charles faudree's country french living
TRANSCRIPT
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CharlesFaudree’sCountryFrenchLiving
CharlesFaudree
PhotographsbyJeniferJordan
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CharlesFaudree’sCountryFrenchLivingDigitalEditionv1.0Text©2005CharlesFaudreePhotographs©2005JeniferJordanAll
rightsreserved.Nopartofthisbookmaybereproducedbyanymeanswhatsoeverwithoutwrittenpermissionfromthepublisher,exceptbrief
portionsquotedforpurposeofreview.GibbsSmith,Publisher
POBox667Layton,UT84041
Orders:1.800.835.4993www.gibbs-smith.com
LibraryofCongressCatalog-in-PublishingDataISBN-13:978-1-58685-715-8
ISBN-10:1-58685-715-01.Faudree,Charles.2.Interiordecoration—UnitedStates—History—
20thcentury.3.Decorationandornament,Rustic—France—Influence.I.Title:CountryFrenchliving.II.VanDeventer,M.J.III.Jordan,Jenifer.IV.
Title.NK2004.3.F378A42005
747'.092—dc22
2005018565
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Charles Faudree’s Country FrenchLiving
TableofContents
ForewordMyFavoriteThingsLivingSpacesEntertainingSpacesPrivateSpacesOutdoorSpacesFinishingTouchesAcknowledgmentsAntiquesandResources
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Forewordavant-propos
I’vealwaysadmiredpeoplewhohavestyle,butIabsolutelyadorepeoplewhosharetheirsenseofstylewithothers.CharlesFaudreeisthedeanofthislattergroupofbelovedindividuals.Byallowingeditorslikemetopublishhisdesignworkinourmagazines,CharlesprovidesaccesstohisuniqueandconsiderabletalentsformillionsofAmericans.IknowfrommyfourteenyearsaseditorinchiefofTraditionalHomethepositiveimpactofthisgenerosityisbothinstantandlasting.
Anditoftencameintheformofreadermail!AssoonaswereleasedanissuethatcarriedCharlesFaudree–designedinteriors,theletterswouldstarttopileupinourmailbox.Peoplewhowerenewtotheworkoftheprolificdesignerwerewooedbytheluxuriousbeautyhecreates.Theykeptusbusyforweeksansweringintentquestionsabouteveryfabric,finish,paintcolor,anditemshowninourphotographs.ReaderswhowerealreadyinitiatedtoCharles’magicapplaudedourlatestinstallmentandoftenintheirlettersreferredtotheirfavoriteroomsfrompaststories.Overtheyears,webecameaclearinghousefortheFaudreefanclub,andwelovedeveryminuteofit.
TheeffectofCharles’workislasting;itdelightsthetenthtimeyouseeitalmostasmuchasthefirsttime.WhileIknowmanyofhisroomsbyheart,IstillstoptodevoureverydetailwhenImeetthemagainonanoccasionaltripthroughpastissues.JustasyouknowaChopinsonatabythefirstfewbars,youalsoknowaFaudreeroombythefirstfewglances.
Hisperennialtrademarksincludeclassicupholsterychairsthatbeckonwithbeauty,fabricsthatenticetheeyeandthetouch,andantiqueswelllovedand
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perfectlyplaced—allflavoredwithhissignatureFrenchaccent.Thefamiliarityisendearing.
Charlesisgenerouswithhistalentsandalsowithhisinteriors.Hisfavoritedesignprinciple,“toomuchisneverenough,”meanseverysurface,detailandcornerisconsidered.Nothingisoverdone,buteverythingplaysaroleineachmasterfullyorchestratedscheme.Thereisabundanceinhiswork.Adiningtableisaccompaniednotjustwithchairsbutalsoabenchandmaybeasettee.Miniatureupholsteredchairsareplacedatthefootofthebedorsnuggleduptoacoffeetable.Pillowscomeintripletsandarealwaysstylishlyturnedout.Woodenchairframesaregracefullycarvedorembellishedwithcolororgilt.Theresultisaseamlesssonnetofalifethat’swelllivedandalsowellappointed.Luckyforus,Charlessharesthisworldofhisineveryoneofhisexquisiterooms.
IfIcouldgiveanygifttohiminreturn,itwouldbetoalwaysintroduceCharlestomorenewfriends.Ihopethisforewordfillssomepartofthatwishandyou’llpassalongthefavortoanotherinyourcircle.They’llthankyouoverandoveragain.
—KarolDeWulfNickell
EditorinChief,BetterHomesandGardens
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MyFavoriteThingsmespréférées
In1978,asIwasabouttoturnforty,IgatheredthecouragetoleavemysalespositionandmovefromDallas,myhomeformanyyears.Iwantedtopursuemydream—interiordecorating—andchosetomovebacktomychildhoodhome,Muskogee,Oklahoma,toopenmyfirstdesignstudioandantiquesshop.
NancyE.IngramdiscoveredmethereandpublishedmyveryfirsthouseinTulsaHome&Gardenmagazine,andNancyandIhavebeentogethereversince.Asshesays,“Wehavehadquiteatriptogetherandwe’restillontheroad.”IamadecoratorandIamproudtosaythat.IthankGodeverynightformytalentandmywonderfulclients.
Sincethatfirststory,myhomesandthoseofmyclientshavebeenfeaturedinalmosteverydesignmagazine.ButforyearsIwantedtodoabookofmyown.JeniferJordan,agreatinteriorphotographer,said,“IthinkIhaveabookinme,too,andIwouldlovetodoitwithyou.”Nancyagreed.
ThenM.J.VanDeventersignedontohelpmewrite.WegrewuptogetherinMuskogeeandshe’sinterviewedmeandwrittenaboutmyworkforyears.Shehasanamazingwayoffinishingmysentencesforme.Ourfirstbook,CharlesFaudree’sFrenchCountrySignature,wasreleasedinOctober2003andiscurrentlyinitseighthprinting.Now,hereweareagain—ourgreatteam,includingeditorMadgeBaird—withoursecondbook.Wehopeyouenjoyitasmuchaswehaveenjoyedproducingit.
Throughtheall-newphotographyweintroduceyoutosomeofmyfavorite
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clientsacrossthecountryandabroad.OneofthemisJoanneHearst,whoonceownedaduplexnextdoortomeinTulsa.Whenshehiredmetoredecoratetheduplex,shepickedoutthemainfabricforeachroomandthenwentoutoftownandlefteverythingelseuptome,sayingthatshewanteditdecorateddowntothesoapinthedish.Itwasabsolutelytheperfectjob.
WhenJoannereturnedtoTulsaafteraseven-monthabsence,theduplexwasdone.Shedidn’tcallthenextdayorthenext,andIwasconvincedshedidn’tlikeit.However,whenshedidcall,shesimplysaid,“Idon’tknowwhereyouhavebeenallmylife,butyou’regoingtobewithmetherestofmylife.”Thatwasalmosteightyearsago,andwehavebeenworkingonherseventy-five-year-oldfinca(farm)inSpainforthepastfouryears.Herhome—themanorhouseforatinyvillagenearSeville—isfeaturedinthisbook.
Peoplearealwaysaskingmewheremyfavoriteplacesare.Paris,ofcourse,ismyfavoriteEuropeancityandIgothereatleastonceayear.IfyouhavenotbeentotheParisFleaMarket,letmetellyouthatitistrulyadelightfulexperience.Itishugeandeachvendorrollsuphisdoorstoaspacenobiggerthanaone-cargaragefilledwithseventeenth-andeighteenth-centuryfurniture.Outsideonthestreets,othervendorsteaseshopperswithfoldingtablesfilledwithjunque.Iloveitall,andnevertireofgoingthere.Contrarytowhatyoumayhaveheard,IhaveneverfoundtheFrenchtoberude,andtheParisFleaMarketlovesAmericans.
I’moftenaskedifIspeakFrench,andeventhoughIamofFrenchheritage,Idon’tspeakthelanguage.WhenIwassixty-fiveyearsold,IdecidedtotakeFrenchlessons.Afterfivelessons,westartedlearningabouthowachairisfemaleandasofaismale,andIgotoutofthere.Thatisnotmykindoflanguage.Plus,whenIgotoFrance,theydon’tevenunderstandthefewwordsIdoknowduetomyOklahomatwang,likecombien(howmuch)?I’mnotmuchofawheeler-dealer;it’seasierformetonegotiatepricesonpaper,withmyBicpeninhand.
IloveLondonalmostasmuchasParis,butfordifferentreasons.ThereisnoplacelikeParis,withitsromanticlanguage,wonderfulfoodandwine.However,
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theEnglishseemtounderstand“Okie”better,plustheEnglishtheaterissodelightful.IgotoEnglandtobuywhatIcall“smalls.”TheFrenchdon‘thavesmallaccessoriesandIdoloveStaffordshire,MajolicaandEnglishteaboxes.
TherearesomanythingsI’vecollectedinParisandLondonthathavebecometreasuredpossessions.MyclientsknowIhavesoldsomeofmyhousestotallyfurnished,withcertainexceptions.Theblackamoorandthelargecowtureen,whichyouwillseefeaturedonthediningtableinmycurrenthome,aretwoofmyfavoritethings.ThereisalsoapaintingthatJimmySteinmeyer,theworld’sbestroomrendererandalifelongfriend,didofmythreeKingCharlesSpaniels.Incaseoffire,IwouldgetNicholasoutfirst,thentheSteinmeyerpaintingandthetureen.Idon’thavetoworryabouttheblackamooranymore.Mybrother-in-law,DaleGillmanofTulsa’sAntiqueWarehouse,isanythingbutsubtle.Everytimehecametomyhouse,hewouldremindmetobesuretoleavetheblackamoortohim.SoIgiftedittohimonhissixtiethbirthday.Ihadenjoyeditfortwenty-fiveyearsandfigureditwashisturn.Istillgettoseeitbecausewelivejustacrossthewayfromeachother.
