SCHÖNBERG

GURRE-LIEDER

CHORAL SCORE

Contents

Instrumentation, Edition ................................................ iiIntroduction .................................................................... iiiNotes for choristers ........................................................ ivCritical comments .......................................................... v

Part One / I. Teil ........................................................... tacet

Part Two / II. Teil ......................................................... tacet

Part Three / III. Teil ..................................................... 1The wild hunt / Die wilde Jagd

Chorus 1. «Gegrüßt, o König, an Gurresees Strand!» ... 3(three 4–voice male choirs)

Chorus 2. «Der Hahn erhebt den Kopf zur Kraht» ........ 26(8–voice male choir)

The wild hunt of the summer wind / Des Sommerwindes wilde Jagd

Chorus 3. «Seht, die Sonne!» ......................................... 34(8–voice mixed choir)

Instrumentation

Soloists: Waldemar (tenor); Tove (soprano); Waldtaube (voice of the wood dove, mezzo-soprano or alto);Bauer (Peasant, bass); Klaus-Narr (Klaus the jester, tenor); Sprecher (reciter)

Choirs: Waldemars Mannen (three 4–voice male choirs); 8–voice mixed choir

Woodwind: 8 flutes (doubling 4 piccolos), 5 oboes (doubling 2 english horns), 7 clarinets in A (doubling2 clarinets in E flat, 3 in B flat, and 2 bass clarinets in B flat), 3 bassoons, 2 contrabassoons

Brass: 10 horns in F (doubling 4 Wagner tubas), 6 trumpets (2 in F, 2 in B flat, 2 in C), bass trumpet in Eflat, alto trombone, 4 tenor trombones, 1 bass trombone in E flat, 1 contrabass trombone, 1 contrabass tuba

Percussion: 6 timpani, bass drum, tenor drum, side drum, cymbals, triangle, glockenspiel, xylophone,ratchet, a brace of iron chains, tamtam

4 harps, celesta

Strings: 1st violins (10 desks), 2nd violins (10 desks), violas (8 desks) violoncellos (8 desks), doublebasses (at least 6)

Edition

Composed by Arnold Schönberg, 1900–01; orchestrated 1901–03 and 1910–11German text by Robert Franz Arnold (1872–1938); translated from the Gurre-sange, Danish poetry byJens Peter Jacobsen (1847–85)

Full score originally published © 1920 Universal-Edition A.-G. Wien, Leipzig, U.E. Nr. 6300.Copyright renewed © 1948 by Arnold Schönberg (1874–1951)This choral edition © 2002–03 by Philip Legge (1972*). All rights reserved. This copyright is claimedunder Australian law only. The edition may not be published or distributed outside Australia.Please send comments, suggestions, or emendations by electronic mail to pml@carringbush.net

iii

IntroductionArnold Schönberg’s Gurre-lieder is one of the largest concert works, in terms of choral and orchestral forces, to befrequently performed. The current volume is the first to attempt a critical appraisal of the chorus music, as well as being thefirst new edition since Universal Edition’s original publication of the full score, parts, and the venerable piano vocal scoreby Alban Berg and Anton von Webern.

The exigencies of a particular concert, where the chorus could not exceed 200 voices in the performing space and a malecomplement of only 40 tenors and 60 basses could be mustered, provided the impetus for this new edition. Notabledrawbacks of the Universal Edition chorus scores are that they are divided by voice part and thus do not show all of theother parts, and provide very few adequate cues for the singer. While these problems may cause some initial confusion inrehearsing the chorus music to performance standard, a more serious difficulty is presented by the extent of Schönberg’sdivision of the chorus. With the tenors and basses frequently divided in twelve real parts, the partial scores do not easilypermit the chorus master to reinforce the total sound of the chorus by means of vocal doublings from section to section andfrom choir to choir.

This edition also features a new, somewhat simplified piano accompaniment. The impossibility of reproducing the totality ofSchönberg’s orchestration in a reductio partituræ for two hands is acknowledged by the editor, who has preferred to indicatethe broad strokes of harmony, melody, and rhythm, rather than concentrate on details which are often inaudible to choristersin performance; therefore the piano accompaniment should be seen as a functional alternative to, but not replacement for,the virtuoso arrangement by Alban Berg.

The work and the chorus musicGurre-lieder is a late-Romantic amalgam of song-cycle, oratorio, symphonic, and music-dramatic forms that started out asthe young composer’s response to a Viennese competition for a new song-cycle, and as an early work is perhaps untypicaljudged by the composer’s later music. For his composition Schönberg took a German translation of a series of poemsderived from Danish legend, which conflated historical aspects of two separate kings of Denmark (both of whom happenedto be named Waldemar) with a mythic tale of forbidden love very much in the Wagnerian mould. The work soonencompassed over a dozen songs and several choruses musically linked together by an advanced system of thematicreferences, lasting a hundred minutes in total length, and when it was finally orchestrated, requiring immense performingforces.

The first and second parts together last an hour in duration and involve soloists only. After an evocative prelude depictingthe fall of sunset, the bulk of the first part is a linked series of nine songs, sung alternately by a heroic tenor (heldentenor)taking the part of the medieval king, and a soprano respresenting his forbidden love, a maiden named Tove. At the end ofthese songs a symphonic development of the main themes from the lovers’ songs leads into a scene of pure narrative, as amezzo soprano or alto describes the death of Tove, whose demise has been arranged by Waldemar’s jealous queen, and goeson to portray the ensuing grief and madness of the king. The second part is a brief coda to the first part, with a single song inwhich the king curses God for taking both love and happiness from him.

At this point the story jumps into the supernatural; Waldemar has long since died, and for his impiety in cursing God he andhis followers are doomed to rise from the dead each night, to expiate his rage in a wild nocturnal hunt. The third partcontinues with the ghost of Waldemar invoking his men to arise from their graves to terrorise the surrounds. The action isbroken between a series of songs by three male soloists, and two short choruses involving a large male choir representingWaldemar’s spectral huntsmen.

The first chorus unleashes the wild hunt with three or four minutes of fast and furious music. After a sizeable break for threemore songs, with the coming of dawn Waldemar’s men sink back into their graves, and here the male choirs are employedfor a further five minutes, singing music which is often sotto voce and weirdly chromatic. In contrast to the preceding highdrama a reciter then describes in half-sung, half-spoken tones the coming of summer, almost as an epilogue to the epicbeforehand, which like the stuff of legends has disappeared as dew at daybreak. The chorus then sings as a finale a “Hymnto the Sun” which directly mirrors the opening “sunset” prelude at the start of the work. These last four or five minutes arealso the only point in which the full forces are used, finally introducing the sopranos and altos of the choir in an orgasmicblaze of C major.

The choral contribution to the work is therefore only of very short duration – less than a quarter of an hour’s worth ofsinging in 100 minutes of music – but is formidably difficult owing to the sumptuous, grandiose post-Wagnerian manner inwhich the work is written for the huge instrumental and choral ensembles, with the chorus frequently divided in a largenumber of parts, and pitted against an augmented symphony orchestra of 150 players with such extravagances as 8 flutes, 10horns, 7 trumpets, an enlarged string section often divided in well over a dozen individual parts, and much percussion, evenincluding a brace of iron chains.

iv

Notes for choristersPage 2, bar 114: the first choral entry is actually in the middle of the bass soloist’s lied (Bauer, is the German word for apeasant). At bar 114 the full orchestra explodes fff , and the male chorus shouts “holla!” in the rhythm indicated after thedownbeat. The diamond-shaped note indicates the approximate pitch, which in practice should correspond to the top of themale chest range. The context given in the score shows the start of the bass soloist’s lied to allow the rest bars to be counted.The fragment of six bars before the choir entry should be sufficient for rehearsal, comprising four bars of the bass soloist’sline from bar 108, then at bar 112 a subito pianissimo and a quick crescendo, which is sometimes beaten in 4 rather than 2.

If female singers are used to double the tenors, it is suggested they do not join in shouting this entry.

Page 2, bar 144: after 20 more bars sung by the bass soloist, at bar 144 there is the start of an enormous orchestral crescendointo the first chorus. The marking at bar 149 Nach und nach rascher indicates a gradual accelerando to the Allegro at bar157. At bar 168 poco pesante there is a completely dissonant series of trills before the key of G minor is established with the2nd bass entry. The best pitch reference amidst the orchestral noise is probably the chord of A flat heard at bar 166, fromwhich the notes of the Bass 2 part can be found by pitching a semitone lower.

Pages 6 ff., bars 189 – 196: the triplet quaver runs which occur in each voice part should not be laboured, but sung lightly inorder to remain in time and on the beat in the following bar.

Page 10 ff., bars 201 – 213: in this passage Schönberg re-divides the tenors in nine parts, whilst the basses are in unison upuntil the last two quavers of bar 213. As all of the extra divisi are written into the second tenor parts of each choir, somealternative bass parts have been supplied by the editor to allow high baritones to reinforce the second tenor parts, alwaystaking the lower notes in the divisi.

Of particular mention in this passage is the shift of tonality from B major to B minor on the last quaver of bar 205, whichthen changes gradually by degrees after bar 210. Choristers should note places where the pattern changes in their part.

Page 16, bars 226 – 234: if female singers are used to double the tenors, again it is suggested that they do not sing thispassage. The 5 bars beginning at bar 226 are usually beaten in 4; most conductors will return to beating in 2 at bar 231where the triplet rhythm begins in the accompaniment.

Page 17, bar 243, choir 1, tenor 2 and bass 2: singers should note the presence of the A flat, which alters the phrase from itsoriginal statement.

Pages 26 ff.: choristers should note the frequent enharmonic alteration of notes in this section, particularly: page 26, tenor 2:the E flat and G flat in bar 669 should be identical to the D# and F# in bar 670; page 30, bars 700 and 701: tenor 1, G flat =F#; tenor 2, E double flat = D natural; bass 1, C flat = B natural.

Page 27, bars 672 – 674: this weird sequence of chromatic chords calls for careful attention and listening between each pairof tenor voices. The chord sequence moves from the minor key to the major key a semitone higher, the pattern continuing asemitone lower at each repetition; from E flat minor halfway through bar 672, then E major, D minor, E flat major, and soon until B flat minor is reached at bar 674.

Page 30, bars 702 and 703: the starting note F for the section beginning at bar 704 is sounded in a lower octave by thesecond clarinet in A in bar 703. (The five notes shown in each of bars 702 and 703 of the orchestral reduction are played bya single wind instrument; the upper two notes by the second and third clarinets in A, the lower three notes by the two bassclarinets and the first contrabassoon.)

Pages 38 and 39: these 9 bars may be sung by a semi-chorus. The enumeration of individual singers is given by Schönbergagainst each part; it is not specified whether the sopranos need be from the 1st or 2nd sections.

Page 58, bars 1040 – 1045: breathing should be staggered for the final word, “Pracht”, which is usually drawn out extremelylong (up to 20 seconds, with a crescendo, in one popular recording). The practice of having the 1st Sopranos sing a top C inthis passage is not based on the authority of the orchestral score.

v

Critical commentsThis edition is faithful to the printed orchestral score in matters of dynamics, divisi, expression and tempo markings, and inparticular, the placement and duration of hairpin crescendo and decrescendo markings. The textual underlay, punctuation,and spelling likewise follow the orchestral score.

Accidentals: throughout the work various cautionary accidentals are reproduced in the chorus parts exactly as in theorchestral score, except for the convention where notes tied across into a new system have fresh accidentals written. Theabsence of a (cautionary) accidental in one part where several parts are in unison or octaves does not imply an omission.

Where the Universal Edition vocal score gives a variant reading in the notes below, the orchestral score is frequently givenmore weight, as it contains remarkably few errors in general.

Page 3 and 4, bars 169 – 179: this passage is very nearly identical in all 3 choirs. The only differences to be noted are in bar170, choir 1, bass 2, where the double dotted minim is written equivalently as a minim tied to a dotted crotchet, and someadditional cautionary accidentals in bars 175 and 179.

Page 4, bar 174, all parts: no accent is marked on the last crotchet in the orchestral score (text: “-sees”).

Page 4, bar 179, all choirs: tenor 1, tenor 2, bass 1: no staccato is marked on the last note (text: “Hol-”).

Page 5, bar 180, choir 1 tenors, choir 2 tenor 1 and bass 1: these parts entering at the end of bar 180 are marked forte; thedynamic is missing in the Universal Edition vocal score.

Page 5, bars 180 and 181, choir 1: the last note of bar 180 in tenor 1 is clearly A in the orchestral score, but G in the U.E.vocal score (and thus in unison with the tenor 2 part). The same disparity occurs in the bass 1 part which follows in canontwo crotchets later in bar 181. The resulting discord between the two tenor parts and the two bass parts would appear to beintentional, although it does not occur in the four tenor trombone parts which otherwise exactly double the phrases of the 1stchoir.

Page 5, bar 183, choir 2, tenor 1 and bass 1: no hairpin crescendo is marked in the orchestral score.

Page 5, bars 183 and 184, choir 1: the slur on the two quavers with text “wir” is spurious; as is the next phrase at bars 187and 188 where the syllable is “-chen-”.

Page 6 ff., bars 189 – 196: the triplet quaver runs have a variety of slurs to indicate the text underlay, which are usuallyrather redundant. To reduce the forest of quaver tails and slurs, the three quavers of a triplet are beamed together if there isonly one syllable sung over the three notes, or if each note has a separate syllable; otherwise the beam is broken to showwhich syllable is sung to two notes and which syllable is sung on a single quaver.

Page 7, bar 190, choir 3, bass 2: the “holla” in this bar is a tone low, moving in ninths with the tenor instead of octaves, andso has been corrected by comparison with the repetition of the phrase 4 bars later, and the bass trombone part.

Page 13, bars 215 and 217, choirs 1 and 3, tenor 1: the vocal score has a divisi on the first quaver, with the lower note the Bflat below middle C, the upper note the B flat an octave higher. This edition follows the orchestral score in assigning onlythe high B flat to tenor 1, and the lower B flat to tenor 2.

Page 13, bar 215, choir 2, tenor 2: the first note is erroneously given as a G, corrected by comparison with the same phrasein bar 217, and the horn parts doubling choir 2.

Page 16, bars 233 – 234: the hairpins and dynamic markings are found in all parts in the orchestral score, rather than just thechoir 1 tenors in the U.E. vocal score.

Page 17, bar 242, choir 1: no crescendo hairpins are marked in the orchestral score.

Page 18, bar 247, choir 3, tenor 2: the 2nd and 3rd notes are both A as in the orchestral score, rather than D as in the vocalscore.

Page 19, bar 255, choir 2, bass 1: the first note is given here as a low D, following the orchestral score, rather than a high Dabove middle C as in the vocal score. (The line from the high D to the low D is therefore a slur, not a tie.)

Pages 23 and 24, bars 272 and 276, choirs 2 and 3: in the absence of dynamic markings in the orchestral score it is fairlyclear those from choir 1 should apply.

Page 26, bar 670, bass 2: both the orchestral and vocal score fail to repeat the natural sign (on A) after the bar line, whenthis accidental is clearly implied by the doubling instruments which have the A tied across from bar 669.

Page 30, bar 689, tenor 2: the last note of the bar is given here as D, following the orchestral score (where this note isdoubled by 1st and 3rd horns), rather than C as in the U.E. vocal score.

Page 30, bars 695–696, basses: the orchestral score has a variant text underlay including the words “der Schmerzen”,corrected here to follow the tenor parts which have the correct words, “des Schmerzes”.

Page 32, bar 714, choir 2, bass 1: this is a bar’s rest in both the printed full and vocal scores. The editor believes this to be amistake of omission, since it interrupts the phrase “O könnten in Frieden wir [schlafen!]” in mid-sentence, and destroys thebasses’ otherwise exact repetition of music sung 4 bars earlier and an octave higher by the tenors. Furthermore thecompletion of the phrase, comprising two E flats lasting for a crotchet in total duration, does not interfere with the harmonicstructure, but reinforces the E flats in two of the tenor parts.

vi

Even if it were confirmed to be an omission from the manuscript full score, it is arguable that the bar should be restored notmerely to preserve the rectitude of Schönberg’s canonic writing and the integrity of the text — the bass part continues foranother 5 bars after the rest, so it is clear Waldemar’s men do not sink to their deathly sleep quite so prematurely.

Page 32, bars 716 – 719: some dynamic markings here are substitutions rather than mere additions: these are bar 716, choir3, tenor 1 and bar 717, choir 1, bass 2, where the original marking of pp has been replaced by [ ppp ].

Page 32, bars 717 – 719, choir 3, bass 2: the lack of text underlay in the orchestral score is denoted by the use of italics. Theslurring of the phrase more or less prescribes the solution given here.

Page 35, bar 921, bass 2: there is not a separate hairpin crescendo marked here in the orchestral score on the word “die” aswould be expected for a polyphonically independent part.

Page 40, bar 947, bass 1: the orchestral score erroneously shows the minim pitched on A, which has been corrected here toF, in agreement with the 2nd viola and 2nd horn parts as well as the Universal Edition vocal score.

Pages 40 ff., bars 947 – 952, alto 1: the crescendo and diminuendo hairpins are only found in the soprano 2 part of theorchestral score, but would seem to apply equally well to the alto 1 part. The U.E. vocal score half-heartedly adds thehairpins to bars 951 and 952 only.

Pages 43 and 44, bars 962 and 963, soprano 2: the underlay in the orchestral score appears to be corrupted, and so theunderlay in the U.E. vocal score is preferred here, although it does not match the soprano 1 part’s immediate repetition ofthis phrase after bar 964. The underlay of the last quaver of bar 962 should be “den”, not “der”, however it is less clearwhether the syllables “-ten der” should be allotted to the final quavers in bar 963, or the third crotchet and quavers.

Page 46, bar 972, soprano 1: the final note of the phrase, descending to F, is at variance with the 1st oboe part whichdescends to G; however both pitch classes are sounding in other instruments an octave lower or higher.

Page 48, bars 984 and 985, altos: the cautionary accidentals present in the orchestral score would seem more appropriate inbar 984 than bar 985. Also in the orchestral score, the alto 1 remains on A, and the alto 2 remains on G.

cSehr langsamq = 44

Arnold Schönberg(1874–1951)

von Jens Peter Jacobsen(deutsch von Robert Franz Arnold)für Soli, Chor und Orchester

GURRE-LIEDER

I. II. TEILE — TACETIII. TEIL

1 64Nicht rasch (h.) / = , h. = h = 80

172

Waldemar &Ü bbbbbb

13 ò ·364

îCÎ ä

Er wacht,

ÏJ ú· Kö

Ïnig

ÏWal

úde

ú· mars

ú3

· Man

Ïnen

ú.wert!

úb . Î

22

CEtwas breiter(h. = h)

Tempo I (Mäßig h = 88)80

8

Bauer?bbbbbb

22 24 ##12

Dek

Ïkel

ÏJ· des

ÏJSar

Ïges

Ï· klap

ÏJpert

ÏJ·ä

und klappt,

ÏJÏ Î 26

Australian copyright © 2002-03 Philip Legge.All rights reserved.

