climbing death of vine's stagnant splay
DESCRIPTION
by Felino A SorianoTRANSCRIPT
The Red Ceilings PressThe Red Ceilings Press
MMXI [rcp 18]http://www.redceilings.blogspot.com/
www.theredceilingspress.co.uk
All things are subject to interpretation whichever interpretation prevails at a given time is a function of power and not truth.
Friedrich Nietzsche
Visiting
Visiting cracked alabaster cornersof familial tombstone mother|hers|too, child’s truncation— joined V horizontal connection a crow rests into leanoscillating skull denouncing death, squawk. Perchedgrip of achromatic feetclutching as embrace’s final softened songtouched by verbs’ articulating praiserearranging bodily functionrest, now persuasion unheard decadence of vain decomposition.
Hers
Hand of christened kisscallus-healed separated fathomsbody roam inward-roomsdesignating hint and labeledcommuniqué.
Travel
Attention appointment, gaze of eyed recollection, bronze air rotates counter-intellectual. Plasteredearly encounter, works of swiveling predilection urging several vantages of shown gallery excavation.Canvas’ buried by womb predication; basementpartial light enters room of focal clarity, inherentroam of delusional compulsionexpends from feet of roamer’s innate brand ofprimitive inebriation.
Mentor
Reliable comprehensionprior-body moved, theirsradical-first embodimentinfluence, ahead of subsequentadoration, complex.
Shapes of the Insubstantial
you reappearfollowing reaping unsewn remnants of holy revisionsspectrum-goal realized upon shades improvising angled emblemsgauged and gearedmetaphoric leagues for challenging death
returning to corporeal formleaving fabricated formulationsapproved by cultural aspectual classesdelineated versions of monetaryphysiques
Eyes’ intent, original
Font of morning’s alabaster moments strumming angles’ unraveling locksdismantling perch of crows’ unobstructed patterns. Each word
proclaims substance and architectural diversions:
premise or promise commands words of elemental responseasymmetrical release of consensual exposurerealigning form and paralleled devotional forms tocombine and undress half of hybrid’s clustered physicalreinterpretations.
Symmetry of Sediment’s Verbs
Mist rose documented prior-death’s rendition of eminent consciousness. Inwardvisions (unintroverted more so complimentary recalling of a mother’s original touch organic feeding from skin to skin-opened invitation for growth, growth)rewire ornate cicatrix, fashioned byhands of diligent punctureawaiting subsequent enactments’ curtailed sight beyond furthering pain’svisceral photos.
Student Disconnected
Untied speech, dissertation wild refocused etch. Personaauthor, faked fiction spread spontaneity intuitionreformulation of sedentary ideas. Sunken posturecollocated diverse intellectual defining, sprung from forthcomingspine of metaphor-strength: broken into redundant splaysinterplaying focal dynamic: deceive, faith, definitional frailty.
Seasonal; disparate function of the body’s morbid missing
Autumn outdoors, Winter in. In-ward cycles of the body’s camouflaged version hiding opportune, semiotic imagesheld from prominence understandingpoignant foundational seer delving into spokenharmony away fromdesires of a realistic devotional touch.
parallel, Un-
Flag of translucent geese pluralized realization of a hand’s pointed acclimated wave mimesis ofgeese’ aggregated paradiddle specifying diligent familial holdantithetical to the formulated fabrication of flesh onpretermitting flesh denying voice and relevant omission tocomprehend genetic physical yen,interdicted.
Abnegated
Ghost, gregarious, haunt of laughing echoes
resumes upon sleep’s elementary desire.
Amalgamated anight-version promulgation
portending fearful fictionalization
provoking host of angled spiritism denying trust of night’s diligent temporal ritual,stillborn.
Peggy’s Blue Skylight—after Charles Mingus
Of silver sliding symmetrical variations eyes result inabsolute clarity
her day rewinds hitherto childhood’s onlyclarifying anomaly watching morning’s transparency of toneride upon rhythm’s delicate affirmation.
