I I

IHE IHURSDA y IIEPORT CONCORDIA umVERSITY • MONTREAL • VOLUME 1, NUMBER 10 • NOVEMBER 10, 1977

Two minutes Canadian machine gunners after Battle of Vimy Ridge, April 9, 1917

The approach to the Hochwal,d, February, 1945

Fi,gures released The fall session 1977-78 enrolment fig­

ures were released this week. Commenting on the slight overall decrease, Associate Vice-Rector James Whitelaw said he was "agreeably surprised", given the pessim­istic outlook in some quarters because of the general political and economic situa­tion . The university suffered the greatest ·

·numbers loss in part-time degree pro­grams. But Whitelaw pointed out that student numbers in this area have been in a general decline- pretty universally­over the past ten years; "maybe because degrees aren't as popular as they used to be". The associate-vice-rector added that Concordia might do well to consider setting up more undergraduate certif­icate-diploma type programs, for which there seemed to be a growing demand. See page 3 for the statistics chart.

Bio-Phys Ed lecture Dr. Ed Enos, chairman of Bio-Physical

Education, invites everyone concerned with improvipg the quality of programs for mentally retarded and emotionally disturbed children to a lecture Monday evening at 7 p.m. in Loyola's F.C. Smith Auditorium.

The lecture, "Research Update: Innova­tions in Physical Education and Motor Activity Programmes for Emotionally Disturbed and Mentally Retarded Child­ren", will be given by Dr. Peter Kapustin of the University of Munich.

Dr. Kapustin is concluding an interna­tional research project with a visit to North America to confer with medical personnel, researchers and adaptive and rehabilitative physical education special­ists.

His itinerary in'cludes, besides Concord­ia, lectures, seminar s and research exchange sessions with federal govern­ment specialists; The National Research In stitute on Mental Retardation in Downsview; McMaster University; Tran­quille Hospital and the Fitzwalter School in Kamloops; representatives of t he American Association on Mental Deficien­cy in Vancouver; American Rivers College in Sacramento; the Orthogenic School of the University of Chicago, the Mansfield Training Centre in Mansfield, Connecticut and the University of Connecticut.

School Daze: Occasional, intelligence from our evening stud~nt correspondent. .. .

The History Department's wine & cheese at the Loyola Campus Centre became a little unbalanced early on. For one, they had a good deal more wine than cheese. ·

But for all that, it was a ·night to remember. with students and professors getting to know each other on an increasingly informal basis. · Talk touched on everything. There was

even some bone fide history discussed. A girl from England was enthusiastic

about Montreal after having spent only two months here.

"This city is fantastic," said the young Londoner. "Montreal is so alive and vital. I'm so glad I came."

"Wait till you see our winter," said one · of the several stalwarts making her welcome as warm as she would allow. "Then we'll hear how fantastic you think Montreal is."

Prof. Mary Vipond and divisional dean Bill Akin had students at their knees discussing the ins and outs of history.

Prof. Vipond explained various aspects of Canadian development while Dean Akin talked about the patterns of migration.

Another professor joined in: "American history is the history of regression."

I asked what he meant. "People," he said, "migrate to the

colonies because they wish to remain the same as they-did at home." .

"What?" "Yes," said the prof. "If people find the

conditions changing at home and their own position worsening because of t his, they move. They do not move because they want to change to the conditions of the new world, but because they wish to duplicate as best they can the conditions they had in the old world."

"Take names like New Hampshire and New York. People wished to establish a style of life which they had but could no longer hold on to at home. And within the new world it is the same. For example, the people in Portland Maine did not like the change of life style there, so they moved to establish the life they did like in Portland Oregon," he said. "It's the people who stay behind who accept change." ·

He went on to provide examples and built up an interesting case and I wondered about the girl and why she had come to Canada. He concluded and in time I excused myself to find the girl and ask her about the prof.'s idea.

Unfortunately, she had disappeared. Perhaps, I'll wait till winter. Like the young Stalwart said. She'd know her mind better then.

-N~htOwl

Honorary graduands sought I

The deadline is fast approaching for decisions on honorary degree recipients for 1978 Spring Convocations. Facul­ties, whose responsibility it is to furnish candidates, must make their decisions b·y the end of January in time for Senate approval in February. Suggestions are welcome from any member of the uni­versity community or from interested people out.side the university : they should direct their nominations to the Faculty that would most appropriately award the degree. ·

Traditional guidelines in choosing reci-· pients have been outstanding achieve­ment in the academic world, in govern­ment, in education; outstanding support to the university, or major contributions to the Montreal community, to Canl).da or to a particular field such as science or the arts. Distinguished graduates of the uni­versity would be appropriate candidates, as woulp epople who have made signifi­cant contributions but who might not be conventionally recognised.

