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2011–2012 ANNUAL REPORT

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Page 1: Cincinnati Ballet€¦ · 3. Artistically, when we recall some of the more uncertain moments of the season – devastating injuries and last-minute casting changes – we were overwhelmed

1

2011–2012 ANNUAL REPORT

Page 2: Cincinnati Ballet€¦ · 3. Artistically, when we recall some of the more uncertain moments of the season – devastating injuries and last-minute casting changes – we were overwhelmed

3

Artistically, when we recall some of the

more uncertain moments of the season

– devastating injuries and last-minute

casting changes – we were overwhelmed

with pride by the overall strength and te-

nacity of our company of dancers. Their

ability to step in at a moment’s notice or

to painfully work their way back to phys-

ical health is no small feat. They support

each other both onstage and off, and

when we saw our corps de ballet truly

breathing as one during Giselle, we knew

we had achieved something remarkable.

The end of the season allowed us to take

a collective breath as we closed another

year with a financial surplus and cele-

brated multiple years of ongoing stabil-

ity. As our staff and number of dancers

have grown slightly, we were thrilled to

be able to extend small raises and, for

the first time, develop plans to begin a

401(k) match for our employees – a tes-

tament to the administrative health of

our organization, for which we are very

proud.

Much of the spring was spent deep in

conversation and data analysis with

some of our closest friends as we spent

countless hours developing our stra-

tegic plan for the 2012–2016 Seasons.

While it is ambitious, we are confident

it is achievable and has the potential to

usher in a new era at Cincinnati Ballet.

Embracing the tremendous potential in-

herent in the celebration of our 50th An-

niversary during the 2013–2014 Season,

we are poised for even greater things to

come. Onward!

With gratitude for your faithful support,

DEAR CINCINNATI

Each season, it feels as though the good

news we have the privilege of sharing

just gets bigger and better. In many

ways, the 2011–2012 Season was a dream

come true. The holidays brought the ar-

rival of our brand new Frisch’s Presents

The Nutcracker which exceeded even our

highest expectations. This production

was the culmination of years of hopeful

plans and the tireless effort of so many.

While we are immensely proud of what

transpired onstage, it’s what happened

offstage that lies at the core of our suc-

cess. The community that rallied behind

us and the relationships built with won-

derful new supporters and community

leaders were humbling and invigorating.

We are so blessed!

On the financial front, our box office ex-

ceeded $2 million in ticket sales for the

first time in our history – truly a glorious

victory for us! It’s an achievement wor-

thy of a standing ovation.

There are so many other great moments

to celebrate. We are still haunted by the

sounds of Johnny Cash’s voice floating

through the halls of the Ballet Center

and readily recall the unexpected emo-

tional climax of The Man in Black from

our Kaplan New Works Series. The

season also brought a fresh, new cho-

reographic voice in the form of Stacey

Tookey with her imaginative shadow play,

and who can forget the dramatic end

of Adam Hougland’s Rite of Spring, the

charm of The Steadfast Tin Soldier or the

theater full of young families eager to

partake in our first ever performance of

Ballet Toybox? Our Otto M. Budig Acad-

emy is bursting at the seams, with more

graduates going on to pursue competi-

tive higher education dance programs,

including one who will be joining the

upper ranks of the Royal Ballet School.

Our education and outreach programs

are reaching further into the community

than ever before.

Victoria Morgan Artistic Director & CEO

Missie Santomo Managing Director

Cincinnati Ballet dancers

BALLET LOVERS,

Page 3: Cincinnati Ballet€¦ · 3. Artistically, when we recall some of the more uncertain moments of the season – devastating injuries and last-minute casting changes – we were overwhelmed

Dancer Roster . . . . . . . . . . . . . . . . . 7

Marketing . . . . . . . . . . . . . . . . . . . . . 9

Development . . . . . . . . . . . . . . . . . 25

Otto M . Budig Academy . . . . . . . .31

Education & Outreach . . . . . . . . . 35

Finance . . . . . . . . . . . . . . . . . . . . . . 39

Trustees . . . . . . . . . . . . . . . . . . . . . . 45

Donor Honor Roll . . . . . . . . . . . . . 47

Company Staff . . . . . . . . . . . . . . . . 55

2011–2012

“Cincinnati Ballet’s The New Nutcracker is, in a word, spectacular. And I mean that in the literal sense: It’s truly a spectacle.” – Julie Mullins, CityBeat

All photography by Peter Mueller unless otherwise noted .Otto M . Budig Academy students

Page 4: Cincinnati Ballet€¦ · 3. Artistically, when we recall some of the more uncertain moments of the season – devastating injuries and last-minute casting changes – we were overwhelmed

APPRENTICES

TRAINEES

NEW DANCERS CORPS DE BALLET

PRINCIPAL DANCERS

CORPS DE BALLET

CORPS DE BALLET

CBII

SOLOISTS

CERVILIO MIGUEL AMADOR

SARAH HAIRSTON

SENIOR SOLOIST

ZACKGRUBBS

SELAHATTIN ERKAN

SAMUELJONES

DANIELLE BAUSINGER

JOSHUABODDEN

COURTNEY CONNOR

COURTNEY HELLEBUYCK

LIANG FU

GEMADIAZ

DANCERS

DAWNKELLY

JANESSA TOUCHET

ABIGAIL MARUNAMORWOOD

SOLOISTS

RODRIGO ALMARALES

PATRICPALKENS

JAMES CUNNINGHAM

JACQUELINE DAMICO

STEPHENJACOBSEN

SIRUILIU

RUSLANMUKHAM-BETKALIYEV

MAIZYALET VELÁZQUEZ

GRACE REEVES

THOMASCALEB ROBERTS

ELIBARNES

JAMES GILMER

MARIYA OISHI

HEATHER THOMAS

APPRENTICES

CRAIGHALL

DIAMOND ANCION

SHANNON BIERY

EMILY FRANCE

MICHAELA GOULD

BRIANNA HABEL

SAMANTHA PILLE

DANIEL POWERS

DAVID DONNELLY

2011–2012

Page 5: Cincinnati Ballet€¦ · 3. Artistically, when we recall some of the more uncertain moments of the season – devastating injuries and last-minute casting changes – we were overwhelmed

The Kaplan New Works Series

3 World Premieres, 1 Regional PremiereSeptember 8–18, 2011Cincinnati Ballet Center

Music: John Adams, Johnny Cash, Dianne Dunkelman, Gabriel Gaffney Smith, Rick SowashChoreography: Heather Britt, Adam Hougland, James Kudelka, Missy Lay Zimmer & Andrew Hubbard, Johanna Bernstein WiltSpoken Word Artist: JaHipster

Subscription Sales $41,131.00

Single Ticket Sales $40,483.32

Group Sales $6,767.50

Facility Fee $5,227.50

Total Revenue (including facility fee) $93,609.32 103% to goal

Seats Sold 2,157

Average Ticket Price $43.40

“Sassy, inventive, quirky and sometimes downright challenging - the Cincinnati Ballet’s Kaplan New Works Series has evolved into one of the

area’s most adventurous season-opening enterprises.”– David Lyman, The Cincinnati Enquirer

T H E K A P L A N N E W W O R K S S E R I E S T O TA L S

9

Janessa Touchet & Cervilio Miguel Amador

MARKETING

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“Despite a number of new faces in the group, this corps moves like an ensemble that has spent years together. Crisp and precise, they move with the confidence

and familiarity of a single breathing organism.” – David Lyman, The Cincinnati Enquirer

