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nnel

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t con

tain

s tw

o co

mpl

etel

y in

depe

nden

t pre

amp

stag

es. B

oth

feat

ure

elec

tron

ical

ly b

alan

ced

inpu

ts w

ith v

ery

diffe

rent

but

com

plim

enta

ry s

onic

qua

litie

s. T

he d

efau

lt pr

eam

p us

es S

SL'

s ac

clai

med

Sup

er

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logu

e ci

rcui

try

to p

rovi

de a

n ex

trem

ely

low

noi

se, e

xten

ded

band

wid

th fr

ont e

nd w

ith th

e m

inim

um o

f sig

nal

colo

urat

ion.

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e In

' sw

itch

rout

es th

e in

put s

igna

l to

a co

mpl

etel

y di

ffere

nt p

ream

p fe

atur

ing

the

VH

D™

(v

aria

ble

harm

onic

driv

e) c

ircui

ts d

evel

oped

for

the

E-S

igna

ture

str

ip. V

HD

™ e

mul

ates

the

char

acte

ristic

s of

a

clas

sic

valv

e fr

ont e

nd b

ut w

ith o

ptio

n to

tayl

or th

e ha

rmon

ic m

ix w

hen

the

prea

mp

is o

verd

riven

via

the

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ontr

ol. I

n co

njun

ctio

n w

ith th

e P

AD

and

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t im

peda

nce

optio

n,V

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ubtle

val

ve s

tyle

w

arm

th to

a m

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igna

l or

aggr

essi

ve to

nal s

hapi

ng to

exi

stin

g D

AW

trac

ks. A

cen

tral

ly c

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d In

put F

lip fu

nctio

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vers

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e ro

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t and

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itor

retu

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at th

e D

AW

is a

utom

atic

ally

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ted

to th

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put p

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p w

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t req

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tern

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atch

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nnel

sec

tion

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l gai

n tr

im a

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olar

ity in

vers

ion

for

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cent

rally

sel

ecte

d ch

anne

l sou

rce.

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vaila

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t opt

ions

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amp,

the

bala

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line

leve

l DA

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r th

e ch

anne

ls

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ciat

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ack

bus

for

patc

h fr

ee s

ubgr

oups

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lock

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e hi

gh a

nd lo

w p

ass

filte

rs to

the

chan

nel

sour

ce.

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amic

s se

ctio

n co

ntai

ns a

com

pres

sor

sect

ion

iden

tical

to th

at o

f the

900

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erie

s an

d al

so fo

und

in S

SL'

s Lo

gic

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rang

e of

out

boar

d pr

oces

sing

uni

ts. I

n no

rmal

use

, the

com

pres

sors

true

r.m

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ide

chai

n an

d ov

er e

asy

soft

ratio

func

tion

prov

ide

a ve

ry tr

ansp

aren

t com

pres

sion

act

ion

even

with

larg

e am

ount

s of

gai

n re

duct

ion.

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fa

st a

ttack

opt

ion

offe

rs th

e cl

assi

c S

SL

com

pres

sor

soun

d no

rmal

ly a

ssoc

iate

d w

ith it

s us

e on

dru

m a

nd

perc

ussi

on s

ourc

es. S

elec

ting

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k (P

K)

mod

e de

feat

s th

e ov

er e

asy

soft

ratio

, mod

ifies

the

rele

ase

curv

e an

d at

tack

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es, a

nd u

nlea

shes

a fa

r m

ore

aggr

essi

ve s

ound

ing

com

pres

sor

idea

l for

mor

e ra

dica

l son

ic s

hapi

ng.

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Gat

e/E

xpan

der

sect

ion

is a

new

var

iant

of t

he c

lass

ic 4

000

serie

s th

ree

cont

rol d

esig

n. It

feat

ures

the

choi

ce

of a

ste

ep g

ate

or g

entle

exp

ande

r sl

ope,

with

opt

iona

l fas

t atta

ck. H

OLD

offe

rs a

cho

ice

of th

e or

igin

al v

aria

ble

rele

ase

cont

rol o

r a

new

var

iabl

e ho

ld ti

me

mod

e w

ith a

fixe

d re

leas

e tim

e.

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ew s

ide

chai

n m

onito

r op

tion

rout

es th

e si

dech

ain

sign

al to

the

cons

ole

AF

L bu

s si

mpl

ifyin

g se

t up

whe

n ei

ther

an

ext

erna

l key

inpu

t or

the

filte

rs to

sid

e ch

ain

optio

n is

in u

se.

Nor

mal

the

Dyn

amic

s se

ctio

n pr

eced

es th

e E

qual

iser

and

filte

rs. P

ost E

Q p

lace

s th

e pr

oces

sing

afte

r th

e eq

.

Con

tinuo

usly

var

iabl

e H

igh

and

Low

pas

s fil

ters

with

indi

vidu

al tr

ue b

ypas

s fo

r ea

ch s

ectio

n. N

orm

ally

fed

with

the

outp

ut o

f the

eq

sect

ion,

ded

icat

ed s

witc

hing

loca

ted

in th

e C

hann

el s

ectio

n pl

aces

the

filte

rs d

irect

ly a

fter

the

chan

nel i

nput

. S/C

H r

oute

s th

e fil

ter

sect

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to th

e dy

nam

ics

side

chai

n.

