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11 06 86 Wale Soyinka <13 July 1034)
.James M. Gibbs University of Liege.
BIRTH: Western Nigeria, 13 July 1934.
EDUCATION: ( Intermediate Arts, University College, It-adan, 1954 -examination conductec by the University of London); B.A,, University of Leeds, 1957.
AWARDS ANn HONOURS: Roclrnfeller Research Grant, 1960-61; John Whiting (Playwriting) Award, 1965; Dakar Negro Arts Festival Award for Drama (The Road), 1966; Jock Camptell Award (New Statesman), (for The Interpreters), 1968; Amnesty International Prisoner of Conscience Award, 1969;Hon D Litt . , Universit i of Leeds, 1973; Hon D. Litt., 4 University of Yale, 1981 ;1 ~~g11~h- S~~iking fUnion Pri~c (for Ake), 10~ ;
KARRIAGE: 1050 to Barbara Dixon; divorced; remarriE'd 1963 to' Laide ? ; children by both marria.ges, ·l_Q 0 ~ '.
BOOKS
n Dance of the Forests <rlay) I London and Ibadan, Oxford University Press, 1963. The Lion and the Jewel Cplay), London a.nd Ibadan, Oxford University Press, 1963. Three Plays, Ibadan, M:bari, 1°63. Five Plays, Landen and Ibad~n, Oxford University Press, 1964 The Interpreters, London, Deutsch, 1965;New York, Collier,197! . The Road, London and Ibad~n, Oxford University Press, 1965 . Tho Lion and the Jewel, London, Oxford University Press, 1966 . Idanre and Other Poems, London, Methuen, 1967;New Yor:!r, Hill and Wang, 1968. Kongi'c Harvest, London,0;:ford/ University Press, 1967 . Three Short Plays, London, Ox~rd University Press, 1069;New York, Oxford University Press, 1974. The Trials of Brother .J era and The Strong Breed: Two Plays, :New York, Dramat :i.sts PJ.ay -.);ervi ce, J. 969. A Shuttle in the Crypt Cpoe11S), London:, Coll ings/1'Iethuon, 1971.; l~ew York, Hill and Wang, 1972. Before the Blackout (revue sketches), Ibadan, Orisun Publications, 1971, Madmen and Specialists, London, Methuen~ New York, Farrar, Straus & Giroux, l'Wl. The Nan Died: Prison r;otes of Wale Soyinl:a, London, Collings, 1972; riew York, Harper and Row, 1973. The Bacchae of "Euripides, London, Methuen, 1973; 1fow York, Norton , 1974 . Camwood on the Leave:::, London, Methuen, 1973;with Before the B1.ackout, New York, Third Press, 1973. Collected Plays l, London, Oxford, 1973; The .Jero Plays, London, }rethuen, 1973; Season of Anomy, London , Collin5s, 1973;New York, Third Pre:;s, 1974. Collected Plays 2, London, Oxford, 1°74 .
Death and the King's Horseman, London, Methuen, 1975; ~ew York, Norton, 1975. Myth, Literature and the African World, London, Cambridge,1976; A_ Ogun Abibiman, London , Collings, 1976; 1--., Ake: The Years of Childhood, London, Collings,198l;New York, Random House, 1982. Opera Wonyosi, London, Collings; Bloomington, Indiana University Press, 1981. A Play of Giants, London, Methuen, 198~. Six Plays, London,Methuen,1984; /..__ Requiem for a Futurologist, London, Collings, 1985.
SCREENPLAYS
n ,,1J6j b-J Joshua, no details available. ~ S ~-")Culture in Transition, commentary by Soyinka, Esso World Theatre, 1964. t,U;J-,'V Kongi's Harvest, scenario by Soyinka, Calpenny-Omega , 1972.?