Subscription Sales $87,986.10

Single Ticket Sales $60,793.25

Group Sales $10,583.50

Facility Fee $8,242.50

Total Revenue (including facility fee) $167,605.33 87% to goal

Seats Sold 3,391

Average Ticket Price $49.43

Student Matinee Seats 350

G I S E L L E T O TA L S

Giselle

October 28–29, 2011Music Hall

Music: Adolphe AdamChoreography: Devon Carney after Marius Petipa

11

Sarah Hairston & Liang Fu

MARKETING

Page 7: Cincinnati Ballet€¦ · 3. Artistically, when we recall some of the more uncertain moments of the season – devastating injuries and last-minute casting changes – we were overwhelmed

Frisch’s Presents The New Nutcracker

World PremiereDecember 15–24, 2011Aronoff Center for the Arts

Music: Peter Ilyich TchaikovskyChoreography: Victoria MorganSet Design: John EzellCostume Design: Carrie Robbins

“The new Cincinnati production, the most expensive in the company’s history, includes modern touches like characters dressed as poodles and a kooky grandma with pop-

and-lock moves partly inspired by the TV show So You Think You Can Dance.” – Ellen Gamerman, The Wall Street Journal

Subscription Sales $15,627.00

Single Ticket Sales $958,888.02

Group Sales $182,993.00

Facility Fee $54,975.00

Total Revenue (including facility fee) $1,212,483.02 123% to goal

Seats Sold 21,420

Average Ticket Price $56.61

Student Matinee Seats 4,000

FR ISCH ’S PRESENTS THE NEW NUTCRACKER TOTALS

13

Cincinnati Ballet dancers & Otto M . Budig Academy students

MARKETING

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Carmen

February 10–18, 2012Aronoff Center for the Arts

Music: Georges BizetChoreography: Amedeo Amodio

“The dancers are spot on in the dichotomy of actions they must execute from hard to soft, big to small, fast to slow, and passive to aggressive, the ballet ebbs and

flows like a Nadal/Federer five set thriller.” – ispycincy.com

Subscription Sales $90,651.00

Single Ticket Sales $125,932.00

Group Sales $16,014.50

Facility Fee $12,560.00

Total Revenue (including facility fee) $245,157.50 107% to goal

Seats Sold 4,990

Average Ticket Price $49.13

C A R M E N T O TA L S

15

Cervilio Miguel Amador & Gema Diaz

MARKETING

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Ballet Toybox

February 18, 2012Aronoff Center for the Arts

In 2012, Cincinnati Ballet added a new mini-performance of ballet

and storybook classics including performances from CBII, Cincinnati

Ballet’s Second Company. This new format proved to be fit for the

entire family, perfect for introducing children to ballet with all tickets

priced at $30.

Subscription Sales $4,389.25

Single Ticket Sales $14,157.50

Group Sales $1,890.00

Facility Fee $2,257.50

Total Revenue (including facility fee) $22,694.25 64% to goal

Seats Sold 849

Average Ticket Price $26.73

B A L L E T T OY B OX T O TA L S

17

James Gilmer

MARKETING

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Rite of Spring

Featuring: Vivace, World Premiere Oneself Perceived and Cincinnati Premiere Rite of Spring March 16–17, 2012Aronoff Center for the Arts

Music: Olafur Arnalds, Franz Schubert, Igor StravinskyChoreography: Val Caniparoli, Adam Hougland, Stacey Tookey

“Crisp, bright, playful and filled with oodles of finely articulated movement. It’s as if Caniparoli is trying to channel the late George Balanchine. But Caniparoli is too

impish to leave it at that. Things aren’t quite what they seem. Phrase after phrase, Caniparoli’s choreography moves in quirky and unexpected ways.”

– David Lyman, The Cincinnati Enquirer on Vivace

“It’s alarming. And memorable. And great theater.” – David Lyman, The Cincinnati Enquirer on Rite of Spring

Subscription Sales $87,105.00

Single Ticket Sales $49,472.00

Group Sales $6,549.00

Facility Fee $7,675.00

Total Revenue (including facility fee) $150,801.00 84% to goal

Seats Sold 4,174

Average Ticket Price $36.13

R I T E O F S P R I N G T O TA L S

19

Courtney Connor Jones & Cincinnati Ballet dancers

MARKETING

Page 11: Cincinnati Ballet€¦ · 3. Artistically, when we recall some of the more uncertain moments of the season – devastating injuries and last-minute casting changes – we were overwhelmed

Princess & the Pea

Featuring: The Steadfast Tin Soldier and Princess & the PeaApril 27–29, 2012Aronoff Center for the Arts

Music: Georges Bizet, Carmon DeLeoneChoreography: Devon Carney, Victoria Morgan

“The company’s final concert series is filled with ballet to love; a wholesome love story, some – but not too much – tragedy, a piece laced with brash, Broadway-ish

bombast, and all of it wrapped up in a pair of ballets based on Hans Christian Andersen tales. What’s not to love?” – David Lyman, The Cincinnati Enquirer

Subscription Sales $89,648.75

Single Ticket Sales $58,469.72

Group Sales $11,265.00

Facility Fee $9,078.78

Total Revenue (including facility fee) $168,462.25 93% to goal

Seats Sold 3,861

Average Ticket Price $43.63

Student Matinee Seats 666

P R I N C E S S & T H E P E A T O TA L S

21

Courtney Hellebuyck

MARKETING

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23

Final Marketing ReportAllie Honebrink, Director of Marketing & Communications

From the creation of New Works at the beginning of the season to

the fairy tale ending of Princess & the Pea, Cincinnati Ballet brought

the community together in growing numbers to witness the power

and beauty of dance. 6,505 more people attended Cincinnati Ballet

productions in the 2011–2012 Season than in the 2010–2011 Season.

Overall, Cincinnati Ballet hit a new record in ticket sales revenue

of $2.23M. Average ticket price increased from $45.45 to $50.57

representing an 11% increase as compared with the Consumer Price

Index rise of 1.4%.

With the world premiere of Frisch’s Presents The New Nutcracker, the

Marketing Department was challenged to increase ticket prices while

at the same time increasing attendance. In addition to expanding

paid advertising for The New Nutcracker, continuing a demand

pricing strategy and expanding social media usage, the Nutcracker

made more community appearances than ever before. It seemed that

everywhere you turned in November and December the Nutcracker

was there – on billboards, on the newsstand and even in person. The

New Nutcracker ticket revenue increased by 49% and attendance

grew by 41% from 2010’s Nutcracker.

