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    JESSICA BRISTOWARCHITECTURE PORTFOLIO

    www.jessicabristowe: bristow.jessica@gma

    p: 210.41

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    ESSICA BRISTOWcurriculum vitae

    www.jessicabristowe: bristow.jessica@gma

    p: 210.41

    experienceeducation

    recognitionproficiency

    Rensselaer Polytechnic Institute | Troy, NYSchool of Architecture

    Bachelor of Architecture / Psych. Minor

    Cumulative GPA : 3.66/4.00August 2006 - May 2011 [expected]

    Roosevelt High School | San Antonio, TXSumma Cum Laude / Valedictorian

    Cumulative GPA : 102.2/100August 2002 - May 2006

    Thesis ResearchEasy Like Water : Re-coupling Culture and Nature

    in the Bangladeshi Sundarban Impact Zone

    Study Abroad | New York, NYCenter for Architecture, Science and Ecology @

    kidmore, Owings, and Merrill | www.case.rpi.edu

    IDP : 870 training hours

    Computational DesignRhinoceros 4.0, Grasshopper, Maya, AutoCAD,

    Revit, 3D Studio Max, Sketchup, V-Ray,MicroStation, Ecotect, WeatherTool,

    References & PortfolioWill be forwarded upon request, supplemental material available on personal web site: http://jessicabristow.co

    RPI Deans ListFall 2006 - Present - Maintained overall grade pointaverage above 3.00

    Deans Advisory CouncilSchool of Architecture - chosen to represent peers inbi-semester meetings with Dean Evan Douglis

    Project ArchivesMultiple works selected for archiving process within theSchool of Architecture

    American Institute of Architecture Students [AIAElected co-President in 2009, historian in 2010Member since 2006

    McKinney Contest 2009Third place contest winner for undergraduate essay /drama submission entitled : Demios & Cracius aredead...or are they?

    Garza Bomberger & Associates | San AntonioMay 2006 - Present www.gbarcArchitecture intern throughout summer and winter mon

    working on all aspects of design from schematic desithrough construction documents. Projects includeeducational, residential, medical, and marketing/grap

    Experimental Media & Performing Arts Center[EMPAC] | Troy, NYAugust 2008 - January 2009, January 2011 - PresentBox office staff member : daily ticket sales and variousperformances

    Center for Architecture, Science, and Ecology

    SOM [case] | New York, NYFall 2009, advanced undergraduate research assistantAssisted graduate student in researching sustainabletechnologies and emerging materials to inform designspecifically within active hydroponic phytoremediationsystems and built form,

    Fabricationser cutting, CNC Mill, Basic power tools, Vacuum

    form machine, 3D printing technologies, Modelmaterials : chipboard, cardboard, Plexiglas,

    foamcore, wood, museum board, high-densityfoam, matboard, plaster, polyurethane, etc.

    Multi-MediaIllustrator CS4, InDesign CS4, Photoshop CS4,

    Dreamweaver CS4, Microsoft Office, Visual Basic2010, Windows and Mac OSx

    LanguageEnglish, intermediate Spanish, beginner Italian

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    LOBBYKITCHEN

    MULTI-PURPOSE RM.

    PARKING

    GALLERYGALLERY

    BACKOF

    HOUSE

    LECTURE

    HALL

    THEATER

    LOBBIES

    SUPPORTLOADING

    MEETING ROOMS

    OFFICESADMIN. LOBBY

    SERVICES

    RESTROOMSLIBRARYCAFE

    PARKING

    PARKING

    WOVEN INTERACTIONABUJA, NIGERIA

    SPRING JESSICA BR

    he site and building design, entered in Lyceum Competition 2010,

    ncorporates the movement and culture of the site; pulling in the market-goers

    nd local pedestrians as well as providing an open public space for the future

    rban growth of the rapidly-forming city. A non-hierarchical organizationenerated by the context and conditions of the site, based on a weaving

    hree-dimensional matrix, is applied programatically and formally. This

    ntegrates the building and landscape and creates a continuous flow across the

    ite and throughout the building. This symbolic and dynamic composition of

    paces will create a navigable forum for the sharing of culture, knowledge, and

    ubsequent global advancement.

    he Nigerian people have little in common aside from their nationality, and it is

    ritical that the overall design of the project provide a level playing field that

    eferences Nigerian culture while providing a progressive center in which to

    elebrate these cultural differences without excluding particular groups -

    eligious, political, or otherwise.

    1 2 3 4

    PERSPECTIVAL SECTION | VERTICAL CIRCULATION, INTERIOR RAMPS, & CONNECTION TO EXTE

    SLOPE

    UP

    SLOPE

    UP

    SLOPE

    UP

    SLOPE

    DOWN

    SLOPE

    DOWN

    SLOPE

    DOWN

    TICKETING COUNTERKITCHEN / GATHERING SPACE

    MULTI-PURPOSE ROOM

    LIBRARY

    GALLERY SPACE

    ADMINIST

    THEATER LOBBY

    SUPPORT SPACE

    CONNECTION TO

    AMPHITHEATER

    GALLERY SPACE

    & GENERAL USE

    OFFICES

    CAFE

    N

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    BALTIMORE LAW SCHOOLBALTIMORE, MARYLAND

    BUILDING

    BUILDING

    ATRIUMPROGRAM

    SOCIAL SPACE |NEIGHBORHOOD

    CIR CULAT ION

    he practice of law is based on a foundation of privacy, while simultaneously reaching out to the

    ocial dimensions of human interaction and client representation. In the realm of education,

    owever, there needs to be an open interplay between students, professors, and the subject of

    aw itself, while maintaining the sense of monumentality and prestige vital to the profession. Thisrogrammatic contradiction necessitates varied learning environments with specific spatial

    mplications. The profession of law has intensely spatially defined conditions based on

    rogram; an educational facility has the ability to expose these otherwise concealed processes.

    he individual components that form a law school include - law as a profession, law as a

    ystem, education, libraries, and courtrooms. Each program has specific needs, creating

    ndividualized blocks. These blocks can be seen as a synthesis of semi-autonomous entities,

    ot a series of fully autonomous stacked buildings. This assembly of building blocks comes

    ogether to form one building, the cohesion of which is the atrium. The interactions of the

    rogram blocks form the main circulation spaces, which span the void of the atrium. The atrium

    nd circulation work together to form an internalized urban condition that is maintained within the

    ontext of the building. Rather than engaging the larger urban fabric of Baltimore, the atrium

    orms a series of interactions and engagements vital to the learning environment. Social spaces

    ormed by the negatives of the shifting blocks create a positive void space, increasing light,

    entilation, and social interactions.

    While the atrium is the social cohesion of the whole, the structure results in a literal cohesion. The

    ndividual blocks always have ties back to a primary structural system, while secondary and

    ertiary systems differentiate the programmatic blocks. This drives the shifting of the programs

    nd allows for an open, light, atrium space. The faade is also pivotal in the differentiation of

    he volumes. The faade of each block is determined by the needs of each program, while theperable faade of the atrium promotes social space through light and ventilation.

    his project was designed in collaboration with another student in

    he Design Development studio at RPI. The original design of the

    uilding was a competit ion entry by Behnisch Architekten. The

    roject is a 13-story Law School that includes classrooms, moot

    ourtrooms, rooftop terraces, and a central atrium throughout i tsntire height. We reassessed the original design and concepts of

    he f irm and then redesigned the project to meet our project

    tatement concepts before working through all of the design

    evelopment drawings, producing a DD set. Below is our Project

    tatement that was developed in the beginning of the semester and

    dhered to throughout the following months.

    CLASSROOMS

    LIBRARY

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