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BOARD OF DIRECTORS

Peter Nelson, President

Carol Mack, Vice President

Patricia Tilton, Treasurer

Patricia Beithon, Secretary

Suzanne Allen

Patrick Coleman

Jeffrey Hom

Carl Horsch

Stephen Keating

Sarah Lutman

Mary McDermid

Sjur Midness

Jim Nichols

Marla Stack

Jeffrey Sugerman

Stu Wilson

BOARD MEMBERS EMERITI

Sally French

Isabel Keating

Warren Woessner

STAFF

Anitra Budd, Managing Editor

Sarah Caflisch, Development Manager

Caroline Casey, Marketing and Sales Director

Chris Fischbach, Publisher

Amelia Foster, Development and Publicity Assistant

Molly Fuller, Publishing Assistant

Allan Kornblum, Senior Editor and Founder

Linda Koutsky, Design and Production Manager

Kelsey Shanesy, Publicist

Erika Stevens, Poetry Editor-at-Large

2013 INTERNS

Maya Auguston, Molly Fuller

Emily Gasperlin, Kayla Kohanek

Cassie Labriola, Michelle Lappi

Elissa Mann, Rebekkah Olson

Zoe Rodine, Joe Schiltz

Rebecca Schulz, Katie Sievers

Jon Westmark, Courtney Wipf

The Devils Snake CurveAn essay by Josh Ostergaard

The baseball book Howard Zinnwould have writtenif he had hatedthe Yankees.

The Devils Snake Curve offers an alterna-tive American history, in which colonial-ism, jingoism, capitalism, and faith arerepresented by baseball. Personal and polit-ical, it twines Japanese internment campswith the Yankees; Wal-Mart with the KansasCity Royals; and facial hair patterns with mil-itarism, Guantanamo, and the modern secu-rity state. America and baseball are bothhard to love or leave here.

From The Devils Snake Curve:When the United States was testing its firstatomic bomb in the summer of 1945, a codesystem was created so its success or failurecould be communicated back to Washingtonwithout worry of the news leaking.Cincin-nati Reds would mean the test had failed.Brooklyn Dodgers would mean the testhad gone as planned. After scientists testedthe first nuclear weapon, and knew the warin the Pacific would end, and that all life onearth could end, the signal of unimaginedtriumph went back to Washington.

The message read: New York Yankees.

JOSH OSTERGAARD holds an MFA in cre-ative writing from the University of Minnesotaand an MA in cultural anthropology from theUniversity of Illinois at Chicago. He has beenan urban anthropologist at the Field Museumand now works at Graywolf Press.

April 5.5 x 8.25 236 pp$15.95 Trade Paper 978-1-56689-345-9$12.99 eBook 978-1-56689-346-6

RIGHTS:Classroom, Book Club, Database, First andSecond Serial, General Publication, Radio,Reprint, and Visual Disability Access

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DEBUT

Faces in the CrowdA novel by Valeria Luiselli

A multiangled portrait of the artist as ayoung woman, as a con artist, as a youngmother and wife, this book immerses thereader in the most enchanting and persua-sive intimacy. The fearless, half-mad imagi-nation of youth has rarely been so freshly,charmingly and unforgettably portrayed.FRANCISCO GOLDMAN

As spare, strange and beautiful as the EzraPound lines from which it takes its name,Faces in the Crowd is a first novel born out ofthe idea of disappearing. Its author, however,the 28-year-old Mexican writer ValeriaLuiselli, is going to have to get used to herown visibility: the book confirms her as anextraordinary new literary talent.DAILY TELEGRAPH

In Mexico City, a young mother is writing anovel of her days as a translator living inNew York. In Harlem, a translator is desper-ate to publish the works of Gilberto Owen,an obscure Mexican poet. And in Philadel-phia, Gilberto Owen recalls the Harlem Ren-aissance, his friendship with Lorca, and theyoung woman in the red coat he saw in thewindows of passing trains.

As the voices of the narrators overlap andmerge, they drift into one single stream, amingling that is also a disappearing act, andan elegiac evocation of love and loss.