Subscription Sales $420,881.05

Single Ticket Sales $1,307,477.29

Group Sales $236,793.50

Facility Fee $100,271.28

Total Revenue (including facility fee) $2,065,369.12

Seats Sold 40,842

Average Ticket Price $50.57

Student Matinee Attendance 5,016

Student Matinee Revenue $53,725.00

Overall Attendance 49,939

Overall Revenue(includes tickets, student matinees, handling fees and facility fees)

$2,233,673.12

R E V E N U E B Y P R O D U C T I O N

The Kaplan New Works — 5%

Giselle — 8%

Frisch’s Presents The New Nutcracker — 59%

Carmen — 12%

Rite of Spring — 7%

Ballet Toybox — 1%

Princess & the Pea — 8%

MARKETING

Cincinnati Ballet dancers

Page 13: Cincinnati Ballet€¦ · 3. Artistically, when we recall some of the more uncertain moments of the season – devastating injuries and last-minute casting changes – we were overwhelmed

Development ReportRasheda Malcolm, Director of Development since June 22, 2012

With an economic recession still underway, it could have been a year

when Cincinnati Ballet’s customary excellence dimmed. Instead, our

performances engaged a diverse and growing audience. Ticket sales,

attendance, number of donors, artistic caliber and community reach

continued to excel. Thanks to extremely dedicated staff, Trustees,

friends and fans, Cincinnati Ballet raised over $2.9M in operating sup-

port in the 2011–2012 Season.

T O TA L G I V I N G F O R 2 0 1 1 – 2 0 1 2

Individuals $1,355,786.52 46%

Corporations $289,927.66 10%

Foundations/Gov’t $1,273,374.33 44%

Total $2,916,089

T O TA L G I V I N G F O R 2 0 1 1 – 2 0 1 2

Foundations & Gov’t $1,273,374 .33

Individuals $1,355,786 .52

Corporations $289,927 .66

25

Co-Chairman of the Board Rhonda Sheakley with husband Larry Sheakley

DEVELOPMENT

Page 14: Cincinnati Ballet€¦ · 3. Artistically, when we recall some of the more uncertain moments of the season – devastating injuries and last-minute casting changes – we were overwhelmed

R E V E N U E S N A P S H O T

Initiative FY 10/11 FY 11/12

Annual Fund $52,226 $45,469

Major Gifts $135,397 $116,256

Trustees $107,083 $215,697

Live Music $50,496 $56,096

Dancer Fellowship $192,179 $154,639

Education $177,089 $172,730

Performance Sponsor $532,633 $550,698

Government Grants $72,269 $79,138

Major Benefactors $608,732 $427,442

Arts Wave $894,294 $871,594

Special Events $137,437 $226,329

Season Total $2,959,795 $2,916,089

Facing several challenges – including an aggressive capital campaign

for our new Nutcracker, raising over $2M, major personnel changes in

the Development Department and a major benefactor’s strategic and

anticipated decision to lower their contribution – fundraising revenue

in the 2011–2012 Season was relatively flat compared to the previous

year with a less than 1% decline, falling just shy of a $3M goal. A sub-

stantial year-end increase was driven by matching grant challenges,

allowing Cincinnati Ballet to secure additional Trustee and individual

support. We thank The Carol Ann and Ralph V. Haile, Jr./U.S. Bank

Foundation and our anonymous matching grant donor for this success.

F U N D R A I S I N G E V E N T S

Cincinnati Ballet had a myriad of successful events this season

surpassing last year’s revenue by 67%. Led by the volunteer arm of

Cincinnati Ballet, BRAVO!, the company engaged new and passionate

members of the community to increase event attendance, sponsor-

ship and awareness. The committee, chaired by Kathryn Harsh and

Susan Shelton, effectively managed four major events throughout

the season.

Cincinnati Ballet continued to raise the bar for the Children’s Nutcracker

Luncheon. With more than 600 guests (both children and adults),

the Hyatt’s Grand Ballroom was filled to capacity with Ballet lovers.

The Luncheon wowed guests with incredible entertainment: a hand

bell choir, a magician and, as always, excerpts from Frisch’s Presents

The Nutcracker performed by Otto M. Budig Academy students. The

Luncheon was a huge success and netted $38,881 for Cincinnati Ballet.

Celebrating the world premiere of Frisch’s Presents The New

Nutcracker, the Nutcracker Gala featured an elegant dinner before

guests were whisked off to the Aronoff Center for the Arts to watch

the performance. Guests then returned for dancing and cocktails. With

more than 200 in attendance, the Gala raised $75,430.

Dancing With Our Stars, a family-friendly event, was back for another

season at Cincinnati Ballet’s studios. Families enjoyed an elegant buf-

fet dinner, kid-friendly raffle, silent auction and dancing alongside the

professional dancers of Cincinnati Ballet. This event continues to be a

favorite among Cincinnati Ballet’s Otto M. Budig Academy students

and parents, raising $12,480.

27

BRAVO! Co-Chairs Kathryn Harsh & Susan Shelton with celebrity Gala guest Dhani Jones

DEVELOPMENT

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Club B, in many ways, was the most successful event of the season.

Held in the Pavilion Room at the Hilton Netherland Plaza, Club B

guests danced the night away between dinner by the bite, cocktails

and an incredible silent auction. This event generated the most

revenue among all of the fundraisers this season at $99,018.

FY 10/11 FY 11/12

Goal $215,650 $225,000

Actual $137,447 $226,329

N E W N U T C R AC K E R C A M PA I G N

A historic milestone in the history of Cincinnati Ballet, Frisch’s

Presents The New Nutcracker made its world premiere in 2011. Thanks

to tremendous community, corporate, foundation and individual sup-

port, Cincinnati Ballet raised $2,049,070 for The New Nutcracker,

boldly re-envisioning this holiday classic for a new generation.

The campaign had been underway for several years and by the

end of the 2011–2012 Season, it successfully exceeded its $2M goal.

This amount, combined with the $2.9M raised in operating support,

brought the grand total of contributed income to $4,985,158 this sea-

son. With the leading gift from Frisch’s Restaurants, Inc., other major

contributors included PNC Bank, Great American Financial, Sheakley

Group of Companies, the Gardner Foundation, Greater Cincinnati

Foundation, Procter & Gamble and Fifth Third Bank. The world pre-

miere was an astounding success.

N E W N U T C R AC K E R C A M PA I G N

Individuals $550,770 27%

Corporations $1,114,800 54%

Foundations/Gov’t $383,500 19%

Campaign Total $2,049,070

O P E R AT I N G R E S E R V E S

Cincinnati Ballet builds its operating reserves in order to safeguard

the bottom line and provide a degree of financial security for the fu-

ture. The organization holds over $1M in operating reserves as of July

31, 2012. Cincinnati Ballet is determined to leave a legacy for genera-

tions to come through these reserves and other financial safeguards.

The company looks forward to building its endowment and is already

planning an endowment campaign related to sustaining the vibrancy

of Cincinnati Ballet and its distinguished programs as we celebrate

our 50th Anniversary in the 2013–2014 Season.

29

Victoria Morgan, BRAVO! Club B committee members and Cincinnati Ballet staff

DEVELOPMENT

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Otto M. Budig Academy ReportVictoria Morgan, Artistic Director | Catherine Batcheller, Academy Dean

Cincinnati Ballet Otto M. Budig Academy continues to grow and

flourish under the direction of Academy Dean, Catherine Batcheller.

Main Division reached 118% of its

revenue goal and the student base

grew from 195 students in 2011 to

210 students in 2012. Performing

and outreach opportunities included

the Blue Ash Recreation Center,

Cincinnati Museum Center, Children’s

Nutcracker Luncheon, Joseph-Beth

Booksellers, Kids in the Kitchen by

the Junior League of Cincinnati,

a Procter & Gamble ArtsWave

performance, Art on the Streets

and the Academy’s annual Spring Production held at the College of

Mount St. Joseph.

