chapter 30 19th century art in europe and the united states 4
TRANSCRIPT
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Chapter 30: 19th Century Art in Europe and the United States
Post-ImpressionismMagister RicardAP Art History
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19th Century Artistic Developments: The “-isms”
Neoclassicism (early 19th)
Romanticism (early 19th)
Realism (mid 19th)
Impressionism (late 19th)
Post-Impressionism (late 19th)
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The Birth of “Modern Art”
Post-Impressionism
Impressionism
Realism
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What is Post-Impressionism
• Artists were dissatisfied with Impressionism• Lacked line, shape, color – loose brushwork did
not create solidity• Wanted to restore color and shape or even
subjectivity (don’t just copy nature)– Moves away from objectivity (positivism)
• Did not want to simply capture a passing moment• Like Impressionism, was based in France• Thrived from 1880-1905
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Who are the Post-Impressionists?
• Seurat• Gaugin• Cezanne• Toulouse-Lautrec• Van Gogh (Dutch, but worked in France)
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The Schism in Post-Impressionism
Post Impressionism
Seurat and Cezanne
Formal, scientific design
Gaugin, Van Gogh, Lautrec
Emotions, sensations
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Mount Sainte Victoire
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Paul Cézanne
Mount Sainte Victoire
1897oil on canvas
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Paul Cézanne
Mount Sainte-Victoire
1902-1904oil on canvas2 ft. 3 1/2 in. x 2 ft. 11 1/4 in.
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Color Theory: Test
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Color Theory: What do you see?
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Conclusion
• Impressionism – 1870’s and 1880’s• Post Impressionism – late 1880’s and 1890’s• Impressionists interested in capturing a moment in time
and how the moment is reflected by light and color• Transitory nature of their art is conveyed through
cropped edges, informal arrangements• Post Impressionists not satisfied• Seurat and Cezanne played with color and shape• Gaugin and Van Gogh explored the world as an observed
thing
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Impressionism and Post Impressionism
Impressionism (1870s-1880s)
Transitory nature
of life through
art
Post Impressionism (1880s – 1890s)
Seurat