cmaj humanities · the soul of medicine: tales from the bedside sherwin b. nuland kaplan...

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Humanities CMAJ The Soul of Medicine: Tales from the Bedside Sherwin B. Nuland Kaplan Publishing; 2009 214 pp $30.95 T his collection is arranged into a series of “tales” in which author Sherwin Nuland offers a number of perspectives on the ques- tion: “Tell me about your most memo- rable patient.” There are 20 tales in all, arranged according to specialty, most with a commentary by the narrator, understood to be Nuland himself, who also provides a couple of tales. The obvious question is whether the structure, with its direct reference to The Canterbury Tales , offers some advantage over, say, a simple collection of personal essays about clinical experi- ences. The risk of modelling the narra- tives after The Canterbury Tales so explicitly (even the setting is Canter- bury) is that if it doesn’t work convinc- ingly — by offering the reader some particular insight, a taste of subversion or irony that serves the content — the whole endeavour can come off as, at best, a conceit. At worst, it can trivialize the story. But as an admirer of Nuland’s work — especially his intrepid Mai- monides and his much lauded How We Die — I entered The Soul of Medicine with an open mind about the approach. What I didn’t foresee is that con- structing the stories in this way would lead to a particular prose style. Here are some samples: “But one day the stratagem did not work, and thereon hangs the Tale.” “I have been at several autopsies where even death refuses to yield its secrets to the meticulous probing of which postmortem studies of organs, tissues and fluids consist.” “With this long prelude involving morals on one hand and mayhem on the other … you are, I hope, prepared to read a story like no other, which I have already claimed this Tale to be.” Plainly, this is bad writing, verbose and full of affectation, and many of the tales are similarly tainted. Instead of feeling I was being confided to by a colleague, I had a sense of being cor- nered by a raconteur oblivious to how often I checked my watch — and for this reason many of the stories, despite some otherwise very compelling narra- tive, left me unmoved. Perhaps this is the central critique of the book: Its con- struction entrains a certain tone, which is not only tiresome, but does an injus- tice to the content. Some stories do manage to rise above these difficulties. “The Cardiologist’s Tale” recounts a touching relationship between physician and patient and nicely captures the sort of emotional symbiosis that enriches both lives. As well, Nuland should be congratulated for his candour on including several tales about physi- cian misbehaviour. The chapter that sealed my opinion of the book was “The Medical Stu- dent’s Tale,” where a married man is seen in the emergency room for genital cellulitis after visiting a brothel. The medical student (accompanied by the narrator, who makes a cameo in a sus- piciously large number of tales) discov- ers their patient, Peaches Pasqualani, has visited the whorehouse with the knowledge and the consent of his “chubby little wife.” The medical stu- dent, who crows to us that he “consid- ered the sanctity of the family my main goal in life” is openly disgusted by this man and his culture that he feels con- dones this sort of behaviour. The stu- dent flies into a rage, but a simple ver- bal humiliation of the patient isn’t enough: “Slashing into Peaches’ fore- skin did not ameliorate my anger, nor lessen the thoughts of my wife and two babies at home. I asked for the respon- sibility of changing the daily dressing.” The narrative devolves from there: “Those were my favourite times of the day. Morning and evening, I would vengefully march into the four-bed room where Peaches was boarded, and he’d turn white on me appearing there.” I was revolted merely by having to transcribe that passage, not only because this is sadism expressing itself through, and corrupting, the medical act, but because the story is related more than 40 years after it occurred without evidence that the perpetrator has in the interim acquired any self-awareness of what he has done. I could find no irony here, only gloating. Unlike other tales where Nuland editorializes on those who have committed misdeeds (seven pages of rebuttal, in one case), no comment is offered here. I trust many in Nuland’s medical readership can make up their own minds about right and wrong, but given the sort of misadventures doctors have histori- cally found themselves caught up in — CMAJ NOVEMBER 24, 2009 • 181(11) © 2009 Canadian Medical Association or its licensors 829 Books Baring the soul DOI:10.1503/cmaj.091086 Kaplan Publishing Previously published at www.cmaj.ca

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Page 1: CMAJ Humanities · The Soul of Medicine: Tales from the Bedside Sherwin B. Nuland Kaplan Publishing; 2009 214 pp $30.95 T his collection is arranged into a series of “tales” in

HumanitiesCMAJ

The Soul of Medicine: Tales from theBedside

Sherwin B. NulandKaplan Publishing; 2009214 pp $30.95

This collection is arranged into aseries of “tales” in whichauthor Sherwin Nuland offers a

number of perspectives on the ques-tion: “Tell me about your most memo-rable patient.” There are 20 tales in all,arranged according to specialty, mostwith a commentary by the narrator,understood to be Nuland himself, whoalso provides a couple of tales.

The obvious question is whether thestructure, with its direct reference toThe Canterbury Tales, offers someadvantage over, say, a simple collectionof personal essays about clinical experi-ences. The risk of modelling the narra-tives after The Canterbury Tales soexplicitly (even the setting is Canter-bury) is that if it doesn’t work convinc-ingly — by offering the reader someparticular insight, a taste of subversionor irony that serves the content — thewhole endeavour can come off as, atbest, a conceit. At worst, it can trivializethe story. But as an admirer of Nuland’swork — especially his intrepid Mai-monides and his much lauded How WeDie — I entered The Soul of Medicinewith an open mind about the approach.

