cp.4 traditional line and halftone photography

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CP.4 Traditional line and halftone photography Xi’an university of technology Prof. Dr.Cao Congjun

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CP.4 Traditional line and halftone photography. Xi’an university of technology Prof. Dr.Cao Congjun. Section 1.Line photography ------ The nature of light. - PowerPoint PPT Presentation

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Page 1: CP.4  Traditional line  and halftone photography

CP.4 Traditional line and halftone photography

Xi’an university of technology

Prof. Dr.Cao Congjun

Page 2: CP.4  Traditional line  and halftone photography

Section 1.Line photography ------The nature of light

It is general agreed that light is electromagnetic radiation measured in wavelengths emitted from either a natural source (the sun) or an artificial source(such as a cameral light).

All electromagnetic radiation,whether gamma rays, visible light,heat,or radio and television signals, travels in waves.

Page 3: CP.4  Traditional line  and halftone photography

Figure.dispersive action

Light waves are general measured in millimicrons( 毫微米) or in nanometers (纳米) .

Page 4: CP.4  Traditional line  and halftone photography

Figure. Wavelengths of different colors of the visible light spectrum

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Light-Sensitive Materials

Three main variables:

※ Color sensitivity 感色性 ※ Contrast 反差 ※ Film speed 感光度

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Color sensitivity 感色性Blue sensitive materials:is color blind, react to only blue end of the spectrum.

Orthochromatic materials:is not red sensitive,but sensitive to all other portions.

Panchromatic materials:is sensitive to all visible colors and as sensitive as human eyes.

色盲片

正色片

全色片

Page 7: CP.4  Traditional line  and halftone photography

Contrast 反差Contrast is a term that describes the compression or expansion of the shades or tones of original copy on the film of plate.

Contrast is described by a film’s characteristic curve of sensitometric curve.

Film manufacturers provide characteristic curves for each of their films.

Page 8: CP.4  Traditional line  and halftone photography

曝光量通常用 H 表示,特性曲线的横标就是 lgH ,所以 H-D 曲线实际是一语双关,既是指 Hurter-Driffield 曲线,也可以理解为曝光量 (H)— 密度 (D) 曲线。

Figure.Examples of a film’s characteristic curve

灰雾趾部(不足) Toe

线性部分(正确)

肩部(过度) Shoulder反转部

Straight-line portion

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Page 10: CP.4  Traditional line  and halftone photography

Kodak T-MAX 100 不同显影时间的特性曲线

Kodak Royal Gold 100 特性曲线 ( 彩色负片 )

Kodak E100S 特性曲线 ( 彩色反转片 )

Page 11: CP.4  Traditional line  and halftone photography

Film speed 感光度Each film or plate material requires a different amount of light to cause a chemical change in the emulsion.

Emulsions that require little light are called fast,while those that require a lot of light are called slow.

An exposure index (曝光指数) is assigned to each film by the manufacture.

Page 12: CP.4  Traditional line  and halftone photography

Film Emulsions (感光乳剂)All photographic films use some type of light-sensitive material called an emulsion to record an image.

The characteritics of the light sensitive emulsion,as well as the quantity and type of light reaching that emulsion,determine the sort of image recorded on the film.

Component:AgBr,AgI and AgCl.

Page 13: CP.4  Traditional line  and halftone photography

Film Structure

底涂

保护层: 防止乳剂层被刮伤乳剂层: 银盐 + 动物胶 + 色素 见光发生化学反应片基:支持体 若为玻璃则称为干版 ……涤纶………胶片 ( 软片 ) ……纸…………相纸防光晕层: 含有吸光染料,防止 因银盐颗粒闪射和片基反 射形成的光晕,即不该曝 光部位的微量曝光

Soluble protective overcoatingEmulsion

CarrierBase

Antihalation back

Back coating

P65

Page 14: CP.4  Traditional line  and halftone photography

Typical thickness ofFilm component : Protective layer approximately 2 µm, Silver halide emulsion approximately 20 µm, Carrier base approximately 150 µm, Anti-halation backing approximately 20µm.

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制版照相

Process Camera Fundamentals

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Line photography:process~,reprodution~, or high-contrast ~

Process camera:Provide four services: A place to mount the light-sensitive film and the original image. A means of focusing an image on the film. A system to enlarge or reduce the original image on the film. A system to control the amount of light that reaches the film emulsion.

