craig - trans-cultural composition in the 20th century

8/18/2019 CRAIG - Trans-cultural Composition in the 20th Century

1/4

Trans-Cultural Composition in the 20th Century

Authors(s): Dale A. Craig

Source: Tempo , New Series, No. 156 (Mar., 1986), pp. 16-18

Published by: Cambridge University Press

Stable URL: http://www.jstor.org/stable/945845

Accessed: 29-03-2016 15:06 UTC

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at

http://about.jstor.org/terms

JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted

digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about

JSTOR, please contact [email protected].

Cambridge University Press is collaborating with JSTOR to digitize, preserve and extend access to Tempo

http://www.jstor.org

This content downloaded from 200.130.19.143 on Tue, 29 Mar 2016 15:06:14 UTCAll use subject to http://about.jstor.org/terms


2/4

TRANCULTURALCOMPOT ON

N THE20THCENTURY

D A Cr g

T HE M O T RE MA RK AB LE d v o p m n n 2 0 h n u ry m u h b n h g r d u r o f r n

u ur m u o u h d om nn v y of ompo r n r on b w n mu of

v r ou yp w h n h m u u r nd b w n u u r n u dng h o p r d from u

n h o r m h b n mor m por n h n h onv n on y r o gn d f on

of 20 h n ury mu v y u h xpr on m on y mpr on m n o m

n pur Euro n r n r m o r m h n nd m n m m wh n

po n n u m ov mn w h ou ro u ur r f rr n

N on m w n o 19 h n ur yph nom non f xd n h o ry b m n r n o n m

n h w ork o fB B r 6k y wh h w r hough o f h n w n rn on y for

m n o m nd r m wr h uv n y Europ n nd h o wh h w r

h m h ou gh o f n r ro wy o nf n d o n g n o n h d mu h mo r o x pr o h

w or d w ho

B for on g mu r d o n w b r nng n wpo b from m ny o h r F r

from r ng nd rd on h w r p h or of v r ub r y m kup n d

d n o n D n dy w h oug h of r h r G r m n d F r n h o mpo r H ow wo ud w

o dy n 1 98 3 d r b C h r C m r A n Ho vh n o rC h k Co r w ou d r u r

o f nf u n u h C h k Co r p ro vd o nh T hr Q ur r o rd ng B r 6 k

B hov n B rg M D v B Ev n D y G p H rb H n o k T h on u Monk

C h r P r k r B ud Po w P r r kn n dW yn h or r m on go h r

On o f h mo r n nd r k ng o ur n of h r y1980 h r ou nd

omm r for w n of b r rm ompo r h v o n d n o ommon r m

1 Th r r m ny y m r

2 B o h r v f or o mm r u

3 R o rd p k g ng m r

4 T h r r n o n o r n dmo r on fr m wo rk n r u o n f or m pr ov o n

5 T h m u h r g o f bo h x r m y v r d n d h o uh d up on r b f ok

popu r nd u v d mu from v r u u r

A n ho ny B r x on f o r h x C om po o n Q u r r o r d ng g v b or h o ry u p

p or d b y b r d rw ng A h oug hh g v h fo r b r H n d r on E n g on M n gu

P rk r T r n o Co m n n dD op hy h u o un d nd p r o fh w or k v r y mu h

k h r ou mu wr n by d m o mpo r u h h or r d k h r



3/4

TRAN CULTURALCOMPOTON

f w u rn o r ou ompo r h ow v r w f nd m o h r v r Ph p G

G work d u r o rg n b yn h r o pr no x nd nor x n dd o n o

m or xp d n r um n r d g v n o h ound n gn r u on popu r bum

n d h mp b u g n o ok of h p k g ng for omm r v n g rd

r o rd n g or p op b um b yo n o f h m o r d v n d u b g ro up T h o u nd o f h m u