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r ba

nd p

aram

etric

equ

alis

er b

ased

on

the

clas

sic

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ck K

nob'

eq

deve

lope

d fo

r th

e or

igin

al 4

000E

ser

ies

cons

ole.

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bel

l opt

ion

for

the

shel

ving

ban

ds p

rovi

des

a fix

ed b

andw

idth

par

amet

ric m

ode

for

each

sec

tion.

G-E

q m

ode

intr

oduc

es s

teep

er s

helv

ing

curv

es w

ith a

con

trol

led

amou

nt o

f und

ersh

oot a

t the

turn

over

freq

uenc

y,

toge

ther

with

the

clas

sic

gain

/ban

dwid

th in

tera

ctio

n fo

r th

e m

id b

and

sect

ions

whi

ch w

as a

key

cha

ract

eris

tic o

f the

or

igin

al G

-Ser

ies

eq.

The

bal

ance

d in

sert

poi

nt h

as lo

cal s

witc

hing

to s

elec

t a p

ost e

q si

gnal

inst

ead

of th

e de

faul

t cha

nnel

inpu

t sig

nal.

Add

ition

al c

entr

e se

ctio

n sw

itchi

ng c

an p

lace

the

inse

rt p

ost d

ynam

ics

but p

re e

q pr

ovid

ing

com

plet

e fle

xibi

lity

in

the

orde

r of

inte

rnal

and

ext

erna

l sig

nal p

roce

ssin

g ro

utin

g. P

roce

ssin

g or

der

is g

raph

ical

ly d

ispl

ayed

on

the

chan

nel T

FT

scr

een.

Nor

mal

ly th

e ch

anne

l out

put r

ecei

ves

the

post

fade

r, p

ost c

hann

el m

ute,

sig

nal.

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SR

C S

EL

sele

cts

the

alte

rnat

e ch

anne

l out

put f

eeds

- C

hann

el In

put,

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Fad

er o

r th

e ac

tive

EF

X s

end.

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rent

sou

rce

is s

how

n on

the

chan

nel T

FT

sta

tus

disp

lay.

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Ste

reo

Cue

sec

tion

rout

es a

Pre

Fad

er s

igna

l to

a ch

oice

of t

wo

alte

rnat

e cu

e bu

sses

, A o

r B

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ition

al

sour

ce o

ptio

ns a

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e P

ost f

ader

cha

nnel

feed

, the

Cha

nnel

dire

ct o

utpu

t or

the

Cha

nnel

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inpu

t. T

he la

tter

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defin

ed a

s w

hich

ever

inpu

t is

not a

ssig

ned

to th

e m

ain

chan

nel p

ath

and

allo

ws

the

ster

eo c

ue to

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l lin

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put.

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sw

itchi

ng is

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a p

ush

push

sw

itch

mou

nted

on

the

send

leve

l con

trol

.

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r m

ono

send

con

trol

s fe

ed th

e co

nsol

e F

x bu

sses

. The

se r

ecei

ve e

ither

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Pos

t fad

er o

r C

hann

el o

utpu

t si

gnal

. ON

/OF

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sw

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ng is

via

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ush

push

sw

itch

mou

nted

on

the

send

leve

l con

trol

.

Eith

er th

e S

tere

o C

ue o

r an

y of

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4 m

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s ca

n be

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rn r

oute

d ei

ther

to

the

24 c

onso

le tr

ack

buss

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r th

e C

hann

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t.

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n th

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hann

el O

utpu

t is

sour

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er In

put o

r P

re F

ader

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offe

rs a

new

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h to

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trac

king

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an a

nalo

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cons

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by r

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the

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utpu

t bac

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anne

l pat

h ju

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the

Cha

nnel

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t pic

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f poi

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as

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chan

nel o

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t sou

rce,

cle

an o

r pr

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sed

sign

als

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ed to

th

e D

AW

, with

the

optio

n to

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the

rem

aini

ng c

hann

el p

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g an

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utin

g to

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itor

the

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lly fe

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n fo

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the

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t com

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e im

plim

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ion

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d on

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ana

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e co

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e, th

e fe

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e se

t inc

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s a

dedi

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d LF

E s

end

and

fully

var

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e ce

ntre

div

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nce

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the

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tom

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mix

for

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the

fron

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Channel Output DAWSend

Channel Pan

MDAC CUT

ChannelLevel

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INPUTMUTE

Channel Meter

DAW MeterData

Channel Trim

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PRE

ALT IP

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1 7

2 8

3 9

4 10

5 11

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13 19

14 20

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Main Mix 1- 6

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EFX

PRODUCT OVERVIEW

Duality is a new analogue console for Music Recording and Mixing in the DAW based production environments Incorporating full DAW control previewed on the AWS 900 AND 900+, the console is another major step forward in the 25 year old evolutionary journey of the SSL Master Studio System.

The channel strip is optimised for working in conjunction with a multichannel DAW. Instead of retaining the In-line architecture of previous generation SSL consoles, a new 'Split Mode' topology has been introduced which provides the equivalent of in-line operation but without the complexity of separate channel and monitor paths.

