course design “once you have a sound course design, your syllabus almost writes itself.”...

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Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

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Page 1: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Course Design

“Once you have a sound course design, your syllabus almost

writes itself.”

-Teaching at its BestL. Nilson, 1998

Page 2: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

What will I cover?

What will they learn?

Course Design

Page 3: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Students learn how to find knowledge, they do not wait for faculty to provide it

Ongoing student and course assessments show faculty where teaching is effective and ineffective

Students’ performance on activities and assignments is assessed by more people than a single instructor

Students construct the questions they need to ask, rather than expecting teachers to choose what students

ought to know (Allen,

1996)

Course Design

Learning-Centered

Page 4: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Consider your audience Establish tiered instructional

objectives Evaluate content options

and appropriate readings Determine class format Develop assessments

The General Design

Course Design

Page 5: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

What preparation will most students bring? Do prerequisites guarantee this?

Attitudes? Required course? Elective?

What are the student expectations? Are these appropriate? Can they be incorporated into your teaching plan?

Student long-range goals? Can flexibility be built in to accommodate this?

Consider your audience!

Course Design

Page 6: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

“An instructional objective is a statement that gives

instructional focus and direction, establishes

guidelines for testing, and conveys one’s teaching intent

to others.”

-Stating Objectives for Classroom Instruction

Gronlund, 1985

Establish tiered instructional objectives

Course Design

Page 7: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Course Design by Objectives First define your “ultimate”

end-of-course objectives Then work backwards…what

will students have to be able to do before they can accomplish each “ultimate” objective?

Continue working backwards to the most basic performances they must master to achieve the above

Establish tiered instructional objectives

Course Design

Page 8: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Course Design

ObjectivesContent Skills

Page 9: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Course Design

ObjectivesAssessments Skills

Page 10: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Course Design

ObjectivesFormat Skills

Page 11: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Instructional Instructional ObjectiveObjective

(for a specific group of students)

SkillsSkills(what students will need to be

able to do in order to attain this objective)

ContentContent Class Class FormatFormat

AssessmeAssessment Formatnt Format

SyllabusSyllabusDoes your syllabus share with your students the thinking process that you followed to design this course?

Page 12: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

“Students will learn to appreciate their natural

surroundings and will know that underlying geologic

structures control the landforms we see”

Establish basic learning objectives

Course Design

Page 13: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

“After working with slide images and through field

experiences, students will be able to locate and identify faults, fractures and folds present in an unfamiliar

landscape.”

Translate these, if needed, to become effective instructional objectives

Course Design

Page 14: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Recognize the surface expressions of different geologic structures AND how expression varies with topography

Critically observe and analyze an unfamiliar landscape for diagnostic geologic contact relationships

Identify the skills needed in order for students to be able to achieve the objective

Course Design

Page 15: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Course Design

Knowledge

Comprehension

Application

Analysis

Synthesis

Bloom’s TaxonomyTaxonomy of Educational Objectives (1956)

Evaluation

Page 16: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Course Design

Fink’s TaxonomyTo Improve the Academy (2001)

Learning how to learn

Integration

ApplicationFoundational Knowledge

Human Dimension

Motivation

Page 17: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Many FewerInterpretations InterpretationsTo know To writeTo understand To reciteTo really understand To identifyTo appreciate To sortTo fully appreciate To solveTo grasp significance of To constructTo enjoy To buildTo believe To compareTo have faith in To contrast

from Mager (1975) in Diamond (1998)

Writing objectives

Course Design

Page 18: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Rank the topics (rank highly your “essentials” AND those that meet student needs or expectations)

Slash, burn & distill (this always hurts, but designing courses backwards will help establish priorities)

Compare to your “full array” of content optionsis something missing that you value? Are you missing a major learning goal?

Evaluate content options

Course Design

Page 19: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Consider the level (and financial

resources!) of your students What is the purpose of the reading? How will it support the course? How often will students use this resource?

Read a variety of texts ...unless you wrote the text, you won’t find exactly what you need… BUT...

Is a course reader better? ...can better suit to your needs...but takes a huge effort to integrate well...

Evaluate readings

Course Design

Page 20: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Lecture based? Discussion based? Need labs or experiential

components? How and when will student

inquiry take place?

What does the phrase “knowledge transfer” conjure up for you?