~P/Oo/Ji Blues for the Prodigal1 scenario by Soyinka, Enwuro, 1933.? -G-~-
PLAY PRODUCT IONS
OTHER
Frances Adcmola, ed, Refl~ctions: Nigerian Prose and Verse, contains Soyinka's essay ''Salutations to the Gut" and part of hie play The House of Banigeji ( Lagos, African Universities Press,1962). The Forest of a Thousand Daemons: A Hunter's Saga, Soyinka's trans l ation of a Yoruba novel by D.O. Fagunwa (London, Nel s cl,'- 1968; Atlantic Heights, New Jersey,Humanities, 1969 . I D.W. Jefferson, The Morality of Art, contains Soyinka's "The Fourth Sta6e : Through the Mysteries of Ogun to the Origin of Yoruba Tragedy", <London, Routledge, 1969), James Gibbs, Study Aid to Kongi's Harvest, contains a prefatory letter by Soyinka <London, Collings, 1973), John Wakeman,ed. Vorld Authors 1950-1970: A Companion Volume to Twentieth Century Authors, contains an autobi o3raphical statement by Soyinka (Hew York, H.H.Wilson, 1975). Poems of Black Africa, edited with an Introducti on and a selection of h i s own poems by Soyinka <London, S-cker & Warburg, New York, Hill &
Wang, 197~ . Houston A. Eaker Jr. ,ed., Reading Black: Essa ys in ~he Criticism of African, Caribbean , and :lack American Literature, contains "Aesthetic
?S Illusion" by Soyinka (Ithaca, Cornell University African Studies and Res earch Centre, 1976). Rowland Smith, ed . , Exile and -fradition: Studies in African aLj
Cartbbean Literature, contains Soyinka's "Drama and the African World View" <New York, Africana, 1976). Abidas do Nascimento, Racial '1;lemosracy in Brazil: Myth or Reality, contains a "Foreword" by Soyin:rn <Ibadan, Sketch Publishing, 1977). Christopher Dailly, ed. ,Colloque sur literature et esthetique negroafricaine, contains Soyinka's "Morality and Aesthetics j_n the Ritual Archetype", (Abidjan and Dakar, Los nouvelles editions africaine~ I °I
q
Femi Falana et al, eds, And They Finally Killed Hi:r.i: Speeches and Poems at a lll:emorial Rally for Walter Rodney (1042-80), contains Soyinka's "The Man ~,lho Was Absent" <Ife, Positive Review, 1~80). Guy Amirthanayagam, ed., Writers in East-West Encounter: New Cultural Bearings, contains Soyinka's "Cross-Currents: The 'New African' After Cultural Encounters", (London, Macr.iillan, 198?.) .
J~G DLB 13 06 86 100
INTF.RVIRWS Valerie Wilmer , "Wale Soyinka Talks to Flamingo," Flamingo <London?), March 1966, 14,15 and 17; Alan Akarao6un, "Wale Soyinka," Spear Magazine (Lagos), May '.:.906, 16-19 and 42; Dennis Duerden and Cosmo Pieterse, eds, three interviews conducted during the sixties, African Writers Talkin 1 ( London, Heinemann,169-80;New York, Africana, 1072); "Militant Interview," The Mil itant (University of Ibadan), 2,1 ,December 1972) 3-7; Biodun Jeyifous 1 "A Transition Interview 1
11 Transition (Accra), 42, 1973, 62-64; John Agetua, Interviews with Six :Hgerian Wri tQrs ( Benin City, Bendel Newspaper Corporation, 1973); John Agetua, When the Man Died ( Benin City,John Agetua, 1975, 31- 46); Henry Louis Gates Jr, "An Interview with Wale Soyin~a," Black World <Chicago?), 24, 10, 1975 1 30-48; Anon., "History and African Conscience," Africa (London ), 58, June 1976 1
109-110; Assensoh, ''Interview with Prof Wale Soyinka," Afriscope <Lagos), 6,7 1
July J976, 30-40; Karen L. Morell, In Person: Achehe, Awoonar and Soyinka, includes tranf'cri.pts of discussions ( Seattle, Wasl:ington , Institute of Comparah·.re and Foreign Area Studies, 1975 , 89-130). Soyini Dyson, "BBB 1nter7iews: Wale Soyinka. 1
11 Black Books Bulletin (?),
7,1 (1980) 1 36-39 and 40,
BIBLIOGRAPHIES
Malcolm Page, Wale Soy1.nka: Bibliography, Biography, Playogra=:1hy <Landon : Theatre Quarterly Publications, 1979, 17 p. ); B. Okpu, Wale Soyinka: A Bibliography ( Lagos: Libriservice,1984 ,54 P·); James Gibbs, Kctu Kntrak and Henry Louis Gates Jr, Wale Soyinka: A Bibliography of Primary and Secondary Sources (Westport and London: Greenwood, 1956, 107 p. ).
