abdul Sattar Tari

1- Raga “Bilawal” (Bilawal Thath) Alap, Gat and Rupak Tal, Mudh Lei Tabla Accompaniment: Jan ul Hassan

2- Farrukh Bashir Khan Sitarist Raga “MEGH” (Kafi Thath) Alap, Gat, (Teen Tal) Jhala Tabla Accompaniment: Abdul Sattar Tari



Note:

Tabla maestro Late Ustad Jan ul Hassan was disciple and younger brother of Tabla maestro Late Ustad Mian Shaukat Hussain (Died 25 – 01 – 1996 Lahore) Ustad Jan – ul – Hussan died in September 2010 at Lahore.


AC. No: _____ / I - TAB Volume: _______I________

Artist 1. Shaukat Hussain Mian Ustad (Tabla Nawaz)

2. Disciples, (Mohammad Ajmal, James Messeh, Shabbir Hussain Jhari)

Gharana Punjab Gharana in Tabla playing DISC Instrument Tabla Titte of cassette Ustad Mian Shaukat Hussain aur Shagird Tabla nawaz.

Concert recording National Library-1992 Cassette Duration 30+30=60 (C-60) Production PNCA – Islamabad - 1992

Contents


1- Tal – DHAMMAR (14-Matras) On Tabla Ustad shaukat Hussain Khan Lehra on Harmonium by Mr.Umeed Ali (RWP)

1- Teen Tal On Tabla, Continuation of Ring No-2, of side “A”

2- Teen Tal On Tabla (Ustad Shaukat Hussain Khan) Lehra on Harmonium by, Ustad Umeed Ali (RWP)

2 Teen Tal on Tabla By Mohammad AjmalKhan (disciple)

3- Teen Tal on Tabla By James Messeh (Disciple)

4- Teen Tal on Tabla By Shabbir Hussain Jhari (Disciple)



Note:

a) Ustad Shaukat Hussain Khan (born-1931 at Philor, India, died, 25-01-1996 at Lahore) was an out standing Tabla exponent and one of the few top disciples of Mian Qadir Bukhsh. He served Radio Pakistan Lahore as staff artist (Tabla Player) for a marathon span of 38 years. His notable disciples.

• Abdul Sattar Tari,Born 9-10-1953 at Lahore (Pride of Performance)

• Shabbir Hussain Jhari, Born 1964 at Lahore (Pride of Performance)


• Mohammad Ajmal, 08-04-1958 at Multan

• James Masseh, Born 1967 at Sialkot

• Jan-ul-Hussain Khan, Died 2010 at Lahore (Younger Brother)

• Tahir Hussain, commonly known as Tahir Sonyara

• Azhar Farooq


AC. No: _____ / I – TAB Volume:____ ___I________

Artist Tafo, Iltaf Hussain Tafo Khan Gharana Punjab Ghrana in tabla playing Disciple of Late Ustad Mian Qadir Bukhsh Instrument Tabla Cassette Duration 30+30=60 Minutes (C-60)

Registration Time 30 Minute (Only Side “A”) Side “B” Blank Production Personel Collection of Mr,Zahid Farani

Street 48, F-7/4, Islamabad

Contents

Side “A” Side “B” 1- Teen Tal

‘Lehra’ accompaniment on ‘Sarangi’ by Late Mr. Nazim Ali Khan

1-

2-




AC. No: _____ / I – TAB Volume:_____ __III_______

Artist Tafo, Iltaf Hussain Tafo Khan Gharana Punjab Ghrana in tabla playing Disciple of Late Ustad Mian Qadir Bukhsh Instrument Tabla Cassette Duration 30+30=60 Minutes (C-60)

Registration Time-30 Minute (Only Side “A”) Side “B” Blank Production Gathering at Mr,Zahid Farani’s residence, street 48-F-7/4, Islamabad-1992

Friendly Get-together

Contents

Side “A” Side “B” 1- Different Qaidas (Patrons) of Teen Tal and

Kehrava tal and different position of Tabla playing.

1-

2-



Note:

It was an informal get together. Those who were present, includes, Late Master Mohammad tufail Brother Sabir Hussain Tabla player, and few foreigners.


AC. No: _____ / I – TAB Volume:____ ____II______

Artist Tafo, Iltaf Hussain Tafo Khan Gharana Punjab Ghrana in tabla playing Disciple of Late Ustad Mjan Qadir Bukhsh Cassette Duration 30+30=60 Minutes (C-60) Production Concert Recording ( Bombay 1997) Personel collection of Mr, Zahid farani

Contents


1- Introduction of Tafo khan by abdul Hameed Gawaliori Followed by tribute by Pandit Shankar Lal

Teen Tal continuation of ring 2 of side “A”

2- Teen Tal, Lehra Accompaniment on harmonium



Note: Continuation of Teen Tal carried over from side “A”.

a) Born 1941 at Lahore, Recipient of presedintial Medal. For Pride of Performance, ustad Iltaf Hussain tafo is last of the illustrious disciples of Late Ustad main Qadir Bukhsh (died-1961).Tafo is a living legend in tablea playing and is currently ranked as the best. He is also an outstanding composer of Pakistani feature films and enjoy’s the credit of being Music director of over 200 Feature movies.

b) About concert: This public concert was orgfanised by Legendry Tabla player ustad Allah Rakhan khan to mark the death anniversary of his teacher late ustad Main Qadir Buksh, at the Jinnah hall, Bombay in 1997. The concert was attended by some of the matchless. Personalities of Indain world of Muric, such as, ustad Allah rakha khan, his son Zakir Hussain, tabla nawaz Nizam-u-Din khan, S/O Azeen Khan Javerey waley, Classical vocalists, Niaz Ahmed, faiyaz Ahmed, Composer of Composer, late Naushad Ali Khan, Laxmi kant piyarey Lal, kalian ji Anund Jd, Daneing Legend sitara devi and tara devi and many others.


AC. No: _____ / I – SHI/SIT/VN Volume: ____________II___________

Artist 1- Bismillah Khan Ustad ( Shehnai Player, India)

2- Vilayat Khan ( Sitar Player, India) 3- V.V. Jog, Professor (Violinist, India)

Instruments Shehnai, Sitar, Violin Title of Cassette Jugal Bandi Cassette Duration 45+45=90 Minutes (C - 90) Production EMI, Delhi, transferred from LP. Private collection of Mr. Zahid Farani

Contents


1- Raga JAI JAI VANTI (Khamch Thath) on Shehnai and Violin, by Ustad Bismillah Khan and professor V.V.Jog, respectively. Bilampat, Durat Teen Tal

1- CHAITI DHOON (Khamch Thath) on Shehnai and Sitar, by Ustad Bismillah Khan and Ustad Vilayat Hussain Khan in Mudh Kehrava Tal

2- Thumri in Raga “Mishra Khamach” (KHAMACH THATH) Re production of Punjabi traditional song “ Rakh aj di Ghari Meri Doli ni Maan”

2- Thumri BHAIRVIN (Bhairvin Thath) On Shehnai and Sitar, Popular Thumri Composition” Baat Chalet Nae Choneri Rang (Mudh Teen Tal)


• Tabla: Prem valabh and Lal Ji Ghokley • Sarangi: • Harmonian:


AC. No: _____ / I – Assorted

Volume: __________II__________ Artist 1- Tasadduq Hussain (Flute)

2- Mubarik Ali Niazi ( Dilruba) 3- Bilawal Balgium (Banjo) 4- Mukhtar Malik (Santoor) 5- Muhammad Ajmal ( Tabla) 6- Misri Khan Jamali ( Alghoza) 7- Munir Sarhadi ( Sarinda) 8- Imdad Hussain ( Sitar) 9- Sharif Hussain ( Sarod) 10- Salamat Hussain (Flute)

Title of Cassette Hamaray Saaz Cassette Duration 30+30=90 Minutes (C - 60) Production A PNCA production

Contents


1- Punjabi Folk Tune PATTAN on Flute 1- Popular Sindhi Tune on Alghoza 2- Punjabi Folk Tune NIKA MOTA BAJRA on

Dilruba 2- Pashto Folk Tune on Sarinda

3- Makrani Folk Tune on Banjo 3- Sindhi Folk Tune on Sitar 4- Kashmiri Folk Tune on Santoor 4- PunjabiFolk Tune on Sarod 5- Solo Rendition of Kehrva Tal on Tabla 5- Sindhi Folk Tune on Flute in Raga Bhairvin Instrumental Accompaniments



ACD / VCL Audio Compact Disc

Vocal Classical


ACD. No: _____ / VCL Volume: _____________

Artist 1- Akhtar Ali Khan (Born 1942, Died 15 – 06 – 1996 at Lahore)

2- Zakir Ali Khan (Born 03 – 07 – 1944, Died 2004 at Lahore) Gharana Sham Chorasi Gharana

Disciple of Ustad Nazakat Ali Khan, Ustad Salamat Ali Khan (elder brother) Ustad Niaz Hussain Shami (cousin)

Awards Pride of Performance C.D Duration 46:08 Minutes Production Music Archives, PNCA Islamabad

Contents

1- Khayal in Raga ASAWARI

(Tawar Rekhab) Asawari Thath “Bawarya Jaag Rey” Bilampat Tilwara Taal 07:53

2- Khayal in Raga AHEER BHAIRON (Bhairon Thath) “Torey Gaon Gaoon” Bilampat Jhomra Tal 08:32

3- Khayal in Raga ASAWARI (Komal Rekhab, Bhairvin Thath) “Ab Root Aai” Bilampat Ikwai 07:43

4- Khayal in Raga KALAWATI (Khamach Thath) 03:51

5- Thumri in Raga PILU (Kafi Thath) “Gori Torey Nainan Kajor Bin Karey” 08:09

Instrumental Accompaniment: • Tabla: Ustad Shaukat Hussain • Sarangi: Ustad Nazim Ali • Harmonium:

Note:

a- Late Ustad Akhtar Ali Khan , born 1942 at Sham Chorasi Drst. Hoshyar Pur – India, died 15 – 06 – 1996 at Lahore and Late Zakir Ali Khan , born 03 – 07 – 1944, Hoshyar pur, died January 2004 at Lahore, were the younger brothers of Ustad Nazakat Ali Khan and Ustad Salamat Ali Khan, had their music education from their elder brothers and Ustad Niaz Hussain Shami (cousin) and to some extent from Ustad Gajju Khan (Uncle). Both the brothers (Akhtar Ali Zakir Ali) made their debut in 1963 from Radio Pakistan on participate


in Music conferences, held at Cullcutta and Amritsar – India 1965 and Dacca (Bangla Desh) in 1972 respectively.

b- Reference rings No. 1 and 3, there are two type of Raga Asawari, the Asawari, which employ’s Komal Rekhab (A 2nd minor above Tonic or “d” flat) falls under the purview of Bhairvin Thath. Whereas Raga AAWARI, sung with Shudh Rekhab (2nd Major above Tonic or “d” Natural). The former is called Komal Rekhab Asawari and Late as Tiwar Rekhab Asawari.