TheGermanMatelochtureenhasaninterestingstory.Althoughitisafavoriteaccessory,Ididn’tpickitoutmyself.Onmyfiftiethbirthday,IwasinLondonshoppingwithseveralfriendsonPortobelloRoad,whichisagreatfleamarket.Theyallchippedinandgaveittomeasapresent,andjustforfuntheyfilleditwithboxesofinstantchickennoodlesoup.
MyfriendsandclientsknowhowmuchIlovemyblue-and-whitecollection.IstarteditrightoutofcollegeandatthatpointonlyknewaboutBlueWillow.IhavebranchedoutsincethenandnowcollectEnglishandChineseexport.Thiscollectionhasbeendisplayedatsomepointineveryroom,fromthekitchentothelivingroom,inallofmyhomes.
Ofcourse,Nicholasisatreasure.Inthisbook,youwillseehiminalmosteveryroomofmyhouse.Heisnotaprop,andIhaven’ttrainedhimtoperform.Whenwewerephotographing,wedidn’tmovehimfromroomtoroom,he’sjustaverylovingcompanionwhoalwayslikestobewhereverweare.Likemanyofyourpets,hebelievesheisaperson.AndsometimesI’mnotsosureheisn’t.
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Enjoy,withourteam’sbestwishes.
—CharlesFaudree
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LivingSpaceslesespacesàvivre
Ibelievethatfirstimpressionsarelastingsoitisimportanttomakeentrieswelcomingandinviting.Ilikeentriesthatprovideaclueoraglimpseofwhattherestofthehousewilllooklike.Whetherit’sacolortheme,thestyleoffurnishings,orakeytoahomeowner’spreciouscollections,it’snicetogreetguestswiththatkindofwelcome.
Severalotherroomsofone’shomearealsoconsideredpublicareas—placeswhereguestsarewelcomeorentertained.Whetheratformalpartiesoronspur-of-themomentoccasions,peoplebesidesimmediatefamilyspendtimeinthelivingroom,denorlibrary,kitchen,diningroom,andfamilyroom.
Forme,thedesignoftheseroomsoftenbeginswithapivotalfabric,adominantcolor,oronemagnificentantique.Justonedistinctivepieceoffurniture,suchasatoweringarmoire,anunusualcommode,oragreataccessorylikeagrandmirrororpainting,willmaketherestoftheroomseemmoreimportant.Oneoutstandingpiececanchangethewholeplanforaroom.Iencouragemyclientstobuildtheirhomearoundafewclassicstaples,justasyoubuildafashionwardrobe.
Imakesignaturepiecesapartofmyhomeandcabinandmovethemfromroomtoroomtokeepthelookfresh,satisfyingmyperpetualneedforchangeinacontinualquesttocreatenewvignettes,newtablescapes,andalways,newhomes.
Asignaturepiecedoesn’thavetobeexpensive.Youcangetthelookwithout
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theseventeenth-centuryarmoire.Paintedfurnitureisreallybeautiful,soinvogue,andoftenquitereasonableincomparisontopriceyantiques.Thekeyisfindingapieceyoureallyloveandwanttolivewithforever.
Colorisimportantinmakingthatfirstimpressioninahome’slivingareas.Aredlivingroomcanbejustasinvitingasaneutralcolorsuchassoftblue,gray,creamorsand.It’sallaboutthewayyouusecolorthatmakesthedifferencebetweenaroomthatisjarringandonethatiscomfortabletolookatandbein.Usingcolorsmartlycanalsoenhanceyourstellardisplaypiece.
Usuallyinpublicspaces,thedominantpiecesuggestshowaroomwillbearranged.InFrenchcountryhomes,thehearthwastypicallythefocalpointofthemainlivingarea.Inthiscountry,too,awell-appointedfireplacemantelisoftenthefocalpoint.Sometimesanarmoire,anantiquecommode,orapaintedreproductionsideboardcanbecomethefocalpointaroundwhichtherestoftheroomisorganized.
Inalibraryorstudy,Iliketousefloor-to-ceilingbookcasesbrimmingover.Booksarelikeoldfriends:Ifeelcomfortablesurroundedbymyfavorites.Whethervintageornew,theycreateaninvitingatmosphereandmakeadesignstatementalltheirown.Mylasthousedidn’thavealibraryandItrulymissedit.
Whenfinishedwithfavoritecollections,art,mirrors,sconces,lotsofdecorativepillows,customlampsandshades,and,always,freshflowers,ahome’spublicroomscometolifeandenchantguests,aswellasthosewholivethere.
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Thefauteuild’bureau(deskchair)isaLouisXV/LouisXVItransitionalpiecethatishometooneofmyfavoriteneedlepointpillows,“Loveme,Lovemydog.”
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ALouisXVtableinmylibraryiscoveredwithantiquevelvet.AStaffordshirefigurallamptakescenterstageonthetable.ThematchingwalnutbergèresareLouisXVRevivalstyle,circa1930.Asaltglazecachepotadornsthetable.Thebookssurroundingtheroomgiveitwarmthandpersonality.TuckedbeneaththetableisaGermanbronzeCavalierKingCharlesSpaniel,restingonacushion.
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Inmysmalllibrary,aroomIalwayswanttohaveinmyhome,agate-legcentertableishighlightedwithamonumentalvaseonastand.IlluminatingtheroomisatoleDirectoirechandelier,convertedfromitsoriginallifeasanoillight.Onthepaneledwallandbetweenmatchingswing-outlampsisaScottishoilportraitofachild.Thisisoneofthecoziestroomsinmyhome.
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Thisroomcouldeasilybeafabled,periodsaloninParis.TheHaskins’formallivingroom,doneinredandcream,presentsalookofpureeleganceandgrace.AheraldicmirrorabovethesofaisflankedbygoldbracketsandImarivasesandsconces.Everythinginthisroomisarrangedsymmetrically,withpairsofcandlesticks,matchinglampsandfreshflowersasaccents.
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ASwedishpaintedcupboardinthefamilyroomishometoacollectionofbooks,platesandflagfigurines.Confitjarsadornthetopofthecupboard.ThecustomchairontherightisupholsteredinRoseTarlow,andthefauteuil(armlesschair)is“Sophie”frommycustomfurnitureline.TheslipperchairsarecoveredinBennisonfabric,andthedraperiesarePierreFrey.
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ApaintedcommodeintheSalisburyfamilyroomishosttoseveralStaffordshirecowfigures.Thelampsarefashionedfromwoodencandlesticks.WatercolorsbyJamesSteinmeyer,plateswithanaturetheme,andanoldlanterndecoratethewallabovethecommode,andaminiaturesetteesitsatthebase.StripedsidepanelsaccenttheFrenchdoorsleadingtothepatio.
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TracyandIfoundthemantelandtheantiquebotanicalprintsonatriptoFrance.Theantiqueolivejarissittingonawoodfragmentthatservesasawallbracket.Onthemantelbetweentheantiquefauxboisjugsandcandlesticksisaceramicsculptureofabasketofmushrooms.Familyportraitsgracethecoffeetable.
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TheoverallviewoftheBakers’greatroomexudeswonderfulcharm.Abovethecast-stonemantelbyJamesKelleyisanoriginaloilpaintingbyLeonardWren,whoisknownforhisbeautifullandscapes,includingthoseoftheFrenchcountryside.ThesofaiscoveredwithaBrunschwig&Filscheckfabric.Thewingchairis“Sophie,”frommycustomfurniturelineandiscoveredintoilebyPierreFrey.Thefloor-to-ceilingbookcasesrevealabeautifulcollectionofblue-and-whiteChineseexportporcelain,whichisverycompatiblewithallthetouchesofredintheroom.
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LeeJofa’s“TreeofLife”fabricsetthestageforthedesignintheSalisburylibrary.Thecustomrugrepeatsallthecolorsinthedraperyfabric.Ofspecialinterestisthepurplehorsehair,metal-studdedRegencybencharrangedbythepaintedbarleytwisttable.Alsoofnoteistheantiqueredchinoiseriedesk,whichpicksuptheredintheLeeJofafabric.
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BeautifulbeadingtrimsthiselegantlampintheSalisburylibrary.
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Behindcloseddoors,theinsideoftheshelvesandfacingarelinedwithastripedfabricandtrimmedwithaprettybraidinsteadofthemoretraditionalgimp.Thetelevisionishousedinthispieceoffurniture.
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The“TreeofLife”LeeJofafabricintheSalisburylibrarywasalsousedtoupholsterthisantiquechair.
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Acustombanquet-stylesofaisinanicheallitsown,surroundedbyfloor-to-ceilingbookcasesrevealingtheSalisburyfamily’sloveofreading.ThesmalloilpaintingisbyTulsaartistWendyMatson.
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ProofthatcontemporaryandtraditionalcanlivetogetherharmoniouslyisseeninthegraciouslivingroomofCarolPielsticker’scontemporaryhome,theonlycontemporaryhomeI’veeverdone.ThestonemantelandovermantelarebeautifullydecoratedandincludetoleurnswithporcelainbouquetsfoundattheParisFleaMarket.ThesofaiscoveredinCoraggiofabric;thechinoiseriecoffeetableisbyRoseTarlow.AmodernisticpaintingbyTulsaartistOttoDeckerblendswellwiththesleekarchitecturalstyleofthehome.
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AnantiqueFrenchstonemantelintheSalisburylivingroomishighlightedwithaneleganttrumeaumirror,lavishlydrapedwithdriedleavesandsilkribbons.Pewterpotsholddriedhydrangeas,andastonefigureholdsastonebouquet.Achild’ssetteerestsinfrontofthefireplace.Miniaturechairsandsofasaddinteresttoadesignandseemespeciallyrightinahomewherechildrenaregrowingup.
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ALouisXIVcommodeintheentryofSharonandJohnBaker’shomeisflankedbyantiqueLouisXIcarved-walnutsidechairscoveredinBennisonfabric.ThelampsarefromVaughan,withcustomshades,andareaprettycomplementtothemagnificentantiquechinoiserie-styleEnglishfootbath.AbovethecommodeisanoriginaloilpaintingbyLeonardWren.