REFERENCEB
.Joel Adedeji, "Oral Tradition and the Contemporary Theatre in Nigeria," Research in African Literatures (Austin, Te:~a::; ), 2 (1971) , 124-149. Dapo Ade:. ugba, 11 Tranc,3 B.nd Theatre.: the Nigerian Experience ," Ufahumu, 6,2 (1967), 47-62. Samuel AlJon, "Two African Writers; Soyinka and Sen0hor," Negro Digest (Chicago), June 1~67, 54-67 Jar.-'1s Nduke Amankulor, "Drar!1a-:ic Technique and 1".eaning in The Road ," Ba Shiru (University of Wisconsin), 7 1 1 (1976), 53-39. Kofi AHoonor, "The )foder.n Dr.am."?. of Africa," in his The Breast of the Earth, New York: Anchor 1 1975, pp. 317-328. :'fartin Banham, African The~.tre Today, (London: Pitman, 19 ... ).
A. Podunrin, "Wole Soyin'rn; Poet, Satirist and Politic3l Neophyte," African Stutesman <Lagos), 2,3 (November 1976), 19,21,23 and 27, Nigel Brmm, Notes on Wale Soyinka's Kongi' s Harvest <London: Heinemann) 1973); Wilfred Cartey, Whispers from a Continent <1:ew York; Random Hou:;e, 1969; London: Heinemann, 1971), Chinweizu, Dnwuchekwa Jemie and Ihechukwu Madubuike, Towards the Decolonization of African U.terature <Enugu; Fourth Dimension, 19 ) ; ;)avid Cook, "Of The Strong Breed; A Study of Vole Soyinka's Three Plays" in his African Liter~ture: A Critical View (London: Longman, 1975, pp 113-127); L.R. Early, "Dying Gods: A study of Wale Soyinka's The Interpreters, Journal of Commonwealth Literature (Leeds), 12, 2 <December 1077), 161-174; Afam Ebeo6u, ":!<ram Idanre to Ogun Abibiman: An Examination of Soyinka's Use of Ogun Images," Journal of ComrnonweaJ.th Literature (Leeds), 15, l(bugust 1980), 84-96. Rmnnus ~; . Egudu, 11 The IdyJ l Sham: Ezra Pound and Nigerian WolP. Soyinka on War, Paideuma, 5 (1~76), 31-41; Laban Erapu, Notes on Wale Soyin'rn' s The Lion and the Jewe l <Nairobi: Heinemann, lC.75). Mortin Essl in, "A Ma j or Poetic Drama.tis+: Wole .Soyinka., 11 New Theatre Ma0azine (Bristol) 12,2 (1~72), 9-10;
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Press, 1963) i
The Li en and ,':h,,: Je,,·e.Z (play) <London and Ibadan:
Th;·eC? Pl ~·ys (I':),,t'_;,.n : ~~c .. ri, 19C.3);
Oxford Un iv8rs ity ?r· ~c , 1974) ;
,-1 ,Shi'/ tL- in t:he Crypt ( -:)(' c,.::: ,'
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197?) ;
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Sc·_1son of J.no,y (l.or.i::.un: Colling~ , J !Yt::s ; ~: '")w Yor 1.~ , Thin~. Pn•s·_ , E'74.);
Cc.:llf.ct,::d PJ ·y;; 2 (Lonc::.or..: U:d cird U.1 :i'.'(?rci-t :r Press , 197,:) ;
1!)'!5) ;
0£,'U,7 Abibir,~n C,ond on: Coll' nG' , 19'7U ;
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PE~IO0ICAL PUBLICATIOl S
"Ke:f f i's B::.;:t:,da.y Treat," Nigeri::1n F_,d.io Tir.rts <Lagos ),July 195~, 15-16;
";;~da::r.~ Etienne 's Establ::.s:..rn0nt," Gryphon Cl1ni.ven-,ity of Lecc1s) , J't'.",'>rc~
:i_~h ?, 11-22;
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of
i ·.-. " f ('I . ''*,_,
n ~~jor effort in the
. .r
OYH?
lbRC.f:.,:,
~ r ' ' J I•,
7! .; r, _.., ri':
~1i c~ w~s encouraged
... .
u:; .
