christie's - 11 september 2014
DESCRIPTION
19th Century European ArtTRANSCRIPT
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S O U T H K E N S IN G T O N
19th CenturyEuropean Art
Thursday 11 September 2014at 1.00 pm
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11/04/14
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28 APRIL
19TH CENTURY EUROPEAN ARTNEW YORK
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19TH CENTURY EUROPEAN ART &
ORIENTALIST ARTLONDON, SOUTH KENSINGTON
13-14 MAY
OLD MASTER, 19TH CENTURY &
IMPRESSIONIST ARTAMSTERDAM
21 MAY
19TH CENTURY EUROPEAN &
ORIENTALIST ART
LONDON, KING STREET
11 SEPTEMBER
19TH CENTURY EUROPEAN AND
ORIENTALIST ARTLONDON, SOUTH KENSINGTON
27 OCTOBER
19TH CENTURY EUROPEAN ARTNEW YORK
25 NOVEMBER
OLD MASTERS, 19TH CENTURY AND
IMPRESSIONIST ART
AMSTERDAM
9 DECEMBER
19TH CENTURY EUROPEAN &
ORIENTALIST ARTLONDON, KING STREET
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[15]
christies.com
19th Century European ArtThursday 11 September 2014
AUCTION
Thursday 11 September 2014
at 1.00 pm Lots 1-152
85 Old Brompton Road
London SW7 3LD
AUCTION CODE AND NUMBER
In sending absentee bids or makingenquiries, this sale should be referredto as LOTTIE-5298
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Front cover: Lot 98Back cover: Lot 72
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AUSTRIAN/BELGIAN
4VICTOR DE PAPELEN (BELGIAN, 1810-1881)
Repairing nets at the harbour wallsigned Vor papelen (lower left)
oil on board13x 19in. (33.5 x 49.3 cm.)2,000-3,000 $3,400-5 2,600-3
3FRANOIS BACKVIS (BELGIAN, 1857-1926)
Peonies in a blue vasesigned and dated F.Backvis 1898 (lower right)oil on canvas20x 24in. (52.5 x 62.5 cm.)1,200-1,800 $2,100-3 1,600-2
2 (a pair)
2EUGENE H. FREY (BELGIAN, 1864-1930)
Lobster with champagne and oysters on aledge; and Fish with cabbages on a ledgeboth signed and dated Eug. Frey/1891(lower right)oil on canvas27 x 38in. (68.5 x 98.2 cm.)a pair 3,000-5,000 $5,100-8 3,800-6
1FRANZ XAVER WOLF (AUSTRIAN, 1896-1990
A Rabbi readingsigned F.X. Wolf (upper centre)oil on panel19x 15in. (50.1 x 40 cm.)3,000-5,000 $5,100-8 3,800-6
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BELGIAN/CZECH
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CZ
5EMILE LECLERC (BELGIAN, 1827-1907)
Reclining nudesigned and dated E Leclerc/1854 (lower right)
oil on panel12x 16in. (32.5 x 41.4 cm.)2,000-4,000 $3,400-6,800 2,600-5,000
6FRANTISEK JAKUB (CZECH, 1875-1940)
Fruit pickerssigned Jakub (lower right)
oil on panel21x 29in. (55 x 75.1 cm.)3,000-5,000 $5,100-8,500 3,800-6,300
7FOLLOWER OF HENRI MARTIN
A muse with a lyrewith signature AULE HOFRICHTER
(lower right)oil on canvas25x 28 in. (65 x 71.2 cm.)3,000-5,000 $5,100-8 3,800-6
P ROV ENANC E :
Anonymous sale; Sothebys Olympia, 1 Octob2003, lot 186, as by Martha Hofrichter.After the original by Henri Martin, painted in 18
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DANISH
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9
NIELS FRISTRUP (DANISH, 1837-1909)
Picking flowers in a classical gardensigned N. Fristrup (lower right)oil on canvas38 x 25in. (96.5 x 65.5 cm.)4,000-6,000 $6,800-10 5,100-7
8PEDER MORK MNSTED (DANISH, 1859-1941)
The cow refuses to drinksigned P.Mnsted (lower right) and inscribed Koen vil ikke drikke.(lower left)oil on canvas19x 27in. (50.6 x 70.6 cm.)3,000-5,000 $5,100-8 3,800-6For a catalogue note on this artist please see lot 14.
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n11CHRISTIAN VIGILIUS BLACHE (DANISH, 1838-1920)
Sunset on a Mediterranean shore, possibly Gibraltaroil on canvas45x 68in. (115.7 x 173.3 cm.)5,000-7,000 $8,500-12 6,400-8
10DANIEL HERMANN ANTON MELBYE (DANISH, 1818-1875)
A barque and a steam ship passing the rock of Gibraltarsigned Anton Melbye (lower left)oil on canvas22x 30in. (56 x 78 cm.)5,000-7,000 $8,500-12,000 6,400-8,800Daniel Hermann Anton Melbye was born in Copenhagen, the eldest brother ofartists Vilhem and Fritz Melbye. He had originally wanted to be a sailor and trainedas a shipbuilder before becoming a pupil of Christoffer-Wilhelm Eckersberg. Hereceived international acclaim as an artist, and depicted shipping lanes around theworld, such as this scene before the rock of Gibraltar. In 1847 Melbye moved toParis where he obtained the patronage of Louis-Philippe and later Napoleon III.
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DANISH
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12DANISH SCHOOL, 19TH CENTURY
Fishing on the lake edgeindistinctly signed with initials A.B... (lower left)oil on canvas16x 21in. (42 x 54.5 cm.)2,000-4,000 $3,400-6,800 2,600-5,000
13CARL HOLSOE (DANISH, 1863-1935)
The kitchen pantrysigned C. Holsoe (lower right)oil on canvas25 x 28in. (63.5 x 72.4 cm.)2,000-4,000 $3,400-6,800 2,600-5,000
n14PEDER MORK MNSTED (DANISH, 1859-194
Cap Martin, Francesigned, inscribed and datedP.Mnsted-Cap Martin-1907- (lower left)oil on canvas27x 39in. (70.5 x 101 cm.)8,000-12,000 $14,000-20 11,000-15
P ROV ENANC E :
Anonymous sale; Christies, New York,30 October 2002, lot 209.Mnsted is known for his highly finished landscdetailing water. The clarity of light which highhis scenes is reminiscent of the Golden AgDutch painting. He is considered the leading Dlandscape painter of the period. Mnsted was tuby Julius Exner and Andries Fritz at the AcademCopenhagen. Throughout Mnsteds long careecirculated Europe, the Middle East and North A
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DUTCH
16
ATTRIBUTED TO JOHANNES ROSIERSE (DUTCH, 1818-1901)
The night marketoil on panel18 x 13in. (45.8 x 35 cm.)1,000-1,500 $1,700-2 1,300-1
15PETRUS KIERS (DUTCH, 1807-1875)
The wedding nightsigned and dated P. Kiers ft 1856/Amsterdam (lower left)oil on panel15x 12in. (39.8 x 32 cm.)2,000-3,000 $3,400-5 2,600-3Petrus Kiers is best known for his romantic candlelit interiors. In 1841 he wsilver medal at Felix Meritis, Amsterdam.
17 No Lot
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DU
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18
EIAS PIETER VAN BOMMEL (DUTCH, 1819-1890)
A busy shipping portsigned E. P van Bommel (lower right)oil on canvas25 x 36in. (63.5 x 93 cm.)3,000-5,000 $5,100-8,500 3,800-6,300
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19
HENDRIK BAREND KOEKKOEK (DUTCH, 1849-1909)
Gathering firewoodsigned H.B. Koekkoek (lower left)oil on canvas30 x 24in. (76 x 63 cm.)2,000-3,000 $3,400-5,100 2,600-3,800
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DUTCH/FRENCH
20 20
20A. VERMEULEN (DUTCH, 19TH CENTURY)
Portrait of a soldier in a red cape, holding a spear in an interior; an
soldier in a suit of armourboth signed A. VERMUELEN (lower left and lower right respectively)oil on panel15x 8in. (38.4 x 22.3 cm) each two in the lot 2,000-4,000 $3,400-6 2,600-5There were many artists in the Vermeulen family. These included CoVermeulen and his son, the landscape painter Andries Vermeulen, who di1814. The present lot is painted later in the 19th Century, and shows the dexof a classically trained artist.
21
21ADOLPHE ALEXANDRE LESREL (FRENCH, 1839-1929)
The sentrysigned and dated A.A. LESREL 1884 (lower right)oil on panel16x 10in. (41.2 x 27 cm.)3,000-5,000 $5,100-8 3,800-6
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FR
22EDOUARD JEAN-BAPTISTE DETAILLE (FRENCH, 1848-1912)
Napoleon Bonaparte in Italy, 1797signed and dated EDOUARD DETAILLE/1883. (lower right)
oil on canvas21x 25in. (51.4 x 65.4 cm.)2,000-4,000 $3,400-6,800 2,600-5,000
P ROV ENANC E :
Anonymous sale; Christies New York, 15 February 1994, lot 27.