Children’s Division enrollment increased 8% from 270 students in

2011 to 291 in 2012. Reformatted scheduling on Saturdays optimized

studio space allowing for more Children’s Division classes on Saturday

morning, a prime time for working parents. Petite Pas de Deux remains

a success and the addition of the Young Boys class has opened

up opportunities for young male dancers to work with Company

members and Academy teachers, James Cunningham and Liang Fu.

The Summer Intensive program continues to draw many new stu-

dents from around the nation and world. With an 18-city audition

tour, the program attracted 113 total students, 56% of which stayed

at the dormitory at the University of Cincinnati. Three interna-

tional students attended, two from Canada and one from Sweden.

Returning master teachers included Devon Carney, Sabir Yapparov,

Sarah Knight, Victoria Morgan and new guest teachers Momchil

Mladenov and Andrea Basile. Shelia Cohen provided her expertise on

Dance History and Jacqui Hass and the Wellington Orthopaedics staff

taught classes in Pilates. The program also continued its one of a kind

scheduling, allowing the students flexibility to attend anywhere from

one to five weeks. Two students from the Summer Intensive pro-

gram were chosen to remain at Cincinnati Ballet as Trainees with the

company, five have moved or are commuting to Cincinnati to train

with the Academy this fall, and two male students have joined from

Cincinnati School for the Creative and Performing Arts. Other sum-

mer programs included the Academy’s popular Kids Dance Camp,

Young Dancer Program and a new program, Junior Summer Intensive,

which attracted area students seeking Cincinnati Ballet training.

31

Photography: Jennifer Denham

Photography: Jorja Vornheder

OTTO M . BUDIG ACADEMY

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New classes included the establishment of Teen Division open classes.

This has allowed students who are unable to meet the rigorous

demands of the Main Division schedule to receive quality training

with the flexibility of a class pass. Classes included both ballet and

modern and will be continued in the fall of 2012. The Academy also

tested the waters of a lyrical class, a technique that combines the

technical elements of classical ballet with the freedom, fluidity and

expressiveness of jazz, contemporary and modern dance. The class

was well received and is also planned for the fall of 2012.

Adult Classes maintain a steady stream of students and revenue.

Through 2011–2012, the Academy offered ballet, jazz, modern and

hip hop at the downtown and Blue Ash locations. Rhythm & Motion,

led by the charismatic Heather Britt, enjoyed increased attendance

of 8% over last year, serving 17,170 new and returning students in

twelve classes a week. Heather is currently training new teachers and

searching for availability to add additional classes while preserving

Rhythm & Motion’s style and class atmosphere. This unique class has

introduced the sensation and physical benefits of dance to a diverse

population. Many of these participants not only attend Cincinnati

Ballet performances but have also become sponsors and Trustees.

Several Otto M. Budig Academy students are pursuing dance at

prestigious schools across the country. David Donnelly placed in the

top twelve senior men at the Youth Grand Prix Finals in New York

City and will be attending the Royal Ballet School in London with the

possibility of performing with the company. Six graduating Academy

seniors will be pursuing dance education at Butler University, SUNY

Purchase, New York University and the University of Cincinnati -

College Conservatory of Music.

33OTTO M . BUDIG ACADEMY

Otto M . Budig Academy students

Page 18: Cincinnati Ballet€¦ · 3. Artistically, when we recall some of the more uncertain moments of the season – devastating injuries and last-minute casting changes – we were overwhelmed

Education & Outreach ReportJulie Sunderland, Director of Education

Cincinnati Ballet’s Education Department brought dance to more

people and more new places in 2011–2012 than ever before. CBII,

Cincinnati Ballet’s Second Company, traveled to new audiences as far

away as Augusta, Kentucky and Vevay, Indiana, more than doubling

appearances from the previous year.

C I N C Y D A N C E !

Cincinnati Ballet’s flagship CincyDance! (presented by Cincinnati Bell)

brings six weeks of ballet classes to primarily Title 1-eligible elemen-

tary schools. At the end of six weeks, students with facility, ambi-

tion and passion are invited to attend a 20-week Ballet Foundations

class through the Cincinnati Ballet Otto M. Budig Academy. In the

2011–2012 Season, CincyDance! increased the number of programs

from 19 to 23, adding CISE schools; Corryville Catholic, St. Boniface,

Holy Family and St. Francis De Seraph. The program reached more

students overall, 980 compared to 753 the previous year. The Ballet

Foundations class had the highest attendance rate in the history of

the initiative. Five lifetime scholarships to attend the Cincinnati Ballet

Otto M. Budig Academy were awarded after the most intense compe-

tition in the history of the program.

C I N C Y D A N C E ! R E A C H I N G L O N G -T E R M G O A L S

As a student progresses in the Otto M. Budig Academy, he or she

may take classes up to six days a week for two to three hours a day.

In early years, the commitment is typically two to three hours per

week. All Academy levels tend to naturally thin out as the levels

increase. Level 1 has over 100 students, whereas Level 7, the highest

Academy level, has just eight students. Until 2010, CincyDance! had

only one to two students to ever progress higher than Level 3. In the

2011–2012 Season CincyDance! had ten students in Level 3 or above.

We hope to graduate all of these students from the program.

C R E AT I V E M O V E M E N T R E S I D E N C I E S &

W O R K S H O P S

Cincinnati Ballet’s Education Department offers both a one-session

workshop and a longer-term residency prorgram. This year we con-

tinued to be a leader in providing dance instruction to after school

programs in the Greater Cincinnati area. Families Forward!, a United

Way agency partner, contracted Cincinnati Ballet to teach dance at

Hays-Porter Elementary, Bond Hill Academy, Evanston Academy and

Carson School. These programs reached over 850 students.

P E T E R A N D T H E W O L F & I N S T E P P R O G R A M

Peter and the Wolf became the backbone of Cincinnati Ballet’s lec-

ture demonstration, In Step. This fifty-minute interactive education

program is designed to spark a fire about dance in current and future

dance lovers. Excerpts from Peter and the Wolf were an integral

component in any program that included students. Cincinnati Ballet

provided this program over 25 times in 2011–2012 and reached 8,096

people, more than doubling the previous season’s achievement.

35

James Gilmer & Daniel Powers | Photography: Jeff Corcoran

EDUCATION & OUTREACH

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B E H I N D -T H E - S C E N E S

Tours allow small groups to watch Company rehearsal and tour the

Cincinnati Ballet studios, offices and wardrobe department. Visitors

included students from ages 8 to 80, bringing 370 new friends to our

facility this year.

C B I I A N D T R A I N E E P R O G R A M

Devon Carney and Suzette Boyer Webb, Directors

In the previous season Cincinnati Ballet added a full-time staff posi-

tion to better coordinate and oversee CBII, Cincinnati Ballet’s Second

Company, and the trainee program. The program grew from five mem-

bers in 2010 to 15 in the 2011–2012 Season, allowing for growth in the

number of places visited, the number of audience members reached

and the type of repertoire that CBII was able to perform. This year, CBII

traveled to Vevay, Indiana to participate in Story Fest. A two-day event,

the In Step program was provided a total of six times, reaching the

entire school system. In Augusta, Kentucky, the Arts Guild generously

provided funding to bring CBII to the entire region. With two perfor-

mances in one day, over 1,000 students in the two neighboring coun-

ties, including K-12 and homeschooled students, enjoyed our program.

CBII’s primary purpose is to dance with the professional Company.