Some recent recipients have included Agnes Higgins of the ·Montreal Diet Dis­pensary, Anthony Walsh, founder of the Benedict Labre House, Norman McLaren, Gerald LeDain, Irving Layton, and Robert Ayre.

Nominations can be held over until Fall Convocation, when honorary degrees are

Medal notes

Concordians who received medals from Her M;ost Britannic Majesty on the occasion of her Silver Jubilee were not alone in their confusion as to why they got them.

The Globe and Mail, Toronto, Reports that many of the 30,000 Canadians who received the medals expressed bewilderment-especially one man who got two of them.

,

the responsibility of the Graduate Cere­monies Committee, a joint Senate-Board committee.

But for consideration for Spring Con­vocation names .should be in to Faculty de·ans before Christmas.

Loyola loves SGW There is good news for the Sir George

students who have been complaining about lack of access to the Loyola campus centre. Effective immediately, any stu­dent holding a valid Concordia ID will be admitted to the following regular campus centre programs: Saturday Night on the Town (film and disco Saturdays from 7 pm, admission $1) and Coffee House -Homegrown Music (live entertainment Mondays from 8:30 pm). ' . Sir George students taking a minimum of one course at Loyola will be entitled to full use of campus centre facilities upon payment of a fee of $7.50. Special passes will be issued weekdays between 10 am and .4 pm in the centre's front office upon presentation of a valid ID and proof of registration.

Please note that use of the centre pub the quiet bar lounge and the games roo~ is restricted to those students 18 years old and over.

Grad. Admission Tests

Applications and sample test books are available in the Guidance Informa­tion Centre at H-440-1 and at 2490 West_ Br_oadway for the followin g exammat10ns. .

The Law School Admission Te-st (LSAT), for admission to law school will be held December 3; the Graduat~ Reco'rd Examination, for admission to graduate schools, wiU be held on Dec~mber 10 and agin on January 14. Closmg date for the January exam is November 30.

=-,HE IHURSDA YH: Published weekly during the academic year by the Information Office, Concordia Uni­versity . Submissions welcome. Sir George campus: Bishop Court room 211, 879-8497; Loyola campus: Administration Bldg. room 105, 482-0320 Joe. 689. Editor: Ginny Jones Contributors: Christy McCormick, Mark Gerson.

Concordia University Fall Session Summary Comparative Statistics by Degree

' Full Time Part Time . Total

1976 1977 Dlff. % 1976 1977 Diff. % 1976 1977 Diff. % UNDERGRADUATE

ARTS 3469 3249 ( 6 .3) 4542 4392 SCIENCE 1289 1164 ( 9 .7) 955 859 COMMERCE 2551 2576 0 .9 2569 2567 ENGINEERING 838 917 9 .4 496 466 FINE ARTS 765 837 9 .4 627 698

TOTAL UNDERGRADUATE 8912 8743 (· 1.9) 9189 8982 GRADUAT

ARTS 298 359 20.5 566 470 SCIENCE 69 63 ( 8 .7) 218 183 COMMERCE 121 143 18 .2 444 402 ENGINEERING 90 96 6.6 268 238

' FINEARTS 63 70 11 .1 72 45 TOTAL GRADUATE 641 731 14 .0 1568 1338 GRAND TOTAL 9553 9474 ( 0 .8) 10757 10320

==~,HE IHURSDAY REPORT

·World . map finds new ho.me Prof. Paris Arnopoulos, r,eceives the giant wall map of the worl,d on behalf of C.U.S.0. and Political Science from audio-visual producer Andrew Crighton (centre) and director

• of Concordia AV Ben Queenan, (right). The map is a left over prop from a summer AV production for the United Nations. Project director Crighton publicised his offer of the map in the Thursday Report some weeks ago to anyone who was in a position to. hang it in a prominent place in the university. The map is to be displayed opposite the passenger elevators on the sixth floor of the Hall Buil,ding.

( 3.3) 8011 7641 ( 4.6) (10 .1) 2244 2023 ( 9 .8) ( 0 .0.7) 5120 5143 0, 4 ( 6 .0) 1334 1383 3 .7 11 .3 1392 1535 10.3

( 2.3) 18101 17725 ( 2.1 r

(17 .0) 864 829 ( 4 .0) (16 .1) 287 246 (14 .3) ( 9 .5) 565 545 ( 3 .5) (11 .2) 358 334 ( 6 .7) (37.5) 135 115 (14 .8) (14.7) 2209 2069 ( 6 .3) ( 4 .1) 20310 19794 ( 2.5)

Auditions open The great talent hunt is on! The

Division of Performing Arts and Loyola's Dean of Students Office are looking for seven actors and four actresses to fill the 11 roles in their upcoming co-production of Paul Foster's Elizabeth I.