10811

Bauer

Piano

?##Sper

úbber

Ï3

· sau

Ïn .sen· vom

ÏbJ Ï3

Turm

Ïbund

Ïnschrein;

Ïn r únauf

Ïb .

und

~~~~zu

ÏnJ Ï.fliegts

ÏJ

& ##kl. Fl. 3Ïb Ïb Ïb 3Ïb Ïb Ïn 3

Vl. 1ÏÏ Ï Ïb Ïb Ïb9Ïb Ïb Ïn kl. Fl.ÏÏ Ï ÏÏbb ÏÏbb

ÏÏbb9ÏÏbbÏÏbb ÏÏnn Vl. 1ÏÏÏÏ ÏÏ

ÓÒÏb Ïb Ïb

9Ïb Ïb Ïn Vl., Vla.ÏÏ Ï Î gliss.ä 6

Ïb Ï Ïb Ïn Ïn Ïb Ïj ä ä 6

Ï Ïb Ïn Ïn Ï# Ïn

&##f

Ïb . Ïn3

Ïn j Ï Ïb Ïn .3

Ïb jÏb . Ïn3 ÏnJ Ï Ïb Ïn .3 ÏbJ

Ïn . Ïn 3 ÏnJ Ï Ïn Ï# .3 ÏJ

?## úúúbbb úúúb úúúbbb úúúb úúúnbn ÏÏÏn sf

Ïn

111

Bauer

Piano

?##Kir

Ïb .~~~~~~~~chen· tor.

ÏnJ ú·

· ·

& ## Ïb j ä ä 6

ÏÏ Ï Ïn Ïn Ïb Ïj ä ä 7 · ·Ï Ïb Ïn Ïn Ï# Ï Ïb

&## Ïn . Ïn 3 ÏnJ Ï Ïn Ï# . 3 ÏJ úúúbbbpp molto cresc.

Î3

Ïb . ÏÏ Ï Ïb Ïb Ïb Ïb Ïb Ï Ï Ï Ï Ï Ï

?##úúúbn ÏÏÏ sf

Ï3

Ïb . Ïb Ïb 3Ï Ïb Ïb Ïb Ï Ï

VOLTI SUBITO

Ï Ïb Ï Ïb Ïb Ïb Ï Ï Ï Ï Ï Ï Ï Ï Ï

=

=

=

Presto (rasche h)

Presto (rasche h)

114

¡¢

Bauer

WaldemarsMannen

Piano

?##(geschrien)Îda

âfährts

âvor

âbei

~·

î · ·

?##(Hinter der Scene)

geschrienä.Hol la!

âR

~.·

· · ·

& ##Strings Ïn Ï Ïb Ï Ïb Ï Ï# Ïn Ïn Ï Ïb Ï Ïb Ïn Ïb Ïb Ïb Ïn Ïb Ï u.s.w.Ïb Ïn Ïn Ïb

&##fff

úúúúnn úúúún úúúúnnn úúúúb Ïn . Ï# j Ï3

ÏJ Ï# Ï#J Ï. ÏÏJÏÏ3 ÏÏJ

ÏÏ##ÏÏ##J

?## ÏÏbb .. Ïb j Ï

3 ÏJ ÏÏbbÏnJ ÏÏbb .. ÏbJ Ï

3 ÏJ ÏÏbbÏbJ úúúúbbn úúúúnnnb úúúúbnbb úúúúnnb

rit. . . . . . . . . . . . . . .

rit. . . . . . . . . . . . . . .

118 12rit. . . . . . .

rit. . . . . . .

Bauer

Piano

?##(gesprochen)

Îrasch

âJdie

âJDecke

âJ âJü

âJbers

âJ· Ohr.

âJ Î î · · · · U

&##wwww##

mp

wwwwpúúú úúú

? úúú úúú úúú úúú úúÏ ÏîU &

?## ### wwwwf

#wÏÏÏ...ÏÏ.3

ÏJ Ï.ÏÏ.3 3

Ï.ÏÏ3

Ï ÏÏä 3

Ï Ï Ï Ï. ÏÏ. ÏjÏ Ï Ï ú Ï Ï

îUÏJLangsamer q = ca 80

124 144

&## 20ppp

· Ï- Ï- Ï# Ï Ï Ï# Ï ú#? Ï Ï Ï# Ï Ï Ï# Ï î

?##20

ww## ww ww ww wú ú#

Nach und nach rascher werdend bis zum 2/2 ( )149

15

?##p

ä Ï# Ï Ï î îä Ï# Ï Ï úúC

úmp

ä.Ï Ï# Ï Ï ÏÏRÏÏ #Ï Ï# Ï Ï ÏÏ

pp

ÏÏ.J ä îÏ Ï Ï Ï Ï Ï# Ï Ï

?##wú ú# úú úúnn úú úú úú úú##

153

C

C

?##mf cresc. - - - - - - - - - - - - - - - - - - - - - -

Ï# Ï Ï Ï Ï Ï# Ï Ï Ï# Ï Ï Ï&Ï Ï# Ï Ï

Ï Ï# Ï Ï Ï# ÏÏ ÏÏ ÏÏf cresc. - - - - -

ÏÏ## ÏÏ## ÏÏ ÏÏ bbÏÏ ÏÏ## ÏÏ ÏÏ

?##úú ÏÏ## ÏÏnn úú ÏÏ## ÏÏnn úú ÏÏ## ÏÏnn ÏÏ

3

úúnn úú úúbb3

bb

=

=

=

=

2

C

C

Allegro (h = ca 100)157

16

&bbff

ä úúúú#ÏÏ## ÏÏ ÏÏ## Î ä úúúú

Ï# Ï Ïb Ï Ï# ÅÎ Ï. ÏjÏ3 Ï.

3Ï Ï# Ï#wwwww#nn#

ÏÏÏ ÏÏnn ÏÏ ÏÏnn Î ä Ï# Ïn Ïn ÏÏ ÅÎwwwwwnn##

?bb ä Ï# Ï Ï#ÏÏ.. Ï

jÏ3 Ï Ïn Ï#3 ÏÏÏ#J ä Î Ï Ïb Ïn3 ÏÏÏ## Ïn Ï ÏnÏÏnn .. Ï#jÏ

3

Ï Ï# Ï#3

ÏÏÏ##n ... ÏjÏ3 Ï Ïn Ïn3

162

&bbhervortr.

äÏÏÏÏbnbn

ÏÏ## ÏÏ ÏÏnn ú> ÏÏÏ#n Ï Ï äú># ÏÏÏbb Ï Ï äú

>ÏÏÏn Ï Ï äú

>b ÏÏÏÏbb Ï Ï äÏ>n Ï>ÏÏÏbbn J Î Ï>#

3

?bbÏÏÏnnb J ä Î únÏn . úbÏj Ïb .

úÏj Ï. úbÏj Ïb . ú

Ïj Ï. Ïj

165

&bb úúúbb bnúÏÏ ÏÏbbffäwwwbnb

sehr machtvoll

Ï ÏÏn Ïb ÏÏ wbÙ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Ïn Ïb ÏÏb?bb ÏÏnn Ï ÏÏbb Ï

ÏÏnn Ï ÏÏbb ÏÏÏj ä Î î & Ï Ï Ï Ï úú

Ù~~~~~~~~~~~~~~Ù~~~~~~~~~~~~~~

poco pesante

poco pesante

168 17¡

¢

T. I

T. II

I, II, III.Chöre

B. I

B. II

Piano

&Ü bb · · · Î ä

Ge

f

grüßt

ÏJú

·&Ü b

b · · î Î äGe

f

grüßt

Ïj ú..· o

ÏJ?bb · · Î ä

Ge

f

grüßt

ÏJ ú·

Ï.o Kö

ÏJ Ïnig

Ï·?bb · î Î ä

Ge

f

grüßt

ÏJ ú..· o Kö

ÏJ Ïnig

ú· an

Ï

& bbVl.1Ïb Ï Ïb Ïn Ïb Ï Ï Ï Ï Ï Ï Ï Ï# Ï Ïn Ïb Ï# Ï Ï Ï Ï# Ï Ï# Ï Ïn Ï

J ä Î î ·

? bb · Vc, Cb. Ïb Ï Ïb Ïn Ïb Ï Ïb Ï Ï Ïn Ïb Ïb Ïb Ïj ä Î î ·

&bb úúú úb úúú ú úúú úb úúú ú úúúf

î Å ÏÏÏÏjä ÅÏÏÏÏjä

&bb ÏÏÏbb ÏÏÏ ÏÏ ÏÏ ÏÏ ÏÏÏ ÏÏ ÏÏ ÏÏb ÏÏÏ ÏÏ ÏÏ ? úúúÏÏ ÏÏ ÏÏ ÏÏÎ ä Ï Ï# ÏÏÏÏ.. ÏÏÏÏ ÏÏ.. ÏÏ Ïn Ï# ÏÏÏ... ÏÏÏÏ

=

=

=

3

172¡

¢

T. I

T. II

I, II, III.Chöre

B. I

B. II

Piano

&Ü bb Ï.

o Kö

ÏJ Ïnig

Ï·

Ïan

ÏGur re· sees

Ï Ï Ï· Strand,

Ï ,an

ÏGur re· sees

Ï> Ï>b Ïb· Strand.

únffÏ.n äU

Nun

fÏJ

&Ü bb

Kö

Ïnig

ú· an

Ï#Gur re· sees

Ïn Ïn Ï· Strand,

Ïge

Ïbgrüßt

Ï·

,an

ÏGur re· sees

Ï>b Ï>b

Ïb· Strand.

únffÏÏ.#n äU ä

?bb Ïan

ÏGur re· sees

Ï Ï Ï· Strand,

Ïge

Ïgrüßt,

Ï· ge

Ïgrüßt

Ïb·

,an

ÏGur re· sees

Ï> Ï> ÏÏb· Strand.

ú#ffÏÏ.nn äU ä

?bbGur re· sees

Ï Ï Ï· Strand,

Ïan

ÏGur

Ïre

Ï· sees

Ï·

ÏnStrand,

Ï ,an

ÏbGur re· sees

Ï>b Ï> Ïb· Strand.

únff

ÏÏ.#n äU ä

&bb ÅÏÏÏf

Ï ÏÏ ÅÏÏÏÏÏÏ ÏÏÏ##J ä

ff

Ï>j ä ÏÏ bÏÏ Ï ÏÏb

j ä ÏÏj ä ÏÏ ÏÏ>b Ï> ÏÏ>b j ä ÏÏÏÏnn#n

j äff

7Ï Ïn Ï# Ï Ïn Ï# Ï# ÏÏÏJ ä äU

f

Ï Ïn Ïn Ïb

?bb ÏÏ Ï Ï ÏÏ>ÏÏ> ÏÏÏ>

j ä ÏÏÏ>J ä ÏÏ ÏÏ ÏÏn j ä ÏÏbJ äÏ ÏÏ>b ÏÏÏ> ÏÏÏ

>bJ ä úúnn ÏÏnn

j ä ÎU

176¡

¢

T. I

T. II

I, II, III.Chöre

B. I

B. II

Piano

&Ü bb

ja

ú..gen· · wir

ÏJ Ï# úü ber· das

3

In

Ï Ï Ï ún .sel

Ï· land,

Ïb·

ú ff

Hol

Ï·

&Ü bb Î ä

Nun

f

ja

ÏJ ú Ï.gen· · wir

ÏJ Ï Ï Ïü ber· das

3

In

Ï Ï Ï ú Ï.sel· · land,

ÏJ Ï· Hol –

ffÏ#

?bb î Î äNun

f

ja

ÏJ ú..gen· · wir

ÏJ Ï# úü ber· das

3

In

Ï Ï Ï Ï.sel· land,

ÏJ Ï# .· Hol –

ffÏJ

?bb · Î äNun

f

ja

ÏJ ú Ï.gen· · · wir

ÏJ Ï# Ï Ïü ber· das

3

In

Ïb Ï Ï Ïn .sel·

ff

Ïj ·&bb Ï. ÏÏÏÏÏÏ.. #ÏÏÏÏÏ ÏÏ..ú

3

Ï Ï Ï ún . Ï Ïb .Î ú ÏJ Ïn Ï ÏÏÏ ÏÏ.# Ï Ï

?bb · Î ä ÏÏÏÏÏÏ.. #Ï Ï# ÏÏ ÏÏÏ. ú3

#Ï Ï Ï ÏÏJ Ï Ï3Ï Ï Ï ÏÏ..Ï Ïj ÏÏn ..

ÏÏjÏb Ï Ï

=

4

18180

Sehr lebhaft(immer h) h = ca 100

Sehr lebhaft(immer h) h = ca 100

¡

¢

¡

¢

¡

¢

Tenor I

Tenor II

Chor I

Bass I

Bass II

Tenor I

Tenor II

Chor II

Bass I

Bass II

Tenor I

Tenor II

Chor III

Bass I

Bass II

Piano

&Ü bb

la.

Ï.#·

Î ÎVom

fÏ

strang

Ï>lo

Ï.· sen

ÏJ Ï· Bo

Ï.gen

ÏJ Ï· Pfei

Ïle

Ï Ï Ï.· wir

ÏJsen

Ï Ï Ï.>

den,

Ï.>·

Î ämit

fÏj

&Ü bb

la.

Ï. Î ÎVom

fÏ

strang

Ï>lo

Ï.· sen

Ïj Ï· Bo

Ï.gen

Ïj Ï· Pfei

Ïle

Ï Ï Ï.· wir

Ïjsen

Ï Ï Ï.>#den,

Ï.>·

Î ämit

fÏj

?bbla.

Ï. Î î ÎVom

f

Ïstrang

Ï>lo

Ï· sen

Ï Ï Ï· Bo

Ï.gen

Ïj Ï· Pfei

Ï.le

Ïj Ï· wir

Ï Ïsen

Ï Ï Ï.>den,·Ï.>J ä

?bbland.

Ï. Î î ÎVom

f

Ïstrang

Ï>lo

Ï· sen

Ï Ï Ï· Bo

Ï.gen

Ïj Ï· Pfei

Ï.le

Ïj Ï· wir

Ï Ïsen

Ï Ï Ï.>#den,·Ï.>J ä

&Ü bb

la.

Ï.# Î Î äHol

f

la

Ïj w·

î Î äHol la

Ïj ú..· hol

ff

la

Ïj ú.·

ähol

fÏj·

&Ü bb

la.

Ï. Î î î Î äHol

f

la

Ïj w·

î Î ähol

ff

la

Ïj ú.·

Î

?bbla.

Ï. Î Î äHol

f

la

Ïj w·

î Î äHol la

Ïj ú..· hol

ff

la

Ïj ú.·

ähol

f

Ïj·?bb

land.

Ï. Î î î Î äHol

f

la

Ïj w·

î Î ähol

ff

la

Ïj ú.·

Î

&Ü bb

la.

Ï.# Î î · · · Î ähol

ff

la

Ïj Ï.·

ä

&Ü bb

la.

Ï. Î î · · · Î ähol

ff

la

Ïj Ï.·

ä

?bbla.

Ï. Î î · · · Î ähol

ff

la

Ïj Ï.·ä

?bbland.

Ï. Î î · · · Î ähol

ff

la

Ïj Ï.·ä

&bb ÏÏÏ# ÏÏÏÏÏÏ#

ff

Î ÏÏ> ÏÏ.. ÏÏj ÏÏ. ÏÏ>.. ÏÏj ÏÏ. ÏÏ> ÏÏ ÏÏ ÏÏ.. ÏÏ ÏÏ ÏÏ ÏÏÏÏÏ.>#b Ï.> ÏÏÏ... Ïj

?bb úúÏJ ä ÏÏ

ÏÏ> ú. ú. ÏÏ> ú. ú. ÏÏ> ÏÏ> ÏÏ> ÏÏ> ÏÏ.> ÏÏ.>

ÏÏ.. ä

5

185

¡

¢

¡

¢

¡

¢

T. I

T. II

I. Chor

B. I

B. II

T. I

T. II

II. Chor

B. I

B. II

T. I

T. II

III. Chor

B. I

B. II

Piano

&Ü bb

hoh

Ï> Ï.len

ÏJ Ï· Au

Ï.gen

ÏJ Ï· und

ÏKno

Ï Ï Ï.chen

ÏJ· hän

Ï Ï Ï.>

· den,

Ï.>·

Î äzu tref

Ïj3

fen

ÏÏÏ· des

ÏÏ ÏJ3

Hir

3

sches

ÏÏ Ï·

3ÏÏ Ï

&Ü bb

hoh

Ï> Ï.len

ÏjÏ· Au

Ï.gen

Ïj Ï· und

ÏKno

Ï Ï Ï.chen

Ïj· hän

Ï Ï Ï.>#· den,

Ï.>·

î î Î äzu

Ïj

?bb Î ämit

f

hoh

Ïj Ï> Ï

len

Ï Ï Ï· Au

Ï.gen

Ïj Ï· und

Ï.Kno

Ïj Ïchen

Ï Ï· hän

Ï Ï Ï.>· den,·

Ï.>J ä Î äzu tref

Ïj3

fen

ÏÏ Ï· des

ÏÏ ÏJ3

?bb Î ämit

f

hoh

Ïj Ï> Ï

len

Ï Ï Ï· Au

Ï.gen

Ïj Ï· und

Ï.Kno

Ïj Ïchen

Ï Ï· hän

Ï Ï Ï.>#· den,·

Ï.>J ä ·

&Ü bb

la

w·

î Î ähol la

Ïj w·

ähol la

ÏJú·

äzu tref

Ïj Ïfen

Ï.· des

ÏJ Ï

&Ü bb î Î ä

hol

f

la

Ïj w·

î Î ähol la

Ïj ú.·

äzu tref

Ïj Ïfen

Ï.· des

Ïj Ï

?bbla

w·

î Î ähol la

Ïj w·

ähol la

ÏJú·

Î Î äzu tref

Ïj Ïfen

Ï·

?bb î Î ähol

f

la

Ïj w·

î Î ähol la

Ïj ú.·

Î Î äzu tref

Ïj Ïfen

Ï·&Ü b

b Î ähol

f

la

Ïj ú·

ú î Î ähol la

Ïj ú·

Î ähol la

Ïj Ï·

ähol la

Ïj ú·

Î ähol

Ïj·

&Ü bb · Î ä

hol

f

la

Ïj ú·

ú î î ähol la·Ï Ï ä Î ä

hol la

Ïj ú·

?bb Î ähol

f

la

Ïj ú·ú î Î ä

hol la

Ïj ú·Î ä

hol la

Ïj Ï·ä

hol la

Ïj ú·

Î ähol

Ïj·?bb · Î ä

hol

f

la

Ïj ú·ú î î ä

hol la·Ï Ï ä Î ä

hol la

Ïj ú·&bb ÏÏ> ÏÏ.. ÏÏjÏÏ ÏÏ>.. ÏÏj ÏÏ. ÏÏ> ÏÏ ÏÏ ÏÏ.. ÏÏ ÏÏ ÏÏ ÏÏÏÏÏ.>

#b Ï.> ÏÏÏ Î ÏÏÏ.> ÏÏ.. ÏÏJ ÏÏ.

?bbÏÏ> ú. ú. ÏÏ> ú. ú. ÏÏ> ÏÏ> ÏÏ> ÏÏ> ÏÏ>

3

ÏÏ.> ÏÏ.>

ÏÏ# ww>Ï Ï ÏÏ.. ÏÏj ÏÏ

.

6

19190

¡

¢

¡

¢

¡

¢

&Ü bb

Schat

úten

Ï.· ge· bild,

ÏJ ú.·

ähol la

Ïj ú.·

ädaß Wie

Ïj Ï Ï.sen

ÏJ Ï· ·

&Ü bb

tref

3

fen

Ï Ï Ï· des

Ï Ï ÏJ3

Hir

3

sches

Ï Ï Ï·

3

Schat

Ï Ï Ï Ï#ten· ge· bild,

Ïn . Ïb úhol la,

Ï Ï ú·

ädaß Wie

Ïj Ï Ï.sen

ÏJ Ï· ·

?bbHir

3

sches

Ï Ï Ï·

3

Schat

Ï Ï Ï Ïten· ge· bild,

Ï. Ï Ï.· hol la

Ïj ú·

Ï.hol la

Ïj Ï·

Î Î ädaß Wie

Ïj Ï Ï·

?bb Î äzu tref

Ïj3

fen

Ï Ï Ï· des

Ï Ï ÏJ3

Hir

3

sches

Ï Ï Ï·

3

Schat

Ï Ï Ï Ï#ten· ge· bild,

Ï. Ï ú#·

ähol la

Ïj Ï·Î ä

daß Wie

Ïj Ï Ï·&Ü b

bHir

Ï Ï.sches

ÏJ Ï· Schat

Ïten

Ï.· ge

ÏnJ Ï#· bild,

Ï·

Ï.daß

ÏnJ Ï#Wie

3

sen

Ï Ïn Ïb·

3

tau

Ï Ï Ï·

3

aus

Ï Ï Ïder

Ï Ï ÏJ3

&Ü bb

Hir

Ï Ï.sches

ÏJ Ï· Schat

Ï#ten

ú· ge

Ï· bild,

Ï#·

ú Ï î Î ädaß

Ïj

?bbdes

Ï Ï ÏHir

Ï Ïsches

Ï Ï Ï· · Schat

Ïten

Ï· ge

Ï Ïn Ï#· · bild,

ú·

Î ädaß Wie

Ïj3

sen

Ï Ïn Ï·

3Ï Ï Ï·

?bbdes

Ï Ï ÏHir

Ï Ïsches

Ï Ï Ï· · Schat

Ï#ten

Ï· Ïge

Ï· · bild,

ú#·

·

&Ü bb

la

ú·

Î ähol la

Ïj Ï.· zu tref

Ïj 3

fen

Ï# Ïn Ï· des

Ï Ï ÏJ3

Hir

3

sches

Ï Ï Ï#·

3

Schat

Ï Ï Ï Ïten· ge· bild,

Ï. Ï·ÏbJ ä Î Î ä

hol

Ïj·

&Ü bb Î ä

hol la

Ïj ú·

Î ähol la

Ïj Ï.· zu tref

Ïjfen· des

3

Hir

Ï# Ïn Ïsches

Ï Ï ÏJ3

· Schat

3

ten

Ï Ï Ï· ge

Ï Ï ÏJ3

· bild,·ÏbJ ä ä

hol la

Ïj ú·

?bbla

ú·

Î ähol la

Ïj Ï.· zu tref

Ïj3

fen

Ï# Ïn Ï· des

Ï Ï ÏJ3

Hir

3

sches

Ï Ï Ï#·

3

Schat

Ï Ï Ï Ïten· ge· bild,

Ï. Ï·ÏJ ä Î Î ä

hol

Ïj·?bb Î ä

hol la

Ïj ú·Î ä

hol la

Ïj Ï.· zu tref

Ïjfen· des

3

Hir

Ï# Ïn Ïsches

Ï Ï ÏJ3

· Schat

3

ten

Ï Ï Ï· ge

Ï Ï ÏJ3

· bild,·ÏJ ä ä

hol la

Ïj ú·&bb ÏÏÏ

