community services report 2011 - grammy.com · grammyfoundation.org • grammyfoundation.org •...
TRANSCRIPT
Each year, the GRAMMY Foundation gathers the stories of the past fiscal year (Aug. 1 – July 31) in our Community Services Report. Here you’ll learn about the accomplishments, innovations, and partnerships of the past year, and meet some of the people who
have inspired our work. Since 2007, we’ve told our stories of the past year’s achievements in an online version of our report — to both conserve resources and to enliven the account with interactive features. We hope you enjoy what you learn about the GRAMMY Foundation, invite you to support our work, and welcome your feedback.
M i s s i o nThe GRAMMY Foundation was established by The Recording Academy to cultivate the understanding, appreciation, and advancement of the contribution of recorded music to American culture — from the artistic and technical legends of the past to the still unimagined musical breakthroughs of future generations of music professionals.
Community Services Report 2011
Mission
Education PrograMs and iMPact
PrEsErvation/ advancEMEnt PrograMs and iMPact
coMMunity FEEdback
Fundraising initiativEs
FinancEs and suPPortErs
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
GRAMMY® in the SchoolsUnder the banner of graMMy in the schools, the GRAMMY Foundation produces and supports music education programs for high school students across the country through-out the year to help inspire the next generation of music and its makers. The Foundation offers half-day and daylong programs — graMMy camp – soundcheck and graMMy camp – basic training — designed to give high school students information and experi-ences centered on careers in the music industry. graMMy camp and graMMy camp– Jazz session are residential programs that bring young people together for interactive, instructive working sessions with artists and music industry professionals. In addition, our graMMy signature schools initiatives for high music programs. All aspects of this work are detailed below. The GRAMMY Foundation’s graMMy in the schools website provides applications and information for GRAMMY in the Schools programs, in addition to student content. In 2011, the website was redesigned and relaunched to make it a more exciting and interactive resource for teens, parents, teachers, and anyone interested in careers in music.
graMMy campgraMMy camp – soundcheck allows students to attend the pro-fessional sound checks of a broad range of emerging and established touring artists, along with technical and industry professionals, to give young people perspectives on mu-sic careers through conversations about the specifics of their jobs and the necessary tools and education required for success.
2
From top: Miguel meets with students at the Verizon Center
in Washington, DC for a GRAMMY Camp – SoundCheck.
Adam Levine, Jesse Carmichael, Michael Madden, James
Valentine, and Matt Flynn of Maroon 5 pose with students
at a GRAMMY Camp – SoundCheck in Memphis.
E d u c at i o n P r o g r a M s a n d i M Pa c t
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
San Francisco
Los Angeles
Austin
Houston
Hidalgo, TX
Atlanta
Nashville
Memphis
Miami
Washington, DC
Philadelphia
New York Chicago
3
brett dennendavid grayg. Lovegeographergoo goo dollsJason deruloJuaneske$haMaroon 5Melanie FionaMgMtMiguelMike PosnerMumford & sonsoh LandPortugal. the Manraheem devaughnraphael saadiqray LaMontagneshinedownswitchfoottemper trapthe Manhattan transferthe XX
In 2011, 32 graMMy camp — soundcheck events were conducted featuring a total of 24 artists in locations across the U.S.
GRAMMY Camp — SoundCheck Locations 2010-2011
E d u c at i o n P r o g r a M s a n d i M Pa c t
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
4
graMMy camp – basic training is held on university campuses and other learning environments across the country. It provides students with insight into careers in music through daylong conferences offering workshops with artists and industry professionals.
2011 represents the 24th season of Basic Training. The continuing support of the Ford Motor Company Fund allowed us to offer the Basic Training experience in three additional cities over the one-year period.
Since 1988, more than 212,550 students have benefitted from Basic Training.
2011 BASiC TRAininG
atlanta | DeKalb School of the Arts camden, nJ | Camden Creative Arts High SchoolLos angeles | USC Thornton School of MusicMemphis | Memphis City Schools’ ArtFest Miami | University of Miami nashville | Glencliff High School new orleans | New Orleans Center for Creative Arts (NOCCA) new york | Pace University orlando | Disney World san diego | Canyon Crest Academy
san Francisco | San Francisco State Universitytexas | Booker T. Washington High School
graMMy camp is an interactive residential summer program for high school students that focuses on all aspects of the commercial music industry. The curriculum is led by core faculty, guest artists, and music professionals, across a range of career tracks. GRAMMY Camp covers all aspects of creating, performing, and recording, and it culminates in media projects, recordings, and/or performances.
In the summer of 2011, the 8th annual GRAMMY Camp was held in Los Angeles at the University of Southern California, and for the first time ever GRAMMY Camp expanded to offer an additional session in New York at the Converse Rubber Tracks studio in Brooklyn. GRAMMY Camp LA culminated in a showcase concert at the historic El Rey Theatre in Los Angeles while GRAMMY Camp NY culminated in a launch party held at the Best Buy Theater in Times Square. The program selected 111 high school students from 93 cities and 34 states for this unique music industry experience.
GRAMMY Camp is supported in part by AEG, ASCAP Foundation Irving Caesar Fund, Avid Best Buy, BET, Coca-Cola, CenterStaging, Converse, the Ella Fitzgerald Charitable Foundation, Guitar Center Hollywood, the Hot Topic Foundation, JBL by Harman, Line 6, Mackie, M-Audio, the Recording Academy, Roland, Shure, and USC Thornton School of Music.
Students speak with local recording artist Kuf Knotts during Basic Training at Camden Creative Arts High School in Camden, NJ.
E d u c at i o n P r o g r a M s a n d i M Pa c t
7% Northwest
20% Southwest
39% Midwest
13% Northeast
21% Southeast
4.5% Northwest
42% Southwest
22.5% Northeast
18% Southeast
13% Midwest
33% Female
67% Male
61% White
7% Asian
21% African American
9% Hispanic
2% Pacific Islander
7% Northwest
20% Southwest
39% Midwest
13% Northeast
21% Southeast
4.5% Northwest
42% Southwest
22.5% Northeast
18% Southeast
13% Midwest
33% Female
67% Male
61% White
7% Asian
21% African American
9% Hispanic
2% Pacific Islander
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
5
Campers performing at the Best Buy Theater in Times Square during the GRAMMY Camp NY Launch Party.