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Quiet,mutedcolors,beautifullytexturedfabricsandfabulousantiquesmakethisaspecialroomintheBakerhome.TheFrenchCountrybuffetdisplaysaprizedcollectionoftortoiseshell.Theduoofchairsoneithersideofthesofaare“Patrice,”frommycustomfurnitureline.Brunschwig&Filschenillefabricgracesthesofa.ABennisonoakleaf–patternfabriccoversapairofchairsandisusedintheside-paneldraperiesdressingthearchedwindows.
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RegencysidechairsandastripedottomanaddwarmthtotheentrysceneinthehomeofPattiandDavidBowman.OntheantiqueEnglishAdams-styleconsoleisacollectionofItalianpolychromeandgiltwoodcandlesticks.ApairofPortugueseVistaAlegrevasesrestonbronzeormoluputti(cherubs)onbothsidesoftheRegencygiltwoodmirror.
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Asimplebuffet,probablyoriginallyathomeinaFrenchchateaukitchen,belongedtometwohomesago,butIsolditbecauseitwastoolargeforlaterhomes.AsIsooftendowithantiquesIlove,Iboughtitbackwhenaclientwantedsomethingfancier.Nowit’sperfectfortheentrywayinmynewTulsahome.Apairofnineteenth-centuryDirectoiresidechairsaccentthebuffet.Thelargepaintingwasoriginallyfourinchestaller,butIcutoffthebaseofittoaccommodatespaceinaprevioushome.AsymmetricalcollectionoftransferandChineseexportplatesarecompanionstothelandscapepainting.ASwedishpaintedclock,whichhasenjoyeddifferentsettingsinnumeroushomes,istotherightofthebuffet.
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TheHaskins’sunroomiselegantinshadesofsoftyellow,goldandblue,butverycomfortableandeasytoentertainin.Sidepanelsweretheperfectchoicetodressthewindowswithoutobscuringthelovelyviewoftheirbacklawn.Tolechandeliersaddmutedlightingtothisroom,whereStaffordshirefiguresstarinseveralvignettes.LizHaskinssays,“Whenthesuncomesupitjustfillstheroomwithlight.It’sratherspiritual.Ourcatslovetosunbatheinhere.”
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ThisintimatesettingintheHaskins’sunroominvitesspiritedconversation.Itisoneoftheirfavoriteplacestoentertainandisconvenientlyadjacenttothediningroomandkitchen.Anantiqueorientalruganchorsthisspace.“Thisiswherewetalkabouteverything,”saysJohn.“Thisistheroomwhereeverythinghappens.”
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Thisviewofmylivingroomshowsmyfondnessforsymmetryinthearrangementofchairsthatflankthefireplaceandchairsplacednearthewindows,givingaviewofthehome’seastlandscaping.
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ApairofLouisXVwalnutbergèresalareine,circa1750,flankthefireplaceintheformallivingroominmyTulsahome.TheovermantelofcarvedwoodincludesasmallpaintingofNicholasbyTulsaartistJanetDavies.ThemantelisaccentedwithDelftliddedjars,aLouisXVequestriantrophyormolumantelclockandapairofquiterareNapoleonIIdogcandlesticks,purchasedonmyfirstvisittotheNewarkFairinNottinghamshiretwentyyearsago.NearthemantelareaChineseexportgardenseat,ajardiniereandanottomanupholsteredinaleopardprint.
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ThesittingroomoffmykitchenhousesmycollectionofStaffordshirecowsinthebookcasesandonthemantel.AbovethemantelhangsacountrypaintedtrumeauwithanEmpire-styletolechandelier.NicholasenjoystheantiqueCountryFrenchwingchaircoveredinPierreFreyfabric.
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TheluxuriousentryinthehomeofMichaelandDruHammerhasavarietyofunusualfocalpoints.ApairofFrenchfauteuilsandaFrenchfruitwoodgametablesetthetoneforthebeautytocomeintherestofthehome,whichwasoriginallybuiltformusicianHenryMancini.Alargefruitwoodbreakfront,circa1860,abeautifulorientalrugandaSpanish-stylechandelierareotheraccents.A“faux”butlerstandsbesidetheimpressivepaintingTwelveButterflies,paintedbyDonaldSultanin1996.
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Artfromsomeofthenation’sbestmasterartistsisthedominantthemeinthisareaoftheHammers’livingroom.Aneighteenth-centurycommodecreatesanelegantsettingsurroundedbymagnificentart.Abovethecommodeisapainting,LesBoutonsS’ouvrent,byMartheOrant.Ontheeaselisasmallpainting,SallyFairchild,byJohnSingerSargent.OntherightisMe’neetEnfant,byWilliamBouguereau.
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ThearcheddoorwayleadingtothebacklawnaddsadistinctivearchitecturaltouchtotheHammerhome.
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ThespaciouslivingroomoftheHammerhomeblendsaninterestingmixoffurnishings,artandaccessories.Theceilingisaccentedwithunusualwoodbeams.DruHammer’spassionforhotpinkandgreenisreflectedinthecolorcombinationsofprintsandstripes.TheantiqueFrenchlimestonemantelishighlightedwithalargepaintingbyDonaldSultan.TotheleftofSultan’scontemporarypaintingisadrawingbyHenriMatisse.Anineteenth-centuryPersianrugpullsthecolorsintheroomtogether.
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ThespaciouslivingroomoftheHammerhome.
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AduetofFrenchchairs,sconcesandantiqueFrenchengravingscreateabeautifulsettinginJulieandJohnNickel’slivingroom.TheLouisXVI-style“CorbetLounge”chairsbyMintonSpeidellareupholsteredinOldWorldWeavers“CarlottaDiamond.”AnantiqueFrenchsidetablerestsbetweenthechairs.ThedraperyswagsandcascadeshaveanunderlayjabotandsidepanelsmadeofsilkbyOldWorldWeaverswithcustomfringe.Theyaremountedoncustomgoldrodsandfinials.
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ComfortableelegancecharacterizestheformallivingroomintheNickelhome.Abeautifulcrystalchandelierlightstheroom,showingoffthenumeroustouchesofgracefuldesign.SofasbyGeorgeCameronNashareupholsteredinTravers“Melo”andaccentedwithcustompillows.Apairof“Warwick”cocktailtablesbyMintonSpidellhaveacustomfinish;theyareanchoredinfrontofthefireplace,facingapairofFrenchwingchairsupholsteredin“Marquis,”aScalamandréfabric.ThetuftedottomanisupholsteredinacoordinatingOldWorldWeaversfabric,andthecustomrugwithanAntoinetteborderwasdesignedbyEdwardFields.Thefireplacemantelholdsantiquecandelabra,accentedbyanImpressionisticoilpaintingbyLeonardWren.
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TheMintonSpeidell“Medici”sofa,withitscarvedandgildedaccents,isupholsteredin“Bellagio”byFabricut,withcustomsilkpillows.TwoantiqueFrenchcommodeswithmatchinglampsandsconcesflankthesofa.ApairofantiqueFrenchfauteuilchairsareupholsteredinOldWorldWeavers’“FlorianStripe.”Theportraitabovethesofa,titledChildrenoftheReverendWilliamMussageBradford,waspaintedbyWilliamThomasandwasexhibitedattheRoyalAcademyinLondonin1812.
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Apairofmarble-and-ormolulampswithcustomshadeshighlighttheantiqueFrenchcommodesbythesofa.Acrystal-and-silvercaddyholdsfreshflowers.TheporcelainfoxglovewasmadebyJimmyNichols.
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BecausemySpringCreekfriendsliketoworkjigsawpuzzles,Iaddedthelittlecardroomadditioninthelivingroomtoaccommodatethishappypastimeatthecabin.Thetableisanantiquemetal-topworktableandthesidechairsareantiqueSwedishMontgolfierdesign.
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Ipaintedtheoriginalknottypinepanelingoff-whiteforalighterlookinthecabin’slivingroom.Thepairofchairsontherightarereproduction“Sophie”chairsfrommycustomfurnitureline.TheRoseCummingsfabricforthosechairswaspivotaltothelookIwantedtoachieve.Thesofa,“Roxanna,”isinmycustomlineandthefabricisBrunschwigandFils.Abovethesofaisanantiquechinoiserieclock,accentedbyagroupingofoilpaintings,allbythesameartistandfoundtogetherattheParisFleaMarket.ThecustomlampsfashionedfromantiqueChinesesoyjugsalsohavecustomshades.
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Thecommodeinthelivingroomisapaintedreproduction.TheantiquebirdcageisfromKeithSkeelsinLondon.Thepaintingabovethecommodeisoneofmyfavorites—achild’sportraitfromtheLouisXVperiod,purchasedatHotelDrouotinParis.
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AcozydenadjacenttotheRenberg-Silberkleitkitchenisaperfectplaceforrelaxing.Theroomexpressesalovelymixofpatternsandcolor,especiallyNancy’sfavoritecolor,green.AlargebergèrechairisupholsteredinanembroideredlinenfloralfabricbyChelsea.Thedarkgreensofaisdressedwithcustompillows.AnAsianchoptablesitsclosetoaminiatureFrenchchild’schair.MasieLee,thedog,isequallyathomeinthisroomandthelivingroom.
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ThelivingroomintheRenberg-Silberkleithomeisastudyingraciousformality.Thelimestonemantelhostsatortoiseshellboxwithantiquebronzedorecandlesticks.ADavidHockneypaintinghangsabovethemantel.AntiqueFrenchwingchairsnestleuptothefireplace.Bythesofa,apairofBarbaraBarry–designedchairsarecoveredingold-and-crimsoncutvelvet.Nancy’sKingCharlesSpaniel,MasieLee,isquiteathomeinthisroom.