ppro h h bu n uou r n k u y wh h m ny pop group o hv r d

n f mo r p op u r or n d h n A n ho ny Br x on v r y of o mp o o n

Th r 20 h n ur ymod rn mu r u r o u d E urop nd h U n d o f

h h h W r wor d b r y w r M u r f v o f20 h n ur y n o n o f xp o on

f n fo rm o n of p n n d o of r fr h n g h n g yn h h b n o mp o d n J p n

Kor Ch n n don M y nd nd m oun r o fW A Th m u n d

o b d u d n o rd r o g v b n o our wo rd v w o f2 0 h n u ry mu T or d P u

G r ff h M od m M u T h A v n G r d n 1 94 5 on w o u d h n k h m od r n mu n

W or d W r w o mp o d o y n F r n Am r G rm ny y E ng n d P o nd n d

H o n d

n o n d rng v rou mu fu o n d n on n d o b m d b w n o mpo r

w ho m n y wr h r m u d ow n nd h o w ho f vo ur v n o un r b w n mu n

wh om y no v n kn ow h o h r r d o n Mu h of h y n h w h h o u r ng

un on ou nd o m of h b r n u u r mu h pp n n h w y M n y ompo r

how v r on o u y r oppor un for E W mprov on or wr n

mu

om ompo r h v r d y n r d v ry h gh v o f r on wh h dr w upon h r

p rn ng no m r wh our m yh v b n Th y r m kng r n n d n

wor d mu nd h m o ommun m u vo u on m nh kno wn n h

b g nn ng n h mu w n h r no o ny h d f f u bu o h p r u h gh of our

fu ur p Ch r v p k ng ofMu nd Fu ur d

Th fu ur of mu m yno n r y w h mu f bu r h r n h w y n our g nd x n d r h r h n

m p r on n d d of h p op n h w y m k f p r w h h f nr h ng h hum n ydo nd

d r m o f

Ch r g r md h u f u d n on b w n mu yp of wh h mgh b

fo un dw h n h b or dr o f on o un r y r f ok r b n dp opu r m u Ar o r u v d

mu n u d dv n d mu of Or n h gh u u r Fo k mu n u d A n mu of

h p op w h mu of Europ n v g nd rur r Tr b mu n ud h of

h r p op o o upy V n m nd O n Au r Afr A k nd h

Am r Popu r m n u wh y w nno h v r gd df n on bu w ou d

n ud w h n omm r y u fu mu

An n n oun ry k Ch n h four of h h m ny form o f u v d mu of h

Hn p op h v r ou f ok mu k pp r or n n yn ou h rn o ng r b m u o f

h M o Z hu ng n do h r gr oup po pu r m u k p r o o ng o r v n h C hn

V o n Co n r o L n g h n B o& Zh uY n T n d f w r h pr n p o bo un dr

o mm r p op u r mu n h M n d r n Po p of H on g Ko ng n d T w n u f u o h n k

of h v r ou r wh h x n o h r oun r od y nd o o n d r h yp of mu

wh h r h r

W h h v u o h o mp o r of kn ow ng b ou h yp o fmu n n umb r of

o un r H o r h rh ory n dwor d on of h n o h m d v o bu r yof

r o ur o wh h h / h m y m gn b n g r r d Th h f r m n w or d h o ry

wh n h b n po b o know u h v r y of mu nd o r n wmu wh h

x pr h m u p y of hu mn kn d nd o h o mmo nh um n y w h h w h r

Th r or dng w n h n r n o n on o fr o rd h op r pr n om o f h

17



4/4

TEMPO

m u o f h w or d wo rd mu B u wh n o mp o r r u n g n m m n r r yo f

po b no m d by pr o n p o n or n n u rou n u r h / h m y b m k ng

r n u u r w or d mu

T r n u ur mu un fo r un y of n h p p n r u o fu n hn kn g u n o un r

b w n mu

Wh n mu du or r on ou fo k mu n o on b n d u mp r d yp w h p no omp n mn

b W h n n n do n n n gk un gb nd p y h r mo n W r n on g n h or d w y wh h d n h r

d n v h r g o f ompo m o d w h h r o mmun n r o k ng n d n rp y

h pp n n n rm d v o f w r n n

D bu y P god w h o or u o fp n o n

b R v h n k r w o Con r o f or r nd Or h r bo h of wh h r r ng y d n dfor d w n

gr mu n ou of h m n

o u r n p u r y Europ n n u m nn r n

O v rM n b r on of nd n o h h y o h r v r r hy hm f ng nd n d

o m d d v r hy h m

b T on d L u w G m n w h h u h g m n n W r nw y n dh M u for r ng wh h

o n b y bou n d b u n w h h d ff u o h r n y hng n d n x p h m o r x h dron

b g n n n g n d n d

And h r d n wo rk k o kh u n mmung n d r on n wh h h k om

o h r pp r o b r y ng o h n on r nd Th or o f ompo r do no k o kn ow

A n mu bu w h o dr n for wh n on rbu o n d b nk T h u p

h ur r n r h o fR om n o r h r w or k

Bu h r h v b n mor u fu h n r und r n dng n d u hn o u rn

of r n u ur m u Tony o h r n h u d h ko o h kuh h n d r n

o rd r o x pn d nd n r h h r Mu f or Z n M d o n Mu f or Yo g M d o n D w y

R d mn u h C hn on obo uon v r y ff v y on K h J rr Y wuh d On

h r o rd n g Ju g b n d h E ng h p n J oh n B rh m m pr ov o n h p n o w h r od

p y rA h hKh n n r g/ nd h G bon r ng Qu r p y n x n p r d

b yA h h K h n Yu n L T h n O r h d n dO rn g f or f u n d o r bu

mp h p n o n m od n yY un Lo yn g nd R k u g g K or n o ur n m b

M k h o mb n G g ku n mb w h ym ph on yo r h r n o gu

M o o f h x mp ho w h o mpo r b n gb mu f m r w h wo or mor

mu u ur u y or n ry o

o ny o k o o/ h k uh h / Z n

r /r g/ r n /

D w y Rdm n r d C h n uo n

Ah h K h n r od r g p n o r ng u r

Yu n L T h n C hn p n on mod Europ n r m

ng Y un K o r n h y n g k G r m n y m ph o n v n g r d

M k h J p n g g ku W rn y mphon v n g rd

Ano h r r b d r n u u r mu wh h o u py ng mny ompo r n nd

n rg wh w m gh E o mu h n on rom n 20 h n ur ymu of N ur

h mu wh h h ow w r n of h r on hp b w n mn h m u nd h n u r

nvronmn

A ompo r b om n o u b m u bu p oymu nd n r n gy w r o f h r

r on g o nn x o n o h n u r n v ro nm n h y m ov b y o nd o d o n r n n d b g n

o h nk g ob y T h y bg n o r r n nd n wor d mu wh h dr w u pon h

r o u r h y h v f oun d n h m u o f h w or d

18


craig - trans-cultural composition in the 20th century

Documents