chart 1 - weebly...chart 4 dotted half notes i ask your teacher what the letter 'c in measure...
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CHART 1.5 Quarter Notes and Rests
? Ask your teacher where all the time signatures went!
% r f f f
r f r r 1̂ r r r
10 11 12
# • [»
/ i 14 15 16
22 23 24
25 26 27 28
29 30 31 32
i r \t i ~m 0 \ \ \ \\ \ T \
EXTRA PRACTICE 1 Lots of Rests
I I I \l f m m
I I i -0 m- I r I 0
10
I I i ^ ^
11 12
^ 3
i 14
• 0 0-
15 16
i i i I \l i i
17 18 19 20
1 22 23 24
25 26
I r I
27 28
0 0 i I I I W
29 30
0 0 0
31 32
CHART 2 Quarter and Half Notes with Rests
CHART 2.5 More Quarter and Half Notes with Rests
25 26 27 28
CHARTS Quarter, Half, and Whole Notes
CHART 3.5 Quarter, Half, and Whole Notes with Rests
CHART 4 Dotted Half Notes i Ask your teacher what
the letter 'C in measure one meansl
* A dot adds 1/2 the value of the note it is dotting. *
CHART 4.5 More Dotted Half Notes
CHARTS Time Signatures
CHART 5.5 More Time Signatures
29 30 31 32
CHART 6 Eighth Notes
i|< r̂ r r r 'cjcjLrcj'r r r r ' [ J L / C J L T ^
I u u l i I u u i i I u u i i I u u i l
^^I'f U ' l ' f 'f U T r 'r L i r r 'r L / r r "
^ ' l i I u I' If f u f If f u r Ir r u r I'
^ 4 r r r u 'r r i' u 'r r r u 'r r r
^ Q l ' u ii u r u - i f u r u ' r u r L T I
^ ^ L / r [J*r ^LTr [ j f i r r r r r r i r r r
CHART 6.5 Eighth, Quarter, Half, and Whole Notes with Rests
• 0 0 0 —0- 0 0 - © -
o 0-
10 11 12
g 0 0 0 j : 0 Sh 0 0
13 14 15 16
• 0 - 0 0 0 0 O
17 18 19 20
21 22 23 24
i f I i \^ i -
25
• 0
26 27 28
29
4 30 31
• T T T T T Ir \ r tf
32
CHART? Eighth Notes and Eighth Rests
CHART 7.5 Eighth Notes and Rests with Time Change
RHYTHM SET 1 Complex Rhythms with Eighth Notes and Rests
1
^ 0 0 Id
4
0 0
tJ P ̂ ^ ^
7
^ P ^ P ' ' - ^ - p - ^
8
# *-
10
7 7 7 *F
11
•> V •<
12
fe 7 7 7
13
l 7 7 7 7 n 7 r ) ^
14
fe 7 ^ 7 7 7 7 7
15
16
j[ 7 7 7 7 7 p 7 ^
CHARTS Ties
CHART 9 Dotted Quarter Notes
! Remember what a dot does to a note.
CHART 9.5 Dotted Quarter Notes
33 34 35 36
RHYTHM SET 2 Eighth, Quarter, and Dotted Quarter Rhythms
f 1
r cj^P 15-4 r 28
8 ^ p V p p p |j 20-('^) v; p ^ V 32 4 ^ p ^ V p
9 4 ^ = f ^ - p - ^ ^ ^ 2 1 - | t - p = ^ p ^ a 3 3 ^ P P T p 22
fe
1 2 ^ ^ ^ ^ ^ ^ 24^1' , ; p 7 36 (|) Si p V p
CHART 10 Syncopation
CHART 10.5 Mixed Syncopation
^ | p r p r P r p r r If P r P ir r
1 77 12
• P If P 7-̂ 75 7(i
p p" r r 7S 19 20
r c j p r p 22 25 24
|g |g
2J 2d 27 2S
P r r r p If ^ r ^ ^ ^ ^ V\' 50 57 52
r p r p i p r 33 34 35
^ p ^ ̂ ^ ^ \' If r p P' 36
CHART 10.75 Syncopation with Rests
I^LTf p r p i r c / M p i p r p r c / i M p P
4 P r p r Ip M r r If p M ir r ̂ 70 77 72
75
m 14 15 16
f' f ft
77 7S 79 20
27 22 25 2^
4 r p ' ^ T n / ' r C J r r ' p r r r p ^ c j ^ f ^ ^ 25 26 27
| p ^ r r p lr p r i p ^ ^ 2S
2P
fe
50 57 52
r p ip r r 55 5-̂
I T P T P Ip P P r 55 55
(g p IF—y
RHYTHM SET 3 Ties, Syncopation, and Dotted Quarter Rhythms
'ff 4 u U 1 = ^
f \ "4- m m a m M V
.^4
^ p 1 p 0 m i
^ g ^ . . . . ^
/T -4 « • •
I* 0
1 3 ^
15 fe
1 6 ^
1 9 7 ^
20 4 ^
2 i 4 ^ ^CJ '
2 2 ^ ^ 2E - ^
23
24
28
29
30
31
-A
3 2 ^
33
34:
3C
p
i
P P p p ^
^^^+P p- T ^ 36 4 g p ^
CHART 11 Sixteenth Notes
wm [ J U T luairut itsmn
wm
mm
mwmwmwmm JEM E E I E ^ ^ E E E E mwmw mmm-m
mm
WW\ CB—E-EIEi:» j# Z E Z E ':m=mi
CHART 11.5 Mixed Sixteentlis
uir fcgfcjir r r cffl̂ |̂ ^
m 10 11 12
WWW.