.> ÏÏ.. ÏÏJ ÏÏ. ÏÏÏ.># Ï.ú Ïn j ÏÏ. ÏÏÏ

.># Ï.ú Ïn j ÏÏ. ÏÏÏ.>b ÏÏ.. ÏÏJ ÏÏ.

?bb ww>ÏÏ.. ÏÏj ÏÏ

.

ww>

Ï.ú Ïn j ÏÏ.#

ww>

Ï.ú Ïn j ÏÏ.#

ww>ÏÏ.. ÏÏj ÏÏ

.

7

194

¡

¢

¡

¢

¡

¢

T. I

T. II

I. Chor

B. I

B. II

T. I

T. II

II. Chor

B. I

B. II

T. I

T. II

III. Chor

B. I

B. II

Piano

&Ü bb

tau

Ï· aus

Ï.der

ÏJ ÏWun

Ï Ï.de

ÏnJ Ï#· · quillt.

Ï Ï. ÏnJ Ï# ·

&Ü bb

tau

Ï· aus

Ï.der

Ïj ÏWun

Ï# úde

Ï· · quillt.

Ï# ú Ï ·

?bbsen

Ï Ï Ï· tau

Ï· aus

Ïder

Ï Ï ÏWun

Ï Ïde

Ï Ïn Ï#· · quillt.

ú ·

?bbsen

Ï Ï Ï· tau

Ï· aus

Ïder

Ï Ï ÏWun

Ï# Ï Ïde

Ï· · quillt.

ú# ·

&Ü bb

Wun

ú.de

Ï· · quillt,

ú. ähol la.

Ïj ú.·

Î ·

&Ü bb

Wie

3

sen

Ï Ï Ï·

3

tau

Ï Ï Ï·

3

aus

ÏÏ Ïder

ÏÏ ÏJ3

Wun

Ï#de· quillt,

Ïn . Ïb úhol la.

Ï Ï ú·

Î ·

?bbtau·

3

aus

Ï Ï Ïder

Ï Ï ÏJ3

Wun

Ï.de· quillt,

ÏJ Ï.hol la

Ïj ú·

Ï.hol la.

Ïj Ï·

Î ·

?bb Î ädaß Wie

Ïj3

sen

ÏÏ Ï·

3

tau

ÏÏ Ï·

3

aus

Ï Ï Ïder

Ï Ï ÏJ3

Wun

Ï# .de· quillt,

ÏJ ú# ähol la

Ïj Ï·

·

&Ü bb

la

ú·

Î ähol la

Ïj Ï.· daß Wie

Ïj 3

sen

Ï# Ïn Ï·

3

tau

ÏÏ Ï·

3

aus

Ï Ï Ï#der

Ï Ï ÏJ3

Wun de· quillt.

Ï. Ï Ï ·

&Ü bb Î ä

hol la

Ïj ú·

Î ähol la

Ïj Ï.· daß Wie

Ïjsen

Ï# Ïn ÏJ3

· tauausder

3

Wun

Ï Ï Ïde

Ï Ï ÏJ3

· quillt.

3 ·Ï Ï Ï

?bbla

ú·

Î ähol la

Ïj Ï.· daß Wie

Ïj3

sen

Ï# Ïn Ï·

3

tau

ÏÏ Ï·

3

aus

Ï Ï Ï#der

Ï Ï ÏJ3

Wun de· quillt.

Ï. Ï Ï ·

?bb Î ähol la

Ïj ú·

Î ähol la

Ïj Ï.· daß Wie

Ïjsen

Ï# Ïn ÏJ3

· tauausder

3

Wun

Ï Ï Ïde

Ï Ï ÏJ3

· quillt.

3 ·Ï Ï Ï

&bb ÏÏÏ.> ÏÏ.. ÏÏJ ÏÏ. ÏÏÏ

.># Ï.ú Ïn j ÏÏ. ÏÏÏ.># Ï.ú Ïn j ÏÏ. ##úúú

úúú#

ÏÏ Ï Ïn Ï# Ï Ï Ï Ïn

?bb ww>ÏÏ.. ÏÏj ÏÏ

.

ww>

Ï.ú Ïn j ÏÏ.#

ww>

Ï.ú Ïn j ÏÏ.#

Î úúÏÏ

8

19820

¡

¢

¡

¢

¡

¢

&Ü bb î Î ä

Hol

ff

la

Ïj w·

Ï Î î î Î äDer

fÏnJ

&Ü bb î Î ä

Hol

ff

la

Ïj w#·

Ï Î î î Î äDer

fÏnJ

?bb î Î äHol

ff

la

Ïj w·

Ï Î î î Î äDer

fÏn j

?bb î Î äHol

ff

la

Ïj w·

Ï Î î î Î[zusammen]

äDer

fÏn j

&Ü bb î Î ä

Hol

ff

la

Ïj w·

Ï Î î ·

&Ü bb î Î ä

Hol

ff

la

Ïj w#·

Ï Î î ·

?bb î Î äHol

ff

la

Ïj w·

Ï Î î î Î äDer

fÏn j

?bb î Î äHol

ff

la

Ïj w·

Ï Î î î Î[zusammen]

äDer

fÏn j

&Ü bb î Î ä

Hol

ff

la

Ïj w·

Ï Î î ·

&Ü bb î Î ä

Hol

ff

la

Ïj w#·

Ï Î î ·

?bb î Î äHol

ff

la

Ïj w·

Ï Î î î Î äDer

fÏn j

?bb î Î äHol

ff

la

Ïj w·

Ï Î î î Î[zusammen]

äDer

fÏn j

&bb

ÏÏÏ#

ÏÏÏn# úúú#Ï Ïn Ï Ïn

ÏÏÏÏ# Ï Ï Ï

ÏÏÏn# ÏÏÏn#

Ï Ï Ïn Ï#ÏÏÏ ÏÏÏ#

Ï Ï Ï ÏÏÏ ÏÏ ÏÏn

Ï Ï Ïn Ï# #ÏÏ# ÏÏ ÏÏn

ff

Ï Ï Ï Ï úúúúnn Ï# Ï Ïn Ï# Ï Ï Ï# ÏnÏÏ ÏÏ ÏÏ

?bb úú ÏÏÏÏnn

ÏÏ##3

www ÏÏÏÏÏÏ# ÏÏÏ3

ÏÏÏ ÏÏÏ# ÏÏÏ3

úú Ïj Ï Ï# j

9

202

¡¢

T. I

I. Chor

T. II

Bar. I

T. I

II. Chor

T. II

Bar. II

T. I

III. Chor

T. II

Bar. III

Basses

Piano

&Ü bb

Wal

Ï># Ïn .statt

Ï#J Ï#· Ra

Ï Ïnben

Ï# Ïn ú· Ge leit

Ï Ï#· uns ga

Ï# Ïnben,

Ï# Ïn Ï·

Ï Î Îü ber·Ï# Ïn

&Ü bb

Wal

Ï># ú#statt

Ïn· Ra

Ï Ï# Ï# ÏÏ#n Ïben

Ïn· Ge leit

Ï Ïn· uns ga

Ï Ïben,

Ï ÏÏ#n Ï#·

Ï Î Îü ber·Ï# ÏÏnn

? bbWal statt

Ïn Ï# Ï# Ïn Ï# Ïn Ï· Ra

Ï Ï# Ï# Ïn Ïben

Ïn· Ge leit

Ï Ïn· uns ga

Ï Ïben,

Ï Ïn Ï#·

Ï Î Îü ber·Ï# Ïn

&Ü bb î Î ä

Der

f

Wal

ÏnJÏ># Ïn .

statt

Ï#J Ï#· Ra

Ï Ïnben

Ï# Ïn ú· Ge leit

Ï Ïn· uns ga

Ï# Ïben,

Ï# Ïn Ï·

&Ü bb î Î ä

Der

f

Wal

Ï# j ú# .statt

Ï· ÏRa ben

Ïn Ï# Ï# Ï# Ï· Ge leit

Ï Ïn· uns ga

Ï Ï Ï Ï# Ï# Ï#·

? bbWal statt

Ïn Ï# Ï# Ïn Ï# Ïn· Ra

Ï Ïben

Ï# Ï# Ïn Ï· Ge

Ï Ïnleit

Ï# Ïn· uns

Ï# Ïn Ï# Ï# Ïn Ïga

Ï Ïben,

Ï# Ïn Ï Ïn· ü

Ï# Ï#ber·

Ïn Ï#

&Ü bb · î Î ä

Der

f

Wal

ÏnJÏ># Ïn .

statt

Ï#J Ï#· · Ra

Ï Ïnben

Ï# Ïn ú·

&Ü bb · î Î ä

Der

f

Wal

Ï# j ú# .statt

Ï· · Ra

nÏ Ï# # # nben

#Ï Ï Ï ÏÏ Ï Ï Ï Ï·

Ï Ï

? bbWal statt

Ïn Ï# Ï# Ïn Ï# Ïn· Ra

Ï Ïben

Ï# Ï# Ïn Ï· Ge

Ï Ïnleit

Ï# Ïn· uns

Ï# Ïn Ï# Ï# Ïn Ï Ï ÏRa

Ï# Ï#ben

Ïn Ï Ï# Ï Ï·

?bbWal

*

statt

Ïn Ï# Ï# Ïn Ï# Ïn· Ra

Ï Ïben

Ï# Ï# Ïn Ï· Ge

Ï Ïnleit

Ï# Ïn· uns

Ï# Ïn Ï# Ï# Ïn Ïga

Ï Ïben,

Ï# Ïn Ï Ïn· ü

Ï# Ï#ber·

Ïn Ï#

&bbÏÏÏÏ>###n J ä Ïn . Ï# j Ï#

ÏÏÏ>##n J ä Ïn . Ï# j Ï#ÏÏÏ>##n J ä Ï. Ï#J Ï Ï ÏÏn# ÏÏ#n ÏÏn# ÏÏ# ÏÏ ÏÏ# ÏÏÏn

?bb

* In this section until bar 214, the basses are in unison whilst Schönberg divides the tenors in nine parts. If there are insufficient tenors, some baritones should reinforce the tenors as suggested here. All 2nd Basses should sing the unison line.

Ïn Ï# Ï# Ïn Ï# Ïn Ï Ï Ï# Ï# Ïn Ï Ï Ïn Ï# Ïn Ï# Ïnúúnn ÏÏ## ÏÏ úúnn ÏÏ.>

nn

10

206

¡¢

&Ü bb

Bu

Ï# Ïn .chen

Ï#J Ïn· · kro

Ï Ïn· nen

Ï# Ïn ú· die Ros

Ï Ï#se· tra

Ïn Ïnben.

Ï# Ïn Ï·

Ï Î ÎHol

Ï# Ïn·

&Ü bb

Bu

Ïn ú#chen

Ïn· · kro

Ï Ï#·

Ïn ÏÏnn Ïnen

Ïn· die Ros

Ï Ïnse· tra

Ï Ïben.

Ï ÏÏnn Ïn·

Ï Î ÎHol

Ï# Ïn·

? bbBu

Ïn ú#chen

Ïn· · kro

Ï Ï#·

Ïn Ïn Ïnen

Ïn· die Ros

Ï Ïnse· tra

Ï Ïben.

Ï Ïn Ïn·

Ï Î ÎHol

Ï# Ïn

·

&Ü bb ÏJ ä Î Î

ü ber· Bu

Ï# Ïn Ï# Ïn .chen

Ï#J Ïn· · kro

Ï Ïn· nen

Ï# Ïn ú· die Ros

Ï Ïnse· tra

Ïn Ïben.

Ï# Ïn Ï·

&Ü bb

ben,·ÏnJ ä Î Î

ü ber· Bu

Ï# Ï ú# .chen

Ï· · Ïkro· nen

Ïn Ïn Ïn Ï# Ï· die Ros

Ï Ïnse· tra

Ï Ï Ï Ïn Ï Ï#·

? bbBu chen

Ïn Ï# Ïn Ïn Ï# Ïn· · kro

Ï Ï· nen

Ïn Ï# Ïn Ï· die

Ï ÏnRos

Ï# Ïnse

Ï# Ïn Ïn Ï# Ïn Ï· · tra

Ï Ïben.

Ï# Ïn Ï Ïn Ï Ï#· ·

Ïn Ï#

&Ü bb

Ge leit

Ï Ïn· uns ga

Ïn Ïben,

Ï# Ïn Ï·

ÏJ ä Î Îü ber· Bu

Ï# Ïn Ï#chen

Ïn .· kro

Ï#J Ïn· nen· die

Ï ÏnRos

Ï# Ïnse· tra

Ï Ïben.·

Ïn Ï

&Ü bb n

Ge

#leit

nÏ ÏÏ Ï· uns ga

nÏ ÏÏ Ï nnben,

Ï Ï ÏÏ Ï Ï·

Ïj ä Î Îü

zus.

ber· Bu

Ï# Ï Ï#chen

ú· kro

Ï· nen· die

Ï Ï#Ros

Ïn ÏÏn#se· tra

ÏÏ#n ÏÏnnben.·

ÏÏ# ÏÏnÏJ

? bbGe leit

Ï Ï#· uns ga

Ïn Ïben,

Ï Ïn Ï·

ÏJ ä Î Îü ber· Bu

Ï# Ï Ï#chen

ú· kro

Ï· nen· die

Ï Ï#Ros

Ïn Ï#se· tra

Ïn Ïnben.·

Ï# Ïn

?bbBu chen

Ïn Ï# Ïn Ïn Ï# Ïn· · kro

Ï Ï· nen

Ïn Ï# Ïn Ï· die

Ï ÏnRos

Ï# Ïnse

Ï# Ïn Ïn Ï# Ïn Ï· · tra

Ï Ïben.

Ï# Ïn Ï Ïn Ï Ï#· ·

Ïn Ï#

&bb ÏÏÏnn#j ä Ïn . Ï# j Ïn

ÏÏÏ#nn J ä ÏÏ# ÏÏÏÏnn ÏÏj ä Ï Ï ÏÏÏ>#n J ä Ï. Ï#J Ï Ï ÏÏn# ÏÏ# ÏÏn ÏÏ ÏÏn ÏÏ# ÏÏÏ

?bbÏÏ.>##j Ï# Ïn Ïn Ï# Ïn Ï Ï Ï Ï# Ïn Ï Ï Ïn Ï# Ïn Ï# Ïn

úúnn ÏÏ## ÏÏ úúnn ÏÏnn

11

21210

poco rit. . . . . . . . . . . . . . . . . . . .

poco rit. . . . . . . . . . . . . . . . . . . .

¡¢

T. I

I. Chor

T. II

Bar. I

T. I

II. Chor

T. II

Bar. II

T. I

III. Chor

T. II

Bar. III

Basses

Piano

&Ü bb

la,

ú#·

Îhol la,

Ïn Ïn ún· hol la,

Ï Ïn Ï·

úhol la.

Ï Ïb Ï·

úSo

Ï Ïb Ï Ï

&Ü bb

la,

ú#·

Îhol la,

ÏÏn ÏÏ ú· hol la,

ÏÏn ÏÏ ÏÏ·

úúhol la.

ÏÏb ÏÏ ÏÏ·

úúSo

ÏÏ ÏÏ zus.ÏÏ ÏÏ

? bbla,

ú#

·Î

hol la,

Ïn Ï ú· hol la,

Ïn Ï Ï·

úhol la.

Ïb Ï Ï·

úSo

Ï Ï Ï Ï

&Ü bb Ï

Hol la,

Ï# Ïn ún·

Ïhol la,

Ï Ïn ú·

Ïhol la,

Ï Ïn ú·

Ïhol la.

Ï Ïb Ï· So

Ï Ï

&Ü bb

ben.

ÏnHol la,

ÏÏ ÏÏn# úú·

ÏÏhol la,

ÏÏn ÏÏ úú·

ÏÏhol la,

ÏÏn ÏÏ úúb·

ÏÏhol la.

ÏÏ ÏÏ ÏÏ· So

zus.ÏÏ ÏÏ

? bb ÎHol la,

Ïn Ï# ú·

Ïhol la,

Ïn Ï ú·

Ïhol la,

Ïn Ï úb·

Ïhol la.

Ï Ï Ï· So

Ï Ï

&Ü bb

Hol la

Ï# Ïn Ï·

îhol la,

Ïn Ïn ú.· hol la,

Ï Ïn ú· hol la,

Ï Ïb ú· hol la.· So

Ï Ï Ï Ï

&Ü bb

Hol la

Ïn ÏÏn Ï·

îhol la,

ÏÏn ÏÏ úú..· hol la,

ÏÏn ÏÏ ú· hol la,

ÏÏb ÏÏ úúb· hol la.· So

ÏÏ ÏÏ zus.ÏÏ ÏÏ

? bbHol la

Ïn Ïn Ï·

îhol la,

Ïn Ï ú.· hol la,

Ïn Ï ú· hol la,

Ïb Ï úb· hol la.· So

Ï Ï Ï Ï

?bbHol la,

Ïn Ï# Ï Ï# Ïn Ïn Ï Ïn· · · hol

Ï Ï# Ïn Ï Ï Ï# Ï Ïnla,

Ï Ïn· · · hol

Ï Ï#la,

Ïb Ï# Ï Ï#· hol

Ï Ïbla.

Ï Ïn· So

get.Ï Ï ÏÏn ÏÏnb

&bb ÏÏ#ÏÏn úú..Ï ú ÏÏÏn ÏÏÏÏn úúú... ÏÏÏn ÏÏÏ Ïúú Ïb ÏÏÏ ÏÏÏ úúú ÏÏÏ ÏÏ ÏÏÏ ÏÏ

?bbúú úú## ÏÏ úúnn .. ÏÏ úúnn .

. ÏÏä ÏÏnn

jÏÏ ÏÏ ÏÏ ÏÏ

12

Tempo I

Tempo I

214

¡

¢

¡

¢

¡

¢

Tenor I

Tenor II

Chor I

Bass I

Bass II

Tenor I

Tenor II

Chor II

Bass I

Bass II

Tenor I

Tenor II

Chor III

Bass I

Bass II

Piano

&Ü bb

ja

ff Ï.gen· wir

ÏJ Ï3 Ïnach

Ïge

Ïb3

mei· ner· Sag

Ïb Ïb úei ne· je

Ï Ï Ï.de· Nacht

ÏJ Ï3 Ï

bis

Ïzum

Ïb3

jüng sten· Tag,

Ïb Ïb úei ne·Ï Ï

&Ü bb

ja

ff Ï.gen· wir

ÏJ Ï3 Ïnach

Ïge

Ïb3

mei· ner· Sag

Ïb Ïb úei ne· je

Ï Ï Ï.de· Nacht

ÏJ Ï3 Ï

bis

Ïzum

Ïb3

jüng sten· Tag,

Ïb Ïb úei ne·Ï Ï

?bbja

ff Ï.gen· wir

Ïj Ï3 Ï

nach

Ïge

Ïb3

mei· ner· Sag

Ïb Ïb úei ne· je

Ï Ï Ï.de· Nacht

Ïj Ï3 Ï

bis

Ïzum

Ïb3

jüng sten· Tag,

Ïb Ïb úei ne·Ï Ï

?bbja

ff

Ï.gen· wir

Ïj Ï3 Ï

nach

Ïge

Ïb3

mei· ner· Sag

Ïb Ïb úei ne· je

Ï Ï Ï.de· Nacht

Ïj Ï3 Ï

bis

Ïzum

Ïb3

jüng sten· Tag,

Ïb Ïb úei ne·Ï Ï

&Ü bb

ja

ff Ï.gen· wir

ÏJ Ï3 Ïnach

Ïge

Ï3

mei

Ï.· ner· Sag

ÏbJ Ï3 Ïei

Ïne

Ï3

· je

Ï.de· Nacht

ÏJ Ï3 Ï

bis

Ïzum

Ï3

jüng

Ï.sten· Tag,

ÏbJ Ï3 Ïei

Ïne

Ï3

·&Ü b

bja

ff Ïb .gen· wir

ÏJ Ï3 Ïnach

Ïge

Ï3

mei

Ï.· ner· Sag

ÏJ Ï3 Ïei

Ïne

Ï3

· je

Ïb .de· Nacht

ÏJ Ï3 Ï

bis

Ïzum

Ï3

jüng

Ï.sten· Tag,

ÏJ Ï3 Ïei

Ïne

Ï3

·?bb

ja

ff Ï.gen· wir

ÏJ Ï3 Ï

nach

Ï

ge

Ï3

mei

Ï.

· ner· Sag

ÏJ Ï3 Ï

ei

Ï

ne

Ï3

· je

Ï.

de· Nacht

ÏJ Ï3 Ï

bis

Ï

zum

Ï3

jüng

Ï.

sten· Tag,

ÏJ Ï3 Ï

ei

Ï

ne

Ï3

·?bb

ja

ffÏ.

gen· wir

ÏJ Ï3 Ïnach

Ïge

Ï3

mei

Ïb .· ner· Sag

ÏJ Ï3 Ïei

Ïne

Ï3

· je

Ï.de· Nacht

ÏJ Ï3 Ï

bis

Ïzum

Ï3

jüng

Ïb .sten· Tag,

ÏJ Ï3 Ïei

Ïne

Ï3

·&Ü b

bja

ff Ï.gen· wir

ÏJ Ï3 Ïnach

Ïge

Ïb3

mei· ner· Sag

Ï Ïb úei ne· je

Ï Ï Ï.de· Nacht

ÏJ Ï3 Ï

bis

Ïzum

Ïb3

jüng sten· Tag,

Ï Ïb úei ne·Ï Ï

&Ü bb

ja

ff Ï.gen· wir

ÏJ Ï3 Ïnach

Ïge

Ïb3

mei· ner· Sag

Ï Ïb úei ne· je

Ï Ï Ï.de· Nacht

ÏJ Ï3 Ï

bis

Ïzum

Ïb3

jüng sten· Tag,

Ï Ïb úei ne·Ï Ï

?bbja

ff Ïb .gen· wir

ÏJ Ï3 Ïnach

Ïge

Ïb3

mei· ner· Sag

Ï Ïb úei ne· je

Ï Ï Ï.de· Nacht

ÏJ Ï3 Ïbis

Ïzum

Ïb3

jüng sten· Tag,

Ï Ïb úei ne·Ï Ï

?bbja

ff

Ïb .gen· wir

Ïj Ï3 Ï

nach

Ïge

Ïb3

mei· ner· Sag

Ï Ïb úei ne· je

Ï Ï Ï.de· Nacht

Ïj Ï3 Ï

bis

Ïzum

Ïb3

jüng sten· Tag,

Ï Ïb úei ne·Ï Ï

&bbffÏÏÏb ... ÏÏÏÏ

júúú ÏÏÏ ÏÏÏ

6

ÏÏÏÏb .... ÏÏÏÏbjúúúú ÏÏÏÏ ÏÏÏÏ6

ÏÏÏb ... ÏÏÏÏjúúú ÏÏÏ ÏÏÏ

6

ÏÏÏÏb .... ÏÏÏÏbjúúúú ÏÏÏÏ ÏÏÏÏ6