Determine the class format

Course Design

Page 21: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Students should: be prepared to work hard

when they enter a classroom…

take an active role in acquiring and maintaining new information during the class…

continue their interest after class hours

What questions will you ask... what examples will you use... to help stimulate interest? How will you hear from students during class?

Encourage Active Learning

From Davidson & Ambrose, 1994

Course Design

Page 22: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Most of the learning in a typical course takes place outside of class…

design meaningful after class projects, labs, readings…

prepare assignments that apply class material to new contexts

How does each experience contribute to the goals for the course?

Design Effective LearningFrom Davidson & Ambrose,

1994

Course Design

Page 23: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Learning is an iterative process… apply, discover

errors, try again... plan to provide prompt and

supportive corrections keep in mind that not all

feedback need be graded

How long will it take you to return graded assignments? How can you provide immediate feedback? How can the

students themselves provide feedback?

Provide Prompt FeedbackFrom Davidson & Ambrose,

1994

Course Design

Page 24: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Everyone who wants to learn a subject must put in time and effort

Students must make effective use of class and study time

Will you discuss time management with your class? What study strategies will be

most successful for the course objectives?

Emphasize importance of time and effort spent learning… From Davidson & Ambrose, 1994

Course Design

Page 25: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

This is at the very heart of the educational process

Allow time both within and outside of class to display enthusiasm, sensitivity, and command of content

How many students will you know by name? How open will your office door be? How

will you show students that you are receptive?

Encourage Student-Faculty Contact... From Davidson & Ambrose, 1994

Course Design

Page 26: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

improve collaborative skills develop personal

responsibility enhance self-esteem build confidence in science

Will in-class or out-of-class projects be assigned that require students to work together? What do you need to learn

about directing successful group work?

Encourage Cooperation among Students

From Davidson & Ambrose, 1994

Course Design

Page 27: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

attendance and class participation are greatest in courses that demand a lot

students often give highest ratings to their most difficult (yet attainable) courses

What are your expectations for this course? What will students be able to do after this course? How high will you set the bar? How will you “catch” struggling

students?

Communicate High, Attainable Expectations

From Davidson & Ambrose, 1994

Course Design

Page 28: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

each student brings a unique set of abilities, interests, and experiences into class

people process and learn science in very different ways

What strategies will you use to reach students with various learning

preferences? Will you challenge students to develop new learning

styles? How will you discover whether or not your teaching style is reaching all

students?

Respect diverse talents and ways of learning...

From Davidson & Ambrose, 1994

Course Design

Page 29: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

What have your students learned?

How will students acquire the skills you value?

Let the course objectives shine through your assessment… end-of-course objectives should map out your projects, homework, exams, etc.

Develop an assessment plan… for them

Course Design

Page 30: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Options for getting feedback… (CATs) Classroom Assessment Techniques

Mid-term formative evaluations Professional feedback…

classroom consultations, videos, etc.

Develop an assessment plan… for you...

Course Design

Page 31: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Allen, L. R. (1996) “An Instructional Epiphany.” Change, Mar.-Apr. 1996, 28 (2), 52.

Angelo, T.A. and Cross, K.P (1993) “Classroom Assessment Techniques,” Jossey-Bass Publ., San Francisco, 427p.

Davidson, C.I. and Ambrose, S.A. (1994) “The New Professor’s Handbook: A Guide to Teaching and Research in Engineering and Science.” Anker Publ. Co., Bolton, MA 199p.

Diamond, R.M. (1998) “Designing & Assessing Courses and Curricula: A Practical Guide.” Jossey-Bass Publ., San Francisco, 321p.

Fink, L.D. (2001) “Higher-Level Learning: The First Step Toward More Significant Learning” in To Improve the Academy, v. 19 Anker Publ.,

Nilsen, L. B. (1998) “Teaching at its Best: A Research-Based Resource for College Instructors.” Anker Publ. Co., Bolton, MA 219p.

Course Design

Sources

Page 32: Course Design “Once you have a sound course design, your syllabus almost writes itself.” -Teaching at its Best L. Nilson, 1998

Boice, R. (2000) “Advice for New Faculty Members: Nihil Nimus,” Allyn & Bacon Publ., 319p.

Davis, B. G., (1993) “Tools for Teaching,” Jossey-Bass Publ., 429p.

Reis, R..M. (1997) “Tomorrow’s Professor: Preparing for Academic Careers in Science and Engineering,” IEEE Press, NY., 416p.

Course Design

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