Region Breakdown
noRThweST• Washington • Oregon • Idaho • Montana • Wyoming • Alaska • Hawaii
SouThweST• California • Nevada • Utah • Arizona • Colorado • New Mexico • Texas
MidweST• North Dakota • South Dakota • Nebraska • Kansas • Oklahoma • Minnesota • Iowa • Missouri, • Arkansas • Wisconsin • Illinois • Michigan • Indiana • Ohio • Kentucky
noRTheAST• Maine • New Hampshire • Vermont • Massachusetts • Connecticut • New York • Pennsylvania • West Virginia • Virginia • Maryland • D.C. • New Jersey • Rhode Island • Delaware
SouTheAST• Tennessee • North Carolina • Louisiana • Mississippi • Alabama • Georgia • South Carolina • Florida
GRAMMY Camp • Geographic Breakdown2010 - 2011
GRAMMY Camp • Gender Breakdown2010 - 2011
total campers = 111
total campers = 111
E d u c at i o n P r o g r a M s a n d i M Pa c t
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
6
nick arnold | Del Mar, Calif. | DrumsMichael arrom | Warren, N.J. | KeyboardWilliam ashfield | Hailey, Idaho | Audio EngineeringHudson barineau | Houston | GuitarErik buell | San Clemente, Calif. | Electronic Music Production brandon canada | Stevenson Ranch, Calif. | Bassalex canepa | Woodland Hills, Calif. | Guitarandrew carmody | Kailua, Hawaii | DrumsMorgan carroll | Fort Collins, Colo. | Electronic Music ProductionJake chapman | Los Angeles | KeyboardJosh conway | Los Angeles | Audio Engineeringdaniel Felix-kim | Tiburon, Calif. | GuitarMegan Feroglia | Los Altos, Calif. | Concert Promotion/ProductionMichael Finch | Santa Monica, Calif. | Audio Engineeringnathan Foley | Rockville, Md. | GuitarLukas Frank | Santa Monica, Calif. | Drumschris Freedman | Los Angeles | Audio Engineeringcarly gardner | Muncy, Penn. | Keyboardbenjamin gershbein | Tiburon, Calif. | Concert Promotion/Productionben glasser | Irvine, Calif. | GuitarElise go | San Francisco | Songwritingtanner grandstaff | Newport Beach, Calif. | Electronic Music ProductionMichael Hansen | North Easton, Mass. | Saxophone (Winds & Strings)Josh Holiday | Clermont, Fla. | Electronic Music Productionnadav Hollander | Irvine, Calif. | Audio Engineeringbrandon Holt | Hendersonville, Tenn. | DrumsJonathan Huggins | San Antonio | Trombone (Winds & Strings)christina Jones | Atlanta | Songwritingbria kelly | Smithfield, Va. | Songwritingalexandrea kern | Hercules, Calif. | Music Journalismchase kroesche | Salt Lake City | SongwritingMia Lalanne | New Hampton, N.H. | Electronic Music Productioncharles Laughlin | Northbrook, Ill. | GuitarMirjam Lepp | Boynton Beach, Fla. | Music JournalismErin Levins | New Orleans | Audio Engineeringsarah Lindstedt | Palos Verdes Estates, Calif. | Songwritingnoah Lizerbram | Carlsbad, Calif. | Audio Engineeringben LoPiccolo | Foster, R.I. | Music Journalismdante Lozano | Helotes, Texas | Trumpet (Winds & Strings)Leviticus Lumpkin Jr. | Los Angeles | Electronic Music Productionalma Macbride | West Hartford, Conn. | Keyboard
2011 GRAMMY Camp
Los Angeles Selectees
And Tracks
Leah Mangandi | North Hills, Calif. | Violin (Winds & Strings)Esteban Marin | Doral, Fla. | Electronic Music Productionneil Martin | Beverly Hills, Calif. | Electronic Music Productionbrandon Martinez | Santa Maria, Calif. | Vocal bJ Monk | Jacksonville, Fla. | Electronic Music Productionryley Mueller | Escondido, Calif. | Music Journalismrita Murphy | Burbank, Calif. | Violin (Winds & Strings)Luke niccoli | Scottsdale, Ariz. | SongwritingJohn nichols | Dayton, Ohio | SongwritingJimmy nieh | Blairstown, N.J. | Concert Promotion/Productiondaniel oldham | Encinitas, Calif. | BassJesse Perlman | Beverly Hills, Calif. | Guitarchase Phillips | Atlanta | Concert Promotion/ProductionMaija Pinkins | Corona, Calif. | Vocal keri Prather | Pasadena, Calif. | Songwritingvictoria Pritchard | Spring Lake Heights, N.J. | SongwritingLayne Putnam | Rapid City, S.D. | Songwritinggiovanni Quattrochi | New York | Electronic Music ProductionEvan rees | Tucson, Ariz. | KeyboardJack rodenburg | Lincoln, Neb. | KeyboardMalik rodgers | Perth Amboy, N.J. | Concert Promotion/Productionbrian rodriguez | Los Angeles | Basskyleel rolle | Parlin, N.J. | Electronic Music Productionalexander rosenbloom | Beverly Hills, Calif. | Songwritingalyssa sarti | North Las Vegas, Nev. | Concert Promotion/Productionkashish shamsi | Manhattan, N.Y. | Vocal rachael shapiro | Bexley, Ohio | Concert Promotion/Productionallison spice | Trabuco Canyon, Calif. | Music JournalismLena stein | Carlisle, Mass. | Songwritingalexandra stern | Albuquerque, N.M. | Vocal nikolas szejna | Fort Collins, Colo. | Audio EngineeringJustin thunstrom | Plymouth, Minn. | Electronic Music ProductionLarenz tolson | Studio City, Calif. | Audio Engineeringcody tripp | Griffith, Ind. | GuitarJim trotter | Jasper, Ala. | Keyboardsatarra troutman | Atlanta | Bassdavid Watanabe | Acworth, Ga. | Audio Engineeringraymond Weber Jr. | New Orleans | DrumsEvan Wierzbicki | Homewood, Ill. | Bassdanny Wirick | Sonoma, Calif. | Vocal austin taylor Zudeck | New York | Vocal
E d u c at i o n P r o g r a M s a n d i M Pa c t
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
Quinn anex-ries | Seattle | Saxophone (Winds & Strings)nathan armstrong | Germantown, Tenn. | Music Business & ProductionMarla bradford | Castro Valley, Calif. | Singer/SongwriterPaulee brown | Orangeburg, SC | Drumskevin burke | Garden City, N.Y. | Music Business & Productioncolin callahan | Monroe, Wisc. | Music Business & Productionkristen castro | Simi Valley, Calif. | Singer/Songwriterkrysten caudle | West Bloomfield, Mich. | Vocal dylan daniels | Zanesville, Ohio | Vocal ryan dents | New Orleans | Music Business & ProductionJessica Farren | Nashville, Tenn. | Singer/Songwriterandres Ferret | Miami | Bassrees Finley | Upper Arlington, Ohio | Singer/Songwritertyné Freeman | Columbia, S.C. | Singer/Songwriterrachel gibler | Satellite Beach, Fla. | Vocal tanner grandstaff | Newport Beach, Calif. | Music Business & ProductionMegan kulpa | Sayreville, N.J. | Music Business & ProductionMia Lalanne | New Hampton, N.H. | Music Business & ProductionErin Levins | New Orleans | Music Business & Productionray Long | Haddon Township, N.J. | Trombone (Winds & Strings) richard Mattox | Tallahassee, Fla. | Singer/Songwriterchad neville | Groton, N.Y. | Music Business & Productionalan Price | Washington, DC | Music Business & Productionsemaj Puryear | Crete, Ill. | Music Business & Productionangelique richards | Manhattan | Music Business & ProductionJack rodenburg | Lincoln, Neb. | Keyboardalexander gunnar rolfs | Vancouver, Wash. | Guitarblaise sandberg | New Hyde Park, N.Y. | Singer/Songwriteralyssa sarti | North Las Vegas, Nev. | Music Business & Productionaaron spieldenner | Normandy Park, Wash. | Guitar Fandy tjen | Philadelphia | Vocalraymond Weber Jr. | New Orleans | Drums Mary Weitz | Durham, N.C. | Music Business & Productiondertrick Winn | Temple, Texas | Music Business & Productionchristopher Withers | Canton, Mich. | Music Business & Production
2011 GRAMMY Camp
new York Selectees
and Tracks
7
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
8
The graMMy camp – Jazz session program selects top high school instrumentalists and singers and brings them to the host city of the GRAMMY Awards for a once-in-a-lifetime experience where they rehearse, perform, and record together — often with GRAMMY Award-winning guest artists — at a series of high profile GRAMMY Week events. The GRAMMY Foundation feels an imperative to support jazz as an indigenous American art form. Many former members of the Jazz Sessions have gone on have their own successful solo careers, and to perform with notable artists including Terence Blanchard, Chick Corea, Gavin DeGraw, India.Arie, Branford Marsalis, Wynton Marsalis, and Christian Scott, as well as noted organizations such as the Lincoln Center Jazz Orchestra and the New York Philharmonic Orchestra. The GRAMMY
Foundation covers all costs for this program, so that all selected students may participate.
In 2011, highlights included an appearance on the 53rd annual GRAMMY Awards telecast with Matthew Morrison, Neil Portnow and Esperanza Spalding, again sharing the stage with Spalding at Spaghettini Grill, and with Sara Bareilles at GRAMMY in the Schools Live! at the University of Southern California’s Grand Ballroom. The program, in its 19th year, selected 30 high school singers and instrumentalists representing 30 cities and 12 states. In addition, nearly $2 million in scholarships is offered to many ensemble members by Berklee College of Music, Manhattan School of Music, New School for Jazz and Contemporary Music, and USC Thornton School of Music.