What I didn’t foresee is that con-structing the stories in this way wouldlead to a particular prose style. Here aresome samples:

“But one day the stratagem did notwork, and thereon hangs the Tale.”

“I have been at several autopsieswhere even death refuses to yield itssecrets to the meticulous probing ofwhich postmortem studies of organs,tissues and fluids consist.”

“With this long prelude involvingmorals on one hand and mayhem on theother … you are, I hope, prepared toread a story like no other, which I havealready claimed this Tale to be.”

Plainly, this is bad writing, verboseand full of affectation, and many of thetales are similarly tainted. Instead offeeling I was being confided to by acolleague, I had a sense of being cor-nered by a raconteur oblivious to howoften I checked my watch — and forthis reason many of the stories, despitesome otherwise very compelling narra-tive, left me unmoved. Perhaps this isthe central critique of the book: Its con-struction entrains a certain tone, whichis not only tiresome, but does an injus-tice to the content.

Some stories do manage to rise abovethese difficulties. “The Cardiologist’sTale” recounts a touching relationshipbetween physician and patient and nicelycaptures the sort of emotional symbiosisthat enriches both lives. As well, Nulandshould be congratulated for his candouron including several tales about physi-cian misbehaviour.

The chapter that sealed my opinionof the book was “The Medical Stu-dent’s Tale,” where a married man isseen in the emergency room for genitalcellulitis after visiting a brothel. Themedical student (accompanied by thenarrator, who makes a cameo in a sus-piciously large number of tales) discov-ers their patient, Peaches Pasqualani,has visited the whorehouse with theknowledge and the consent of his“chubby little wife.” The medical stu-dent, who crows to us that he “consid-ered the sanctity of the family my maingoal in life” is openly disgusted by thisman and his culture that he feels con-dones this sort of behaviour. The stu-dent flies into a rage, but a simple ver-bal humiliation of the patient isn’tenough: “Slashing into Peaches’ fore-skin did not ameliorate my anger, norlessen the thoughts of my wife and twobabies at home. I asked for the respon-sibility of changing the daily dressing.”

The narrative devolves from there:“Those were my favourite times of theday. Morning and evening, I wouldvengefully march into the four-bed roomwhere Peaches was boarded, and he’dturn white on me appearing there.”

I was revolted merely by having totranscribe that passage, not only becausethis is sadism expressing itself through,and corrupting, the medical act, butbecause the story is related more than 40years after it occurred without evidencethat the perpetrator has in the interimacquired any self-awareness of what hehas done. I could find no irony here,only gloating. Unlike other tales whereNuland editorializes on those who havecommitted misdeeds (seven pages ofrebuttal, in one case), no comment isoffered here.

I trust many in Nuland’s medicalreadership can make up their own mindsabout right and wrong, but given the sortof misadventures doctors have histori-cally found themselves caught up in —

CMAJ • NOVEMBER 24, 2009 • 181(11)© 2009 Canadian Medical Association or its licensors

829

Books

Baring the soul

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Previously published at www.cmaj.ca

Page 2: CMAJ Humanities · The Soul of Medicine: Tales from the Bedside Sherwin B. Nuland Kaplan Publishing; 2009 214 pp $30.95 T his collection is arranged into a series of “tales” in

often in the name of the righteousness— I wanted a word of comment fromNuland about this physician’s motiva-tion and felt the omission deeply. Butmaybe I am being too harsh. Maybe thiswasn’t an act of medical torture after all,just another tale. Still, I like to think thateven in Canterbury they can tell the dif-ference between the board certified andthe water board certified.

Let’s end with the summation of wis-dom from “The Medical Student’s Tale.”“Three days later, the dressings werediscontinued and I lost my status as anavenging angel. But it was a great ridewhile it lasted.”

Actually, maybe it wasn’t such agreat ride. If this is the soul of medi-cine, let me be bereft.

Liam Durcan MDNeurologistMontreal Neurological HospitalMontréal, Que.

CMAJ • NOVEMBER 24, 2009 • 181(11)© 2009 Canadian Medical Association or its licensors

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All afternoon she lay, silent and quiet,her eyes shut.By evening the visitors started to leave,And I was on the brink of going too,But I did return, and whispered into her ear,not expecting a replyA tender farewell“Good-night, my darling. We will see you tomorrow”And she replied,“Good-night my darling. I hope to see you tomorrow, too”

I cannot forget those wordsWhispered in that voice I loved so muchWhich meant she was still alive, and hoping.But alas, she went into a coma soon afterAnd there was not to be another tomorrow for herNor would I see her look for me then,Nor ever again, in this life.

Frank Irwin Jackson MDRadiologistEdmonton, Alta.

Poem

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This poem is dedicated to the memory of the author’s wife, Leoné Jackson MD. The author’s poetry is gathered into three volumes including, most recently, Leoné,Sagas of the Red Canary, and other poems (2009).

Dr. Durcan is the author of two books offiction, Garcia’s Heart (2007) and A ShortJourney by Car (2004). He is currentlycompleting his next novel.

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