Open auditions will be held on Sunday November 20 at 11 am .in Loyola's F.C. Smith Auditorium and the show will be presented in January. Actors and actress­es must bring an audition piece and will likely be require<} to participate in some workshop exercises. For additional infor­mation, contact the Dean of Students' Office, Loyola ext. 346.

Elizabeth I will be directed by well­known Montreal director Alexander Haus­vater. Hausvater, the major force behind Montreal Theatre Lab, is currently directing Jack W etherall in Kaspar for Toronto's Theatre Pass-Muraille. Born in Bucharest, Hausvater has directed and acted in Rumania, Israel, Ireland, Italy and in New York. Montreal theatre lovers will remember his productions of Concor­dia professor Henry Beissel's Goya, Medea, And They Put Handcuffs on the Flowers and Seven Ways to Cross a River.

A play within a play, Elizabeth I tells the story of the famous queen's reign through a group of travelling players who tour Elizabethan England with their version of the highlights of Elizabeth's reign. - M.G.

The Shakers and today's world Discovering what makes a dying

religious sect tick is an odd way to learn about today's world.

But that's what English Prof. Leonard Mendelsohn is attempting in his study of the Shaker Faith, which at one time num­bered 6,000 in 18 colonies from Maine to Kentucky before the American Civil War.

The Shakers, who invented the rotary saw, tongue and groove boards, the flat broom and other devices we take for granted today, are now on the verge of extinction.

But to.Prof. Mendelsohn, the nine re­maining Shakers and their surviving documents hold many secrets revealing much about today's balkanizing world.

What concerns him is the motivating force in American society, which he des­cribes as a "sexless idealism which is so incorruptible that it borders on the, im­practical.

"But despite its impracticality," he said, "it so often works even in the face of their own extinetion. "

This quality, which he finds prominent in early American literature, was epi­tomized by the Shakers, who built furniture, buildings and tools which are intact and serviceable to this day.

They were celibate and gained new memb~rs to their communal lifestyle through conversions alone. Living in in­tellectual isolation from the outside world, they became the leaders in the field of agrarian and household technology.

"This was a utopian society," Prof. Mendelsohn said.

"Yet how different it was from another utopian society, Brook Farm in the 1840s, which fell apart," he said.

Brook Farm, in Pennsylvania, was a project of intellectuals who attempted to create a utopian society through human rationality. The communes of the late 1960s might be considered in this tra-

· dition. "The Shakers, with no intellectual pre­

tensions at all, managed to succeed where Brook Farm failed," Prof. Mendelsohn said.

The Shakers, more correctly known as the United Society of Believers in the Testimony of Jesus Christ as Revealed through Ann Lee, took the uncompromis­ing road of celibacy and incorruptibility.

This is a far cry from the rational approach of Brook Farm or the built-in obsolescence of today's disposable society.

And it is this gap between the incor­ruptible and the corruptible and its effect on society which interests Prof. Mendel­sohn.

The study is by no means complete. Prof. Mendelsohn recently raised $4000 to

Shaker printing office at Canterbury, N.H.

Sisters at Canterbury Trustees Office which also served as local post office

purchase for the Concordia Library the entire microfilm collection of Shaker literature, documents and manuscripts in the Western Reserve Historical Society in Cleveland, Ohio.

He said that his study leave next year will be devoted to an intensive examin­ation of the documents, letters, diaries, journals and even account books left behind by the Shakers themselves.

In this way, his study, together with interviews with the remaining Shakers, will be a look at the society from the inside rather than an objective account ot: their doings which characterizes much of the work on the Shakers to date.

The Shakers trace their origins to the Camissards of 17th Century France,

who later migrated to England in 1704 to avoid persecution.

In one sect a woman called Ann Lee (then Mrs. George Stanley) became the society's leader. But her attacks against the established Church of England had her in jail a good number of times.

During a period in solitary confinement, she said she saw a vision of Christ, who told her to "dissolve selfish family ties and that a relationship of brotherhood and sisterhood could be manifested in a life of celibacy." And in 1-774, Ann Lee and eight followers set sail for New York.

From that period they grew in number through conversions. Often foundlings were dropped at their door and others would join during the winter months and

often ended up staying on. There were many others who were attracted by what the Shakers had to offer.

Which was considerable. Everyone was equal, men, women, black or white. In fact, a man joined with his slaves at one time and suddenly found himself on the same footing with them. There was the sheer quality of life, in material terms. Sparse it may have been, but invariably whatever the Shakers made or invented was years ahead of what anyone else built.