In DAW based production, there is no longer the fixed track limitation of conventional tape based recording. This means that most sources are recorded individually to a track with or without processing as production requirements dictate but without requiring constant access to a 'channel' fader. The AWS 9000 channel supports two inputs designated as the channel input and the DAW return with a single channel output as the DAW send. The 'Split Mode' architecture allows the input signal to be 'picked off' the channel path at the input stage or pre fader and replaced with the DAW return. The Input signal automatically becomes the DAW send and the remaining section of the channel, the DAW return. Toggling the 'Split Mode' On & Off is the equivalent of classic Send/Return (Group/Tape) monitoring. The console Sends can select either the Channel Fader signal or the Channel Output signal as a source, offering the choice of zero latency stereo cue and fx mixes or post DAW sends.

The two band filter section can be routed to the Channel Input pre the Input Split point leaving the analogue eq available in the DAW return.

24 Track busses support recording sub mixes if required. These can be selected as an input to the Channel as per previous SSL large format console convention.

The console is a true 5.1 analogue mixing console with full 5.1 panning on every channel complete with fully variable centre channel divergence and a dedicated LFE send bus. When 5.1 Mixing is not a requirement, the 6 busses are configured as 3 stereo pairs.

The Duality Input amplifier is a remarkable new design coupling SSL's Super Analogue fidelity with a unique valve overload emulation circuit featuring variable odd/even harmonic distortion bias. Accepting both Mic and Line level signals, the ability to dial in varying degrees of harmonic saturation can be used as a creative effect to enhance recorded tracks, as well as when capturing studio based live performances.

+48V

HI-Z

20dB

GAIN

Input Amp

Line Amp

DRIVE

Input

DAW Return

FLIP

Dynamics Key

SG

Bus Output(1 OF 24)

CHANNEL INPUT (CHIP)

Channel Input (CHIP)

Two inputs, one dedicated as a line level DAW return, the other as the Channel Input. Normally the Channel Input feeds the Variable gain Input amplifier, and the DAW return a unity gain Line amp. However the input FLIP switch reverses the routing so that the DAW return can be processed by the Channel Input. The Input amplifier is based on the circuit developed for the 'Classic Channel' with the addition of a High Impedance (10K) mode coupled to changing the impedance of the 20dB input PAD. The Channel Input can be replaced by the output of one of the 24 Track Mix busses (Bus N > Channel N, 24+N, 48+N etc). A variable ±20dB channel trim section is located post the Channel/DAW Return (LINE) change over switch for reducing the level when the Input section is being abused for creative reasons. FILTR inserts the filter section in the Channel Path prior to the DAW Monitor change over (SPLIT MODE).

CHANNEL PROCESSING

Channel Processing

Three processing blocks. A Balanced Send/Return loop for inserting outboard Fx. A Dynamics section similar to the AWS but with a choice of variable Release or variable Hold for the Expander/Gate. There is an external Key input and side chain monitor point. A 6 band E/G switchable EQ with the option to place the Filter section in the Channel input or Dynamics side chain. Processing order is controlled via three Routing switches. Two intercancelling options for the Insert, Post Dynamics or Post EQ, one for the EQ, Pre Dynamics. These give the six required processing order configurations as shown in the table.

CHANNEL LEVEL AND BUS ROUTING

Channel Level and Bus Routing

A balanced MDAC gain element as per AWS 900 feeding into a true 5.1 panning section with fully variable centre channel divergence. Default is for stereo panning to 3 pairs of busses. The 24 Track Busses normally receive the mono Post Fader output. TRACK routes the LR pan outputs to Odd/Even pairs. 5.1 mode enables the full panning options for both the main Mix busses and the Track Busses for stems if TRACK Is ON. The EFX routing replaces the normal feed to the Track busses and defeats the Track Bus 5.1 panning mode when active.

Mono PFL bus, also used for the Dynamics sidechain monitor and the CHOP (DAW Send Monitor).Stereo AFL bus fed pre Front/Back pan.

CHANNEL SENDS

Channel Sends

A Stereo send to a choice of busses, CUE A or B. 4 Mono Sends. The stereo send can source a Pre (Default) or Post Channel fader signal or receive the current CHOP source. There is a further source to the Stereo Send which is the ALTernate input (i.e. whichever input is not feeding the channel path when the SPLIT mode is not active). In conjunction with the Master Cue A and B buss reassign to Main LR busses, additional mix sources can be routed into the console via the stereo channel send. The 4 Mono Fx Sends can source either post fader or CHOP signals. EFX routing allows a single send to be isolated from its associated bus and used as source for either the Track Busses (default) or the CHOP. Logic Interlocks prevent feedback paths by preventing EFX on a send sourced from the CHOP if EFX to CHOP Is active.

SuperCueTrack! DAW! MonitorReady! Record! SourceOFF! -! PRE FADERON! OFF! PRE FADERON! ON! MUTE

CHANNEL OUTPUT (CHOP)

Channel Output (CHOP)

The Channel output routes signals from various points in the channel path to the DAW input. It has a switchable monitor point to the console SOLO bus as well as the channel metering. Default output source is Post Channel Fader, additional sources are Pre Fader (Pre SPLIT point), the Channel Input (also pre SPLIT point), or an active EFX send. When either INPut or PRE is the source, the SPLIT key activates the Split Monitoring function and routes the DAW return into the Channel path post the Split point.

CHANNEL METERING

Channel Metering

Default meter source is the channel input post the trim control. Additional switched meter points are the CHOP, the DAW return and the Post Fader signal. Alternatively the meters can read the DAW levels directly via the DAW interface.