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SleekandchicbestdescribesthisLucite-and-glassgametableinthelivingroom.TheAustrianBiedermeierchairsfashionedofsilverbirchandebonyareupholsteredinolive-green-and-metallic-goldsilkandvelvet.AcontemporaryglasssculpturesharestablespacewithvasesoffreshflowersbyEricButerbaugh.Achinoiserieboxandanantiquebronzewatchholdercompletethetableau.ThelargesilkscreenisbyLarryBell.
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OneofNancyRenberg’sfavoritecollectionsistortoiseshell.Asilverwishbonethatisactuallyasugartongrestsononeofthetortoiseshellboxes.Theantiquetoletraywasinsertedtobecomepartofthelargecoffeetable.ThefreshfloralarrangementwasdesignedbyEricButerbaugh.
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AnAustrianBiedermeierburledelmbibliothèque,circa1820,servesasabeautifultransitionpiecefromthelivingroomintoanarchedhallway.ThepaintinginthehallwayisbyPeterMax.
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ThedramaticentrywayintheLosAngeleshomeofNancyRenbergandJack Silberkleitfeaturesanunusualpatternedwallpaper,anantiqueFrenchumbrellastandandaphotorealismpaintingofawaiterbyTulsaartistOttoDuecker.
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ALouisXVfruitwoodcountrybuffethasaneye-catchingpresenceintheHerndonentryway,withapairofRegency-stylesidechairsframingthevignette.AChineselacquersewingboxisamongtreasuresaccentingthebuffet.
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Amixofantiquesandcontemporarytouchesareseeninthisvignetteonthefruitwoodcountrybuffet.Acustomlampwasmadefromavintagetoleurn,accentedbyasmallold-worldpainting.Freshpeoniesaddatouchofspringinastylish,contemporary,heavyglassvase.
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ApairofLouisXVIbergèreoreillesserveasexcellentcompanionstoaLouisXVprovincialcherrytabledeferme,hostingacustomlamp,asmallpainting,apairofcandlesticks,anEnglishRegencyteacaddyandacachepotfilledwithfreshflowers,designedbyToniGarnerofTulsa.
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AMintonSpeidelllowtableisthecentralfocusintheHerndonlivingroom,surroundedbytheLouisXV/XVIbergèresandasofa.MatchingEnglishRegencygirandolesaddlustertothewalls.
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ApairofLouisXV–XVItransitionalbergèrechairsframethefireplaceinthelivingroomofAmyHerndon’shome.ThemantelfeaturesaVictoriangiltbronzesculpturerepresentingautumn.ChineseexportvasesholdfloralarrangementsalsodesignedbyToniGarner.Carvingsaccentbothsidesofthemantelforalookthatdisplaysmyloveforsymmetry.
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Alonghallwayleadingfromtheentrywayisdecoratedwithanantiqueribbon-backedChippendalesetteeandanantiqueFrenchbibliothèque.OneoftheHammers’treasuresinthishallwayisanoilportraitofMichael’sgrandfather,Dr.ArmandHammer,paintedbyMarcKleonskyin1990.
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Aglass-toptableintheHammers’longhallwayhasanantiqueFrenchironbase.PartiallyshownisalithographtitledPrayerMeeting,byGeorgeBellows.
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Thiscomfortableandeye-appealingsittingareaofftheHammers’kitchenisdressedinablue-and-whitecolorscheme.TheantiqueFrenchCountrysofaisinviting.Acustompewterlamphighlightsanendtable.Thefamilycat,Mr.Big,isquitecomfyinthisroom.
Awrought-ironchandelierpresidesoverthesecondentrywaytotheHearsthome.
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ASpanishtablestarsinthecenteroftheroom,holdinganItalianbookstand,Italianaltarsticks,andasantos.
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Books,art,andfamilyportraitsmakeadistinctivebackdropintheHearsthomeforavignettethatincludesanantiquehornchair,asmalltablewithacustomStaffordshirelamp,andanantiqueLouisVuittonsteamertrunkthatnowservesasacoffeetable.Aleopard-printrugtiesthisroomtogether.
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TheviewfromthefireplaceintheHearsthomerevealsacustom-madecoffeetablefeaturinganunusualantiqueneedlepointtop.AnantiquegildedmirrorrestsabovetheFrenchcommode.ThebeautifulsidepanelsfrontingtheFrenchdoorsaretrimmedwithstripedsilkandlavishfringeinshadesofblueandbrown.Artfillsthewallsinthisbeautifulandcomfortablelivingroom.
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TheLouisXVwalnutmantelinJoanneHearst’shomeiselegantlydressedwithanineteenth-centuryanimalieroilpainting,apreciousfindofafavoriteartistatanantiquesfairinAvignon.ApairofEnglish-styleclubchairsarecompanionstoaduetofDirectoire-stylepaintedbibliothèques.
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IntheentryofJoanneHearst’sfincainSpain,amagnificentBrittanyHenriIIsideboardisashowpiece.ItishighlightedbyItalianaltarsticksandapaintingofthePatronSaintofSeville,SantaJusta,andtheoldMoorishpartofthecathedraltower.ThesidechairsbythebuffetareupholsteredinreproductionfabricfromtheHearstCastleinSanSimeon,California.
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ApairofFrenchbonnetièresflankthefireplaceintheinglenook,andanantiqueSpanishtrunkservesasthecoffeetable.AFrenchpastrytableholdsapairoflampsandacollectionofPortuguesebovines.TheupholsteryonthematchingsidechairsreflectsJoanne’sfascinationforhorsesandcarriages.Apairofhorsesandalargecontemporarypaintingofahorseaccentthemantel.
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SoftbeigeandneutralcolorsmakeJoeandPriscillaTate’slivingroomarestfulandrelaxingsettingforlivingandentertaining.ApairofFrenchbergèresflankthesofa,whichhasasubtlefleur-de-lispattern.OneofthepairofFrenchwingchairsbyYaleBergeisupholsteredinFortunyfabric.ApairofantiqueFrenchchairsintheiroriginalfabriconcebelongedtoPriscilla’smotherandaddinteresttothesmallFrenchcommode.Thecurtainsarelushstripedsilkandfeaturebeautifulfringe.Simplerodsandgoldringsarethefinishingtouchesforthesidepanels.
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Aniron-and-glasscoffeetableintheTateformallivingroomisaccentedwithabeautifultablescape,includingapairofsilvercandlesticks,asilvercompoteandtwovases—oneaslenderrectanglefilledwithhydrangeasandtheotherwithfreshtulips,designedbyToniGarner.Books,Imariplatesandahandsomemagnifyingglasscompletethevignette.Boomer,oneoftheTates’WelshTerriers,enjoysthisviewfromhisperchinoneoftheFrenchbergèrechairs.
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EntertainingSpaceslesespacesdedétente
WhetherI’mentertainingcasuallyinthekitchen,settingaformaltableinmydiningroom,orhostingfriendsalfrescoonthepatio,Ifindthemostimportantthingisformygueststobecomfortableandhavefun.Iwantthemtoenjoythisspecialoccasion,andevenifit’saformalgathering,Iliketoapproachentertainingwithasenseofhumor.
Oftenthestyleofadiningtabledictateshowformalorinformaltheoccasionwillbe.Acountrykitchenwithaharvesttablesuggestsmorecasualaffairs,whileaLouisXVreproductiontableandchairscallforadressier,moreformalevent.
WhileIlovecasualsuppers,IalsolikeformalentertaininginmydiningroomathomeinTulsa.Allyoureallyneedforsuccessfulentertainingisfreshflowers,40-wattlightbulbsinthechandelier,andtheambienceofcandlelight.Howcouldyoumiss?
AcanarynamedRickyMartinisalwaysaguestatmyformaldinnerpartiesinthediningroom,andhesingshisheadoff.Hiselaboratebirdcagewasahousewarminggift,sowhenImovedintoanewhome,Rickyhadabeautifulnewhome,too.MygrandmotheralwayshadacanaryandIrememberedthatfrommychildhood.Thisismythirdorfourthbird,andthecanaryalwayschirpshappilyaway,asifoncue,whileIentertain.
Withbeautifulsilver,crystal,chinaandlinennapkins,atablesetinfinestylelooksgraciousandwelcomingwithoutbeingintimidating.
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TheformaldiningroomoftheHearsthomeisfittedoutwithSevillanopaintedfurniturecreatedbyalocalartist,whodecoratedthechairswithbirds,flowers,garlandsofberriesandaflower-filledurn.ThestonereproductionmantelfeatureselegantcandelabraandfruitbowlsofflowersframingaFrenchmantelclock.AntiqueFrenchsconcesaccentthewalls.
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IloveopenshelvinginakitchenbecauseitisverymuchahallmarkofFrenchkitchens.Iespeciallylikeopenshelvinginacountrysetting.ItseemsmoreinformalandcasualandcomplementsthekindofeasyentertainingIliketodoatthecabin.Moreantiquepewtertankardsarefeaturedontheseshelves.
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Apaintedantiquecupboardtotheleftoftheopenshelvingholdseverydayglasswareanddishes,makingthemeasilyaccessibleforspur-of-the-momententertaining.
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Apinefarmtable,circa1870,servesasthediningtableinmycabin,“TheRoost,”onSpringCreek,innortheasternOklahoma.Apairofantiqueroostercandelabraaccentsthetable.ThepivotalpieceintheroomisaCountryFrenchpaintedsideboard.Idecorateditwithanantiquebirdcage,antiquetolebouquets,pewtertankardsonbracketswithapewterplateoverthebirdcage.It’snosecretthatIlovechickens,soIespeciallylikethecustomlampsIhadfashionedfromheirloomStaffordshirechickens.Thegrape-stakefencingbetweenthebeamsontheceilingaddunusualtexturalinterest.
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AFrench-styletolechandelierlightsupthebreakfastareaintheHerndonkitchen.LouisXVdiningsidechairsareaprettyaccentaroundthesmall,footedtable.Sidepanelsofbrown-and-whitecheckwithwoodtasselfringeframethepanedwindows.
