classicism in crisis gros to delacroix thomas crow

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Classicism in Crisis Gros to Delacroix Thomas Crow

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Page 1: Classicism in Crisis Gros to Delacroix Thomas Crow

Classicism in CrisisGros to Delacroix

Thomas Crow

Page 2: Classicism in Crisis Gros to Delacroix Thomas Crow

Antoine-Jean Gros [French neoclassical/romantic painter, 1771-1835], The Battle of Nazareth (esquisse [sketch]), oil on canvas, 53 x 76”, Musée de Nantes, France. How is this painting made to cohere and what does that suggest about the origins of Romantic style? What new category of painting subject has been invented here? Points of view of “citizen soldiers.”

Page 3: Classicism in Crisis Gros to Delacroix Thomas Crow

Antoine-Jean Gros, Napoleon in the Plague House at Jaffa, 1804, oil on canvas, 17’5” x 23’7”, Louvre, Paris. Where is Jaffa? How is the subject different from Gros’s Battle of Nazareth?

Page 4: Classicism in Crisis Gros to Delacroix Thomas Crow

Antonio Canova [Italian neoclassical sculptor 1757-1822], Venus Victorious (Pauline Borghese as Venus), 1808, waxed marble, 79” long. Below, cameraman at the Getty Canova exhibition, 2007

Page 5: Classicism in Crisis Gros to Delacroix Thomas Crow

Antonio Canova, Magdalene, 1796, marble, 37” high. Note Flaxman-inspired importance of line. Who was Giovanni Sommariva?

Page 6: Classicism in Crisis Gros to Delacroix Thomas Crow

Pierre-Paul Prud'hon [French Romantic painter 1758-1823] Justice and Divine Vengeance Pursuing Crime, oil on canvas, 96” x 9’7”, 1808 . What artists and works influenced this one and how is it different from them? Who commissioned this painting?

Page 7: Classicism in Crisis Gros to Delacroix Thomas Crow

Théodore Géricault [French Romantic painter, 1791-1824] The Charging Light Cavalryman, 1812, oil on canvas, 349 x 266 cm., Louvre, Paris

Why is Gericault called the first great Romantic?

Page 8: Classicism in Crisis Gros to Delacroix Thomas Crow

Théodore Géricault ,The Wounded Heavy Cavalryman, 1814, oil on canvas, 358 x 294 cmLouvre, Paris

What are the “failings” of this painting’s execution and how does Gericault “overwhelm” them? How is this figure different from Davidian heros and masculine types?

Page 9: Classicism in Crisis Gros to Delacroix Thomas Crow

THÉODORE GÉRICAULT (French romantic painter, 1791-1824: 33 years) Raft of the Medusa, 1818–1819. Oil on canvas, approx. 16’ x 23’. Louvre, Paris. Note Baroque lighting and theatricality. What regime was in power at this time? Was Gericault typical of the artists who served the powers-that-be?

Page 10: Classicism in Crisis Gros to Delacroix Thomas Crow

Two of many preparatory studies Gericault made for The Raft of the

Medusa

Page 11: Classicism in Crisis Gros to Delacroix Thomas Crow

Théodore Géricault, Heads, oil on canvas study for The Raft of the Medusa, 1818-1819

Page 12: Classicism in Crisis Gros to Delacroix Thomas Crow

Théodore Géricault, Portrait of an Insane Man (kleptomania) 1822-23, oil on canvas, 24 x 20, Ghent Museum of Fine Arts

What was the subject of this series? Where was it made?

Page 13: Classicism in Crisis Gros to Delacroix Thomas Crow

THÉODORE GÉRICAULT, Insane Woman (Envy), 1822–1823. Oil on canvas, approx. 2’ 4” x 1’ 9”. Musée des Beaux-Arts, Lyon.

Page 14: Classicism in Crisis Gros to Delacroix Thomas Crow

Eugène Delacroix (French Romantic painter, 1798 -1863) The Bark of Dante and Virgil, 1822, oil on canvas, 74 x 95”, Louvre, Paris. How old was the artist at this time? Did he paint this for the Rome Prize? What painting influenced this one?

“Delacroix was passionately in love with passion, but coldly determined to express passion as clearly as possible.“ (Charles Baudelaire)

Page 15: Classicism in Crisis Gros to Delacroix Thomas Crow

Eugène Delacroix, The Massacre at Scio, 1824, oil on canvas, 13’8” x 11’7”Louvre, Paris

Page 16: Classicism in Crisis Gros to Delacroix Thomas Crow
Page 17: Classicism in Crisis Gros to Delacroix Thomas Crow

Eugène Delacroix, Greece on the Ruins of Missolonghi, 1827, oil on canvas, 84” x 56”, Musée des Beaux-Arts, Bordeaux, France

The figure is an allegory of what? What great English Romantic poet died here? How long did it take the artist to paint this large Orientalist painting? What was its purpose? Did Delacroixunderstand the situation well?

Page 18: Classicism in Crisis Gros to Delacroix Thomas Crow

EUGÈNE DELACROIX (French Romantic Painter, 1798-1863). Death of Sardanapalus, 1826. Oil on canvas, approx. 12’ 1” x 16’ 3”. Louvre, Paris. Romanticism and Orientalism

Page 19: Classicism in Crisis Gros to Delacroix Thomas Crow

EUGÈNE DELACROIX, Liberty Leading the People, 1830, oil on canvas, approx. 8’ 6” x 10’ 8”. Louvre, Paris.

Page 20: Classicism in Crisis Gros to Delacroix Thomas Crow

Pages from Delacroix’s Moroccan notebook, 1832

Page 21: Classicism in Crisis Gros to Delacroix Thomas Crow

Eugene Delacroix, The Women of Algiers, 1834, the Louvre. Orientalism

Page 22: Classicism in Crisis Gros to Delacroix Thomas Crow

EUGÈNE DELACROIX, Tiger Hunt, 1854. Oil on canvas, approx. 2’ 5” x 3’ Louvre, Paris. // Romanticism

Page 23: Classicism in Crisis Gros to Delacroix Thomas Crow

J-A-D Ingres (French neoclassical painter, 1780-1867) The Vow of Louis XIII, 1824, oil on canvas, 13’9”x 8’8” Cathedral of Notre-Dame, Montauban, France

Page 24: Classicism in Crisis Gros to Delacroix Thomas Crow

J-A-D Ingres The Apotheoisis of Homer, 1827, oil on canvas, 12’8” x 16’11” Louvre, Paris