Page 17: CP.4  Traditional line  and halftone photography

孔径 Aperture 就是由可变光圈 Diaphragm (叶片组)在镜头中央产生的圆孔如下图所示。镜头孔径的大小可以用一个诸如 f/1.2 、 f/8 、 f/16… 的数字来表示,称之为 f 值。 f 值越小,镜头的圆孔越大。F/stop number=focal length/diameter of the aperture

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制版照相机、拷贝机及其附属设备

1. 制版照相机• 作用:

原稿等大拍摄或放大,缩小

分色,加网制版用底片

• 机械结构:

镜头镜头架皮腔暗盒(含网屏架,感光片架)

机架暗箱

原稿架操纵机构 控制暗箱,镜头架,原稿架的移动调节

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滤色片 Film

镜头架 镜头 Lens皮腔暗盒

感光片Film

网屏 Screen

原稿架Copyboard

光源 Light source

基架暗箱 操纵机构

原稿 Original

P69 Figure 4.11

Filmboard

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• Process Camera’ Classification 种类: 按结构形式分类

卧式 Horizontal 机架水平在上

吊式 机架水平在下

立式 Vertical 机架垂直于地面

P69

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2. 制版镜头• 用途:使底片曝光得到原稿影象的精密光学系统。

• 构成:多片凹凸透镜(用特种光学玻璃制造)组合而成

• 要求: A. 必须是消除了六种像差的复消色差镜头包括球面像差,慧型像差,像散,像场弯曲,畸变差,色差

B. 精度高,成像清晰,分辨力高,可进行分色C. 焦距与成像最大尺寸相适应 ( f = 最大尺寸对角线)

• 光圈:结合快门时间控制暴光量大小

相对孔径 = 有效孔径 / f

有插入式和虹彩式

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3. 三棱镜和反光镜• 用途:附加在制版镜头前改变光路,以获得正像底

片正阳像原稿

正阳像原稿

反阴像底片常规拍摄

正阴像底片三棱镜

反光镜

Page 23: CP.4  Traditional line  and halftone photography

4. 滤色片 : 对不同波长的光具有选择性吸收和透过的 有色光学器件

• 用途:照像时加在镜头前,使一部分光通过的同时, 又吸收或限制另一部分光的通过,达到选择性 的感光效果。用于进行彩稿的分色照像。

滤色片

入射光

透射光

• 种类: 分色滤色片 红,绿,蓝,黄补色滤色片 黄,品,青

Page 24: CP.4  Traditional line  and halftone photography

印刷

5. 网屏(网目屏,网版)• 用途:将连续调图像经过网屏拍摄或拷贝分解成可 印刷复制的像素(网点)的加网工具。

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注意 ! 网点间距相等,大小不同,称为调幅网点。

接触网屏

• 接触网屏的加网原理: 在一个像素微元上,把光量的随机分布变换成近 似的正态分布,并与高反差感光材料配合,生成网点 (网点大小与光量的大小相对应)。

链接:单色网点示意图链接:单色网点示意图

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• 网屏线数:单位长度内刻画的网线数的多少。 line/cm 或 line/inch

常用网线数有: 24 , 34 , 40 , 48 , 53 , 60 , 70 , 80 l/cm

相当于 60 , 85, 100, 120, 133, 150, 175, 200 l/inch 线数多则网线细,单位面积分解得到的网点多,表现层次丰富。

如何选择网线数?根据原稿类别,制版方法,承印物质量,印品用途进行选择。

• 种类: 玻璃网屏(投影网屏)

软片网屏(接触网屏,晕状网屏)

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投影网屏 接触网屏

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玻璃网屏

是由垂直相交的等宽的黑线和白线组成,这样在网屏上就存在许多个大小相等的透明小方孔,称之为网目孔。黑线或白线的多少表示加网线数的多少,通常用 LPI 来表示。根据小孔成像原理,当光线通过小孔时,则会形成中心光强大、边缘光强小的小亮点,在感光材料上曝光后,就形成了印刷网点。在使用玻璃网屏加网时,感光材料与网屏之间一定要有一定的距离,人们称这个距离为网距。

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接触网屏

接触网屏是一种需要与感光材料紧密接触的网屏,与玻璃网屏不同的是接触网屏的透明小方格的透光能力有一定的变化,即中心透光能力强,四周的透光能力依次递减。由于原稿上表现出来的明暗差别,加之高反差的感光材料,从而也可形成大小不同的网点。

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6. 光源:能发出一定波长范围电磁波的物体制版照像均使用电光源

a . 发光强度大,光效高; b . 光色接近太阳光谱,传色性能好; c . 光强,光谱成分稳定,照度均匀; d . 冷光源; e . 操作,调节,启动方便。

• 要求:

• 常用制版照像光源:白炽灯,荧光灯,炭精灯,水银灯,脉冲氙灯,石英卤素灯,金属卤素灯

使用最多

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7. 自动显影机

• 用途:与制版照像机,电子分色机,激光照排机 配 套使用,自动完成胶片的显影,定影,水洗 和干燥。

8. 打孔定位系统

• 用途:各色胶片之间的快速精确定位,套准,拼图。只用于照像制版和电分制版。

• 组成:打孔定位器,定位销钉

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9. Densitometers and Densitometry

• 用途:用于测量原稿,胶片,印品密度的光学仪器。

10. 拷贝机 • 用途:复制底片 只能用于投射原稿和底片 不能进行缩放

测灰密度 测三色密度

光敏元件光源

为什么用红、绿、蓝这三种滤色片?

472

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彩色连续调原稿的分色加网照像工艺

滤色片

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1. 间接分色加网:分色和加网照像分开进行,又称“二步 工序法”。工艺方法:

A. 原稿 分色阴图 分色阳图 加网阴图 印版

B. 原稿 分色阴图 加网阳图 加网阴图 印版

C. 原稿 分色阴图 加网阳图 印版

D. 原稿 分色阴图 分色阳图 碳素纸 印版

优点:修正机会多,置办效果易于控制缺点:操作复杂,消耗感光片多,拷贝次数多使清晰度受损

白线网屏

网屏

滤色片

问题:为什么不先加网后分色?

Page 35: CP.4  Traditional line  and halftone photography

2. 直接分色加网:分色和加网工序一步完成,分色同时用 接触网屏将原稿阶调层次直接以网点形 式记录在分色片上。亦称“直挂”。工艺方法:

A. 原稿 分色加网阴图 印版

加网阳图B. 原稿 分色加网阴图 印版

片 滤

片 接触网

直挂的条件:强光源,标准化蒙版系统,层次正确的灰 接触网屏,感光性能好的全色感光片

Page 36: CP.4  Traditional line  and halftone photography

• 制作蒙片:用于纠正色差,压缩反差。 采用彩色蒙片,既纠正色差又纠正阶调,而且一张 蒙片可用于各个色版的分色。• 直挂曝光: 原稿 + 彩色蒙片 置于原稿架上 接触网屏 + 特硬全色片 置于感光版上 滤色片 置于光源前

注意

Page 37: CP.4  Traditional line  and halftone photography

优点:减少了翻拷次数,节省了材料,缩短了制版周期, 提高了清晰度,工艺快速,简单,价廉。缺点:层次再现不如间接法好,尤其暗调再现性差。

• 直挂阶调的控制:三次曝光 主曝光:通过网屏拍摄 基本确定层次再现情况 闪光曝光:光线通过网屏,不经过原稿和镜头 弱而均匀的全面曝光 延长暗调到中调的阶调,改善暗调再现 高光曝光:无网屏,光源经过原稿和镜头 提高高光部位的反差

Page 38: CP.4  Traditional line  and halftone photography

黑版的生成

• 黑版的产生 用黑墨取代由相应的 CMY 三色油墨叠印形成的复合中性灰。

• 为什么要制作黑板 三原色油墨不理想,三色在暗调部分颜色再现效果不佳。

• 黑版的种类短调黑板:作用于暗调部分底色去除黑版:…… ..中调和暗调非彩色结构黑版:将有复合三色灰的部分全部用黑 墨替代。

• 黑版的产生:加黄滤色片或交换使用 RGB 滤色片。

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85 7565

0 20 10 65去除 100%

去除 42%

45 3525 40

底色去除原理

100%

Page 40: CP.4  Traditional line  and halftone photography

照像机

晒图像版

印刷品skullballoon

网点负片

skull

balloon

skull

balloon

印刷机

单色印刷品的照像制版工艺拣字

拼版

Page 41: CP.4  Traditional line  and halftone photography

照像制版的基本工艺过程1. 版面设计

skull

balloon

100% K

Page 42: CP.4  Traditional line  and halftone photography

2. 画版式

100% K

图: skull

图: balloon

Page 43: CP.4  Traditional line  and halftone photography

3. 对图像原稿进行加网照像,得到半色调网点阴片,再晒 图像版

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4. 文字进行拣字

5. 拼版

skull balloon

skull

balloon

Page 45: CP.4  Traditional line  and halftone photography

6. 印刷

skull

balloon

Page 46: CP.4  Traditional line  and halftone photography

Automatic Film processing

Page 47: CP.4  Traditional line  and halftone photography

Section 2:Halftone Photography

Terms:

Density:

Tone and Contrast:

Page 48: CP.4  Traditional line  and halftone photography

Direction

Arrow

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Arrow

c m

y k

Direction

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§4.2 Halftone Photography

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(C : Cyan )(K 或 Bk : Black )

(W : White )

(R : Red )

(G : Green )

(Y : Yellow )

(B : Blue )

(M : Magenta )

Typical colors in printing

Page 52: CP.4  Traditional line  and halftone photography

Tone & Tone reproduction

Page 53: CP.4  Traditional line  and halftone photography

Tone and Level

1. Tone value : describing the brightness degree of pixels

Highlight value : high brightness degree of pixelsLow value : low brightness degree of pixels

2. Level : describing the changes of density grade in a image from the brightest to the darkest part.

Page 54: CP.4  Traditional line  and halftone photography

3. Interrelated Terms

• Continuous-tone : (e.g., photograph or painting)•Halftone

• shadow area (70~90% dot)• middle tone (40~60% dot)

• high tone value (10~30% dot)

• highlight area(<10% dot )

Page 55: CP.4  Traditional line  and halftone photography

4. Continuous-tone reproduction

For graphic and text

Why ?

为什么?

Why ?

为什么?

Page 56: CP.4  Traditional line  and halftone photography

Continuous-tone image , black & whiteGravure : the ink thickness have a continuous change

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Letterpress and Offset: the ink thickness have no continuously change , How to deal with?

In order to be able to reproduce continuous tones that are as true to the original as possible, the continuous-tone image must be converted according to the particular printing process into halftone areas and those with varying ink film thickness.

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Why screening?Dot is the basic unit for half-tone reproduction

Screening, therefore, converts continuous tone originals into black and white information (image elements, half-tone dots) that is suitable for producing the printing master (film or plate). Depending on the printing process, there are usually only two states of ink transfer (printing or non-printing). For this reason, the varying visual impression of lightness or darkness must be created by varying the size of the halftone dot. If the screen structure are enough for the viewing distance of the screened image, the integrating effect of the human eye will “smooth out” the image, and the observer, therefore, sees an image that, with its continuous gradation,is visually consistent with the original.

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用连续调底片制作的阶调丢失的印刷品

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1 )加网的必要性 a 如果用未加网的连续调底片晒版,印版上中间调部分的感光层得不到足够的光量,导致感光层硬化不足,图像建立不起来; b 凸版和平版不能通过墨层厚度的变化来体现浓淡层次的变化。

2 )加网照像: 照像时,把网屏置于感光片前面,利用网屏对光线的分割作用,将连续调原稿拍摄成由大小不同、间距相等的网点组成的图像。

3 )网点的作用: 网点是最基本的图文单位。 由等间隔网点的大小变化或随机分布的网点多少的改变着墨面积,来表现图像的明暗层次。

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Dark Mid-tone Brightness

Originals

Plate

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Dot character• Halftone Screen ruling : LPI ( line per inch),Line/cmHigh screening line : fine image levelLow screening line : rough image level

Generally :newspaper 80-100 lpi Color magazine, picture up to 150 lpi

Screening line decreasing

P79-86 , P191-195

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• Dot shape : round , diamond , square , ellipse

• Screen angle :Generally: 0°( 90 °), 15 °( 105 °) 45 °( 135 °) , 75 °(165 °)

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Screen cell of 14 x 14 = 196 pixels (like in the image) with an area coverage of 52 pixels (approx. 26.5%), aligned at an angle of 0°. This angle can easily be implemented in the imagesetter matrix.

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Screen cell under 45°; the outline of the screen cell deviates from the ideal outline (screen width wR > wI)

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Structure of a screen cell with rational tangent. It results in angles of 18.4° or 71.6° instead of the standard angles of 15° and 75°.

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Moiré effects can occur wherever two or more periodicscreen patterns are unfavorably superimposed(有层理的) resulting in coarse(粗糙) regular patterns

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The influence of screening angles for multicolor printing

1. Moire: The screening of the individual color separation is done at different screen angle. Improper positioning of color separation causes interference, or so-called moiré pattern, which might severely impair the image impression.

Interference effect (Moiré) through overlaying two periodic structures with similar screen angles

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Rosette formation in screened multicolor printing.

a Angling of the screened

color separation with rosette formation ;

b Rosette of different structure appearing as special moiré phenomenon (to make the effect more obvious, all color separation are printed with the same color )

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Typical Screen Angle

For single-color images the halftone structure has least visibility if it is rotated 45 to the horizontal; the eye is better trained to see horizontal and vertical lines and has a lower sensitive to diagonal (斜线) .