Prof. Mendelsohn looks at this as an at­tempt by the Shakers to perfect every moment of their lives. He said this was a life of "generation," rather than a "life of regeneration that we live today.

"We live lives of regeneration in the

sense that we live for the benefit of our children," Prof. Mendelsohn said. "You have heard it many times: Tm doing it for the kids.' There's an element here that we don't coun~. And it follows then, that ~hen the kids grow up, they will be doing 1t all for their kids.

'.'In the case_ of the Shakers, they had no children. Their efforts were for their own generation, not for the one that followed " he said. '

There was no attempt to build things for a time with the expectation that they would be replaced. Everything was built

·to last. The most famous example of this is Shaker furniture, with a single dining room chair costing as much as $6,000-$8,000 today. The furniture, built more than 100 years ago, graces many a rich living room and will undoubtedly grace such rooms for more than a century to come.

The Shakers, also known as the Mil­lenial Church, stood out as a kind of religious Rand Corporation, a think tank where they solved mundane problems with startling ingenuity.

They ran into a problem with milk storage and invented a process, later re­fined by Gail Borden, for evaporating

. milk. The already mentioned rotary saw was invented by a woman watching men sawing wood, while she was working at her spinning wheel. The spin-off of that was the rotary oven. Some inventions, like the Washmill, a primitive washing machine, are obsolete today, but at the time it won the gold medal at the Philadel­phia Exposition in 1871.

But for all that, they were not a popular group. Their charity often began at hom-e and stayed there. They lent money with undated notes, which enabled them to seize farms used as collateral whenever they chose, by dating the notes to their convenience.

One disgruntled farmer, having his land evicted, poisoned all the wells on his land before being evicted, causing serious ill­ness in the colony.

But it was the American Civil War, in which they remained neutral, that caused their decline. Their colonies were burned on both sides of the Mason-Dixon line and they were greatly reduced.

Their policy of celibacy didn't .help their numbers nor did the implementation of child adoption Jaws, which cut off another source of converts.

Prof. Mendelsohn feels that there were other reasons besides these and the search for them is one of the many focal points in his study.

Concordia Chamber Ensemble members, l. to r.: Sherman Friedland, Donald Pis tolesi Lauret'ta Milkman and Thea Yetmikoff '

Concordia Ensemble debuts

When is a string quartet not just a string quartet? Why, when it's part of the Concordia Chamber Ensemble, of course. And . what is the Concordia Chamber Ensemble? It's a group of approximately ten professional musicians, most associat­ed with Concordia's music section, who have grouped together under the direc­tion of Sherman Friedland to form Concordia's contribution to Montreal's professional music scene.

If you're still wondering what all this has to do with a string quartet being not only a string quartet, the answer lies in what Friedland calls the "fluid" member­ship of the ensemble. By having musicians on · clarinet, piano, cello, violin, viola, saxophones, bass clarinet flute and french hor~ (not to mention a soprano), the ensemble can be a string quartet and a woodwind quintet in the same concert. And that capability increases the range of the ensemble to include, says Friedland, "literally thousands of works".

The problem of celibacy doesn't arise much today, as the remaining Shakers are all women (the last man died in 1961) who are mostly over 70 years old. There is a group at Sabbathday Lake, Maine and another at Canterbury, New Hampshire.

The idea for the ensemble came to Friedland last spring. "I thought that we (the music section) needed exposure," he explains. "There are, in Montreal, a number of fine musicians who do not have opportunities to perform and I know that

-Christy McCormick continued p. 6

from p. 5 there is a great body of repertoire of

. chamber music that is not performed." These resources, and the fact that

Concordia had no in-residence ensemble, prompted Friedland to approach fine arts dean · Alfred Pinsky with the idea. According to Friedland, "Pinsky thought it was an exciting idea so he approached the Rector for funding. I waited a couple of months and didn't think I would get the money. But for whatever reasons, I got all of it."

The ensemble, says Friedland, will not duplicate existing local chamber music groups. "It won't be like SMCQ (Societe · de musique contemporaine), which is mostly contemporary music, nor will it be like the Camerata (Musica Camerata), which is almost all nineteenth and eighteenth century music."

The aim, says Friedland, is to "focus on little heard masterworks, innovative compositions and some of the seldom played great masterpieces. You will be able to hear music you don't frequently hear.

"The programming, I think, will be a very attractive feature. It's a facet I think I have talent in. I think some of the concert series are disappointing in that they have music from only one era or one kind ,of music."