ACD No. ____ /VCL Volume: _____I_____

Artist Assad Ali Khan (Ustad)

(Born 1910 at Fatehpur Sikri, Drst Agra (India)), died 1981 at Karachi) Disciple of Abdul Majeed Khan (Father, Died 1949) and Ustad Tassadaq Hussain Khan (1879-1946)

Gharana Agra Gharana CD Duration 48 minutes Award Pride of Performance Production Dubbed from L.P. Music Archives, PNCA, Islamabad

Contents 1- Khayal in Raga – BARVA

(Kafi Thath) “Ae Ri Meiko Aaj” Bilampat Tilwada Tal (16. Matras) 12:06 minutes

2- Khayal in Raga – JAE JAE WANTI (Khamach Thath) “Jin Key Piya” Bilampat Iktala (12 Matras) 11:58 minutes

3- Khayal in Raga – CHANDNIKEDARA (Kalyan Thath) “Bun Thun Key Aaj kahan Chaley” Bilamat Iktala 06:34 minutes

4- Khayal in Raga – CHHAYANUT (Kalyan Thath) Alap

5- Khayal in Raga – NUT BEHAG (Kalyan Thath) Bilampat Iktala “Keisey Keisey Log”

Instrumental Accompaniment: • Tabla: Bashir Ahmed • Sarangi: Mohiuddin • Harmonium:

Note:

Ustad Assad Ali Khan Agra Waley (1910- 1981) was the only representative classical vocalist, who opted for Pakistan in 1947, where as the other notable singer preferred to stay in Agra, such as Aaftab-e- Mausiqi. Ustad Faiyaz Khan Prem Piya (1881-1950), Khadim Hussain Khan, Sajan Piya, Villayat Hussain, Pran Piya(1892-1962), grandson and son of Nathan khan (1840-1901)

Pakistan National Council of the Arts National Intangible Heritage Archives and many others. Ustad Assad Ali khan was trained by Ustad Abdul Majeed khan (Father-Died 1949 at Karachi) and uncle, ustad Tassadaq Hussain Khan, Vinod Piya son of Ustad Ghuggey Khuda Bukhsh known as Haseen Gawaiya (1790- 1880) who brought khayal Gaeki to Agra Gharana. He had Two sons, i.e Ghulam Abass Khan (1825-1934), maternal Grandfather of Faiyaz Khan and Ustad Kallan Khan (1835-1925), father of Ustad Tassadaq Hussain Khan, teacher of late Ustad Assad Ali Khan. Dhrupad style note to note progression presentation of Raga in its purest form, perfect intonation and overall serenity of rendition are the praiseworthy characteristics of Ustad Assad Ali khans style (Gaeki).


ACD. No: _____ / VCL

Volume: ______________

Artist 1- Assad Amanat Ali Khan (Born 1958 at Lahore, Died 08 – 04 – 2007 London, Burried at Lahore)

2- Hamid Ali Khan (Born 1956 at Lahore) Gharana Patyala Gharana

Disciple of Ustad Akhtar Hussain Khan (Grandfather) Late Ustad Amanat Ali Khan (Father) and Ustad Fateh Ali Khan (Paternal Uncle)

Awards Pride of Performance Production Music Archives, PNCA Islamabad

Contents

1- Khayal in Raga MALKAUNS

(Bhairavin Thath) “Dhan Dhan Bhag” Jhup Taal 12:55

2- Khayal in Raga BEHAG (Bilawal Thath) “Kaun Dhung Torey” Iktala 13:15

3- Khayal in Raga MARVA (MarvaThath) “Maru Kawan Kaj” Teen Taal 11:57


• Tabla: Ustad Shaukat Hussain • Sarangi: Ustad Nazim Ali • Harmonium:

Note:

Patayla is the Punjab Gharana in Khayal singing founded by two best friends Ustad Ali Bukhsh Khan, titled Gernail Khan (1835 – to – 1915) and Ustad Fateh Ali Khan titled Kernail (Died 1904) Ali Bukhsh’s father, Mian Kalu Ji, came to India from Afghanistan to quench his thirst for music and become a disciple of Ustad Mian Qutab Bukhsh Tan Rus Khan (1770 – 1872 ) of Qawal Bachon Ka Delhi Gharana, ccording to Ustad Fateh Ali Khan, grandson of Ustad Ali Bukhsh Gernail, along with his friend Ustad Fateh Ali Khan Kernail, came under the disciple of Gernail Khan. It is said thath the pair also received training from Tan Rus Khan. In 1870 both went to see Tan Rus Khan, who was confined to bed in bed in Hyderabad Decan – India and demonstrated their art of Khayal singing before their mentor, who permitted the pair to sing for the public, after seeking permission, ustad Ali Bukhsh and Ustad Fateh Ali Khan Reached Patyala and became court musicians of Maharaja of Patyala. The title of Gernail and Kernail (Gerneral and Colonel of Music) was bestowed upon by the Lord Elegan, the than viceroy of British India after Listining their rendition at the court of Maharajo of Patyala.


The family Tree of the Lineage goes as under:

Senday Khan

Mian Kalu

Ali Bukhsh Khan (titled Gernail Khan, died 1915)

Akhtar Hussain Khan (died February 1974)

Amanat Ali Khan (Died 16 – 09 – 1974) - Fateh Ali Khan (Born 1938) - Hamid Ali Khan (Born 1956) Amjad Amanat Ali (Died 2001) - Assad Amant Ali Khan (Died 08 – 04 – 2007) - Shafqat Amanat Ali (Born 1968)



Volume: _______________

Artist Fateh Ali Khan, Ustad Born 1938 at Patyala – India

Gharana Patyala Gharana Disciple of Ustad Akhtar Hussain (father)

Award Pride of Performance, Sitara – e – Imtiaz , Tamgha – e – Khidmat, PTV excellent Award

C.D Duration 65:18 Minutes Production Music Archive PNCA - Islamabad

Contents

Side “A”

1- Khayal in Raga KEDARA (Kalyan Thath) 11:53 minutes

2- Khayal in Raga DES (Khamach Thath) “Kya Janoon Kaun Ghari Thi” Drut Teen Taal 09:27 minutes

3- Khayal in Raga BILAS KHANI (Bhairvin Thath) Mudh Teen Taal 13:25 minutes

4- Khayal in Raga JAUNPURI (Asawari Thath) Mudh Teen Taal 16:28 minutes

5- Khayal in Raga BAIRAGI (Bhairon Thath) 11:30 minutes

6- Khayal in Raga BILAWAL (Bilawal Thath)


• Tabla: Sajjad Hussain • Sarangi: Ustad Mubarik Ali Khan, Allah Rakha Khan • Harmonium:



Volume: _____________

Artist Fateh Ali Khan, Ustad Born 1938 at Patyala – India

Gharana Patyala Gharana

Disciple of Ustad Akhtar Hussain (father) Award Pride of Performance, Sitara – e – Imtiaz , Tamgha – e – Khidmat, PTV

excellent Award. C.D Duration 66:53 Minutes Production Music Archive PNCA - Islamabad

Contents

Side “A”

1- Khayal in Raga BAIRAGI (Bhairon Thath) “ Sub Ke Sub Kaam” 11:43

2- Khayal and Raga KEDARA (Kalyan Thath) “Ae Ri Dhun Bhaag” Iktala 12:05

3- Khayal in Raga NARAINI (Khamach Thath) “Aaj Mori Laj Rakho” Jhup Taal 10:47

4- Khayal in Raga PATDEEP (Misher Male Thath) “Dhun Merey Bhag” Jhup Taal 10:47

5- Khayal in Raga SHAHANA (Kafi Thath) “Lagan Lagi” Jhup Taal 11:01

6- Khayal in Raga Sham Kalyan (Kalyan Thath) Hori Khelein Rung” Iktala 11:04

Instrumental Accompaniment: • Tabla: Sajjad Hussain • Sarangi: Ustad Nazim Ali Khan • Harmonium:

Note:

a- Ustad fateh Ali Khan (Born 1938 at Patyala – India) is the direct descendent grandson of Ustad Ali Bukhsh Khan, titled Gernai Khan, founder of Patyala


Gharana and younger brother of Late Ustad Amanat Ali Khan (Died 16 – 09 – 1974 at Lahore). He is one of the few living legends of vocal classical Music world of Indo – Pakistan Subcontinent, has received his music educaton from his father Late Ustad Akhtar Hussain Khan (Died in February 1974 at Lahore) Ustad Fateh Ali Khan Saheb is permanently based at Islamabad and is running his own Music Academy.



Volume: _____________

Artist Fateh Ali Khan, Ustad (Born 1938 at Patyala – India)

Gharana Patyala Gharana Disciple of Ustad Akhtar Hussain (father)

Award Pride of Performance, Sitara – e – Imtiaz , Tamgha – e – Khidmat, PTV excellent Award.

C.D Duration 66:53 Minutes Production Music Archive PNCA - Islamabad

Contents

Side “A”

1- Khayal in Raga BAIRAGI (Bhairon Thath) “ Sub Ke Sub Kaam” 11:53 minutes

2- Khayal and Raga DES (Khamach Thath) “Kya Janoon Kaun Ghari Thi” Drut Teen Taal 09:27 minutes

3- Khayal in Raga BILAS KHANI (Bhairvin Thath) Mudh Teen Taal 13:25 minutes

4- Khayal in Raga JAUNPURI (Asawari Thath) Mudh Teen Taal 16:28 minutes

5- Khayal in Raga BAIRAGI (Bhairon Thath) 11:30 minutes

6- Khayal in Raga BILAWAL (Bilawal Thath)


• Tabla: Sajjad Hussain • Sarangi: Ustad Mubarik Ali Khan, Allah Rakha Khan • Harmonium:


ACD. No: _____ / VCL Volume: __________

Artist Fateh Ali Khan, Ustad

Born 1938 at Patyala – India Gharana Patyala Gharana

Disciple of Ustad Akhtar Hussain Khan (Father) Awards Tamgha – e – Khidmat, Pride of Performance, Sitara – e- Imtiaz C.D Duration 66:58 Minutes Production Music Archives, PNCA Islamabad

Contents

1- Khayal in Raga BAIRAGI

(Bhairon Thath) “Sub Ke Sub Kaam” Jhup Taal 11:43

2- Khayal in Raga KEDARA (Kalyan Thath) “Ae Ri Dhun Bhag” Iktala 12:05

3- Khayal in Raga NARAINI (Khamach Thath) “Aaj Mori Laaj Rakho” Jhup Taal 10:16

4- Khayal in Raga PAT DEEP (Misher Male Thath) “Dhun Merey Bhag” Jhup Taal 10:49

5- Khayal in Raga SHAHANA (Kafi Thath) “Lagan Lagi” Jhup Taal 11:01

6- Khayal in Raga SHAM KALYAN (Kalyan Thath) “Hori Khelein Rung” Iktala 11:04


• Tabla: Ustad Shaukat Hussain • Sarangi: Ustad Nazim Ali • Harmonium:


ACD No. ____ /VCL Volume: ____IV_____

Artist

Fateh Ali Khan (Ustad) Born 1938 Patyala (India)

Gharana Patyala Gharana Disciple of Ustad Akhtar Hussain Khan (Father) CD Duration 73:04 minutes Awards Tamgha – e – Kidmat, Pride of Performance, Sitar – e - Imtiaz Production Joint Production, “PNCA, EMI”, Dubbed from LP

Contents 1- Khayal in Raga – BAGESHRI

(Kafi Thath) Aa Jeiso Hei, Iktala 12:41 minutes

2- Khayal in Raga – BHIM PALASI (Kafi Thath) Ab To Bari Ber, Iktala 12:03 minutes

3- Khayal in Raga – BHOPALI (Kalyan Thath) Pia Gher Aae, Iktala 12:06 minutes

4- Khayal in Raga – MUDH MAAD SARUNG (Kafi Thath) Yeh Root Aaee, Iktala 12:42 minutes

5- Khayal in Raga – MEGH (Kafi Thath) Jub Goo, Gavan, Jhup Tal 12:14 minutes

6- Khayal in Raga – MULTANI (Todi Thath) Gokul Gaon Ki Gori, Iktala 11:18 minutes


• Tabla: Ustad Shaukat Hussain Khan • Sarangi: Ustad Nazim Ali Khan • Harmonium:


ACD. No: _______ / VCL Volume: _____________

Artist 1. Fateh Ali Khan, Ustad, disciple of Akhtar Hussain Khan (father)

(Born 1938 at Patyala – India) 2. Rustam Fateh Ali Khan s/o, Ustad Fateh Ali Khan (Born 1968 at

Lahore) 3. Sultan Fateh Ali Khan s/o Ustad Fateh Ali Khan (Born 1970 at Lahore)

Gharana Patyala Gharana 2-3 Disciple of Ustad Fateh Ali Khan (father)

Award Pride of Performance, Sitara – e – Imtiaz, Tamgha – e – Khidmat, PTV excellent Award.