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DruHammerfoundthissetofFrenchchairsintheatticofanantiquesshopandthoughttheywereworthrestoring,eventhoughtheywereintotaldisrepair.Nowtheyarebeautiful,fullyrestored,surroundingtherounddiningtable,overwhichlightfromaBaccaratchandeliercastsawarmglow.HangingaboveanantiqueFrenchbuffetisaFrenchtrumeau.ThepaintingabovethefireplaceisbyVincenzoMigiaro(1850–1938).TotherightofthedoorisapaintingbyS.Pascal.InthehallwayisaphotorealismpaintingofArmieandVictorHammerbyTulsaartistOttoDuecker.
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TheflowersinthissettingarebyEricButerbaugh,ofLosAngeles.
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AmagnificentovaltableisthecenterpieceoftheHearstdiningroom.Aquartetofsilvercandlesticksandfreshflowersinasilverrepoussébowlsetaneleganttable.Antiqueplatesandframedantiquesilverwaredecoratethewall,andthetolechandelieraddsdramatothesetting.AbovethemantelisaportraitofJoanne’sgranddaughter.
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IntheBakers’greatroom,whichalsoservesasthebreakfastarea,allthefurnishingsarecozilyarrangedtofacethefireplace.TheantiqueFrenchfruitwoodtableissurroundedbyCountryFrenchsidechairscirca1860,andabovethetablehangsareproductionredtolechandelier.RedtolelampsontheantiquepinedresserbaseaccentahornmirrorandStaffordshirecows.Toilecurtainsdressthewindows.
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AlovelyaccessoryattheBakers’Frenchfruitwoodtableisacopyofaneighteenth-centurybanquetteadeux,dressedwithPierreDeuxplaidcushionsandtoilepillows.
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ReproductionWindsorchairscircletheEnglishgate-legdiningtable—alsoareproduction—intheBakers’diningarea.ThehostchairsarefrommycustomfurniturelineandarecoveredinaBrunschwig&Filscottoncheckthatisrepeatedonthesofapillows.Thecollectionofantiquemajolicaandpewterareelegantlydisplayedonthenineteenth-centuryoakdresserfromSouthWales.
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AnItalianesquefaux-marble-and-wrought-irontableservesmewellinmyformaldiningroom.IusedDirectoire-stylediningsidechairs,andtheycomfortablyseateightguests.Abovethetableisaneighteenth-centuryItalianchandelierthathasbeeninjustabouteveryhomeI’veowned.Inthebackgroundisatreasuredbirdcage.
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AlargepaintingbyFrankStellaservesasadramaticfocalpointintheRenberg-Silberkleitformaldiningroom.Theiron-and-glassdiningtablewasmadebyDaleGillman,ofTulsa’sAntiqueWarehouse.ThechandelierwasdesignedbyNiermannWeeks.PaintingsonthesidewallsarebytheDutch-bornAmericanpainterWillemdeKooning.
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TherounddiningtableintheTatehomeisfashionedofCarpathianelm.Theunusualpie-shapedleavesextendtoseattwelveguests.ThediningroomchairsareantiquesfromKentshireGallery,NewYork.TheelegantcrystalchandelieristheperfectaccentfortheantiquefootbathholdingafreshflowerarrangementbyToniGarner.Thediningroomdraperiesareinmyfavoritestyle:sidepanelswithasingleswagandacascadeofScalamandrésilk.Thesideboard,dressedwithapairofcustomlampsandImariplates,iscenteredbyanornatefootbath.ThepaintingisbyFrenchartistCharlesCamoin.
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IntheHerndondiningroom,amassiveLouisXVoakcentertableservesasthediningtable,lightedbyanItalianpaintedchandelier.ALouisXVprovincialenfiladeisaccentedbyastatelymirrorandaccessorizedwithapairofnineteenth-centurytolefloralaltarspraysonbracketsandapairofEnglishRegency–stylezincjardinières.Onthediningtable,twolargehurricanelampsframeafloralarrangementinJapaneselacquerandbronzebrazier.
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AFrenchsideboardisthestageforapairofcustomlampsandawalltreatmentthatshowcasestheTuckers’beautifulcollectionofMintonFlorentinechina,whichwasanheirloomgifttoFrancesanneandJohnfromhisgreat-grandmother.ThelampsfeatureshadesfashionedofFortunyfabric.AporcelainfoxglovewasmadebyJimmyNicholsofPaducah,Kentucky.BeautifullycarvedFrenchchairsaccentthesideboard.
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FormaleleganceisevidentinthediningroomofFrancesanneandJohnTucker,ofTulsa.CustomsidepanelsandagracefulswaginFortunycoralfabric,withsheercafés,drapethebaywindows.AFrenchtieredserverisusedasabuffetfordinnerparties.Abronzesculptureoftwogamebirdsisafocalpointonthetoptierofthetable.ThediningtableiscenteredwithapairofantiquesilvercandlesticksandanImarifootbathwithafloralarrangementofhydrangeasandwhiteandcoraltulipsbyTulsafloristToniGarner.
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PrivateSpaceslesespacesprivés
Someofthemostspecialroomsinahomearethoseprivatespaces,bedroomsandbathsanddressingrooms.ColoristhekeytocreatingaspacethatwillinspirerelaxationandIthinkthecolorpaletteshouldbequiet,calmingandrestful,suggestingthefeelingofaretreatawayfromthecaresoftheday.
Becauseweusuallybeginandendourdaysinabed,abedroomshouldbeespeciallybeautiful,comfortingandrelaxing—aplacethattrulysoothesthesoul.Ialsobelievethebathroomanddressingroomdeserveasmuchattentiontobeautyanddetailastherestofthehome.
Forme,theattentiontodetailbeginsinthedressingroom.Organizationbringsmeagreatdealofcomfort,andI’vealwayshadafondnessforwell-organizedclosetsanddressingrooms.Placeswhereclothingishungorfoldedneatlyinplace,easytoseeandreadytowearmakeslifesomuchsimplerandgetsthedayofftoabetterstart.Andthere’snoreasonthatthesemostprivateofspacescan’tbeprettyaswell.Evenwhenroomsseemtobeoverflowingwithshelvesofbooks,patternedwalls,heirloomcollectibles,comfortableoverstuffedsofasandchairs,Igravitatetoorderly,symmetricalarrangementswithafocalpoint.ThatisreallyverymuchthewayFrenchhomeslook.Byimposingorderwithbalancedarrangements,onecaninsertbeautifulobjectsandstillnotoverpoweraroom.
Iliketousefurniture,usuallyantiques,ratherthanbuilt-insfordressingroomsandclosets.Antiqueshavesomuchmorecharmandgivetheseprivatespacesapersonalityalltheirown.Iusuallyincludeachair,acommode,books,paintings,andframedphotographsoffamilyandfriendsthatwillbring
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memoriesofspecialtimestogether.IdecorateaclosetordressingroomjustasIwouldanyotherroominthehouse.
Thebedroominmyownhomenowfeaturesthebedthatwasintheguestroominmylasthouse.Thecolorpaletteissubtle,likethesoftbeigepaletteusedthroughoutthehome;previously,though,Ihadaredbedroomandfounditrestfulandwarm.(Idon’trecommendredforchildren’srooms,asthestimulatingcolorseemstomakethemhyper.)Myclients,familyandfriendsallknowredismymostfavoritecolor,andIdon’tthinkIcouldlivewithoutit.I’vecreatedmanyredrooms,oftenwithoutusingredpaint,asfabrics,wallpapersandupholsteryaregreatwaystomakearedroom.
It’sinterestingtonotethatbedroomswereuncommoninFrenchcountryhomesinthenineteenthcentury.Peopleeithersleptbythefireinthesalle(livingroom)orinlofts.Ifafamilywasluckyenoughtohaveabed,itwasoftendrapedforprivacynotonlywhilesleepingbutforgettingdressed.
DrapingthebedisoneofthehallmarksofCountryFrenchdesign,whetherthedraperyfabricisagossamersheer,yardsofsilkthatpuddleonthefloor,anambientstorytellingtoile,oranyofthebeautifulfloralsthatgiveabedatouchofforeverspringtime.Whenaroomlendsitselftothatkindofsensuous,romanticdraping,Ienjoyadorningthebedwithbeautifulfabricsandluxurioustrims.
PerhapsthemostimportantaccessoryinmybedroomatmyTulsahomeisthesmallstepchairthatNicholasusestoreachthebed.Mybrother-in-law,DaleGillman,makesthestepchairsformyclientsfromlittlechairsandupholsterstheminfabricsthatcomplementtheroom’scolorthemeanddecor.
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ThebedinthemastersuiteofTinaandElbyBeal’shomeismagnificentlydressedwithacoverletinafloralandbirdtheme.Thelitabaldaquin—acanopybed—#featuresthreecomplementaryfabrics.Thepillowsofcheckswithaccentsofthecoverletfabricaretrimmedwithornatefringe,braidandpetitesilkballs.
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Thelitcloseinmycabiniseversotiny,butred-and-whitetoile—oneofmyall-timefavoritefabrics—usedinvariouspatternsthroughouttheroommakesagrandstatementforguests.SpaceisatapremiuminmostoftheSpringCreekcabins,wheremineislocated;thisroomwasactuallycreatedfromtwoclosetsandwasservingasthelaundryroomwhenIpurchasedthecabin.SinceIdon’tknowhowtouseawasheranddryer,Iputthespacetobetteruse.Theenclosedhighboxbed—thelitclose—issurroundedontwosidesbybookshelves.ThecoverletisanantiqueFrenchquiltedpicniccloth.TheantiqueSwedishchairhasanantiquepaisleythrow.Theantiquetablewascarvedtoresembleatreetrunk.