The program for the Concordia Cham­ber Ensemble's premiere concert on November 17 at 8:30 pm in the Loyola Chapel, reflects Friedland's desire for diversity; Mozart is eighteenth century, Webern is earlier twentieth century and Hindemith is later twentieth century;

Ensemble members Sherman Friedland on clarinet, Lauretta Milkman on piano, Donald Pistolesi on cello, Doug Walter on saxophone, Thea Y etnikoff and Caroline Jones on violin and Ann Thompson on viola will perform Mozart's' quintet for string quartet and clarinet, Hindemith's quartet for violin, clarinet, cello and piano and Webern's quartet for violin, clarinet, tenor saxophone and piano.

There will be a total of four concerts in this first season.

- Mark Gerson

Three members of the music section participated in a CBC radio taping last week. Sherman Friedland on clarinet and Lauretta Milkman on piano performed Brahms' sonata in E flat for piano and clarinet and the world premiere of a new composition by Alan Crossman, also of Concordia music. Desiderata for piano and clarinet was written by 'Crossman ex­pressly for _Friedland and Milkman.

The performance and an interview with Friedland and Crossman will be broadcast on CBC AM (940) on November 12 at 8:05 pm and again in stereo on CBC FM (93.5) on November 13 at 11:05 am.

Symposium speaker reveals organizational pitfalls

Men and women are not as different on , the job as certain myths would have us believe, claims sociologist and consultant Rosabeth Moss Kanter.

Speaking at Loyola as part of the Dean of Students Office's "How Do You Manage?" symposium, Kanter stressed that organization behaviour is determined

. more by "situation and location" than by any natural motivation. ·

As an example, Kanter cited the woman · boss stereotype: "women are supposed to be petty, mean and details-conscious and, as a result, few people want women as bosses." This preference, explains Kanter, is not for men but for a l:ioss with power; not power in the sense of domination and control ("which is more a function of powerlessness"), but power in the sense of effectiveness, ability to get things done. And men, says Kanter, are more likely to be in a position to have the "credibility" in the organization to have that power.

The "powerless" in an organization tend to be controlling, coercive, rules-minded and concerned with territoriality. This description may be part of the "bossy woman boss" stereotype, but it is not restricted to women.

When did you last run into what Kanter calls "the perfect bureaucrat"? The man or woman is usually arrogant, insistent on applying the rules exactly as written and is known to state, "that isn't my job, you'll have to see someone else." This worker is as likely to be as difficult with subordin­ates as with outsiders and, although fitting into the stereotype of a woman boss, is as likely to be a man as a woman.

A lot of what happens to women in large organizations comes out of the numbers game. It is said that women fear success. What they actually fear, says Kanter, is the visibility that success brings. Visibil­ity that says "you are different" not "you are outstanding". It is also said that women in the organization are their own worst enemies. Kanter explains that it is difficult to be generous to other women when there is only one slot for women at your level and you are fillini it.

Minorities or "tokens" face the same problems in the organization that women do. Kanter used the following diagram as an illustration:

XXxXxXOxxX "If one sees nine Xs and one 0, the O will stand out. The differences between the nine Xs will be overlooked because of their contrast with the 0. And because there are nine Xs which offer varying examples of what an X should be, and only

one 0, it is far easier to fit O into a . stereotype of what O should be."

Kanter describes two social types in the organization, "the moving and the stuck". The "moving" are people in jobs with lots of advancement potential. They tend to be management in high opportunity posi­tions. They are the "high fliers, fast truckers, comers, superstars, boy won­ders and water-walkers." The "stuck" are in the low opportunity positions, jobs that go nowhere. They are "the deadwood, over the hill, barely competent, non­achievers."

There are three ways to get "stuck", according to Kanter. The first is the "low-ceiling job", the dead end job that leads nowhere. Most women, because they fill · the majority of the clerical and secretarial functions, and many blue-collar men, fit into this category.

The second is the "pyramid squeeze". Explains Kanter: "As you move up the ladder, the chances of moving to the next level diminish because_ of the pyramid structure of the organization." This affects qiany men in middle management who are, says Kanter, "all stacked up in a holding pattern over the New York office, waiting to land."

The third way to get "stuck" results from having taken the wrong route to a high opportunity job. You have been shifted into a higher position, skipping many of the interim stages and you end up "stuck" because you have neither t)Je knowledge nor the experience which would have been gained from "working your way up."

Whereas the moving are doing all the right things to keep moving, the "stuck" come to accept their position and remain "stuck". It is the job, it is whether you are moving or stuck, maintains Kanter, that determines your motivation, not the reverse.

Kanter illustrates this with what she calls the "Gerald Ford syndrome". It was only when Ford moved into high motiva­tion positions (the vice-presidency and then the presidency) that he became motivated. When "stuck" in the House of Representatives, his ambition was limit­ed.