VALERIA LUISELLI was born in MexicoCity in 1983 and grew up in South Africa. Herwork has appeared in publications includingthe New York Times, Granta, and McSweeneys.She lives in New York City.

May 5.5 x 8.25 154 pp$15.95 Trade Paper 978-1-56689-354-1$12.99 eBook 978-1-56689-355-8

RIGHTS: Classroom, Book Club, Database,First and Second Serial, General Publication,Radio, Reprint, and Visual Disability Access

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ALSO AVAILABLE:Sidewalks$15.95 Trade Paper 978-1-56689-356-5$12.99 eBook 978-1-56689-357-2

3SidewalksEssays by Valeria Luiselli

Valeria Luiselli is an evening cyclist; a liter-ary tourist in Venice, searching for JosephBrodskys tomb; an excavator of her own arti-facts, unpacking from a move. In essays thatare as companionable as they are ambitious,she uses the city to exercise a roving, mean-dering intelligence, seeking out the questionsembedded in our human landscapes: Whatis the I if identity is fluid? Where is the fixedpoint for a word that defies translation? Whoare we in relation to the spaces we inhabit?The elusive has never been more seductivethan it is in Luisellis hands.

Luisellis writing is full of verve.IRISH TIMES

Valeria Luiselli is a writer of formidable tal-ent, destined to be an important voice inLatin American letters. Her vision and lan-guage are precise, and the power of her intel-lect is in evidence on every page.DANIEL ALARCN

VALERIA LUISELLI was born in MexicoCity in 1983 and grew up in South Africa. Herwork has appeared in publications includingthe New York Times, Granta, and McSweeneys.Recent projects include a ballet libretto forthe choreographer Christopher Wheeldon,performed by the New York City Ballet in Lin-coln Center in 2010; a pedestrian soundinstallation for the Serpentine Gallery in Lon-don; and a novella in installments for work-ers in a juice factory in Mexico. She lives inNew York City.

May 5.5 x 8.25 120 pp$15.95 Trade Paper 978-1-56689-356-5$12.99 eBook 978-1-56689-357-2

RIGHTS: Classroom, Book Club, Database,First and Second Serial, General Publication,Radio, Reprint, and Visual Disability Access

ALSO AVAILABLE:Faces in the Crowd$15.95 Trade Paper 978-1-56689-354-1$12.99 eBook 978-1-56689-355-8

How a Mother Weaned HerGirl from Fairy TalesStories by Kate Bernheimer

PRAISE FOR KATE BERNHEIMER:

Anyone attracted to fairy tales and fablesshould check out the stories and criticism ofKate Bernheimer.BEN PERCY, THE NEW YORKTIMES SUNDAY BOOK REVIEW

By turns lovely and tragic, Bernheimersspare but captivating fables of femininity res-onate like a string of sad but all-too-real andmeaningful dreams. This is a collection read-ers wont soon forget, one that redefines thefairy tale into something wholly original.BOOKLIST

No one has done more for the contem-porary fairy tale than Kate Bernheimer.In eight new stories, she leads us into a for-est of everyday magic and misfits, wheredinosaurs wear pajamas and talking dollsruin your life. Elegant and brutal, Bern-heimers latest collection locates the existen-tial loveliness of ideas amidst the topsy-turvylogic of things. Like one of Bernheimersgirls, whose hands of steel turn to flowers,the reader will marvel.

KATE BERNHEIMER is the author of anovel trilogy and the story collection Horse,Flower, Bird and the editor of four antholo-gies, including the World Fantasy Awardwin-ning and best-selling My Mother She KilledMe, My Father He Ate Me: Forty New FairyTales. She founded and edits the literary jour-nal Fairy Tale Review.