C.D Duration 21:48 minutes Production Music Archive PNCA - Islamabad

Contents

Side “A”

1- Khayal in Raga PORIYA DHANASRI (Porabi Thath) “Khoosh Rahey Sanam Mera” Drut Ik Tala 11:58 minutes (Rustam Fateh Ali and Sultan Fateh Ali Khan)

2- Khayal and Tarana in Raga MEGH (Kafi Thath) “Bilampat Iktala” Followed by Tarana in Drut Teen Taal 09:50 minutes (Ustad Fateh Ali Khan)


• Tabla: Sajjad Hussain • Sarangi: Ustad Mubarik Ali Khan • Harmonium:

Note:

a- Video recording of the concert was carried out in Feb 1992 at the recording hall of Alama Iqbal University, Islamabad, under the UNESCO Participation programme 1990 – 91.

b- The word MEGH is a corruption of Persian word MEGH, meaning Cloud.


ACD No. ____ /VCL Volume: ______I_____

Artist

Ghulam Hussain Shagan (Ustad) (Born 1927 at Amritsar, India) Disciple of sanget Sagar Bhai Lal Mohammed Amritsari, died – October 1962 at Lahore

Gharana Gawalior Gharana Cassette Duration 47:41 minutes Awards Pride of performance and Sitara-e-imtiaz Production Dubbed from L.P. Music Archives, PNCA and Islamabad

Contents 1- Khayal in Raga – GOJRI TODI

(Todi Thath) “Hazrat Nizam-u-Din Aoliya” Bilampat Ikwai Tal 11:57 minutes

2- Khayal in Raga – KAFI KANHRA (Kafi Thath) “ Sajan Bhool Gayo” Bilampat Ikwai 12:08 minutes

3- Khayal in Raga – PORBI (Porbi Thath) “Sookh Sapney Sub Ley Gayo” Bilampat ikwai. 11:56 minutes

4- Khayal in Raga – RAM KALI (Bhairon Thath) “Prem pankhi pinhari” Bilampat Ikwai 11:40 minutes

Instrumental Accompaniment: • Tabla: Shaukat Hussain, Ustad • Sarangi: Nazim Ali Khan, Ustad • Harmonium:

Note: Ustad Ghulam Hussain, born Amritsar (India 1927) is an outstanding classical vocalist of Indo Pakistan subcontinent, disciple of his father Sangeet Sagar Ustad Bhai Lal Mohammad Amritsari (Rubabi) who acquired Khayal singing training from Pandit Bahaskar Rao, of Gawalior Gharana, Khayal singing was exposed to Hindu Pandits by late Ustad Hussain Bukhsh Khan, alias Hassu Khan. For more details about Gawalior Gharana, please see Ustad Hameel Ali Khan, Fateh Ali Khan.


ACD No. ____ /VCL Volume: ____I____

Artist

1- Hameed Ali Khan (Ustad) (Born 1946 at Haiderabad Sindh)

2- Fateh Ali Khan (Ustad) (Gawaliori) Born 1948 at Haiderabad

Gharana Gawalior Gharana CD Duration 44:18 minutes Awards Pride of Performance Production Dubbed from L.P. Music Archives, PNCA, Islamabad

Contents 1- Khayal in Raga – KAFI KANHRA

(Kafi Thath) “Ley Janda Nain Je Nal” Iktala 6:55 minutes

2- Khayal in Raga – GANDHARI (Kafi Thath) “Najam Sultan” Jhup Tal 6:33 minutes

3- Khayal in Raga BERAGI (Bhairon Thath) “Ab Karam kijiey,” Jhuptal 7:11 minutes

4- Khayal in Raga – BHOPALI (Kalyan Thath) “Aeri Aali” Iktala 7:48 minutes

5- Khayal in Raga – GOJRI TODI (TODI THAHT) “Ja Ja Rey” Iktala 7:04 minutes

6- Khayal in Raga – PORIYA KALYAN (Kalyan Thath) “Aaj Sohna” Bilampat Jhmra 08:36 minutes


• Tabla: Bashir Ahmed


• Sarangi: Mohiuddin Khan • Harmonium:

Note: “GAWALIOR GHARANA” Gawalior (India) has always been nursery of Musicians. Gowalior is also the birth place of DHRUPAD Form of our classical music. KHAYAL Form reached Gowalior , sometimes in mid of the 19th century A.D through one Naek Ghulam Rasool Naek of Lukhnow, who learnt Khayal singing directly from Naubad Khan an Nirmal Shah, grand sons of main Nemat Khan Sada Rung (1668-1743) the initiator of Khayal form. Ustad Ghulam Rasool Naek imparted Khayal education to two musicians of Gawalior i.e. Makhan Khan and Nathan Pir Bukhsh; who were associated with Gawalior Court. Makhan Khan’s son Shakkar Khan and grandson Mubarik Khan left Gwalior and Settled in Rampur. State and started imparting music education to Dhrupad singers of their time. Nathan Pir Bukhsh’s grandsons, Haider Khan, alias Hassu Khan and Haider Khan alias Haddu Khan (died 1883) spread Gaeki. Hassu Khan taught Khayal only to Hindu Pandits where as Haddu Khan transferred Khayal singing to Rajistan and Punjab musicians. Ustad Bannay Khan of Amritsar (India) died 1910, received training in Khayal singing. Nangli Family’s Ustad Banney Khan f Amritsar (India) died 1910, was the first to receive training in Khayal Singing directly from Ustad Haddu Khan Gawaliori and transferred this art to his cousin “Miran Bukhsh” who further transferred art of Khayal singing to his four sons, i.e. Piyarey Khan, Sendey Khan(Died 1940), Jamal Khan also known as “Muccher Khan” (1882 – 1955) and Misri Khan. Families od all the above mentioned maestros and their disciples are settled in Hyderabad, Sindh and Karachi. Hameed Ali Khan and Fateh Ali Khan (Pride of Performance and Sitara – e – Imtiaz)mare the grand sons of Late Ustad Piyarey Khan and Ustad Ahmed Ali Khan Rehmat Ali Khan (Pride of Performance) are two sons of Late Ustad Misri Khan.


ACD. No: _____ / VCL Volume: __________

Artist Nazakat Ali Khan

(Born 1931 at Sham Chorasi, Drst. Hoshyar Pur – India, Died May 1985 at Rawalpindi, Burried at Lahore)

Gharana Sham Chorasi Disciple of Ustad Willayat Ali Khan (Father), Ustad Ghazanfar Ali Khan alias Gajju Khan, Died 1989 at Chicha Watni and Late Ustad Niaz Hussain Shami (Cousin), Died 2nd November 1972 at Lahore.

Awards Pride of Performance C. D Duration 25:28 Minutes Production PNCA Islamabad

Contents

1- Interview 2- Thumri in Raga Khamach

(Khamach Thath) “ Saiyan Morey Parde”

Note:

Ustad Nazakat Ali Khan, Born 1931 at Sham Chorasi Drst. Hoshyar Pur – India, Died May 1985 at Rawalpindi, was the eldest son of Late Ustad Willayat Hussain Khan, (Died 1943 at Jabalpur – India), Till 1971 he used to sing along with younger brother Late Ustad Salamat Ali Khan (12 – 12 – 1944 to 12 – 07 – 2001) but due to certain domestic reasons the duo could not continue. His son Rafaqat Ali Khan (Born 1965) is a renowned Pop vocalist of Pakistan. Akhatar Ali Khan, Zakir Ali Khan, Tassaduq Ali Khan (Brothers) Imtiaz Ali, Riaz Ali Khan, Ghulam Shabbir Ali, Ghulam Jafar Khan are his notable disciples. He died of a heart attack in May 1985 at Rawalpindi.


ACD No. ____ /VCL Volume: _____I_____

Artist Ramzan Khan (Ustad)

(1902- 1984) Disciple of Ustad Adulghafoor Khan (Father) and Ustad Memman Khan (Uncle)

Gharana Delhi ka Seni Gharana Cassette Duration 43 minutes Awards Pride of Performance Production Dubbed from L.P. Music Archives, PNCA, Islamabad

Contents 1- Khayal in Raga – JAIT KAHYAN

(Kalian Thath) Mudh Teen Tal “Khwaja Usman” 9:59 minutes

2- Khayal in Raga – KHAMBAWATI (Khamach Thath) “Toom Bim Aaj” Mudh Jhup Tal ( 10 Matras) 10:55 minutes

3- Khayal in Raga – HINDOL “Koyalia Boley” Teen Tal 10:32 minutes

4- Khayal in Raga – SUHA “Tu Hei” Teen Tal 11:32 minutes

Instrumental Accompaniment: • Tabla: Bashir Ahmed • Sarangi: Mohiuddin • Harmonium:

Note:

Ustad Ramzan Khan, Delhi Waley, born 1902 Delhi, India and died 1983 at Karachi, was an outstanding and legendry khayal exponent of Indo Pakistan sub-continent. He along with his other family members migrated to Pakistan in September 1947. A disciple of his father late Ustad Abdul Ghafoor Khan and Legendry Sarungi Player Ustad Momman khan (Uncle), There are two Delhi Gharanas, “a”, Delhi gharana of “Kalawantan-e- Delhi”.(Kalawant meaning maestro on a veteran Musician) also known as SENI or Senia Gharana and are said to be the direct descendents of Mian “ Tan Sen”( Died 1587) a legendry classical vocalist of 16th century and one of the 9 jewels of the court of Mughal emperor “ Akbar” (1555-1604). One of their ancestors, “Mian Nemat Khan, alias Sadarung” (1668-1743) introduced “KHAYAL” form of our classical music. He and his early

Pakistan National Council of the Arts National Intangible Heritage Archives descendents and disciples disseminated the lilting Khayal singing to all others. This Gharana Claim’s that their ancestors always remained associated with Muslim Courts of Delhi as classical singers. Qawal Bachon ka Gharana is the other musicians Gharana of Delhi whose ancestors remained associated with the shrines of HAZRAT NIZAM-U-DIN Aulia and (Died 1325) Hazrat Amir Khusrau (1253-1325) and other shrines of Delhi. One of their ancestors Mian Ghulam Rasool, alias Mian Achpal Khan, introduced Khayal form to Qawal Bachas of Delhi, Achpal Khan’s illustrious disciple “ Main Qutab Bukhsh Titled “ tan Rus khan (1770-1872) became a legendry Khayal exponent in his life time. Two of tan Rus Khans disciples “Ali Bukhsh Khan and Fateh Ali Khan, titled “ Gernail and Kernail khan, respectively laid the foundation of Patyala Gharana. The famous Qasure Gharana also an auxiliary of Qawal Bachon ka Gharana. Ustad Sardar khan died 1960 at Lahore, was the last Khayal exponent of this lineage. His only son “Ibrahim khan” alias Barkhurdar did not adopt Music as profession.

Mumman Khan, Ustad Bundo Khan (died 1955, Karachi) Two legendry Sarungi players. Umrao Bundo khan, classical, semi classical vocalist (died 1990, Karachi) Ustad Ramzan Khan and Ustad Chand Khan are mentionable Musicians of Seni Gharana of Kalawantan-e-Delhi. Presentation of Raga in its purest form with all the ten prescribed characteristics variety of tans are few of the mentionable qualities of Delhi Gharana. Ustad Chand Khan mentioned some 105 species of Tanas or vocalization patrons. Some of these Tanas are Lachhey Dartans, Guchheydar Tans, Jhola Tan Chhanlang Tan, Badal garaj Tan, Bijli Chamak Tan, Ishq-e- Peichan Tan, Hindola Tan, Pani Bahao Tan, Shoala Tan Shinghar Tans to name a few.