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Ared-and-creamfloralpaperdecoratestheBeals’masterbathroomwalls.Anantiquemarble-toppedchestishometothelavatory,whichisaccentedwithacompanionchaircoveredinblue-and-ivorytoile.Alargethree-sidedottoman—Sophiethedog’sfavoriterestingplace—iscoveredinablue-and-whiteBennisonfabric,andtrimmed,ratherornately,withsoftbluefringe.
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Iusedoneofmyfavoritewallpapersinthebathroom,thesquirrelandscrollpatternwithoakleavesandacornsbyOsborneandLittle.ItmakesawonderfulbackdropandI’veevenuseditintheentrywayforsomeofmyclients.Anantiquemarble-toppedcommodewasfashionedintoavanityinmyquesttooftengivenewusestooldfurnishings.ABlackForestcarvedmatchholderandvaseholdsminiaturesunflowers.
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Acaninethemedefinitelyprevailsinthebathroomatmycabin.Ihavecollecteddogportraitsforyearsandfindthemwhimsicalandheartwarminginthissetting.
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Aneighteenth-centuryProvincialfruitwoodarmoireisthesignaturepieceinthecabin’sbathroom.ButthebeautifulantiqueFrencharchedwindow,drapedbysidepanels,andtheeighteenth-centuryFrenchenamelandmetaltubwithtwenty-first-centuryfittingsalsovieforattention.Abovethetub,aBlackForestcarvedbracketholdsadog,antiqueminiaturepapiermâchéhorntrophiesandanotherdogpainting.Acomfyantiquechairisaperfectplacetoputtowelsforguests.
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IfoundthisFrenchantiquefaux-bamboobed,circa1860,attheParisFleaMarketandfellinlovewithit.Icreatedthebednichebybuildingapairofclosetstoframethebed.Theceilingfeaturesanantiquetolechandelier,andabovethebedareantique,hand-coloredbirdengravings.ThedraperyfabricisaBrunschwig&Filspaisley.Thetableattheendofthebed,whichbeganlifeasanantiqueleatherguncase,isnowsupportedonabrassframe.Thewallsandceilingwerecladinroughcedarandthenwhite-washedforarusticlook,justperfectforthecabin.
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AsmallLouisXVIloveseatanchorsthecozy,romanticspaceinthePielstickersittingroom.AbrassandmarbleDirectoiretablefacesafauteilchaircoveredinsilkbyDuncan Ticking.ThewallcoveringisbyZoffany.ExquisitefabricbyBrunschwigamp;Filsdrapesthewindows.Theheavyfringeaddsanotherlayerofrichnesstothesmallroom.
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Atoweringpaintedcirca-1880FrenchbibliothèquethatwasfoundattheParisFleaMarketpresidesoverthePielstickersittingroom.Althoughitwastoolargeforthespace,cuttingtwoinchesoffthetopandbottommadeitaperfectfit
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Acontemporaryglass-toppedmetaldeskbyNiermannWeeksisahandsomecomplementtotheFrankLloydWright–stylewindowsinCarolPielsticker’ssmallhomeoffice,whereshehandlesfamilyandcommunitycorrespondence.
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IrestyledCarolPielsticker’sdressingroom,whichoriginallyhadallofthestoragebuiltin.Now,anantiqueFrenchdeskservesasherdressingtable.ItisattiredelegantlywithapairoftolelampsfromVaughan,providingaclean,symmetricallook.ThesubtlewallcoveringisbyRoseTarlow.Thesmallwindowgotstartreatmentwithaswagandacascadeinstripedsilk.
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Asidechairwithabamboolookhasitsoriginalneedlepointfabric.ThischairinthePielstickerdressingroom,adjacenttothemasterbedroom,makesaperfectcompaniontotheFrench-stylechairatthedressingtable.
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AsantosfigureseemsquiteathomeonasilvertrayonPielsticker’sdressingtable.Antiquejarsandglassboxesholdmakeupbrushes,cottontuftsandothertoiletries.
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AnantiquechestwasconvertedtotwinlavatoriesinthemasterbathroomofMelissaandScotIson.AnornateVenetianmirrorrestsagainstalargermirrorandisaccentedbytwinsconces.Blue-and-whitechecksidepanelsframethewindow,withhalfsheersaddedforprivacy.
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ASwedishchestfoundattheParisFleaMarketmakesabeautifulaccessoryintheIsons’masterbedroom.Matchinglampsandtolefloralarrangementsdressthetopofthechest,whichisaccentedwithadecorativetassel.ApairofFrenchchairsflankingthefireplacearecoveredin“Nadette”wovenlisereinspringgreenbyBrunschwig&Fils.
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Staffordshirefigures,anantiqueplate,abasketofivyandalovelyarrangementofhydrangeasandgreeneryadorntheFrenchgardentableintheIsons’masterbedroom.
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Anantiquewritingdeskandachaiselounge,purchasedinFrance,providesacozyplaceforreading,relaxingandwritinglettersintheIsons’masterbedroom.
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TheIsons’bedroomistrulyarhapsodyinblue.Yardsofvoluminouscottonandsilkinhuesofpaleblueandivoryframethebed.Wemixedsomereasonablypricedfabricswithothersthatwerelushandmoreexpensiveandsplurgedontheelegantfringetotrimthedraperiesandpillows.Totherightofthebed,anantiqueFrenchgardentableishandsomeinitsnewuseasanighttable.
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Stripedsilktaffetatrimmedwithblue-and-whitecheckencirclestheIsons’bed.Thefabricforthecoverlet,curtainsandchairsis“Inga,”inoyster,byWaverly.Apaisleythrowaddstothepleasingmix.
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ThebathintheHaskins’mastersuiteisatestimonytoflowersandribbons,aspringtimethemethatdelightsLizeverytimesheentersthesuite.Thebeautifulwallpaperis“LaDrapery”byScalamandré.AnantiqueFrenchbuffetconvertedtoalavatoryfeaturesapinkmarbletopaccentedbytwoornategiltmirrors.Antiquefashionprintsdecoratethewalls.
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IntheHaskins’masterbath,thesink,handpaintedbyWanthaAnnDeaton,ofTulsa,repeatsthewallpapermotifofribbonsandflowers.ThecustomhardwareisbySherleWagner.
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Ibelieveeveryhomeneedsaredroom,andthestudyofDr.JohnHaskinsdemandedtobepaintedred.Thisisamasculineatelier,withlotsofbooks,Napoleonicmemorabilia,andagranddeskthatanchorsthesmallroom.
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Thistinyspace,tuckedbetweentwofacingclosets,isarealshowstopperontheupstairslandingleadingtotheHaskins’guestsuite.TheFrenchdaybed,withitscanesides,iselegantlydressedinarichlytexturedraspberryupholsteryandlavishedwithcustompillows.Pink-and-limesilkdraperiesandavalance—alltrimmedwithlavishfringe—addinteresttothewindow,whichleadstoanoutdoorbalcony.Yummy,theHaskins’RedPersiancat,likestonaphere.
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AnantiquechestgotanewleaseonlifewhenconvertedtoalavatoryintheHaskins’guestsuitebathroom.Oneoftheeleganttouchesinthisroomistheantiquemirror(atright),hungfromadecorativeribbon.Plushtowels,small-framepaintings,andanairyfloralarrangementcreateawelcominglooktothisguestbath.
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TheHaskins’guestbedroomtrulyexpressesafemininespirit.Thebeautifulbrowncarpetwithpinkfloraldesignblendswellwiththetoile.Thebedskirtpuddlestothefloor,givingthebeddressingsarichlook.Lizsaysguestsareverycomfortableinthesequarters,whichalsofeatureanadjacentdressingroomandbath.
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TheHaskins’guestbedroomisawonderfulstudyinbrown-and-whitetoile;itcoversthewallsandadornsthefeminineFrenchchairsthatsitoneithersideoftheornateantiquedesk.Toiledraperysidepanels,accentedwithmytrademarkfringe,dressthewindows.Yummylovestonapunderthisdesk,too
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IntheNickels’home,thecustomvanitybyKerns-Wilcheckisfinishedwithamarbletop.ThevanitystoolbyGeorgeCameronNashisupholsteredin“FalkManorHouse”byScalamandréandhascustomtrimbyGeorgeCameronNash.Thewallpaperinsoftcolorsofcream,pinkandgreenis“Revillon”byZoffany.
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Theformallivingroominmyhomeisdressedinquietcolors—neutralbeigeforthesofaandchairupholsteryandforthesidepanelsdrapingthewindows.AbovethesofaisaLouisXVIgiltwoodbarometer,accentingablack-and-whiteengravingofaNapoleonicbattlescene.Apaintedcast-iron-and-glasslowtable,anoldfavoriteofmine,isnestledbetweenthesofaandchicmodernslipperchairs,aladesignerBillyBaldwin.
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Faudreemasterbedroom.Theeighteenth-centuryItaliancommode—accentedbyaRegencybull’s-eyemirror,framedengravingsandbracketswithNapoleonicfigures—wastheentrypieceinmyformerhome.Decoratingistrulyamoveablefeastforme.ThelampisthefirstoneIboughtwhenIgraduatedfromcollege.Nicholas’sportraithasaplaceofhonoronthecommode,whichalsohostsmycollectionofbronzedogsofallbreeds.
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Anantiquechinoiseriemirrorprovidesdepthintheroom.ApairofantiqueFrenchbergèrechairsandasmall,antique,hotpinkFrenchsetteeaccompanyasmallItaliancommode.Aleopard-printcarpetisacontrasttothehot-pink-and-green-stripedfabricinthesidepaneldraperiesandthegreen-and-whitefrogwallpaper.Thisisdefinitelyaroomthatexpressesmyphilosophythat“it’sthemix,notthematch.”
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ThepowderroomhasaregallookaboutitandisdressedinDruHammer’sfavoritecolorthemeofhotpinkandgreen.
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AnantiqueFrenchstovewasinnovativelytransformedintoalavatoryintheHerndonpowderroom.Avintagerepoussémirrormakesabeautifuldecorativestatement.Anorientalbowliscleverlyusedforthelavatory.