CBII and trainee members join Cincinnati Ballet for a year-long

apprenticeship, which includes a stipend. The organization has made

an investment in this area, allowing Cincinnati Ballet to attract a

higher level of professional dancers from across the country. CBII

and trainee members attend company class and rehearsal from 11:15

am to 6:15 pm, Monday through Friday. The Education department

then schedules CBII programming in the evenings, and depending

on Cincinnati Ballet’s rehearsal schedule, on weekends. In addition to

performing in every full-length ballet with the Company in 2011–2012,

CBII members participated in 74 additional outreach engagements,

performing in schools, community centers, churches, outdoors with

the Cincinnati Symphony Orchestra and in small theatres throughout

the tri-state region.

N E W E N D E AV O R S I N 2 0 1 2 – 2 0 1 3

B R A N D N E W D A N C E R S

Ballet Moves is a new inclusive dance class for students with

developmental delays. Two classes are offered, one for students

8–12 and another for teens. This new programming was developed in

collaboration with Dramakinetics.

FA M I LY D A N C E W O R K S H O P S

Family Dance Workshops connect children and adults of all ages and

levels of dance experience with excerpts from the latest Cincinnati

Ballet productions. Cincinnati Ballet and CBII dancers lead groups

in movement exercises to learn short pieces of choreography that

build understanding of and appreciation for techniques essential to

the production. Participants learn new skills and put it all together

with the help of the dancers to demonstrate what they have learned

during the workshop, bringing fun for the whole family.

EDUCATION & OUTREACH 37

Wardrobe Mistress Diana Adams

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Financial ReportCraig Lattarulo, Director of Finance

For the fourth consecutive year, Cincinnati Ballet closed the 2011–

2012 Season with a substantial financial surplus. Ticket sales exceed

goal by $158,000, or 8.5%, to reach over $2M in sales, aided in large

part by Frisch’s Presents The New Nutcracker. The organization has

successfully managed the operating budget and closely monitored

revenue and expense activity, finishing the year with small variances

from budget to actual. Overall operating revenues exceeded the

$6.1M budget by about $181,000, or 2%. Total operating expenses

exceeded the $6.1M budget by about $60,000, or just 1%. With careful

monitoring and successes in revenue goals, the year ended with a

$127,000 surplus, adding to the growing fund balance and increasing

cash reserves. From 2007 to 2011, Cincinnati Ballet’s net asset base

has grown from $4.1M to $5.9M, a 44% increase. This is the result of

an accumulated operating surplus and the Frisch’s Presents The New

Nutcracker capital campaign.

For the coming 2012–2013 Season, Cincinnati Ballet’s budget has

increased to approximately $6.8M. This $700,000 increase over the

2011–2012 budget is the result of increased production costs due

to exciting and artistically engaging season programming and the

anticipation of increased staffing needs. The organization continues

to budget for contingencies and challenge expenses in the hopes

of further increasing reserve funds and cash flow. The Finance

Department looks forward to finalizing the implementation of Sage

Fund Accounting software, a transition long overdue as the current

provider Paciolan no longer supports its existing accounting package.

Updated software will allow for better tracking and reporting on all

expense and revenue categories and departments, as well as save

staff time with push-button reporting and enhanced modules.

39

Patric Palkens & Cincinnati Ballet dancers

FINANCE

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LIABILITIES 2012 2011Accounts payable $ 120,902 $ 177,421

Accrued expense 124,995 106,345

Deferred revenue 634,346 764,517

TOTAL LIABILITIES $ 880,243 1,048,283

NET ASSETSUnrestricted 4,570,751 3,204,600

Temporarily restricted 1,749,405 2,573,838

Permanently restricted 94,205 99,085

TOTAL NET ASSETS 6,414,361 5,877,523

TOTAL LIABILITIES & NET ASSETS $ 7,294,604 $ 6,925,806

ASSETS 2012 2011Cash and cash equivalents $ 971,292 $ 654,099

Accounts receivable, trade 2,810 7,916

Grants receivable:

ArtsWave 872,633 952,974*

Other 171,403 72,269

Pledges receivable, net 738,632 450,315

Prepaid expense 263,136 175,888

Deposits 3,575 3,575

Investments 1,454,492 2,235,184

Beneficial interests in assets held by others:

Children’s Education Endowment Fund

94,205 99,085

Other 54,595 56,294

Property, equipment, costumes and sets 9,723,976 9,012,634

Accumulated depreciation (7,056,145) (6,794,427)

TOTAL ASSETS $ 7,294,604 $ 6,925,806

Rodrigo Almarales

*The difference between the audit and development report in ArtsWave contribution amounts is related to fiscal year reporting procedures . ArtsWave’s fiscal year runs September to August while Cincinnati Ballet’s fiscal year runs August to July .

CINCINNATI BALLET

STATEMENT OF FINANCIAL POSITIONJULY 31, 2012

With Comparative Totals for 2011

41FINANCE

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PUBLIC SUPPORT UnrestrictedTemporarily Restricted

Permanently Restricted

ArtsWave $ 800,000

Contributions $ 2,721,824 294,142

Government grants 79,138

Bravo (net of fundraising expenses of $120,600) 106,708

TOTAL PUBLIC SUPPORT 2,907,670 1,094,142

REVENUE, GAINS (LOSSES) AND OTHER SUPPORTSubscription series 2,151,107

School 866,753

Touring and special projects 37,479

Costume and set rentals 59,034

Merchandise sales (net of cost of merchandise of $60,527)

42,055

Program advertising 11,424

Other revenue 146,543

Investment income, net 33,913

Realized and unrealized gains(losses) on investments, net

(60,678) 12,763

Change in value of beneficialinterests in assets held by others

(1,699) $ (4,880)

Net assets released from restrictions 1,929,639 (1,929,639)

TOTAL REVENUE, GAINS (LOSSES) & OTHER SUPPORT 5,217,269 (1,918,575) (4,880)

TOTAL PUBLIC SUPPORT, REVENUE, GAINS (LOSSES) & OTHER SUPPORT 8,124,939 (824,433) (4,880)

EXPENSESProgram services 5,017,145

Supporting activities

Administrative services 1,524,547

Fundraising 217,096

TOTAL EXPENSES 6,758,788

CHANGE IN NET ASSETS 1,366,151 (824,433) (4,880)