August 6 x 7.5 158 pp$15.95 Trade Paper 978-1-56689-347-3$12.99 eBook 978-1-56689-348-0

RIGHTS : Audio/Audio-Visual, Classroom,Book Club, Database, First and Second Serial,General Publication, Radio, Reprint, Transla-tion and UK, and Visual Disability Access

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ALSO AVAILABLE:Horse, Flower, Bird$14.95 Trade Paper 978-1-56689-247-6$12.99 eBook 978-1-56689-282-7

You Animal Machine(The Golden Greek)An essay by Eleni Sikelianos

PRAISE FOR ELENI SIKELIANOS:

A wonderful memoir, held together bystring, rumor . . . evoked toughly and withgreat love and above all art and craft. Bothsubject and author are unforgettable.MICHAEL ONDAATJE

Sikelianos captures the subtlest shades ofthe emotional palette.THE WASHINGTON POST

This is the tale of Melena, five times mar-ried, mother of three, burlesque dancer,and the toughest, hardest-assed woman toever eat wood and bite nails. Located in his-tory and memory, the real and the imagined,her life cracks open questions of identity atthe heart of an American, immigrant,womans experience. You Animal Machineoffers a glimpse of both the violence and thebeauty of the margins, where outskirtsmake their own centers.

ELENI SIKELIANOS is the author of sixbooks of poetry, most recently The LovingDetail of the Living & the Dead and The Cali-fornia Poem, as well as a hybrid memoir, TheBook of Jon, which was a Barnes & Noble BestBook of the Year. Sikelianos teaches in anddirects the Creative Writing Program at theUniversity of Denver.

June 5.5 x 8.25 126 pp$16.95 Trade Paper 978-1-56689-360-2$12.99 eBook 978-1-56689-364-0

RIGHTS: Audio/Audio-Visual, Classroom,Book Club, Database, Dramatic, First andSecond Serial, General Publication, Radio,Reprint, Translation and UK, and Visual Dis-ability Access

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ALSO AVAILABLE:Earliest Worlds $20.00 Trade Paper 978-1-56689-114-1The California Poem $20.00 Trade Paper 978-1-56689-162-2Body Clock $18.00 Trade Paper 978-1-56689-219-3The Loving Detail of the Living & the Dead $15.95 Trade Paper

978-1-56689-324-4

The Artists LibraryA field guide by Laura Damon-Moore and Erinn Batykefer

It can be easy to forget that libraries evenexist, that theres a place full of literature, art,reliable resources, and unimpeded quietavailable for freeoften just a walk or shortdrive away. But Batykefer and her cohort,along with their creative contributors, arepredicting an expansion of the idea of what alibrary is and does.POETS & WRITERS

An outgrowth of the Library as IncubatorProject, The Artists Library features artists,writers, performers, and libraries who exem-plify the library as incubator idea, drawingattention to the physical and digital collec-tions and resources that may be of particu-lar use to artists and writers and providingideas for art education opportunities inlibraries and practical how-tos for artists andlibrarians. Case studies included in the bookrange from the crafty (pop-up books) to thecommunity-minded (library galleries) to doc-umentary (photo projects) to the technicallycomplex (listening to libraries via DeweyDecimal frequencies).

ERINN BATYKEFER has worked inlibraries almost constantly since she was fif-teen. She earned an MFA in writing and amaster of library and information studiesfrom the University of WisconsinMadison.

LAURA DAMON-MOORE received hermasters degree in library and informationstudies from the University of Wiscon-sinMadison in 2012 and graduated fromBeloit College with a double major in literarystudies and theatre arts (acting) in 2008.

May 5 x 7 212 pp$23.95 Paper over Board 978-1-56689-353-4$12.99 eBook 978-1-56689-363-3

RIGHTS: Audio/Audio-Visual, Classroom,Book Club, Database, Dramatic, First andSecond Serial, General Publication, Radio,Reprint, Translation and UK, and Visual Dis-ability Access

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Selected Poemsby Mark Ford

An exuberant, versatile, and complexcollection from one of the UKs mostrespected poets.