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Usingacutoutofthebenchfabricgivesthisdecorativepillow,framedinelegantfringe,moredepthontheSwedishbench.
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EmbroideredbedpanelsbyChelseaHouseenvelopethemasterbed.ThisisafavoritenappingplaceforPoloandBeau,GoldenLabradorRetrievers.ApaintedDirectoirecupboard,circa1860,housesacollectionoftreasuredbooks,whilethebasketatopthecupboardholdsmagnolialeaves.AnantiqueSwedishbenchcoveredinBennisonfabricisaprettyadditiontotheroom.ThewingchairisbyNiermannWeeks,upholsteredinRalphLaurenfabric.ThecoverletfeaturesManuelCanovas;thewallcoveringisZoffany;andthesilkcheckisTravers.ThebedsidecommodesareantiqueProvincialfurnishings.
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WisteriawallpaperbyNinaCampbellmakestheperfectbackdropforNancyRenberg’sdressingroomandbath.AnantiqueFrenchchandelierfromtheParisFleaMarketlightstheroom.ALouisXVIProvincialmirrorisacontrasttotheEmilioTerry–inspired1940smirroreddressingtable.Theelegantdraperiesarefashionedof“Sonti”lavendersilkstripeforStroheim&Romann.
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AnantiqueFrenchmetalwallornamentisfashionedintoaprettytowelrackthatdisplayssomeofNancyRenberg’scollectionofantiquelinens.
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Anantiqueironsafetoppedwithmarblebecamethesinkandvanityintheguestbathroom.Thearchitecturalmotifinthewallpaperis“GardenPavilions”byZoffany;it’sthesamewallpaperIusedintheguestbathroominmyownhomeinTulsa.
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Palelavenderandmossgreenpresenttranquil,restfulhuesinthemastersuiteintheRenberg-Silberkleithome.ThebedandbeddressingsarebyAnnGish.ALouisXVcommodeattherightisaccentedbyaPeterMaxpainting.ThechairsintheforegroundareLouisXVIarmchairscoveredin“Chantemerle”byPierreFrey.
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Palelavender-and-cream-stripedwallpapercreatesaprettybackgroundforacollectionofantiqueclocksthathanginNancyRenberg’scloset.
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WallpaperbyRoseTarlowisthebackdropforthissubtletreatmentinthemasterbathroomoftheTuckerhome.Thecustom-builtvanitywaspaintedbyTulsaartistBobPhillips.AnantiquepaintedslipperchairisupholsteredinFortunyfabric.ThewalldecorabovethechairfeaturesroomrenderingsbyNewYorkartistJimSteinmeyer.
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ApairofporcelainlovebirdsaccentsthevanityintheTuckerbathroom.Alsoshownonasilverengravedtrayispartofacollectionofunusualsnuffbottles.
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OneoftheeightguestroomsintheHearsthomefeaturesanantiqueFrenchironbeddrapedwithembroideredlinensidepanels.Thequiltedcoverletandmixoffringedfloral-and-checkedpillowscreatesasoft,soothingcombination.Thedraperiesandvalanceofblue-and-yellowtoileaddacheerfulnesstothislovelyroom.
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AlovelycollectionofpillowsdecoratesJoanne’sbedroom.Themixofchecksandfloralsresultsinastunningcombination.
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Joanne’sprettybedroomisveryfeminine,withaperpetualdisplayofprimroses,tulips,andotherflowersfromanEnglishgarden.TheantiqueFrenchtolebedisbeautifullypaintedwithevenmoreflowers,andthecanopyisattiredinafloralprintthatmatchesthedraperiesandmakesanunusualspaceforabracketdisplayingacarved-woodsanto.Floralpaintingsaccentthewallsinthispastelparadiseofyellow,greenandlavender,anddarkwoodenbeamsaccenttheceiling.Rika,oneofJoanne’sdogs,takesanapinafloralupholsteredwingchair.
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OutdoorSpaceslespiècesenextérieur
TheFrenchlovetheoutdoorsandfinddelightineachregion’sdistinctivestyle.Muchofthecharmoftheirhomesisfoundinthewayflowersburstoutofcolorfulwindowboxes,shrubsandtrellisesdresspropertiessmallandlarge,andivydrapesaboldlypaintedhome.Theirfascinationwithdininginthemidstofnatureislegendary,too.
France’sAmericancounterpartsliketoobservenaturefromgardenroomsandthree-sidedrooms.Forseasonaloutdoorentertaining,Ilovegardenroomsandindoor/outdoorroomsthatopentoaviewofnature.Theyarefuntodecorateandsoeasytoentertainin.Ithinkthetrickistoletnaturedictatethedesignofthesespacesandtousecolors,fabricsandelementsthatlookliketheybelonginalushgardensetting.
Nothingdefinesanoutdoorspaceorgardenroombetterthanwickerandrattan,andboxcarsidingiswonderfulforwallsintheseareas.Stoneflooringorscoredconcreteisnotonlypracticalbutcanbebeautifulwithjusttherightglaze.Canvasanddenim,floralsandpillowtickingarealwayscongenialcompanionsinspacesthattransitionfrominsidetooutside.BeamedceilingsaddtothecomfortablespiritIliketocreate.
Othernaturalaccessoriessuchasseashellssuggestaperennialseasidenostalgiaandenhancetheoutdoorgardentheme.Or,framedantiquebotanicalprintscanmakeastatementinagardenoroutdoorroom,especiallywhengroupedtogetherforimpact.
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Oneofmyfavoritedecoratingploysinroomswithanoutdoororgardenthemeistodisplayantiquegardenimplementsinanoldgrapecarrierhungonawall.Theyaddarustic,almostwhimsical,look.I’veusedthisthemeinmyownhomesseveraltimesaswellasinhomesofclients.
Outdoorroomsareperfectforfurnishingsthathaveaheartylook,suchasstoneorironcoffeetablesandplanters.FoldingtablesandfoldingFrenchchairsaddtotheambience,easilyaccommodatingdrop-byguests.Antiquestoneurnsarerightathomeheretoo,filledwithvibrant,seasonalflowersorplants.
Ialsolovewhenthesespaceshaveafireplacewithawelcominghearth,astapleinaFrenchCountryhome.Withthewarmingflamesandwonderfulscentofawood-burningfire,thesespecialoutdoorroomscanbecomeat-homeretreats,evenonchillyautumnorearlyspringevenings.
Gardenroomsandoutdoorroomsareawonderfulwaytocourtnatureandenjoyitsbountywithinthecomfortofaroomwithaview.
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InthewestgardenroomintheSalisburyhomeareavarietyoftexturestopleasetheeye,fromwickertostone.Shellsandantiquebotanicalprintsaddtothenaturethemeexpressedinthedecor.
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Awrought-ironstaircaseconnectstheeastgardenroomtothechildren’splayroom.TracyboughtthestairsandthefoldingtablebetweenthetwochairsattheParisFleaMarketononeofourrecentshoppingtrips.
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ThecenterpieceoftheBakers’outdoorroomisadrystackchimneyadornedwithanantiqueRepublicofFranceflagholder.Comfortablefurnishingsandasisalrugcreateawonderfulplacetoenjoynature’stheater—incompletecomfortnomatterwhattheweather.
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AnivytopiarytreeintheSalisburys’westgardenroomsharesawallwithacollectionofantiquegardenimplementsinanoldgrapecarrier,adecoratingthemeinfluencedbyLondondesignerKennethTurner.
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StonecraftsmanJamesKelley,ofTulsa,designedthereproductionmantelofcaststonefortheSalisburys’westgardenroom.Ironurnsfilledwithtolebromeliadsandabasketofshellsadornthemantel.Themirrorisframedinwicker;matchingwickerchairsarebyRalphLauren.
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Beau,oneoftheSalisburys’LabradorRetrievers,checksouttheeastgardenroom.
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Anoldpinetableintheeastgardenroomprovidesaperfectviewofthefacingmasterbedroom.ApairofantiqueFrenchfoldingchairswithleatherstrappingwasfoundattheParisFleaMarket.ThereproductionFrenchchairs,Sophie,arefrommycustomfurnitureline.Portieresfilterthelightinthissun-filledroom.
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TulsaartistJamesKelleydesignedthereproductioncast-stonefireplaceintheSalisburys’eastgardenroom.Themantelisaccentedwithapairofantiquestonefinialsandastonetroughfilledwithivyandferns.Abovethemantelisanantiquepewterstencilpattern.ACountryFrencharmoirefromtheParisFleaMarketconcealsthetelevision.
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TheoutdoorlivingspacesattheRenberg-Silberkleithomearedecoratedasbeautifullyastheinteriors.Withnewirongardenfurnishings,thereisnowplentyofspaceforthecoupletoenjoygraciousentertaining.ThepillowfabricisashellpatternbyScalamandré.ThetableissetwithNancy’sFrenchFaiencetureenandbowls.
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TheyhaveawonderfulskylineviewofCenturyCity.
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AnantiqueironfountainisthefocalpointintheentrygardenattheHearsthome.Irontablesandfloral-coveredupholsteryonthechairsmakethisalovelyplacetogreetguests,readabookorjustenjoythebeautyofnature.Orangetreesaddafragrantnotetothegarden.Thehome,designedbyarchitectHanibalGonzales,wasbuiltin1926.GonzalesalsodesignedthePlazadeEspanaandtheHotelAlfonsoinSeville.
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LimegreenandhotpinkonablackbackgrounddresstheoutdoorroomattheHammerhome.Wechoseamixofflorals,stripesandsolidfuchsiatoaddboldandinvitingcolortothisareaofthehome.
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Ziggy,theHammers’Maltese,isthemostimportantaccessory.
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Thecolorschemeoflimegreen,hotpinkandblackcomplementwell.
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WisteriaisabeautifulfocalpointinthevistafromtheHammers’gardenroom.Itsvibrantpurplebloomscomplementthecolorschemeoflimegreen,hotpinkandblack.