NET ASSETS, August 1 3,204,600 2,573,838 99,085

NET ASSETS, July 31 $ 4,570,751 $ 1,749,405 $ 94,205

Totals

2012 2011

$800,000 884,538

3,015,966 2,310,300

79,138 72,269

106,708 73,213

4,001,812 3,340,320

2,151,107 1,886,820

866,753 851,393

37,479 39,091

59,034 58,371

42,055 61,336

11,424 3,588

146,543 125,862

33,913 52,046

(47,915) 126,203

(6,579) 10,388

- -

3,293,814 3,215,098

7,295,626 6,555,418

5,017,145 4,504,355

1,524,547 1,197,793

217,096 263,200

6,758,788 5,965,348

536,838 590,070

5,877,523 5,287,453

$6,414,361 $ 5,877,523

FINANCE 43

Otto M . Budig Academy student

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45

Cincinnati Ballet Board of Trustees 2011–2012Rhonda Sheakley

Co-Chairman of the Board

Russell Shelton

Co-Chairman of the Board

Rosemary Schlachter

Co-Vice Chairman

Kelly Brown

Co-Vice Chairman

Judy Dalambakis

Board Secretary

Pamela Schmitt

Board Treasurer

2 0 1 1 – 2 0 1 2 T R U S T E E S

Flavia Bastos

Debbie Bittle

Trish Bryan

Bernie Calonge

Marc J. Campbell

Donald Calvin, CPA

Nancy Clagett

David Cook

T. Patrick Donnelly

Susan Dorward

Dr. Sandra Eisele

Dr. Jessica N. Guarnaschelli

Dr. Bruce Halpryn

Rick Hardy

Kathryn Harsh

Christopher Hassall

David C Herriman

Bridget Hoffman

Dr. Edmond Hooker

Douglas Jenkins

Margaret Johnson

Lauren LaCerda

Janelle Lee

Madelynn Matlock

Larry McGruder

Skip Merten

Cordelia Millikin

Victoria Morgan

Floyd Needham

Cathy Nwankwo

Carol Duane Olson

J. Phenise Poole, Esq.

David Pooley

Mary E. Ray

Theodore Schwartz

Evelyn Sears

Dr. William Selnick

Julie Shifman

Christina Sprecher

Heather Theders

Serena Tsuang

M. Catherine Vernon

Ronna Willis

T R U S T E E S E M E R I T U S

Martha Berger

The Late Edward Betz

Laura Brunner

Otto M. Budig, Jr.

Herman Burgett

William Cordes

Ronald Felder

Shelly Green

Peg Kahn

Lorrence T. Kellar

Charles McDonell

The Late Blanche Maier

Richardson McKinney

Tom Neyer

The Late Louise Nippert

Paul Ose

Melody Sawyer Richardson

Michael Rozow

James Sammarco

Linda Smith

H O N O R A R Y T R U S T E E S

The Late Stanley Kaplan

Craig Maier

Rhoda Mayerson

S U S TA I N I N G T R U S T E E S

Victoria Bauer

Sheila Claire Cohen

Louis Fender

Beth Levy

Leon Lowenstein

Marilyn Osborn

Morleen Rouse

Tom Schiff

Kathy Selker

Beth Snyder

Barbara Weyand

Gary West

BOARD OF TRUSTEES

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47

2011–2012 Donor Honor Roll

Ms . Dorothy O’Brien &

Mr . Richard Antoine

Trish and Rick Bryan c

Mr . & Mrs . Thomas G . Cody

Dianne Dunkelman

Donald Beck & Lawrence E . Eynon M .D .

Michael & Carole Giuliani

Linda & Gary Greenberg

Bruce M . Halpryn & Chas W . Riebe

Dr . & Mrs . Henry J . Heimlich

The Manuel D . & Rhoda

Mayerson Foundation

Ms . Victoria Morgan & Mr . Mark G . Jones

Carol & Robert Olson

Norma Petersen

Dianne & J . David Rosenberg

Kathy & Mike Selker

Mr . & Mrs . Russell Paxton Shelton

Julie & Steven Shifman

Jennifer & John Stein

Mr . Nigel A . Vinecombe

Ronna & Mr . James B . Willis

Anonymous in honor of Victoria

Morgan and the Dancers

Anonymous Fund of the Greater

Cincinnati Foundation

Kelly & Tim Brown

The Estate of Thomas F . Buck

The Otto M . Budig Family Foundation

Sue & Bill Friedlander* c

Mona S . Foad, MD & Mr . Ali Kerr,

Cincinnati Dermatology Center

David C Herriman*

Mr . & Mrs . Gary Johns

Dr . Stanley & Mickey Kaplan Foundation

Mr . & Mrs . Lorrence T . Kellar

Doris M . and Charles B . Levinson Fund

Mr . & Mrs . Leon Loewenstine, II

Mr . & Mrs . Larry McGruder

Moe & Jack Rouse*

Mrs . Roberta L . Schlachter

Rosemary & Mark Schlachter

Theodore L . Schwartz &

Minette Hoffheimer

Rhonda & Larry A . Sheakley

Family Foundation

Mr . & Mrs . Michael D . Valentine c

$10,000 – $19,999

$20,000+

* Denotes a fund of The Greater Cincinnati Foundation c Denotes a donation for Live Music

Denotes Annual Pointe Shoe Fund INDIVIDUALS

The Frederic Franklin Society is a membership organization at Cincinnati Ballet honoring our most generous benefactors making annual gifts of $10,000 and above . This society is associated with special benefits, behind the scenes rehearsals and gatherings with choreographers and dancers .

Anonymous

Ms . Sophie

Abdallah-Edmonson

Jim & Fran Allen*

Ms . Debbie Bittle

Mr . & Mrs . John Boorn

Karen & Christopher

Bowman

Bernie & Mary Kay Calonge cNancy R . Clagett c Mr . & Mrs . Don Calvin

Loretta & David Cook

Dr . Sandra Eisele

Gardens Alive!

Dr . Jessica Guarnaschelli c

Dr . Robert & Suzanne Hasl c

Christopher Hassall

Bridget Hoffman

Eddie & Theresa Hooker cJean-Robert De Cavel

Mr . & Mrs . Doug Jenkins

Margaret Johnson

Peggy Ann Markstein

Madelynn & Raymond

Matlock

Mr . & Mrs . Skip Merten

Cordelia & Dan Millikin

Charlotte & Bill Moore cMr . & Mrs . Floyd Needham c

David & Debra Pooley

Mary E . Ray

Mr . & Mrs . Tony Sansalone

Ms . Donna L . Schiff

Pamela F . Schmitt

Heather & Jonathan Theders

Dr . & Mrs . Mark Tsuang c

Gary & Diane West

Mr . & Mrs . Allen G . Zaring

Pirouette ($2,500 – $4,999)

Anonymous (4)