PRAISE FOR MARK FORD:

Ford is at once a veteran of pop culture anda connoisseur of the desperation of high cul-ture, an indoor reader of the past but also anoutdoor breather of physically felt atmos-pheres. His generation of English poets isstill in formation but I believe Ford to be oneof its eventual definers, as Ashbery was cru-cial to postwar writing in the United States.HELEN VENDLER

Fords poetry is light and agile and some-times sweet, but it also has a disconcertingway of turning sharp and naughty and evensinister. JOHN ASHBERY

From Jack Rabbit

So I reckoned to get quicker, leaner, braver, moreSelf-effacing; Id pick my way betweenThe mounds of junk cast off by warring factions,

cleverlyDisguised and idly humming. I swam midstreamWith the freshwater boys, and lounged on rocksAt evening. Meanwhile the air slowly thickenedWith intrigue. Blueprints and memorandaBegan to circulate like the seasons, meltingThe obdurate, blossoming where least expected

MARK FORD has published three collec-tions of poetry and a biography of the Frenchwriter Raymond Roussel. He has also trans-lated Roussels New Impressions of Africa, andis the editor of London: A History in Verse.

April 5.5 x 8.25 156 pp$35 Trade Cloth 978-1-56689-362-6$20 Trade Paper 978-1-56689-349-7$15.99 eBook 978-1-56689-350-3

RIGHTS: Audio/Audio-Visual, Classroom,Book Club, Database, First and SecondSerial, General Publication, Radio, Reprint,Visual Disability Access

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Dark. Sweet.New and selected poemsby Linda Hogan

PRAISE FOR LINDA HOGAN:

These poems in particular cross over tospeak for us in the shining world. They bringback words for healing, the distilled truth ofall these stories that are killing us with tearsand laughter. JOY HARJO

Linda Hogans vision is breathtaking: theembryonic fingers of a fetal whale, the impe-rial walk of a raven, the torn-cloth dresses ofher Chickasaw ancestors, are distilled inthese pages into a critique of human sur-vival. BARBARA KINGSOLVER

From Saving

Night unravelsthe calcium from bones.Moths in the closet are growinginto dark holes theyve eaten awayfrom fine shirts,shirts empty of heartbeats,all we should have lived for,empty of arms that reach backlike a sleepless night, for what is saved,all the way backbehind plasterto the old world in canyonswith blood women dancing on wallsto the earths drumand the mother of deer and cornso light the insects appear.

Linda Hogan is a Chickasaw poet and nov-elist. Her fiction has garnered honors,including a Pulitzer Prize nomination, and herpoetry collections have received the AmericanBook Award, Colorado Book Award, and aNational Book Critics Circle nomination.

July 6 x 9 396 pp$45 Trade Cloth 978-1-56689-361-9$28 Trade Paper 978-1-56689-351-0$18.99 eBook 978-1-56689-352-7

RIGHTS: Audio/Audio-Visual, Classroom,Book Club, Database, Dramatic, First andSecond Serial, General Publication, Radio,Reprint, Translation and UK, and Visual Dis-ability Access

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ALSO AVAILABLE:Savings $10.95 Trade Paper 978-0-91827-341-3The Book of Medicines $15 Trade Paper 978-1-56689-010-6Rounding the Human Corners $16.00 Trade Paper 978-1-56689-210-0

Cross Worlds:Transcultural PoeticsAn anthology edited byAnne Waldman and Laura Wright

Cross Words refers to cultural hybrids, tran-scultural alliances and associations.Contributors are from a range of places anddisciplines and their work reflects the JackKerouac Schools unique zone of interaction,which runs parallel to more mainstream aca-demic institutions. This fascinating com-pendium of documents, in essays,conversations, and Socratic raps, the vitalwork poets perform when they write acrossborders.

Contributors include: Allen Ginsberg, EileenMyles, Joanne Kyger, Nicole Brossard, Mon-ica de la Torre, Sherwin Bitsui, Bei Dao, andAnselm Hollo.

ANNE WALDMAN, poet, professor, cul-tural activist, and cofounder, with AllenGinsberg, of the Jack Kerouac School of Dis-embodied Poetics, is the author of morethan forty collections of her own poetry andthe editor of numerous anthologies. She isthe winner of the Shelley Memorial Awardand the 2012 USA PEN Center Award forPoetry for her monumental feminist epic TheIovis Trilogy: Colors in the Mechanism of Con-cealment. She received a Guggenheim Fel-lowship 20132014 and is a chancellor of theAcademy of American Poets.

LAURA E. WRIGHT is a poet, translator,and librarian. With Anne Waldman, sheco-edited Beats at Naropa (Coffee HousePress, 2009).