L I T E RA TU R E :
M. Vachon, Detaille, Paris, 1898.F. Robichon, Edouard Detaille, un sicle de gloire mlitaire, Paris,2007, pp. 92-93 (illustrated).
The subject of this painting depicts Napoleons victory over the Austrian forcesAustrian prisoners are a mixture of cavalry, infantry and artillery, and are escby French Light Infantry whilst French dragoons in green on right look onwork is directly inspired by his master Meissonier.
We are grateful to Franois Robichon for his assistance cataloguing this lot.
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FRENCH
24 No Lot
23PAUL-LOUIS-NARCISSE GROLLERON (FRENCH, 1848-1901)
A sleeping Napoleonic soldiersigned and dated P. Grolleron 80 (lower right)
oil on panel8x 12in. (21 x 32.3 cm.)2,000-3,000 $3,400-5,100 2,600-3,800Paul Louis Narcisse Grolleron, a pupil of Lon Bonnat, received considerablepublic acclaim during his lifetime for his sincere and highly finished battle scenes.He exhibited at the Salon de Paris from 1873.
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FR
25JEAN-JACQUES HENNER (FRENCH, 1829-1905)
Lady in bluesigned JJ HENNER (lower left)
oil on canvas14x 9in. (36 x 24 cm.)2,000-4,000 $3,400-6,800 2,600-5,000
P ROV ENANC E :
John Paton Sale; Christies, London, 14 July 1906, lot 89.We are grateful to Isabelle de Lannoy for confirming the authenticity of this work.
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FRENCH
26JULES DUPRE (FRENCH, 1811-1889)
Les baigneusessigned and dated Jules Dupre 1836 (lower left)oil on canvas9x 13in. (5 x 33.2 cm.)4,000-6,000 $6,800-10,000 5,100-7,600
P ROV ENANC E :
Douglas Fairbanks Jnr., thence by descent to the present owner.
27 No Lot
28HENRY LEROLLE (FRENCH, 1848-1929)
The gleanerssigned H.Lerolle (lower right)oil on canvas18x 24in. (46.2 x 61 cm.)1,500-2,000 $2,600-3 1,900-2Henry Lerolle studied at Acadmie Suisse in the studio of Louis Lamothe. His was exhibited at the Paris Salon from 1868 and throughout the 1870s and 1He is known for painting the large murals in the Hotel de Ville, Paris. Besideown painting, Lerolle was a a friend and collector of such artists as Degas, Dand Vuillard. Renoir painted portraits of Lerolle and his daughters, and Debdedicated piano works to Lerolles daugher, Yvonne. Lerolle was made a ChevLgion dhonneur in 1889. Another example of Lerolles paintings is preselater in the auction.
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FR
29GEORGES JEANNIN (FRENCH, 1841-1925)
Rosessigned G.Jeannin (lower left)oil on canvas15x 18in. (38.7 x 46.2 cm.)2,000-3,000 $3,400-5,100 2,600-3,800
30ANTOINE VOLLON (FRENCH, 1833-1900)
Peachessigned A. Vollon (lower right)oil on panel11x 15 in. (28.6 x 38.2 cm.)2,000-4,000 $3,400-6 2,600-5
P ROV ENANC E :
with Marlborough Fine Art Ltd., London.
E XH I B I T E D :
Marlborough Fine Art, Exhibition of French Masters of the 19th & 20th CenturiNovember 1951, no. 49, where attributed to Alexis Vollon (French, 1865-1945).
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FRENCH
n32PIERRE BOMPARD (FRENCH, 1890-1962)
Djeuner sur les falaisessigned P Bompard (lower right)oil on canvas63x 51in. (162 x 130.5 cm.)1,500-2,000 $2,600-3 1,900-2
31NARCISSE-VIRGILE DIAZ DE LA PENA (FRENCH, 1807-1876)
Lady in a draped costume (possibly Marie Diaz), seated on a rockdog on her lapsigned N. Diaz. (lower right)oil on board8x 5in. (22.2 x 14.6 cm.)2,000-3,000 $3,400-5 2,600-3
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FR
34HENRI JOSEPH HARPIGNIES (FRENCH, 1819-1916)
A wooded landscapesigned h.harpignies (lower left)oil on canvas17x 12in. (44.2 x 31.2 cm.)3,000-5,000 $5,100-8,500 3,800-6,300
33
ERNEST PIERRE GURIN (FRENCH, 1887-1952)
Bretons outside Notre Dame de Lotivyinscribed and signed NOTREDAME DE LOTIVY/PRESQUILE DEQUIBERON/ MORBIMAN/BRETAGNE/E. GUERIN (lower right)pencil and watercolour on papertwo parts 19 x 18 in. (49 x 21.5 cm.)and one part 19 x 24in. (49 x 61.5 cm.)a set of three (3)4,000-6,000 $6,800-10,000 5,100-7,600Ernest Guerin studied at the cole des beaux-arts de Rennes before moving toParis. His best known work depicts the customs of Breton peasants and theirreligious festivals. The present work depicts Bretons going about their daily life
before the chapel of Notre Dame de Lotivy, Quiberon
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FRENCH
35LUIGI LOIR (FRENCH, 1845-1916)
Les boulevards Parissigned LOIR LUIGI (lower right)oil on panel5 x 8in. (12.5 x 21.5 cm.)3,000-5,000 $5,100-8,500 3,800-6,300
36LUIGI LOIR (FRENCH, 1845-1916)
Forgeronssigned LOIR LUIGI (lower right)watercolour and ink on paper9 x 12in. (23 x 31.5 cm.)1,500-2,000 $2,600-3 1,900-2
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FR
*37JACQUES EMILE BLANCHE (FRENCH, 1861-1942)
A visitor to the artists studiooil on canvas15x 10in. (39.3 x 26.3 cm.)3,000-5,000 $5,100-8,500 3,800-6,300
P ROV ENANC E :
with Galerie Dr. Raeber, Basel, no. 37993.
E XH I B I T E D :
Basel, Kunsthalle Basel, Kunstwerke des 19. Jahrhunderts aus Basler Privatbesitz,1 May - 4 July 1943, no. 302
This rare unsigned oil sketch by Jacques-Emile Blanche can be dated circa 188when the very young artist was working in Henri Gervexs Paris studio andbe related to another signed oil sketch of two fellow students also aroundsame date which is in a private collection (catalogue raisonn no. 385). The pstanding figure in a frock coat is painted in the same spontaneous way andchair seems to be part of the Gervex studios furniture. This off-the-cuff oil skusually called pochade by the French, does not represent Debussy as statean exhibition label on the stretcher but an unnamed visitor to the atelier. Bladidnt meet Debussy until 1893 when the composer was still a very young m
This painting will be included in the forthcoming Jacques-Emile Blanche cataraisonn being prepared by Jane Roberts.
We are grateful to Jane Roberts for preparing this catalogue entry.
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FRENCH
40
EMILE EISMAN-SEMENOWSKY (FRENCH/POLISH, 1857-1911)
Stepping stonessigned, inscribed and dated 1886/PARIS Eisman-Semenowsky (lower righoil on panel12x 6in. (32.6 x 15.7 cm.)2,000-4,000 $3,400-6 2,600-5
38
JEAN BERAUD (FRENCH, 1849-1936)
Portrait of a lady in masquerade ball costumesigned and dedicated MMKulp/Souvenir affectueux/Jean Braud. (lower left)oil on canvas21 x 10in. (53.3 x 26.6)6,000-8,000 $11,000-14,000 7,600-10,000
P ROV ENANC E :
Anonymous sale; Sothebys, London, 19 April 1956, lot 103.Anonymous sale; Christies, London, 5 July 1974, lot 214.Anonymous sale; Christies, London, 21 June 1976, lot 31.
L I T E RA TU R E :
P. Offenstadt,Jean Braud 1849-1935, The Belle Epoque: A Dream of Times GoneBy, Catalogue Raisonn, Cologne, 1999, p. 291, no. 401 (illustrated).
39 No Lot
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FR
41
JEAN BRAUD (FRENCH, 1849-1936)
Portrait of Hippolyte Tainesigned and dedicated M. Bourdeau/souvenir amical/Jean Braud(centre right)oil on panel18x 14in. (46.3 x 37.8 cm.)4,000-6,000 $6,800-10,000 5,100-7,600
P ROV ENANC E :
Mme. Bourdeau, Paris.Her sale ; Paris, Drouot, 13 March 1974, lot 60.Private collection.
E XH I B I T E D :
Paris, Bibliothque Nationale, Exposition du 3e Centenaire de lAcadmie Franaise,1935, no. 244.Paris, Muse Carnavalet,Jean Braud. Peintre de la vie Parisienne, 1936-1937,wno. 35.