This program is supported in part by Capitol Studios & Mastering (EMI Music Group), the Ella Fitzgerald Charitable Foundation, Guitar Center Hollywood, Shure, SmartMusic, Spaghettini Italian Grill and Lounge, and Zildjian.
2011 JAzz SeSSion SeLeCTeeS
GRAMMY JAzz ChoiR Emma davis | West Linn, Ore. angelea taylor | Pittsburg, Pa.Hope Flores | Los Angeles kaia Lagoni | Fort Collins, Colo. taylor daniel | Germantown, Tenn.daniel stanfill | Manhattan Beach, Calif. timothy nelson | Bothell, Wash.timothy ovia | Cincinnati, Ohio
GRAMMY JAzz CoMBo William bridges | Lauderhill, Fla.david James | Del Mar, Calif.antonio Madruga | Pembroke Pines, Fla. Zachary ostroff | Belvedere, Calif. gabe schnider | Accord, N.Y.
GRAMMY JAzz BAnd Patrick bartley | Coral Springs, Fla. tom kelley | Canton, Conn. Xavier del castillo | Carnation, Wash. ben solomon | Glencoe, Ill.david Leon | Miami, Fla.christian Marrero | Boynton Beach, Fla. Enrique sanchez | Kissimmee, Fla.adam o’Farrill | Brooklyn, N.Y. Josh shpak | Walnut Creek, Calif.st. clair simmons iii | Dover, Pa.cory boris | Kingston, N.Y. kyle Molitor | Tigard, Ore.chris Palowitch | Pleasanton, Calif. steven gordon | Santa Monica, Calif. daryl Johns | Englewood, N.J. aaron shapiro | Highland Park, Ill. Evan sherman | Short Hills, N.J.
Esperanza Spalding performs at Spaghettini Grill with members of the 2011 Jazz Session.
E d u c at i o n P r o g r a M s a n d i M Pa c t
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
9
Members of the Jazz Session
perform during the GRAMMY Foundation’s
GRAMMY in the Schools Live! held
at the USC Grand Ballroom in
Los Angeles.
Just as the GRAMMY Award recognizes excellence in recording, the graMMy signature schools program honors top public high school music programs with cash grants. Understanding that many schools struggle to maintain a quality program — particularly in rural and urban areas — the Foundation established the graMMy signature schools Enterprise award for needs-based applicants in under-served communities. Since the program’s inception, 698 public high schools were selected as GRAMMY Signature Schools and awarded $1,053,500 in grants. GRAMMY Signature Schools is approved by the National Association of Secondary School Principals and MENC: The National Association for Music Education. In 2011, 36 public high schools representing 34 cities and 19 states were selected as GRAMMY Signature Schools.
Beginning in August 2010, the GRAMMY Foundation launched a new extension of graMMy signature schools called the graMMy signature schools community award in partnership with Best Buy Mobile. To celebrate the opening of new Best Buy Mobile stores, the GRAMMY Foundation identified deserving public high school music programs to receive the Community Award and a financial grant of $2,000 made possible by Best Buy Mobile. During the past year, almost 100 schools received the GRAMMY Signature Schools Community Award. Total dollars granted were in excess of $200,000. In addition, Ice Cube and Kid Rock made special appearances at their respective high schools to join us in presentations. Both artists were so moved by their participation that they generously contributed their own funds to the schools as well. We extend our thanks and appreciation to Best Buy Mobile for their commitment to music education and support of the GRAMMY Foundation.
E d u c at i o n P r o g r a M s a n d i M Pa c t
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
10
2011 GRAMMY SiGnATuRe SChooLS enTeRpRiSe AwARd ($5,500 eACh) Based primarily on financial need
allendale High school | Allendale, Mich.arizona school for the arts | Phoenix, Ariz. bessemer city High school | Bessemer City, N.C. bladensburg High school | Bladensburg, Md. boston arts academy | Boston, Mass. canyon crest academy | San Diego, Calif. city neighbors High school | Baltimore, Md. claude High school | Claude, Texas Eminence r-1 High school | Eminence, Mo. Emmerich Manual High school | Indianapolis, Ind. glencliff High school | Nashville, Tenn. Hamilton High school academy of Music | Los Angeles Honoka’a High school | Honoka’a, Hawaiiiroquois High school | Louisville, Ky.J. graham brown school | Louisville, Ky. Madison High school | Madison, N.Y.Mariposa county High school | Mariposa, Calif.Middletown High school | Middletown, Md.Perry-Lecompton High school | Perry, Kan.rocky Mountain High school | Fort Collins, Colo. santee Education complex | Los Angelesscotts valley High | Scotts Valley, Calif.south albany High school | Albany, Ore. springville High school | Springville, Iowastewartville High school | Stewartville, Minn. the new orleans center for creative arts | New Orleans, La. unity High school | Mendon, Ill.
2011 nATionAL GRAMMY SiGnATuRe SChooL ($15,000) Highest-ranking Signature Schools recipient
Pioneer High school | Ann Arbor, Mich.
2011 GRAMMY SiGnATuRe SChooLS GoLd ($5,500 eACh) Recognizes quality string, wind/percussion, & choral performance ensembles
allen High school | Allen, Texasdavid douglas High school | Portland, Ore. Flower Mound High school | Flower Mound, Texas neuqua valley High school | Naperville, Ill.Plano West senior High school | Plano, TexasWaubonsie valley High school | Aurora, Ill.
Ice Cube joined the GRAMMY Foundation to present a GRAMMY Signature Schools Community Award in partnership with Best Buy Mobile to his alma mater Taft High School in Woodland Hills, Calif.
E d u c at i o n P r o g r a M s a n d i M Pa c t
David Leach and two Pioneer High School Students with local entertainment lawyer Howard Hertz at GRAMMY Signature Schools presentation at Pioneer High School in Ann Arbor, Michigan.
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
11
2011 GRAMMY SiGnATuRe SChooLS ($2,500 eACh) Recognizes excellent performance ensembles & high quality instruction
davis senior High school | Davis, Calif. Marin school of the arts at novato High | Novato, Calif.
2011 GRAMMY SiGnATuRe SChooLS CoMMuniTY AwARd SChooLS
alfred bonnabel High school | Kenner, La.appleton East High school | Appleton, Wis.armijo High school | Fairfield, Calif.arthur Hill High school | Saginaw, Mich.ashbrook High school | Gastonia, N.C.avondale High school | Auburn Hills, Mich.bayless senior High school | St. Louis, Mo.belleville West High school | Belleville, Ill.benson High school Magnet | Omaha, Neb.bloomington High school | Bloomington, Ill.booker t. Washington Hs | Pensacola, Fla.bossier High school | Bossier City, La.bowie High school | El Paso, Texasbrandon High school | Brandon, Fla.broadmoor Hs | Baton Rouge, La.capital High school | Olympia, Wash.capuchino High school | San Bruno, Calif.carroll High school | Monroe, La.
cedar cliff High school | Camp Hill, Pa.central High school | Tuscaloosa, Ala.champaign central High school | Champaign, Ill.charlottesville High school | Charlottesville, Va.chattanooga school for the arts and sciences |
Chattanooga, Tenn.chief stealth High school | Seattle, Wash.christiansburg High school | Christiansburg, Va.cox Mill High school | Concord, N.C.dunbar High school | Fort Myers, Fla.East aurora High school | Aurora, Ill.East central High school | Tulsa, Okla.East community Learning center | Akron, OhioEast High school | Denver, Colo.Ellender Memorial Hs | Houma, La.Elsie allen High school | Santa Rosa, Calif.Fayetteville High school | Fayetteville, Ark.Flint northern High school | Flint, Mich.Fort vancouver High school | Vancouver. Wash.Francis Howell north High school | St. Charles, Mo.gateway High school | Aurora, Colo.golden High school | Golden, Colo.Hickory High school | Hickory, N.C.Highland Park High school | Topeka, Kan.Hiram Johnson High school | Sacramento, Calif.Hirschi Hs | Wichita Falls, TexasHL richards High school | Oak Lawn, Ill.Hoover High school | Fresno, Calif.Hunters Lane High school | Nashville, Tenn.Huntsville High school | Huntsville, Ala.ingraham High school | Seattle, Wash.Jefferson davis High school | Montgomery, Ala.Jefferson High school | Rockford, Ill.Jeffersontown High school | Louisville, Ky.John Ehret High school | Marrero, La.John F. kennedy High school | ChicagoJohn Marshall High school | Rochester, N.Y.Joliet central High school | Joliet, Ill.kingston High school | Kingston, N.Y.Landstown High school | Virginia Beach, Va.Lincoln High school | Lincoln, Neb.Lincoln High school | Sioux Falls, S.D.Lloyd Memorial High school | Erlanger, Ky.Madison High school | Portland, Ore.Mandarin High school | Jacksonville, Fla.
