cinema as independent art form citizen kane. times of propaganda sergei eisenstein leni riefenstahl...
TRANSCRIPT
Cinema as independent art formCitizen Kane
Times of propaganda• Sergei Eisenstein• Leni Riefenstahl "Triumph of the Will”
• Wartime Hollywood• - many crude propaganda films with
crass stereotyping• - but also more nuanced narratives• Casablanca
Great masterpiece• Special place in the history of
American cinema• Greatly innovative – combines
many techniques used separately before.
• Story told in a very characteristic way.
• Innovative use of cinematography as well as mise-en-scene.
Visionary• Citizen Kane was directed and written
by 26-year-old Orson Welles (1915-1987),
• He also stars as the title character• Welles came to the attention of
Hollywood because of his infamous War of the Worlds radio broadcast
The other important figure
• Gregg Toland• cinematographer
Makeup
Low angle shots
high angle shot
Deep focus
deep focus
shallow focus
Story• William Randolph Hearst• Press magnate with political
ambitions and colorful private life.• Hearst practically blocked Well’s
career in Hollywood.
Complex narrative structure• Can be confusing:
o the film begins with the death of the main charactero the story of his life is told from multiple points of view
“News on the March” • newsreel (a miniature version of the rest of the film) • Followed by five narratives told as flashbacks
Same story from different angles
• Entries from the diary of Mr. Thatcher• (Kane’s legal guardian)
• Interview with Mr. Bernstein (Kane’s business partner)
• Interview with Jed Leland (Kane’s one-time closest friend)
• Interview with Susan Alexander (Kane’s second wife)
• Interview with Raymond, Kane’s butler.
the reporterThe newspaper reporter who takes the audience on this quest is always turned away from the camera or shrouded in shadows as he conducts his interviews.
He becomes a stand-in for
the audience, often
appearing only as a
silhouetted head in the
lower right corner of the
frame.
Throughout the film we are limited to the knowledge that each narrator has about Kane, so the point of view changes with eachnew narrator.
Casablanca• The setting – atmosphere, refugees, war far away yet impact
perceptible• Characters:
o Rick Blane (Humprey Bogart), Ilsa Lund (Ingrid Bergman)
• Public good over private desire.
Film noir• Post-war optimism and economic boom in
the USA, newly-found confidence. America: key player in international politics.
• “Tinsletown” – celebration of prosperity and triumph, also celebration of national values through the triumph of law and order.
• But also a dark mirror – many of the pioneers came from Germany (escaped from Hitler), brought traditions of German impressionism.
• Peak of popularity 1940s and 1950s.
Film noir• Atmosphere of desperation and paranoia.• No happy ending.• Authority questioned: corrupt policemen, soldiers or
politicians.• Beautiful seducers – femmes fatales.• Main characters: lonely types often criminals.• Urban setting
City spaces• shot on location rather than sets build in the studio
(previously dominant form).• Use of authentic spaces.• Lighter, faster cameras.
Neorealism• Italian movement – first significant development in the post-
war European cinema. Movement of huge importance and impact.
• Cesare Zavattini• Vittorio De Sica• Roberto Rosselini (Rome, Open City)• Luchino Visconti
Neorealism• On location shooting.• Use of non-professional actors.• Working life characters and communities.• Telling story through take rather than cut.• Sense of defeat and exploitation – social conscience.• sympathy for the common people
Bicycle Thieves
1950s the Hitchcock Era• Alfred Hitchcock – one of the
most famous directors ever.• Master of Suspense• famous for meticulous
storyboarding.• The advent of colour• slow adaptation of the new
technology: coexistence/