L I T E RA TU R E :
Brisson, travers la quinzaine,La Revue illustre, 15 March 1893, p. 255(illustrated).P. Offenstadt,Jean Braud 1849-1935, The Belle Epoque: A Dream of Times GoBy, Catalogue Raisonn,Cologne, 1999, p. 260, no. 342 (illustrated).
Jean Braud is best known for his boulevard scenes of Belle poque Paris, wcombined a sense of panache with an acute eye for anecdotal detail, but in wfigures are often rendered as stock types. His portrait of the great French and historian Hippolyte Taine, however, is unusually penetrating. A study fogroup portrait, La Salle de redaction du Journal des dbats (The Editorial Rof the Journal des Dbats), in which Taine is depicted alongside other pre-emFrench intellectuals, here he is seated in profile against a plain background whighlights his thoughtful features, captured as if in casual conversation, a cigadangling from his right hand. Braud presents a spontaneous and sympaimage of a man who is both engaging and distinguished, as hinted by flacolour the Legion dHonneur pin on his lapel, and his wire-rimmed spectacle
Jean Bourdeau (1848-1928), to whom the painting is dedicated, also featurthe same group portrait; he was a friend of Brauds and a regular contributthe Journal des Dbats.
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FRENCH
42GEORGES STEIN (FRENCH, 1855-1930)
Galerie Lafayette, Parissigned and inscribed G. Stein Paris (lower left)pencil and watercolour on paper12 x 16 in. (30 x 40.2 cm.)2,000-3,000 $3,400-5 2,600-3
43FELIX JOSEPH BARRIAS (FRENCH, 1822-1907)
Une lgantesigned and dated Felix Barrias 86 (lower right)oil on panel12x 9in. (33 x 24 cm.)2,000-4,000 $3,400-6 2,600-5
44 No Lot
42
43
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FR
45
EDOUARD-LON CORTS (FRENCH, 1882-1969)
Porte Saint Martin, Parissigned and dated EDUARD CORTES 1905 (lower right)oil on canvas16x 21in. (42.5 x 54.3 cm.)7,000-10,000 $12,000-17,000 8,900-13,000
L I T E RA TU R E :
This painting will be included in Volume III of EDOUARD CORTES,Catalogue raisonne de luvre peintcurrently being prepared by Nicole Verdier.
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FRENCH
48EUGENE GALIEN-LALOUE (FRENCH, 1854-1941)
A country lane
signed with pseudonym E.Galiany (lower left)oil on panel18 x 25in. (46 x 64.5 cm.)
2,000-4,000 $3,400-6
2,600-5
*47EUGENE GALIEN-LALOUE (FRENCH, 1854-1941)
Figures on a lakeside trackall signed with pseudonym L Dupuy(lower right and lower left respectively)oil on panel7 x 14in. (17.8 x 36 cm.)and three other landscapes with figures by the same hand
varying sizesfour in the lot
2,500-3,500 $4,300-5
3,200-4
n46
EUGENE GALIEN-LALOUE (FRENCH, 1854-1941)
A bonfire by a woodland tracksigned with pseudonym E.Galiany (lower left)oil on canvas25x 36in. (65.5 x 92.5 cm.)
2,500-3,500 $4,300-5
3,200-4
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FR
50
EUGENE GALIEN-LALOUE (FRENCH, 1854-1941)
A bustling marketsigned with pseudonym E.Galiany (lower left)oil on canvas13x 18in. (34 x 46.5 cm.)2,000-3,000 $3,400-5 2,600-3
49
EUGENE GALIEN-LALOUE (FRENCH, 1854-1941)
Parisian street scenesigned E.Galien-Laloue (lower left)watercolour and bodycolour on paper12x 18in. (31.7 x 46.5 cm.)6,000-8,000 $11,000-14,000 7,600-10,000
49
50
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FRENCH
28
51JULES RENE HERVE (FRENCH, 1887-1981)
The boat racesigned Jules R. Herve (lower left)oil on canvas15x 18in. (38.2 x 46.25 cm.)2,000-3,000 $3,400-5,100 2,600-3,800
52
JEAN-CLESTIN-TANCRDE BASTET (FRENCH, 1858-1942)
Bords de Marne, Franceindistinctly signed ... (lower left)oil on canvas13 x 18.1 in. (33 cm x 46 cm.)2,000-3,000 $3,400-5 2,600-3
51
52
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FR
n53ALEXANDRE RENE VERON (FRENCH, 1826-1897)
The regattasigned AR Veron (lower right)oil on canvas30x 51in. (78.5 x 131.5 cm.)
6,000-8,000 $11,000-14,000 7,600-10,000Alexandre Ren Veron was a pupil of Paul Delaroche. Hemade his Salon debut in 1848, and exhibited only landscapesat the Salon over a period of three decades. Among these hedepicted figures relaxing on river banks. In the present lot hehas captured the exhilaration of a boat race, which dominatesthe foreground of his landscape.
54ALEXANDRE-LOUIS JACOB (FRENCH, 1876-1972)
A cottage on the river bankssigned Jacob (lower right) and inscribed la sciesie beautemps Avril; de Pont r, Braye (on the reverse)oil on board16x 15in. (41 x 38 cm.)2,000-4,000 $3,400-6,800 2,600-5,000
P ROV ENANC E :
Anonymous sale; Christies, South Kensington, 25 March2004, lot 10.
53
54
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FRENCH
30
56RENE CHARLES EDMOND HIS (FRENCH, 1877-1960)
A river landscape; and A pathway by a riversigned E. Rene-His (lower right and lower left respectively)
oil on canvas12x 18in. (33 x 46 cm.)a pair
3,000-5,000 $5,100-83,800-6
P ROV ENANC E :
with Stacy Marks, London.
55ALEXANDRE-LOUIS JACOB (FRENCH, 1876-1972)
A lakeside crossingsigned A. Jacob (lower left)
oil on canvas25x 32 in. (65 x 81.5 cm.)3,000-5,000 $5,100-8,500
3,800-6,300
56 (a pair)
55
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FRENCH/ARM
58CHARLES GARABED ATAMIAN
(ARMENIAN, 1872-1947)
On the shore, possibly Saint-Gilles-sur-Vie,Francesigned Atamian/Ch. (lower right)oil on canvas13x 18in. (33.5 x 46.3 cm.)4,000-6,000 $6,800-10,000
5,100-7,600
57PAUL JEAN GERVAIS (FRENCH, 1859-1936)
A classical idyllsigned PGervais (lower left)oil on canvas25x 32 in. (66 x 81 cm.)4,000-6,000 $6,800-10,000
5,100-7,600
Charles Garabed Atamian was an Ottoman-French painter of Armenian descent. He was a of Antonio Paoletti. He exhibited at the Salon Socit Nationale des Beaux-Arts between 19131942, and at the Salon des Indpendants in 1938-1945. Between 1923 and 1939 he spesummers painting the beach in Saint-Gilles-sur-the Pays de la Loire region of France.
57
58
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FRENCH/POLISH
59
n59
FRENCH SCHOOL, 19TH CENTURY
Summer blooms in a vase on a ledgeoil on canvas54x 41in. (137.5 x 100.5 cm.)
5,000-8,000 $8,500-14,000
6,400-10,000
60
n60
PAUL ANTOINE DE LA BOULAYE
(FRENCH, 1849-1926)
Cabbages, carrots and apples with a jug on awooden tablesigned and dated la Boulaye 85 (upper right)oil on canvas32x 51in. (82.5 x 130 cm.)
4,000-6,000 $6,800-10,000
5,100-7,600
61
61
JAN GAUSZKIEWICZ (POLISH, D. 1896)
A Parisian lgante with her dogsigned inscribed and dated Gauszkiewicz/a Paris/1835 (middle right)oil on canvas, in a painted oval24x 19in. (63.3 x 50.2 cm.)
1,500-2,000 $2,600-3
1,900-2
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BELGIAN/FR
62ATTRIBUTED TO JEAN FRANOIS PORTALS (BELGIAN, 1818-1895)
Scented flowerssigned J Portals (lower right)oil on canvas16 x 19in. (40.5 x 50.2 cm.)3,000-5,000 $5,100-8,500 3,800-6,300
P ROV ENANC E :
Private collection, Salem, Massachussetts.Anonymous sale; Sothebys, New York, 2 February 2013, as by Jean FranoisPortals.
63CHARLES CHAPLIN (FRENCH, 1825-1891)
Young lady with a catoil on canvas28x 19in. (73 x 50.2 cm.)4,000-6,000 $6,800-10,000 5,100-7,600
P ROV ENANC E :
Anonymous sale; Christies, South Kensington, 18 September 2003, lot 156.Acquired at the above sale by the present owner.