Kanter's aim, through her book Men and Women of the Corporation and through her lectures, is to "encourage more awareness into what organizations do to people. I want people to remember that organizations not only produce products, they produce people." '

- Mark Ge11son

from page 8 Gymnasium.

THIS WEEK:2

LOYOLA FACULTY CLUB: Cocktail party and member­ship drive for all members and their guests from 4:30-7 p.m. in Hingston Hall. LIVE JAZZ: In the "Uncle Marx" bar in Langley Hall, a jazz band, from 8 p.m.-1 a.m. Admission is 50 cents (residence . students), $1 (non-residence). Beer 50 cents. Happy hours from 8-9 p.m., beer only 35 cents. CAMPUS CENTRE : Latin American Association Social, Conference Rooms 1 and 2, 6-10 p.m:

Friday 11 ATHLETICS: In the Gymnasium, free time for students, 8:30-11 p.m. At the Rink: Free time for students, 9:30-11 a.m. (no sticks). FOLK CONCERT: Contemporary folk group Crossroads at 8:30 p.m. in F.C. Smith Auditorium. Tickets are $3, $2 for students. Info: 482-0320, ext. 346. CARIBBEAN STUDENTS ASSOCIATION: CARISA pre- ' sen ts Caribbean Day. In Guadagni Lounge from noon to 2:30 a.m. Admission is free until 7 p.m. Party begins at 8 p.m. Non-members admission charge $1. CAMPUS CENTRE: Disco Pub with Friendly Giant, from 8 p.m.

Saturday 12 ATHLETICS: Women's Volleyball Tournament in the Gy!Ilnasium at 1 p.m. At the Rink, free skating (no sticks) for faculty , staff and families, 5-6 p.m. and every Saturday through December 17. CAMPUS CENTRE: Saturday Night on the Town presents -"All The President's Men" at 7:30 p.m. Disco to follow. All for $1.50.

Monday 14 ATHLETICS: Volleyball for all, 7-10 p.m. in the Gymnasium. At the Rink, free time for students (with sticks), 8-11 a.m. CAMPUS CENTRE: Coffee House with guest artists, from 8:30 p.m. DEPT. OF BIO-PHYS. ED.: Dr. Peter Kapustin of the University of Munich will d,eliyer a public lecture entitled "Research Update: Innovations in Physical Education and Motor Activity Programmes for Emotionally Dis_turbed and Mentally Retarded Children". At 7 p.m. in F.C. Smith Auditorium.

Tuesday 15 ATHLETICS: In the Gymnasium, free time for students, 8:30-11 p.m. At the Rink, free time for students (with sticks), 8-11 a.m. NATIVE PEOPLES OF CANADA: "The Inuit Experience: The Administration of Criminal Justice: Frobisher Bay, N.W.T." Harold Finkler, Northern Research Division, Dept. oflndian and Northern Aifairs, Ottawa. From 7-9:30 p.m. in BR-206. HEALTH SERVICES: What is Hypertension? A film (in French) on hypertension will be shown at 11 a.m. in the Campus Centre, Conference Room 1, and nurses will be on hand to take blood pressures.

Wednesday 16 ATHLETICS. At the Rink, free time for students (with sticks), 9-11 a.m. LOYOLA FILM SERIES: AT 7 p.m. "Comanche Station" (Bud Boetticher, 1960) with Randolph Scott and Claude Akins. At 8:30 p.m. "The Quiet Man" (John Ford, 1952) with John Wayne and Maureen O'Hara. Each film is $1, in F.C.

1 , Smith Auditorium.

VISIONARY CINEMA: First of a three part series­"Dream, Myth and Awareness", introduced by Jim Heddie. At 4 p.m. in BR-208. Info: Bluma or Irene, 482-0320, ext. 341 or 343. CAMPUS CENTRE: Hong Kong Students Cultural Display in Main Lounge from 2-5 p.m.

Thursday 17 ATHLETICS: Badmi_riton for all in the Gymnasium, 7-10 p.m. At the Rink, free time (with sticks) for students, 8-11 a.m. CONCORDIA CHAMBER ENSEMBLE: The Concordia Chamber ensemble wilf present its first concert at 8:30 p.m. in Loyola Chapel, under the direction of Sherman Friedland. Tickets are $2.50, $1 for students and senior citizens, and are available at •the Information Desk, SGW Campus, Hall Building and at. the music section office, Room RF-218, Loyola Campus. Info: 482-0320, ext. 614. CAMPUS CENTRE: Tournament of Champions Series (Snooker) at noon in the Games Room. Please sign up in advance. Also, the Centre's Bong Show, at 9:30 p.m.