?bbÏÏ.. ÏÏ

júú ÏÏ ÏÏbb

6

ÏÏ ÏÏbb ÏÏ ÏÏ> ÏÏ>bb

ÏÏ>b

ÏÏ.. ÏÏjúú ÏÏ ÏÏbb

6

ÏÏ ÏÏbb ÏÏ ÏÏ> ÏÏ>bb

ÏÏ>b

13

21822

¡

¢

¡

¢

¡

¢

T. I

T. II

I. Chor

B. I

B. II

T. I

T. II

II. Chor

B. I

B. II

T. I

T. II

III. Chor

B. I

B. II

Piano

&Ü bb

je

Ï.de· Nacht

ÏJ Ï3 Ï

bis

Ïzum

Ïb3

jüng

Ïb .

sten· Tag

ÏJ Ïä

hol la,

ÏJúb .

·ä

hol la.

ÏJú.

·Î

&Ü bb

je

Ï.de· Nacht

ÏJ Ï3 Ï

bis

Ïzum

Ïb3

jüng

Ïb .sten· Tag

ÏJ Ï ähol la,

ÏJ úb .·

ähol la.

ÏJ ú.·

Î

?bbje

Ï.de· Nacht

ÏjÏ3 Ï

bis

Ïzum

Ïb3

jüng

Ï.

sten· Tag

ÏJ Ïä

hol la,

ÏJ ú.

·ä

hol la.

ÏJ ún .·

Î

?bbjeÏ.

de· Nacht

ÏjÏ3 Ï

bis

Ïzum

Ïb3

jüng

Ïb .sten· Tag

ÏJ Ï ähol la,

ÏJ úb·

ähol la,

ÏbJÏb·

î ähol la.

ÏJÏ

·&Ü b

bje

Ï.de· Nacht

ÏJ Ï3 Ï

bis

Ïzum

Ï3

jüng sten· Tag

Ïb . Ï ú.ä

hol la,

ÏJúb .

·ä

hol la.

ÏJú.·

&Ü bb

je

Ïb .de· Nacht

ÏJ Ï3 Ï

bis

Ïzum

Ï3

jüng sten· Tag

Ïb . Ï ú. ähol la,

ÏJ úb .·

ähol la.

ÏJ ú.·

?bbje

Ï.

de· Nacht

ÏJ Ï3 Ï

bis

Ï

zum

Ï3

jüng sten· Tag

Ï. Ï ú.ä

hol la,

ÏJ ú.

·ä

hol la.

ÏnJ ú.·

?bbje

Ï.de· Nacht

ÏJ Ï3 Ï

bis

Ïzum

Ï3

jüng sten· Tag

Ïb . Ï ú. î ähol la,

ÏbJÏb·

î ähol la.

ÏJÏ

·&Ü b

bje

Ï.de· Nacht

ÏJ Ï3 Ï

bis

Ïzum

Ïb3

jüng

úb

sten· Tag

Ï Ï ÏÎ ä

hol la,

ÏJúb

·Î ä

hol la.

ÏJú·

&Ü bb

je

Ï.de· Nacht

ÏJ Ï3 Ï

bis

Ïzum

Ïb3

jüng

úbsten· Tag

Ï Ï Ï Î ähol la,

ÏJ úb·

Î ähol la.

ÏJ ú·

?bbje

Ï.de· Nacht

ÏJ Ï3 Ïbis

Ïzum

Ïb3

jüng

ú

sten· Tag

Ï Ï ÏÎ ä

hol la,

ÏJ ú

·Î ä

hol la.

ÏnJ ú·

?bbjeÏ.

de· Nacht

ÏjÏ3 Ï

bis

Ïzum

Ïb3

jüng

úbsten· Tag

Ï Ï Ï î ähol la,

ÏbJÏb·

î ähol la.

ÏJÏ

·

&bb ÏÏÏb ... ÏÏÏÏjúúú ÏÏÏ ÏÏÏ

6

ÏÏÏÏbbb .... ÏÏÏÏ ÏÏÏÏ ÏÏb ÏÏbb ÏÏ ÏÏ ÏÏb ÏÏ ÏÏbbÏÏbb ÏÏb ÏÏ ÏÏ

ÏÏÏÏ úúúúquasiglissando

7

ÏÏÏÏÏÏÏ7ÏÏÏÏÏÏÏ

?bbÏÏ.. ÏÏjÏÏ3

ÏÏjÏÏ ÏÏbb

jÏÏ ÏÏnn

ÏÏbb ..ÏÏJ

ÏÏbb ÏÏJ ÏÏ>nn ÏÏ> Ï

Ï>

ÏÏ>bb ÏÏ>nn

ÏÏ>bb ÏÏ>nn

ÏÏÏJ ä Î 7&ÏÏÏÏÏÏÏ 7 ?ÏÏÏÏÏÏÏ

14

222

¡

¢

¡

¢

¡

¢

&Ü bb Î

Hus

ff

sa· Hund!

Ï Ï ú ÏHus sa· Pferd!

Ï Ï ú ú î

&Ü bb Î

Hus

ff

sa· Hund!

Ï Ï ú# ÏHus sa· Pferd!

Ï Ï ú# ú î

?bbHus

ffúsa· · Hund!

Ï Ï ÏHus

úsa· · Pferd!

Ï Ï Ï ú î

?bbHus

ffúnsa· · Hund!

Ï Ï ÏHus

úsa· · Pferd!

Ï Ï Ï ú î

&Ü bb î Î

Hus

ff

sa· Hund!

Ï Ï ú.Hus sa· Pferd!

Ï Ï ú î

&Ü bb î Î

Hus

ff

sa· Hund!

Ï Ï ú# .Hus sa· Pferd!

Ï Ï ú# î

?bb äHus

ff

sa

ÏJ Ï· Hund!

úHus sa

Ï Ï Ï· Pferd!

ú ú î

?bb äHus

ff

sa

ÏJ Ï· Hund!

úHus sa

Ï Ï Ï· Pferd!

ú ú î

&Ü bb Î

Hus

ffÏ.sa· Hund!

ÏJÏ Ï

Hus

Ï.sa· Pferd!

ÏJÏ ú î

&Ü bb Î

Hus

ffÏ.sa· Hund!

ÏJ Ï# ÏHus

Ï.sa· Pferd!

ÏJ Ï# ú î

?bbHus

ff

sa· Hund!

Ï Ï ú.Hus sa· Pferd!

Ï Ï ú. ú î

?bbHus

ff

sa· Hund!

Ï# Ï ú.Hus sa· Pferd!

Ï# Ï ú. ú î

&bbfff

wwww>#

ff

ww#ä Ïj ú.mf cresc. - - - - - - -

Ï Ïn Ï Ï Ï Ï Ï Ï

?bb úú úú ÏÏ ÏÏnn úú## ÏÏÏÏ

úú

15

225etwas langsamer

etwas langsamer

23¡

¢

Tenors

I, II, III.Chöre

Basses

Piano

&Ü bb · a 2î Î

Nur

ppÏkur

úze· Zeit

Ï Ï Ï Ï.das Ja

ÏJ ú Ïgen

ú.· währt.

wb

?bb · a 2î ÎNur

ppÏkur

úze· Zeit

Ï Ï Ï Ï.das Ja

ÏJ ú Ïgen

ú.· währt.

wwbb

&bb Ï Ïn Ï Ï ÏÏ ÏÏ ÏÏ Ï ÏÏÏÏÏÏ## Î î

ppÏ. Î Î Ï. î Ï. Î Î Ï. î

wwbb?bb

ÏÏÏÏ>nn

ÏÏ>## ÏÏ

>ÏÏ Î î bnn wwÏ

>. ÏnJ ú

wwÏ>. ÏnJ ú

wwÏ>. ÏnJ ú Ïb j ä Î Î

pp

Ï

231¡

¢

Tenors

I, II, III.Chöre

Basses

Piano

&Ü bb Ï Î î î

pp

Hier

ÏistÏ

das

Ï3

Schloß

úb .wie

Ï#einst

pÏ# Ï#

vor

Ï#3

Zei

úten.

pp

Ï3

·?bb ÏÏ Î î î

pp

Hier

Ïist

Ïdas

Ï3

Schloß

úb .wie

Ïneinst

p

Ï# Ï#vor

Ï#3

Zei

úten.

pp

Ï3

·&bb

ww ww ww ww

?bb Ï# Ï# Ï#3

ún ú Ïb Ï ÏÏnn ÏÏ6

ú. ú ÏÏ6

ÏÏ## ÏÏ## ÏÏ## úú..6

235 24

Piano

&bbww ww ww ww

ppww ww# ww ww#

?bbúú p

Ïb Ïn Ïn Ï6

ú. ú Ï6

Ï# Ï# Ï#3

ú w w w w w

=

=

16

241

a tempo

a tempo

¡

¢

¡

¢

¡

¢

T. I

T. II

I. Chor

B. I

B. II

T. I

T. II

II. Chor

B. I

B. II

T. I

T. II

III. Chor

B. I

B. II

Piano

&Ü bb î Î ä

Hol

f

la

Ï#J w#· Lo

ffÏ Ï.kes

ÏJ Ï· · Ha

Ï.fer

ÏJ Ï· gebt

Ï Ï Ï Ï.den

ÏJ Ï Ï

&Ü bb î Î ä

Hol

f

la

ÏJ w· Lo

ffÏ Ïb .kes

ÏJ Ï· · Ha

Ï.fer

Ïj Ï· gebt

Ï Ï Ï Ï.den

Ïn j Ï Ï

?bb î Î äHol

f

la

ÏJ w·

îLo

ffÏ Ïkes

Ï Ï Ï· · Ha

Ï.fer

Ïj Ï· gebt

Ï. Ïj Ï

?bb î Î äHol

f

la

Ïb j wb·î

Lo

ffÏ Ïbkes

Ï Ï Ï· · Ha

Ï.fer

Ïj Ï· gebt

Ï. Ïj Ï

&Ü bb î Î ä

Hol

f

la

Ï#J ú# .·

ffähol la

ÏJw

·î Î ä

hol la

Ïj w·

&Ü bb î Î ä

Hol

f

la

ÏJ w·

î Î ähol

ff

la

Ïj w·

î Î ähol

Ïj·

?bb î Î äHol

f

la

ÏJ ú.·

ffähol la

ÏJ w·

î Î ähol la

Ïj w·

?bb î Î äHol

f

la

Ïb j wb·î Î ä

hol

ff

la

Ïj w·

î Î ähol

Ïj·&Ü b

b î Î äHol

f

la

Ï#J w#·

Î ähol

ff

la

Ïj ú·

ú î Î ähol la

Ïj ú·

&Ü bb î Î ä

Hol

f

la

ÏJ w·

· Î ähol

ff

la

Ïj ú·

ú î

?bb î Î äHol

f

la

ÏbJ wb·

Î ähol

ff

la

Ïj ú·ú î Î ä

hol la

Ïj ú·?bb î Î ä

Hol

f

la

Ïb j wb·· Î ä

hol

ff

la

Ïj ú·ú î

&bb

f

wwww##î úú# wwww#

ff

ÏÏÏÏJ äÏÏb .. ÏÏj ÏÏ ÏÏ>.. ÏÏj ÏÏ. ÏÏ> ÏÏ ÏÏ ÏÏ>.. ÏÏn ÏÏ ÏÏ

?bbwwbb wwbb ÏÏbb Ï Ï

3 ÏÏ.>J ä ÏÏ ÏÏ ÏÏ ÏÏ. ÏÏ>.. ÏÏj ÏÏ. ÏÏ>.. ÏÏj ÏÏ

17

24625

¡

¢

¡

¢

¡

¢

T. I

T. II

I. Chor

B. I

B. II

T. I

T. II

II. Chor

B. I

B. II

T. I

T. II

III. Chor

B. I

B. II

Piano

&Ü bb

Mäh

Ïren,

Ï·

îwir

Ïwol

Ï.len· vom

ÏnJ Ï#al

Ïn Ï.ten

ÏnJ Ï#· Ruh

Ïn Ï.me

Ï#J Ï· zeh

wn· ·

&Ü bb

Mäh

Ï#ren,

Ï·

îwir

Ï#wol

Ï.len· vom

ÏJ Ïal

Ï# únten

Ï· Ruh

Ï únme

Ï· zeh

w· ·

?bbden

Ï ÏMäh

Ï Ï Ïren,

Ï· wir

Ïwol

Ï.len· vom

ÏnJ Ï#al

Ïn Ïn .ten

ÏnJ Ï#· Ruh

Ïn Ï.me

Ï#J Ï· zeh

wn· ·

?bbden

Ï ÏnMäh

Ï Ï Ï#ren,

Ï· wir

Ïwol

Ï.len· vom

ÏJ Ïal

ún .ten

Ï· Ruh

ú.me

Ï· zeh

w#· ·

&Ü bb ä

hol la

ÏJú·

Îwir

Ïwol

Ï.len· vom

ÏnJ Ï#al

Ïn Ï.ten

ÏnJ Ï#· Ruh

Ïn Ï.me

Ï#J Ï· zeh

wn· ·

&Ü bb

la

ú.·

Îwir

Ï#wol

Ï.len· vom

Ïj Ïal

ú.ten

Ï· Ruh

ú.me

Ïn· zeh

wn· ·

?bb ähol la

ÏJú·

Îwir

Ïwol

Ï.len· vom

ÏnJ Ï#al

Ïn Ï.ten

ÏnJ Ï#· Ruh

Ïn Ï.me

Ï#J Ï· zeh

wn· ·

?bbla

ú.·

Îwir

Ïwol

Ï.len· vom

ÏJ Ïal

ú# .ten

Ï· Ruh

úme

ú· zeh

w· ·

&Ü bb Î ä

hol la

Ïj Ï·

Îwir

Ïwol

Ï.len· vom

ÏnJ Ï#al

Ïn Ï.ten

ÏnJ Ï#· Ruh

Ïn Ï.me

Ï#J Ï· zeh

wn· ·

&Ü bb î ä

hol la·Ï Ï ä

wir

Ï#wol

Ï.len· vom

Ïj Ïal

Ï# únten

Ï· Ruh

Ï únme

Ï· zeh

w· ·

?bb Î ähol la

Ïj Ï·Î

wir

Ïwol

Ï.len· vom

ÏnJ Ï#al

Ïn Ï.ten

ÏnJ Ï#· Ruh

Ïn Ï.me

Ï#J Ï· zeh

wn· ·

?bb î ähol la·Ï Ï ä

wir

Ïwol

Ï.len· vom

ÏJ Ïal

ún .ten

Ï· Ruh

ú.me

Ï· zeh

w#· ·

&bb ÏÏÏ.# Ï. Ï Ï Ï ä ÏÏÏ.# ÏÏ.. ÏÏÏnjÏÏÏ ÏÏÏ.n# ÏÏn .. ÏÏÏn

jÏÏÏ ÏÏÏ.n ÏÏn .. ÏÏÏ#

jÏÏÏ ÏÏÏ.nn

ÏÏn .. ÏÏ#JÏÏn

?bb ÏÏ ÏÏn ÏÏ ÏÏ ÏÏÏ.# Ï. ÏÏ.. Ïj Ï3 Ï># Ï>n ÏÏnn .

. Ï# j Ï3

Ï>b Ï> ÏÏnn .. ÏjÏ3

Ï># Ï>n ÏÏ## .. Ïj Ï3

Ï>n Ï>b

18

251

¡

¢

¡

¢

¡

¢

&Ü bb ú

ren.

ú·

î Î äHol la

Ïj Ï·

Ï.hol

ÏJ Ïnla

Ï·

Î Î ähol la

Ïj Ï·

Ï.hol

ÏJ Ïn ·&Ü b

b úren.

ún·

î Î äHol la

Ïj Ïn·

Ï.hol

ÏnJ Ïla

Ïn·

Î Î ähol la

Ïj Ïn·

Ï.hol

ÏnJ Ï ·?bb ú

ren.

ú·

î Î äHol la

ÏJ Ï·

Ï.hol

ÏJ Ïnla

Ï·

Î Î ähol la

ÏJ Ï·

Ï.hol

ÏJ Ïn ·?bb ú

ren.

ú#·

î Î äHol la

Ïj Ïn· Ï.

hol

Ïn j Ïla

Ï·Î Î ä

hol la

Ïj Ïn· Ï.

hol

Ïn j Ï·

&Ü bb Ï

ren.

Ï·

î äHol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

ähol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

&Ü bb Ï

ren.

Ïn·

î äHol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

ähol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

?bb Ïren.

Ï·

î äHol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

ähol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

?bb Ïren.

Ïn·

î äHol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

ähol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

&Ü bb

ren.

Ï Î ÎHol

Ïla

w·

î Î ähol la

ÏJw

·î Î ä

hol

ÏJ ·&Ü b

bren.

Ïn Î ÎHol

Ïla

w·

î Î ähol la

ÏJ w·

î Î ähol

ÏJ ·?bb

ren.

Ï Î ÎHol

Ïla

wn·

î Î ähol la

ÏJ wn·

î Î ähol

ÏJ ·?bb

ren.

Ï# Î ÎHol

Ïla

w·

î Î ähol la

Ïj w·

î Î ähol

ÏJ ·&bb ÏÏ ÏÏn ÏÏ# ÏÏn ÏÏ# ÏÏ ÏÏ ÏÏn wwwwn

Ïn Ï Ï Ï. Ïn Ï3

Ï# Ï ÏÏÏÏ.nÏn

ÏÏ>..

Ï Ï# ÏÏnJ ÏÏÏ Ïn Ï. Ï# wwwwn

Ïn Ï Ï Ï. Ïn Ï3

Ï# Ï ÏÏÏÏ.nÏn

ÏÏ>..

Ï Ï# ÏÏnJ ÏÏÏ Ïn Ï. Ï#

?bbÏ. Ïn jÏ Ï Ïn Ï#6

ÏÏ.. ÏjÏ3

Ïj Ïn Ïn j ww wwÏÏ.. ÏjÏ

3

Ïj Ï Ïn j ww ww

19

25626

¡

¢

¡

¢

¡

¢

T. I

T. II

I. Chor

B. I

B. II

T. I

T. II

II. Chor

B. I

B. II

T. I

T. II

III. Chor

B. I

B. II

Piano

&Ü bb

la

Ï.· hol la

ÏJú·

Ï ähol la

ÏJú·

Ï ähol la

ÏJú·

· ·

&Ü bb

la

Ïn .· hol la

ÏJ ú·

Ï ähol la

ÏJ ú·

Ï ähol la

ÏJ ú·

· ·

?bbla

Ï.· hol la

ÏJ ún·

Ï ähol la

ÏJ ún·

Ï ähol la

ÏJ ún·

· ·

?bbla

Ï.· hol la

ÏJ ú·

Ï ähol la

ÏJ ú·

Ï ähol la

ÏJ ú·

· ·

&Ü bb ä

hol la

ÏJ· hol la

Ï Ï ú·

ähol la

ÏJ· hol la

Ï Ï ú·

ähol la

ÏJú.·

· ·

&Ü bb ä

hol la

ÏJ· hol la

Ï Ï ú·

ähol la

ÏJ· hol la

Ï Ï ú·

ähol la

ÏJ ú.·

· ·

?bb ähol la

ÏJ· hol la

Ï Ï ú·

ähol la

ÏJ· hol la

Ï Ï ú·

ähol la

ÏJ ún .·

· ·

?bb ähol la

ÏJ· hol la

Ï Ï ú·

ähol la

ÏJ· hol la

Ï Ï ú·

ähol la

ÏJ ú.·

· ·

&Ü bb

la

ú.·

ähol la

ÏJú.

·ä

hol la

ÏJú

·ä

hol la

ÏJÏ·

· ·

&Ü bb

la

ú.·

ähol la

ÏJ ú.·

ähol la

ÏJ ú·

ähol la

ÏJ Ï·

· ·

?bbla

ún .·

ähol la

ÏJ ún .·

ähol la

ÏJ ún·

ähol la

ÏJ Ï·

· ·

?bbla

ú.·

ähol la

ÏJ ú.·

ähol la

ÏJ ú·

ähol la

ÏJ Ï·

· ·

&bb wwwwnÏn Ï Ï Ï. Ïn Ï

3Ï. ÏÏ

jÏÏnn

3

ÏÏjÏÏ ÏÏ

j ÏÏ.. ÏJÏ3 ÏJ ÏÏ

ÏÏnnJÏÏÏ.>nn ÏÏ# .. ÏÏnJ

ÏÏ ÏÏÏ.>nn ÏÏ# .. ÏÏnJ

ÏÏÏ# Ï Ï

?bbÏÏ.. ÏjÏ

3

Ïj Ï Ïn jú ú ä Ï Ï Ï ú ú ä

ÏrÏ Ï ÏÏÏÏÏ.# ÏÏ.. ÏÏn

JÏÏÏÏ

Ïr

ÏÏÏÏ.# ÏÏ.. ÏÏnJÏÏÏÏ

20

261

¡

¢

¡

¢

¡

¢

&Ü bb · · î ä

hol la

ÏJÏ·

ú. Î ähol la

ÏJú· hol

Ï Ï

&Ü bb · · î ä

hol la

ÏJ Ï#·

ú. Î ähol la

ÏJ ú#· hol

Ï Ï

?bb · · ähol la

ÏJ ú.·

ú. ähol la

ÏJ ú.· hol

Ï Ï

?bb · · ähol la

ÏJ ú.·

ú. ähol la

ÏJ ú.· hol

Ï Ï

&Ü bb · î ä

hol la

ÏJÏ·

úhol la

Ï Ï Ï·

ú ähol la

ÏJÏ·

úhol la

Ï Ï Ï·

