city space: inside-out outside-in

30
W W W . K L A U S – F R U C H T N I S . N E T

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A space of exchange, which defines the city and its relevance. A space that stimulates ideas regarding sustainability in the city, i.e. its impact on the future, its identity and its capacity to be maintained long term / in the long run. The city space develops an interchangeable, adaptable, evolutionary and reproducible language which supports the interaction between the inhabitants and those who just pass through. Lecture at IED Istituto Europeo de Design of Milan, Centro Ricerche. By Klaus Fruchtnis

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Page 1: City space: inside-out outside-in

W W W . K L A U S – F R U C H T N I S . N E T

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A  space  of  exchange,  which  defines  the  city  and  its  relevance.  A  space  that  s9mulates  ideas  regarding  sustainability  in  the  city,  i.e.  its  impact  on  the  future,  its  iden9ty  and  its  capacity  to  be  maintained  long  term  /  in  the  long  run.  The  city  space  develops  an  interchangeable,  adaptable,  evolu9onary  and  reproducible  language  which  supports  the  interac9on  between  the  inhabitants  and  those  who  just  pass  through.  

City  space:    inside-­‐out  outside-­‐in    

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•  Senseable  city  •  Urban  scenographies  

•  Appercep9on:  space-­‐9me  

•  Public  percep9on,  not  only  visible  but  also  accessible  

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We  are  facing  a  new  way  of  building  and  perceiving  

the  environment.    

The  way  we  describe  and  understand  ci9es  has  completely  changed.    

Sensi.ve  City.  Interac.ve  prac.ces  in    the  contemporary  metropolis.  ©  Daniele  Mancini  

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The  ideal  city  should  be  an  ar9culated  succession  of  public  places  well  set,  giving  visual  coherence  and  organiza9on  to  the  jumble  of  buildings,  streets  and  space  that  generate  and  host  social  prac9ces.  

The  ideal  city    ©  Piero  della  Francesca  

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Berges  de  Seine    ©  Jean-­‐Christophe  Choblet,  Urban  scenographer  

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©  Cyrielle  Duprez  

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New  Babylon    ©  Constant  Nieuwenhuys  

Living  Pod  ©  David  Greene  

Instant  city  ©  Peter  Cook  

Walking  city  ©  Ron  Herron  

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How  the  city  context  becomes  a  tool  of  iden9ty  and  representa9on?  

Don’t  brand  my  city  ©  Maria  Roszkowska  

Page 11: City space: inside-out outside-in

Don’t  brand  my  city  ©  Maria  Roszkowska  

“The  shape  of  a  city,  as  we  all  know,  changes  more  quickly  than  the  mortal  heart.”    

Charles  Baudelaire  

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Paris  subway  ©  Ikea  

©  Chair  Blog  

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“The  urban  landscape,  among  its  many  roles,  is  also  something  to  be  seen,    

to  be  remembered,  and  to  delight  in.”    The  Image  of  the  City,  Kevin  Lynch  

Sample  ©  The  Rorschach  inkblot  test  

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Wouldn’t  be  more  appropriate  to  talk  about  appercep<on  instead  of  percep<on,    

regarding  city  space?  

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©  David  Cousin-­‐Marsy  

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The  city  has  defined  itself,  since  its  origin,  as  a  double  territory  with  two  specifici9es:  to  form  a  delimited  space,  and  within  that  limited  space,  to  connect  to  other  territories.  The  elements  of  the  city  evolve  in  9me  allowing  its  territory  to  grow  out  of  its  geographical  and  tangible  limits.    As  a  delimited  space  it  develops  a  public  percep9on,  not  only  visible  (with  the  right  to  be  overseen)  but  also  accessible  (with  the  right  to  be  visited  and  experienced)  by  its  inhabitants.  