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ThegreatoutdoorstrulycomestolifeatthehomeofDruandMichaelHammerinLosAngeles.Inoneofmyfavoritethree-sidedrooms,wehavecreatedanoasishereforrelaxation.Withsunlightdriftinginthroughthewisteria,theseasonallookofthisgardenroomisapleasingblendwiththenaturalelementsjustbeyondthepatio.
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Largecolumnsaddadramaticlooktothisoutdoorroom.
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OneoftheterracesatHearst’sfincaisfurnishedwithironfurnitureanddecoratedwithblack-and-white-stripedcushionsandpillowsofManuelCanovas’“DoriaRoses.”Alargeglass-and-ironcoffeetablemakesthisagrandsettingforoutdoorentertaining,especiallywhenthewrought-ironsconcescreatesoftcandlelightforeveningdining.
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Undertheprotectionofaporchthatiscoveredyetprivytomaximumaircirculation,thisistrulyaluxuriousoutdoorroom,assophisticatedandcomfortableasanyroomindoors.
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FinishingToucheslesfinitions
Thiscollectionofdishesisamixtureofdifferentcolorsofblue,fromdelftandbluetransferwaretoEnglishandChineseexportporcelain.
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Displayingcollectionsisaboutbalanceandfoolingtheeyewithdifferentlevelsandwallgroupings.Noticehowthevariouslevelslettheeyerestperiodically.
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Detailsarelikefrostingonthecake.Sometimespeopletendtostopbeforethejobisdone.Thepillowsonarefinishedwithacombinationoffringe,braidandwelt.Mixingmaterialsalsoaddsinterest.
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Onthebedisamixofcottonandsilk.Pillowscandressupanybedorchangethelookofanysofa.They’remagicinthewaytheytransformaroom.NoticealsothefringeontheTuscanlampshade.
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Accessoriesareasimportanttoaroomasthefurnitureitself.Whatmakesthecompositionappealingarethedifferenteyelevelsandsubjectmatter.Objectsandmaterialsareduplicatedoneachsideofthecenter,creatingthewonderfulsymmetryI love.
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Aninterestingarrangementofmaterialsanddissimilarobjectsinanasymmetricalgrouping.Bothvignetteshavefreshflowers—alwaysawonderfultouch.Whatmakesthecompositionappealingarethedifferenteyelevelsandsubjectmatter.
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Acknowledgmentsremerciements
IthoughtIonlyhadonebookinme,buthereweareagain,andIamimmenselygratefultoeveryonewhohelpedmewiththissecondbook.Iextendmysincereappreciationtothefollowingpeople.
Thehomeowners,whoweresowillingtoallowusintotheirhomesandlivestophotographtheirbeautifulsurroundings.TheyareSharonandJohnBaker,TinaandElbyBeal,PattiandDavidBowman,DruandMichaelHammer,LizandJohnHaskins,JoanneHearst,AmyandBlakeHerndon,MelissaandScottIson,JulieandJohnNickel,CarolPielsticker,NancyRenbergandJackSilberkleit,TracyandHalSalisbury,FrancesanneandJohnTucker,andPriscillaandJoeTate.Merci.
JeniferJordan,whoseincredibletalentandhardwork,createdthebeautifulphotographyinthisbook.
NancyE.Ingram,photostylist,whosetalentedeyeanddedicationsetthehigheststandardforbothofmybooksfrombeginningtoend.Shehasbeenmywonderfulfriendformanyyears.
M.J.VanDeventer,writerandchildhoodfriend,whohadthejobofcleaningupandorganizingmyramblingsentencesandtranslatingmythoughtsonFrenchCountrydesign.
Mystaffandassistantsfortheirtimeandsupport,andespeciallyApril
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Moore,whohelpedmecreatethesebeautifulhomes.
ToniGarnerandEricButerbaugh,talentedandgiftedfloraldesignerswhoaddedthebeautyoffreshflowerstotheTulsaandLosAngelesphotographs.
DaleGillmanforgivingfreelyofhistimeandforhisvastknowledgeofFrenchprovincialfurniture.
KarlEngle,whomadethejobinSpainpossibleandanevengreaterjoy.
MadgeBaird,GibbsSmitheditor,forhercommitmentandenthusiasm,andwhothroughtheprocesshasbecomemyfriendandforwhomIhavegreatrespect.
MaryEllenThompson,forherdesignandattentiontodetail.
Mostaffectionately,mysister,FrancieFaudree,forherconstantloveandsupport.
Andtoallofyou,Icannotthankyouenough.
Fondly,Charles
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AntiquesandResourcesréférences
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CaliforniaAnnDennis
2915RedHillAve
SuiteB106
CostaMesa,CA92606
Phone:(714)708-2554
JefferiesLtd.
852ProductionPl
NewportBeach,CA92663
Phone:(949)642-4154
KathleenStewartAtHome
338NorthLaBreaAve
LosAngeles,CA90036
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Phone:(323)931-6676
LymanDrakeAntiques
2901S.HarborBlvd
SantaAna,CA92704
Phone:(714)979-2811
TerraCotta
11922SanVicenteBlvd
LosAngeles,CA90049
Phone:(310)826-7878
TomStansburyAntiques
466OldNewportBlvd
NewportBeach,CA92663
Phone:(949)642-1272
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UniquitiestheConsignmentHouseandUniquitiesAntiqueMart
11740SanVicenteBlvd
LosAngeles,CA90049
Phone:(310)442-7655
EricButerbaughFlowerDesign
300SDohenyDr
LosAngeles,CA90048
Phone:(310)247-7120
VillaMelrose
6061W3rdSt
LosAngeles,CA90036
Phone:(323)934-8130
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GeorgiaBoxwoodGardens&GiftsInc.
1002EAndrews
Atlanta,GA30305
Phone:(404)233-3400
TheFrenchAtticTheStalls
116BennettStNW
Atlanta,GA30309
Phone:(404)352-4430
JaneMarsdenAntiques
2300PeachtreeRdNW
Atlanta,GA30309
Phone:(404)355-1288
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NewYorkElliotGalleries
155East79thSt
NewYork,NY10021
Phone:(212)861-2222
GeorgeN.Antiques
67East11thStreet
NewYork,NY10003
Phone:(212)505-5599
HerbertDe’Forge
220E.60thSt
NewYork,NY10022
Phone:(212)223-9007
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JohnRossellie
523East73rdSt
NewYork,NY
Phone:(212)772-2137
KingAntiques
57East11thSt
NewYork,NY10003
Phone:(212)253-6000
(212)674-2620
RoyalAntiques
60East11thSt
NewYork,NY10003
Phone:(212)533-6390
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NorthCarolinaRyan&Company
384Hwy107S
Cashiers,NC28717
Phone:(828)743-3612
TheCountryHome
5162USHwy64East
Highlands,NC28741
Phone:(828)526-9038
Rusticks
32CanoePt
Cashiers,NC28717
Phone:(828)743-3172
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VivianneMetzgerAntiques
31CanoePt
Cashiers,NC28717
Phone:(828)743-0642
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OklahomaAntiqueWarehouse
DaleGillman
2406E12thSt
Tulsa,OK74104
Phone:(918)592-2900
CisarHolt
1609E15thSt
Tulsa,OK74120
Phone:(918)582-3080
RoyceMeyersGallery
1706SBoston
Tulsa,OK74119
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Phone:(918)582-0288
SamSpacek
8212E41stSt
Tulsa,Ok74145
Phone:(918)627-3021
S.R.Hughes
3410SPeoria
Tulsa,OK74105
Phone:(918)742-5515
T.A.Lorton
1345E15thSt
Tulsa,OK74120
Phone:(918)743-1600
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TheAntiquary
1323E15thSt
Tulsa,OK74120
Phone:(918)582-2897
ColonialAntiques
1740SHarvard
Tulsa,OK74112
Phone:(918)743-6700
Kelley’sAntiques
8202E41st
Tulsa,OK74145
Phone:(918)282-2045
Polo-LodgeAntiques
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8250E41st
Tulsa,OK74145
Phone:(918)622-3227
Robert’sAntiques
168E15thSt
Tulsa,OK74120
Phone:(918)582-1058
Toni’sFlowers&Gifts
3525SHarvard
Tulsa,OK74135
Phone:(918)742-9027
ArthurGraham
7118NWesternAve
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OklahomaCity,OK73116
Phone:(405)843-4431
CovingtonAntiqueMarket
7100NWesternAve
OklahomaCity,OK73116
Phone:(405)842-3030
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TennesseeALittleEnglish
4554PoplarAve
Memphis,TN38117
Phone:(901)682-2205
CatherineHarris
2115MerchantsRow
Germantown,TN38138
Phone:(901)753-0999
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TexasCountryFrenchAntiques
1428SlocumSt
Dallas,TX75207
Phone:(214)747-4700
GeorgeCameronNash
150DallasDesignCenter
1025NStemmonsFreeway
Dallas,TX75207
Phone:(214)744-1544
JosephMinton
1410SlocumSt
Dallas,TX75207
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Phone:(214)744-3111
TheMews
1708MarketCenter
Dallas,TX75207
Phone:(214)748-9070
PierreDeux
415DecorativeCenter
Dallas,TX75207
Phone:(214)749-7775
UncommonMarket
2701Fairmont
Dallas,TX75201
Phone:(214)744-3111
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TheWhimseyShop
1444OakLawnAve
Dallas,TX75207
Phone:(214)745-1800
Area
5600KirbyDr
Houston,TX77005
Phone:(713)668-1668
BrianStinger
2031WestAlabama
Houston,TX77098
Phone:(713)526-7380
JoyceHornAntiques
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1008WirtRd
Houston,TX77055
Phone:(713)688-0507
KayO’TooleAntiques&Eccentricities
1921WestheimerRd
Houston,TX77098
Phone:(713)523-1921
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ParisParisFleaMarket
MarcheAuxPuces
Saint-OuenFleaMarket
PorteDeClignancourt