&Ü bb · î ä

hol la

ÏJ Ï#·

úhol la

Ï Ï Ï#·

ú ähol la

ÏJ Ï#·

úhol la

Ï Ï Ï#·

?bb · ähol la

ÏJ ú.· hol la

Ï Ï ú.·

Î ähol la

ÏJ ú·

úhol la

Ï Ï Ï·

?bb · ähol la

ÏJ ú.· hol la

Ï Ï ú.·

Î ähol la

ÏJ ú·

úhol la

Ï Ï Ï·

&Ü bb î ä

hol la

ÏJÏ·

úhol la

Ï Ï Ï·

úhol la

Ï Ï Ï·

ähol la

ÏJú.·

Ï.hol la

ÏJú

·&Ü b

b î ähol la

ÏJ Ï#·

úhol la

Ï Ï Ï#·

úhol la

Ï Ï Ï#·

ähol la

ÏJ ú# .·

Ï.hol la

ÏJ ú#·

?bb ähol la

ÏJ ú.· hol la

Ï Ï ú.· hol la

Ï Ï ú· hol la

Ï Ï w·

Ï.hol la

ÏJ· hol la

Ï Ï Ï·

?bb ähol la

ÏJ ú.· hol la

Ï Ï ú.· hol la

Ï Ï ú· hol la

Ï Ï w·

Ï.hol la

ÏJ· hol la

Ï Ï Ï·

&bbÏÏÏnn ÏÏ# .. ÏÏnJ

ÏÏ ÏÏ ÏÏn# ÏÏ.. ÏÏ<n>J ÏÏn ÏÏ ÏÏn ÏÏ ÏÏ ÏÏn .. ÏÏJ ÏÏ ÏÏn ÏÏn .. ÏÏ ÏÏ ÏÏ ÏÏ ÏÏn ÏÏn ÏÏ 3ÏÏ ÏÏ ÏÏ3ÏÏ# ÏÏ ÏÏ

?bbÏr

ÏÏÏÏ#& ÏÏ.. ÏÏn ÏÏÏϼ# ÏÏn ÏÏ# ÏÏÏϼ ÏÏn ÏÏÏϼ .... ÏÏj ÏÏÏϼ# ÏÏÏϼ#

ÏÏn ÏÏ ÏÏn ÏÏÏϼ ÏÏÏϼ#ÏÏn ÏÏ# ÏÏn ÏÏÏϼ .... ÏÏÏϼ

j ?ÏÏ# ÏÏn ÏÏÏϼ ÏÏÏÏ# ÏÏÏÏ ÏÏÏÏ# ÏÏÏÏ

21

266

¡

¢

¡

¢

¡

¢

T. I

T. II

I. Chor

B. I

B. II

T. I

T. II

II. Chor

B. I

B. II

T. I

T. II

III. Chor

B. I

B. II

Piano

&Ü bb

la

w·

î Î ähol la

ÏJw

··

&Ü bb

la

w·

î Î ähol la

ÏJ w·

·

?bbla

wn·

î Î ähol la

ÏJ wn·

·

?bbla

w·

î Î ähol la

ÏJ w·

·

&Ü bb î Î

hol

Ïla

Ï·

Ï.hol

ÏJ Ïnla

Ï·

Î Îhol

Ïla

Ï·

Ï.hol

ÏJ Ïn·

&Ü bb î Î

hol

Ïla

Ïn·

Ï.hol

ÏnJ Ïla

Ïn·

Î Îhol

Ïla

Ïn·

Ï.hol

ÏnJ Ï·

?bb î Îhol

Ïla

Ï·

Ï.hol

ÏJ Ïnla

Ï·

Î Îhol

Ïla

Ï·

Ï.hol

ÏJ Ïn·

?bb î Îhol

Ïla

Ïn· Ï.

hol

Ïn j Ïla

Ïn·

Î Îhol

Ïla

Ïn· Ï.

hol

Ïn j Ï·

&Ü bb ä

hol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

ähol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

&Ü bb ä

hol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

ähol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

?bb ähol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

ähol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

?bb ähol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

ähol la

ÏJ· hol la

Ï Ï ú·

Ï.hol la

ÏJ ú·

&bb wwwwnnÏn Ï Ï Ï. Ïn Ï

3

Ï# Ï ÏÏÏÏ.nÏn

ÏÏ>..

Ï Ï# ÏÏnJ ÏÏÏ Ïn Ï. Ï# wwwwn

Ïn Ï Ï Ï. Ïn Ï3

nn ÏÏ# Ï Ï

ÏÏ. ÏÏ>..Ï Ï# nnÏ ÏÏÏJ ÏÏÏ. Ï#

?bbÏÏ.. ÏjÏ

3

Ïj Ï Ïn júúúú ä

ÏÏ# ÏÏn ÏÏ ÏÏ ÏÏn ÏÏÏÏ.. ÏjÏ

3

Ïj Ï Ïn júúúú ä

ÏÏ# ÏÏn ÏÏ ÏÏ ÏÏn ÏÏ

22

27270

¡

¢

¡

¢

¡

¢

&Ü bb · î Î ä

hol

ff

la

Ïj w·

Ï Î î · î Î ähol

mfÏj

&Ü bb · î Î ä

hol

ff

la

Ïj w·

Ï Î î · î Î ähol

mfÏj

?bb · î Î ähol

ff

la

Ïj ú.· hol la

Ï Ï Ï·

Î î · î Î ähol

mf

Ïj

?bb · î Î ähol

ff

la

Ïj ú.· hol la

Ï Ï Ï·

Î î · î Î ähol

mf

Ïj

&Ü bb

la

Ï·

Î î · ähol

[ ff ]

la

Ïj ú.·

Ï Î î · ·

&Ü bb

la

Ïb·

Î î · ähol

[ ff ]

la

Ïj ú.·

Ï Î î · ·

?bbla

Ï·

Î î · ähol

[ ff ]

la

Ïj ú.·Ï Î î · ·

?bbla

Ïb·

Î î · ähol

[ ff ]

la

Ïj ú· hol la

Ï Ï Ï·

Î î · ·

&Ü bb · · Î ä

hol

[ ff ]

la

Ïj ú·

Ï Î î · ·

&Ü bb · · Î ä

hol

[ ff ]

la

Ïj ú·

Ï Î î · ·

?bb · · Î ähol

[ ff ]

la

Ïj ú·Ï Î î · ·

?bb · · Î ähol

[ ff ]

la

Ïj Ï.· hol la

Ïj Ï·

Î î · ·

&bb ÏÏÏb ÏÏÏ. ÏÏ3

Ï# Ï Ï Ïb ÏÏ. ÏÏÏ ÏÏÏ ÏÏÏ3 ÏÏÏ

> ÏÏ>.. ÏÏJ ÏÏ. ÏÏ>.. ÏÏj ÏÏ. ÏÏ> ÏÏ ÏÏ ÏÏ.. ÏÏ ÏÏ ÏÏ ÏÏÏ# ú.Ù~~~~~~~~~~~~~

?bb ÏÏ.. ÏJ Ï3 ÏJ Ï ÏbJ Ï Ï Ï. ÏJ

3Ï Ï Ïww ww ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ

3

ÏÏ ÏÏ ÏÏ ÏÏ

23

27628

¡

¢

¡

¢

¡

¢

T. I

T. II

I. Chor

B. I

B. II

T. I

T. II

II. Chor

B. I

B. II

T. I

T. II

III. Chor

B. I

B. II

Piano

&Ü bb

la

ú.·

Î · · · · ·

&Ü bb

la

ú.·

Î · · · · ·

?bbla

ú.·

Î · · · · ·

?bbla

ú· hol la

Ï Ï Ï·

· · · · ·

&Ü bb ä

hol

[ mf ]

la

Ïj ú·

Î · · · · ·

&Ü bb ä

hol

[ mf ]

la

Ïj ú·

Î · · · · ·

?bb ähol

[ mf ]

la

Ïj ú·Î · · · · ·

?bb ähol

[ mf ]

la

Ïj Ï.· hol la

Ïj Ï·· · · · ·

&Ü bb Î ä

hol

[ mf ]

la

Ïj Ï·

Î · · î Î äHol

p

la

Ïj w·

·

&Ü bb Î ä

hol

[ mf ]

la

Ïj Ï·

Î · · î Î äHol

p

la

Ïj w·

·

?bb Î ähol

[ mf ]

la

Ïj Ï·Î · · · î Î ä

Hol

p

la

Ïj w·

?bb î ähol

[ mf ]

la

Ïj Ï·· · · î Î ä

Hol

p

la

Ïj w·

&bbÏÏÏ> ÏÏ>.. ÏÏj ÏÏ. ÏÏ>.. ÏÏj ÏÏ. ÏÏ ÏÏ ÏÏ ÏÏ>.. ÏÏ ÏÏ ÏÏ ÏÏÏ# Ï

ÏÏÏ.# Ï.ÏÏÏ ÏÏ.. ÏÏj ÏÏ Î ÏÏ.. ÏÏj ÏÏ

?bbúú..

Ï Ï ÏÏ Ï Ï Ï Ïn3

wbÏb Ï Ï Ï Ï3

ÏÏ ÏÏ## ÏÏnn ÏÏ ÏÏ3

úú.. Ï ÏÏ.> Ï.

>ú

îÏ

24

282 poco rit. . . . . . . . . .

poco rit. . . . . . . . . .

¡¢B. II

Piano

?bbIII. Chor î Î äHol

pp

la

Ïj w·

·

&bb îÏÏ.. ÏÏ

j úú äp

?ÏÏÏ.JÏÏÏ.

sf

úúú- ä ÏÏÏ.JÏÏÏ.

?bb ÏÏ Ïúú.. î Ïúú Ï úú ÏÏ úú..

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .285

c

c

?bbúúú> ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ... ÏÏÏJ

ÏÏÏdim.

ÏÏÏ ÏÏÏ ÏÏÏ... ÏÏÏj

ÏÏÏ· ·

?bbÏÏ úú.. ÏÏ úú.. ÏÏ úú.. ÏÏ## úúnn .. wwnn

c29 Langsam (mäßige q)

290 44312Nicht so langsam q = ca 72

24Waldemar &Ü bb 22 Î

Mit

ÏTo

Ï.ves· Stim

ÏJ úme

ú#· flü

Ïnstert

úbder

ÏWald,

ú. Î 15

24rit. . . . . . . . . . .331 64

Wieder langsamer poco rit.

44etwas drängend

CWaldemar &Ü bb · ò ·3 · 36

CRasch372 24

etwas langsamer

38 34389 39

24q = ca 80

Klaus-Narr &Ü bb ó4 ó4 9 Î Î ä

„Ein

#selt

ÏnJ ÏbJsa

ÏnR· mer

ÏRVo

Ïjgel

Ï# j· ist

Ïn jso’n

ÏbJAal,

Ïb jim

Ïn jWas

Ïn jser

ÏnJlebt

ÏJer

Ïjmeist,

Ïb .kommt

ÏbJ

394 34 24 68 24 38 24 44Klaus-Narr &Ü# 48 · ò ·3 10 62 ò ·3 86 ##

44Mäßige q (q = ca 72)

607 614 24 44 C 44Waldemar &Ü## ó ò ·7 Î

Du

Ïstreng

Ïer

Ï· Rich

Ï úter

Ï· dro

únben,

ú·

ó ò6 · 18 8

44

44

65 q etwas breiter (ca 108)

650

rit.

34

34

sehr breit

&##fff

ÏÏÏbbb ÏÏÏbb ÏÏÏnbnÏÏÏ ÏÏÏ ÏÏÏnbn

ÏÏÏbbb ÏÏÏbb ÏÏÏ3ÏÏÏ ÏÏÏ ÏÏÏ

ÏÏÏ ÏÏÏ ÏÏÏÏÏÏnbn Ïúú ÏnÓÒ

ÎÏ#

fp

úú# ..Ïú. úÏ# Ï Ï Ï

ú.Ï. Ï ú Ï#

mfÏÏ# Ï# Ï Ï Ï

?##ÏÏbb ÏÏnn ÏÏnn ÏÏ ÏÏ ÏÏnn ÏÏbb ÏÏnn ÏÏ

3

ÏÏ ÏÏ ÏÏ ÏÏ Ï

Ï ÏÏ ÏÏnn úúÎ

úúnn .. úúnn ..

úúú...

=

=

=

=

=

=

=

25

65666 Sehr mäßige (q ca 56)

c

c

&## ú.úppÏ úúÏ Ï

? ÏÏ##Î

úúnn ÏÏ úú.. bbbppp

úú ÏÏj ä Î & î ä. Ïb rÏ Ï. Ï Ïn .. ÏrÏ

?## úúú... Ï úúÏ Ï Î · · bbbN.B. If starting from this bar, do not play the tied notes in the upper stave.

ÏÏ.. ÏÏÏÏnn .... ÏÏ##

rÏÏ ÏÏ..ÏÏÏÏnn .... ÏbR Ï Ï. Ï Ïn .. ÏrÏ

663¡

¢

T. I

T. II

I, II, III.Chöre

B. I

B. II

Piano

&Ü bbb

Jede Stimme in zwei gleiche Hälften geteilt

· ä.Der

pp

HahnÏr

er hebtÏ. Ï· den Kopf

Ï. Ïzur Kraht,

Ïb . Ï ún .hat den Tag

pp

Ï# Ïn ú#schon

Ïnim

ÏnSchna

Ïn .bel.·Ïn j î

&Ü bbb · ä.

Der

pp

HahnÏr

er hebtÏ. Ï· den Kopf

Ï. Ïzur Kraht,

Ïb . Ï ún .hat den Tag

pp

Ï# Ïn ú#schon

Ïnim

ÏnSchna

Ïn .bel.·Ïn j î

?bbb · ä.Der

pp

Hahn

Ïrer hebt

Ï. Ï· den Kopf

Ï. Ïzur Kraht,

Ïb . Ïb ún .hat den

pp

Tag

Ï# Ïn ú#

schon

Ïn

im

ÏnSchna

Ïn .bel.·ÏnJ î

?bbb · ä.Der

pp

Hahn

Ïrer hebt

Ï. Ï· den Kopf

Ï. Ïzur Kraht,

Ïb . Ïb ún .hat den Tag

pp

Ï# Ïn ú#schon

Ïnim

ÏnSchna

Ïn .bel.· Ïnj î

&bbb Ï. Ï Ïn . Ï úú úú.. ä. Ïr ä.pp

ÏÏbbR úú Î úú## Ïn Ïn

pppúúúúb

p

ÏÏÏ3

ÏÏÏ>bÏ. ÏÏ Ï

?bbbÏ. Ï Ïn . Ï î ä. Ïr Ï. Ï Ï. Ï Ïb . Ï úúnn .. ÏÏ##

ÏÏnn ú# Ïn Ïnúúú

î

66867¡

¢

T. I

T. II

B. I

B. II

Piano

&Ü bbb î

Und

p

von un sern· SchwerÏ Ï Ï Ï

tern

Ïb j Ï· trieft rost

Ïjge· rö

Ïb . Ï· tet·

ppÏn Ï#der Mor

Ï Ï#gen· tau.

Ïn . Ïn Ï.·ä

&Ü bbb î

Und

p

von un sern· SchwerÏ Ï Ï Ï

tern

Ïb j Ï· trieft rost

Ïjge· rö

Ïb . Ïb Ïb· tet

pp

· der Mor

Ï# Ï#gen· tau.

ÏÏ#n .. Ïn Ï.·ä

?bbb îUnd

p

von un sern· Schwer

Ï Ï Ï Ïtern

ÏJ Ï· trieft rost

ÏJge· rö

Ï. Ïb Ïn· tet

pp

· der Mor

Ï Ïgen· tau.

Ïn . Ï# Ï.·ä

?bbb îUnd

p

von un sern· Schwer

Ï Ï Ïb Ï Ïtern· trieft rost

Ïb Ïge· rö

Ï. Ï Ïn· tet

pp

· der Mor

Ïn Ï#gen· tau.

Ïn . Ï Ï.·ä

&bbb ÏÏÏ...Ï. Ïb Ïj

ä ?pp

ä Ï Ï Ï ÏÏbJ ÏÏ ÏÏÏJÏÏ.. ÏÏÏÏ ÏÏÏ# ÏÏÏn ÏÏÏ

j ä ÏÏÏn# ... Ï Ï. ä?bbb î Ï Ïb Ï Ïb Ïb ÏÏnn Ï

j ä ÏÏÏn# ... ÏÏÏ ÏÏÏ... ä

=

=

26

671 24

24

24

24

24

24

24

24

2424

44

44

44

44

44

44

44

44

4444

¡

¢

T. I

T. II

B. I

B. II

Piano

&Ü bbb ·* ä

Die

pp

Zeit

ÏJist um,

Ïb Ïn Ïn j ä Î ädie Zeit

Ï# jist

pp

um,

Ïn Ïn úb . ppp

mit

Ï

&Ü bbb

get.

· · äDie

pp

Zeit

ÏbJist um,

Ïb Ïn Ïn j ä Îum,

pp ún . Î

&Ü bbb · Î ä

Die

pp

Zeit

ÏnJist um,

Ïn Ïb Ïb j ä Î äist um,

ppÏn j úb . Î

&Ü bbb

get.

· · Î äDie

pp

Zeit

Ïn jist um,

Ïn Ï# Ï# j äum,

ppúb . ppp

mit

get.ÏÏ

?bbb îpppÎ ä

Die Zeit

ÏbJ Ïist um,

Ïb Ïbdie Zeit

Ïn Ïnist um,

Ïb Ïbdie Zeit

Ïn Ïnist um,

ppÏb Ïn ún . Î

?bbbget.

î pppÎ äDie Zeit

ÏnJ Ïb .ist um,

ÏnJdie Zeit

Ïn Ïbist um,

Ïb Ïndie Zeit

Ïn Ïbist um,

[ pp ]

Ïn Ï úb .ppp

mit

get.ÏÏ?bbb î

pppÎ äDie Zeit

Ïn j Ïnist um,

Ï# Ïndie Zeit

Ï Ïbist um,

Ïb Ïndie Zeit

Ïb Ïbist um,

[ pp ]

Ïn Ïn úb .mit

pppÏb

?bbbget.

î pppÎ äDie Zeit

Ïn j Ïnist um,

Ï# Ïndie Zeit

Ï Ïbist um,

Ïb Ïndie Zeit

Ïb Ïbist um,

[ pp ]

Ïn Ïn úb .mit

ppp

Ï?bbb

pp

î Î ä ÏÏbnJÏ Ï ÏÏÏb ÏÏÏnn# ÏÏÏn

ÏÏÏÏ ÏÏÏbbb ÏÏÏÏnnn# ÏÏÏÏÏÏÏbnbb &

ÏÏÏnn#ÏÏÏÏn úúúbbn ... ÏÏ

?bbb

* For this section, it is suggested that the choir is divided like the first chorus into three four-part choirs, using the following as a guide:Choir I: upper stave, higher partChoir II: lower stave, higher part; occasionally crossing to the upper stave and taking the lower partChoir III: lower stave, lower partThis also implies that when there is a two-part divisi, Choir I takes the higher note of the chord, and ChoirsII and III take the lower note. Choir I should be slightly larger than Choirs II and III, as Schönberg notesthat there should be enough extra 1st tenors in Choir I to make a “fourth choir”.

ä ÏÏÏnn J ÏÏÏb ... ÏÏÏÏb úúúúbnÏ.Ï Ïn j Ï Ïb Ïb Ïn Ïb Ïb Ïn Ïn úúúúbnbb .... ÏÏÏÏb Ïn

27

675¡

¢

T. I

T. II

B. I

B. II

Piano

&Ü bbb

off

Ïn .nem· Mun

ÏJ Ïb .de· ruft

ÏJ Ïn .das Grab,

ÏJ úbund

Ï.die Er

ÏJ Ïb .de·ÏJ

&Ü bbb · · ·

&Ü bbb · ä

mit

p hervortr.

off nem· MunÏb Ïb Ïb

de· ruft das Grab.

Ïb Ïb Ïb Ïb Ïb Ïb Î äDie

Ïb j

&Ü bbb

off

ÏÏnn ..nem· Mun