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FRENCH/UKRAINIAN
64CHARLES EUPHRASIE KUWASSEG (FRENCH, 1838-1904)
A coastal harboursigned C. Kuwasseg E. (lower right)oil on canvas15 x 18in. (37.8 x 46 cm.)3,000-5,000 $5,100-8,500 3,800-6,300
65ELIE ANATOLE PAVIL (UKRAINIAN, 1873-1948)
Barges on the Canal Saint-Martin, Parissigned E. Pavil (lower left)oil on canvas21x 32 in. (54.2 x 81.2 cm.)3,000-5,000 $5,100-8 3,800-6
64
65
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FR
67PAUL MICHEL DUPUY (FRENCH, 1869-1949)
Au Jardin des Tuileriessigned P. M. Dupuy (lower left)
oil on canvas21x 32 in. (54 x 81.3 cm.)1,200-1,800 $2,100-3,100 1,600-2,300
P ROV ENANC E :
Anonymous sale; Sothebys, New York, 16 February 1994, lot 172.
n66FRANCOIS CHARLES BAUDE (FRENCH, 1880-1953)
Farmers crossing a bridgesigned and dated FRANCOIS CH. BAUDE 1934 (lower right)oil on canvas39x 32 in. (100 x 81 cm.)3,000-5,000 $5,100-8,500 3,800-6,300
66
67
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FRENCH
68
AUGUSTE HADAMARD (FRENCH, 1823-1886
Amphitritesigned A.HADAMARD (lower right)oil on canvas18x 32in. (46.9 x 82.5 cm.)3,000-5,000 $5,100-8 3,800-6Auguste Hadamard was a pupil of Paul Delaroch
exhibited at the Paris Salon between 1846 and 1The artist depicts Amphitrite with Poseidons doAmphitrite was a Nereid, who became the wiPoseidon. According to Hyginuss Poetical AstronPoseidon saw Amphitrite dancing at Naxos.escaped his advances to Atlas, at the farthest of the sea. It was there that Poseidons dofound her, and persuaded her to accept Poseidmarriage proposal. Delphinus himself took charthe wedding. Neptune rewarded him by placinform of a dolphin among the constellations.
69
PAUL SIEFFERT (FRENCH, 1874-1957)Reclining nudesigned P.Sieffert (lower left)oil on panel18x 24 in. (46.3 x 60.7 cm.)4,000-6,000 $6,800-10 5,100-7
THE PROPERTY OF A GENTLEMAN
n70C. DUVAL (FRENCH, 19TH CENTURY), AFTER
ANNE-LOUIS GIRODET DE ROUCY-TRIOSONThe Sleep of Endymionsigned C. Duval (centre right)oil on canvas, unframed51 x 64 in. (129.5 X 162.6 cm.)6,000-8,000 $11,000-14 7,600-10After the work in the Louvre, Paris, painted in 1
VARIOUS PROPERTIES
71GUILLAUME SEIGNAC (FRENCH, 1870-1929)
The cherry girlsigned G-SEIGNAC (lower right)oil on canvas28x 19in. (73.5 x 50.5 cm.)8,000-12,000 $14,000-20 11,000-15A student of William Bouguereau, Tony Robert Fand Gabriel Ferrier, the artist exhibited regulathe Paris Salon, where he won an honorable mein 1900 and a third class medal in 1903.
68
69
70
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FRENCH
38
74HENRY LEROLLE (FRENCH, 1848-1929)
La toilettesigned H.Lerolle (lower right)oil on canvasboard13x 10in. (35 x 27 cm.)3,000-5,000 $5,100-8
3,800-6For a note on this artist please see lot 28.
73
73GEORGES PICARD (FRENCH, 1857-1946)
Romance under the blossom treesigned G.Picard (lower right)oil on panel15x 11in. (39.5 x 29 cm.)3,000-5,000 $5,100-8
3,800-6
74
72EMILE-OCTAVE-DENIS-VICTOR GUILLONNET (FRENCH, 1872-1967)
An odalisque in a gardensigned with initials EODV-GVI (lower left)oil on panel13x 10in. (35 x 27 cm.)4,000-6,000 $6,800-10
5,100-7P ROV ENANC E :
The artists family.Private collection, Paris.Duncan R. Miller Fine Arts, London.
72
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FR
75PHILIPPE JACQUES LINDER (FRENCH, 1835-1914)
In a Japanese gardensigned P Linder (lower right)oil on canvas18x 24in. (47 x 61.6 cm.)6,000-8,000 $11,000-14,000
7,600-10,000
P ROV ENANC E :
Anonymous sale, Sothebys, New York, 16 February 1994, lot 149 ($25,300).with Frost and Reed, London.
Philippe Jacques Linder was a pupil of Charles Gleyre. He exhibited in the Paris Salon between 1857 and 1880.
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FRENCH
40
76LUCIEN LVY-DHURMER (FRENCH, 1865-1953)
Minervasigned LDhurmer (lower left)pastel on paper22x 18 in. (57.5 x 45.5 cm.)3,000-4,000 $5,100-6,800
3,800-5,000
Minerva (Athene in Greek mythology) was the daughter of Jupiter (Zeus) andthe Roman goddess of wisdom. She is the patroness of institutions of learncrafts and the arts. Above all, she became known as a goddess of wisdHowever, she was born fully armed, as we see her here, as a goddess of fighting for the defence of just causes.
Lucien Lvy-Dhurmer was one of the leading painters of the Symbolist ideal aturn of the century together with Fernand Khnopff and Edmond Aman-Jeanwas awarded a distinction at the Salon des Artistes Franais in 1896, and a brmedal at the 1900 Exposition Universelle in Paris. In 1902 he became a Cheof the Lgion dHonneur.
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GERMA
77FRITZ VON UHDE (GERMAN, 1848-1911)
Portrait of a girl in a red dresssigned and dated F Uhde/78. (upper left)oil on canvas30 x 24in. (76.2 x 61.6 cm.)5,000-7,000 $8,500-12,000
6,400-8,800
P ROV ENANC E :
with Galerie von Negelein, Kiel (1999).Private collection, Germany.Anonymous sale; Lempertz, Cologne, 14 May 2011, lot 1282 (14,400).Acquired at the above sale by the present owner.
n78ANSELM FEUERBACH (GERMAN, 1829-1880)
Bust portrait of a monk in profilesigned with monogram AF (lower left)oil on canvas29x 24in. (75.5 x 62.2 cm.)3,000-5,000 $5,100-8,500
3,800-6,300
P ROV ENANC E :
Private collection, Rome.M. Blumenfeld, Berlin.Private Collection, Berlin.Anonymous sale; Lempertz, Cologne, 14 May 2011, lot 1283.Acquired at the above sale by the present owner.
L I T E RA TU R E :
H. Uhde-Bernays, Feuerbach. Beschreibender Katalog seiner smtlichen Gemlde,Munich, 1929, p. 85, no. 260 (illustrated, no. 216, p. 211).
J. Ecker,Anselm Feuerbach. leben und Werk. Kritischer katalog der Gemlde,lskizzen und lstudien,Munich 1991, p. 271, no. 434 (illustrated).
79 No Lot
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5/19/2018 Christie's - 11 September 2014
44/90
42
GERMAN/FRENCH
8280
81
-
5/19/2018 Christie's - 11 September 2014
45/90
GE
VARIOUS PROPERTIES
n83ANTON BRAITH (GERMAN, 1836-1905)
Cows and sheep in a fieldsigned and indistinctly inscribed A. Barith./... (lower right)oil on canvas46x 70in. (119 x 180 cm.)
8,000-12,000 $14,000-20
11,000-15
P ROV ENANC E :
Mr Dagobert Oppenheim, Cologne.
A gift from the above to the Wallraf-Richartz Museum, in 1885.
with Galerie Paffrath, Dsseldorf.
Acquired from the above by a German private collector, 1927.
Anonymous sale; Lempertz, Cologne, 12 May 2012, lot 1535.
L I T E RA TU R E :
H.-P. Bhler,Anton Braith-Christian Mali. Tiermalerei der Mnchner Schule,
Mainz, 1981, fig. no. 63, catalogue no. 11 (illustrated).U. Degreif et al., Tiermaler in Mnchen, Biberach, 2005, fig. no. 121 (illustrat
n81HEINRICH BHMER (GERMAN, 1852-1930)
A woodland gladesigned H Brhmer (lower left)oil on board28x 40in. (73 x 103.2 cm.)
1,500-2,000 $2,600-3,400
1,900-2,500
THE PROPERTY OF A GENTLEMAN82F. MULLER (GERMAN, 19TH CENTURY)
Looking out to seasigned F. Muller (lower left)oil on panel9x 6in. (24 x 16.2 cm.)
2,000-3,000 $3,400-5,100
2,600-3,800
P ROV ENANC E :
with Frost and Reed, London.
80CIRCLE OF ALFRED DE DREUX (FRENCH, 1810-1860)
Portrait of a man, bust length, in a black cravat and coatoil on canvas10x 8in. (25.6 x 20.5 cm.)