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Jardin  de  Luxembourg,  Paris  

Jardin  de  Tuileries,  Paris  

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Regards  Croisés  /  Cross  Looks  ©  Klaus  Fruchtnis  

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Archi-­‐cho

ueJe  

©  Céline  Desqu

ets  -­‐  V

ille  d’Argne

teuil  

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New  York  through  the  nose  -­‐  Elas.c  City  walk  ©  Josely  Carvalho  

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Collec9ve  projects  

©  Lucas  Grandin  &  Kamiel  Verschuren    

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Les  Frères  Ripoulain  ©  David  Renault  &  Mathieu  Tremblin  

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©  Goo

gle  im

ages  

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©  Royal  de  Luxe  

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“[…]  Studying  maps  implies  dealing  not  only  with  ar9facts  –  although  some9mes  maps  are  not  material  objects,  but  are  embedded  in  spoken  language  or  mental  schemes  –  but  also  with  the  informa9on  they  convey,  and  with  their  effec9veness  as  tools  for  knowledge  and  ac9on.  […]    

An  authorita9ve,  ontological  power:  simply  drawing  a  world  as  it  is,  as  it  should  be,  as  it  cannot  be  other  than  it  is  depicted;  drawing  the  world  as  a  society,  a  cultural  milieu,  or  

professional  users  (travelers,  traders,  etc.)  need  it  to  be.  […]”    

The  Sovereign  Map,  Chris<an  Jacob  

Exercise  

Based  on  the  following  quote  and  the  next  page,  make  your  own  percep<ve  map  :    

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IMPULSIVE   ANXIOUS  

ADVENTUROUS   SMART  

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Bibliography  •  Althabe,  Gérard.  Regards  sur  la  ville,  Edi9ons  du  Centre  Pompidou,  Paris  25  1994  •  Augé,  Marc,  Non-­‐Places:    Introduc<on  to  an  Anthropology  of  Supermodernity,  Verso,  1995  

•  Augé,  Marc,  In  the  metro,,  Paperback,  2002  •  Baudrillard,  Jacques,  Simulacra  and  Simula<on,  Paperback,  1995  •  Benjamin,  Walter.  The  Arcades  Project  (The  Passagenwerk),  Harvard  University  Press,  1999  

•  Bordieu,  Pierre,  Language  and  Symbolic  Power,  Paperback,  1992  •  Calvino,  Italo.  Le  ciMà  invisibili,  Giulio  Einaudi  Editore,  Italy  197  •  de  Certeau,  Michel.  The  Prac<ce  of  Everyday  Life  (L'inven<on  du  quo<dien),  University  of  California  Press,  Berkeley  1984  •  Cummings,  Neil.  Reading  Things,  Chance  Books,  London  1993  

•  Jacob,  Chris9an.  The  Sovereign  Map:  Theore<cal  Approaches  in  Cartography  throughout  History,  Edward  H.  Dahl  and  Tom  Conley,  2006  

•  Gordon  Cullen,  Thomas,  Concise  Townscape,  Paperback,  1961  

•  Gracq,  Julien.  The  Shape  of  a  City,  Paperback,  2005  •  Koolhas,  Rem,  Delirious  New  York:  A  Retroac<ve  Manifesto  for  ManhaMan,  Paperback,  1978  •  Lynch,  Kevin,  The  image  of  the  city,  The  MIT  Press,  1960  •  Perec,  Georges,  Life,  a  User's  Manual,  Paperback,  1988  

•  Rancière,  Jacques,  The  share  of  the  sensi<ve,  factory,  2000  •  Tschumi,  Bernard.  Architecture  and  Disjunc<on,  The  MIT  Press,  2006  •  Virilio,  Paul,  Lost  Dimension,  Paperback,  1991  

•  Virilio,  Paul,  The  Aesthe<cs  of  Disappearance,  Paperback,  2009  

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Internet  

•  htp://googlehouse.net/  

•  htp://www.brandingthecity.com/    •  htp://senseable.mit.edu/  •  htp://www.notbored.org/new-­‐babylon.html  

•  htp://www.fabiofeminofantascience.org/RETROFUTURE/RETROFUTURE18.html  •  htp://citymovement.wordpress.com/tag/david-­‐greene/  •  htp://thefunambulist.net/2011/03/13/great-­‐specula9ons-­‐living-­‐pod-­‐by-­‐david-­‐greene/  •  htp://lucas.grandin.free.fr/  

•  htp://www.lesfreresripoulain.eu/  •  htp://unpacked.wordpress.com/2007/06/  •  htp://regardscroises.blog.com/  •  htp://www.elas9c-­‐city.org