- y-.: ' ~.
a.
\·:as a.
_,'·\ ·· r•··.·, . ·f
-·_;
~Jri t~: r 1 ::1.nd 11if': conC.uct as ~i res'~arc ... 1 stuC.c~nt indicai..c1s his own
of ~pti tudc ~ .
tb.is t:c·.-~·3 nat s ... :cn1 to have 1:,~~· .... n corr1pleted .
cl u r :. r~o 3 11 l., - .. ..i....;,1 an a.rt.i.:;t 1 3 SO '... t"
Of .J.C. :: . .. ; , ;_ C but dr aw i on reading and 8.ilC.
s~yinka ts
ccn~t 1~ ~~ y ~e kin~ ~ild finding parall e l~, both wi thi~ a ~d outside t ~r
for ... a ~-· y.~~· . .J'J1.1 c.:
-:'):-~r -=-r.r .. - ~
to t _:..~ _.
;-:,no :·· \ .. ·
•-a , ··, ··, ·~~ ·-' .. ... A-fr ~_ -..-. n
i
t 1y;o ~-. \!. :~:: ic'3tion r-~=".: ua. l c t one: :~jgl1l :," --t y l i ..... ct.:, t:t.e o t :le r co .. ~parati\'"ely \(
um: o:·-:-,::. -=-:+. i c:P.tec..i 3,; .:1 seen:.3 to ';)c,r-row r. tructural featu r ~s f rcm Eug8ne
0' ~:ei :. :'..' : ; H::-.pe>ror Jo1w~ in order to e xplore t:'.l<~ conduc t of P.man, a
men :.> ~1- of 'the strci~g b1-eec.' , on2 of t"!.losP. ,·rho bear t he burdens of the
cow·· u, i~t y. T:.e ch, ._malogi. c ..lJ. c2r.un~1ce of i ·:ents is sere :,bled and c.:in
cha:-J.~r.2.€' to :S:nn' s Hi U 1:hic b ~oyi nka.· c sta bl i ::,hes he l -:::· to m':i°!:re th i s ::.
Tho .C.:t:ronc: Brcr: :i "'ta,.,,~,,. r · r +-"ne ·- c-. n+'r.r:-' ,-. f ,::, C: h A.~•· ;:.' , V <..,; ~ "'- ,~l _;! U h::.s
cxp1nr-:":-_w _1)0. :-,os it. 1 0:1 of the i11d :: vid.ual, co;;.:inuing ~ d.j_ :1J. 02:ue h1 5.t:)
-+::i.e pl , :· Jnd t h :;. ::. ~ or r....; d. p art of s ii.lm ' .nti "'.:).e:c. Ci;] tvr - in Tran,-i ti on.
- . 1 l ~ ..... ~11)
tc :-:r ~ orP.' Y\!~tr )-,:-,• 1: .-.l l ... i ·-- pre ::ucc C.
--u- .. .- -- ~. ,. ,.. ,,_ _ _ _ __ .,.._._ -4" -' -"• " ... ._ ....... _.. ____ ..... --· .. _.;o,_, _ _,,_ , _ ...... . - -
.. - . - ~
DLB OOG 07 11 86 Soyin\:.~, 1:"·nc13ed to co:-:bine bi:; rn-m writ ::.n[ vdth rnalcing a contribution to
tbo ear1 y sixties , He shared jn e nterpris ~s with other Nigerian
litrrary figur8s o_ ~is 5ener~t ion, such as Chinua Achebe , J.P . Clark
critic~ ·,:; :1r~zr ituc'.e - not fo r t!:P. first ti: 8 , advocating t ~at Afri~an
Univer ·-·:. ty Cnlle81• Ifc . But t~e follow::.ng J~ar he rc~::.gnod, di~gu~ted
.,. o ... a
b, in ... ) I ·v:; i :::~ ·,. u.--
~ ( '.·; 1 "' 1.! .... :.~: ·. rr,;;:::;. 4 . : • .... nt tr: r . ' •'IT ~ ..-. ,,\. • l,1 • 1 l
30
. l
....
..,..
<'~---' ' ,.
