chapter 8: early christian art lesson 3. warm-up 12-9-14 ch.8 l3 early christian respond to the...
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Chapter 8: Early Christian ArtLesson 3
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Warm-up 12-9-14 Ch.8 L3 Early Christian
Respond to the Following:1.Describe what you see in this image.
What do you think is happening? Who are these people?
2.What medium is this?
3.What stylistic characteristics do you see?
Obj: SWBAT Identify Christian Iconography and its meaning
HW Reading: Ch 8 Pg. 232-248
Test Corrections due Monday 12/8
PAST DUE: Chapter 16 China, Cue Cards Due
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Iconography
Definition:• the visual images and symbols used in a work of art
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Agenda: Warm-up Announcements and
Reminders Notes Exit Slip
Office HoursTuesday 3:00-4:00Thursday 3:00-4:00
Winter Break Homework (Due Mon 1/5/15)
Cue Cards:Ch. 9 Byzantine (8 cards)Ch. 11 Medieval Ch. 12 Romanesque Ch. 17 Japan
Due Thursday 12/11: •Cue Cards Ch. 8 (4 cards)•Quiz on Ch. 8 & 16
PAST DUE:
Chapter 16 China Cue Cards
Test Corrections
HW Reading: Ch 8 Pg. 232-248
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CHAPTER 8—EARLY CHRISTIAN
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CHAPTER 9—BYZANTIUM
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Europe and the Near East in Late Antiquity
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Chapter 8
The Art of Late AntiquityTheme: TRANSFORMERS
(born again, appropriation)Dates: 4th and 5th centuries CE
EARLY Christian Art
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Early Christian ArtChapter 7
Historical Background• 200-300 years after Christ – Constantine issues Edict of Milan, & sponsors the
building of Christian churches (Constantinople capital of Eastern R. empire• Problem - How to depict God?- borrow motifs / symbols from pagan (Roman) art.• Churches based on Roman basilica , w/ mosaics to teach the new converts. • Goal of Churches = attract, teach and maintain converts• By 410 , Visigoths sack Rome, Ravenna becomes capital of Roman Empire
• What Happened in Art? (Stylistic)• simplistic and more abstract. • “Types” not individuals• APPROPRIATION Early Christian art combines classical & Christian motifs
Theme: TRANSFORMERS(born again, appropriation)
Dates: 4th and 5th centuries CE
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Good Shepherd, Orants, Story of Jonah
Catacomb of Pietro and Marcellino, Rome, Italy
early 4th centuryfresco
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Good Shepherd
Catacomb of Pietro and Marcellino, Rome, Italy
early 4th centuryfresco
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15The Good Shepherd, the story of Jonah, and orants, painted ceiling of a cubiculum in the Catacomb of Saints Peter and Marcellinus, Rome, Italy, early fourth century.
CATACOMBS Christ Good Shepherd4th c. CEM: frescoF/L: catacombs (underground burial chambers).
Narrative/Figures:• Episodes from biblical story of Jonah• Left-Sailors throw Jonah from his
ship • Right-He emerges from the whale • Bottom-Jonah on land contemplates
salvation and mercy of God• Prefiguration of Christ who died and
rose from the grave• Orant (hand up in prayer) figures in
between—Christian family• Central figure—Christ as the good
shepherd, with sheep• Rescued sinner/redemption
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Orant figure
Catacomb of Priscilla, Rome,Italy
3th centuryfresco
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Check for Understanding
1. Summarize the figures/narrative seen in this work.
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The Good Shepherd, the story of Jonah, and orants, painted ceiling of a cubiculum in the Catacomb of Saints Peter and Marcellinus, Rome, Italy, early fourth century.
CATACOMBS Christ Good Shepherd4th c. CE
Style:•Lunettes—semicircular frames•Orant figures - People w/ hands up in prayer•Early images of Christ youthful (no beard).
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The Good Shepherd, the story of Jonah, and orants,
CatacombsPolygonal frame
loculi
lunettes
Orants
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The Good Shepherd, the story of Jonah, and orants, painted ceiling of a cubiculum in the Catacomb of Saints Peter and Marcellinus, Rome, Italy, early fourth century.
CATACOMBS Christ Good Shepherd4th c. CE
Style:•Lunettes—semicircular frames•Orant figures - People w/ hands up in prayer•Early images of Christ youthful (no beard).
CONTENT / CONCEPT:•Christ w/ lamb – appropriated from classical motif. •Sheep symbolizes sinner who has been rescued.•Patron is ‘saved’ by Christ, engaging in the afterlife
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Santa Sabina
Rome, Italy
ca. 422-432
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Santa Sabina
Rome, Italy
ca. 422-432
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Santa Sabina, Rome
Compare interiorto section of Old St. Peter’s