PAN TOTRK

CBA

L

R

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LFE

SL

SR

LCR C% F/BLFE

5.1 Pan

LCRC%

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5.1

Duality Channel Strip

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BU

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BU

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BU

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BU

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BU

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BU

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BU

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BU

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BU

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BU

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BU

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BU

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BU

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AU

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ST

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L

AF

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FX

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CH

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L S

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TF

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12

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1314

1516

1718

1920

2122

2324

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AM

IX B

MIX

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CLEA

R

SET

SELE

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ALL

INS

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T

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Q IN

INP

UT

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IP

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BU

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UT

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INC

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T

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RK

CH

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NE

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PU

T

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UT

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E

FA

DE

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OS

T

FA

DE

PR

OC

ES

SIN

G IN

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T

PR

OC

ES

SIN

G O

RD

ER

CH

AN

NE

L IN

IN

PU

T

CH

AN

NE

L M

ET

ER

S

MIS

C

SE

TA

UX

RE

DL

IGH

TSL

ATE

LIST

EN

EXT

T/B

F/B

ATB AL

LF/

B B

CO

MM

UN

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TIO

NS

CO

MP

CO

MP

CO

MP

INS

ER

TIN

SE

RT

INS

ER

T

FA

DE

R

+10

dB

FA

DE

R

+10

dB

FA

DE

R

+10

dB

MIX

AM

IX B

MIX

C

TO

AT

O A

PO

ST

PO

ST

PO

ST

5.1

MIX

AF

LA

FL

AF

L

SU

MS

UM

SU

M

Mix

Rea

ssig

n M

atri

x

Add

s th

e se

lect

ed M

ix(e

s) p

ost o

utpu

t lev

el c

ontr

ol to

the

mai

n 6

Con

sole

Mix

Bus

ses.

The

thre

e st

ereo

mix

es,th

e st

ereo

C

UE

A &

B m

ixes

. pl

us th

e ou

tput

of t

he s

tere

o m

onito

r se

lect

or, E

XT

B, c

an b

e re

assi

gned

to b

usse

s 1

& 2

(M

ix A

).

The

Tra

ck b

usse

s ar

e pa

rtiti

oned

as

four

gro

ups

of 6

and

re-

assi

gned

to a

ll of

the

mai

n co

nsol

e bu

sses

. Thi

s gi

ves

up

to

four

5.1

ste

ms

or fo

ur tr

iple

ste

reo

bus

sets

.

LF

E C

han

nel

Inse

rts

a lo

w p

ass

filte

r in

to th

e LF

E m

ix b

us (

bus

4 or

Bus

B

R)

whe

n w

orki

ng in

Sur

roun

d. T

wo

filte

r fr

eque

ncie

s ar

e pr

ovid

ed, t

he d

efau

lt 12

0 H

z fil

ter

or a

sw

itche

d 80

Hz

optio

n.

Filt

er s

lope

is 1

2dB

/Oct

ave.

Ste

reo

Mix

Mat

rix

Sum

s th

e co

nsol

e m

ain

mix

bus

ses

with

two

excl

usiv

e m

odes

of

ope

ratio

n. T

he th

ree

varia

ble

cont

rols

and

thei

r as

soci

ated

O

N s

witc

hes

func

tion

as a

5.1

to S

tere

o D

own

mix

mat

rix to

co

ntro

l the

cen

tre,

sur

roun

d an

d LF

E c

ompo

nent

s ad

ded

to

the

orig

inal

5.1

fron

t L a

nd R

cha

nnel

s. N

orm

ally

the

Dow

n M

ix is

sou

rced

from

the

Mai

n M

ix b

us o

utpu

ts p

ost p

roce

ssin

g an

d le

vel c

ontr

ol. I

NP

PR

E f

eeds

the

Mat

rix d

irect

ly fr

om th

e bu

s m

ix a

mps

byp

assi

ng a

ll pr

oces

sing

. The

MIX

A, B

and

C

switc

hes

eng

age

the

seco

nd m

ode

of o

pera

tion

whi

ch is

a

sim

ple

buss

sum

of t

he 6

mai

n co

nsol

e bu

sses

whe

n th

ey a

re

used

as

thre

e st

ereo

pai

rs o

r st

ems.

The

sum

min

g is

pos

t pr

oces

sing

and

leve

l con

trol

. The

res

ultin

g st

ereo

mix

has

a

mas

ter

leve

l trim

and

a s

epar

ate

pre

leve

l con

trol

inse

rt p

oint

. T

he in

sert

ret

urn

supp

orts

the

'SU

M' o

ptio

n fo

und

on th

e M

ain

cons

ole

bus

inse

rt p

oint

s bu

t con

trol

led

via

the

MIS

C m

enu

as

oppo

sed

to a

ded

icat

ed fr

ont p

anel

key

.

Ste

reo

Fo

ldb

ack

Ou

tpu

ts

Tw

o id

entic

al s

ectio

ns F

/BA

CK

A &

B, s

um v

ario

us c

onso

le

sour

ces

for

use

as H

eadp

hone

or

Stu

dio

mon

itorin

g fe

eds.

E

ach

Fol

dbac

k ch

anne

l rec

eive

s si

x st

ereo

mix

es, e

ither

di

rect

ly o

r vi

a tw

o in

depe

nden

t mix

leve

l con

trol

s to

geth

er w

ith

four

add

ition

al d

edic

ated

ste

reo

feed

s fr

om th

e S

tere

o R

etur

n ch

anne

ls.

