creative, expressive portraits€¦ · techniques of design, composition, color studies and...

1
syllabus This workshop is for the beginner to intermediate student who wants to learn portrait painting techniques and how to put more expression into their portraits, as well as the experienced student who may want to add a few more tools to their painting toolbox. We will not get into the more advanced techniques of design, composition, color studies and thumbnails, but will focus on good painting technique, variation of edges, values, and color mixing. We will be working on portraits with an emphasis on using good reference photos, accurate drawings, values, edges, and paint application and techniques. supply list GOOD REFERENCE PHOTOS Please make sure you download and read the "Reference Photo Guide" before the workshop. PAPER Good-quality w/c paper, 140# or heavier. I use 260# and 300# Arches cold press. Sizes: 5x7" or 8x10" for exercises, two 11x14" or larger for your portraits BRUSHES A variety of brushes and sizes. I use round brushes (sizes 1, 4, 8, 11, 18) and flat brushes (sizes 1 / 2", 1 1 / 2", 2"), as well as several cheaper, stiffer brushes for scrubbing or lifting. Your brushes don't need to be expensive. I use synthetic, as well as Kolinsky, brushes. Creative, Expressive Portraits syllabus and materials list PAINT These are the colors (or similar) you will want to bring to the workshop: Quinacridone rose or Permanent rose, Raw sienna, Gamboge yellow, Pyrrol red light or Scarlet pyrrol, Phthyalo blue, Cerulean blue, Ultramarine blue, Sepia, Neutral tint. II also have these colors on my palette, but feel free to bring your own favorites: Quinacridone magenta, Viridian green, Cadmium red light, Cadmium orange, Cobalt violet, Ultramarine pink, Burnt sienna, Cobalt blue. I use mostly M. Graham paints, but any professional grade will do. My only (firm) request is that you throw out those old, dried up blobs of paint on your palette and use fresh paint. You will thank me later! PALETTE Please bring a palette that is large enough to mix color. I use an 11 x 15" Frank Webb palette, which allows me plenty of space to mix my paints in the center with a large brush. ADDITIONAL water container paper towels firm board to support paper removable masking tape OPTIONAL ruler or straightedge fine mist sprayer hair dryer table easel masking fluid Division, watercolor by Peggi Habets

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Page 1: Creative, Expressive Portraits€¦ · techniques of design, composition, color studies and thumbnails, but will focus on good painting technique, variation of edges, values, and

syllabusThis workshop is for the beginner tointermediate student who wants to learnportrait painting techniques and how to putmore expression into their portraits, as well asthe experienced student who may want to adda few more tools to their painting toolbox.We will not get into the more advancedtechniques of design, composition, color studiesand thumbnails, but will focus on good paintingtechnique, variation of edges, values, andcolor mixing.

We will be working on portraits with anemphasis on using good reference photos,accurate drawings, values, edges, and paintapplication and techniques.

supply listGOOD REFERENCE PHOTOSPlease make sure you download andread the "Reference Photo Guide"before the workshop.

PAPERGood-quality w/c paper, 140#or heavier. I use 260# and 300# Archescold press.

Sizes: 5x7" or 8x10" for exercises, two11x14" or larger for your portraits

BRUSHESA variety of brushes and sizes. I use roundbrushes (sizes 1, 4, 8, 11, 18) and flatbrushes (sizes 1/2", 11/2", 2"), as well asseveral cheaper, stiffer brushes forscrubbing or lifting. Your brushes don'tneed to be expensive. I use synthetic, aswell as Kolinsky, brushes.

Creative, Expressive Portraitssyllabus and materials list

PAINTThese are the colors (or similar) you will want tobring to the workshop:Quinacridone rose or Permanent rose, Raw sienna,Gamboge yellow, Pyrrol red light or Scarlet pyrrol,Phthyalo blue, Cerulean blue, Ultramarine blue,Sepia, Neutral tint.

II also have these colors on my palette, but feel freeto bring your own favorites: Quinacridone magenta,Viridian green, Cadmium red light, Cadmiumorange, Cobalt violet, Ultramarine pink, Burntsienna, Cobalt blue.

I use mostly M. Graham paints, but anyprofessional grade will do. My only (firm) requestis that you throw out those old, dried up blobs ofpaint on your palette and use fresh paint. You willthank me later!

PALETTEPlease bring a palette that is largeenough to mix color. I use an 11 x 15"Frank Webb palette, which allows meplenty of space to mix my paints inthe center with a large brush.

ADDITIONALwater containerpaper towelsfirm board to support paperremovable masking tape

OPTIONALruler or straightedgefine mist sprayerhair dryertable easelmasking fluid

Division, watercolor by Peggi Habets