choice of entry
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Choice of Entry. Main and Added Entries. AACR2 Part II. Choice of access points. Forms of access points . Many Access point. Few access points. First description level . Second and third description levels . AACR2R Part II. 21 Choice of Access Points 22 Headings for Persons - PowerPoint PPT PresentationTRANSCRIPT
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Choice of Entry
Main and Added Entries
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Choice of access points Forms of access points
First description level
Second and third description levels
Few accesspoints
ManyAccess point
AACR2 Part II
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AACR2R Part II21 Choice of Access Points22 Headings for Persons23 Geographic Names24 Headings for Corporate Bodies25 Uniform Titles26 References
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Access point A name, term, code, etc. under
which a bibliographic record may be searched and identified
Example of access points are: title, subject, author, etc.
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Main and added entries “In Part II the rules are based on the
proposition that one main entry is made for each item described, and that this is supplemented by added entries.”
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Main entry “The complete catalogue record of
an item, presented in the form by which the entity is to be uniformly identified and cited”. AACR2
In the days of manually prepared cards, it has been the practice to designate one of the access points as chief access point or main entry
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Added entries “An entry, additional to he main
entry, by which an item is represented in a catalogue; a secondary entry”
AACR2 The aim is to provide access to
bibliographic descriptions in addition to the access provided by the main entry heading.
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Do we need main entries in the online environment? Standard convention for the way a
bibliographic item should be cited. The collocative function Immediate information on authorship
(primary responsibility) The most prominent role (a
performing musician versus the composer of a piece of classical music)
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MARC for AA2 Pt.21XX = main entry7XX = added entry4XX = Series statement and added entry
X00 = personal nameX10 = corporate bodyX11 = conference
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MARC wrinkles 245 1st indicator
0 = no added entry 1 = added entry
246 varying form of title 440 series statement & added
entry
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CHAPTER 21CHOICE OF ACCESS POINTS
21.0 INTRODUCTORY RULES21.0A Main and added entries21.0B Sources for determining access
points
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CHAPTER 21CHOICE OF ACCESS POINTS
21.1 GENERAL RULE21.1A Works of personal authorship21.1B Entry under corporate body21.1C Entry under title
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21.1A Personal Authorship “… person chiefly responsible for
the creation of the intellectual or artistic content of the work.”
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100 1_ $a Samek, Toni, $d 1964- 245 10 $a Intellectual freedom and social responsibility in American librarianship, 1967-1974 / $c by Toni Samek ; with a foreword by Sanford Berman. 246 18 $a Intellectual freedom & social responsibility in librarianship, 1967-1974
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21.1B Entry under Corporate Body “A corporate body is an organization or a
group of persons that is identified by a particular name and that acts, or may act, as an entity.”
“… associations, institutions, business firms, nonprofit enterprises, governments, government agencies, projects and programmes, religious bodies, local church groups identified by the name of the church, and conferences.”
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21.1B2 Main entry under corporate bodyEmanates from a corporate body AND is: Administrative work Specific legal, governmental, religious Collective thought of the body Collective activity of a conference or an
event Collective activity of a performing group Cartographic material emanating from a
corporate body other than a body that is merely responsible for their publication
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110 2 $a Canadian Association for Information Science. $b Conference $n (23rd : $d 1993 : $c University of Alberta. School of Library and Information Studies)
245 10 $a Connectedness : $b information, systems, people, organizations / $c edited by Hope A. Olson, Dennis B. Ward.
260 $a Edmonton : $b School of Library and Information Studies, University of Alberta, $c 1995.
700 1 $a Olson, Hope A. 700 1 $a Ward, Dennis B. 710 2 $a University of Alberta. $b School of Library
and Information Studies.
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21.1C Entry under titleEverything not entered under personal
author or corporate body Personal authorship is unknown A collection of works by different
persons and bodies A work that emanates from a corporate
body but does not fall into any of the categories and is not personal authorship
It is accepted as sacred scripture by a religious group
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Entry under title examples A memorial to Congress against an
increase of duties on importations/ by citizens of Boston and vicinity
Working class stories of the 1890s/ edited, with an introduction, by P.J. Keating
The book of Isaiah
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245 00 $a Beatrix Potter's Peter Rabbit : $b a children's classic at 100 / $c edited by Margaret Mackey. 260 __ $a Lanham, Md. : $b Children's Literature Association and the Scarecrow Press, $c 2002. 440 _0 $a Children's Literature Association centennial studies ; $v no. 1 700 1_ $a Mackey, Margaret.
Entry under title
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More detailed rules21.4 Works for which a single person or
corporate body is responsible21.5 Works of unknown or uncertain
authorship or by unnamed groups21.6 Works of shared responsibility
[Rule of three][Principal responsibility]
21.7 Collections and works produced under editorial direction
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100 1_ $a Altmann, Anna E. 245 10 $a Tales, then and now : $b more folktales as literary fictions for young adults / $c Anna E. Altmann, Gail de Vos. 260 __ $a Englewood, Colo. : $b Libraries Unlimited, $c 2001. 700 1_ $a De Vos, Gail, $d 1949-
Shared responsibility example
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The Western experienceMortimer Chambers
Raymond GrewDasvid Herlihy
Theodore K. RabbIsser Woloch
245 04 $a The Western experience $c Mortimer Chambers [et al.]
260__ $a New York, $b Knopf; [distributed by Random House, $c 1974]
300__ $a 3 v. $b illus. $c 24 cm.504__ $a Includes bibliographies.7001_ $a Chambers, Mortimer.
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Works of mixed responsibility
21.8A Scope:Works that are modifications of other works
21.9-21.23: Mixed responsibility in new works
21.28 : Related works
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Works that are modifications of other works21.9 enter as appropriate for new
work if:- substantially modified- in a different medium
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245 00 $a Little women / $c a DiNovi Pictures Production ; directed by Gillian Armstrong ; produced by Denise DiNovi ; screenplay by Robin Swicord. 508 __ $a Director of photography, Geoffrey Simpson ; film editor, Nicholas Beauman ; music, Thomas Newman. 511 1_ $a Winona Ryder, Gabriel Byrne, Trini Alvarado, Samantha Mathis, Kirsten Dunst, Christian Bale. 500 __ $a Based on the novel Little women by Louisa May Alcott. 700 1_ $a Armstrong, Gillian, $d 1950- $e direction. 700 1_ $a Swicord, Robin, $e writing. 700 1_ $a Ryder, Winona, $d 1971- $e cast. 700 1_ $a Byrne, Gabriel, $d 1950- $e cast. 700 1_ $a Bale, Christian, $e cast. 700 1_ $a Alcott, Louisa May, $d 1832-1888. $t Little women.
21.10 Adaptations of texts
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Added entries 21.29 General rule – make an a.e.:
To provide additional access If instructed in 21.30 If a user might search for it If called for in the particular catalogue
21.29F the reason for an a.e. must be apparent from the description
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