July 6 x 9 366 pp$18.95 Trade Paper 978-1-56689-358-9$12.99 eBook 978-1-56689-359-6

RIGHTS: Book Club, Database, GeneralPublication, Reprint, and Visual DisabilityAccess

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ALSO AVAILABLE:Beats at Naropa$15.95 Trade Paper 978-1-56689-227-8

AN IMPENETRABLE SCREEN OFPUREST SKYA novel by Dan Beachy-Quick$15.95 Trade Paper 978-1-56689-341-1$12.99 eBook 978-1-56689-343-5

THE RISE & FALL OF THE SCAN-DAMERICAN DOMESTICStories by Christopher Merkner$15.95 Trade Paper 978-1-56689-338-1$12.99 eBook 978-1-56689-344-2

POTLUCK SUPPER WITH MEETINGTO FOLLOWEssays by Andy Sturdevant$22 Paper over Board 978-1-56689-337-4

ANGEL DE LA LUNA AND THE 5THGLORIOUS MYSTERYA YA novel by M. Evelina Galang$12.00 Trade Paper 978-1-56689-333-6

ANIME WONGPerformance fictions by Karen TeiYamashita$19.95 Trade Paper 978-1-56689-340-4

COLLECTED POEMSPoetry by Ron Padgett$44 Cloth 978-1-56689-342-8

BLEED THROUGHPoetry by Michael Davidson$17.95 Trade Paper 978-1-56689-339-8

DANCEPoetry by Lightsey Darst$17.95 Trade Paper 978-1-56689-334-3

PSYCHEDELIC NORWAYPoetry by John Colburn$16.95 Trade Paper 978-1-56689-335-0

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Recent Backlist

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Leaving the Atocha StationA novel by Ben Lerner$16 Trade Paper 978-1-56689-274-2$12.99 eBook 978-1-56689-292-6

ACCOLADES FOR LEAVING THE ATOCHA STATION Winner of the Believer Book Award Shortlisted for the Los Angeles Times Book Prize (FirstFiction)

Finalist for the New York Public Librarys Young LionsFiction Prize

Runner up for the Sami Rohr Prize for Jewish Literature

One of the funniest (and truest) novels I know of by awriter of his generation.LORIN STEIN, NEW YORK REVIEW OF BOOKS

Hilarious and cracklingly intelligent.JONATHAN FRANZEN

SubmergenceA novel by J. M. Ledgard$15.95 Trade Paper 978-1-56689-319-0$12.99 eBook 978-1-56689-330-5

ACCOLADES FOR SUBMERGENCE2013 Publishers Weekly Best Books of the Year

[T]he best novel Ive read so far this year. . . .Submergence is a dark book, but in such anunusual sense: Ledgard turns out the lights, andeverything, inside and out, begins to glow.KATHRYN SCHULZ,NEW YORK MAGAZINE

An extraordinary fusion of science and lyricism. . . [A] darkly gleaming novel about love, deserts,oceans, lust and terror.ALAN CHEUSE, NPR

Submergence is a wondrous bookarrestinglyoriginal, inventive, expansive, vivid, and thought-provoking. PHILIP GOUREVITCH

Recent Backlist

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Our Generous Funders

Coffee House Press is an independent nonprofit literary publisher. Our books are made possi-ble through the generous support of grants and gifts from foundations, corporate giving pro-grams, state and federal support, and through donations from individuals who believe in thetransformational power of literature. We are pleased to recognize our supporters between July 1,2012, and June 30, 2013, when this catalog went to print. While we strive for accuracy, we apolo-gize if there are any discrepancies. Please contact our development manager if you prefer yourname to be recognized in a different manner.

Coffee House Press believes that American literature should be as diverse as America itself.Known for consistently championing authors whose work challenges cultural and aesthetic norms,we believe their books deserve space in the marketplace of ideas. Publishing literature has neverbeen an easy business, and publishing literature that truly takes risks is a cause we believe is wor-thy of significant support. We ask you to join us today in helping to ensure the future of CoffeeHouse Press.

To make a contribution, visit our website and click on the Donate button or call us at (612) 338-0125 and a staff member will be happy to help you.

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