2,000-4,000 $3,400-6,800
2,600-5,000
81
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5/19/2018 Christie's - 11 September 2014
46/90
44
GERMAN
84
PROPERTY OF PRINZ MAXIMILIAN ZU FRSTENBERGFROM SCHLOSS WERENWAG
84HANNO RHOMBERG (GERMAN, 1820-1869)
The first smokesigned and dated Hanno Rhomberg./1854. (lower right)oil on canvas, with an arched top34x 29in. (88.3 x 74.3 cm.)2,000-4,000 $3,400-6 2,600-5
85
VARIOUS PROPERTIES
85WILHELM SCHTZE (GERMAN, 1840-1898)
The posysigned and inscribed Wilh. Schtze. Mnchen (lower left)oil on canvas29x 23 in. (84.9 x 58.4 cm.)3,000-5,000 $5,100-8 3,800-6
P ROV ENANC E :
with Cooling Galleries, London.
86
n86ATTRIBUTED TO CARL (KARL) GEHRTS (GER MAN, 1853-1898)
A hunt of the imaginationoil on canvas51x 47in. (130.5 x 120.5 cm.)2,000-4,000 $3,400-6 2,600-5As well as being an accomplished painter, Carl Gehrts was a celebrated illustrator. Dwarfs, such as the one in the lower right corner, appear frequenGehrts fairy tale illustrations.
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5/19/2018 Christie's - 11 September 2014
47/90
GE
n87RUDOLF ZINK (GERMAN, 19TH CENTURY)
The hurdy gurdy playersigned and dated R. Zink. 1850. (lower left) and with atelier wax seal (on the reverse)oil on canvas38x 51in. (98 x 131 cm.)8,000-12,000 $14,000-20,000 11,000-15,000
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5/19/2018 Christie's - 11 September 2014
48/90
ITALIAN
46
*90VITTORIO MATTEO CORCOS (ITALIAN, 1859-1933)
The artists modelsigned and dated V Corcos 88. (upper right)oil on canvas29x 18 in. (75.3 x 46 cm.)6,000-8,000 $11,000-14
7,600-10
88ALESSANDRO ZEZZOS (ITALIAN, 1848-1913)
Contemplationsigned, inscribed and dated Zezzos/Venezia 1903. (lower right)watercolour on paper21x 15in. (54 x 39.5 cm.)2,500-3,500 $4,300-5
3,200-489 No Lot
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49/90
GE
91FERDINAND WAGNER THE YOUNGER (GERMAN, 1847-1927)
Allegory of youthoil on canvas66x 19in. (169.6 x 49.5 cm.)
a set of four (4)10,000-15,000 $17,000-25,00013,000-19,000
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5/19/2018 Christie's - 11 September 2014
50/90
48
ITALIAN/DANISH
92
93
-
5/19/2018 Christie's - 11 September 2014
51/90
S
n92CARLO ADEMOLLO (ITALIAN, 1825-1911)
Travellers in the mountainssigned and dated C Ademollo 1850 (lower left)oil on canvas46x 63in. (117.3 x 160.7 cm.)3,000-5,000 $5,100-8,500 3,800-6,300
n93CARL BUDTZ-MOLLER (DANISH, 1882-1953)
Shepherds at Girgenti, Sicilysigned C Budtz. M. (lower right), inscribed and dated Girgenti 1929
(lower left)oil on canvas41 x 55in. (104.2 x 143.5 cm.)2,000-4,000 $3,400-6,800 2,600-5,000
n94FRANZ KNEBEL (SWISS, 1809-1877)
Lake Nemi, Italysigned, inscribed and dated F. Knebel fece./Roma 1874 (lower left)oil on canvas39x 54in. (101 x 138.5 cm.)12,000-18,000 $21,000-31 16,000-23
P ROV ENANC E :
Barratt Collection, Crowe Hall, Bath.Their sale; Christies, London, 16 December 2010, lot 121.Anonymous sale; Sothebys, London, 7 April 2000, lot 209.Knebel was fond of depicting Lake Nemi. The present view focuses on the laancient times it was known as Speculum Dianae) surrounded by volcanic hithe background one can see Mount Circeo and the coast up to Anzio, whichEmperor Caligulas (12-41 A.D.) native town.
Important European literary figures including Lord Byron would go on excursions to the Colli Albani when residing in Rome on their Grand Tour.
94
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5/19/2018 Christie's - 11 September 2014
52/90
50
ITALIAN/GREEK
n99CLOVIS CAZES (FRENCH, 1833- CIRCA 1922)
A classical idyll before an island, possibly Caprisigned Clovis Cazes (lower left)oil on canvas33x 51 in. (95.6 x 129 cm.)
3,000-5,000 $5,100-8
3,800-6
98
ULISSE CAPUTO (ITALIAN, 1872-1948)
An evening at the operasigned U. Caputo (lower right)oil on canvas, unframed28x 36in. (92 x 72.5 cm.)
3,000-5,000 $5,100-8
3,800-6
Ulisse Caputo began his artistic training at the School of Finein Naples. At the turn of the century he moved to Paris. Ibeginning his work charmed Europe; his paintings appearthe 1907 Venice Biennale, he won a medal in the 1909 Salthe Socit des Artistes Franais, and a gold medal in the Munich exhibition. In the 1920s he went on to exhibit internationally in North and South America.
In this work the viewer is placed directly in the stalls otheatre, taking in the movement of the orchestra, the dramthe centre-stage, and the frisson of the swordfight in the upright, all under the backdrop of a clear crisp night sky.
97
VIKENTIOS BOCCHECIAMPE (GREEK, 1856-1933)
Castel SantAngelo with St Peters beyond, Romesigned and inscribed V. Boccheciampe Roma (lower rightwatercolour on paper10x 24 in. (27.3 x 61 cm.)
1,500-2,500 $2,600-4
1,900-3
97
96 (part lot)
96GABRIELLE CARELLI (ITALIAN, 1820-1900)
Four Italian landscapesRome from the Pincian Hill; The Roman Campagna; Temof Hercules Victor in the Forum Boarium, and Capri fromSorrentowatercolour on paper6x 14in. (16.4 x 36 cm.); 4 x 14in. (9.8 x 36.5 cm.);x 9in. (17 x 24.5 cm.); 3in. x 8in. (8.6 x 21 cm.)the first and fourth signed G. Corelli (lower left); the seconand third signed and inscribed G. Corelli/Roma (lower leffour in the lot
3,000-5,000 $5,100-8
3,800-6
95
ATTRIBUTED TO IPPOLITO CAFFI (ITALIAN, 1809-1866)
St. Peters Square, the Vaticanpencil and watercolour on paper10x 16in. (27.2 x 42 cm.)
1,200-1,800 $2,100-3
1,600-2
95
96 (part lot)
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5/19/2018 Christie's - 11 September 2014
53/90
ITALIAN/FR
99
98
-
5/19/2018 Christie's - 11 September 2014
54/90
NEAPOLITAN
52
100NEAPOLITAN SCHOOL, 19TH/20TH CENTURY
The bay of Naples, Vesuvius beyond; and A Neapolitan fishingvillagegouache on paper11x 14in. (29 x 37 cm.) to mount edgea pair (2)1,000-1,500 $1,700-2,500
1,300-1,900
100 (a pair)
101
NEAPOLITAN SCHOOL, 20TH CENTURY
Isola di Capri; and Grotta Azzuraboth inscribed with titles on painted bordersgouache on paper11x 16in. (29.3 x 43 cm.) excluding painted bordersa pair1,000-1,500 $1,700-2
1,300-1
101 (a pair)
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5/19/2018 Christie's - 11 September 2014
55/90
NEAPO
102NEAPOLITAN SCHOOL, 19TH CENTURY
A collection of ten Neapolitan scenesTen Neapolitan scenes, each inscribed with locationbelowwatercolour on papereach measures approximately 3x 4in.(7.7 x 10.5 cm.) to mount edgea set of ten (10)1,000-1,500 $1,700-2,500
1,300-1,900The scenes depicted are: Sepolivo di Virgilio sopra laGrotta; Napoli da Capodimite; Veduta dellIsole dalliBagnoli; Veduta delli tre Tempi a Pestam; La Porta diPompei; Il Molo di Napoli; Napoli da Posillipo; Stradadi S.Lucia; Palazzo Realle di Napoli; Napoli dai Granili
102 (part lot)
104104 104
103103
104NEAPOLITAN SCHOOL, 20TH CENTURY
Veduta di Napoli da Mergellina; Veduta di Napoli da Granari di Pdella Maddalena; and Veduta di Napoli dal Ponte della Maddalenaeach inscribed with title on painted bordersgouache on paper13x 20 in. (33.3 x 50.4 cm.) excluding painted bordersa set of three1,500-2,000 $2,600-3
1,900-2
103NEAPOLITAN SCHOOL, 19TH/20TH CENTURY
Veduta di Napoli presa dal Carmine; Veduta della riviera di Chiaia;and Veduta di Napoli da Posillipoeach inscribed with title on painted bordersgouache on paperall three 16 x 25in. (40 x 65.7 cm.) excluding painted bordersa set of three (3)2,000-4,000 $3,400-6,800
2,600-5,000
103
102 (part lot) 102 (part lot)
102 (part lot) 102 (part lot)
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5/19/2018 Christie's - 11 September 2014
56/90
DANISH/ITALIAN
54
106
CIRCLE OF GIACINTO GIGANTE (ITALIAN, 1806-1876)
An Italian villaoil on canvas11x 15in. (29 x 40 cm.)2,000-4,000 $3,400-6
2,600-5
106
105
HOLGER HVITFELDT JERICHAU (DANISH, 1861-1900)
On the shore, Vesuvius beyondsigned with initials H.J. (lower right)oil on canvas10x 13in. (27 x 35 cm.)1,500-2,000 $2,600-3,400
1,900-2,500
105
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5/19/2018 Christie's - 11 September 2014
57/90
ITA
n107
E. TORRINI (ITALIAN, 19TH CENTURY)
The suitorssigned E. Torrini (upper right)oil on canvas23x 35.1/5 in. (60 x 89.5 cm.)2,000-4,000 $3,400-6,800
2,600-5,000
108
107
108ORESTE CORTAZZO (ITALIAN, B. 1836)
Peeking behind the curtainsigned and dated O. Cortazzo/1871 (lower left)oil on canvas18x 15 in. (46.4 x 38 cm.)2,000-3,000 $3,400-5,100
2,600-3,800
P ROV ENANC E :
Anonymous sale; Sothebys, London, 19 June 1991,Lot 365Cortazzo was a pupil of Bonnat. He worked inParis for the art dealer Goupil and he received anhonourable mention at the Exposition Universelle inParis in 1889.