Nancy & David Aichholz

Romola N . Allen

Lisa Allgood c

Mrs . Carl G . Berger c

Mr . Edward Betz cDavid & Elaine Billmire c

Mr . Robert G . Boremski

Anthony Albano &

K . Ann Choe-Albano

Philip & Sheila Cohen Fund*

Frances & Stanley Cohen

Jennifer & Robert Conklin

Rev . Dr . Robert & Dr . Beverly

Croskery

Mr . & Mrs . David B . Dillon

Mr . & Mrs . John

Doellman c Mr . & Mrs . T . Patrick Donnelly

Molly, Katie, Maggie &

Kylee Ellis*

Mr . & Mrs . Louis A . Fender

Jim & Jan Ferguson c

Judith Bowers Francis c Mr . & Mrs . Paul Frodge

Mr . & Mrs . James R . Gardner

Jeff & Ann Gibson

Mary & Jack Gimpel

Dr . Jack & Barbara Hahn

Dr . Kendall Hansen

The Keith & Kathryn

Harsh Family

Ms . Maureen Heekin

Susan & Ron Hill

Mr . & Mrs . Chip Homan

Mr . & Mrs . Drew Homan

Frank & Jackie Iden

Mr . William D . Borek &

Dr . Evie Joseph

Mr . & Mrs . Louis H . Katz

Christopher & Alexandra

Keith Fund*

Ms . Mary S . Kenney

Anne & Dean Kereiakes

Kevin & Kathleen Kirsch

Julie Kline

Lauren Lacerda

The LaMacchia Family

Foundation

Dr . Lynn & Dr . Daniel

Langmeyer c

Joanie & Lou Lauch

Ms . Kim Martin Lewis

Drs . Marcy & Stephen Lewis c

Mary Magner &

Joseph Preston

Dr . Jim Mahon

Hatsuki Miyata & Tony Fischer c

Mr . Steven I . Monder c

Mr . John H . Morgan

Edward & Carol Muench

Mrs . Svet Nankovitch

Randy & Marianne Olson

Ms . Isabelle Paul

Joseph A . & Susan E . Pichler

Fund*

Dr . & Mrs . Stephen J . Pomeranz

Mary Ran

Mr . W . Roger Fry

Melody Sawyer Richardson

Mrs . George Rieveschl

The Roselle Foundation

Robert & Dell Ann Sathe /

MCF Advisors, LLC

Dr . & Mrs . Raymond Schultz c

Mr . & Mrs . James Schwab

Dee Shaffer c

Ms . Elizabeth Shaughnessy

& Mr . James Stapleton

Mr . & Mrs . C . Donald

Siekmann

Dr . & Mrs . John & Ruth

Sikorski c Erin & Shance Starkey

Mrs . Judith B . Titchener

Nydia C . Tranter

Mr . & Mrs . George H . Vincent

Elizabeth Wales

George & Kathy Wilkinson

James E . McCarthy and

William Wolf Foundation

Tim & Tamela Zimmerman

Anonymous

Karen & Dan Arnold

Flavia Bastos & Larry Huston

Mr . & Mrs . William H . Cordes c

Noel Julnes-Dehner &

Joe Julnes-Dehner c

Susan L . Dorward

Mr . & Mrs . J . Franklin Hall

Whitney and Phillip Long

Jane & Terry Lynch c

Mr . & Mrs . Jack Osborn

Mr . & Mrs . Edward G .

Rosenthal

Mr . & Mrs . William J . Rumpke, Jr .

Bruce Ryan Ryan’s All Glass

Dr . & Mrs . G . James Sammarco

Ms . Pamela Schneider

Dr . & Mrs . William B . Selnick

Dr . Lori Shutter &

Mr . Mike Abney

Ms . Barbara

Sporck-Stegmaier c

Mr . Harry Stephens

Catherine & David Vernon

Arabesque ($1,000 – $2,499)

Grand Jeté ($5,000 – $9,999)

DONOR HONOR ROLL

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Anonymous

Ms . Margaret S . Adriatico

Ken & Lois Allen c

Henrietta Barlag

Mr . & Mrs . William T . Baumann

Ellen Skaggs & Charles

Bender

Richard & Sheila Benner –

In honor of Blanche Maier

Louise & Jerome Berman

Marianna B . Bettman

Susan Brenner &

Steven Mombach Barry & Ruth Bucher

Helen & Calvin Buford

Robert & Dori Cambruzzi

Daniel & Sophia Cifuentes

Mr . Michael L . Cioffi

Sheila Claire Cohen

Paula & Marc Comisar

Kate Costlow & John D .

D’Amore

Mr . & Mrs . Robert Coughlin

Mr . & Mrs . Christopher A .

Dalambakis

Susan Dolcimascolo

Mrs . Tina Ellis

Collen Fullen

Vere & Susan Gaynor

Mr . & Mrs . Michael Gehrig

Ms . Anne I . Glossinger

Mr . & Mrs . Robert A . Goering

Dr . & Mrs . Sidney Goldstein

Brian & Lynn Good

Mr . & Mrs . Howard E . Hamilton

Chris & Trey Heekin

Jane Henney M .D . & Bob

Graham M .D .

Mr . & Mrs . Mike Holmes

Ron Houck, Jr . & Daivd Nebel

Mr . & Mrs . Michael Ivins

George & Amy Joseph

Mr . Steve Kenat

The Voice of Your Customer

Elizabeth & Ken Kuresman c

Ms . Cheryl Ladd

Pinky & Polk Laffoon

Dr . & Mrs . Bradley Lemberg

David G . Leonard, M .D .

Al & Mary Lopez c

Mr . Stephen T . MacConnell

Mr . Alan Marguiles &

Ms . Gale Snoddy c

Alison Momeyer & Jason

Napora

Mr . & Mrs . John A .

Mongelluzzo

Mr . & Mrs . Jerome P . Montopoli

Susan M . Murray c

Ms . Valerie Newell &

Mr . Timothy Smith

Mr . & Mrs . Thomas L . Neyer, Jr .

Jose & Josefina Nine

Kathy O’Brien

Debra & Rich Oliver

Mr . & Mrs . Paul Ose

Martha & Nick Ragland

Chas Riebe & Friends

Alis & Ann Robinson

Rachel & Luke Robinson

Richard Ross

Ms . Barbara Seiver

Mr . & Mrs . Robert Sibcy

Ms . Elizabeth A . Snyder c

John Steele

Tom & Dee Stegman

Mrs . Kitty Strauss

Tony & Katie Strike

Wayne & Judy Swartz Dr . & Mrs . William Tobler

Christopher & Nancy Virgulak

Lynne & Steve Vollmer

Mr . & Mrs . Ronald Weeks

Bridget & Michael Witzeman c

Mr . & Mrs . Frank Wood

Mr . & Mrs . William Woods

Mr . John M . Yacher Mr . & Mrs . Mark Zaring

Nora L . Zorich

Tendu ($500 – $999)

Jean-Robert de Cavel with Chef in Cincinnati Ballet’s Frisch’s Presents The New Nutcracker

49DONOR HONOR ROLL

Danielle Bausinger

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51DONOR HONOR ROLL

$500 – $2,999

$3,000 – $4,999

$5,000 – $9,999

$10,000 – $19,999

$20,000 – $39,999

$40,000 – $64,999

$65,000+Eleanora C . U . Alms Trust, Fifth Third Bank Trustee

ArtsWave

Frisch’s Restaurants

Great American Insurance Group

The Louise Dieterle Nippert

Musical Arts Fund c

Ohio Arts Council

PNC Foundation

Robert H . Reakirt Foundation,

PNC Bank, Trustee

Sheakley

The Louise Taft Semple Foundation

CORPORATIONS, GRANTS & GOVERNMENT

All Occasions Event Rental

Arnold Printing

Bank of America

Bartlett & Co .

Bob Sumerel Tire

and Service

Castellini Foundation

Chemed Foundation

Cincinnati Cosmetic &

Vein Specialists

Cincinnati Enquirer

Cincinnati Woman’s Club

Frontgate

GE Foundation

Grant Thornton, LLP

Hixson

HORAN

Jeff Wyler Automotive

Family

Jewish Family Service of the

Cincinnati Area

Robert A . & Marian K .

Kennedy Charitable Trust

LaRosa’s Pizzeria

Mandare Foundation

Mercedes-Benz of Cincinnati

Mercy HealthPlex

Middletown Symphony, Inc .

Ohio CAT

RiverPoint Capital

Management, Inc .

Scanner Applications

The Ladislas and Vilma Segoe

Family Foundation c

Strauss & Troy

The Leblond Foundation

of Makino

The Painted Chef Gourmet

Catering

The Quarter Bistro

Total Quality Logistics

UBS

United Pet Group

Warsteiner Importers

Agency Inc .

