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Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed to the rise of Romanticism. Artists considered to be part of the Romantic movement challenged the traditional conventions of the conservative academy, taking a more emotional approach to art making.

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Page 1: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Chapter 12.1, 12.2, 12.3, 12.4

Neoclassicism and RomanticismNeoclassicism became the basis for academic art, while political and social revolutions contributed to the rise of

Romanticism. Artists considered to be part of the Romantic movement challenged the traditional conventions of the conservative

academy, taking a more emotional approach to art making.

Page 2: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jacques-Louis David (1748-1825) French, court painter of Napoleon, studied in Rome

Neoclassicism 12.1

Page 3: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jacques-Louis David (1748-

1825) Portrait of Napoleon

Oil on canvas

Page 4: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jacques-Louis David (1748-1825) Death of Marat, 1793, oil on canvas, 65”x50”

http://jeffscuisine.com/

http://jeffscuisine.com/
Page 5: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jacques-Louis David (1748-1825) Oath of Horatii, 1784, oil on canvas

Page 6: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jacques-Louis David (1748-1825) Death of Socrates, oil on canvas

Page 7: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jacques-Louis David (1748-1825) Apelles Painting Campaspe in the Presence of Alexander

the Great Oil on canvas

Page 8: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jacques-Louis David (1748-1825) Brutus Returning Home, 1789, oil on canvas

10’7”x13’10”

Page 9: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jacques-Louis David (1748-1825) Cupid and Psyche, oil on canvas 184.2cm. x 241.6cm.

Page 10: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jacques-Louis David (1748-1825) Patroclus, oil on canvas, 1780

Page 11: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jacques-Louis David

(1748-1825) Portrait

Oil on canvas

Page 12: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jean-Auguste-Dominique Ingres (1780-1867) French, student of David, studied in Rome

Influenced by Raphael and Greco-Roman sculpture, as well as Italian Mannerist painters

Page 13: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jean-Auguste-Dominique Ingres

(1780-1867)Napoleon on the Imperial Throne oil on canvas

Page 14: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jean-Auguste-Dominique Ingres (1780-1867)Achilles Receives the Messenger, oil on canvas

Page 15: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jean-Auguste-Dominique

Ingres (1780-1867)

Bather of Valpincon

Oil on canvas, 1808

Page 16: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jean-Auguste-Dominique Ingres (1780-1867)Apotheosis of Homer, oil on canvas, 1827, 12.5 x 17’

Page 17: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jean-Auguste-Dominique Ingres (1780-1867)Odalisque, oil on canvas, 1814

Page 18: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jean-Auguste-Dominique Ingres

(1780-1867)Pauline Eleanore Oil on canvas,

48” x 36”

Page 19: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jean-Auguste-Dominique

Ingres (1780-1867)

Louis-Francois Bertin

Oil on canvas, 1832

Page 20: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jean-Auguste-

Dominique Ingres

(1780-1867)Louis de Broglie Oil on

canvas, 1845

Page 21: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jean-Auguste-

Dominique Ingres

(1780-1867)Madame LeBlanc

Oil on canvas

Page 22: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jean-Auguste-Dominique

Ingres (1780-1867)

Mme. Moitessier

Oil on canvas, 1856

Page 23: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Jean-Auguste-

Dominique Ingres (1780-1867)

Portrait of PaganiniPencil on

paper

Page 24: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Elizabeth Vigee-Lebrun

(1755-1842)French

Mme. de Stael Oil on canvas

1789

Page 25: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Thomas Jefferson, Monticello, 1770-1784, Virginia, USA Jefferson was influenced by the Italian architect

Palladio, and the Roman structures he had seen in France.

Page 26: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

Thomas U. Walter, United States Capitol,

1851-1863,Washington, D.C.This building has a cast-iron dome

raised up on a high, columned

drum.

Page 27: Chapter 12.1, 12.2, 12.3, 12.4 Neoclassicism and Romanticism Neoclassicism became the basis for academic art, while political and social revolutions contributed

J.F. Chalgrin, Arc de Triomphe,

1806-1836,Paris, France

This Neoclassic structure honors

France’s unknown fallen soldiers, and

commemorates Napoleon’s

military victories.


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