The

two

dire

ct in

puts

are

Ste

reo

Mon

itor

(ST

MO

N)

whi

ch is

the

Con

trol

Roo

m m

onito

r so

urce

pos

t the

fixe

d 5.

1 do

wn

mix

mat

rix a

nd E

XT

B, t

he e

xter

nal s

tere

o m

onito

r se

lect

or. T

his

prov

ides

a s

impl

e m

eans

of s

endi

ng a

mix

or

refe

renc

e pl

ayba

ck to

the

stud

io. T

he tw

o m

ix le

vel c

ontr

ols

each

hav

e tw

o se

lect

able

inpu

ts, M

ix 1

rec

eive

s th

e C

UE

A

and

Ste

reo

Mix

A, M

ix 2

rec

eive

s C

UE

B a

nd th

e ou

tput

of t

he

Ste

reo

Mix

Mat

rix. V

ia th

e tw

o M

ix c

ontr

ols,

a n

umbe

r of

si

mpl

e w

ays

are

avai

labl

e to

bui

ld h

eadp

hone

mix

es, u

sing

the

cons

ole

Ste

reo

Cue

Sen

ds a

nd M

ix b

usse

s. E

ach

outp

ut h

as a

m

aste

r le

vel c

ontr

ol, h

igh

and

low

she

lvin

g eq

and

a

mut

e(C

UT

) sw

itch.

Co

mp

ress

or

Usi

ng th

e sa

me

clas

sic

desi

gn a

s fo

und

on th

e or

igin

al 4

000

serie

s, th

e m

ain

bus

com

pres

sor

can

be u

sed

as a

sin

gle

ster

eo u

nit o

r as

a m

aste

r 5.

1 co

mpr

esso

r. In

the

latte

r m

ode,

two

switc

hes

cont

rol

whe

ther

the

surr

ound

and

LF

E c

hann

els

are

incl

uded

in

the

side

cha

in g

ain

redu

ctio

n pr

oces

sing

. S

/C !

de

feat

s th

e no

rmal

'dom

inan

t sig

nal'

side

cha

in

oper

atio

n an

d su

bstit

utes

a s

umm

ing

mod

e so

that

th

e ga

in r

educ

tion

is p

ropo

rtio

nal t

o th

e so

und

field

en

ergy

as

oppo

sed

to th

e lo

udes

t ind

ivid

ual s

igna

l. T

he a

ssig

nmen

t of t

he c

ompr

esso

r to

the

mai

n m

ix

buss

es is

con

trol

led

via

the

outp

ut m

atrix

sw

itch

pa

nel.

Tra

ck B

us

Mas

ters

Thr

ee id

entic

al s

ets

of c

ontr

ols

whi

ch p

rovi

de le

vel

trim

and

mon

itorin

g fo

r th

e tw

enty

four

trac

k bu

sses

. A

FL

is m

ono

if a

sing

le b

us is

act

ive

and

ster

eo fo

r an

odd

/eve

n pa

ir se

lect

ion.

Au

x B

us

Mas

ters

Ste

reo

leve

l trim

and

mon

itorin

g fo

r th

e tw

o S

tere

o C

ue b

usse

s A

& B

. Mon

o tr

im a

nd A

FL

for

the

four

m

ono

cue

buss

es.

Ste

reo

Ret

urn

Ch

ann

els.

Eac

h ch

anne

l acc

epts

a s

tere

o lin

e si

gnal

whi

ch c

an b

e ro

uted

to

the

mai

n co

nsol

e m

ix b

usse

s w

ith fu

ll co

ntro

l of l

evel

and

pa

nnin

g, a

nd in

depe

nden

tly to

the

Fol

dbac

k ou

tput

s A

and

B v

ia

the

Stu

dio

cont

rol a

nd a

ssoc

iate

d ro

utin

g sw

itche

s. B

oth

feed

s ar

e po

st th

e in

divi

dual

inpu

t Cut

sw

itche

s. D

efau

lt ro

utin

g is

to

mai

n m

ix b

usse

s 1

& 2

(M

ix A

) vi

a th

e m

aste

r Le

vel c

ontr

ol.

The

Bal

ance

con

trol

pro

vide

s a

diffe

rent

ial L

/R g

ain

trim

for

the

ster

eo in

put s

igna

l. T

his

is fo

llow

ed b

y a

varia

ble

ster

eo w

idth

co

ntro

l whi

ch c

an r

educ

e th

e st

ereo

imag

e to

a m

ono

cent

re

phan

tom

poi

nt s

ourc

e. T

he M

ON

O k

ey s

ums

the

the

inpu

ts a

nd

sim

ulta

neou

sly

alte

rs th

e ac

tion

of th

e B

alan

ce c

ontr

ol to

that

of

a co

nven

tiona

l tw

o ch

anne

l pan

pot

. Add

ition

al o

ptio

ns a

vaila

ble

for

surr

ound

pan

ning

are

FB

pan

whi

ch r

edes

igna

tes

the

Wid

th

cont

rol a

s a

Fro

nt/B

ack

pan

pot,

and

FO

CU

S w

hich

pr

ogre

ssiv

ely

subt

ract

s th

e fr

ont L

R s

igna

ls a

nd r

erou

tes

the

sum

to th

e C

bus

( B

us 3

). S

T P

AN

def

eats

the

surr

ound

pan

ning

op

tions

and

pro

vide

s sw

itche

d ro

utin

g vi

a th

e C

HA

NN

EL

SE

LEC

T p

anel

in c

onju

nctio

n w

ith th

e A

FL/

SE

L ke

y to

ste

reo

M

IX A

, B, a

nd C

.