For three-color image : Y 15°M 75° C 45° For four-color image : Y 0° M 15° C 75° K 45° (DIN standard 16547 for four-color printing defines, the

least noticeable color, yellow, is rotated at an angle of 15°between the other more distinct colors.)

Q : Why not use the same angle for four-color plate?

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在分配四色网点角度时,尽可能把重色、主色放在 45° ,也可以减小龟纹的可见性。所以,多色印刷一般采用如下网点角度分配:

单色 :45 °;

双色 :深色 45 °浅色 75 °;

三色 :Y 15 °M 75 °C 45 °;

四色 :Y 0 ° M 15 °C 75 °K 45 °

网点角度

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a With monochrome images a screen angle of 45°will be least noticed:

b Typical screen angles for four-color images

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“%” show the percentage of how many ink dot take in a unit area.

Dot size

note! Negative dotPositive dot

Recognising the dot percentage: Visual inspection-Magnifying glass Densitometer,Dot area meter

对阴像网点图像要看透明点的大小判定成数,对阳像网点图像要看黑点的大小判定其成数多少。

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A. eyeballing- Visual inspection

Dot number between the two

percentage 10 20 30 40 50 60 70 80

3 2 1 12 1 1

4 1 1 14 1 1

2 2 3

90

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density D = lg(1/)

reflectivity

s

t

D-

-D

10-1

10-1 网点百分比

Dot density Dt 、 full density Ds-solid

B. Densitometer

测灰密度 测彩色密度

光敏元件光源

Why use r/g/b filter?

D

Dr 、 Dg 、 Db

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Fig.Measurement of color density (optical density) by densitometry (measurement method)

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Detail of a color photograph (continuous tone) for reproduction using conventional (AM) screening and stochastic (FM) screening for creating halftones in multicolor printing.

Screening Method

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Fig. Continuous-tone (contone) reproduction with amplitude-modulated(AM) screening and frequency-modulated (FM) screening

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Fig. Detail of a color photograph (continuous tone) for reproduction using conventional (AM) screening and stochastic (FM) screening for creating halftones in multicolor printing (AGFA)

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Fig. Digital dot structure.

a Reproduction of an analog dot from picture elements with digital technology of varying addressability (resolution: dpi);

b Reproduction of a tonal value gradation

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Amplitude Modulation Screen Principle

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Amplitude Modulation In so-called amplitude-modulated screening

(periodic screening),the individual dots are spaced the same distance apart, but have different diameters (or different areas, depending on the dot shape), This halftone process, along with its distinct moiré patterns.

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印刷

Frequency Modulation Screen Principle

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Frequency Modulation

In the case of frequency-modulated screening, the individual dots have the same diameter but are different distance apart (non-periodic screening). When using the frequency modulated screening process to convert continuous tones of the original into a quantity of dots in a so-called screen cell, the dot spacing must be specified for a known dot size. This can be done according to various algorithms. Usually the distance for a certain tone value differ from individual dot to individual dot (which would lead to susceptibility to moiré patterns), frequency-modulated screening is also referred to as random or stochastic screening.

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Fig. Comparison of amplitude-modulated (AM) screening with frequency-modulated (FM) screening

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1 )调频加网的定义 Frequency Modulated Screening ,简称 FMS ,也叫随机加网( Stochastic Screening )。 是通过大小一定的“网点”出现的密度(即频率)来改变印刷品的着墨面积率,从而体现原稿图像的浓淡色调变化。 这里的“网点”不同于传统调幅加网的网点,我们称为子网点( Subdot )。

网点密 图像密度大……稀 …………小

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2 ) Types of FMS dots

A. First Order FM Dot

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B. Second Order FM Dot

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C. Third Order FM Dot

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不使用周期性网点结构,不会产生龟纹和玫瑰斑。 不受网角限制,支持多色印刷,再现色域更广。无需考虑网角和挂网系数,可用较低分辨率扫描图像,图像数据量大为减少。在系统分辨率相同的条件下,调频网点比调幅网点具有更高的解像力。 调频网点不规则分布,克服了调幅网点在 50% 的中间调发生阶调跳跃的不足,可得到更光洁的阶调。 网点细微 (10 ~ 40μ) ,不依赖改变网点大小体现层次,图像复制清晰度高,能以较低分辩率输出。 套印精度对色彩和清晰度的影响更小。

2 )调频加网的优势

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Homework

Please draw the diagram of a typical film structure.

Compare the characteristics of AM and FM Screening.

P92 Review questions 1,2,4,7,8.