ÏÏJ ÏÏbb ..de· ruft

ÏÏJ ÏÏbb ..das Grab,

ÏÏJ úúbund

bb Ï.Ïdie

ÏbEr

zus.Ïj Ï.de·ÏJ

?bbb ämit

p

off nem· Mun

Ïn Ïn Ïnde· ruft das Grab.

Ïn Ïb Ïb Ïb ÏnÎ î ä

Die Er de· saugt

Ïb Ïb Ïndas scheu e·

Ïb Ïb Ïn Ïb

?bbboff

ÏÏnn ..nem· Mun

ÏÏJ ÏÏb ..de· ruft

ÏÏJÏÏnn ..

das Grab,

ÏÏJúúbb

und

ÏÏn ..die Er

ÏÏJÏÏb ..

de·ÏÏJ

?bbboff

Ïn .nem· Mun

ÏJ Ïb .de· ruft

ÏJ Ïb .das Grab,

ÏJ úbund

Ïb .die Er

ÏJ Ï.de·ÏJ

?bbboffÏn .

nem· MunÏj Ïn .

de· ruft

Ïj Ïn .das Grab,

Ïj úbund

Ïn .die Er

Ïj Ï.de·Ïj

&bbb ÏÏÏÏnnnjÏÏÏÏ ÏÏÏÏ

jÏÏÏbbbj

ÏÏÏ ÏÏÏj

ÏÏÏnnjÏÏÏ ÏÏÏ

jÏÏÏbbbj

ÏÏÏ bÏÏÏj

ÏÏÏj ÏÏ Ïb ÏÏj ÏÏj

ÏÏ ÏÏj

?bbb ÏÏÏnnnjÏÏÏ ÏÏÏ

jÏÏÏÏbj

ÏÏÏÏ ÏÏÏÏj

ÏÏÏÏnnjÏÏÏÏ ÏÏÏÏ

j ÏÏÏÏbb JÏÏÏÏ ÏÏÏÏJ

ÏÏÏÏnn JÏÏÏÏ ÏÏÏÏJ

ÏÏÏbJÏÏÏ ÏÏÏÏb J

28

67868

¡

¢

&Ü bbb

saugt

Ïb .das licht

ÏJ Ïnscheu· e· Rät

Ï Ïn ú.sel

Ï#· ein.

ún *

ÎUII

IäVer

pp

sin

ÏJ úúbn· ket.

ÏÏn·

Î · ·

&Ü bbb ä

DieEr de· saugt

Ïb Ïb Ïbdas scheu e· Rät

Ïn Ïn Ïb Ïn ú.sel

Ï#· ein.

ún ÎU IIIÎ Î äVer

pp

sinkt.

ÏbJ ún·

· ·

&Ü bbb

Er

Ïb .de· saugt

Ïj Ïndas

ÏRät

únsel

ú· ein.

úb ÎUII

IäVer

pp

sin

ÏÏnb J úúb· ket.

ÏÏn·

Î · ·

&Ü bbb

saugt

Ïb .das licht

Ïj Ïnscheu· e· Rät

Ï Ï únsel

ú· ein.

úb ÎU IIIÎ Î äVer

pp

sinkt.

Ïb j ún·

· ·

?bbbRät

ún ún úsel

ún· · · · ein.

ú ÎU Î î Î äVer

pp

sin

ÏnJ úb· ket.

Ïn·

Î ·

?bbbsaugt

ÏÏnb ..das licht

ÏÏJ ÏÏnnscheu· e· Rät

ÏÏ ÏÏ úúsel

núú· ein.

úú ÎUII

IÎ î Î äVer

pp

sin

ÏÏnn Júúbb

· ket.

ÏÏnn·

Î ·

?bbbsaugt

Ïb .das licht

ÏJ Ïbscheu· e· Rät

Ï Ï úsel

úb· ein.

ún ÎUChoir III Bass 2

Choir III Bass 1Î Î äVer

pp

sin

ÏÏnb J úú· ket.

ÏÏbb·

Î î ·

?bbbsaugt

Ïn .das licht

Ïj Ïscheu· e· Rät

Ï Ï úsel

úb· ein.

ún ÎUII

IÎ î Î äVer

pp

sin

ÏÏnn júúbb· ket.

ÏÏnn·Î ·

&bbb ÏÏ#n j ÏÏ ÏÏjfp

nÏn Ï ÏÏ ÏÏ ú.ú ú Ï#pp

nb úú ÎU ä ÏÏn j úú úúúnn · ·

?bbb ÏÏÏ#nn JÏÏÏ ÏÏÏJ

ÏÏÏnb JÏÏÏ ÏÏÏJ úú úúnb úún ÎU ä ÏbJ Ïb . ÏÏÏÏbJ ÏÏÏn ... b

bbÏÏÏÏnj úúúúú ÏÏÏÏnn ä

ÏÏÏÏnbj

úúúbb nb ÏÏú ú

684¡

¢

T. I

T. II

B. I

B. II

Piano

&Ü bbb [zusammen]î Î ä

Das

p

Le

ÏJ Ïben

Ï· kommt

Ïmit

ÏMacht

Ï úund

ÏGlanz,

ú.mit

Ï

&Ü bbb î Î ä

Das

p

Le

ÏÏj ÏÏben

ÏÏ· kommt

ÏÏmit

ÏÏMacht

úú..und

ÏGlanz,

úú..mit

Ï

?bbb[zusammen]î Î ä

Das

p

Le

ÏJ Ï.ben· kommt

ÏJ Ïmit

ÏÏMacht

úú..und

ÏÏGlanz,

úú..mit

Ï

?bbb[zusammen]î Î ä

Das

p

Le

ÏJ Ïben

Ï· kommt

Ïmit

ÏMacht

úb .und

ÏGlanz,úú..

mit

Ï

&bbb î Î äpÏÏÏj úúÏÏÏÏÏÏÏ Ï ÏÏÏÏÏÏ ÏÏÏÏÏ ÏÏÏÏúÏ

ÏÏÏÏÏÏ Ïn Ï

f

ÏÏÏÏ ú.6

Ï ÏÏÏÏÏ3

ÏÏÏÏ6

Ï.Ï.Ï.Ï.Ï.Ï.Ï

6

Ï.Ï.Ï.Ï.Ï.Ï.

?bbb

* The Roman numerals here show a suggested re-division of the chorus to accomodate the 12-part division indicated by Schönberg (i.e., I = Choir I as in the previous chorus). This division applies only to these 2 bars. Also, note the upper Bass 1 part is redundant.

îw wÎ ä ÏÏÏj ÏÏÏ ÏÏÏÏ ÏÏÏÏ ÏÏÏÏ úúú... ÏÏÏ úúú...

ÏÏÏ

=

29

68869

¡

¢

T. I

T. II

B. I

B. II

Piano

&Ü bbb

Ta

fúten

Ï.· und po

ÏJú

chen

Ï· · den

Ï· Her

Ïzen,

Ï·

î î Îund

Ï# . Ïn

&Ü bbb

Ta

fúten

Ï.· und po

ÏJ úúchen

ÏÏ· · den

ÏÏ· Her

ÏÏzen,

Ï·

î î Îund

Ïn

?bbbTa

fúúten

Ïb .· und po

ÏJ úúchen

ÏÏ· · den

ÏÏ· Her

ÏÏzen,

ÏÏ·

î î Îund

Ïb

?bbbTa

fúten

Ï.· und po

ÏJ úchen

Ï· · den

Ï· Her

ÏÏzen,

Ï·

î î Îund

Ï

&bbb 6ÏÏÏÏÏÏ 3ÏÏÏÏ 6Ï. Ï. Ï. Ï. Ï. Ï. 6

Ï. Ï. Ï. Ï. Ï. Ï.ú

6

ÏÏÏÏÏÏ6

ÏÏÏÏÏÏ6

ÏÏÏÏÏÏ6

ÏÏÏÏÏÏ ÏÏÏÏúúú ÏÏÏ

p

úúún ... #n ÏÏ. Ïn?bbb

úúúúúúú úúú ÏÏÏ ÏÏÏ ÏÏÏÏ

úúúú ÏÏ ÏÏ ÎÏ Îú ÏÏb692¡

¢

T. I

T. II

B. I

B. II

Piano

&Ü bbb

wir

ún .sind des To

Ïn . Ïb Ïdes

ú· der Sor

Ïb . Ïn Ïge

ú· und des To

Ïn . Ïb Ïdes

ú· des Schmer

Ï# . Ïn Ïnzes

ú· und des

Ïn . Ïb

&Ü bbb

wir

Ïbsind

údes

ÏTo

úndes

Ï.· der Sor

ÏJ Ïb .ge· und

ÏJ Ï.des To

ÏJ úndes

Ï.· des Schmer

ÏJ Ï# .zes· und

Ïj Ï.des

Ïj

?bbbwir

úsind

Ï#des

ÏnTo

Ïndes

ú· der

ÏbSor

Ïge

Ï· und

Ï#des

ÏnTo

Ïndes

ú· des

ÏbSchmer

Ïzes

Ï· und

Ï#des

Ïn?bbb

wir

Ï#sind

údes

ÏTo

údes

Ï.· der Sor

Ïj Ï# .ge· und

Ïj Ï.des To

Ïj údes

Ï.· des Schmer

Ïj Ï# .zes· und

Ïj Ï.des

Ïj

&bbb nb ú.Ï ú nÏ nÏ. Ïb ÏÏ úÏ Ï. bÏb . Ïn ÏÏJ Ï. ú ÏJ Ï. nÏn . Ïb ÏÏJ Ï úÏ Ï. n#Ï# . Ïn ÏÏJ Ï. ú ÏJ Ï. Ïn . ÏbÏJ?bbb #úÏ ú Ï# nÏÏ nÏÏ úÏ Ï. Ïb #ÏÏJ Ï. Ï #ÏÏJ Ï. Ïn nÏÏJ Ï úÏ Ï. Ïb #ÏÏJ Ï. Ï #ÏÏJ Ï. Ïn ÏJ697 70 24

24

24

24

2424

¡

¢

T. I

T. II

B. I

B. II

Piano

&Ü bbb

To

Ïdes

ú·

äUins

pp

Grab,

ÏJ úb Ï äins Grab

ÏJ úb Ï äzur träu

ÏJ Ïb .me· schwang

Ïj Ïb .· ern· Ruh.

Ï# j Ïn ún Î · ·

&Ü bbb

To

Ïndes

ú·

äUins

pp

Grab,

Ïj ú Ï äins Grab

Ïj ú Ï äzur träu

Ïj Ï.me· schwang

Ïj Ϻ .· ern· Ruh.

Ïn j ú. Î · ·

?bbbTo

Ïndes

ú·

äUins

pp

bGrab,

Ïj úúbn ÏÏ äins

ÏJ ÏJGrab

Ïj úúbn ÏÏ äzur träu

ÏJ Ïb .me· schwang

Ïj Ï.· ern· Ruh.

Ïj ún . Î · ·

?bbbTo

Ïdes

ú·äU

ins

pp

Grab,

Ïj úÏJ ú ÏÏä

ins Grab

Ïj úÏJ ú ÏÏä

zur träu

Ïj Ïb .me· schwang

Ïj Ïb .· ern· Ruh.

Ïj Ïn ún Î · ·

&bbb ÏÏn úú? äU

pp

ÏÏÏbJúúúbnb ÏÏÏb ä ÏÏÏJ

úúúbnb ÏÏÏb ä ÏÏÏÏJÏÏÏÏb .... ÏÏÏÏJ ÏÏÏÏ##n ....

nnÏÏÏÏj Ïúú.. ú Ï

ppwww#n

pppp

wwwnbb &

?bbb ÏÏn úú äU Ïj úún ÏÏä Ïj úún ÏÏ

Îú úb nn Ïw ú Ï

ww## wwnn

=

=

30

24

24

24

24

24

24

24

24

24

24

24

24

24

24

Chor der Mannen

Chor der Mannen

Die gleichen Viertel (q =q)

Die gleichen Viertel (q =q)

70471

¡

¢

¡

¢

¡

¢

Tenor I

Tenor II

Chor I

Bass I

Bass II

Tenor I

Tenor II

Chor II

Bass I

Bass II

Tenor I

Tenor II

Chor III

Bass I

Bass II

Piano

&Ü bbb · · pp

O,

úbkönn

Ïnten· in Frie

Ïn Ïden

Ï Ïb . ÏR· wir

ÏJschla fen!·Ï. Ï Î · ·

&Ü bbb · pp

O,

úkönn

Ï#ten· in Frie

Ï Ïbden

Ïn Ï. ÏR· wir schla

ÏbJ Ïfen!

Ï·

· · ·

?bbb · · · · · ·O,

ppúbkönn

Ïten· in

Ïn Ïb

?bbb · · · · ·O,

ppúkönn

Ï#ten· in Frie

Ï Ïbden

Ïn Ï. ÏR· wir

ÏbJ

&Ü bbb · · · pp

O,

úkönn

Ïten· in Frie

Ïn Ïnden

Ïb Ïb . ÏR· wir

ÏJschla fen!·Ïb . Ï Î ·

&Ü bbb

O,

ppúkönn

Ïnten· in Frie

Ï Ïnden

Ï Ïb . ÏR· wir schla

ÏnJ ÏJ Ïnfen!·

· · · ·ÏJ

?bbb · · · · · · ·O,

ppú

?bbb · · · ·O,

ppúkönn

Ïnten· in Frie

Ï Ïnden

Ï Ïb . ÏR· wir schla

ÏnJ ÏJ Ïnfen!·Ïj

&Ü bbb

O!

ppú ú ú ú · · · ·

&Ü bbb · · · ·

O!

pp

ú ú úb ú

?bbb · · · ·O!

ppú ú ú ú

?bbb · · · · · · · ·

&bbbpp

ú núÏ búÏ Ïn ÏJ Ïb úÏnJ ÏÏ.. ÏbJ ÏÏä Ïb bÏj ÏÏn Ï ÏJ Ïn . Î bÏú

Îú

?bbb · ·Ï# Ï Ï# ä Ïn úÏJ Î Ï núÏ #ÏÏ Ïn ÏJ Ïb n# ÏJ äÏ Ï ÏÏ.. Ïn bÏjÏJ

31

71272

G.P.

G.P.

¡

¢

¡

¢

¡

¢

T. I

T. II

I. Chor

B. I

B. II

T. I

T. II

II. Chor

B. I

B. II

T. I

T. II

III. Chor

B. I

B. II

Piano

&Ü bbb Î ä

in Frie

ÏJ Ïnden· schla

Ï Ïn ÏJ Ïbfen.

Ïn j· Ïj ä Î · · · · ·

&Ü bbb Î ä

in Frie

ÏJ Ïbden

Ï· schla

Ïfen.

Ï Ï· Ïj ä Î · · · · ·

?bbbFrie den

Ïn Ïb . ÏR· wir

ÏJschla fen!·Ï. ÏÎ Î ä

in

pp

Frie

ÏbJ ÏJ Ïnden,·

·Ïj Î pppäin Frie

Ïj úbden.

ú··

?bbbschla

Ïfen!

Ï·· · Î ä

in

pp

Frie

Ïj ÏJ Ïnden,·Ïj Î

[ ppp ]

äin Frie

Ïj úbden.

ú··

&Ü bbb · Î ä

in Frie

ÏJ Ï#den· schla

Ïn Ïb ÏnJ Ïnfen.·

· · · · ·Ïb j

&Ü bbb · Î ä

in Frie

Ïj Ïb .den· schla

Ïj Ïj Ïfen.·

· · · · ·ÏJ

?bbbkönn

Ïten· in Frie

Ïn Ïnden

Ïb Ïb . ÏR· wir

ÏJschla fen!·Ïb . ÏÎ Î ä

in

pp

Frie

Ïj úbden,

ú·Î ä

in

ppp

Frie

Ïj ÏJ Ïnden.·

·Ïj

?bbb · · · Î äin

pp

Frie

Ïj úbden,

ú·Î ä

in

ppp

Frie

Ïj ÏJ Ïnden.·

·Ïj

&Ü bbb · · Î ä

in

pp

Frie

ÏbJ ÏJ Ïnden,·ÏJ Î [ ppp ]ä

in Frie

ÏJ ÏJ Ïnden.·

· · ·ÏJ

&Ü bbb · · · Î ä

in

pp

Frie

ÏJ ÏJ Ïnden,·ÏJ Î ä

in

ppp

Frie

ÏJ ÏJ Ïnden.·

· ·ÏJ

?bbbO!

pp

ú ú úb ú Î äin

pp

Frie

Ïj ÏJ Ïnden,·Ïj Î ä

in

ppp

Frie

Ïj ÏJ Ïnden.·

·Ïj

?bbbO!

pp

ú ú úb ú · Î äin

pp

Frie

Ïj ÏJ Ïn[ ppp ]

den,· Frie

Ïj ÏJ Ïnden.·

·Ïj

&bbb äÏ bbÏÏ

j ÏúÏ.ä Ïj ÏÏ# ÏÏ Ï# ÏÏj ÏÏn Ïj Ïj Ïn Ïj

ppp

Ïj Ïn Ïj Ïj Ïn · ·ÏjÏÏnJ

?bbb ÏÏú bÏn ÏÏ úÏj Ïb . bb Ï.ú ÏÏÏ#n# j

Ï.ÏjÏÏn bÏÏj bÏJ úÏ

jÏn Ïj Ï.Ï

jÏn bÏjÏJ úÏ

jÏn Ïj úÏ

jÏn ·Ïj

32

721 44

44

73

&bbbpppp

Ï. Ï Ï Ïj Ïb Ïb j úúúb ÏÏÏj ä Î · ? î

pppp

ú# ## úw ún úúnn úú#n www## wwwn &

?bbbÏ. Ï Ï ÏJ Ïb

ppp

ÏbJ Ï. ÏÏ ÏÏ ÏÏjÏÏbb ÏÏbb

jww ww w w w w

731

74

&bbb wwwn ÏÏÏ Î î ? wwwn & wwwn ÏÏÏ Î îppp

wwwn ÏÏÏ Î î ·wwwn ÏÏÏ

Î îU ##

?bbbw w w w w w w ú ún ú ú# wu

##

Langsam (q = 54)

Melodram, später gemischter Chor

Des Sommerwindes wilde Jagd

741 24Mäßige q (ca 72)

44 24Halb so rasch

128langsamer

68Fließend q. = 56

Sprecher &## 45Herr Gänsefuß, Frau Gänsekraut,nun duckt euch nur geschwind,denn des sommerlichen Windes wilde Jagd beginnt.Die Mükken fliegen ängstlichaus dem schilfdurchwachs’nen Hain,In den See grub der Wind seine Silberspuren ein.Viel schlimmer kommt es, als ihr euch nur je gedacht;Hu! wie’s schaurig in den Buchblättern lacht!Das ist Sankt Johanniswurm mit der Feuerzunge rot,und der schwere Wiesennebel, ein Schatten bleich und tot!Welch Wogen und Schwingen!Welch Ringen und Singen!In die Ähren schlägt der Wind in leidigem Sinnedaß das Kornfeld tönend bebt.Mit den langen Beinen fiedelt die Spinne,und es reißt, was sie mühsam gewebt.Tönend rieselt der Tau zu Tal,Sterne schießen und schwinden zumal;flüchtend durchraschelt der Falter die Hekken,springen die Frösche nach feuchten Verstekken.Still! Was mag der Wind nur wollen?Wenn das welke Laub er wendet,sucht er, was zu früh geendet;Frühlings, blauweiße Blütenträume,

56 ó ò6der Erde flüchtige Sommerträume –längst sind sie Staub!Aber hinauf, über die Bäumeschwingt er sich nun in lichtere Räume,denn dort oben, wie Traum so feinmeint er, müßten die Blüten sein!Und mit seltsamen Tönenin ihres Laubes Kronengrüßt er wiederdie schlanken Schönen.Sieh! nun ist auch das vorbei.Auf luftigem Steige wirbelter freizum blanken Spiegel des Sees,und dort in der Wellen unendlichem Tanz,in bleicher Sterne Widerglanzwiegt er sich friedlich ein.Wie stille wards zur Stell!Ach, war das licht und hell!O schwing dich aus dem Blumenkelch, Marienkäferlein,und bitte deine schöne Frau um Leben und Sonnenschein.Schon tanzen die Wogen am Klippenekke,schon schleicht im Grase die bunte Schnekke,nun regt sich Waldes Vogelschar,Tau schüttelt die Blume vom lockigen Haar und …