Mai

n B

us

Co

ntr

ol

Con

trol

of t

he M

ain

Bus

Inse

rt m

odes

, re-

assi

gn, m

onito

ring

and

Com

pres

sor

rout

ing,

toge

ther

with

ass

igni

ng th

e fr

ont p

anel

M

aste

r fa

der

to th

e M

ix o

utpu

ts is

thro

ugh

a si

mpl

e ro

w/c

olum

n sw

itch

and

indi

cato

r m

atrix

. The

func

tions

are

con

trol

led

by th

e de

dica

ted

row

key

s on

the

right

of t

he in

dica

tor

mat

rix in

co

njun

ctio

n w

ith th

e M

ix s

elec

t key

s lo

cate

d at

the

base

of t

he

indi

cato

r m

atrix

col

umns

. The

6 m

ain

Mix

bus

ses

are

initi

ally

co

nfig

ured

as

thre

e in

depe

nden

t ste

reo

pairs

, MIX

A, M

IX B

and

M

IX C

. Eac

h pa

ir ha

s an

sw

itcha

ble

inse

rt p

oint

with

the

optio

n to

be

pla

ced

pre

(def

ault)

or

post

leve

l con

trol

. The

'!' m

ode

perm

its th

e in

sert

ret

urn

to b

e su

mm

ed w

ith th

e m

ain

sign

al p

ath.

C

ontr

ol is

via

the

first

thre

e ro

ws

of th

e M

atrix

. The

four

th r

ow

cont

rols

the

rout

ing

for

the

Mas

ter

Bus

com

pres

sor.

Thi

s fu

nctio

ns a

s si

ngle

ste

reo

unit

inse

rted

via

the

indi

vidu

al M

IX

keys

or

as a

5.1

com

pres

sor

in c

onju

nctio

n w

ith th

e 5.

1 M

IX k

ey.

The

sin

gle

mas

ter

fade

r is

ass

igne

d vi

a th

e F

ader

row

eith

er to

th

e in

divi

dual

ste

reo

mix

ste

ms

or a

s 5.

1 m

aste

r fa

der

via

the

5.1

MIX

Key

. The

mas

ter

fade

r le

vel c

an b

e se

t for

uni

ty o

r +

10dB

op

erat

ion

eith

er in

divi

dual

ly fo

r ea

ch s

tem

or

glob

ally

for

5.1

mix

es. S

tere

o M

ixes

B a

nd C

can

be

fold

ed in

to th

e A

mix

via

the

TO

A r

ow. E

ach

stem

can

be

indi

vidu

ally

mon

itore

d vi

a th

e A

FL

row

.

Ch

ann

el S

elec

t

In c

onju

nctio

n w

ith th

e lo

cal c

hann

el s

elec

t(S

EL)

sw

itche

s, p

rovi

des

cent

ral a

cces

s to

cha

nnel

func

tions

con

trol

led

by th

e ke

ys lo

cate

d ab

ove

the

Sel

ect a

rea.

SE

LEC

T e

nabl

es o

r di

sabl

es th

e pa

nel .

T

he -

& +

dec

rem

ent o

r in

crem

ent t

he s

elec

ted

chan

nel o

r th

e ra

nge

of a

n ar

ray

of c

hann

els.

ALL

sel

ects

all

cons

ole

chan

nels

! Use

d w

ith

an a

ctiv

e ar

ray

of c

hann

els

or th

e A

LL fu

nctio

n, S

ET

AU

X li

nks

Aux

sw

itche

d fu

nctio

ns s

o th

at a

gro

up o

f cha

nnel

s ca

n be

con

trol

led

sim

ulta

neou

sly.

SE

T a

nd C

LEA

R p

rovi

de a

n al

tern

ativ

e ap

proa

ch to

ro

utin

g an

d ch

anne

l set

up.

With

SE

T (

or C

LEA

R)

activ

e, b

us

rout

ing

or c

hann

el s

ettin

gs c

an b

e pr

eset

via

the

cent

ral s

witc

hes

and

tran

sfer

red

(or

rem

oved

) fr

om c

hann

els

via

the

loca

l SE

L sw

itche

s. T

he A

LL k

ey c

an b

e us

ed to

set

(or

cle

ar)

all c

onso

le

chan

nels

. UN

DO

und

oes

the

last

act

ion.

Ch

ann

el F

un

ctio

ns

Sw

itch

es

Cen

tral

con

trol

of c

hann

el in

put s

elec

tion,

mic

inpu

t pha

ntom

po

wer

, sol

o is

olat

e, p

roce

ss o

rder

and

IN/O

UT

sta

tus,

cha

nnel

ou

tput

sou

rce

and

chan

nel m

eter

sou

rce.

Bu

s R

ou

tin

g

Cen

tral

con

trol

of c

hann

el M

ain

and

Tra

ck M

ix b

us R

outin

g vi

a tw

enty

four

ded

icat

ed s

witc

hes

for

the

trac

k bu

sses

and

rou

ting

switc

hes

for

the

thre

e m

ain

mix

bus

ses

pairs

, M

ix A

, B a

nd C

.