109
109ANTONIO PAOLETTI (ITALIAN, 1834-1912)
Stealing a sip of the communion winesigned, inscribed and dated A. Ermolao PaolettVenezia 1878 (lower left)oil on canvas32x 25in. (82 x 65 cm.)4,000-6,000 $6,800-10
5,100-7
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5/19/2018 Christie's - 11 September 2014
58/90
56
VENETIAN
110BOUVARD (FRENCH, 20TH CENTURY)
A gondola on a Venetian backwatersigned Bouvard (lower left)oil on canvas13x 10in. (35.2 x 27.3 cm.)3,000-5,000 $5,100-8,500 3,800-6,300
111BOUVARD (FRENCH, 20TH CENTURY)
A gondola on a Venetian backwater, Santa Maria della Salutebeyondsigned with pseudonym Marc Aldine (lower left)oil on canvas21x 18 in. (55 x 46 cm.)4,000-6,000 $6,800-10 5,100-7Marc Aldine is a pseudonym used by the Bouvard family.
110 111
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5/19/2018 Christie's - 11 September 2014
59/90
112ANTONIO PAOLETTI (ITALIAN, 1834-1912)
A stroll beside the Rialto bridge, Venicesigned and inscribed Antonio Paoletti di Giov./Venezia. (lower left)oil on panel13x 21 in. (33.5 x 53.3 cm.)5,000-7,000 $8,500-12,000 6,400-8,800
VEN
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5/19/2018 Christie's - 11 September 2014
60/90
VENETIAN
58
114 (a pair)
114NOEL GEORGES BOUVARD (FRENCH, 1912-1975)
A gondolier on a quiet Venetian backwater; and A gondolier on aVenetian backwater, Santa Maria della Salute beyondboth signed Bouvard (lower left)oil on canvas10x 13in. (27.5 x 35 cm.)a pair2,500-3,500 $4,300-5
3,200-4
113ANTOINE BOUVARD (FRENCH, 1870-1956)
A gondolier passing a bridge on a Venetian canalsigned Bouvard (lower right)oil on canvas13 x 18in. (33 x 46 cm.)4,000-6,000 $6,800-10,000
5,100-7,600
113
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5/19/2018 Christie's - 11 September 2014
61/90
VEN
115ANTOINE BOUVARD (FRENCH, 1870-1956)
Vessels before the Doges Palace, at the entrance to the Grand Canal, Venicesigned with pseudonym Marc Aldine (lower left)oil on canvas23x 47in. (60 x 120 cm.)10,000-15,000 $17,000-25,000
13,000-19,000
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5/19/2018 Christie's - 11 September 2014
62/90
60
VENETIAN
118KARL KAUFMANN (GERMAN, 1843-1901)
Vessels before the Doges Palace, Veniceindistinctly signed with pseudonym and dated Charles Marchand 1851(lower left)oil on canvas19x 32in. (50.2 x 82.3 cm.)1,500-2,000 $2,600-3 1,900-2
118
117CIRCLE OF FEDERICO NERLY (ITALIAN, 1824-1919)
Crossing a bridge, Veniceoil on canvas29 x 21in. (73.5 x 54.5 cm.)1,500-2,000 $2,600-3 1,900-2
117
116ATTRIBUTED TO FRANCESCO ZANIN (ITALIAN, 1843-1890)
A Venetian squareoil on canvas13 x 17 in. (33 x 43.2 cm.)2,000-3,000 $3,400-5 2,600-3It has been suggested that this square is inspired by the reverse of SantaVenice.
116
119-120 No Lots
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5/19/2018 Christie's - 11 September 2014
63/90
VEN
122MARCO GRUBAS (ITALIAN, 1839-1910)
St. Marks Square, Venicesigned M Grubas (lower left)oil on panel10x 5in. (27 x 14.5 cm.)1,500-2,000 $2,600-3 1,900-2
121ANTONIETTA BRANDEIS (HUNGARIAN, 1849-1910)
Santa Maria della Salute, Venicesigned ABrandeis (lower right)oil on panel10 x 6in. (25 x 15.9 cm.)4,000-6,000 $6,800-10,000 5,100-7,600
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5/19/2018 Christie's - 11 September 2014
64/90
62
VENETIAN/AMALFI
123
J. GIRANDEL (FRENCH, 19TH CENTURY)
Vessels on the Venetian lagoonsigned and inscribed J. Girandel/Paris (lower right)oil on canvas32x 24in. (83 x 61.7 cm.)1,500-2,000 $2,600-3 1,900-2
124ANTONIETTA BRANDEIS (HUNGARIAN, 1849-1910)
On the Amalfi coastsigned ABrandeis (lower right)oil on panel9x 6in. (25 x 15.5 cm.)3,000-5,000 $5,100-8 3,800-6
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5/19/2018 Christie's - 11 September 2014
65/90
CROATIAN/RU
126RICHARD ALEXANDROVICH BERGHOLZ (RUSSIAN, 1864-1920)
Snow covered cottagessigned Rich. A. Bergholz (lower left)watercolour on paper laid down on board18x 37in. (46.3 x 95.5 cm.)3,500-4,500 $6,000-7 4,500-5
n125JOSEPH PISECKY (1878-1954)
The old town, Dubrovnik, overlooking the island of Lokrum,Croatia.signed J. Pisecky (lower left)oil on canvas41 x 59in. (104.2 x 150 cm.)4,000-6,000 $6,800-10,000 5,100-7,600
127 No Lot
125
126
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SPANISH
128JUAN PABLO SALINAS (SPANISH, 1871-1946)
In the tavern
signed and inscribed Pablo Salinas/Roma (lower right)oil on panel6x 8in. (15.9 x 20.6 cm.)2,000-3,000 $3,400-5,100 2,600-3,800
128
129HERMENEGILDO ANGLADA CAMARASA (SPANISH, 1872-1959)
Tambourine playersigned Hermenegildo Anglada Camarasa (upper left)
oil on board6x 4 in. (16.5 x 10 cm.)2,000-3,000 $3,400-5,100 2,600-3,800
129
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SPANISH/SWISS/CROA
132NIKOLA MAIC (CROATIAN, 1852-1902)
Gathering firewood in wintersigned NIKOLA MA IC (lower right)oil on panel7x 13 in. (19 x 33 cm.)6,000-8,000 $11,000-14,000
7,600-10,000
*131FRITZ ZUBER-BHLER (SWISS, 1822-1896)
Fording the torrentsigned Zuber Buhler (lower right)oil on canvas, unframed10 x 12in. (25.5 x 32.6 cm.)3,000-5,000 $5,100-8,500 3,800-6,300
130
ATTRIBUTED TO ENRIQUE SERRA Y AUQUE(SPANISH, 1859-1918)
A lakeside at duskoil on canvas29 x 46in. (73.5 x 118.2 cm.)2,000-4,000 $3,400-6,800 2,600-5,000
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ARGENTINIAN
133RICHARD DURANDO-TOGO (ARGENTINIAN,
B. 1910)Reclining nude with a blue shawlsigned D.T. Richard (lower left)oil on canvas21x 32in. (54.2 x 81.4 cm.)1,500-2,000 $2,600-3 1,900-2
134RICHARD DURANDO-TOGO (ARGENTINIAN,B. 1910)
Reclining nude with mirrorsigned D.T. Richard (lower right)oil on canvas23x 47in. (60 x 120.5 cm.)1,500-2,000 $2,600-3
1,900-2
135RICHARD DURANDO-TOGO (ARGENTINIAN,B. 1910)
Reclining nude
signed D.T. Richard (lower right)oil on canvas24 x 47in. (60.5 x 120.5 cm.)1,500-2,000 $2,600-3 1,900-2
133
134
135
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ORIENT
136
n136AFTER HANS MAKART
Cleopatra on the Nilewith signature Makart (lower right)oil on canvas33x 89 in. (85 x 226 cm.)3,000-5,000 $5,100-8,500 3,800-6,300After the work in the State Gallery of Stuttgart, paintedin 1895.
