chromatically embellished static harmony
DESCRIPTION
Chromatically Embellished Static HarmonyThere are harmonic progressions that may be described as a chord with a chromatically altered scale degree. Below are some common examples ©2010 Mermikides Major Triad with moving 5th (5,+5,6,+5) I I+ I6 I+C C& C6 C&& w w wIm#w w wIm+C‹& C‹nww w wIm6C‹6#w w wIm+C‹&Minor Triad with moving 5th (5,+5,6,+5)b &b b w w wIC#w w wnw w wI7C7#w w wMajor Triad with moving Root/7th (R,7,b7,6) Imaj7CŒ„Š7I6C6ORIV& w w w wICTRANSCRIPT
C C& C6 C&
C‹ C‹& C‹6 C‹&
C CŒ„Š7 C7 C6 F
C C/B C/B¨ A‹7 F/A
C‹ C‹(Œ„Š7) C‹7 C‹6 F9
C‹ C‹/B C‹/B¨ C‹/AA‹7(b5)
F9/A
&
I
There are harmonic progressions that may be described as a chord with a chromatically altered scale degree. Below are some common examples
Minor Triad with moving 5th (5,+5,6,+5)
Major Triad with moving 5th (5,+5,6,+5)I+ I6 I+
©2010 Mermikides
Chromatically Embellished Static Harmony
&bbb
Im
Major Triad with moving Root/7th (R,7,b7,6)
Im+ Im6 Im+
&
I Imaj7
...similar progression with bass motion
I7 I6OR
IV
&
I
Minor Triad with moving Root/7th (R,7,b7,6)
Imaj7 (3rd inv.) I7 (3rd inv.) VIm7 OR IV (1st inv.)
&bbb
Im Im(maj7)
...similar progression with bass motion
Im7 Im6 OR IV9
&bbb
Im Im(maj7) (3rd inv.) Im7 (3rd Inv.) VIm7(b5)OR
IV9 (1st inv.)IV9
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