13 14 15 16
:WW WW
17 18 19 20
^WWW p ft f f f f ' f f ±
i 22 23 24
2J 2tf 27 28
(2: 4̂ 2P 50 31 32
p ^ p p r c ^ T P ip^ ppp pip
55 55 56
P
CHART 12 Sixteenth Rhythms 1
WM I f f IL;CJ JEM f p p
i^LSLSSLSS^ \U W=WWW=WW4 0 00
i f LS!LJ ZWW mwi
(* (g p—p~ p P I* I* P—F"
0 0 0 w=w:
CHART 12.5 Sixteenth Rhythms 2
I ^ !ir [CT L; I L ; [IT L; I err c; CJ [CT I [CT
j ' T [crc/r i [^[ jr jjfif [crcjicrrrrrr 1
# # zm m m m m m
Chart 12.75 Mixed Sixteenth Rhythms
1 1
5
= = + ^
k ~ ^ - ^ m
7
mmm m mm m ^ ^ m m m
9 10 7/ 72
13
•'A^—x>^. m ^
U ^ m \ ' L y LEJLLf
7(5
17
f L 0—t H#-|9—0 — ̂ m M
r r r r ' r r r r r r r r r r 7« 7P
_ ^ a > i i ^ ^ ^ * f ^ m ^ * —
20
21
9 0 0 0^— \ 0 0 0 m *i
22 2i
- A A A . A A A . - i . —. — — A ^ .
25
JL }
FT
- S i l — «
26
-i sr
27 28
29 i 30 31
' P f i r r r r m r ^ j J2
1 j» f f f i * f f f r—J
RHYTHM SET 4 Sixteenth Rhythms
» r t — — 1 w w
15
• v y . -16 tf, a WW.
fe i ww=ww
mmmmmm 1 2 1 ^ ^
2 4 ^
• E E
25 S
261 ^ f r r ^
LJ LJ LJ L J i 27^S)g^p l l
2 8 ^ ^ ^ ^
19:
30l|,jiQJff II
WW
32 LJfII
^ 331 Si [_[f p ^ H
34
35
| ^ [ £ f P II
Chart 13 Dotted-Eighth Sixteenths
m 0 0 m
JO Jl J2
Jf A. t m A r v l ' ^
13 J4 JS 16
^ ^ a u LJLI ' L / L / CJU ' C / CJU n/'cj cju W
J7 J8 19 20
\ U UUU \U. LJUU\uu U a'L/L/ U L/l' 2J 22 23 24
0 0 0 - 0 ^ 0 0 0
26 27 28
i j [_j-r I'
29 30 3J 32 33 34 35 36
JT '••••iL/L/'LJr 'LTL/'ULI 0' 00 II
Chart 13.5 Crazy Sixteenth Rhythms
10 11 12
f f f f -
13 14 15 16
^ 0
17 75 19 20
21 22 23 24
25 26 27 28
f f f > f f
29 30 31 32
6/8 Countmg In 6/8 time, the dotted-quarter Mixed Triplet Rhythms note gets the beat. There are
only 2 beats per measure that are divided into triplets.
7 ^
5
1 la l i 2 la
•
T — H
5 7
r 1 -f0 w r r 7; 12
r p r p T' r 'r p r p T
7^ 75 75
r p r p p r p ip"
77 18 19 20
p p Ip p r ^ 27 22 25 2^
25 25 2 7 25
7 7 ft 7 7E ft 7 7 ft
-r \t
P — ^ 7 7 ft 7 ^
2P 50 57 52
r p r p ip"