Notices JOB SEARCH WORl)SHOP : Includes self-marketing techniques , resume and letter design, interview role playing, etc. Advance registration in ·person or by phone. From 9:30 a.m. to noon in H-440, SGW Campus, November 23 (879-2879) and same time, November 24, at 2490 West Broadway, Loyola Campus (482-0320, ext. 474). LOYOLA STUDENTS ASSOCIATION: Book Co-op-Books and cheques will be returned to students weekdays from 10 a.m. to 4 p.m. until November 15 in Room 301, Centennial Building (6931 Sherbrooke We.st). Student Representatives -Candidates are needed to represent their peers· on University Senate committees and committees of ·the four faculty councils. Contact David, 482-9280, ext. 36 or drop

_ into Room 307, Centennial Building. Education Department -Those interested in being part of the Planning Team for the LSA Education Symposium · should contact David Redmann, 482-9280, ext. 36. QUANTITATIVE METHODS 243 TUTORIALS: Tutorials are held every Friday at 10 a.in. in CC-322 for all students taking this course. Attendance is optional and free. REGISTRAR'S OFFICE (LOYOLA): Any student whose address has changed is asked to fill out a change of address . form in CC-215D (Registration Office, Loyola ,Campus). Please note that classes officially end on Tue;,day, December 6, 1977. The courses change period for courses offered in the second term only begins on Wednesday, January 4, 1978. CANADA MANPOWER CENTRE (LOYOLA): Deadlines for submitting applications are November 11 for C.P. Telecommunications and November 14 for Chubb & Sons. ' Pre-screening results: Raymond, Chabot, Martin, Pare & Associes; Bank of Montreal; Sun Life; Public Service Commission for Taxation; Royal Bank; Toronto-Dominion Bank . . Additions / changes: Texaco Canada (see bulletin board for details); Xerox of Canada accepting applications for sales representatives·. Briefing Session: Bank of Montreal (Quebec Division) on November 24 at Vanier Auditorium from 9-10 a.m. All students who have an interview with Bank of Montreal on the 24th or 25th should attend this session. · DEAN OF STUDENTS OFFICE: 1977 Yearbooks are available for $5 from the Dean of Students Office, AD-135,

Send events listings and notkes for Loyola to Louise Ratelle, AD-105, 482-0320 loc. 689; for Sir George to Maryse Perraild, BC-213, 879-8499, no later than Monday noon prior to Thursday publication.

Sir George Campus Thursday 10

THIS WEEK: 1

CONSERVATORY QF CINEMATOGRAPHIC ART: "Ac­tion in the North Atlantic" (Lloyd Bacon, 1943) with Humphrey Bogart, Raymond ·Massey, Ruth Gordon and Julie Bishop at 7 pm; "In a Lonely Place" (Nicholas Ray, 1950) with Humphrey Bogart, Gloria Grahame, Frank Lovejoy and Carl Benton Reid at 9:15 pm in H-110; $1 each. THEATRE: Triangle Theatre - "The Man Who Come to Dinner", comedy by Moss Hart and-George S. Kaufman at 8 pm in the D.B. Clarke Theatre, Hall Bldg., 1455 de Maisonneuve Blvd. W. ; special students price $1.50 - on sale at info desk. WEISSMAN GALLERY: Edwy Cooke - Recent Water­colours, until Dec. 6. GALLERY ONE: Edwy Cooke - A Retrospective Exhibition, until Dec. 6. ' GALLERY TWO : Advanced Drawing - Fine Arts Students, until Dec. 6. WOMEN'S UNION: Meeting at noon in room 204, 2030 Mackay. For more information call Jan Lancaster at 843-7238. D.S.A. & THE INT. INSTITI: OF INTEGRAL HUMAN SCIENCES: Guest speaker E . Douglas Dean, co-ordinator of the Psi Research Project at Newark College of Engin. and co-author of the book ''Executive E.S.P.", speaks at 2 pm in H-110.

Friday 11 CONSERVATORY OF CINEMATOGRAPHIC ART: "To Have and To Have Not" (Howard Hawks, 1945) with Humphrey Bogart, Lauren Bacall, Walter Brennan and Dolores Moran at 7 pm; "Dark Passage" (Delmer Daves, 1947) with Humphrey Bogart, Lauren Bacall, Bruce Bennett and Agnes Moorehead at 9 pm in H-110; $1 each. THEATRE: See Thursday. . GRADUATE STUDENTS ASSOCIATION: A mid-term party will be held at 7 p.m. in H-651, with music, dancing and refreshments. Deans and graduate program directors will attend; grad students may bring one guest each. ID required

Saturday 12 CONSERVATORY OF CINEMATOGRAPHIC ART: "Key· Largo" (John Huston, 1948) with Humphrey Bogart, Lauren Bacall, Edward G. Robinson, Lionel Barrymore and Claire Trevor at 7 pm; "Sabrina" (Billy Wilder, 1954) with Humphrey Bogart, Audrey Hepburn, William Holden and Walter Hampden at 9 pm in H-110; $1 each. · THEATRE: See Thursday. MONTREAL SOCIETY FOR THE STUDY OF THE FUTURE: "The Solar Family" - Futures fair expositions on alternative energy and life styles on the mezzanine, Hall Bldg., noon to 5.

