compose your own rhythm here
TRANSCRIPT
Worksheets to practice your skills
How did you get on with the tapping exercises?( tick the appropriate box and remember practice makes perfect)
I was a legend - kept time with only a few slips right up to the challenging level
I rock and had a go at all of the tap along videos with some success
I was courageous and had a go at them all with variable levels of success
Tried a few, got the easy ones right - whoop!
I am like Tenacious D and will keep trying but found these a challenge
I was feeling lazy so only tried one but did it!
I clearly am going to need to practice these regularly until I get it right !
Rhythm example
1. Describe the time signatures as simple or compound, AND duple, triple or quadruple:
Time Signature
Simple or Compound? Duple,Triple,
Quadruple?12/8 Compound Quadruple
9/4
3/2
2/2
6/8
4/8
3/4
9/8
2 The bottom number 2 tells you to count what
type of beats? Minims
3 The bottom number 4 tells you to count what type of beats?
4 The bottom number 8 tells you to count what type of beats?
5 9/4 is a real time signature. True or false? 6 3/6 is a real time signature. True or false? 7 4/8 is a real time signature. True or false? 8 All compound duple time signatures have ? as
their top number.9 All simple triple time signatures have ? as
their top number. 10 All compound triple time signatures have ? as
their top number.11 Quadruple time signatures have either ? or? as
their top number.12 Compound time signatures always have a ? as
the main beat.
The mark scheme is at the bottom, try and answer first and then use the answers to see where you are đ
Information Page
CHECK YOUR ANSWERS đ 2. Describe the time signatures as simple or compound, AND duple, triple or
quadruple:
Time Signature
Simple or Compound? Duple,Triple,
Quadruple?
12/8 Compound Quadruple
9/4 Compound Triple
3/2 Simple Triple
2/2 Simple Duple
6/8 Compound Duple
4/8 Simple Quadruple
3/4 Simple Triple
9/8 Compound Triple
2 The bottom number 2 tells you to count what type of beats?
Minims
3 The bottom number 4 tells you to count what type of beats?
Crotchets
4 The bottom number 8 tells you to count what type of beats?
Quavers
5 9/4 is a real time signature. True or false? True
6 3/6 is a real time signature. True or false? False
7 4/8 is a real time signature. True or false? True
8 All compound duple time signatures have ? as their top number.
6
9 All simple triple time signatures have ? as their top number.
3
10 All compound triple time signatures have ? as their top number.
9
11 Quadruple time signatures have either ? or? as their top number.
4 or 12
12 Compound time signatures always have a ? as the main beat.
Dotted note
13. What is the correct time signature for each of these pieces?a.
64
b.
c.
d.
e.
f.
g.
h.
MUSICAL MATHS WORKSHEETSINSTRUCTIONS: There are 4 sheets that get progressively harder
1. Complete the WARM UP sheet straight after you finish the lesson.2. Then move on to the advanced sheets over the next few days.
44
38
128
34
32
68
24
3. Please complete your answers for me to mark on the grid below.
Music Addition - Answer Sheet
Warm up Advanced Music Addition 1
Advanced Music Addition 2
Advanced Music Addition 3
Question Question Question Question
1 3 1 1 1 2 2 2 2 3 3 3 3 4 4 4 4 5 5 5 5 6 6 6 6 7 7 7 7 8 8 8 8 9 9 9 9
10 10 10 10
Easy Level Music Addition! Warm up
TONES AND SEMI TONES WORKSHEET 1Task 1 â Memorise this verse
âA TONE always skips a notewith ONE note in between,
A SEMI TONE jumps from note to note
with NO note in betweenâ
Task 2 â Describe these intervals using âTâ for Tone and âSâ for semitone as per the example.
Task 3 â Memorise these sharp, flat and natural symbols and what they do.
Task 4 â In the squares below, write the TWO names for each of the black keys.
TONES AND SEMI TONES WORKSHEET 2
Task 6 â Can you notate these on the staff below?(Donât forget your clef!)
Task 5 â Following the example, have a go at adding double accidentals on the keyboard below.
Major and Minor keys and scalesMemorise the MAJOR SCALE pattern: Tone â Tone â Semitone â Tone â Tone â Tone â Semitone
Tone Tone Semitone Tone Tone Tone SemitoneT T S T T T S
MAJOR SCALE T T S T T T S
TASK 1Apply the pattern TTSTTTS to work out the notes of the major scales by filling in the chart below. Use the keyboard to work out the tones/semitones intervals (gaps) between the notes. I have completed C, G and F to help you
MAJOR SCALE1 2 3 4 5 6 7 8
C D E F G A B C
G A B C D E F# GD AEF G A Bb C D E F
Bb
Eb Ab Db
Memorise the MINOR SCALE pattern: Tone â Semitone â Tone â Tone â Semitone â Tone â Tone
Tone Semitone Tone Tone Semitone Tone ToneT S T T S T T
MINOR SCALE T S T T S T T
TASK 2Apply the pattern TSTTSTT to work out the notes of the major scales by filling in the chart below. Use the keyboard to work out the tones/semitones intervals (gaps) between the notes. ONE EXTRA RULE FOR MINORS, WHEN YOU HAVE WORKED OUT THE SCALE GO BACK AND RAISE THE 7TH NOTE BY A SEMI TONE. THIS CREATES THE HARMONIC MINOR SCALE.I have completed C, G and F to help you
MINOR SCALE1 2 3 4 5 6 7# 8
A B C D E F
G# Was G but Iâve raised
it by a semitone A
E B G A Bb C D Eb F# G C F#
Challenge Task
Using manuscript paper, write out any (or all of) the following scales:You many choose the clef/clefs and whether you write them out in ascending/descending form (or both) over one or two octaves. For example:Watch this video for extra tips:
C MajorA Natural Minor
G majorE Melodic MinorE Harmonic Minor
Db MajorDb âs relative Harmonic Minor scale
C# MajorC# Melodic minor
IntervalsTask 1: Create a poste or chart that summarises intervalsTask 2: Use your chart and the keyboard to work out these intervals
Remember to check the clef before you start.
TREBLE CLEF
Remember to check the clef before you start.
BASS CLEF