cultural studies defined
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PREFACE
At the time I wrote this (in 2011) I was teaching in one of the few undergraduate Cultural Studies programs in
the United States, at Columbia College Chicago, and I frequently fielded questions from students, colleagues,
and many others about what cultural studies actually is. The problem, of course, is that if you consult any of
the myriad cultural studies anthologies or ask those whose work falls under the umbrella of cultural studies,
you are likely to get wildly divergent answers and a fair amount of grumpiness from many scholars who, forbetter or worse, actively resist the attempt to label, codify and/or compartmentalize cultural studies. There are,
admittedly, valid reasons for staking out such a position, but as someone who taught introductory courses and
also spent years serving as the programs representative during Columbia Colleges Fall and Spring Open
Housetours (where my job was to greet prospective students, and their parents, and talk to them about our
program), I found the idea of resistinga label or definition rather obnoxious or, at the very least,
counterproductive. Consequently, I came up with several working definitions of cultural studies as a way to
effectively explain what I doto people of various educational backgrounds and interests.
This document is certainly not the schtick I would give to parents at an Open House or to students on the first
day of Introduction to Cultural Studies, but its probably my best stab at a definition of cultural studies that I d
feel comfortable explaining to advanced undergraduate students, graduate students, and my colleagues in the
humanities and social sciences. Its certainly not perfect, but thats not really the point anyhow. Its merely
something that you might find useful to think with(as James Carey might have put it).
- Zack Furness, PhD (2014)
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1 . T H E T H E O R E T I CA L LY I N F O R M E D
S T U D Y O F C O N S T E L L A T I O N S O F
P O W E R .
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1. THE THEORETICALLY INFORMED STUDY OF
CONSTELLATIONS OF POWER.
2. A SET OF QUALITATIVE ANALYTICAL TECHNIQUESAIMED AT COMPREHENDING AND CRITIQUING THE
WAYS IN WHICH CULTURAL NORMS, CUSTOMS,
HABITS AND COMMON SENSEARE PRODUCED BY
AND THROUGH THE INTERPLAY (AND
CONJUNCTURES) OF HISTORY, COMMUNICATION,
ARTISTIC PRACTICE, SOCIOECONOMIC FORCES,
AND THE MATERIAL CONDITIONS OF EVERYDAY
LIFE.
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1. THE THEORETICALLY INFORMED STUDY OF
CONSTELLATIONS OF POWER.
2. A SET OF QUALITATIVE ANALYTICAL TECHNIQUESAIMED AT COMPREHENDING AND CRITIQUING THE
WAYS IN WHICH CULTURAL NORMS, CUSTOMS,
HABITS AND COMMON SENSEARE PRODUCED BY
AND THROUGH THE INTERPLAY (AND
CONJUNCTURES) OF HISTORY, COMMUNICATION,
ARTISTIC PRACTICE, SOCIOECONOMIC FORCES,
AND THE MATERIAL CONDITIONS OF EVERYDAY
LIFE.
3. AN INTERDISCIPLINARY, ANTI-DISCIPLINARY, AND
POLITICALLY COMMITTED MODE OF INQUIRY THAT
UNDERSTANDS CULTURECONTEXTUALLY, AND
AS A COMPLEX PHENOMENON.