Pan

Mo

de

Sel

ects

add

ition

al o

ptio

ns c

hann

el s

igna

l rou

ting

cont

rolle

d vi

a th

e ad

jace

nt B

us R

outin

g pa

nel.

INC

RO

UT

E w

orks

in

conj

unct

ion

with

the

chan

nel s

elec

t sec

tion

and

prov

ides

in

crem

enta

l bus

rou

ting

for

an a

rray

of c

hann

els.

The

sel

ecte

d ch

anne

ls w

ill b

e in

crem

enta

lly r

oute

d to

con

secu

tive

buss

es

star

ting

from

the

first

bus

sel

ecte

d. 5

.1 P

AN

ena

bles

the

chan

nel

5.1

pann

ing

mod

e an

d lin

ks t

he M

IX A

, B &

C r

outin

g ke

ys to

fu

nctio

n as

a g

roup

. PA

N T

O T

RK

rou

tes

the

outp

ut o

f the

cu

rren

t cha

nnel

pan

ning

mod

e to

the

Tra

ck B

usse

s. S

tere

o pa

nnin

g is

bet

wee

n od

d/ev

en p

airs

, 5.

1 pa

nnin

g di

vide

s th

e tr

ack

buss

es in

to fo

ur s

ix c

hann

el g

roup

s. E

FX

TO

TR

K r

epla

ces

the

chan

nel f

eed

to th

e T

rack

bus

ses

with

the

activ

e E

FX

sen

d ou

tput

. Ste

reo

Cue

EF

X s

ends

are

aut

omat

ical

ly r

oute

d to

odd

/ ev

en p

airs

.

Co

mm

un

icat

ion

s

Indi

vidu

al m

omen

tary

Tal

kbac

k ke

ys to

the

two

Fol

dbac

k ou

tput

s an

d to

the

dedi

cate

d E

xter

nal T

alkb

ack

outp

ut. S

epar

ate

leve

l ad

just

men

t is

ava

ilabl

e fo

r th

e F

oldb

ack

and

Ext

erna

l Tal

kbac

k se

nds.

TB

ALL

is a

Mas

ter

talk

back

key

to a

ll ou

tput

s. S

LAT

E

(als

o m

omen

tary

) ro

utes

the

talk

back

sig

nal t

o th

e co

nsol

e bu

sses

via

its

own

leve

l con

trol

. LIS

TE

N is

a la

tchi

ng fu

nctio

n w

hich

rou

tes

a re

turn

(re

vers

e) ta

lkba

ck fe

ed to

the

curr

ently

se

lect

ed M

INI m

onito

r ou

tput

via

the

List

en L

evel

con

trol

. RE

D

Ligh

t is

a la

tchi

ng s

witc

h w

hich

con

trol

s a

pair

of is

olat

ed r

elay

co

ntac

ts f

or e

xter

nal D

C s

igna

lling

con

trol

.

Lis

ten

"

TB

to

Fo

ldb

ack

"

Sla

te

"

Tal

kbac

k O

ut

"

CO

MM

S

TO

6

EXTA 1

6

6

6

6

EXTA 2

EXTA 3

EXTA 4

2

EXTB 1

2

2

2

EXTB 2

EXTB 3

EXTB 4

SUM

2

2

ST MIX

5.1 MIX

6

BUS A

STMIX

2

6

EXTB

ØL

5 6

MONO

2

AF

L B

us

PF

L B

us

2

!

!

AFLLEVEL

PFLLEVEL

!

!

-1

!

! !

SIF

SIFLEVEL PFL

AFL/PFLENABLE

2

2

SIFOVERIDE

!

!

-3dB

!

!

STEREO

5

2

SP CAL

PFL

PFL

enable

remote

LFE FLTR

80Hz

80Hz

80Hz

LFE OdB

80Hz

5

! !80Hz10Hz

ALT 5.1

MINI B

MINI A

6

P/AFL

2 2

2

PFL ON

80Hz

80Hz

+10dB

Stereo DownMix

-3dB

2

BASSMANAGE

SUB Level Trim

MONITOR LEVELS

MONITOR MUTES

ALT 5.1

MINI A/B

A/PFL STATUS

AFL LEVEL

PFL LEVEL

5.1 MIX

EXTERNAL MONITOR SELECTOR A4 External 5.1 Sources + Track Buses 1- 6Summing, Intercancelling, Off.

EXTERNAL MONITOR SELECTOR B4 External Stereo SourcesSumming, Intercancelling, Off.

ENCODER/DECODER INSERTExt B sorces automatically routed through decoder.

CONTROL ROOM MONITOR SOURCESumming or Intercancelling

FOLLOW MONITOR METER OUTPUTSTo user metering/monitoring

MONITOR MODESStereo DowmMixPhase ReverseMono Monitor

AFL/PFL MonitoringSolo - in- Place

To Meters

PFL to Mini's

EXT B to Foldback Outputs

MONITOR LEVEL CONTROLMain and Mini LevelsMonitor Mutes and Solo'sIndividual Level Trim (Line Up)

BASS MANAGEMENT12dB/Oct High Pass Filters12/24dB/Oct Low Pass Filters (Link selectable)7th Order LFE Filter EmulateLFE +10dB Gain DefeatSub Level gain TrimSub on Minis

MONITOR OUTPUTSMain A/B 5.1 OutputsSurround A on BSurround B on ALFE A on B or Mini A/BLFE B on Mini A/BMini A/B Stereo OutputsListen and PFL to Minis

Duality MASTER SECTION OVERVIEW

Track Bus Output (2 of 24)

!