37 10 nn 15

91nach und nach beschleunigen910

Sprecher

Piano

&späht

Ànach der Son

À À À.ne· aus.

À. À À ä äEr wacht,

Àj À. ä äer wacht,

Àj À. ä äihr Blu

Àjmen· zur Won

À À À À. À.ne.

À.·

&mf

ÏÏÏÏ.JÏÏÏÏ> ÏÏÏÏ ÏÏÏÏ

ÏÏÏÏÏÏÏÏ> ÏÏ

ÏÏÏ> ÏÏ

ÏÏÏÏ> ÏÏ ÏÏÏÏ

.JÏÏÏÏ> ÏÏÏÏ ÏÏÏÏ

ÏÏÏÏÏÏÏÏ> ÏÏ

ÏÏÏ> ÏÏ

ÏÏÏÏ> ÏÏ

ÏÏ.J

ÏÏ ÏÏ ÏÏ. ÏÏ. ÏÏ

.JÏÏ ÏÏ ÏÏ

. ÏÏ.

? úú.. ÏÏ.. Ïj Ï>

úú.. ÏÏ.. Ïj Ï> úúú...Ï. ÏJ

Ï úúú...Ï. ÏJÏ

=

=

=

33

916 rit. . . . . . . . . . . . . . . . . .

rit. . . . . . . . . . . . . . . . . .

92¡

¢

Soprano I

Soprano II

Alto I

Alto II

Tenor I

Tenor II

Bass I

Bass II

Piano

& · · · · ·

& · · · · ·

& · · · · Î äSeht,

f cresc.Ï.

& · · · ·Seht.

f cresc.ú.

&Ü · · · Î äSeht,

mf cresc.Ï. ú.

&Ü · · ·Seht,

mf cresc.ú. ú.

? · · Î äSeht,

p cresc.Ï. ú. ú.

? · ·Seht,

p cresc.

ú. ú. Ï. Ï Ïn j

&ÏÏ ÏÏ

ÏÏ ÏÏ ÏÏÏÏ

ÏÏ ÏÏÏÏ ÏÏ

ffp

ÏÏÏÏ

úú.. úú..cresc.

úú.. úú..Ï. Ï. Ï. Ï. Ï. Ï.

Ï Ï Ï Ï Ï Ï

? úúú...Ï Ï Ï úúú...Ï Ï Ïúú.. úú.. ÏÏ.. ÏÏ ÏÏnn

j

34

. . . . . . . .

. . . . . . . .

921

C

C

C

C

C

C

C

C

C

C

Mäßige h (ca 60)

Mäßige h (ca 60)

¡

¢

&Seht,

fÏ.die

Ï.Son

ffwne,

ú.· die

ÏSon

w w· · · ·

&Seht,

fÏ.die

Ï.Son

ffwne,

ú.· die

ÏSon

w w· · · ·

& Ï.die

Ï.Son

ffwne,

ú.· die

ÏSon

w w· · · ·

& Ï.die

Ï.Son

ffw

ne,

ú.· die

ÏSon

w w· · · ·

&ÜÏ.

die

Ï.Son

ffwne,

ú.· die

ÏSon

w w· · · ·

&Ü Ï.die

Ï.Son

ffwne,

ú.· die

ÏSon

w w· · · ·

? Ï.die

Ï.Son

ffwne,

ú.· die

ÏSon

wne,

w· ·

?seht,

Ïb Ïndie

ÏbSon

ff

wne,

ú.· die

ÏSon

wne,

w· ·

& ÏÏÏÏÏÏ

ff

ÏÏÏÏÏÏ

wwww úúúú....ÏÏÏÏ ú.www Ï ÏÏÏ ÏÏ Ï.Ï Ï Ïj

?ÏÏ>bb ÏÏ> ÏÏ>

bb úú..6

Ï. Ï. Ï. Ï. Ï. Ï. úú ÏÏ ÏÏÏÏÏÏ úú ÏÏ

ÏÏÏÏÏÏ úú ÏÏ ÏÏÏÏÏÏ

35

926

93¡

¢

S. I

S. II

A. I

A. II

T. I

T. II

B. I

B. II

Piano

&ú ú

ne,

ú· · die

úSon

wne,

ú· ·

Îdie

ÏSon

w·

&ú

ne

ú·

îseht

Ï.die Son

ÏJ wne,

ú· ·

Îdie

ÏSon

w·

& wne,

ú· · seht

Ï.die Son

ÏJ wne,

ú· ·

Îdie

ÏSon

w·

& wne,

ú· · seht

Ï.die Son

Ïj wne,

ú· ·

Îdie

ÏSon

w·

&Üne,

úseht

Ï.die Son

ÏJ ú. Ï wne,

ú· · · ·

Îdie

ÏSon

w·

&Üne,

úseht

Ï.die Son

ÏJ ú. Ï wne,

ú· · · ·

Îdie

ÏSon

w·

?seht

ú ú ú.die

ÏSon

wne,

ú· ·

Îdie

ÏSon

w·

?seht

ú ú ú.die

ÏSon

wne,

ú· ·

Îdie

ÏSon

w·

& úú úúúú úúúú ÏÏÏÏ....wwwww ú wwww úÏÏÏÏ

j ww úúú... ÏÏ

? úú úú úú.. ÏÏ úú úú úú ÏÏ.. ÏÏj

ww

36

931¡

¢

&ne

ú·

î · · · ·

&ne

ú·

î · · · ·

&ne

ú·

î · · · ·

&ne

ú·

î · · · ·

&Üne

ú·

î · · · ·

&Üne

ú·

î · · · ·

?ne

ú·

î · · · ·

?ne

ú·

î · · · ·

& ÏÏúú.. Ï Ï. Ï Ïj úú úú úú Ïú Ï Ï3

p

www ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ

?úú ú w wú ú ww ww

37

Halber Chor *

936¡

¢

S.

A. I

A. II

T. I

T. II

B. I

B. II

Piano

&far

12 Sopranepú

ben

Ï Ï# Ï· froh

ú·

Ïam

ÏHim

úmels

Ï Ï# Ï· saum

ú·

Ï Ï

&far

12 I. Altep

Ïben

Ï· froh

Ï· amÏ

HimÏ Ï.

mels· saum

Ïj Ï· öst

Ïj Ïlich· grüßt

Ïj Ïihr

ÏMorÏ# . Ïj

gen· traum,

Ï Ï Ï Ï

&12 II. Alte·

far

p

Ïben

Ï· froh

Ï· amÏ

HimÏ Ï.

mels· saum

Ïj Ï· öst

Ïj Ïlich· grüßt

Ïj Ïihr

Ï

&Ü10 I. Tenöre·

far

pú

ben

Ï Ï# Ï· froh

ú·

Ïam

ÏHim

úmels

Ï Ï# Ï· ·

&Üfar

10 I. Tenöreppú.

ben

Ï· froh

ú.· am

ÏHim

Ï úmels

Ï· saum

w·

&Üfar

10 II. Tenöreppú.ben

Ï· froh

ú.· am

ÏHim

ú Ïmels

Ï· saum

w·

?far

10 I. Bässeppú.ben

Ï· froh

ú·

Ï.am Him

ÏJ úmels

ú· saum

w·

?far

10 II. Bässepp

wben

w· · froh

w· · am

w

&p

úÏú. Ï ÏÏ Ï# ÏÏÏúÏÏ Ï ÏÏ ÏÏ úÏú ú ÏÏÏ Ï# ÏÏÏ wúÏJ Ï ÏJ ÏÏ ÏÏ

?* Bars 936 to 944 may be sung by a semi-chorus

úú..w ÏÏ wúú. Ï Ï# ÏÏ úw

úww

38

94940¡

¢

&öst

mfúlich

Ï Ï Ï· grüßt

úihr

Ï ÏnMor

Ï# Ï ú.gen

Ï· traum,

ú·

ú ·

&öst

mfÏb .lich· grüßt

Ïjihr Mor

Ï Ïgen· traum,

Ïb Ï Ï·Î ä

öst

Ïlich· grüßt

fÏj ÏJ Ïn

ihrMor

ÏJ Ïgen

Ï· traum,

ú· ú ·

&MorÏ# . Ïj

gen· traum,

Ï Ïöst

mfÏ Ï Ïb .

lich· grüßt

Ïjihr

Ï ÏMor

Ïb Ï Ïgen

Ï· traum,

ÏJ Ïnöst

ÏJ Ïj Ïlich· grüßt

Ïj Ïj Ïihr Mor

Ïj Ïj Ïgen· traum,

Ïj Ïj Ï Ïj

&Üsaum

ú Ï Ïöst

mfúlich

Ï Ï Ï· grüßt

úihr

Ï ÏnMor

fÏ# Ï ú.gen

Ï· traum,

ún·

ú

&Ü wöst

mfúnlich

Ï# Ï Ï· grüßt

Ï Ï Ïihr

ÏMor

ÏJ Ïgen· traum,

ÏJ ÏJ Ïihr Mor

ÏJÏJ Ï

gen· traum,

ÏJ ÏJ Ï ÏJ

&Ü ú úöst

mfú#

lich

ún· grüßt

ú.ihr

ÏMor

Ï.gen· traum,

Ïj Ïj Ïihr Mor

Ïj ÏJ Ïgen· traum,

Ïj Ïj Ï Ïj

? wöst

ú.lich

Ï· grüßt

ú.ihr

ÏMor

úgen

ú· traum,

w·

?Him

úmels

ú· saum

ú· öst

ú Ïlich

Ï· grüßt

ú Ïihr

ÏMor

ú Ïgen

Ï· traum,

ú·

& búÏ. ÏJÏ Ï ÏÏ Ï úÏ Ï úÏb . n #Ï ÏÏ ÏÏ ÏÏ ÏÏ

ú.ÏJ Ï ÏJ ÏJ Ï Ï úúúÏJ ÏJ ÏÏ úÏÏJ ÏÏÏJ ÏÏÏ ÏÏÏjÏÏÏ ÏÏÏ

jÏÏÏjÏÏÏ ÏÏÏ

jÏÏÏJÏj

? úwww ú nú.wú#ún Ï úú..w ÏÏ úúúw ú úww ú

39

Ganzer Chor945¡

¢

S. I

S. II

A. I

A. II

T. I

T. II

B. I

B. II

Piano

& ·far

pú

ben

Ï Ï# Ï· froh

ú·

Ïam

ÏHim

úmels

Ï Ï# Ï· saum

ú·

Ï Ï

& · · sehr zartÎfar

ppÏ Ï.ben· froh

ÏJ Ï·

Ï î Îam

ÏHim

Ï.mels·ÏJ

& · · sehr zartÎfar

ppÏ Ï.

ben

[

· froh

ÏJ Ï·

Ï] î Îam

ÏHim

[Ï.mels·ÏJ

& · · · · ·

&Üfar

zusammenpú

ben

Ï Ï# Ï· froh

ún·

Ïnam

ÏHim

úmels

Ï Ï# Ï· saum

ú·

Ï Ïöst

cresc.

úlich

Ï Ï# Ï·

&Ü · · ·far

[ p ]

Ïben

Ï· froh

Ï· am Him

Ï# Ï Ï# ú#mels·Ï Ï

·? ·

far

pÏben

Ï· froh

Ï.· am Him

ÏJ Ï úmels· saum

Ï# Ï# w·

·

?far

púben

ú#· froh

ú· am

Ïn ÏnHim

úmels

Ï·

Ïsaum

ú·

Ï Ïöst

úcresc.Ï

lich

Ï·

&p

úúú úúÙ~~~~~~~~~~

úÏ Ï ÏÏ Ï# ÏÏ úÎ ÏÏ ÏÏ..Ï Ï ÏÏj ÏÏú ÏÏ ÏÏ Ï# ÏÏ úúÎ

ÏÏ ÏÏ..Ï Ï ÏÏj

? úúÏÏj ÏÏ #Ï

júÏÏ ÏÏ# Ï Ïn Ïú Ï nÏÏ..Ï ÏÏ ú

Ïj úÏ ú Ï #ÏÏÏ Ï# ÏÏú ÏÏ ÏÏ #ÏÏ úÏ Ï úÏÏ Ï# ú# Ï ÏÏÏ Ï# ÏÏ

40

95950¡

¢

&öst

cresc.

úlich

Ï Ï# Ï· grüßt

ú ÏJ Ïihr Mor

Ïj úgen

Ï Ï# Ï· · traum,

fú· far

ÏJ Ïben·Ïj·

&saum

Ï Ï î Îöst

Ï Ï.lich· grüßt

ÏJ Ï Ï î ·

&saum

Ï Ïn ] î Îöst

Ï# Ï.[lich· grüßt

ÏnJ Ï Ï ] î ·

&far

p

ÏbenÏ#· froh

Ï.· am Him

Ïj úmels

cresc.

ú· saum· öst

Ïj Ï#lich· grüßt

Ïj Ïbihr

ÏMor

Ïngen

Ïn· traum,

Ï·

Ï

&Ügrüßt

ú ÏJ Ïihr Mor

Ïj úgen

Ï Ï# Ï· traum,

ú·

ÏJ Ïam Him

fÏj ÏJ Ï

mels· saum

Ïj ú

&Üsaum

Ïn Î î · îöst

fÏn .lich· grüßt

Ï#JÏb Ï

ihr

Ïb Ï

? îöst

mfúlich

ún·

î îöst

fÏ#lich

Ï· grüßt

Ï# Ïnihr

Ï# Ïn

?grüßt

úihr

Ï ÏMor

ú#gen

Ï·

Ïtraum

Ïb·

Ïöst

fÏlich

Ï· grüßt

Ï# Ïihr

Ïb Ï

&cresc. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

ÏÏúú ÏÏ îÏ Ï# Ï úúÎ ÏÏ# ÏÏ..ú ÏÏj ÏÏúú ÏÏ b ÏÏ Ï# ÏÏ búÏÏ ÏÏ ÏúÏ

j Ï Ï Ïj

? Ïú Ï# Ï.Ïú Ï n#ÏÏj

úúú ÏÏ Ï# ÏÏ b ÏÏj Ï# Ï Ïj ÏÏ..Ï Ï b#ÏÏj ÏÏ nÏÏ bb ÏÏ nÏÏÏ

41

954¡

¢

S. I

S. II

A. I

A. II

T. I

T. II

B. I

B. II

Piano

&froh

ÏJ Ï ÏbJ îöst

f

Ïn .lich· grüßt

ÏJ ÏJ Ïihr Mor

ffÏJ

wb Ï Ïn Ïn Ï Ïn ú#gen

Ïn· · · · ·

& Î äihr

f

Mor

ÏbJú ÏJ Ï

gen· traum,

Ïj Ï.· ihr Mor

ffÏbJw ú Ïn Ï Ïn ú#

gen

Ïn· · · · ·

& · î Î äihr

ff

Mor

ÏbJ w ú.gen

Ïb Ï wn· · · ·

& · î Î äihr

ff

Mor

ÏbJ wb Ï Ïn Ïn Ïngen

wn· · · ·

&Üú

öst

ÏJ Ïlich· grüßt

ÏbJú.

ihr

ÏbMor

ffú úb Ï Ïn Ïn Ïn Ïn ú#gen

Ïn· · · · ·

&ÜMor

Ïbgen

Ï· traum,

Ï3

· öst

Ï Ïlich

Ï3

· grüßt

Ïn Ïb Ïnihr

ÏbMor

ffú ún ú Ïngen

Ïb Ï wn· · · ·

?Mor

Ï#gen

Ïn· traum,

Ï3

· öst

Ï Ïnlich

Ï#3

· grüßt

ún Ïbihr

ÏnMor

ffúb ú ú úbgen

wn· · · ·

?Mor

Ï#gen

Ï· traum,

Ï3

· öst

Ï# Ïlich

Ï#3

· grüßt

Ïn Ïb Ïnihr

ÏbMor

ffwn ú úngen

w#· · · ·

&- - - - - - - - - - - - - - - - - -

bÏúÏj ÏÏ Ï

3

Ïb j úÏ Ï Ï3

nÏÏ.îÏj Ï Ïb Ïj Ï.ÏJ Ïn ÏJ Ï Ïb b

ff

Ïj wbbwwúÏJ ÏÏúú. ÏnÏn ÏnÏnÏ ÏÏbÏ nÏÏw úú## ÏÏnnÏÏ

? b#ÏÏ nÏÏ #ÏÏ3

#ÏÏ nn ÏÏ ## ÏÏ3

núÏ Ïb bn ÏÏ nb ÏÏ búúúú ú

úúú

ú

úú

úÏúb Ïb Ï www

n#n

42

959

96

¡

¢

&traum.

w#·

w · ·

&traum.

wn·

wLä

pÏ# .

chelnd· kommt

Ïjsie auf

Ï# Ï#ge· stie

Ï# Ï ú#· gen· aus

ÏJ Ï#den

ÏJ

&traum.

w#·

wLä

ppp

Ï# úú##chelnd

ÏÏ· ·

ÏÏ Î î

&traum.

w#· wLä

ppp

Ï# ú#chelnd

Ï Ï# Ï· · ·Î î

&Ütraum.

w#·

w ÎLä

pp

Ï# .chelnd

Ï# j· kommt

Ï# Ïn Ï#sie

Ï# .auf ge

Ï# Ï# Ï#J·

&Ütraum.

wn·

w ·Lä

pÏ# .

chelnd· kommt

Ïjsieauf

Ï# Ï#ge·Ï#Ï

?traum.

w#·

wLä

pp

w#chelnd

Ï#· · ·Î î

?traum.

w#·

w · Î[ pp ]

Lä

úbchelnd

Ïb·

& úúúúú##n## Îp

ÏÏÏÏ ÏÏÏ3 ÏÏÏÏ### ÏÏÏÏ# ÏÏÏÏ#

3 ÏÏÏ Ïp

###ÏÏ Ï Ï# Ï.ÏÏ úúú# Ïj ###Ï# Ï# ÏÏ Ï úÏÏ Î äÏj Ï #Ï

jÏ Ï Ï

? n## www úúw ÏÏÏÏ### ÏÏÏ ÏÏ#3

w#Î Ï# . Ï# j Î ÏÏ## ..Ï# úÏj ÏÏ# Ï Ï Ï

ÏÏ# ÏÏnn

43

963¡

¢

S. I

S. II

A. I

A. II

T. I

T. II

B. I

B. II

Piano

& · ·Lä

pÏn .chelnd· kommt

zeit lassen

ÏJsie auf ge· stie

Ïn Ïb Ïb Ï ún· gen· aus

ÏJ Ïden

ÏJ

&Flu

Ï# Ï#ten

Ï#· der Nacht,

Ïn Ïb ún . Ïb Ïnlä

ppúchelnd

Ï·

Ï Î î

&kommt

pÏb

sie

Ïbauf

úb únge

ún· · stie

Ïb·

úngen

Ï· ·

Ïaus

Ï.den

Ïj Ïb Ï

& · · Îkommt

pp

úbsie

Ï Ï Ïb Î äaus

Ïden

Ïj

&Üstie

ú#·

Ïb Ïb Ïn ú.gen

Ï· · ·

Ï Î îlä

pÏn .chelnd· kommt

zeit lassen

ÏJsie auf

Ï Ïbge·

Ïb Ï

&Üstie

Ï# .· gen· aus

ÏnJ Ïbden Flu

Ïn Ïb úbten

Ïn .· der Nacht,

Ïj Ïb älä

ppÏJchelnd

Ï Ï· kommt

Ïn Ïb Ïnsie

Ïb î

? · ·kommt

pwb ú

sie

pp

aus

Ï Ïnden

Ïb Ïn

?kommt

úbsie

Ïb Ïbaus

únder

únNacht,

Ïb Î î Îlä

púbchelnd

Ïb·

& îÏÏ## ÏÏ## ## ÏÏ. bbnnÏn Ï ú.

ÏJú ú ÏÏb

p

bÏ.ÏÏ úúú Ïj # bnÏ Ïb ÏÏ Ï úÏÏ ÏÏ ÏÏÏ Î

Ïj Ï ÏjÏ Ï Ï Ï

? úúú##¸¸¸¸¸¸ ## ÏÏ n#Ï Ï ÏÏ úúúbn ú

Ï.¸¸¸¸¸¸ wbÏj Ïb ä Ï Ïj Î ÏÏ búÏ Ï

ÏbÏ ÏÏ Ï ÏÏ

44

967 Bewegter (steigernd, ruhig beginnend)

Bewegter (steigernd, ruhig beginnend)

97

¡

¢

&Flu

Ïn Ï Ïbten· der Nacht,

Ï Ï wfar

pp

wben· · froh

Ï Ï# Ï.· am

ÏnHim

pÏnJ únmels

Ï Ï# Ï· ·

&aus

Ïbden

ÏnFlu

ú ú#ten,

ún· · far

pú

ben

Ï Ï# Ï· froh

ún·

Ïnam

ÏnHim

pp

wn · ·

&Flu

únten

Ï.· der Nacht,

ÏJ ú ú# îfar

[ pp ]

úben· froh

Ï Ï ú·Î ·

&Flu