Sunday 13 CONSERVATORY OF CINEMATOGRAPHIC ART: Chil­dren's series - "The King's Pirate" (Don Weis, 1967) with Doug McClure, Jill St-John and Guy Stockwell at 3 pm in H-110; 75 cents.

Monday 14 CONSERVATORY OF CINEMATOGRAPHIC ART: "Menil­montant" (Dimitri Kirsanoff, 1927) with Nadia Sibirskaia, Yolande Beaulieu, Guy Belmore and Jean Pasquier; "A Propos de Nice" (Jean Vigo, 1929-30) and "Zero de Conduite" (Jean Vigo, 1933-45) with Jean Daste, le nain Delphin, Louis de Gonzague-Frick and Robert Le Flem at 8:30 pm in H-110; $1.

Tuesday 15 CONSERVATORY OF CINEMATOGRAPHIC ART: "Sieg~ fried" (Fritz Lang, 1923) with Paul Richter, Margarete Schoen, Hanna Ralph and Theodor Loos at 8:30 pm in H-110; $1.

Wednesday 16 CONSERVATORY OF CINEMATOGRAPHIC ART: "Faust" (F.W. Murnau, 1926) (English subt.) with Gosta Ekman, Emil Jannings, Camilla lforn and Yvette Guilbert at 8:30 p.m. in H-110; $1. TESL CENTRE: Prof. William F. Mackey, author of Language Teaching Analysis speaks on "Current Trends in Language Teaching" at 4 p.m. in H-925. A.S.A.: Dr. Fred Knelman on "Energy: A Global Perspective" at 2 p.m. in H-1070. PART-TIME STUDENTS' AFFAIRS: PTSA is sponsoring a "Rap Session" for part-time students in the faculty of commerce and administration; .all interested students are invited to speak with Asst. Dean R.O. Wills about any academic concern, 5:30-6:30 p.m. in H-603.

Thursday 17 , CONSERVATORY OF CINEMATOGRAPHIC ART: "Sa­hara" (Zoltan Korda, 1943) with humphrey Bogart, Bruce Bennett, Jr., Carrol Naish and Lloyd Bridges at 7 p.m.; "Dead End" (William Wyler, 1937) ,with Humphrey Bogart, Sylvia Sidney, Joel McCrea, Wendy Barrie and Claire . Trevor at 9 p.m. in H-110; $1 each. PART-TIME STUDENTS' AFFAIRS: PTSA is holding a "Rap Session" for part-time students in the faculty · of commerce and administration; all interested students are invited to speak with Asst. Dean R.O. Wills about any academic concern, 8-9 p.m. in H-603. ·

Friday 18 CONSERVATORY OF CINEMATOGRAPHIC ART: "They Drive By Night" (Raoul Walsh, 1940) with Humphrey Bogart, George Raft, Ann Sheridan, Ida Lupino and Gale Page at 7 p.m.; "Crime School" (Lewis Seiler, 1938) with Humphrey Bogart, Gale Page, I?ead End Kids, Cy Kendall and Weldon Hebyburn at 9 p.m. in H-110; $1 each.

Concordia-wide Thursday 10 JUNIOR VARSITY MEN'S HOCKEY: Sir George at Concordia, 7:15 p.m. Station 10 at Loyola, 9:15 p.m. BOARD OF GOVERNORS: Open Meeting at 1:30 p.m. in H-769.

Friday 11 VARSITY MEN'S HOCKEY: Three Rivers at Concordia, 7 p.m. ENGINEERING FACULTY COUNCIL: Meeting ~t 2:30 p.m. in H-769.

Thursday 17 JUNIOR VARSITY MEN'S HOCKEY: Station 10 at Concordia, 7:15 p.m. Sir George at Loyola, 9:15 p.m.

Friday 18 VARSITY WOMEN'S HOCKEY: Concordia at John Abbott, 6 p.m.

Loyola campus Thursday 10 HOW DO YOU MANAGE: From 2:30-5 p.m. Concordia Learning Co-op on "Working with Conflict". In Conference Rooms 1 and 2 of the Campus Centre. Info: 482-0320, ext. 341 m34a · . ATHLETICS: Badminton for all, 7-10 p.m. in the

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