ch 10 right side
TRANSCRIPT
Hugo Ball
reciting the poem Karawane at the Cabaret Voltaire, Zurich,
1916
Photograph
28-1⁄8 × 15-3⁄4”
Kunsthaus, Zurich
[Fig. 10-02]
Jean (Hans) Arp
Collage Arranged According to the Laws of Chance
1916–17
Torn and pasted paper
19-1⁄8 × 13-5⁄8”
The Museum of Modern Art, New York
[Fig. 10-03]
Sophie Taeuber
Dada Head
1920
Painted wood
height 13-3⁄8”
Fondation Arp Clamart, France
[Fig. 10-05]
Marcel Duchamp
Tu m’
1918
Oil on canvas, with bottle brush, three safety pins, and one bolt
2’ 3-1⁄2” × 10’ 2-3⁄4”
Yale University Art Gallery, New Haven [Fig. 10-11]
Marcel Duchamp
The Bride Stripped Bare by Her Bachelor Even
or The Large Glass
1915–23
Oil, lead wire, foil, dust, and varnish on glass
8’ 11” × 5’ 7”
Philadelphia Museum of Art
[Fig. 10-12]
Man Ray
Gift
replica of lost original of 1921
c. 1958
Flatiron with nails
height 6-1⁄2 × 3-5⁄8 × 3-3⁄4”
The Museum of Modern Art, James Thrall Soby Fund
1966
[Fig. 10-17]
Raoul Hausmann
The Spirit of Our Time (Mechanical Head)
1919
Wood, leather, aluminum, brass, and cardboard
12-5⁄8 × 9”
Musée National d’Art Moderne, Centre d’Art et
de Culture Georges Pompidou, Paris
[Fig. 10-19]
Max Ernst
1 Copper Plate 1 Zinc Plate
1 Rubber Cloth 2 Calipers
1 Drainpipe Telescope 1 Pipe Man
1920
Gouache, ink, and pencil on printed reproduction
9-1⁄2 × 6-1⁄2”
Whereabouts unknown
[Fig. 10-25]
Käthe Kollwitz
The Volunteers
(Die Freiwilligen)
Plate 2 from
Der Krieg (War)
1922–23
Woodcut
35 × 49”
[Fig. 10-27]
George Grosz
Dedication to Oskar Panizza
1917–18
Oil on canvas
55-1⁄8 × 43-1⁄4”
Staatsgalerie, StuttgartNew York, NY.
[Fig. 10-30]
George Grosz
Pillars of Society
1926
Oil on Canvas
78 3/8 ” × 42 ½”
The Museum of Modern Art, New York
[Fig. 10-32]
Otto Dix
Corpse in Barbed Wire (Flanders)
(Leiche im Drahtverhau [Flandern])
from The War (Der Krieg)
1924
Etching and aquatint from a portfolio of fifty etchings, aquatints, and drypoints
plate: 11-3⁄4 × 9-5⁄8”; sheet:
18-9⁄16 × 13-3⁄4”
Publisher: Karl Nierendorf, Berlin. Printer: Otto Felsing,
Berlin. Edition: 70
[Fig. 10-34]
Max Beckmann
Self-Portrait with Red Scarf
1917
Oil on canvas
31-1⁄2 × 23-5⁄8”
Staatsgalerie, Stuttgart
[Fig. 10-38]