AF

L L/

R M

ix B

us

AFL

Tra

ck B

us

Od

d

TRACK

SLATE

TRACK

!

Tra

ck B

us

Eve

n

Slate

Level

Level

!

AF

L L/

R M

ix B

us

AFL

Cu

e B

us

L

!

Cu

e B

us

R

ST CUE A(B)

Level

!

Fx

Bu

s

AUX

Level

PINKNOISE

OSCOSC

HZLEVEL

ON

PNK

TONE AND PINK NOISE

Slate

SLATE

!

Bus A

F/BAFDR

F/BA

FDR

+10dB

2

5.1

Mix

Bu

s

Mix Amp

Echo Return (1 of 4 shown).

Studio

CUT L CUT R

F/BB

F/BA

AL

BL

AR

BR

AFL

AF

L L/

R M

ix B

us

Studio Foldback (1 of 2 shown)

!

BUS B

CUEA

BUS B

CUE A

!

ST MIX

CUEB

STMIX

CUE B

!

AF

L L/

R M

ix B

us

TB FBCUT

AFL

!

remote

2

2

2

2

2

2

2

Mix Level 1

Mix Level 2

Output Level

FX Bus Output (1 of 4)

Stereo Cue Bus Output (1 of 2)

DIM CUT

MONITOR LEVEL

00.0

MISC LEVELS

SL

L

LFE SR

RC

MONITOR MUTE/SOLO

AFL

DIM

SIF

PFL

PHONES

MINI

SIF LEVEL

HP LEVEL

FB A

2

MINI LSON

LISTEN

6

EXTA

S/Chain

S/Chain

RATIO

RATIO

2

2

COMP

LISTEN

SUM

!2

Mix Amp

!

CAL

TONE

!

AFL

SLATE

TRACK

!

AF

L L/

R M

ix B

us

AFL

AF

L L/

R M

ix B

us

EXTB

2EXT B

ST MON

DMIX 2

TB FB

629660-1 thru' 4

629659 Left - FB A629659 Right - FB B

629652

629651

P/AFL

MON1- 6

629659 LH Card

2

2

2

MON

FB A

FB B

FB A

MON

FB B

2

CUT

Stereo Headphone Output

HPLEVEL

629653

!

629653 629654

Meter MPX

TRACK24

FX 1-4

Cue A/B

4

4To Cue/FX Meters

FX

Ret

urn

to F

B

A/B

(B

) B

us

FX

Ret

urn

to F

B

A/B

(B

) B

us

Foldback Out

FX Out

Cue Left

Mini B Out

Main 5.1 and Alt 5.1 Monitor Out

Left

Right

Centre

LFE

Left Surround

Right Surround

TB and Slate Outputs

T/B

LINK ON

remote

TB Level

FB Level

Slate Level

TB Out

Console TB Mic

!Ext TB Input

MIX

D-MIX

TRK

TONE

Oscillator Out

Listen Mic

LISTEN

TB FB

Slate

P/AFL

MON 1- 6

2

6

Listen Mic

Osc Out

AL, AR (Left, Right)

Cue Right

VCA

Hi-Res MDAC

Std MDAC

Switch

Relay

FET switch(normally on)

FET switch(normally off)

External connection

Symbol Key

InternalSignals

Mini A Out

LFE to S/C

SURR to S/C

Attack/Release

to A, B , C

S/C SUM

!

SLATE

Centre , LFE Outputs

2

!

Slate

5.1 Mix

MONO FB PAN

LevelBalance

(Pan in Mono )Width/FB Pan

STMIX2

65.1 Mix

LFE Filter on BR only

Centre

Surround

LFE

!

Slate

SLATE

2

INS

LEVEL

STEREO DOWNMIX

CUE A

CUE A

CUE B

CUE B

EXT B

EXT B

TR 1-6

TRACK

TR 7-12

TRACK

TR 13-18

TRACK

TR 19-24

TRACK

Mon 1,2

STMIX

Bus A

PAFL

VU Meter Select

PRE

Bus A

Bus C

Bus B

SUM

6

629658

IN

AFL

AF

L L/

R M

ix B

us

AFL

EQ

TO A

Bus B

TO A

Bus C

!2

Mix Amp

S/Chain RATIO

2

629659 RH Card

SLATE

Surround Outputs2

Insert

! CL, CR (L Surr, R Surr)

Slate

Bus C

AFL

AF

L L/

R M

ix B

us

629658

Compressor

IN

BL, BR (Centre, LFE)

LFEON

SRNDON

CENTREON

Left, Right Outputs

STMIX

!

!

Insert

(MISC OPT)

MIX BMIX A MIX C

INSERTPRE !

!

Insert

!

Insert

!

Insert

2

EXTB

MIX A

INSERT

F/BAFDR

DMIX

LFE FILTER

80Hz

5.1

Mix

Bus

Focus

MIX C

L

R

STEREO PAN MIX BMIX A

LFE

C

LS

RS

Bus B

To Track Meters

To Monitor Meters

To Mix Meters