Mankato East High school | Mankato, Minn.Melvindale High schoo | Melvindale, Mich.Memorial High school | Madison, Wis.Meridian High school | Sanford, Mich.Modesto High school | Modesto, Calif.Moore traditional school | Louisville, Ky.north county High school | Glen Burnie, Md.north High school | Eau Claire, Wis.north olmsted High school | North Olmsted, Ohiooak Leaf High school | Orange Park, Fla.oakland High school | Murfreesboro, Tenn.okemos High school | Okemos, Mich.Portage northern High school | Portage, Mich.ramsay High school | Birmingham, Ala.rochester school of the arts | Rochester, N.Y.rogers High school | Toledo, Ohioromeo High school | Romeo, Mich.roseville High school | Roseville, Calif.seminole High school | Sanford, Fla.south Hagerstown High school | Hagerstown, Md.south Mecklenburg High school | Charlotte, N.C.st. Petersburg High school | St. Petersburg, Fla.state college area High school | State College, Pa.stivers school for the arts | Dayton, Ohiotimken High school | Canton, Ohiotroy High school | Troy, Mich.victor senior High school | Victor, N.Y.Wayne Memorial High school | Wayne, Mich.West vigo High school | West Terre Haute, Ind.West york High school | York, Pa.Westover High school | Fayetteville, N.C.Wichita north High school | Wichita, Kan.Willow glen Hs | San Jose, Calif.Wilson High school | Portland, Ore.Withrow international High school | Cincinnati, Ohioygnacio valley High school | Concord, Calif.
The 2011 GRAMMY SiGnATuRe SChooLS pRoGRAM iS pReSenTed wiTh SuppoRT fRoM: best buy Mobile Ford Motor company Fundgibson FoundationHot topic Foundation
E d u c at i o n P r o g r a M s a n d i M Pa c t
based on 134 schools
7% Northwest
20% Southwest
39% Midwest
13% Northeast
21% Southeast
4.5% Northwest
42% Southwest
22.5% Northeast
18% Southeast
13% Midwest
33% Female
67% Male
61% White
7% Asian
21% African American
9% Hispanic
2% Pacific Islander
GRAMMY Signature Schools program/Community Award
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
12
Teen Substance Abuse Awareness through Music ContestOur Healthy Essentials programs were augmented this year by the “Teen Substance Abuse Awareness through Music Contest” created to celebrate National Drug Facts Week. In partnership with the National Institute on Drug Abuse and the GRAMMY Foundation, the contest was open to teens ages 14–18. Entrants were asked to compose or create an original song and/or music video that explores, encourages, and celebrates a healthy lifestyle or accurately depicts a story about drug abuse. Composers of all three winning entries had the opportunity to attend a 53rd Annual GRAMMY Awards “Backstage Experience,” a special backstage tour while artists rehearsed for the live GRAMMY Awards show on Feb. 13, 2011, in Los Angeles.
P r E s E r vat i o n / a d va n c E M E n t P r o g r a M s a n d i M Pa c t
The GRAMMY Foundation’s preservation and advancement initiatives foster dia-logue about the compelling issues facing the music industry, support projects that increase the understanding of music and its role in society and raise public aware-ness of the urgent need to preserve our nation’s recorded sound legacy.
The grant Program, with funding generously provided by The Recording Acad-emy, awards grants to organizations and individuals in two categories: scientific research studies that advance our knowledge of the impact of music on the human condition, and archive projects that designed to preserve the music and recorded sound heritage of the Americas for future generations. The Grant Program is seeing more and better qualified applicants each year, and this results in our abilities to fund outstanding, meaningful, and diverse projects. In 2011 — the grant program’s 24th year — grants were awarded to 15 recipients in the United States, Canada and the Dominican Republic. Research projects include a study that will test reha-bilitation therapy that uses music to cue and facilitate arm movements in people recovering from stroke; and preservation and archiving initiatives include a project that will protect a long-lost collection of aluminum discs containing more than 100 hours of live jazz performances from the swing era and another that will identify and catalogue the most fragile reel-to-reel recordings of live performances and related oral histories in the collection of the oldest continuously running folk music coffee-house, Caffè Lena.
In 2011, the GRAMMY Foundation was pleased to add an additional $100,000 in funding to the Grant Program to bring the total amount funded to $200,000.
P r E s E r vat i o n / a d va n c E M E n t P r o g r a M s a n d i M Pa c t
60% Neuroscience & Cognition and/or Emotion
20% Rehabilitative
20% Cognition and/or Emotion
10% Jazz
30% Spoken Word/Interview
10% Latin
10% Classical
20% Folk
20% Other
2011 preservation Grantees by Category
2011 Research Grantees by Category
60% Neuroscience & Cognition and/or Emotion
20% Rehabilitative
20% Cognition and/or Emotion
10% Jazz
30% Spoken Word/Interview
10% Latin
10% Classical
20% Folk
20% Other
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
13
preservation implementation
the ascaP Foundation | new yorkawarded: $15,000The goal of the American Society of Composers, Authors and Publishers Archives is to catalog, digitize, preserve, store, and provide access to ASCAP’s historical recordings, documents, scores, manuscripts, photos, lyric sheets, and ephemera relevant to the history of ASCAP and its members as contributors to American culture. The Library of Congress will serve as the final repository of these archives so that the materials can be publically accessed. www.ascapfoundation.org
boston symphony orchestra | boston, Mass.awarded: $10,000This project will preserve the only existing program masters of Evenings at Symphony
broadcasts recorded between 1960 and 1970 and transfer the recordings from an obsolete format into a stable preservation format that will be made accessible to the public. These master video tapes are in extremely fragile condition and represent an irreplaceable record of a golden era in American musical culture.www.bso.org
center for cultural and Eco-tourism-uL Lafayette | Lafayette, La.awarded: $10,000Funds will be used to retain a highly qualified audio technician to assess and transfer the most fragile reel to reel tapes recorded as far back as 1955 and as recent as 1992 to a stable medium. Once digitized, these materials will be backed up, cataloged and made accessible through the Center’s database, which is searchable online and in person.http://ccet.louisiana.edu/
centro cultural Eduardo León Jimenes | santiago, dominican republicawarded: $19,828This project will preserve Fradique Lizardo’s unique folklore recordings and make them accessible to the public. Lizardo is one of the most important Dominican folklorists, and his recordings, made between 1963 and 1984, document traditional music and dance from all parts of the country and his work with the national folk dance troupes. Dominican field recordings from this time are rare, making the Lizardo collection particularly valuable.www.centroleon.org.do
national Jazz Museum in Harlem | new yorkawarded: $20,000The National Jazz Museum in Harlem recently acquired the William Savory Collection, a long-lost collection of aluminum discs containing more than 100 hours of live jazz performances from the swing era that haven’t been heard since their respective original broadcasts. This historic find will have a huge impact on jazz scholarship and programming. This project will begin the urgent work of cleaning, storing, digitally transferring, and salvaging as much of the material as possible. www.jmih.org
new york Public radio | new york awarded: $20,000 New York Public Radio seeks to preserve a unique sonic heritage comprised of music and culture programming spanning the 1950s–1980s. This archive offers a rare glimpse into the minds, music and conversations of some of the 20th century’s greatest cultural luminaries. GRAMMY Foundation funding will support the reformatting of a significant portion of this remarkable collection, preserving one of America’s richest broadcasting legacies. www.wnyc.org
ASCAP events, scores and ephemera from such music greats as Irving Berlin, James Van Heusen, Harry Tobias, Harold Arlen, Hal David and Sammy Fain, among other – became part of “The ASCAP Collection at the Library of Congress.”