Foot printing sand’s malleable designation
At visited, over-visited position of riches (sans monetary rendition definitional jejuneness, |no|, wealth of posited warmth of embrace’s metaphoric corporeal apparition)
waves resemble a child’s running unfastenedlean-guessing size or color-coded span of blue’s realized differentia. Walkersfind crabs whose blackened body’s overwhelm with tiny-crusted scampers realigning past temporal hurls at gliding visual pardons atconstructing abiding homes fromsand’s tamped or tampered withillusion of infinite accessibility.
Dyspeptic
Voice of skidding gravel. Verbsignite uniting articulating variables:
pitch despair salvo descriptions oftonal gasconadeharming then hallucinating physical form of brandishing reluctancedeeply within concealed despair covered by countering relics of a voice’s describingfalsifying pleonasms.
Black, alabaster
Against the crow’s solitary lean left turnsintersect infrangible clarity of woven moments’ conceptual application. Wearing à la mode alabaster tone, akin to a wedding’s architectural tradition
backdrop of trust, cradle incorporates lunge of crow’s unremitting inclineslimiting vocabularies of miniscule realism hitherto compassionrememorizing silence into alphabetic cures ofopposite reexcogitations.
Flutter
Splintered directional sameness oxymoron relegated arrangement: walkers donateforgotten steps inner-sole swollensyllabic brittle, pebble-slender invention path-happy annual complexity priorthen occurrence rearrangingscented move:ment
: twirling deities locate fading faithdancing beneath relevance anecdotal compassionattenuation combinational theatrics.
Temporal
All eye-made signs said ←→and created choice of neoteric devotional commandments. Thirst orhunger rest or marathon a daybreak’sornamental fashion of breaking roséwearing an hour’s improvised veneration. Alabastrine
Painted hues a pastel humidmomentary (or, monthly attribution, tri) reidentifies (altered dichotomy) cultural needs todevote faith’s open premise toreconjure past year’s time of architectural warmth, germinated.
Blue Green, inward
Rapidity of the psyche’s replacingvisual clarity condoning blur akin scent of wristed fragrance nearing life-end dramatic postureof an orchid’s delicatefinality of oval articulating shadow. Silverrests altering bladed green’s grassed phenomenon its unifiedorganic hold of waiting hands saddenedby constant deathbelieved by popular thought of depressed revision asdeconstructed absence.
Empty
Facial reconfigurations: falsely identified as paralleled diagrams of emotional intuitions amagnet of lost collocated marriage thus revolving misrelayed abstractions
bodywarmth massive missingrejuvenated healing scar subsequent scabresembles wobbly heal of an effort’s forgotten revelation.
Manoeuver|s, unrelated
Translations of orthodox companions modal temptationsmachine the ambulatory finger agitated reassembliesvoices recall odespressurized understated enacted study
plausible improvisations hiding skeletal confinement of a poem’sdesolate configuration.
Variant Probabilities
Pluralized analyticsreturning hand of a mutualfavorite whimsy, cultivated numbers quiet upon differentia advancementknown yet unrequired annual knowledge :
spatial identifiable transparent clarity haze of an afterward’s desirable hide woven into shards of comprehensible wholeness cultivating evaluated notations misquoted finality listening to a wind’s rendering of hazardous discrepancies.
Felino A. Soriano (b. 1974)
Is a case manager and advocate for adults with developmental and physical disabilities. In 2010, he was chosen for the Gertrude Stein “rose” prize for creativity in poetry from Wilderness House Literary Review. Philosophical studies collocated with his connection to various idioms of jazz explains motivation for poetic occurrences. For information, including his 42 print and electronic collections of poetry, over 2,600 published poems, interviews, and editorships, please visit his website: www.felinoasoriano.info.
Thunnerplump
And so, we say,friendship ends herein a tidal column of cloudthat crumples the sky.
Today has the saddest eyes,a tick of rainbefore the thunderswallows us into a house
roomed by chance.Raw edgesof what might have beenscrape my metal fillings.
Magpies people the lightlike an old moviedevoid of soundbut for a theatrical pianist.
We close the bookon the last brick of the storyas dark paint swathesold weathered wood.
The Red Ceilings PressMMXI [rcp 18]
http://www.redceilings.blogspot.com/www.theredceilingspress.co.uk