.,
'VD.r:_c,1J~ a:nn c.r"G\·l ' .::.::c.
w~tch th0y cultivatrd ,
\ir playc u; 1060, such ~s tt~ sullibility of t~ : ~l~c~or~~a, th2
,·· :Zv.~ntu,J.!_ ly tl1e: :-;-,Jdn .::--·al Gov(~Jnr!~.:1nt fcu!H.: a n c:·:cu - z~ t r.1 ,:.cc!J.rf~ J. ~~tl.:.tG cf
r-~:.: ::rgency in t1·H} We:3 1:ern }i\?g .iCJn. To Eoyinka and 0 1:;L ... r ~i:-:-r-:1·1 ,-.n
and dictdtcrship.
During 1965 hr'! tea}~ up ,,. pn··,t ac Sen' nr Lectur,~r ir En6 1 L.:i .:tt the
University of La::;os . Si nce the; year ::.·1 ,! th,-- publ ic-c .. tion of f"'.: -.-r-+- ... ti! • J..J. ~ - v \...J -
bis play te:;tf;, )
La;;os, h<:!
g row stror.Rer and, becaus0 of ce:n:;or~~:J;.p,cx;x!ri,nc · ,4 (!.ifficu}_;;·icfs in ·····-. ~ - - .. )
ccmmunicatin3 h i;-_:; ide.:is . • I' + 1 ,, I.. •.1 •• l
' Lijadu , he Si'tV'e bis geniuG fo r sat·ire full-n'lin in 1:cr~ri n .:_; or, a s,::ri e ~; .. •
..... - • - - - · .- .~ · ~-- •• - - ... . - • · ···- · - .. - - ... ........ .. . - - · - . .. • - • ...,. - • 4•• .. ~ •• .. . ... ,- - ••. - · •
B 1. ' .::Ir:ou+..
. . + T .• 1a v
.Js fccusin;; o;i
-i n . ... . . ... -. 1.ger:. a
1965, in 1·1hir.h Bef ore th:.=! ~1 :'lc;·out w:, ::· ~rac.uc'}d, ·,n.s an e:-:·:,ror: i. ina1-y
ye.J.r :or Soyj_nk.1. It s aw -:h'-' r,uolic.:i . . ; :.on of ~t f ::. r_:t novel, Th')
[ nte:rprete.r s ; tl1,_ fi,,,t r':~ding of a . -z,,jor poem, 'Idann~'; -i;:. },P. or0.r.1i.~r::!
of Th~ Rea d at t~e Thcatrn ?oyal in Lon~o~'s St~3 t:ord East, and of
I •, .
wer~ follow1~ hy thA arras t ~nd tria l of Soyin!t.~ ., o ... (
~olding-up .1 r~rtio station a1~\ c tea l ini two tapes .
. ........ _,..,_, ..... -~ ~-· .. -·- ~-·
cri t .i~s.
wor:d i~ only one way 0 ~ ,_,,.,..,..,,. ....... ""* <tr 1,.,,1"'\ .... , , ._,J.. J . -"J . .,. , ..
1.,.~·-· ,I
T.;:;-:.:.t=o.n.d.1 - :. t f1. + : .. r .. : -.0"{P ~ (; 1. l_ . 7t .f~J C ~- t! "( '7') !.lU :::;;ta .i. n ~(: ~. ~:cC:.1 sh·
pori;ro.yal c:
1. ntri.guc:-: ;
" ;:, ....,T',1' (;"\.) ... >
~ -.... ~7'\~atirt:! at ~:he expcns..! of the -r,,;-:J:::-·lc!. ·
of :Hgerian newspapers
Corn.posed ;-rithin a. F ~riod o:f twe·,1ty-four nm:rs, ldar:re i.s :.1 nytho:..00 i c,1 '
,_ )
poe:r1 on a ~-:cale ancl on t heme .. -; for :,·i~"i_c::i lit1·l1~ i:1 Soyin::3. '3 prc~-.7:.cu.::; ·'\
output nae. p~-epared rc.~adors. Dur.i.ns t )H'.! r..a;·ly ,~:.: .. :tins b,} h.,c. con-tim:e d . ) ' • .. •'
his experim?,ts with verse and his p1~ces I • 1 ) ~1 111 .:i. o .. ac.;x ic:.i :-)_ ... , - oi·t c n
concerned 1,i th '1:yre--; r.r cycles of ·li.::,:ory - }: 1.c!. ';;.-:,co:o·e ,:cir,, ~i:s tirec:. 'Ie _. ') u ' ~ ,
carried over from Yo:-uba usage a c!c-l i:=,"tt in t:: ~ n::rni~)ut .:.1ti~1,1 of worci.,
·:)
------...... ~-- ---..r _.. .,._,,, ---·- - -- ~-... ···-·--- -·· ...... -··--·-·----... ~-- ... --... -·- ~- .-• 6 .... .,. ......... - ....... . . . .. _....,. __ ... - ·--- .. .