P r E s E r vat i o n / a d va n c E M E n t P r o g r a M s a n d i M Pa c t
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
14
preservation planning
caffè Lena | saratoga springs, n.y. awarded: $5,000 Caffè Lena is America’s oldest continuously running folk music coffeehouse, deemed “a national treasure” by the Library of Congress. The goal of this project is to identify and catalog Caffè Lena’s most fragile reel-to-reel recordings of live performances and field recordings (1960–1975) and related oral histories on audiocassettes. This historic collection sheds light on New York music history and its impact on the 1960s’ American folksong revival movement. www.caffelenahistory.org
national Museum of american History, smithsonian institution | Washington, d.c.awarded: $5,000 The National Museum of American History requests funding for a conservation assessment of 400 experimental sound recordings — all made by Alexander Graham Bell, Thomas Edison and Emile Berliner during the invention of sound recording instruments and media. The conservation assessment will determine which recordings need conservation treatment, prioritize their treatment, assess their housing, and recommend new housings as needed. www.americanhistory.si.edu
Philadelphia Folksong society | Philadelphia awarded: $5,000 The project will plan preservation, documentation and presentation of significant audio, video and print materials from the Philadelphia Folk Festival (1962–2010). The history of this iconic traditional music event includes performances from artists such as Elizabeth Cotton, Ramblin’ Jack Elliott, Steve Goodman, Mississippi John Hurt, Odetta, Bonnie Raitt, Pete Seeger, and hundreds more. www.pfs.org
ucLa Film & television archive | Los angeles awarded: $5,000 UCLA Film & Television Archive holds approximately 17,000 discs in its radio collection. The objective of this project is to complete a preservation assessment and create an action plan for preservation. Preservation considerations will include repackaging the materials into proper archival housing, inventorying, creating a catalog record, and establishing a priority for digital transfer. www.cinema.ucla.edu
Research
beth israel deaconess Medical center | boston awarded: $20,000 This project will test the efficacy of a rehabilitation therapy that utilizes musical auditory feedback to cue and facilitate arm and hand movements in people with stroke. Brain imaging techniques will also be used to assess changes in brain activity and connections that may underlie behavioral improvements. Results may support a new therapeutic intervention in the treatment of stroke patients with impaired arm function.www.musicianbrain.com/publications.php#index
new york university | new york awarded: $20,000This project will use two complementary neuroimaging methods to assess 1) how the brain processes pitch changes, 2) how the brain uses pitch changes to control vocalization, and 3) the effects of auditory and vocal training on the brain. Characterizing the anatomical and physiological brain mechanisms is essential for understanding how pitch is processed in healthy and disordered communication and singing.http://psych.nyu.edu/clash/poeppellab/
northwestern university | Evanston, ill. awarded: $20,000 This study will improve the understanding of the role that musical training plays in sharpening how the nervous system functions within everyday listening environments. Specifically, the researchers will determine how childhood music training tunes brain mechanisms responsible for processing speech in noisy listening environments, such as encountered in a bustling classroom. www.brainvolts.northwestern.edu
Queen’s university | kingston, ontario awarded: $20,000 Scientific research has convincingly showed that musical memory is spared both in normal and pathological aging, specifically in Alzheimer’s dementia. New exciting directions involve the notion that music elicits memories of the past. This project will examine the role of familiarity and emotion in supporting these memories and to explore, through neuroimaging techniques, probable brain sites associated with music recall.www.queensu.ca/psychology/mcl.html
susan rogers | boston, Mass. awarded: $5,000Musicians assess the psycho-acoustical properties of sounds differently than do non-musicians. This study asks music students trained on fixed-, continuous-, or non-pitched instruments to rate the roughness of dyads (two simultaneous tones) with the aim of quantifying how musical instrument training affects perceptual processing. The findings will extend previous study on the origins of sensory and music-theoretic consonance vs. dissonance.
P r E s E r vat i o n / a d va n c E M E n t P r o g r a M s a n d i M Pa c t
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
15
Arrested Development perform at the GRAMMY Foundation’s 2011 Music Preservation Project “Word Revolution: A Celebration of The Evolution of Hip-Hop.”
(Standing) Vice President of the GRAMMY Foundation Scott Goldman; Senior Vice President of the GRAMMY Foundation Kristen Madsen; Chief Marketing Officer, Coca-Cola North America Bea Perez; Partner, Loeb and Loeb LLP, and ELI Service Award Honoree John Frankenheimer; Black Eyed Peas front-man and GRAMMY Foundation Board Member will.i.am; President/CEO of the GRAMMY Foundation Neil Portnow; Vice Charman of the GRAMMY Foundation Rusty Reuff; (Seated) ELI Runner-Ups Maral Vahdani, Brian Pearl, Dan Carollo and Jay Patel; and ELI Winner William Jacobson attend the GRAMMY Foundation’s 13th Annual Entertainment Law Initiative Luncheon & Scholarship Presentation held at the Beverly Hills Hotel on February 11, 2011, in Beverly Hills, California.
Music preservation projectThe Music Preservation Project is produced each year during GRAMMY Week to heighten public awareness of our work in protecting our cultural legacy. In 2011, “Word Revolution: A Celebration of The Evolution of Hip-Hop” explored hip-hop as an art form, and celebrated the invaluable contribu-tions of the genre and its influence on the American cultural landscape. Presented in association with Centric, the evening featured live musical performances and historical footage, and was hosted by Kevin Frazier of The Insider. Performers included GRAMMY nominees Marsha Ambrosius, MC Lyte, Musiq Soulchild, Phife of A Tribe Called Quest, Paul Wall and Young Chris; GRAMMY winners Arrested Development, DJ Jazzy Jeff, Everlast, Chrisette Michele and Naughty By Nature; Beat Freaks from “America’s Best Dance Crew”; Brave New Voices, DJ Beverly Bond, Kid Capri, Lil’ Mama and DJ Skee.
The GRAMMY Foundation was instrumental in writing and successfully passing the national recording Preservation act. This legislation created a National Recording Preservation Board that works with the Librarian of Congress and the public to select entries for the National Recording Registry, ensuring the preservation of these designated historic recordings.
Since passage of the act in 2000 and its reauthorization in 2008, 300 recordings have been added to the registry.
entertainment Law initiativeThe Entertainment Law initiative is comprised of three components: a legal seminar series, a national scholarship essay competition for law students and a high-profile luncheon during GRAMMY Week that is attended by students, music attorneys, executives and members of The Recording Academy. Since its inception in 1999, the Entertainment Law Initiative has provided $143,000 in scholarships to aspiring law students.
The Entertainment Law Initiative’s Annual Scholarship Luncheon enjoyed significant success in 2011. Attendance increased to more than 450 and revenue topped the $200,000 mark.
Black Eyed Peas front man and GRAMMY Foundation board member will.i.am gave the keynote address. This marks the first time a recording artist has addressed the luncheon. ELI also continued its writing competition workshops at law schools around the country.
The workshops are designed to demystify the process of entering the competition, increase submissions and awareness and provide interaction with top entertainment attorneys. ELI’s Legal Seminar Series conducted panel presentation at the Benjamin Cardozo School of Law in 2011, as well as DePaul University and the South by Southwest Music Conference.