Volume: ______________

Artist Salamat Ali Khan, Ustad Born 12 – 07 – 2001

Gharana Sham Chorasi Gharana Disciple of Ustad Willayat Khan (Father) Ustad Ghazanfar Khan (Gajju Khan) Uncle, Ustad Karim Bukhsh Khan (Grandfather) Niaz Hussain Shami (cousin)

Awards Tamgha – e – Khidmat, Pride of Performance, Sitara – e- Imtiaz, Ameer Khusrau Award – India, PTV excellence Award.

C.D Duration 48:19 Minutes Production Music Archives, PNCA Islamabad

Contents

1- Khayal in Raga HAMEER KALYAN

(Kalyan Thath) 12:31

2- Khayal in Raga HEM KALYAN (Kalyan Thath) 12:11

3- Khayal in Raga SHUDH SARUNG (Kafi Thath) 11:14

4- Khayal in Raga SRI (Parabi Thath) 12:13

Instrumental Accompaniment: • Tabla: Ustad Shaukat Hussain • Sarangi: Ustad Nazim Ali Khan • Harmonium:

Note: For Ustad Salamat Ali Khan, please see under Volume 1


ACD. No: _____ / VCL Volume: _________

Artist Salamat Ali Khan

Born 12 -12 – 1934 at village Sham Chorasi, Drst Hoshyarpur – India , Died 12 – 07 2001 at Lahore

Gharana Sham Chorasi Diciple of Ustad Willayat Ali Khan (Father) Ustad Ghazanfar Ali Khan , alias Gajju Khan (Maternal Uncle) Ustad Karim Bukhsh Nana, maternal grandfather) and Niaz Hussain Shami (cousin and brother in Law)

Award Pride of Performance, Sitara – e – Imtiaz , Ameer Khusrau Award – India , PTV excellence Award.

C.D Duration 74:17 minutes Production Music Archives PNCA - Islamabad

Contents

Side “A”

1- Khayal in Raga GOON KALI (Bhairon Thath) 12:05 minutes

2- Khayal in Raga MIAN KI MALHAR (Kafi Thath) 12:48 minutes

3- Khayal in Raga MIAN KI TODI (Todi Thath) 12:13 minutes

4- Khayal in Raga GAUR MALHAR (Bilawal Thath) 12:19 minutes

5- Khayal in Raga BHAIRON (Bhairon Thath) 12:41 minutes

6- Khayal in Raga ILLAIYA BILAWAL (Bilawal Thath) 12 : 11 minutes


• Tabla: Ustad Shaukat Hussain • Sarangi: Ustad Nazim Ali Khan • Harmonium:

Note:

a- Reference ring 4 of a the under reference CD according to different Grunths (ancient treatises) “GAUR MALHAR” is a Raga of Bilawal Thath recording to “Rag Chander Vidiya” Rag Manjraiyam Grunths, “GAUR MALHAR” is a raga of KEDAR group of Ragas which is our Bilawal Thath. As per Grunth Rag “DIBODH”, it’s a Raga of MALARI Thath (Bilawal). “NIRITIYA NIRITYA” “GAUR MALHAR” is a Raga of “SAWERI” (Bilawal Thath).


Sangeet SAAR AMRIT Grunth, calls it a Raga of SHANKARA BARAN MALE, which is our Bilawal Thath. But there are many Grunths which includes “GAUR MALHAR” in KAMACH Thath, due to the application of both NIKHADS, i-e SHUDH and KOMAL “NI”, that is 7th major and 7th minor above Tonic or B natural and B flat (Provided the Tonic is “C”) but Raga GAUR MALHAR is rendered in two ways, one with Tiwar of SHUDH NIKHAD (b) the other with Komal Nikhad (b flat). The Gaur Malhar with only Shudh Nikhad is a Raga of Bilawal Thath; where as Gaur Malhar with the application of both Nikhads (b and b flat) is considered as a Raga of Khamach Thath.

b- “MALHAR” is the generic name of all Ragas of rainy days, is a combination of two words, MAIL+HAR, meaning dirt and defeat. When the rain comes it takes alway the dirt.


ACD. No: _____ / VCL Volume: _________

Artist Salamat Ali Khan

Born 12 -12 – 1934 at village Sham Chorasi, Drst Jallandher – India , Died 12 – 07 2001 at Lahore

Gharana Sham Chorasi Diciple of Ustad Willayat Ali Khan (Father) Ustad Ghazanfar Ali Khan , alias Gajju Khan (Maternal Uncle) Ustad Karim Bukhsh Nana, maternal grandfather) and Niaz Hussain Shami (cousin and brother in Law)

Award Pride of Performance, Sitara – e – Imtiaz , Ameer Khusrau Award – India , PTV excellence Award.

C.D Duration 72:31 minutes Production Music Archives PNCA - Islamabad

Contents

Side “A”

1- Khayal in Raga ABHOGI KANHRA (Kafi Thath) 11:41 minutes

2- Khayal in Raga AIMAN KALYAN (Kalyan Thath) 12:17 minutes

3- Khayal in Raga BARVA (Kafi Thath) 12:23 minutes

4- Khayal in Raga DERBARI (Asawari Thath) 12:30 minutes

5- Khayal in Raga DESI (Asawari Thath) 11:53 minutes

6- Khayal in Raga DURGA (Bilawal Thath) 11:34 minutes




ACD. No: _____ / VCL Volume: _________

Artist Umrao Bundo Khan Ustad

Born, 1924, Dehli – India, Died 1980 at Karachi Gharana Dehli Gharana, Disciple of Ustad Bundo Khan(uncle) and Ustad Chand Khan

Delhi waley Awards Pride of Performance C. D Duration 46:32 Minutes Production Music Archives PNCA – Islamabad

Contents

1- Khayal in Raga GORI

(Porabi Thath) ‘Jiya Nahin Lagey ‘ Teen Tal , 11:27 minutes

2- Khayal in Raga LALIT PANCHAM (Misher Male) ‘Ab Toom Kahey Sona’ Teen Tal 11:52 minutes

3- Khayal in Raga GAUR SARUNG (Kalyan Thath) ‘Soonder Naar’ Roopak Tal, 11:31 minutes

4- Khyal in Raga SARRPARDA (Bilawal Thath) ‘Bachhra Tera Charawan’ (Bilampat Ikwai) 11:33 minutes

Instrumental Accompaniment: • Tabla: Ameer Sultan • Sarangi:Ustad Hamid Hussain Khan • Harmonium:

Note:

a- Ustad Umrao Bundu Khan started his career as an accomplished Sarungi player, but later on chose the field of classical and semi classical singing. He was an outstanding exponent of Rare Ragas and had some 300 Ragas to his repertoire.

b- Raga “Lalit Pancham” is a Misher Male Raga and a combination of Bhairon Thath and Marwa Thath in first and second Tatra Chord respectively.

c- Dehli Gharana, please see under Ramazan Khan.


ACD No. ____ /VCL – Assorted Volume: ____I____

Artist

1- Ghulam Ali Khan (Badey) (Died 1968 at Delhi)

2- Roshan Ara Bagam, Malika-e- Mausiqi (1915 to 05-12-1982)

3- Nazakat Ali Khan Ustad (Died 1983 at Rawalpindi)

4- Salamat Ali Khan Ustad (12-12-1934 to 2001 at Lahore)

5- Amanat Ali Khan Ustad (Died 16-09-1974 at Lahore)

6- Fateh Ali Khan (Born 1939 at Patyala , India)

7- Ashiq Ali Khan Ustad (Died 1948 at Lahore)

8- Ghulam Ali Khan Chhotey (Born 1910 at Qasure Died 29-12-1986 at Lahore)

9- Assad Ali Khan , Ustad Agrey Waley (died 1981- Karachi)

10- Ghulam Hussian Shagan Ustad (Born-1927 at Amritsar India)

Cassette Duration 30+30=60 Minutes (C-60) Title of Cassette 50 years of Golden Music of Pakistan ( 1947-1997) Production PNCA, Islamabad 1997- A Pakistan Golden Jubilee Celebration Release

Contents 1- Khayal Composition in Raga – KAMOD

(Kalyan Thath) “Chhand Dey Mora Anchra” (Mudh Teen Tal) Ustad Bodey Ghulam Ali Khan

2- Khayal Composition in Raga – ANUNDI (Kalyan Thath) “Barey Saiyan” (Bilampat Iktabla) Rashan ara Bagam

3- Khayal Composition in Raga – BAGESHRI (Kafi Thath) “Kaun Gat Bai Ke Saiyan, Nahin Ghar Aae Balma” (Bilampat and Drut Teen Tal) Ustad Nazakat Ali, Salamat Ali Khan

4- Khayal Composition in Raga – DERBARI (Asawari Thath) “Nain So Nain Milae Rakhney Ko” (Drut Iktala) Ustad Amanat Ali Khan Ustad Fateh Ali Khan

Khayal Composition in Raga – BASANT BAHAR (Misher Male Thath)


Combination of Porabi and Kafi Thath) Ustad Ashiq Ali Khan

Instrumental Accompaniment: • Tabla:


ACD No. ____ /QI

Volume: ____IV____

Artist

1- Mubarik Ali Khan Qawal (Born 1904 at Jallandher India and died 1977 at Faisalabad)

2- Fateh Ali Khan Qawal (Born 1906 at Jallandher, India and died 1963 at Lyalpur, Faisalabad)

3- Ghulam Fareed sabiri, Qawal (Died 5-4-1994 at Karachi)

4- Maqbool Ahmed Sahiri Qawal (Died 21-9-2011 at South Africa)

5- Qurban Hussain Qawal (Died 1983 at Lahore)

6- Tufail Hussain Qawal (Born 1937 at Ali Gudh, India)

7- Nusrat Fateh Ali Khan (Born 14-10-1948 at Lyalpor, died 16-8-1997 at Landon, Burried at Faisalabad)

8- Pathaney Khan (Born 1920 at Kot Addu, Drst Muzaffar Gudh, died 10-03-1997 at Kot Addu)

9- Zahida Perveen Madam (Died 1974 at Lahore)

10- Abida Perveen (Born 02-04-1957 at larkana)

Cassette Duration 30+30=60 Minutes (C-60) Title of Cassette 50 years of Golden Music of Pakistan ( 1947-1997) Production PNCA, Islamabad 1997- A Pakistan Golden Jubilee Celebration Release

Contents Side A 1- Ilmon Bus Karin O Yar” Qawali by Ustad Mubarik Ali Khan, Ustad Fateh Ali Khan

2- “Mun Konto Maula, “ QAUL” Ustad Ghulam Fareed Maqbool Ahmed Sabiri Qawal “Mera Piya Ghar Aaya” Qawali by Qurban Hussain Tufail Hussain commonly known as Sormey Waley Qawal

Side B 1- “Ali Maula Ali Maula Ali Ali”

Qawali by Ustad Nusrat Fateh Ali Khan Qawal 2- “ Ki Hal Sonawan Dil Da”

Kafi Khwaja Ghulam Fareed by Madam Zahida Perveen 3- “Meinda Ishq Vi Tou”

Saraiki Kafi, khwaja Ghulam Fareed by Pahaney Khan 4- “Sadey Vehrey Aaya Ker”

Kafi Hazrat Sachal Sarmust by Madam Abida Perveen Instrumental Accompaniment:

• Tabla: • Sarangi:

Pakistan National Council of the Arts National Intangible Heritage Archives Note:

a) Item No 3 of Side “A” is the ever First Qawali Programmed Presented/Telecast on the inaugural of PTV, 29-11-1964 (Lahore). M/S. Qurban Tufail enjoy’s the credit of being the ever first Qawali artistes of Pakistan Television Corporation.

b) Pathanay khan received his classical music education from late ustad Ashiq ali khan. Reference, “b”Mr. Saeed Malik’s Article published in “The News”, (English Daily-Islamabad -17-02-2007).