137
*137AGAPIT STEVENS (BELGIAN, 1849-1917)
The red fansigned A. Stevens (upper left)
oil on canvas29x 21in. (75.7 x 55.4 cm.)3,000-5,000 $5,100-8,500 3,800-6,300
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ORIENTALIST
68
139GEORGES ANTOINE ROCHEGROSSE (FRENCH, 1859-1938)
An eastern beautysigned G. Rochgrosse (lower right)oil on canvas28x 21in. (73.5 x 54.5 cm.)7,000-10,000 $12,000-17 8,900-13
P ROV ENANC E :
Anonymous sale; Christies, London, 15 June 2005, lot 64.Georges Rochegrosse was abandoned by his father as a child, and whemother remarried he became the stepson of the great poet Thodore de BanAt the age of 12, he became a pupil of Gustave Boulanger and Jules Lefebvthe Acadmie Julian, where he later taught draughtsmanship. While enjoyinbenefits of the more liberal teaching at the Acadmie Julian, he enrolled acole des Beaux-Arts, and was a finalist in the Prix de Rome competition twicpainted murals for the staircase in the Sorbonne library.
In 1883 he won the Prix du Salon, which enabled him to visit Italy. He subsequtravelled to Belgium, Holland and Germany. Around 1890 he married his love Marie Leblond, who became the model for the heroines in his paintingabout 30 years. From 1900, Rochegrosse and Marie spent the winter moin El-Biar, in the hills above the Bay of Algiers, where the painter often fthe Oriental backgrounds for his compositions. He died in El-Biar, but heburied in Montparnasse Cemetery in Paris. He was made an Officier of the LdHonneur in 1910. He was also a permanent member of the Salon jury.
His fame was international, commensurate with the ambitious nature of his mhistorical, mythological and literary compositions. In Sherlock Holmes, CDoyle praises one of his paintings.
139
138
n138
ATTRIBUTED TO WOLDEMAR FRIEDRICH (GERMAN, 1846-1910)
Outside an Indian templeoil on canvas70x 51in. (179.5 x 131 cm.)5,000-7,000 $8,500-12 6,400-8
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ORIENT
141
141SILVIO POMA (ITALIAN, 1840-1932)
Arriving at the lakesigned S. Poma (lower right)oil on canvas20x 32in. (52 x 83 cm.)
3,000-5,000 $5,100-8
3,800-6
140HERBERT CARMICHAEL (BRITISH, B. 1856)
Balbec; and Smyrnathe first signed and inscribed Herbert Carmichael Balbec (lower left); thesecond signed and inscribed Herbert Carmichael Smyrna (lower left)oil on panelboth 14x 17in. (37.4 x 45 cm.)a pair (2)
1,500-2,000 $2,600-3,400
1,900-2,500
Herbert Carmichael studied in Antwerp and at the Royal Academy in London.
140 140
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ORIENTALIST
142EMILE LVY (FRENCH, 1826-1890)
Dispute at the wellsigned EMILE LVY (lower right)oil on canvas12x 19in. (31.8 x 48.6 cm.)3,000-5,000 $5,100-8,500 3,800-6,300
143HENRI EMILIEN ROUSSEAU (FRENCH, 1875-1933)
Arab warriorssigned Henri Rousseau (lower right)oil on board10 x 12in. (25.3 x 31 cm.4,000-6,000 $6,800-10 5,100-7We are grateful to Association Henri Rousseau for authenticating this work obasis of a photograph.
142
143
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ORIENT
144LOUIS TESSON (FRENCH, 1820-1870)
Conversations in the bazaarsigned L. Tesson (lower right)watercolour and bodycolour on paper11x 17in. (28.2 x 43.4 cm.)1,500-2,000 $2,600-3,400 1,900-2,500
145JOSEPH AUSTIN BENWELL (BRITISH, 1816-1886)
The board gamesigned and dated JA BENWELL.1870 (lower left)watercolour and bodycolour on paper25x 19in. (65.4 x 50.2 cm.)2,000-3,000 $3,400-5,100 2,600-3,800
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ORIENTALIST
*146LEOPOLD ZILLER (GERMAN, 19TH CENTURY)
Vessels on the Bosphorussigned Ziller (lower right)oil on canvas
21x 32 in. (54.4 x 81.2 cm.)3,000-5,000 $5,100-8,500 3,800-6,300
147ETIENNE DUVAL (SWISS, 1824-1914)
Constantinopleindistinctly signed E. Duval (lower right)oil on canvas16 x 26 in. (40.6 x 66 cm.)2,500-3,500 $4,300-5,900 3,200-4,400
149HERMINIE HENRIETTE GUDIN (FRENCH, 1825-1876)
Vessels on the Bosphorus, Hagia Sophia Mosque beyondsigned H. Gudin (lower left)oil on canvas5x 8in. (14.3 x 21.5 cm.)2,000-4,000 $3,400-6 2,600-5
148EDMUND THOMAS PARRIS (BRITISH, 1793-1873)
Figures in the Turkish cemetery at Ayoub above the Bosphorus,Constantinoplewatercolour on paper
7 x 9in. (17.5 x 24.5 cm.)2,500-3,500 $4,300-5 3,200-4P ROV ENANC E :
Anonymous sale; Christies London, 26 May 1961 Lot 89.
146
147
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ORIENT
148
149
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ORIENTALIST
THE PROPERTY OF A GENTLEMAN
151SALVADOR SNCHEZ-BARBUDO (SPANISH, 1857-1919)
A standing Moroccan mansigned, inscribed and dated a mio amigo. R. Roguera/Barbudo 77 (centre right)watercolour and ink on paper12x 8in. (31.7 x 20.9 cm.)
2,000-3,000 $3,400-5 2,600-3
P ROV ENANC E :
Sr. Santiago Macho, Madrid (in 1954).with Galeria Renom, Cordoba.
VARIOUS PROPERTIES
152CIRCLE OF WILLIAM LUKER SR. (BR ITISH, 1828-1905)
A camel train crossing the desert at nightoil on canvas20 x 35in. (51 x 90.5 cm.)2,000-4,000 $3,400-6 2,600-5
150JEAN BAPTISTE PAUL LAZERGES (FRENCH, 1845-1902)
A conversation at the wellsigned and dated PAUL LAZERGES 1882 (lower right)oil on canvas22x 15in. (56 x 38.6 cm.)7,000-10,000 $12,000-17 8,900-13A student of his father, Jean-Raymond-Hippolyte Lazerges, he debuted at the Salon in 1
After a trip to Algeria, he began painting Orientalist subjects, and remained in North Afor some time. He was bestowed several awards including a bronze medal at the ExpoUniverselle in 1900. His works have been conserved by museums in Amiens, Arras, NantePrigueux.