Cincinnati Magazine

Cincinnati International

Wine Festival

Clark-Theders Insurance and

Jonathan & Heather Theders

Ruth J . and Robert A .

Conway Foundation, Inc .

Charles H . Dater Foundation

Dinsmore & Shohl LLP

James M . Ewell Foundation

Frost Brown Todd LLC

Huntington National Bank

Megen Construction

Mellot & Mellott P .L .L .

Ohio National Financial Services

Oliver Family Foundation

The William O . Purdy, Jr .

Foundation

Scripps Howard Foundation

Scripps Networks Interactive

Thompson Hine LLP

WMKV

The Wohlgemuth Herschede

Foundation c

Anonymous

Ernst & Young LLP

Frost Brown Todd LLC

The Andrew Jergens Foundation

The Klosterman Family

Macy’s

Ohio Casualty Foundation

The Daniel & Susan Pfau Foundation

The Louis & Melba Schott Foundation,

Fifth Third Bank, Trustee

Jack J . Smith, Jr . Charitable Trust, PNC Bank,

N .A . and James S . Wachs, Co-Trustees

The Sutphin Family Foundation

Wellington Orthopaedic & Sports Medicine

Western & Southern Financial Group

Cincinnati Bell

The Coca-Cola Company

The Corbett Foundation

The Greater Cincinnati Foundation

John C . Griswold Foundation in memory of

Mr . Alexander Moore

Mona S . Foad, MD & Mr . Ali Kerr,

Cincinnati Dermatology Center

Peter T . Joseph Foundation

The Kroger Company Foundation

Lamar Outdoor Advertising

The H .B ., E .W . & F .R . Luther Charitable

Foundation, Fifth Third Bank and

Narley L . Haley, Co-Trustees

Josephine Schell Russell Charitable Trust,

PNC Bank, Trustee

The Shubert Foundation

TenderLand Foundation

The Thomas J . Emery Memorial

Gannett Foundation

Procter & Gamble

The Louise Taft Semple Foundation

William P . Anderson

Foundation

Crosset Family Fund *

Mercy Health

Pampers

Cincinnati Ballet dancers

Toyota Motor Engineering &

Manufacturing North

America, Inc .

Page 27: Cincinnati Ballet€¦ · 3. Artistically, when we recall some of the more uncertain moments of the season – devastating injuries and last-minute casting changes – we were overwhelmed

Daniel Powers with Cincinnati Ballet dancers & Otto M . Budig Academy students

2011–2012 Frisch’s Presents The New Nutcracker Honor Roll

Sheakley Show Curtain

Frisch’s Restaurants Blanche’s Kitchen Chef: Jean-Robert de Cavel

Sue & Bill Friedlander Party SceneEleanora C . U . Alms Trust, Fifth Third Bank Trustee Growing Tree Clara: Mr . & Mrs . Larry McGruder Magical Drosselmeyer: The Klosterman Family Host & Hostess: Thomas & Mary Ellen Cody Grandmother: Dr . & Mrs . Henry J . Heimlich Auntie Annie: Ronna & Dr . James Willis Party Scene Children: Mr . & Mrs . Michael Valentine Dancing Doll: Carol & Robert Olson Dancing Teddy Bear: Theodore L . Schwartz & Minette Hoffheimer

The Louise Taft Semple Foundation Battle Scene Mouse King: Bruce Halpryn & Chas W . Riebe

Great American Insurance Snow SceneDoris M . & Charles B . Levinson Fund Flying Balloon

PNC Bank Land of SweetsThe Kroger Company Foundation Center Cake Sugar Plum Fairy: TenderLand Foundation Cupcakes: Kelly & Tim Brown Spanish Dancers: Gary & Linda Greenberg Mirlipoos: Moe & Jack Rouse Mother Hen & Chicks: Rosemary & Mark Schlachter

James J. & Joan A. Gardner Family Foundation Waltz of the Flowers Scene Bumblebees: Northlich

Media Sponsor: Gannett FoundationProp Construction: The Thomas J . Emery MemorialLighting: Procter & GambleMaestro: Corbett Foundation

Additional Sponsorship PartnersThe Sutphin Family FoundationDinsmore & Shohl LLPFrost Brown Todd LLCJack J . Smith, Jr . Charitable Trust, PNC Bank, N .A . and James S . Wachs, Co-TrusteesChristopher & Karen BowmanNigel Vinecombe

Overture

Act I

Act II

53FRISCH’S PRESENTS THE NEW NUTCRACKER DONOR HONOR ROLL

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55

Cincinnati Ballet Company Staff 2011–2012Victoria Morgan

Artistic Director & CEO

A R T I S T I C

Frederic Franklin CBE

Artistic Director Emeritus

Carmon DeLeone

Music Director

Devon Carney

Associate Artistic Director

Johanna Bernstein Wilt

Principal Ballet Mistress

Adam Hougland

Resident Choreographer

A D M I N I S T R AT I V E

Missie Santomo

Managing Director

Angela Santarpio

Assistant to Managing Director/

Board Liaison

Ginger Johnson

Executive Assistant to the AD/

CEO

Meegan Schuckers

Administrative Assistant to the

AD/CEO

Dena D’Andrea

Company Mgr/Finance Assistant

D E V E L O P M E N T

Rasheda Malcolm

Director of Development

Melissa R. Scott

Individual Giving Manager

Liz Taylor Borntrager

Institutional Giving Manager

Jaclyn Kleier

Database Coordinator

Brittany Von Hoene

Special Events/In-Kind

Coordinator

Helene Herbert

Development Associate

M A R K E T I N G

Allie Honebrink

Marketing & Communications

Manager

Heather Kitchen

Box Office Manager

Terry Honebrink

Community Relations

Mgr/Group Sales

Erica Nyberg

Graphic Designer

Louanna Wyatt

Box Office Associate

Julia Morton

Marketing Intern

F I N A N C E &

O P E R AT I O N S

Craig Lattarulo

Director of Finance

Noah Mehl

IT Coordinator

Barbara Sorenson

Receptionist

C I N C I N N AT I B A L L E T

O T T O M . B U D I G A C A D E M Y

Catherine Batcheller

Academy Dean

Nicole Hess

Academy Operations Manager

Wendy Mains

Academy Registrar

Colleen Landwerlen

Academy Assistant

E D U C AT I O N &

O U T R E A C H

Julie Sunderland

Director of Education

Suzette Boyer Webb

CBII Manager/Academy Coach

Nick Ciafardini

In-Step & Logistics Manager

P R O D U C T I O N

Robert Eubanks

Director of Production

Melinda Dobson

Production Stage Manager

Diana Adams

Wardrobe Mistress

Laura Hofmann

Assistant Wardrobe Mistress

Trad A Burns

Resident Lighting Designer

Art Berkley

Master Carpenter

Scott Berkley

Interim Master Carpenter

Bill Roberson

Master Electrician

Michael Meuché

Assistant Electrician

Kim Campbell

Property Mistress

Jeff Corcoran

Photographic Historian

Sarah Hairston

Company Shoe Coordinator

P I A N I S T S

Youngwon Park French

Della Enns

COMPANY STAFF

Page 29: Cincinnati Ballet€¦ · 3. Artistically, when we recall some of the more uncertain moments of the season – devastating injuries and last-minute casting changes – we were overwhelmed

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Cover: Cervilio Miguel Amador, Back: Maizyalet Velázquez & Zack Grubbs