ACD / VLT Audio Compact Disc

Vocal Light Music


ACD. No: _____ / VLT Volume: ______II______

Artist Amanat Ali Khan , Ustad

Born 1932 at Patyala – India, Died 16 – 09 – 1974 at Lahore Gharana Patyala Gharan

Disciple of ate Ustad Khatar Hussain Khan (Father) Award Tamgha – e – Khidmat , Pride of Performance C.D Duration 70 : 18 Minutes Production Music Archives PNCA - Islamabad

Contents

Side “A”

1- Yeh Arzo Thi Tujhey Ghazal 14 : 56 minutes

2- Kaisi Guzer Gai Hei Jawani Ghazal 08: 05 minutes

3- Yar ko Mein Ney Mujhe Yar Ney Ghazal 03:58 minutes

4- Aa Mere Pyar Ki Khoshboo Ghazal 06:58 minutes

-5 Ik Khalish Ko Ghazal 03:08 minutes

-6 Go Zara Si Baat Pey Ghazal 07:05 minutes

-7 Honton Py Kabhi Un key Ghazal 04:09 minutes

-8 Yeh Na Thi Humari Kismat Ghazal 04:24 minutes

9- Dil Mein Meithey Meithey Dard Key Phol Khiley Ghazal 05:47 minutes

10- Inshah Jee Otho Ab Kooch Kero Ghazal 05:43 minutes

11- Mosam Badla Root Gadrai Ghazal 05: 14 minutes




Note:

a- Ustad Amanat Ali Khan (Born 1931, Died 16 – 09 – 1974 ) was the eldest son of Late Ustad Akhtar Hussain Khan (Died February 1974 at Lahore) and grandson of Late Ustad Ali Bakhsh Khan, titled Gernail Khan the founder of Patyala Gharana ( 1835 – 1950). He was disciple of his father. Made his debut at the tender age of 14, when he performed with his father as a co – singer from all India Radio Delhi in 1945, although Late Ustad Amanat Ali Khan was a classical vocalist but, he was well at home in rendering of semi classical, Thumri, Dadra and Light forms like Ghazal Geet and Devotional Kafi, he put himself on the map of Ghazal singing in 1971. When it was being ruled over by then Master Ghazal singers like Mehdi Hassan Khan (Born 27 – 06 – 1933 ) , Ejaz Hussain Hazravi (Died 05 – 02 – 1989), Ghulam Ali (Born 1942), Madam Fareeda Khanam (Born 1935) and Madam Iqbal Bano (Born 16 – 08 – 1938, Died 21 – 04 - 2009)

b- For Patyala Gharana please see under volium 1 of Fateh Ali Khan Ustad.


ACD. No: _____ / VLT Volume: _______________

Artist Ghulam Ali

Born 1942 at village Kalay Kay, Drst Sialkot Gharana Qasure Gharana an auxilary of Qawal Bachon Ka Delhi Gharana

Disciple of Late Ustad Barkat Ali Khan and Late Ustad Amanat Ali Khan (Manay Khan) younger brother of Ustad Badey Ghulam Ali Khan

Awards Pride of Performance, PTV excellence Award. C.D Duration 48 Minutes Production Collection of Music Archive PNCA Islamabad

Contents

Side “A”

1- Hangama Hei Kiun Berpa Ghazal 6:30 minutes

2- Toomharey Khut Mein Ghazal 08:49 minutes

3- Yeh Dil Yeh Pagal Dil Mera Ghazal 11:07 minutes

4- Dil Mein Ik Lehr Si Uthi Hei Abhi Ghazal 09:01 minutes

-5 Bechein Bohat Phirna Ghazal 11:50 minutes

-6 Mein Khayal Hoon Kisi Aur Ka Ghazal 10:09 minutes

-7 Andaz Apney Ghazal 10:39 minutes

Instrumental Accompaniment: • Tabla: • Sarangi: • Harmonium:

Note:

Ghulam Ali recipient of Pride of Performance, Ghulam Ali was born 1942 at Kaley Key Drst. Sialkot. He had his music education from Ustad Barkat Ali Khan (Died 19 – 07 – 1963 at Lahore) and Ustad Amanat Ali (Alias Manay Khan, Died 1981 at Lahore) both the teacher was younger brother of Ustad Badey Ghulam Ali Khan, Qasuri (Died 1968 at Delhi).


Ghulam Ali is a great exponent of Ghazal, Geet, Dadra and Thumri. He is equally popular in India. He is a good Tabla and Harmonium player too.



Volume: _________

Artist Roshan Ara Bagam, “Malika – e – Mausiqi” Born 1915 at Calcutta – India , Died 05 – 12 – 1982 at Lala Moosa

Gharana Kerana Gharana Disciple of Khan Saheb Ludden Khan Culcuttey waley and Khan Saheb Abdul Karim Khan of Kirana.

Title Malika – e – Mousiqi, Roop Saraswati, “Danam Badi” Jug Jiuti Awards Pride of Performance, Sitara – e – Imtiaz C.D Duration 49:56 minutes Production Burhan Enterprises, 3rd Floor, Ahmed Plaza, 7 Hall Road Lahore. Personal

collection of Arif Jafri

Contents

Side “A” 1- Khayal in Raga KAMOD

(Kalyan Thath) 20:47 minutes Balam Rangeeley

2- Khayal in Raga AIMAN (Kalyan Thath) 29:09 minutes


• Tabla: Ustad Shaukat Hussain Khan • Sarangi: Ustad Nabi Bukhsh Khan • Harmonium:

Note: a- Roshan Ara Bagam is one of those few, who become legend in their life time. The Indo

Pakistan subcontinent has yet to experience another singer of her stature and her excellence as a classical, semi classical and light vocalist is yet to be surpassed. She was born sometime in the year 1915 in Culcultta – India and Shifted to Bombay. Her birth name was Waheed – un – Nisa, then Roshan Jehan and finally Roshan Ara. At the time of partition of the subcontinent in 1947, she along with husband Late Chaudhri Ahmed Khan opted for Pakistan and settled in Lalamusa, a town situated at G.T road, right in the middle of Lahore and Rawalpindi, where she breathed her last on 05 – 12 -1982. A treasure of her recordings, comprising of 102 renditions of 280 hours of duration are lying intact with Pakistan Broadcasting corporation’s central Production unit and some 35 hours recordings with PNCA’s Music archive, in different Audio Video formats.

b- Tabla Maestro Ustad Shaukat Hussain (Born 1934 at Phagwara, Drst. Jallandher – India, Died 25 -01 – 1996 at Lahorre) disciple of Mian Qadir Bukhsh, Recipient of Pride of Performance.

c- Ustad Nabi Bukhsh Khan, (Born 1920 at Jhujja – India, Died 27 – 05 – 1989 at Lahore) disciple of Ustad Hussain Bukhsh (Uncle) recipient of Pride of Performance.


ACD. No: _____ / VCL Volume: _________

Artist Roshan Ara Bagam, “Malika – e – Mausiqi”

Born 1915 at Calcutta – India, Died 05 – 12 – 1982 at Lala Moosa Gharana Kerana Gharana

Disciple of Khan Saheb Ludden Khan Culcuttey waley Khan and Saheb Abdul Karim Khan of Kirana.

Title Malika – e – Mousiqi, Roop Saraswati, “Danam Badi” Jug Jiuti Awards Pride of Performance, Sitara – e – Imtiaz C.D Duration 72:51 minutes Production Music Archives PNCA Islamabad

Contents

Side “A”

1- Khayal in Raga BIBHAS (Bhairon Thath) “Mora Rein” Ik Tala 12:28 minutes

2- Khayal in Raga JAUNPURI (Asawari Thath) “Sohagan Rung Gholian” Ik Tala 12:40 minutes

3- Khayal in Raga BASANT (Porabi Thath) “Ab Maan Deikhey” Ik Tala 12:08 minutes

4- Khayal in Raga BAHAR (Kafi Thath) “Nai Root” Ik Tala 11:15 minutes

5- Khayal in Raga “LALIT (Bhairon Thath) “Bida Bhai Rein” Ik Tala 12:30 minutes

6- Khayal in Raga BHATYAR (Marva Thath) “Basant Ke Din” Ik Tala 11:50 minutes

Instrumental Accompaniment: • Tabla: Ustad Shaukat Hussain Khan • Sarangi: Ustad Nazim Ali Khan

Note: For Malika – e – Mausiqi Roshan Ara Bagam, please see under volium 1 .


ACD. No: _____ / VCL Volume: _________



Disciple of Khan Saheb Ludden Khan Culcuttey waley Khan and Saheb Abdul Karim Khan of Kirana.

Titles Malika – e – Mousiqi, Roop Saraswati, “Danam Badi” Jug Jiuti Awards Pride of Performance, Sitara – e – Imtiaz C.D Duration 72:51 minutes Production Music Archives PNCA, Islamabad

Contents

Side “A”

1- Khayal in Raga MARU BEHAG (Kalyan Thath) “Rasiya Na Ja” Ik Tala 12:42 minutes

2- Khayal in Raga ADANA (Asawari Thath) “Mondri Mori Kahey Ko” Ik Tala 12:20 minutes

3- Khayal in Raga KAMOD (Kalyan Thath) “Aae Balma Rang” 12:35 minutes

4- Khayal in Raga SHUDH KALYAN (Kalyan Thath) “Ae Ri Aali Piya” Ik Tala 12:17 minutes

5- Khayal in Raga Kalawati (Khamach Thath) “Sapne Mein Deikhey” Ik Tala 11:35 minutes

6- Khayal in Raga ANUNDI (Kalyan Thath) “Aa Rey barey Saiyan” Ik Tala 11:37 minutes

Instrumental Accompaniment: • Tabla: Ustad Shaukat Hussain Khan • Sarangi: Ustad Nabi Bukhsh Khan

Note: For detail about Malika – e – Mausiqi Roshan Ara Bagam, please see under Volume I


ACD. No: _____ / VCL Volume: _________



Disciple of Khan Saheb Ludden Khan Culcuttey waley and Khan Saheb Abdul Karim Khan of Kirana.

Titles Malika – e – Mousiqi Roop Saraswati, “Danam Badi” Jug Jiuti Awards Pride of Performance, Sitara – e – Imtiaz C.D Duration 44:56 minutes Production Music Archives PNCA, Islamabad

Contents

Side “A”

1- Khayal in Raga DES (Khamach Thath) “Hey Raaj Bhejey” Ik Tala 11:44 minutes

2- Khayal in Raga SHANKRA (Bilawal Thath) “Maathey Tilak Dharo” Ik Tala 10:45 minutes

3- Khayal in Raga NAIKI KANHRA (Kafi Thath) “Ae Ri Mein Ka Kahoon” Ik Tala 10:45 minutes

4- Thumri in Raga JHINJHOTI (Khamach Thath) “Na Hi Aawat Chein” Ik Tala 11:28 minutes

5- Khayal in Raga “LALIT (Bhairon Thath) “Bida Bhai Rein” Deep Chandi Taal 12:30 minutes (14 Matra) 11:39 minutes


• Tabla: Ustad Shaukat Hussain Khan • Sarangi: Ustad Nabi Bukhsh Khan • Harmonium:


ACD. No: _____ / VLT Volume: ________________

Artist Shaukat Ali

Born 1946 at Dinga, Tehsil Malakwal, Drst, Gujrat Title Lok Geeton Ka Shehzada (Prince of Folk songs) Title of Cassette Saif – ul Maluke Dilect Punjabi of “Lamma” or Lammay Di Tata the Norther area in brtween C.D Duration Collection of Musin Archive PNCA Islamabad Production Music Archives, PNCA, Islamabad

Contents

Side “A”

1- Abstracts from “SAIF – UL – MALUKE” the popular music narrative of Punjab, by Mian Mohummed Bukhsh of Khori Sharif (Died 1907 at Lahore, Burried at Khori Sharif, Drst Jehlum, a twon 35 km. north of Jhelum)

2- Toomharey Khut Mein Ghazal 08:49 minutes

3- Yeh Dil Yeh Pagal Dil Mera Ghazal 11:07 minutes

4- Dil Mein Ik Lehr Si Uthi Hei Abhi Ghazal 09:01 minutes

-5 Bechein Bohat Phirna Ghazal 11:50 minutes

-6 Mein Khayal Hoon Kisi Aur Ka Ghazal 10:09 minutes

-7 Andaz Apney Ghazal 10:39 minutes

Instrumental Accompaniment: On Bass Flute by Ustad Inayat Hussain (Elder brother of Shankat Ali)

Note: a- Shaukat Ali, (Born 1946 at village Dinga, Tehsil Malikwal, Drst Gujrat) an outstanding

exponent of Folk songs of Punjab, highly popular to the extent of a house hold name in the four corners of Pakistan as well as in India Punjab. He is disciple of Mian Faqir Din (Father ) Inayat Huderi (uncle) and Inayat Ali (Brother) recipient of Pride of Performance (1990), PTV excellence Award and several awards from Private sector.


