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JESSICA BRISTOWARCHITECTURE PORTFOLIO
www.jessicabristowe: bristow.jessica@gma
p: 210.41
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ESSICA BRISTOWcurriculum vitae
www.jessicabristowe: bristow.jessica@gma
p: 210.41
experienceeducation
recognitionproficiency
Rensselaer Polytechnic Institute | Troy, NYSchool of Architecture
Bachelor of Architecture / Psych. Minor
Cumulative GPA : 3.66/4.00August 2006 - May 2011 [expected]
Roosevelt High School | San Antonio, TXSumma Cum Laude / Valedictorian
Cumulative GPA : 102.2/100August 2002 - May 2006
Thesis ResearchEasy Like Water : Re-coupling Culture and Nature
in the Bangladeshi Sundarban Impact Zone
Study Abroad | New York, NYCenter for Architecture, Science and Ecology @
kidmore, Owings, and Merrill | www.case.rpi.edu
IDP : 870 training hours
Computational DesignRhinoceros 4.0, Grasshopper, Maya, AutoCAD,
Revit, 3D Studio Max, Sketchup, V-Ray,MicroStation, Ecotect, WeatherTool,
References & PortfolioWill be forwarded upon request, supplemental material available on personal web site: http://jessicabristow.co
RPI Deans ListFall 2006 - Present - Maintained overall grade pointaverage above 3.00
Deans Advisory CouncilSchool of Architecture - chosen to represent peers inbi-semester meetings with Dean Evan Douglis
Project ArchivesMultiple works selected for archiving process within theSchool of Architecture
American Institute of Architecture Students [AIAElected co-President in 2009, historian in 2010Member since 2006
McKinney Contest 2009Third place contest winner for undergraduate essay /drama submission entitled : Demios & Cracius aredead...or are they?
Garza Bomberger & Associates | San AntonioMay 2006 - Present www.gbarcArchitecture intern throughout summer and winter mon
working on all aspects of design from schematic desithrough construction documents. Projects includeeducational, residential, medical, and marketing/grap
Experimental Media & Performing Arts Center[EMPAC] | Troy, NYAugust 2008 - January 2009, January 2011 - PresentBox office staff member : daily ticket sales and variousperformances
Center for Architecture, Science, and Ecology
SOM [case] | New York, NYFall 2009, advanced undergraduate research assistantAssisted graduate student in researching sustainabletechnologies and emerging materials to inform designspecifically within active hydroponic phytoremediationsystems and built form,
Fabricationser cutting, CNC Mill, Basic power tools, Vacuum
form machine, 3D printing technologies, Modelmaterials : chipboard, cardboard, Plexiglas,
foamcore, wood, museum board, high-densityfoam, matboard, plaster, polyurethane, etc.
Multi-MediaIllustrator CS4, InDesign CS4, Photoshop CS4,
Dreamweaver CS4, Microsoft Office, Visual Basic2010, Windows and Mac OSx
LanguageEnglish, intermediate Spanish, beginner Italian
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LOBBYKITCHEN
MULTI-PURPOSE RM.
PARKING
GALLERYGALLERY
BACKOF
HOUSE
LECTURE
HALL
THEATER
LOBBIES
SUPPORTLOADING
MEETING ROOMS
OFFICESADMIN. LOBBY
SERVICES
RESTROOMSLIBRARYCAFE
PARKING
PARKING
WOVEN INTERACTIONABUJA, NIGERIA
SPRING JESSICA BR
he site and building design, entered in Lyceum Competition 2010,
ncorporates the movement and culture of the site; pulling in the market-goers
nd local pedestrians as well as providing an open public space for the future
rban growth of the rapidly-forming city. A non-hierarchical organizationenerated by the context and conditions of the site, based on a weaving
hree-dimensional matrix, is applied programatically and formally. This
ntegrates the building and landscape and creates a continuous flow across the
ite and throughout the building. This symbolic and dynamic composition of
paces will create a navigable forum for the sharing of culture, knowledge, and
ubsequent global advancement.
he Nigerian people have little in common aside from their nationality, and it is
ritical that the overall design of the project provide a level playing field that
eferences Nigerian culture while providing a progressive center in which to
elebrate these cultural differences without excluding particular groups -
eligious, political, or otherwise.
1 2 3 4
PERSPECTIVAL SECTION | VERTICAL CIRCULATION, INTERIOR RAMPS, & CONNECTION TO EXTE
SLOPE
UP
SLOPE
UP
SLOPE
UP
SLOPE
DOWN
SLOPE
DOWN
SLOPE
DOWN
TICKETING COUNTERKITCHEN / GATHERING SPACE
MULTI-PURPOSE ROOM
LIBRARY
GALLERY SPACE
ADMINIST
THEATER LOBBY
SUPPORT SPACE
CONNECTION TO
AMPHITHEATER
GALLERY SPACE
& GENERAL USE
OFFICES
CAFE
N
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BALTIMORE LAW SCHOOLBALTIMORE, MARYLAND
BUILDING
BUILDING
ATRIUMPROGRAM
SOCIAL SPACE |NEIGHBORHOOD
CIR CULAT ION
he practice of law is based on a foundation of privacy, while simultaneously reaching out to the
ocial dimensions of human interaction and client representation. In the realm of education,
owever, there needs to be an open interplay between students, professors, and the subject of
aw itself, while maintaining the sense of monumentality and prestige vital to the profession. Thisrogrammatic contradiction necessitates varied learning environments with specific spatial
mplications. The profession of law has intensely spatially defined conditions based on
rogram; an educational facility has the ability to expose these otherwise concealed processes.
he individual components that form a law school include - law as a profession, law as a
ystem, education, libraries, and courtrooms. Each program has specific needs, creating
ndividualized blocks. These blocks can be seen as a synthesis of semi-autonomous entities,
ot a series of fully autonomous stacked buildings. This assembly of building blocks comes
ogether to form one building, the cohesion of which is the atrium. The interactions of the
rogram blocks form the main circulation spaces, which span the void of the atrium. The atrium
nd circulation work together to form an internalized urban condition that is maintained within the
ontext of the building. Rather than engaging the larger urban fabric of Baltimore, the atrium
orms a series of interactions and engagements vital to the learning environment. Social spaces
ormed by the negatives of the shifting blocks create a positive void space, increasing light,
entilation, and social interactions.
While the atrium is the social cohesion of the whole, the structure results in a literal cohesion. The
ndividual blocks always have ties back to a primary structural system, while secondary and
ertiary systems differentiate the programmatic blocks. This drives the shifting of the programs
nd allows for an open, light, atrium space. The faade is also pivotal in the differentiation of
he volumes. The faade of each block is determined by the needs of each program, while theperable faade of the atrium promotes social space through light and ventilation.
his project was designed in collaboration with another student in
he Design Development studio at RPI. The original design of the
uilding was a competit ion entry by Behnisch Architekten. The
roject is a 13-story Law School that includes classrooms, moot
ourtrooms, rooftop terraces, and a central atrium throughout i tsntire height. We reassessed the original design and concepts of
he f irm and then redesigned the project to meet our project
tatement concepts before working through all of the design
evelopment drawings, producing a DD set. Below is our Project
tatement that was developed in the beginning of the semester and
dhered to throughout the following months.
CLASSROOMS
LIBRARY
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