Ïn Ï Ïbten· der Nacht,

Ï Ï w · · ·

&Üstie

Ïn .· gen

ÏbJ Ï· aus den Flu

Ïn Ï úten,

ú#·

ädie

p

SonÏ# j Ï. Ï

ne· seht,

ÏbJ ú î ädie

p

Son

Ïn j Ïn . Ïne·ÏnJ

&Üauf

úbge

Ï Ïn Ïn· stie

ún .· gen,

Ï·

·far

pú

ben

Ï Ï# Ï· froh,

ún·

Ïn Ïn

?Flu

ún . Ïbten

ún .· · der

ÏnNacht,

Ï# Î îfar

ppún .ben

Ï· froh

Ï·

Î Îam

Ï

?kommt

úb Ïnsie

Ïbauf

ún .ge

Ïn· stie

w#· gen,

Ïn· ·Î î

far

p

wn · ·

& bÏÏú ÏÏ bÏÏ. #Ï Ï wwÏJ úú úú

p

úú úÏ Ï# Ï úÏ ÏÏn# úú ÏÏ Ï Ï Ï úú Ï.Ï Ï# Ïw ÏJ

? bú.ú Ïn ÏbÏb úúnn .. ÏÏÏnnn

w#Ï# Ï# Ï. Ïwn

ÏbJ

úún . Ï Ï# ÏÏ nwÏ Ï Ï. Ïj Ï

45

972steigernd

steigernd

¡

¢

S. I

S. II

A. I

A. II

T. I

T. II

B. I

B. II

Piano

&saum

ú Ï Ïn · î äöst lich

Ï# Ï· grüßt

ÏJ úihr

Ï Ï Ï

&mels· saum,

Ï Ïn Ï.· am

ÏnHim

pÏJ únmels

cresc.Ï Ïn Ï· saum

fú.·

Ï ·

& ·far

ppwn

cresc.

ben· · · froh

Ï Ï# Ï.· am

ÏHim

Ïj ú.mels

Ï· ·

& · ·far

ppw

ben· · · froh

Ï Ï# Ï.· am

Ï Ïj

&Üfar

púnben

Ï Ï# Ï· froh

ún·

Ïn Ï · î äöst

f

lich

Ï# Ï·ÏJ

&Ü î Îfar

ppÏben· froh

Ï Ï# Ï.· am

Ïcresc.

Him

ÏJ úmels

Ï Ï Ï· saum

ú.· öst

Ï·

?Him

ún .mels

Ï· saum,

ú· öst

ú Ïlich

Ï· · grüßt

Ï.ihr Mor

ÏJw

· ·?

ben

w#froh

w· ·cresc.

am

wbHim

wn· ·

& úÏ Ï Ï. Ï Ï Ï úÏJ wú Ï.Ï Ï Ï úÏJ

úú.. ä ÏÏÏÏÏ# Ï Ï úú.ú ä ÏÏ Ï ÏÏ ÏÏJ

? #ú.w Ï úwä Ï# j Ï úä Ïj Ï bwÏ

Ï# ÏÏ Ï.nÏÏ

j ú.w Ï

46

976rit. . . . . . . . . . . . .

rit. . . . . . . . . . . . .

Noch rascher

Noch rascher

98

¡

¢

&Mor

fú.gen

Ï· traum,

Ï·

Îöst

fú ú

lich

Ï Ï# Ï· · · grüßt

úihr

Ï Ï# ÏMor

ffw w· ·

& î äöst

f

lich

Ï# Ï· grüßt

ÏJ úihr

Ï Ï ÏMor

úngen

ú· traum,

ú· ihr

úbMor

ffwgen

w· ·

&saum

úöst

úlich

Ï Ïn Ï.· grüßt

Ïj Ï úihr

úTraum,

únihr

úMor

ffwngen

w· ·

&Him

ú.mels

Ï· saum

ú· öst

Ï.lich· grüßt

Ïj úihr

úTraum,

úihr

úMor

ffw w

· ·

&Ügrüßt

ú cresc.

ihr

Ï Ï ÏMor

wgen

Ï Ï# ú.· · traum,

Ï Ï# ú.· Mor

ffwn w· ·

&Ülich· grüßt,

Ï Ï# ú. úöst lich· grüßt

Ï Ï# Ï Ï úihr

úTraum,

úihr

úbMor

ffwgen

wb· ·

? úgen

ún· traum,

ú· öst

ú úlich

ú· · grüßt

úihr

úMor

ffw w· ·

?mels

wnsaum

ú#· ·

úöst

ú#lich

ú· grüßt

únihr

ú#Mor

ffwngen

wn· ·

& úúú. ä ÏÏÏÏ# Ï Ï úw Ï Ïn Ï úúÏ Ï# Ï Ï úúÏ Ï# Ï úúÏÏ ÏÏ# ÏÏ ÏÏÏ úúbÏÏ ÏÏ# ÏÏ

ff

nnn wwww wwwú.Ï

? wÏ Ï# Ï ú #úúú¸¸¸¸¸¸

¸ úúä Ï# Ï Ï úúú#¸¸¸¸¸¸ úúú úúún úúúb# wwwwnnn bú.www

Ï

47

982¡

¢

S. I

S. II

A. I

A. II

T. I

T. II

B. I

B. II

Piano

&gen

wntraum,

wn· lä

w w w#chelnd

wn· · · · ·

&traum,

wn wnlä

wb w wchelnd

w· · · · ·

&traum,

w wlä

wchelnd

wn· kommt

wbsie,

wn

&gen

wtraum,

wb· lä

wchelnd

wn· kommt

w#sie

w

&Ügen

wntraum,

w· lä

wbchelnd

wb· kommt

wbsie

wn

&Ütraum,

w wblä

wn wchelnd

wb· · · kommt

wn

?gen

wtraum,

w· lä

wchelnd

w· kommt

wbsie

wn

?traum,

w# wlä

wnchelnd

wn· kommt

wbsie

wn

&wwww bú.www ÏÏ wwwb ww úú..ww ÏÏbb wwwwbbbb nnn ú.www ÏÏ

>nn

? www# Ï> Ï> Ï> wwwb wwwn wwwn wwwwbbbb Ï>b Ï>b Ï>b wwwnnn Ï> Ï>

48

Etwas zurückhaltend

Etwas zurückhaltend

988

99

¡

¢

&kommt

w#sie

w#auf

w#ge

wn· · · · ·

&kommt

wsie

w#auf

wge

wn· · · · ·

&lä

Ïn .chelnd· kommt

Ïjsieauf ge· stie

Ï# Ïn Ï Ï wn· gen,

wn· · lä

Ï# .chelnd· kommt

Ïjsieauf ge·

Ïn Ï# Ï Ï

&auf

ún .ge

Ï· · stie

w· gen,

w#· · lä

Ï# .chelnd· kommt

Ïjsieauf ge·

Ïn Ï# Ï Ï

&Üauf

ú#ge

ú· stie

ú#· gen,

ú· lä

Ïn .chelnd· kommt

ÏJsieauf ge· stie

Ï# Ïn Ïn Ï ún .· gen,

Ï#·

&Üú

sie,

úlä

Ïn .chelnd· kommt

Ïjsieauf

Ï# Ï#ge· stie

Ï# Ï wn· gen,

ú.· ·

Î

?auf

ú.ge

Ï· · stie

ú.· gen,

Ï· lä

wn úchelnd,

ú· · · ·

?auf

ú# .ge

Ï· · stie

ú# .· gen,

Ï· lä

w#chelnd,

wn· ·

&wwww# wwww##

wwww## #wwÏ. ÏJÏ Ï# Ï Ï

? #Ï.ww Ïj ##Ï#

Ï

Ï Ï wwwÏ. ÏJn# Ï.ww Ïj

Ï Ï

Ï Ï wwwwÏ

Ï

Ï Ï

49

molto rit.

molto rit.

992Breit

Breit

¡

¢

S. I

S. II

A. I

A. II

T. I

T. II

B. I

B. II

Piano

&stie

ú# ..· gen

ÏnJ w· · ·

w Îf

aus

únden

Ï

&stie

ú# ..· gen

Ï#J w#· · ·

w Î f

aus

únden

Ïn

&stiestie

ú# ..· gen

ÏnJ wn· · ·

w Îf

aus

ú#den

Ïn

&stiestie

ú# ..· gen

ÏnJ wn· · ·

w Îf

aus

únden

Ïn

&Ülä

Ï# .chelnd· kommt

Ï# jsie auf ge· stie

Ï# Ï Ï Ï wn·

úgen

ú·

Îf

aus

únden

Ïn

&Ülä

Ï# .chelnd· kommt

Ï# jsie auf ge· stie

Ï# Ï# Ï Ï w#·

úgen

ún·

Î f

aus

úden

Ï#

?lä

Ï# .chelnd· kommt

ÏJsie auf ge· stie

Ï# ÏÏ## Ï Ï wn·

úgen

ú·

Îf

aus

ú#den

Ïn

?lä

Ï# .chelnd· kommt

Ï# jsie auf ge· stie

Ï# Ï Ï# Ï wn·

úgen

ú#·

Îf

aus

úden

Ïn

& úú## .. Ï# Ï Ï# Ï# wwwwwn#nnn ÏÏÏÏÏ ÏÏÏ ÏÏÏ3 ÏÏÏ ÏÏÏ ÏÏÏ

3 Å Ï# ÏÏÏ Ï# Ï# ÏÏ ÏÏÏ Ïn ÏÏ Ï#

? ÏÏÏÏ#### .... ÏÏ#JÏÏ##

ÏÏ ÏÏ ÏÏÏww>nn úú

úúúú# & Å Ï# ÏÏÏ Ï# Ï# Ï ?ÏÏÏÏÏÏÏ Ï#

50

Noch bewegter

Noch bewegter

996

100

¡

¢

&Flu

ffwb w ú úten

ú· · · · · · der

úNacht,

mfwn w úaus

ú#

&Flu

ffwn w [wten

]ú· · · · · · der

Ïb ÏNacht,

mfwn w w

&Flu

ffwn wten

w· · · · der

wbNacht,

mfwn w w

&Flu

ffwb wten

wb· · · · der

wNacht,

mf

wn w w

&ÜFlu

ffwb w ú úten

ú· · · · · · der

úNacht,

mfwn w úaus

ú#

&ÜFlu

ffwn w wten

ú· · · · · · der

Ïb ÏNacht,

mfwn waus

wn

?Flu

ffw wten

w· · · · der

wbNacht,

mfún ún waus

wn

?Flu

ffw wten

w· · · · der

wNacht,

mf

w# waus

w#

&fff

bbn wÏÏÏ ÏÏÏ.ÏÏÏ.3

ÏÏÏ.ÏÏÏ.ÏÏÏ.3

bwÏÏÏ.ÏÏÏ.ÏÏÏ.3

ÏÏÏ.ÏÏÏ.ÏÏÏ.3

úúb úú búwú úÏb Ï nnn www www úú>w ú#ú#

?w w www w www búúwwú úÏb Ï www

n#n¸¸¸¸¸¸

wwwwww#

51

1003¡

¢

S. I

S. II

A. I

A. II

T. I

T. II

B. I

B. II

Piano

& úden

únFlu

w# w ú ú#ten

ún· · · · · · · der

ú#

&aus

úden

úFlu

w w úten

ú#· · · · · ·

úder

ú#

& Ïaus

únden

ÏFlu

w# w úten

ú#· · · · · · úderú#

&aus

ú.den

ÏFlu

w# w útenú#· · · · · · ú

derú#

&Üú

den

únFlu

w# w ú ú#ten

ún· · · · · · · der

ú#

&Üden

ú úFlu

w wten

w#· · · · · der

w#

?den

ú úFlu

w# wten

w#· · · · · der

w#

? úden

ú#Flu

w#ten

w#· ·

wder

w#

& úúÏ Ï núúÏ Ïp

ÏÏÏÏ###ÏÏÏÏ## ÏÏÏÏ3 ÏÏÏÏ ÏÏÏÏ ÏÏÏÏ3 ÏÏÏÏ### ÏÏÏÏ ÏÏÏÏ3 ÏÏÏÏ ÏÏÏÏ ÏÏÏÏ3 ÏÏÏÏ### ÏÏÏÏ ÏÏÏÏ ÏÏÏÏ ÏÏÏÏ ÏÏÏÏ ÏÏÏÏ### ÏÏÏÏ ÏÏÏÏ ÏÏÏÏ ÏÏÏÏ ÏÏÏÏ

? úúúúúú#

ÏÏ##ÏÏÏ## ÏÏÏ#3 ÏÏÏ# ÏÏÏ ÏÏÏ3 ÏÏÏ### ÏÏÏ ÏÏÏ#3 ÏÏÏ ÏÏÏ ÏÏÏ#

3 www### www

52

1008

101¡

¢

&Nacht,

pwn w w w

aus

wbden

wb

&Nacht,

p

wn w w waus

wbden

wb

&Nacht,

p

wn waus

wden

wFluwb w· · · ·

&Nacht,

p

wn wausw

denw

Fluwb w· · · ·

&ÜNacht,

pwn w ú

pp

aus

ún úden

úFlu

wb w· · · ·

&ÜNacht,

p

wn w waus

únden

úFlu

wb w· · · ·

?Nacht,

pwn w w waus

wbden

wb

?Nacht,

p

wn waus

wden

wFlu

wb w· · · ·

&pp

Ï ÏÏ Ï ÏÏ ú úú ú úú ú úú îú úú úú úú úú úú úú úúsf

bbb ÏÏwpp

ÏÏ.ÏÏ.3

ÏÏ.ÏÏ.ÏÏ.3

wbÎ ÏÏ.bb ÏÏ.ÏÏ.ÏÏ.ÏÏ.

?ÏÏ

Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï¡ ÏÏbb

Ïb Ï3

Ï Ï Ï3

Ïb Ïb Ï Ï Ï Ï

53

1014poco rit. . . . . . . . . . . .

poco rit. . . . . . . . . . . .

etwas breiter

etwas breiter

¡

¢

S. I

S. II

A. I

A. II

T. I

T. II

B. I

B. II

Piano

&Flu

úb úb úbten

úb· ·

úder

úbNacht

úb úbläßt

pwn w

&Flu

wb wten

úb· · · · der

úNacht

wbläßt

pwn w

& wtenúb· · der

úbNacht

w wläßt

p

wn w

&tenwb· der

wbNacht

wb wläßt

p

w w

&Üú

ten,

úb· aus

úbden

úbFlu

úb úb úten

úb· · läßt

pwn w

&Ü w wten

wb· · · ·

wläßt

pwn w

?Flu

wb wten

wn· · · ·

wläßt

pwn w

?ten

wb· der

wbNacht

wn wläßt

pwn w

&ÎúbÏ.b Ï.

búÏ. Ï. Ï. Îúb Ï.b Ï.

búÏ. Ï. Ï. Îú Ï.b Ï.

búÏ. Ï. Ï. Îúb Ï.b Ï.

búÏ. Ï. Ï.p

úúnn .. ÏÏ ÏÏ ÏÏ ÏÏ.. ÏÏj

? Ïb Ïb Ï Ï Ï Ï Ïb Ïb Ï Ï Ï ÏwnÏnÏb Ï Ï Ï Ï

wÏÏb Ï Ï Ï Ï www úú.. Ï

54

1021020¡

¢

&von

mfw ú únlich

fw úter

ú· · Stir

ú ú úne

ú· · flie

fw·

&von

w wlich

mfwn úter

fú· · Stir

w úne

ú· · flie

ú ú·

&von

wn wlich

mfw w w ú

ter

ú· · · · · · Stir

ú ú·

&von

wn wlich

mfw w ú úter

ú· · · · ·

úStir

fw·

&Üw

von

mfwn ú únlich

fw úter

ú· · Stir

ú úne

ú·

ú

&Ü wvon

wn wlich

mfw úter

ú· · Stir

fw úne

ú· ·

? w w wvon

mfw ú úlich

fw úter

ú· ·

? w w wvon

mfwn ú úlich

fw úter

ú· ·

& úúúú

cresc.

ú.wwÏ úúú. ú Ï

mf cresc.

úú..Ï úú..ww Ï ú.ÏÏ Ï Ï. Ï

f cresc.

ú.

Ïj

úú úú Ï

? úú..ww Ïú..Ï Ï ú www

úÏJ

www Ï. Ïj wwúúú www

úúw úú

55

1027

103

¡

¢

S. I

S. II

A. I

A. II

T. I

T. II

B. I

B. II

Piano

&ú

gen

ú· Strah

ú ú úlen

ú· ·

ff

lok

w wken

w· · ·

w

& úgen

ú· Strah

fw úlen

ú· · lok

wken

w· Pracht,

w ú ú

& úne

ú· flie

fw úgen

ú· · Strah

wlen

w· lok

w úken

ú· ·

& úne

ú· flie

úgen

ú· Strah

úlen

ú· lok

fw wken

w· · ·

ú ú

&Üflie

fw ú úgen

ú· · ·

úStrah

w ffw w w· · · · · ·

&Üflie

ú ú úgen

ú· · Strah

ffw w wlen

w· · · ·

w

?Stir

ú ú úne

ú· · flie

ffw w wgen

w· · · ·

w

?Stir

ú ú úne

ú· · flie

ffw w w wgen

w· · · · · ·

& ÏÏú Ï ÏÏ..úú Ïj wúúú. úú Ï ú.úúú úúú ÏÏ ú.ww Ï wwÏú ú. Ï.ff

wwwú ú wúúúúúúú

Ïj? ú.úú úú

Ï

ú.úú úúúÏ Ï Ïúw Ï Ï.ú Ïj wwww www wwww Ïww Ï Ï. Ïj

56

1034¡

¢

&Pracht,

w wLok

wken

w· Pracht.

ffw w

&Strah

w wlen

w· · ·

wlok

ffwken

w· ·

&Pracht,

w wStrah

wlen

w· lok

ffwken

w· ·

&Pracht,

w wStrah

wlen

w· lok

ffw

ken

w· ·

&Ülen

w wlok

w wken

ffw· · ·

w

&Ülok

w úken

ú· · Pracht,

w wLok

ffwken

w· ·

?Strah

w úlen

ú· · lok

w wken

ffw· · ·

w

?Strah

w úlen

ú· · lok

w wken

ffw· · ·

w

&ú.www

Ï ú.úÏww ú. Ï. Ï úú..ÏJ www Ï úúúú ÏÏÏ...fff

ÏÏÏÏJwÏÏ ÏÏ ÏÏ ÏÏ úÏÏ ÏÏ ÏÏ ÏÏ ÏÏÏ... ÏÏÏÏJÏÏ ÏÏ ÏÏ ÏÏ

? www úúú úúú www ÏÏÏ ÏÏÏÏ ÏÏÏÏ ÏÏÏÏ úúwúú

wÏÏ ÏÏ## úú

57

1041040¡

¢

S. I

S. II

A. I

A. II

T. I

T. II

B. I

B. II

Piano

& w w w w w wU

&Pracht.

w w w w w wU

&Pracht.

w w w w w wU

&Pracht.

w w w w w wU

&ÜPracht.

w w w w w wU

&ÜPracht.

w w w w w wU

?Pracht.

w w w w w wU

?Pracht.

w w w w w wU

& Îwwww ÏÏÏ ÏÏÏ

3

ÏÏÏ ÏÏÏ ÏÏÏ3 ÏÏÏ ÏÏÏ ÏÏÏ

3 ÏÏÏ ÏÏÏ ÏÏÏ3

ÏÏÏ ÏÏÏ ÏÏÏ3 ÏÏÏ ÏÏÏ ÏÏÏ

3

ÏÏÏ ÏÏÏ ÏÏÏ3 ÏÏÏ ÏÏÏ ÏÏÏ

3 ÏÏÏ ÏÏÏ ÏÏÏ3 ÏÏÏ ÏÏÏ ÏÏÏ3 wwww

U

?ww w ww w ww w ww w ww w www

U

58