ACD No. ____ /VLT – Assorted Volume: ____IV____

Artist

1- Naheed Niazi (Born 26-2-1940 at Delhi, India)

2- Mehdi Hassan Khan Ustad (Born 27-6-1933 at Jaipur India)

3- Saleem Raza (Died 25-11-1987 at Monteryal, Canada)

4- Ghulam Abbass (Born 1-1-1954 at Chiniot Drst Jhung)

5- S.B Jhon (Born 1934 at Lahore)

6- Amanat Ali khan (Born 1932 patyala, India, died 16-9-1974 Lahore)

7- Malika Pukhraj (Born 1926 at Jammu, Died 2007 at Lahore)

Cassette Duration 30+30=60 Minutes (C-60) Title of Cassette Ghazal Geet Production Music Archives Collection PNCA, 2011

Contents Side A 1- “Ik bar phir kaho Zara”

(Geet) Naheed Niazi 2- “Baat kerni mujhey muhkil”

(Ghazal Bahadarshah Zafar) Ustad Mehdi Hassan 3- “Zindagi Mein Aik Pal Bhi Chein Aaey Na”

(Song From Feature Film saheili-1960) Saleem Raza 4- “Aesey wo sharmae” (Film Song) Ghulam Abbass 5- “Tou jo Nahin Hei Tou Kuchh Bhi Nahin Hei”

(Song from feature film Sawera-1959) S.B jhon (Debut Song)

6- “Insha Ji Otho Ab Kouch Karo” (Ghaza-Ibn-e- insha) Ustad Amanat ali khan

7- “Ranjish Hi Sahi” (Ghazal, Ahmed Faraz) Ustad Mehdi Hassan Khan

Side B (Malika Pukhraj)

1- “Hum Bhi Pien Tumhein Bhi Pilaen Tamam Raat” (Ghazal)

2- “Abhi Tou Mein Jawan Hoon” (Nazm Hafeez Jalaandheri)

3- “Mein Jo Madhosh Hoa” (Ghazal)

4- “Wo Baatein Teri Wo Fasaney Terey” (Ghazal)

5- “Kuchh Is Andaz Se Wo Mehfil Mein Aae” (Ghazal)

Pakistan National Council of the Arts National Intangible Heritage Archives 6- “Nigah-e-Naz Jisey Aashna-e-Raz Kerey”

(Ghazal) 7- “Raz-e-Ulfat Ayan Na Ho Jae”

(Ghazal) 8- “Zahid na Keh Bori Key Yeh Mastaney Admi Hein”

(Ghazal) 9- “Kiya Keh Gai Kisi Ki Nazar”

(Ghazal) Instrumental Accompaniment:

• Tabla: • Sarangi:


ACD / IMC Audio Compact Disc

International Music Collection

Pakistan National Council of the Arts National Intangible Heritage Archives ACD No. ____ / IMC

ACD (Audio Compact Disc) IMC (International Music Collection)

Country ALGERIA Title of CD SAHARA MUSIC OF GOURARA

Recordings: PIERRE AUGIER Genre Tradition, Vocal Producer International Music Council of UNESCO Released UNESCO (Paris, France), 1991

Contents ALGERIA MUSIC

1. Ahellil song 7’42 minutes 2. Tagerrabt song 5’54 minutes 3. Hadra song 8’10 minutes 4. Tebla song of the Meharza 9’00 minutes 5. Song for the insemination of the date palm 1’59 minutes 6. Song with amzad accompaniment 4’45 minutes 7. Dance with qarqabou 5’03 minutes

Remarks

a. For details, please see the inlay card. b. Donation by Arif Jafri, Islamabad.


ACD No. ____ / IMC ACD (Audio Compact Disc)

IMC (International Music Collection)

Country AZERBAIJAN Title of CD Azerbaijani Mugam Bahram Mansurov,tar

Recordings: Alain Danielou and Jacques Cloarec Commentary: Alain Danielou

Genre Tradition, Vocal Producer International Music Council of UNESCO Released UNESCO (Paris, France), 1975

Contents Kurdish Music

1. Mugum Bayati-Isfahan 05’25 minutes 2. Mugam Humayum 08’25 minutes 3. Magam Nivanishapur 04’51 minutes 4. Mugam Shur 08’58 minutes 5. Mugam Mahur-Hindi 11’50 minutes 6. Mugam Bayati-Kurd 06’60 minutes 7. Mugam Chahargah 09’02 minutes

Remarks



ACD No. ____ / IMC


Country BAHRAIN Title of CD Fidjeri: Songs of the pearl’ divers

Recordings: HABIB HASSAN TOUMA Genre Tradition, Vocal Producer International Music Council of UNESCO Released UNESCO (Paris, France), 1992

Contents Bahrain Music

1. Bahri 05’05 minutes 2. Khrab, Sidi, Meydaf, Jeeb 09’02 minutes 3. Adsani 10’33 minutes 4. Duwari, Ashari, Khatfat-Shra 11’08 minutes 5. Makhmus 04’42 minutes 6. Hesawi 11’59 minutes

Remarks a. For details, please see the inlay card. b. Donation by Arif Jafri, Islamabad.


ACD No. ____ / IMC


Country EGYPT Title of CD Taqasim & Layali Cairo Tradition

Recording JACQUES CLOAREC Genre Tradition, Vocal / Instrumental Producer International Music Council of UNESCO Released UNESCO (Paris, France), 1991

Contents EGYPT MUSIC

1. LAYALI & MAWWAL (Maqam Bayati) Ibrahim el-Haggar, voice Sami Nussair, qanun 14’52 minutes

2. TAQSIM BAYATI Wahbi labib, nay Muhammad el-Arabi, req 05’11 minutes

3. SAMA’I EL-‘ ARYAN The takht ensemble of cairo ensemble takht du caire 04’09 minutes

4. TAQSIM BAYATI ‘Ud solo by gomaa Muhammad Ali’ 13’30 minutes

5. TAQSIM FARAH-FAZA Sami Nussair , qanun Muhammad el-Arabi, req 08’34 minutes

6. DARABUKKA SOLO By par Muhammad el-Arabi 03’58 minutes

Remarks





Country IRAQ Title of CD IQA’AT TRADITIONAL RHYTHMIC STRUCTURES

Recordings: HABIB HASSAN TOUMA Genre Tradition, Vocal Producer International Music Council of UNESCO Released UNESCO (Paris, France), 1992

Contents Iraq Music

1. Mukhalif Maqam Iraqi 14’36 minutes

2. Iqa’at Solo improvisation 09’42 minutes

3. Fann Khammari 04’49 minutes 4. Iqa’at

Collective improvisation 08’01 minutes 5. Murabba’ 04’18 minutes 6. Abuziyyah 06’39 minutes 7. Mawwal 07’37 minutes



ACD No. ____ / IMC


Country KHORASAN Title of CD The Traditional Music of Herat

Recordings: Jon Baily and Veronica double day for items 4,6,12 Commentary Jon Baily

Genre Tradition, Vocal Producer International Music Council of UNESCO Released UNESCO (Paris, France), 1996

Contents KHORASAN MUSIC 1- “Chaharbaiti Koshki”

Play by Gada Mohammad, 14 stringed 7’28 minutes 2- ‘’Na ‘t’’ , by Sa’di,

Sung by Sufi Abu Bakr 3’ 40 minutes 3- ‘’Shaikh Ahmed - e Jam’’

Sung by Abdul Sha’er with own 2 stringed dutar accompaniment 5’31 minutes 4- ‘’Bada Bada’’, sung by Abdul Sha’ by Hawa with own daira accompaniment./ chantae par

Hawa s’accompagnant elle-meme a la doiira 2’07 minutes 5- Medley of wedding songs / pot-pourri de chanta de noce: “Olang olang” , “Mobarak Bada”,

“bibi gol arus”, “haina ba-karha ”, sung by Sharafoddin and Nezamoddin ,with Osta Main,Sorna and habibollah jan dohol 6’49 minutes

6- “Shirin Chain a khordom ”, sung by Madar-e-Zahir, with own daira accompagniant ,and her two daughters 3’18 minutes

7- “Dokhtar Amu Jan”, played by Abdur Rehman Saljuqi, chahartar 2’54 minutes 8- “Ai Zaman”, played by Karim Dutari , 3 stringed dutar 2’34 minutes 9- “Chaharbaiti” played / joue par Abdullah, nai Chopani 2’49 minutes 10- Sufi song, sung Mohammad Yusuf 2’51 minutes 11- “Allah Hu” chante par / sung by Zainab Hairawi 3’44 minutes 12- “Asheq manam Laili”, sung by Gholam Nabi Zendadel, with own daira accompaniment and

gada Mohammad 14 stringed dutar 3’15 minutes 13- “Jam-e Narenji”, sung by Mohammad Sadeq Bolbol , accompanied by Rahim khushnawaz,

robab , gada Mohammad 14 stringed dutar and Nahim Khushnawaz tabla 6’35 minutes 14- “Ghazal”, by Badil , sung by Amir Jan Khushnawaz with own Harmonium accompaniment ,

with Rahim Khushnawaz table 5’45 minutes





Country KOREA Title of CD Instrumental Music 1 Genre Tradition, Vocal Producer International Music Council of UNESCO Released 31 July 1988 SAMHYUNOOGGAG

Contents KOREON MUSIC

1. Ung anjiak 02’10 minutes 2. Chonp yehuimun 08’34 minutes 3. Pohoja 03’03 minutes 4. Sujech on 17’04 minutes 5. Samhyonyongsanhoesang 09’20 minutes 6. Hahyon~kunak 13’59 minutes 7. Ch onnyonmanse 05’10 minutes 8. Kilgunak 04’21 minutes 9. Yomyangch 05’15 minutes 10. P yongjohoesang 03’14 minutes

Remarks



ACD No. ____ / IMC


Country KOREA Title of CD Instrumental Music 2 Genre Tradition, Vocal Producer International Music Council of UNESCO Released 1991 SAMHYUNOOGGAG

Contents KOREAN MUSIC

1. Samulnori (by KTPAC) 11’15 minutes 2. Kayagum sanjo (by Kim Juk-p’a) 10’14 minutes 3. Taegum sanjo (by Kang Paek-Ch on) 14’10 minutes 4. P’iri sanjo (by Jong Jae-kuk) 06’22 minutes 5. T’aep yongso Shinawi (by Choi Kyong-man) 04’05 minutes 6. Shinawi (by so yong-sok etc) 23’58 minutes

