cubism

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Cubism Cubism was a truly revolutionary style of modern art developed by Pablo Picasso and Georges Braque. It was the first style of abstract art which evolved at the beginning of the 20th century in response to a world that was changing with unprecedented speed. Cubism was an attempt by artists to revitalize the tired traditions of Western art which they believed had run their course. The Cubists challenged conventional forms of representation, such as perspective, which had been the rule since the Renaissance. Their aim was to develop a new way of seeing which reflected the modern age.

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An introduction for a second grade cubist still-life painting lesson.

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Page 1: Cubism

Cubism

Cubism was a truly revolutionary style of modern art developed by Pablo Picasso and Georges Braque.

It was the first style of abstract art which evolved at the beginning of the 20th century in response to a world that was changing with unprecedented speed. Cubism was an attempt by artists to revitalize the tired traditions of Western art which they believed had run their course.

The Cubists challenged conventional forms of representation, such as perspective, which had been the rule since the Renaissance. Their aim was to develop a new way of seeing which reflected the modern age.

Page 2: Cubism

CUBISM

•Fitting all angles of a three-dimensional object in the same two-dimensional picture

Page 3: Cubism

Analytic Cubism

Cubism had two distinct phases. The early phase which lasted until about 1912 was called Analytical Cubism.

Here the artist analyzed the subject from many different viewpoints and reconstructed it within a geometric framework, the overall effect of which was to create an image that evoked a sense of the subject.

These fragmented images were unified by the use of a subdued and limited palette of colors.

Georges Braque (1882-1963)Violin and Jug (oil on canvas, 1910)

Page 4: Cubism

Synthetic Cubism

Influenced by the introduction of bold and simple collage shapes, Synthetic Cubism moved away from the unified monochrome surfaces of Analytic Cubism to a more direct, colorful and decorative style.

Although synthetic cubist images appear more abstract in their use of simplified forms, the other elements of their composition are applied quite traditionally. Interchanging lines, colors, patterns and textures, that switch from geometric to freehand, dark to light, positive to negative and plain to patterned, advance and recede in rhythms across the picture plane.

Pablo Picasso (1881-1973)Still Life with Mandolin and Guitar (oil on canvas, 1924)

Page 5: Cubism

Fruit Dish Georges Braque, 1908

Page 6: Cubism

Head of a Woman

Georges Braque, 1909

Page 7: Cubism

Violin and Newspaper (Musical Forms)

Georges Braque, 1912

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Still Life with Music Scroll Georges Braque, 1937

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The Echo Georges Braque, 1954

Page 10: Cubism

Composition with Skull

Pablo Picasso, 1908

Page 11: Cubism

Head of a Woman

Pablo Picasso, 1908

Page 12: Cubism

Bread and dish with fruits on the table

Pablo Picasso, 1909

Page 13: Cubism

Woman and pears (Fernande)

Pablo Picasso, 1909

Page 14: Cubism

Guitar

Pablo Picasso, 1912

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The Student

Pablo Picasso, 1919

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Untitled

Pablo Picasso, 1937

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Plaster Head and Arm Pablo Picasso, 1925

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Bullfight Pablo Picasso, 1934

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Crying Woman

Pablo Picasso, 1937

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Bottles and Knife

Juan Gris, 1911

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Blue Landscape

Nathan Altman, 1912

Page 22: Cubism

Portrait of a Philosopher

Lyubov Popova, 1915

Page 23: Cubism

Music

Jury Annenkov1922

Page 24: Cubism

Still Life with Violin

Gino Severini, 1964