P r E s E r vat i o n / a d va n c E M E n t P r o g r a M s a n d i M Pa c t
Arrested Development perform at the GRAMMY Foundation’s 2011 Music Preservation Project “Word Revolution: A Celebration of The Evolution of Hip-Hop.”
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
16
“Words cannot describe the impact that GRAMMY Camp – Basic Training has had on me. When I was applying to Camp, I did not know what to expect. All I knew was that I had to find a way to be a part of this program. Once I got to Camp, I had no idea that in just 10 days I could have a completely different outlook on everything, my aspiration as a singer and even the person I am. I left Camp with so many new ideas, connections and new pieces of advice that I will always treasure. I was able to learn how to adapt and work with others better than I ever expected. I learned to be patient and to be open to all ideas, to be ready to handle any situation that I am put in. At Camp I had so many amazing opportunities, being able to record, compose, collaborate, and perform with so many inspiring people, instructors and peers. Thank you so much for dedicating so much time and effort, to a program that truly has the power to change lives.”— 2011 GRAMMY Camp
“I just wanted to truly and sincerely thank each and every staff member of GRAMMY Camp and along with the people who donated the scholarship funds. Without them, my daughter would not have had this incredible experience. I can’t seem to find the right words to describe exactly what this experience has done for her, but it was truly life changing. This has instilled confidence in her and it has showed her how much more she is capable of and how much more creativity she has inside herself. It has been beneficial and therapeutic on so many different levels. She has met so many wonderful people. I can’t thank you all enough.” — 2011 GRAMMY Camp Parent
“Since I began high school, it has been a dream and goal of mine to be in the GRAMMY Camp – Jazz Session. Now as a senior, I am so happy to have been selected as a pianist in the GRAMMY Camp – Jazz Session for 2011. The honor is very inspiring to me as I broaden my musical experiences from the local, to the state, to now the national level.”— 2011 GRAMMY Camp – Jazz Session Participant
“[Music was] one of the last ways in which we could make a connection on a more personal, intimate emotional level with him.”— Caregivers participating in GRAMMY Foundation-funded research by Dr. Lola Cuddy at Queen’s University, exploring the connection between musical memories spared in Alzheimer’s patients
Music Journalism GRAMMY Camp – Basic Training Camper Ryley Mueller reporting during LA Guest Professional Day at USC.
c o M M u n i t y F E E d b a c k
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
17
Justin Bieber stops by to sign items for the GRAMMY Foundation & MusiCares while backstage at rehearsals for his performance at the 53rd Annual GRAMMY Awards on Feb. 13, 2011.
Sara Bareilles performs with members of the GRAMMY Jazz Sessions at the 2nd Annual GRAMMY in the Schools Live! at the USC Grand Ballroom.
Throughout the year, the GRAMMY Foundation benefits from our GRAMMY Charity Online Auctions, which feature exclusive VIP experiences and memorabilia presented in partnership with Kompolt at www.ebay.com/grammy and CharityBuzz at www.charitybuzz.com.
Some highlights included the launch of the second annual “Black Friday” auction, which launched the day after-Thanksgiving and targets the massive amounts of shoppers looking for deals on the biggest shopping day of the year. The GRAMMY Foundation also brought one-of-a-kind experiences such as a VIP concert and meet- and-greets with Def Leppard, Keith Urban, an incredible New Years Eve VIP Experience with Coldplay and Jay-Z in Las Vegas and more! Our auctions also featured exclusive music memorabilia signed by Justin Bieber, Lady Gaga, Mick Jagger, Bruno Mars, Lea Michele, and many, many more.
In addition, at the beginning of fiscal year 2012 for its annual starry night benefit, the GRAMMY Foundation hosted Coldplay in Concert presented by Samsung AT&T Summer Krush 2011 benefitting GRAMMY in the Schools music education programs for high school students and schools. The benefit was held at the UCLA Tennis Center in Westwood, California.
For the second year, the GRAMMY Foundation presented graMMy in the schools Live! — a celebration of music and education. Held during GRAMMY Week, this event raised
funds and awareness to support the education efforts of the GRAMMY Foundation. GRAMMY In The Schools Live! 2011 featured performances by the GRAMMY Jazz Sessions and student alumni from GRAMMY Camp and GRAMMY Signature Schools with a special guest performance by Sara Bareilles.
The GRAMMY Foundation initiated a series of House Concerts in 2010. These intimate evenings, which were hosted by Board members, featured acclaimed performances by Josh Groban, Corinne Bailey Rae, and LeAnn Rimes to benefit the GRAMMY Foundation.
F u n d r a i s i n g i n i t i at i v E s
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
18
s P o n s o r s
The GRAMMY Foundation’s GRAMMY in the Schools initiatives would not be possible without the remarkable support received from a number of corporate partners:
Best Buy MobileAt the National GRAMMY Camp in 2010, Best Buy pledged to partner with the GRAMMY Foundation to raise $1 million in funding to support music education programs in schools around the country. Funding will be raised from a variety of cause marketing activities over the course of the year.
Campbell’s Labels for educationThe GRAMMY Foundation continued its partnership with LFE in 2010. In-store promotions featuring the GRAMMY Foundation were run in regional supermarket chains. By the end of fiscal year 2010 the Discovery Through Music curriculum had been downloaded by over 12,000 schools nationwide.
ConverseConverse came aboard as a first time GRAMMY Camp sponsor in 2010. In addition to financial support, Converse incorporated students in their Connectivity Campaign.
ford Motor Company fundThe Ford Motor Company Fund provided support for GRAMMY Camp – Basic Training programs and GRAMMY Signature School Awards in six selected markets in 2009 and 2010. Additionally, a full scholarship to GRAMMY – Basic Training was offered to a high school music student from each participating market.
Gibson foundationThe Gibson Foundation continued its funding support for GRAMMY Signature Schools and GRAMMY Camp — Basic Training nationally.
Sound MattersSound Matters is a cause marketing partnership between the GRAMMY Foundation, the Starkey Hearing Foundation and Best Buy. Launched in 2008 the campaign continued through both 2010 focusing on the sale of in-ear headphones at over 900 Best Buy stores around the country. The campaign also reinforces the importance of hearing conservation among young music fans.
All of the GRAMMY in the Schools initiatives benefit from the funds raised through these partnerships. We offer our deepest thanks and appreciation to these partners for their vision and creativity in finding new and unique ways to develop the funding necessary to continue our music education programs.
F u n d r a i s i n g i n i t i at i v E s
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
19
y o u r s u P P o rt As our industry responds to current technological and economic shifts, the need to broaden and sustain our mission increases. Your help is more important now than ever. When considering a charity for your personal contribution or corporate affiliation, please remember that you can make a real difference in the lives of the people we serve through support of the GRAMMY Foundation.
t h E g r a M M y F o u n d at i o n o F F i c E 3030 Olympic Blvd. Santa Monica, CA 90404 Tel: 310.392.3777 Fax: 310.392.2188 www.grammyfoundation.org www.grammyintheschools.comwww.facebook.com/grammyintheschools
The GRAMMY Foundation Community Services Report is published by:
The GRAMMY Foundation
© 2011 GRAMMY Foundation
Contents may not be reprinted without express written permission.
The GRAMMY Foundation, MusiCares, GRAMMY, and The Recording Academy
and their respective logos are registered trademarks and service marks.
Unless otherwise noted, photos courtesy of The Recording Academy,
photographed by WireImage.