Remarks





Country MIDDLE EAST Title of CD Sung Poetry

Recording JACQUES CLOAREC and JOCHEN WENZEL Genre Tradition, Vocal Producer International Music Council of UNESCO Released UNESCO (Paris, France), 1989

Contents MIDDLE EAST MUSIC

1. “THE VOICE OF HIS MAJESTY THE SHAH” Nafes de Pir Sultan Abdal sung in Turkish by Feyz-ullah Cinar 04’35 minutes

2. GHAZAL Poem by Sa’di Sung in Persian by Hossein Ghavami 08’51 minutes

3. “BADA -O- JANE” Klam sung in Kurmanshi by Mohammed-Ali Tedjo 11’25 minutes

4. ATABA HAWAWIE Sung in colloquial Arabic by Ibrahim Alouane Jarad 23’21 minutes

Remarks





Country Mountainous Region of IRAN and TURKEY Title of CD Kurdish Music

Recordings: Jochen Wenzel Genre Tradition, Vocal Producer International Music Council of UNESCO Released UNESCO (Paris, France), 1974

Contents Kurdish Music

1. NAGHMA JABALIWA BINAFSHE Mohammed Ali Te’djo, meydan saz Said Hassan, tanboura 23’26 minutes

2. MAWAL WA RAQSA For two zorna and tabl/Pour deux zorna et tabl Hamo Hassan Ra’sho, zorna 2 Hussein Mohammed Ra’sho,tabl 04’45 minutes

3. MAWAL WA RAQSA For two pik, tumbalak and zil Pour deux pik, tumbalak et zil Hanan Ahmed Nasser, pik 1 Hanan Ahmed Nasser, pik 2 Hanan Ahmed Nasser, tumbalak Hussein Ahmed Abdo, zil 06’55 minutes

4. O DELAL SHERIN HAYAT

Sung by / Chante per Said Hassan Said Hassan, tanboura Mohammed Ali Te’djo, Maydan saz 11’50 minutes

5. SAR HAWA

Said Youssef, tanboura 10’44 minutes



ACD No. ____ / IMC


Country OMAN Title of CD Traditional arts of the Sultanate of Oman

Recording and Commentary: DIETER CHRISTENSEN Genre Tradition, Vocal Producer International Music Council of UNESCO Released UNESCO (Paris, France), 1991

Contents OMAN MUSIC

1. Taghrud Camel song 04’59 minutes

2. Azi Praise song 05’01 minutes

3. Razhah qasafiya Dance with weapons 05’08 minutes

4. Wahhabiyah Dance with weapons 05’19 minutes

5. Lewah Dance with the oboe 04’58 minutes

6. Malid Praising the Prophet 12’26 minutes

7. Tamburah Voice of the lyre 08’19 minutes

8. Shubani Song of the sailors 03’27 minutes

9. Haryabuh Pleading for safe return 07’40 minutes

10. Sharh Song of Happiness 04’43 minutes

11. Bar’ah Dance of youth 03’45 minutes

Remarks



ACD No. ____ / IMC


Country PAKISTAN Title of CD THE MUSIC OF THE QAWAL (Wandering Minstrels)

Recordings: HEINZ WERGELT and HABIB HASSAN TOUMA Genre Tradition, Vocal Producer International Music Council of UNESCO Released UNESCO (Paris, France), 1990

Contents Pakistan Music

1. Ghazal Peom of Maulana Kausar Niazi 15’05 minutes

2. NAT SHARIF In praise of the Prophet (PBUH) Poem of Hazrat Bedam Shahwarsi 09’57 minutes

3. HAMD Sufi Poem Text (Hazrat Niyaz bin Niyaz Rehmatullah Brelvi) Music Hadji Maqbul Ahmed Sabri 18’42 minutes

4. NAT SHARIF In praise of the Prophet (PBUH) Poem of Munawar Badayuni 06’01 minutes

Remarks





Country TAJIKISTAN Title of CD Tajik Music of Badakhshan

Recording and Commentary Genre Tradition, Vocal Producer International Music Council of UNESCO Released UNESCO (Paris, France), 1993

Contents TAJIKISTAN

1. Suite of song from the heydari and Setayesh maqam 6’48 minutes 2. A song (Rubayat –i- Khalqi quatrains) 7’44 minutes 3. A series of lullabies: Dardilik, Lala’ ik, Dodo’ ik and Roba’I 7’22 minutes 4. Falak song on the setayesh rhythm 6’13 minutes 5. Instrumental suite in three movement

Navazesh, Sedayi del, ancient air 6’58 minutes 6. Navazesh -i- Falak in three movement :Falak, heydari, setayesh 3’25 minutes 7. “Bad –i- Roshan”, a song in the Roshan dialect 2’46 minutes 8. Falak –i- talqin 2’56 minutes

MYSTIC SONGS 9. Ode to Imam ‘Ali (end of the poem)

Followed by another poem by Jami 6’07 minutes 10. Monajat, maqam –i- satayesh,

Falak “khod sefid”, lala’ik 8’31 minutes

XINJIANG (China) 11. Wedding air and dance, maqam –I rapo’i ance 2’26 minutes 12. Songs by the troupe of Ge wu tuan 2’49 minutes 13. Volvolakik, Tombak suz, Oynasin 4’51 minutes 14. Uyman tartur, Oyimcha, Takanja dandun nars 2’39 minutes 15. Shingan Gul, Oynasin, Tilumijun, Gulbate 6’00 minutes

Remarks



ACD No. ____ / IMC


Country TURKMENISTAN Title of CD Turkmen epic Singing

Recordings and Commentary, SALAWOMIRA ZERANSKA-KOMENEK Genre Tradition, Vocal Producer International Music Council of UNESCO Released UNESCO (Paris, France), 1994

1- Kheiran Eiledi 3’39 minutes She overwhelmed me with the fire of love

2- Ovazy Geldi 4’14 minutes The voice is heard/Ovez est venu

3- Airylymadymy? 4’41 minutes Haven’t thay sptil up? / Ne se sont-ils pause separes?

4- Ovezdzhan 4’36 minutes 5- Gummur-gummurlendi 4’41 minutes

Mountains are trembling / Les montagnes tremblent 6- Getirgin 3’15 minutes

Bring them here/Amene-les ici 7- Chaper arlaya-arlaya 3’57 minutes

A horse leaping, neighing / Le cheval saute en hennissant 8- Soltanym 4’47 minutes

Your majesty / Mon sultan 9- Mama seni 3’13 minutes

To you, grandmother / A toi grand-mere 10- Bar-da mama dzhan, khabaryng ber 3’ 08 minutes

Go grandmother fetch the world to them/ Va, grand-mere, porte les nouvelles 11- Uchup geldim 3’ 59 minutes

I came back on wings / je suis revenue avec des ailes 12- Bezirgen 4’”18 minutes 13- Agam seni 6”11 minutes

To you, my brother / A toi mon frère 14- Geldingmi? 4’51 minutes

Are you back again? / Es – tu revenue?



ACD No. ____ / IMC


Country YEMAN Title of CD TRADITIONAL MUSIC OF THE NORTH

Recordings: JOCHEN WENZEL Genre Tradition, Vocal Producer International Music Council of UNESCO Released UNESCO (Paris, France), 1988

Contents YEMAN Music

1. CHARGUI and HAKIF dances 5’50 minutes 2. GHAZAL 4’55 minutes 3. ZAR 3’20 minutes 4. RAHIL 4’10 minutes 5. AGHANI ATIFI 5’50 minutes 6. MUTAWAL 6’13 minutes 7. Yemenite ZAFAT 5’20 minutes 8. MUTAWAL 3’20 minutes 9. GHINA 2’45 minutes 10. HAKFAT 7’00 minutes



VCD / VLT Video Comapct Disc

Vocal Light Music


VCD / I Video Compact Disc Instrimental Music


LPD Long Playing Disc

33 ½ RPM


Long Playing Disc No. LPD – 5060 – 07 / VCL Sham Chorasi Gharana (EMCP – 5060) Artist Ustad Salamat Ali Khan (Born 1934) Tabla Ustad Shaukat Hussain Sarangi Ustad Nazim Ali

BHAIRROV

JHUMRA

Karam Keejo Kareem

GUNKALI

ROOPAK

Lal Shehbaz Qalander

DARBARI

TAL WARA

Hazrat Turkaman

ABHOGI KANRA JHUP TAAL

Laj Rakhlijo Mori

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5061 – 08 / VCL Sham Chorasi Gharana (EMCP – 5061) Artist Ustad Salamat Ali Khan (Born 1934) Tabla Ustad Shaukat Hussain Sarangi Ustad Nazim Ali

MIAN KI TODI

TAL WARA

Mohummad Shah

ALAIYA BILAWAL

EK TAALA

Re Dayya Kahan Gaye

GAUR MALHAR

EK WAI

Barkha Rut Aaee

MIAN KI MALHAR JHUMRA

Karam Karo Kareem


AIMAN KALYAN

EK WAI

Aj Suhag Racho

HEM KALYAN

DHAMMAR

Piya More Aali

DESI

AARA CHAUTALA

Maathe Aa

BARVA JHUMRA

Piya Gher Na


SHUDH SARANG

AARA CHAUTALA

Rab Gharib Nawaz

SRI

EK TAALA

Bal Bal Jaoon

DURGA

EK TAALA

Piya Man Bhae

HAMEER DHAMMAR

Suno Mori Baat

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5064 – 11 / VCL Kirana Gharana (EMCP – 5064) Artist Malka – e – Mausiqi Roshan Ara Begum (Born 1915) Tabla Ustad Shaukat Hussain Sarangi Ustad Nabi Bukhsh

BIBHAS

EK TAALA

Mora Rain

JAUNPURI

EK TAALA

Sohagan Rang Gholian

BASANT

EK TAALA

Ab Man Dekhe

BAHAR EK TAALA

Naee Rut

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5065 – 12 / VCL Kirana Gharana (EMCP – 5065) Artist Malka – e – Mausiqi Roshan Ara Begum (Born 1915) Tabla Ustad Shaukat Hussain Sarangi Ustad Nabi Bukhsh

LALIT

EK TAALA

Bida Bhai Rain

BHATYAR

EK TAALA

Basant Ke Din

MARU BEHAG

EK TAALA

Rasia Na Ja

ADANA EK TAALA

Mundri Mori Kahe Ko

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5066 – 13 / VCL Kirana Gharana (EMCP – 5066) Artist Malka – e – Mausiqi (Born 1915) Tabla Ustad Shaukat Hussain Sarangi Ustad Nabi Bukhsh

KAMOD

EK TAALA

Aae Balma Rangeela

SHUDH KALYAN

EK TAALA

Ae Ri Aali Piya

KALAVATI

EK TAALA

Sapne Men Dekhe

ANAND EK TAALA

Aare Bare Sayyan

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5067 – 14 / VCL Kirana Gharana (EMCP – 5067) Artist Malka – e – Mausiqi Roshan Ara Begum Tabla Ustad Shaukat Hussain Sarangi Ustad Nabi Bukhsh

DES

EK TAALA

He Raaj Bheje

SHANKRA

EK TAALA

Mathe Tilak

NAIKI KANRA

EK TAALA

Ae Ri Main Ka Kahoon

JHINJHOTI DEEPCHANDI

Piya Bin Nahin Aawat

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5068 – 15 / VCL Patiala Gharana (EMCP – 5068) Artist Ustad Fateh Ali Khan (Born 1933) Tabla Ustad Shaukat Hussain Sarangi Ustad Nazim Ali