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AS A COMPLEX PHENOMENON, CULTUREIS
THUS CONCEIVED AS A COMBINATION OF ANY
OR ALL OF THE FOLLOWING:
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AS A COMPLEX PHENOMENON, CULTUREIS
THUS CONCEIVED AS A COMBINATION OF ANY
OR ALL OF THE FOLLOWING:
A PROCESS(CULTURE IS DYNAMIC, AS OPPOSED TO STATIC)
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AS A COMPLEX PHENOMENON, CULTUREIS
THUS CONCEIVED AS A COMBINATION OF ANY
OR ALL OF THE FOLLOWING:
A PROCESS(CULTURE IS DYNAMIC, AS OPPOSED TO STATIC)
ASET OF PRACTICES (SUCH AS THE JOBS WE WORK, THE WAYS WE WEAR OUR
CLOTHES, OR THE TYPES OF MUSIC WE MAKE)
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AS A COMPLEX PHENOMENON, CULTUREIS
THUS CONCEIVED AS A COMBINATION OF ANY
OR ALL OF THE FOLLOWING:
A PROCESS(CULTURE IS DYNAMIC, AS OPPOSED TO STATIC)
ASET OF PRACTICES (SUCH AS THE JOBS WE WORK, THE WAYS WE WEAR OUR
CLOTHES, OR THE TYPES OF MUSIC WE MAKE)
A COLLECTION OF SPECIFICARTIFACTSANDTEXTS (THESE INCLUDE MATERIALOBJECTS, LIKE AUTOMOBILES OR CHEESEBURGERS, AS WELL AS NUMEROUS
FORMS OF REPRESENTATION, SUCH AS PRINT NEWSPAPERS, MAPS, TV SHOWS,
FILMS OR WEBSITES)
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AS A COMPLEX PHENOMENON, CULTUREIS
THUS CONCEIVED AS A COMBINATION OF ANY
OR ALL OF THE FOLLOWING:
A process(culture is dynamic, as opposed to static)
Aset of pract ices (such as the jobs we work, the ways we wear our clothes, or the types of
music we make)
A collection of specificart i factsandtexts (these include material objects, like automobiles orcheeseburgers, as well as numerous forms of representation, such as print newspapers,
maps, TV shows, films or websites)
A cluster of l ived so cial relat ions that are historically shaped and can be spatially andtemporally located (culture happensin specific places, at specific moments in time, and
amongst specific groups of people who are all products of their respective histories)
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AS A COMPLEX PHENOMENON, CULTUREIS
THUS CONCEIVED AS A COMBINATION OF ANY
OR ALL OF THE FOLLOWING:
A process(culture is dynamic, as opposed to static)
Aset of pract ices (such as the jobs we work, the ways we wear our clothes, or the types of
music we make)
A collection of specificart i factsandtexts (these include material objects, like automobiles orcheeseburgers, as well as numerous forms of representation, such as print newspapers,
maps, TV shows, films or websites)
A cluster of l ived so cial relat ions that are historically shaped and can be spatially andtemporally located (culture happensin specific places, at specific moments in time, and
amongst specific groups of people who are all products of their respective histories)
An objec t of s tudy (scholars, activists and artists are just a few groups who have produced
bodies of work about the concept or thing called culture)
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AS A COMPLEX PHENOMENON, CULTUREIS
THUS CONCEIVED AS A COMBINATION OF ANY
OR ALL OF THE FOLLOWING:
A process(culture is dynamic, as opposed to static)
Aset of pract ices (such as the jobs we work, the ways we wear our clothes, or the types of
music we make)
A collection of specificart i factsandtexts (these include material objects, like automobiles orcheeseburgers, as well as numerous forms of representation, such as print newspapers,
maps, TV shows, films or websites)
A cluster of l ived so cial relat ions that are historically shaped and can be spatially andtemporally located (culture happensin specific places, at specific moments in time, and
amongst specific groups of people who are all products of their respective histories)
An objec t of s tudy (scholars, activists and artists are just a few groups who have produced
bodies of work about the concept or thing called culture)
A site of ideological struggle and poli t ical conf l ic t (culture is a metaphorical battlegroundwhere people convey ideas, debate issues, and make meaning in ways that have distinct
ramifications in the world)
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AS A COMPLEX PHENOMENON, CULTUREIS
THUS CONCEIVED AS A COMBINATION OF ANY
OR ALL OF THE FOLLOWING:
A process(culture is dynamic, as opposed to static)
Aset of pract ices (such as the jobs we work, the ways we wear our clothes, or the types of
music we make)
A collection of specificart i factsandtexts (these include material objects, like automobiles orcheeseburgers, as well as numerous forms of representation, such as print newspapers,
maps, TV shows, films or websites)
A cluster of l ived so cial relat ions that are historically shaped and can be spatially andtemporally located (culture happensin specific places, at specific moments in time, and
amongst specific groups of people who are all products of their respective histories)
An objec t of s tudy (scholars, activists and artists are just a few groups who have produced
bodies of work about the concept or thing called culture)
A site of ideological struggle and poli t ical conf l ic t (culture is a metaphorical battlegroundwhere people convey ideas, debate issues, and make meaning in ways that have distinct
ramifications in the world)
A who le way of l i fe (the totality of the processes, practices, lived social relations, modes of
expression, and common senseof a group, or groups, of PEOPLE)