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
20
F i n a n c E s a n d s u P P o rt E r s
ASSeTS
2 0 1 1 2 0 1 0
currEnt assEts:
Cash and Cash Equivalents $1,503,891 $945,502 Accounts Receivable 28,208 333,118 Prepaids and Deposits 111,872 24,021 Product Inventory 21,600 21,600
____________ ____________TOTAL CURRENT ASSETS 1,665,571 1,324,241 ____________ ____________
non currEnt assEts:
Property and Equipment, Net 11,393 30,385 Board-Designated Investments 3,966,948 3,456,601 Deferred Compensation Asset 33,086 22,079 ____________ ____________TOTAL NONCURRENT ASSETS 4,011,427 3,509,065 ____________ ____________
totaL assEts $5,676,998 $4,833,306 ____________ ____________ ____________ ____________
LiABiLiTieS And neT ASSeTS
currEnt LiabiLitiEs:
Accounts Payables and Accrued Liabilities $342,086 $203,017 Deferred Revenue 340,728 258,625 Payable to Affiliate 624,356 477,478 401K Discretionary Liability ____________ ____________TOTAL CURRENT LIABILITIES 1,307,170 939,120 ____________ ____________
DEFERRED COMPENSATION LIABILITY 33,086 22,079 ____________ ____________
totaL LiabiLitiEs 1,340,256 961,199 ____________ ____________
nEt assEts:
Board Designated 3,966,948 3,456,601 Other Unrestricted Net Assets 140,557 213,069 Temporarily Restricted 229,237 202,437 ____________ ____________
totaL nEt assEts 4,336,742 3,872,107 ____________ ____________
totaL LiabiLitiEs and nEt assEts $5,676,998 $4,833,306 ____________ ____________ ____________ ____________
statEMEnt oF Financial Position
2010 & 2011
2010 GRAMMYFoundationRevenue
2011 GRAMMYFoundationRevenue
44% Contribution/Sponsorship
32% The Recording Academy
3% Grants
9% Project Income
12% Investment Income
2010 GRAMMYFoundationFunctional Expenses
55% Program Services
19% Management and General
20% Fundraising
2011 GRAMMYFoundationFunctional Expenses
65% Program Services
15% Management and General
20% Fundraising
36% Contribution/Sponsorship
38% The Recording Academy
2% Grants
15% Project Income
9% Investment Income
f u n C T i o n A L e x p e n S e S 2 0 11
f u n C T i o n A L e x p e n S e S 2 0 1 0
2010 GRAMMYFoundationRevenue
2011 GRAMMYFoundationRevenue
44% Contribution/Sponsorship
32% The Recording Academy
3% Grants
9% Project Income
12% Investment Income
2010 GRAMMYFoundationFunctional Expenses
55% Program Services
19% Management and General
20% Fundraising
2011 GRAMMYFoundationFunctional Expenses
65% Program Services
15% Management and General
20% Fundraising
36% Contribution/Sponsorship
38% The Recording Academy
2% Grants
15% Project Income
9% Investment Income
2010 GRAMMYFoundationRevenue
2011 GRAMMYFoundationRevenue
44% Contribution/Sponsorship
32% The Recording Academy
3% Grants
9% Project Income
12% Investment Income
2010 GRAMMYFoundationFunctional Expenses
55% Program Services
19% Management and General
20% Fundraising
2011 GRAMMYFoundationFunctional Expenses
65% Program Services
15% Management and General
20% Fundraising
36% Contribution/Sponsorship
38% The Recording Academy
2% Grants
15% Project Income
9% Investment Income
2010 GRAMMYFoundationRevenue
2011 GRAMMYFoundationRevenue
44% Contribution/Sponsorship
32% The Recording Academy
3% Grants
9% Project Income
12% Investment Income
2010 GRAMMYFoundationFunctional Expenses
55% Program Services
19% Management and General
20% Fundraising
2011 GRAMMYFoundationFunctional Expenses
65% Program Services
15% Management and General
20% Fundraising
36% Contribution/Sponsorship
38% The Recording Academy
2% Grants
15% Project Income
9% Investment Income
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
21
ReVenueS 2 0 1 1 2 0 1 0
Contributions/Sponsorships 1,992,242 1,469,035 Support from The Recording Academy 1,480,465 1,561,062 Grants 125,000 65,000 Project Income 384,043 621,620 Investment Income 533,758 385,418 In-Kind Donations 34,901 18,639 ____________ ____________
totaL rEvEnuEs $4,550,409 $4,120,774 ____________ ____________ ____________ ____________
expenSeS
Program Services $2,606,611 $1,790,102 Management and General 597,236 545,778 Fundraising and Special Events 847,025 1,041,916 In Kind Expenses 34,901 18,639 ____________ ____________
totaL EXPEnsEs 4,085,774 3,396,435 ____________ ____________
nEt incoME (Loss) $4,035,345 $724,339 ____________ ____________ ____________ ____________
Financial information is excerpted from The GRAMMY Foundation audited reports. Functional Expenses information is as reported on the IRS 990 filings.
statEMEnt oF activitiEs
2009 & 2010
F i n a n c E s a n d s u P P o rt E r s
2010 GRAMMYFoundationRevenue
2011 GRAMMYFoundationRevenue
44% Contribution/Sponsorship
32% The Recording Academy
3% Grants
9% Project Income
12% Investment Income
2010 GRAMMYFoundationFunctional Expenses
55% Program Services
19% Management and General
20% Fundraising
2011 GRAMMYFoundationFunctional Expenses
65% Program Services
15% Management and General
20% Fundraising
36% Contribution/Sponsorship
38% The Recording Academy
2% Grants
15% Project Income
9% Investment Income
R e V e n u e S 2 0 11
R e V e n u e S 2 0 1 0
2010 GRAMMYFoundationRevenue
2011 GRAMMYFoundationRevenue
44% Contribution/Sponsorship
32% The Recording Academy
3% Grants
9% Project Income
12% Investment Income
2010 GRAMMYFoundationFunctional Expenses
55% Program Services
19% Management and General
20% Fundraising
2011 GRAMMYFoundationFunctional Expenses
65% Program Services
15% Management and General
20% Fundraising
36% Contribution/Sponsorship
38% The Recording Academy
2% Grants
15% Project Income
9% Investment Income
2010 GRAMMYFoundationRevenue
2011 GRAMMYFoundationRevenue
44% Contribution/Sponsorship
32% The Recording Academy
3% Grants
9% Project Income
12% Investment Income
2010 GRAMMYFoundationFunctional Expenses
55% Program Services
19% Management and General
20% Fundraising
2011 GRAMMYFoundationFunctional Expenses
65% Program Services
15% Management and General
20% Fundraising
36% Contribution/Sponsorship
38% The Recording Academy
2% Grants
15% Project Income
9% Investment Income
2010 GRAMMYFoundationRevenue
2011 GRAMMYFoundationRevenue
44% Contribution/Sponsorship
32% The Recording Academy
3% Grants
9% Project Income
12% Investment Income
2010 GRAMMYFoundationFunctional Expenses
55% Program Services
19% Management and General
20% Fundraising
2011 GRAMMYFoundationFunctional Expenses
65% Program Services
15% Management and General
20% Fundraising
36% Contribution/Sponsorship
38% The Recording Academy
2% Grants
15% Project Income
9% Investment Income
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
$1,000,000 AND ABOVE
Best Buy
The National Academy of Recording Arts & Sciences, Inc.
$100,000 TO $999,999
Anomaly, LLC (on Behalf of Converse)
Campbell Sales Company Ford Motor Company Fund
$50,000 TO $99,999
CMGRP, Inc.
SanDisk Manufacturing
$49,999 TO $10,000
ASCAP
California Community Foundation
The Coca-Cola Company
Converse
Davey Silverman
The Ella Fitzgerald Charitable Foundation,
Gibson Foundation
Goldman Sachs
Griffin Technology
Loeb & Loeb
Mission Fish
Morgan Keegan & Company
Nomura Securities International, Inc.
Saban Family Foundation
Studio One Media, Inc.
Ticketmaster
Toms Shoes, Inc.
Universal Music Group
Warner Music Group Services
“$9,999 TO $5,000”
BET
BMI
Bobbie Bailey
Gary Borman
Tim Bucher
The Cain Foundation
Cossette Productions
Fidelity Charitable Gift Fund
John W. Carson Foundation
George L. Jones
Guy P. Kroesche
Lucasfilm Foundation
Mitchell Silberberg & Knupp LLP
Notes For Education, Inc.