BAGESHRI

EK TAALA

Aa Jaiso Hae

NARAINI

JHAP TAAL

Aj Mori Laj Rakho

MADHMAD SARANG

EK TAALA

Yeh Rut Aaee

MULTANI EK TAALA

Gokul Gaoon Ki Gori


BHEEMPALASI

EK TAALA

Ab To Bari Ber

SHAHANA

JHAP TAAL

Lagan Laagi

MEGH

JHAP TAAL

Jab Guni Gawen

SHYAM KALYAN EK TAALA

Hori Khelen Rang


BHOPALI

EK TAALA

Aa Jaiso Hae

KEDARA

EK TAALA

Ae Ri Dhan Bhag

BAIRAGI

JHAP TAAL

Sab Ke Sab Kaam

PATDEEP JHAP TAAL

Dhan Mere Bhag

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5071 – 18 / VCL Patiala Gharana (EMCP – 5071) Artist Assad Amanat Ali (Born 1958) Hamid Ali Khan (Born 1954) Tabla Ustad Shaukat Hussain Sarangi Ustad Nazim Ali

MALKAUS

JHAP TAAL

Dhan Dhan Bhag

BEHAG

EK TAALA

Kaun Dhang Tore

MARVA

TEEN TAAL

Maru Kawan Kaj

PURIA DHANASRI JHAP TAAL

Sultan Aalam

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5072 – 19 / VCL Qawal Bachon Ka Gharana (EMCP – 5072) Artist Ustad Chottay Ghulam Ali Khan (Born 1910) Tabla Ustad Shaukat Hussain Sarangi Ustad Nazim Ali

SOHNI

TEEN TAAL

Chana We Toon

DESKAR

TEEN TAAL

Ae Dayya

TILAK KAMOD

EK TAALA More Khawaja

NAIKI

TEEN TAAL

Sahelyan Aaeen

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5073 – 20 / VCL Sham Chorasi Gharana (EMCP – 5073) Artist Akhter Ali Khan (Born 1942) Zakir Ali Khan (Born 1944) Tabla Ustad Shaukat Hussain Sarangi Ustad Nazim Ali

ASAVARI

(Rekhab Teevar)

TAL WARA

Bawarya Jaag Re

ASAVARI (Rekhab Komal)

EKWAI

Ab Rut Aaee

AHEER BHAIRROV

JHUMRA

Tere Gun Gaoon

BILAS KHANI TODI DHAMMAR

Ae Jag Data

RAGESHRI

EK TAALA

Piya Ko Manao

PURIA

AARA CHAUTALA

Karat Menoon Pyar

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5074 – 21 / VCL Gawalior Gharana (EMCP – 5074) Artist Ustad Fateh Ali Khan (Born 1948) Tabla Ustad Shaukat Hussain Sarangi Ustad Nazim Ali

RAMKALI

EKWAI

Prem Pankhi Panhari

GUJRI TODI

EKWAI

Hazrat Nizamuddin Aoliya

KAFI KANRA

EKWAI

Sajan Bhool Gayo

PURBI EKWAI

Sukh Sapne Sab Le Gaye

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5075 – 22 / VCL Delhi Gharana (EMCP – 5075) Artist Ustad Ramzan Khan (Born 1902) Tabla Bashir Ahmed Sarangi Mohi – ud – Din

JAIT KALYAN

TEEN TAAL

Khawaja Usman

KHAMBAVTI

JHAP TAAL

Tum Bin Aaj

HINDOL

TEEN TAAL

Koyalya Bole

SUHA EK TAALA

Tu Hai

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5076 – 23 / VCL Delhi Gharana (EMCP – 5076) Artist Ustad Umrao Bundoo Khan (Born 1924) Tabla Amir Sultan Sarangi Ustad Hamid Hussain

GAURI

TEEN TAAL

Jiya Nahin Laage

LALIT PANCHAM

TEEN TAAL

Ab Tum Kahe Sona

GAUR SARANG

ROOPAK

Sunder Naar

SARPARDA EKWAI

Bachhra Tera Charawan

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5077 – 24 / VCL Gawalior Gharana (EMCP – 5077) Artist Hameed Ali Khan (Born 1946) Fateh Ali Khan (Born 1948) Tabla Bashir Ahmed Sarangi Mohi – ud – Din

KAFI KANRA

EKWAI

Prem Pankhi Panhari

GANDHARI

EKWAI

Hazrat Nizamuddin Aoliya

BAIRAGI

EKWAI

Sajan Bhool Gaya

BHOPALI EKWAI

Sukh Sapne Sab Le Gaya

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5078 – 25 / VCL Agra Gharana (EMCP – 5078) Artist Ustad Assad Ali Khan (Born 1910) Tabla Bashir Ahmed Sarangi Mohiuddin

BARVA

TAL WARA

Ae Ri Meko Aaj

JAI JAI VANTI

EK TAALA

Jin Ke Piya

CHANDNI KEDARA

EK TAALA

Ban Than Ke Aaj Kahan Chale

CHHAYANAT

EK TAALA

Alaap

NAT BEHAG

EK TAALA

Kaise Kaise Log

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5079 – 26 / VCL Talwandi Gharana (EMCP – 5079) Artist Malik Zada Mohummad Afzal Khan Malik Zada Mohummad Hafiz Khan Pakhawaj Ustad Talib Hussain Sarangi Ustad Nabi Bukhsh

ADNANA

CHAR TAAL

Belaryan Phoolen

MIAN KI MALHAR

CHAR TAAL

Berkha Patar Naachi Ho

MULTANI

CHAR TAAL

Waddiyo Bhali Jane

HUSSAINI CHAR TAAL

Aapas Men Dum Pat

Pakistan National Council of the Arts National Intangible Heritage Archives Long Playing Disc No. LPD – 5012 – 5 / VCL

Artist Ustad Salamat Ali Khan

Contents Side “A” Side “B”

1- Rag SHUDH BAHAR 1- Rag ZEELAF (Tarana) 2- Rag GHARA KANHRA 2- Rag SHAHANA KANKRA and TARANA Instrumental Accompaniment:

• Tabla: Ustad Shaukat Hussain • Sarangi: Ustad Nazim Ali Khan

Pakistan National Council of the Arts National Intangible Heritage Archives Contents of LP Long Playing Disc No. LPD – 5007 – 1 / QI (Format 331/2 RPM)

Artist Manzoor Ahmed Khan Niazi – Qawal

(Persian and Urdu poetry rendered in Qawali form) Title Tribute to Hazrat Amir Khusrau Production EMI Pakistan for Pakistan National Council of the Arts,

Islamabad to mark the 700th anniversary of Hazrat Ameer Khusrau Released by

Pakistan National Council of the Arts – 1975

Lyrics Hazrat Amir Khusrau Music Munshi Raziuddin and Ahmed Manzoor

Contents


1- Khabaram Raseeda Im Shab 1- Tori Surat Ke Balhari 2- Mose Bol Na Bol 2- Mohe Apne Hi Rang Men 3- Ghar Nari Ganwari 3- Hazrat Khawaja Sang 4- Tarana Note:

Manzoor Ahmed Khan Niazi (Born 1925 at Hyderabad Deccan – India) is a representative of Dehlis Qawal Bachon Ka Gharana and a direct descendent of Miann Qutab Bukhsh Rus Khan (1770 – 1872) a legendry classical vocalist of his times and Chief Musician of the Dehli Court. He is a disciple of Late Ustad Azeem Khan (Father) and Ustad Suleman Khan (Uncle). He is an outstanding exponent of all forms of Qawali and great Musicologist. He is 86 years of age (2011).

Pakistan National Council of the Arts National Intangible Heritage Archives Contents of LP No – LPD – 5013 – 6 / I – SIT (Format 331/2 RPM) Tribute to Hazrat Amir Khusrau Artist Ustad Mohummed Shareef Khan Poonchwalay (Pride of Performance) Title Rendition of Ameer Khusrous Ragas on Sitar Production EMI Pakistan for Pakistan National Council of the Arts, Islamabad to mark

the 700th anniversary of Hazrat Ameer Khusrau Released by Pakistan National Council of the Arts – 1975 Back Cover Write up

Sir Faiz Ahmed Faiz

Cover Design of L.P Mr. Amwar Maqsood

Contents

Side “A” Side “B” 1- Raag Saz Giri On Sitar 1- Raag Surparda On Sitar 2- Tabla: Mohd Tufail Narowali Note:

Late Ustad Mohummed Shareef Khan Poonchhwalay (Born 1918 at Poonch – Kashmir, Died 1981 at Lahore) is ranked as the top Sitaist of Pakistan having an individual style. He was a disciple of Ustad Abdul Rahim Khan (Father).

Pakistan National Council of the Arts National Intangible Heritage Archives Contents of LP No – LPD – 5011 – 4 / INS (Format 331/2 RPM) Tribute to Hazrat Amir Khusrau Composer Sohail Rana (Pride of Performance) Title A Tribute, Sazeena in Four Parts , Production EMI Pakistan for Pakistan National Council of the Arts, Islamabad to mark the 700th

anniversary of Hazrat Ameer Khusrau Released by

Pakistan National Council of the Arts – 1975

Contents


1- Part 1: Seher (Dawn) 1- Part 3: Rim Jhim (Rain Fall) 2- Part 2: DOA (Prayer) 2- Part 4: Rang (Finale) Note:

a- SAZEENA is an orchestral composition or a parallel word for symphony. Contents of the under reference long playing record are based on the Ragas introduced or composed by Hazrat Ameer Khusrau (1253 – 1325 AD)

b- Mr. Suhail Rana is a celebrated composer of Pakistan, currently based in United States.

Pakistan National Council of the Arts National Intangible Heritage Archives Contents of LP Long Playing Disc No. LPD – 5010 – 3 / QI (Format 331/2 RPM)

Artist Haji Ghulam Fareed Sabairi

Haji Maqbool Ahmed Sabairi (Persian and Urdu poetry rendered in Qawali form)

Title Tribute to Hazrat Amir Khusrau Production EMI Pakistan for Pakistan National Council of the Arts,

Islamabad to mark the 700th anniversary of Hazrat Ameer Khusrau Released by Pakistan National Council of the Arts – 1975 Lyrics Hazrat Amir Khusrau Music Munshi Raziuddin and Ahmed Manzoor

Contents


1- Chhap Tilak Sab Cheen Lini Mosey Naina Milai Ke

1- Ze Hal – e – Miskeen Miskeen Makun Taghaful (Ghazal)

2- Man Kunto Maula (Qaul) 2- Kahe Ko Beyahi Bides (Rukhsati 3- Aaj Rang hai Ae Maa (Rung) Note:

Haji Ghulam Fareed Sabari (Born 1930 at Village Kalyana Drst Rohtak – India, Died 05 – 04 – 1994 at Karachi) Haji Maqbool Ahmed Sabari (Born 1938 at Kalyana, Died 21 – 09 – 2011 at Derbin – South Africa) Representative of Gawalior, both the brothers are ranked as legend of our world of Qawali, at the time of partition of the Subcontinent, their family opted for Pakistan and settled in Karachi and the worthy duo came under the discipleship of Ustad Latafat Hussain Khan Rampurwaley who traind them well to sing out all the Qawali forms with equal ease and complete command. Haji Ghulam Fareed and Maqbool Sabari are the first to introduce Qawali to the people of United States of America in February 1973

Pakistan National Council of the Arts National Intangible Heritage Archives Contents of LP Long Playing Disc No. LPD – 5009 – 2 / VLT (Format 331/2 RPM) (EMCPM – 5009)

Title Tribute to Hazrat Amir Khusrau

Contents


1- Khabaram Rassed Imshab (Iqbal Bano)

1- Jan Ze Tan Burdi (Ghulam Ali)

2- Bishaguft Gul Dar Bositan (Ghulam Ali)

2- Abar Mi Barad (Iqbal Bano)

3- Har Shab Manam Fitada (Ijaz Hussain Hazravi)

3- Ai Chehra – e – Zebaye Too Ijaz Hussain Hazarvi)

4- Mara Dosh Goee (Mehdi Hassan)

4- Man Banda – e – Aan Ruye (Mehdi Hassan)

catalogue of musical renditions (2)

Art & Photos