END OF SALEPlease note: we are currently accepting consignments for our forthcoming
31 January 2015 19th Century European Art sale
150
151 152
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Index
AAdemollo, C., 92
Aldine, M., 116Atamian, C., 58
BBackvis, F., 3Barr ias, F., 43Bastet, J., 52Baude, F., 66Benwell, J.A., 145Beraud, J., 38, 41Bergholz, A., 126Blache, C., 11Blanche, J., 37Boccheciampe, V., 97Bompard, P., 32Bouvard, 110-111Bouvard, A., 113, 115Bouvard, N., 114Braith, A., 83Brandeis, A., 121, 124Brhmer, H., 81Budtz-Moller, C., 93
CCaffi, I., 95Camarasa, H., 129Caputo, U., 98Carelli, G., 96Carmichael, H., 140Cazes, C., 99Chaplin, C., 63Corcos, V., 90Cortazzo, O., 108
Cortes, E., 45
Dde la Boulaye, P., 60Detaille, E., 22Diaz de la Pena, N., 31Dupre, J., 26Dupuy, P., 67Durando-Togo, R., 133, 134, 135Duval, C., 70Duval, E., 147
EEisman-Semenowsky, E., 40
FFeuerbach, A., 78Frey, E., 2Friedr ich, W., 138Fristrup, N., 9
GGalien-Laloue, E., 46-50Galuszkiewicz, J., 61Gehrts, C., 86Grme, J., 24Gervais, P., 57Grolleron, P., 23Grubas, M., 122Gudin, H., 149Gurin, E., 33Guillonnet, E., 72
HHadamard, A., 68Harpignies, H., 34Henner, J., 25Herve, J., 51His, R., 56Holsoe, C., 13
JJacob, A., 54, 55Jakub, F., 6Jeannin, G., 29Jerichau, H., 105
KKaufmann, K., 118Kiers, P., 15Knebel, F., 94Koekkoek, H., 19Kuwasseg, C., 64
LLazerges, J., 150
Leclerc, E., 5Lerolle, H., 28, 74Lesrel, A., 21Lvy, E., 142Lvy-Dhurmer, L., 76Linder, P., 75Loir, L., 35-36
MMakart, H., 136Masic, N., 132Melbye, D., 10Mnsted, P., 8, 14Muller, F., 82
PPaoletti, A., 109, 112Papelen, V., 4Parris, E., 148Pavil, E., 65Pisecky, J., 125Poma, S., 141Portals, J., 62
RRhomberg, H., 84Rochegrosse, G., 139Rousseau, H., 143
SSalinas, J., 128Sanchez-Barbudo, S., 151Schtze, W., 85
Seignac, G., 71Serra y Auque , E., 130Sieffert, P., 69Stein, G., 42Stevens, A., 137
TTesson, L., 144Torrini, E., 107
UUhde, F. von, 77
Vvan Bommel, E, 18Vermeulen, A., 20Veron, A., 53Vollon, A., 30
WWagner, F., 91Wolf, F., 1
ZZanin, F., 116Zezzos, A., 88Ziller, L., 146Zink, R., 87Zuber-Bhler, F., 131
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Important Notices and Explanation ofCataloguing Practice
IMPORTANT NOTICES
CHRISTIES INTEREST IN PROPERTY
CONSIGNED FOR AUCTIONFrom time to time, Christies may offer a lot whichit owns in whole or in part. Such property isidentified in the catalogue with the symbol nextto its lot number.On occasion, Christies has a direct financialinterest in lots consigned for sale, which mayinclude guaranteeing a minimum price or makingan advance to the consignor that is secured solelyby consigned property. Such property is identifiedin the catalogue with the symbol next to the lotnumber. This symbol will be used both in caseswhere Christies holds the financial interest on itsown, and in cases where Christies has financedall or part of such interest through third parties.When a third party agrees to finance all or partof Christies interest in a lot, it takes on all orpart of the risk of the lot not being sold, and willbe remunerated in exchange for accepting this
risk. The third party may also bid for the lot.Where it does so, and is the successful bidder,the remuneration may be netted against the finalpurchase price. If the lot is not sold, the thirdparty may incur a loss. Where Christies has anownership or financial interest in every lot in thecatalogue, Christies will not designate each lotwith a symbol, but will state its interest at the frontof the catalogue.In this catalogue, if property has Xnext to the lotnumber, Christies guarantee of a minimum pricehas been financed through third parties.
ALL DIMENSIONS ARE APPROXIMATE
CONDITIONChristies catalogues include references to conditiononly in descriptions of multiple works (such asprints, books and wine). For all other property,only alterations or replacement components arelisted. Please contact the Specialist Departmentfor a condition report on a particular lot. Thenature of the lots sold in our auctions is such thatthey will rarely be in perfect condition, and arelikely, due to their nature and age, to show signsof wear and tear, damage, other imperfections,restoration or repair. Any reference to conditionin a catalogue entry will not amount to a fulldescription of condition. Condition reports areusually available on request, and will supplementthe catalogue description. In describing lots, our
staff assess the condition in a manner appropriate tothe estimated value of the item and the nature ofthe auction in which it is included. Any statementas to the physical nature or condition of a lot, in acatalogue, condition report or otherwise, is givenhonestly and with appropriate care. However,Christies staff are not professional restorers ortrained conservators and accordingly any suchstatement will not be exhaustive. We therefore
recommend that you always view propertypersonally, and, particularly in the case of any itemsof significant value, that you instruct your ownrestorer or other professional adviser to report to
you in advance of bidding.
11/04/14
PROPERTY INCORPORATING MATERIALS
FROM ENDANGERED AND OTHER
PROTECTED SPECIESProperty made of or incorporating (irrespectiveof percentage) endangered and other protectedspecies of wildlife are marked with the symbol ~in the catalogue. Such material includes, amongother things, ivory, tortoiseshell, crocodile skin,rhinoceros horn, whale bone and certain species ofcoral, together with Brazilian rosewood. Prospectivepurchasers are advised that several countries prohibitaltogether the importation of property containingsuch materials, and that other countries require apermit (e.g., a CITES permit) from the relevantregulatory agencies in the countries of exportationas well as importation. Accordingly, clients shouldfamiliarise themselves with the relevant customs lawsand regulations prior to bidding on any property
with wildlife material if they intend to import theproperty into another country. Please note that it isthe clients responsibility to determine and satisfy the
requirements of any applicable laws or regulationsapplying to the export or import of propertycontaining endangered and other protected wildlifematerial. The inability of a client to export or importproperty containing endangered and other protectedwildlife material is not a basis for cancellation orrescission of the sale. Please note also that lotscontaining potentially regulated wildlife material aremarked as a convenience to our clients, but Christiesdoes not accept liability for errors or for failing tomark lots containing protected or regulated species.
RECENT CHANGES TO IMPORTS OF
ELEPHANT IVORY AND OTHER WILDLIFE
MATERIAL INTO THE USA
The USA has recently changed its policy on theimport of property made of or containing elephantivory. Only Asian Elephant ivory may be importedinto the USA, and imports must be accompanied by
DNA analysis and confirmation the object is morethan 100 years old. We have not obtained a DNA
analysis on any lot prior to sale and cannot indicatewhether the elephant ivory in a particular lot isAfrican or Asian elephant. Buyers purchase theselots at their own risk and will be responsible for thecosts of obtaining any DNA analysis or other reportrequired in connection with their proposed import ofsuch property into the USA.
The USA is also currently requiring all imports ofproperty made of or containing wildlife materialto be accompanied by a sci entific confirmation ofspecies and in some cases an addit ional confirmationof age. We have not obtained such confirmationsprior to sale (unless specifically indicated) andbuyers will be responsible for the costs of any suchadditional confirmations or opinions required fortheir proposed import into the USA.
A buyers inability to export or import any lot
containing elephant ivory or other wildlife material
is not a basis for cancelling the purchase.
POST 1950 FURNITUREAll items of post-1950 furniture included in thissale are items either not originally supplied for usein a private home or now offered solely as worksof art. These items may not comply with theprovisions of the Furniture and Furnishings (Fire)(Safety) Regulations 1988 (as amended in 1989 and1993, the Regulations). Accordingly, these itemsshould not be used as furniture in your home intheir current condition. If you do intend to use such
items for this purpose, you must first ensure thatthey are reupholstered, restuffed and/or recovered(as appropriate) in order that they comply with theprovisions of the Regulations.
EXPLANATION OF
CATALOGUING PRACTICE
The following expressions with their accompanyingexplanations are used by Christies as standard cata-
loguing practice. Our use of these expressions does not
take account of the condition of the lot or of the extent
of any restoration.
FOR PAINTINGS, PRINTS AND
WORKS OF ART
A work catalogued with the name(s) or recognised
designation of an artist or maker, without any quali-
fication, is, in our opinion, a work by the artist or
maker. In other cases, the following words or expres-
sions, with the following meanings are used:
Buyers are recommended to inspect the property
themselves. Written condition reports are usually avail-
able on request.
Attributed to
In our opinion probably a work by the artist or maker
in whole or in part.Circle of
In our opinion a work of the period of the artist or
maker and showing his influence.
Manner of
In our opinion a work executed in the style of the artist
or maker but of a later date.
After
In our opinion a copy of any date of a work of the
artist or maker.
Signed /Sealed /
Has a signature/seal which in our opinion is that of
the artist
With signature / With seal /
Has a signature/seal which in our opinion is not that
of the artist
Dated
Is so dated and in our opinion was executed at about
that date.
With date /
Is so dated but was not in our opinion executed at
that date.
FOR PORCELAIN AND CERAMICS
(a) A piece catalogued with the name of a period,
reign or dynasty without further qualification
was, in our opinion, made during or shortly after
that period, reign or dynasty (e.g. a Ming vase)
(b) A piece catalogued in the style of a period,
reign or dynasty is in our opinion, quite possibly
a copy or imitation of pieces made during the
named period, reign or dynasty (e.g. a vase in
Ming style)
(c) A reference to a mark and of the period means
that, in our opinion, the piece is of the period of
the mark (e.g. Kangxi six-character mark and ofthe period).
(d) A reference to a mark without reference to
and of the period means that, in our opinion,
although bearing the mark, the pieces were
possibly not made in the period of the mark (e.g.
Kangxi six-character mark).
(e) Where no date, period, reign or mark is men-
tioned, the lot is, in our opinion, of uncertain
date or 19th or 20th century manufacture.
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Buying at Christies
CONDITIONS OF SALEChristies Conditions of Sale and Limited Warranty are set outlater in this catalogue. Bidders are strongly encouraged to readthese as they set out the terms on which property is bought