Neil R. Portnow
Proskauer Rose LLP
Russell Rueff
Sony Music Entertainment
True Story Pictures
Ziffren Brittenham LLP
“$4,999 TO $1,000”
AEG Live LA, LLC
AGM Partners, LLC
Gary L. Arnold
Artesian Entertainment Group
Black Women In Entertainment Law Foundation
Bobbitt & Roberts
Brumberger Foundation, Inc.
Anthony Cordova
Geoff Cottrill
County of Wayne
David Rose Publishing
Freecreditscore.com
Front Line Management Group, Inc.
Haber Corporation
Lisa Hilton
Hilton Hotels Corporation
Katten Muchin Rosenman LLP
LaPolt Law, P.C.
Lawrence R. Levy
Manatt, Phelps & Phillips
Morgan Stanley
Munger, Tolles & Olson
Myman Abell Fineman Greenspan Light LLP
The Northern Trust Company
Bea Perez
Phoenix Restorations, Inc.
Bryan Plater
Robins, Kaplan, Miller & Ciresi L.L.P. Charitable Foundation
Roland Corporation U.S.
Frank Scibilia
Sidley Austin Brown & Wood LLP
SoundExchange
Tickets for Charity, LLC
UP TO $999
Jerry Abbott
Robyn Abraham
David G. Acosta
David Adler
Stephanie Adwar
Willard Ahdritz
Mitra Ahouraian
Lucien Allen
David Altschul
Claus Altvater
American Endowment Foundation
Lisa Andazola
Francis Eldridge Anderson
Jameil Aossey
Igor Arkhipov
Ashley Askew
Jimmy Baldwin
Swagata Ban Banerjee
Brittany Barry
Da’Marcus Baymon
Edward Bazel
Jeff Becker
Charles Bein
Gary Belz
Cesar Benito
Tamera Bennett
Michael Bereznak
Vincent Berry
John Beug
Lisa Tomiko Blackburn
Richard Blackstone
John Blake
Nik Boca
Joseph Bonavita
Richard Boyd
Gabrielle Bozza
Aeden Braddock
Jeffrey Brabec
Ashley Brazeal
Nicole Brown
Sandra Brown
Vernell Brown
Paola Bulloch
Sonia A. Burda
James Byrd
Maxx Cabello
Rami Campbell
Gene Caprioglio
LaKisha Carpenter
Michael Carrasquillo
Carroll, Guido & Groffman LLP
Paul Carter
Crystal Cartier
Chris Catalano
Michael Catania
Mario Cepeda
Angelin Chang
William Chavers
William Cobham
Brittany Coney
Cornelius Crawford
Carlynn Ferguson Davis
Douglas S. Davis
Francis E. Delaney
Gonzalo De La Torre
D’Manti Diamond
Dorothy G. Bender Foundation
Rick Duchateau
Khalel Dumaz
Melissa A. Dupee
Tiffany Pamela Edmondson
Harold Edwards
Lee Edwards
David M. Ehrlich
Michael S. Elkin
Daniel Ellis
Robert L. Emmer
Lance A. Epps
Epstein, Becker & Green
Sydney Everatt
Jim E. Farmer
Elissa Felman
Corey Field
Arlene Fishbach
Dan Fletcher
Jack Forman
Fox Rothschild
Paulette Fox
Don Erik Franzen
(continued on next page)
22
F i n a n c E s a n d s u P P o rt E r s
g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g • g r a m m y f o u n d a t i o n . o r g
Hillel Frankel
Dallas Frazier
Spencer Gamache
Gang, Tyre, Ramer & Brown, Inc.
Edgar ‘Dino’ Gankendorff
Grace Garland
David Gavilan
Dara Gelbtuch
George T. Gilbert, LLC
Reid Genauer
Susan Genco
Alan Gerber
Felix Girard
Genhi Givings
Gregg Goldman
Seth Goldstein
Henry Golis, Jr.
Tiffany Goolesby
Jason Gordon
Natasha Graham
Robert Gregg
Miriam Grossman
Ira Grylack
William J. Gunkel
Owen Gwyn
Tammy L. Hall
Hard Rock Café Foundation, Inc.
Cindy Lou Harrington
Maria Harrington
Gabriel Hasselbach
Nathan Haug
Tom Hayden
Ned Hearn
Taynay Henderson
Henry & Elaine Kaufman Foundation, Inc.
Fred Hersch
Howard Hertz
Tony Hibbert, Jr.
Willard Hill III
Hilton HHonors Giving Back Program
David Hirshland
Jeanne Hoffman
Elisabeth Howard
Michele Howard-Flynn
I-Deal, LLC
Stephen Inglis
Mark Ingram
Frank Ingriselli
Yocontali Jackson
Kevin Janeway
Ella Jenkins
Michael Johnson
Ella Johnston
Jeff Jones
Mira Kalyanee
Michael Karlin
Robert Keen
John P. Kellogg
Michael Klvana
Kobalt Music America
Heli Kools
Justin Kotraba
David S. Koz
Stacy Kray
Keith Kula
Thomas Lane
Grant Larkin
Law Offices Of David Helfant
Beamen Lawrence
Chris Lee
Susan Lenihan
Jonathan Leonard
Stephen Levitin
Jeff Liebenson
Paul Lipson
Ruben Lira
Michele Locatelli
Arietha I. Lockhart
Michael Lowe
Ebone Lundy
Lisa Margolis
David Marshall
David Mauk
Nathan Mayes
Polly Maynard
Scott Mayo
Chuck McAuley
Deborah McAuley
Edwin F. McPherson
Zachary McPherson
Carol McGraw
Al McLean
Brian McNelis
Linda Mensch
Brette Meyers
Brian Miller
Rae E. Mock
Brooke Monroe
Leni & David Moore
Shanna Moore
Sharon Moy
Steven Nelms
Ron Nicolai
Deirdre O’Hara
Karen & Don O’Neill
On Board Entertainment
Steven Pagano
Dorothy J. Papadakos
Richard Parker, Jr.
Nicholas Patronella
Stephen Paul
Corina Peila
Chris Pelcer
Rupert Perry
Dhanraj Phagoo
Phillips, Erlewine & Given LLP
Paul Pilsneniks
Jason Pittman
Antoine Pitts
Johnny Polidano
Ryan Pool
Rikki Poulos
Eckart Preu
Matthew Ramer
Rick Rand
Rosalind Read
Divya Reddi
Brenda Reddix-Smalls
Elliot Resnik
Stephen Rich
Dorothy B. Richardson
Warren Riggers
David Rigney
Ritholz Levy Sanders Chidekel & Fields LLP
Adam Ritholz
Daniela Rivera
Tadric Robinson
Leron Rogers
Alan H. Rolnick
Lita Rosario
Simon J. Rosen
Toam Rubinstein
Don Russo
Mark Saku
Allon Sams
Amanda Sanchez
Anthony Sanchez
Robert Sawyer
Christian Schmidt
Peter Schwinge
Serling, Rooks & Ferrara LLP
Stephanie Joy Schulman
Robert L. Shames
Shaprio, Bernstein & Co.
Andy Sikorski
Tommy Sims
Carmen Skaggs
Bradford Smith
Caitlin Smith
Cozetta Smith
Taryn Smith
Willie Smith
Alex Sok
Erin Spahn
Dee Spencer
Junior Spencer
Michael Spindler
Joseph Stallone
Candice Stephenson
George Stein
Steve Sterling
David O. Stiers
Anne L. Stowell
Structured Asset Sales, LLC
Brad Sullivan
Harold L. Sykes
Thomas Taylor
Susan Thomas
Michelle Thorpe
William R. Traut
Oliver Tuthill
Mario Eduardo Vaz De Mello
Rosa Vela
John Viguerie
Fadua Villarroel
Steven Walz
Tamara Washington
Mark Watson
Ayana Webb
Walt Weiskopf
Sean Wells
Bradley G. Wickilund
David Winnie
Sky Wixom
Samuel Woldenberg
Daniel Workman
April Young
Alejandro Zamora
23
F i n a n c E s a n d s u P P o rt E r s