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CREOLE STRING BEANS Shrimp Boots and Vintage Suits (Threadhead Records) 01 October 2011 — by David Kunian Really, is there more to life than Shrimp Boots and Vintage Suits? The shrimp boots, a sym- bol of life here on the Gulf of Mexico, sum up that rocking Gulf Coast sound that made for hit aŌer hit in studios from Rampart Street to Crowley. This quartet with honking horns (including baritone saxophone, the Gulf Coast R&B secret weapon, doubling or adding a bass line, played by Derek Huston) play straight-forward party rock, as consistent in style as a vintage suit. The Creole String Beans split this set between well-picked covers and authenƟc-sounding originals. Songs such as guitarist Rick Olivier’s dance call-out “Funky Spillway” and Brian Rini’s “Sally Put a Spell on Me,” with its rollicking piano reminiscent of Huey Smith or early Allen Toussaint, duplicate that 1950s and 1960s sound so well that they seem like long-lost 45s. As for covers, bassist Rob Savoy gets listeners to remember what made swamp pop so good when he sings John Fred’s “Shirley.” This album peaks with its killer version of Ernie K -Doe’s rediscovered “Here Come the Girls,” which has a Ɵght, almost marƟal arrangement, raucous group vocals, and an aƫtude that will get even the worst wallflowers stepping and shaking on the dance floor. In and of itself, this is a great recording, but the fact that there are sƟll musicians making and playing classic New Orleans R&B with the Gulf Coast sound bodes well for fans of this music as well as those uniniƟated to this wonderful genre. URL for this arƟcle: hƩp://oĪeat.com/2011/10/01/creole-string-beans-shrimp-boots-and-vintage-suits-threadhead-records/ OĪeat, October 2011 issue

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  • CREOLESTRINGBEANS ShrimpBootsandVintageSuits (ThreadheadRecords)

    01 October 2011 — by David Kunian

    Really, is there more to life than Shrimp Boots and Vintage Suits? The shrimp boots, a sym-bol of life here on the Gulf of Mexico, sum up that rocking Gulf Coast sound that made for hit a er hit in studios from Rampart Street to Crowley. This quartet with honking horns (including baritone saxophone, the Gulf Coast R&B secret weapon, doubling or adding a bass line, played by Derek Huston) play straight-forward party rock, as consistent in style as a vintage suit.

    The Creole String Beans split this set between well-picked covers and authen c-sounding originals. Songs such as guitarist Rick Olivier’s dance call-out “Funky Spillway” and Brian Rini’s “Sally Put a Spell on Me,” with its rollicking piano reminiscent of Huey Smith or early Allen Toussaint, duplicate that 1950s and 1960s sound so well that they seem like long-lost 45s. As for covers, bassist Rob Savoy gets listeners to remember what made swamp pop so good when he sings John Fred’s “Shirley.” This album peaks with its killer version of Ernie K-Doe’s rediscovered “Here Come the Girls,” which has a ght, almost mar al arrangement, raucous group vocals, and an a tude that will get even the worst wallflowers stepping and shaking on the dance floor.

    In and of itself, this is a great recording, but the fact that there are s ll musicians making and playing classic New Orleans R&B with the Gulf Coast sound bodes well for fans of this music as well as those unini ated to this wonderful genre.

    URL for this ar cle: h p://o eat.com/2011/10/01/creole-string-beans-shrimp-boots-and-vintage-suits-threadhead-records/

    O eat, October 2011 issue