:n ld,, nre : .. e
OU +;s::. C. "J
,.. \ .. gun .
k~cw is Soy::. n::a ' ::- :p ,tron deity.
,-1
(
(
l I
0\)7 O'/ 1' ,} J
2.tory , ' ... 1ne , ~ ...._,.1 •A.I., ...
.; -l-. l ,,...:, Yor:;b.1.
bur' ~::
in his i nt err- ·:t in Prof J;. - nr 1 s invi:::t~.~ ...... t:cns lnt::J t:'i.,~ tr",:."\ n .. -;:tion 1.ro7i1
said that -.~ .. , • .J P.l. fil· .1 .
The Road i '.; prcfounr.:.y ir.:1 1.1:-:•n.:1d by ,· Yoru:.in :;r:,:~,e ;:;f '!;]:;.-:) cGatj_nuity
15 thf Yoruba c. i. n·,,.sion. But in other rcs;;.2ct s Th 1 -~o.-'!d is +;:f~ prcduct o.
rcfl0ects th .. roh.s pl3y,~··! hy drugc. anc~ ~ 'lusr;,
-~ ·- ... ., ___ .... - ...... --~--,... ---·
t· , •. _, . .c.C l ("'\, T..
-~ - .... . -...-~ l"- "· J .. ...... I·:onu
t,:-J~:. c . ..: .. .. ·· r: ·, .
,- r'\11 ""\~.,..., , , .. ,,,1 ...., , L 1 0 J
·-i ( - ,I \..J
rm
iC ,.Qd
: n ... i -:-- c ,- r: .+:. 1 y
., h,:
not a hor n of plenty but .J. ?~1·,~dora ' s :~o: .
Soyin'~ ' s s0cond ~ta3e pl ~y cf 1960 1 l(an.J·i '= H~r v .:~ t, also dr ... , ,.:-: on
... c ontc:,porary pol:. ti cal dr:v ' 1.c ·1:,tent:;; ~ J t crmbi n .:,s r.::i r t :cu ~ar- .::.n: ,. top ice l
nl l u:sions wi t h
....... -- - ...... , .. ··-- ..,..._ _ ...... , ........ _ -·
·-
::} (~:} ~- ;_ .. ;-::, 1 ! 1 . y--l~::
"'is r o l,1 ir.
:r:.1 nn.-, .··
! ~ .. .J.
.: -:.. l .-:,
~ ..... . ,..,_ ~ .i. ... I ., -:irr.:!
~; ..... ... ',..._ ·., . .. .,.
~:.·1
,-,-,· , \ ~ J. ' ..,. r:f :.ifr:!
1,::.10 .. :
~.S 1-., 1 .! 1 .:.-. ..... ~- :;,. .; , in 1
thi~,
1.i.3.t<~- f'i.:!. l(~d . () 0. :.o
r 1".C"''··· r:- ,,11 +v''" fir· ,,-.,+., f1·111· t~' of .i..' ,t·, nr- 1 / '"'~0) ( .(.:' ,r ...... .,.. ,... • ~ • r. ""' _ . '/' . \, . , • ,.,a, ._, • . • J ;.;., _ _,
frrn11 it .
arrange for Kongi tc be shnt
!'"'' .. • ¥- . . •... - -- .., • -- -~ --- • •• - - • --· - -·-·------·--·- • . ~- ....... - .. .
~~d · ~raw th~ paiso~'
•· ,., " I..J., . llEe ,•/ of
' '
i )
·: . .:1:-: ' 1 ' " , ..... cf
~r '"'"I.... ; ~' ·-· 1 .. '....J J.
... :, :l . · r "/ :~ :.: '~ -~ r
J . 't,.. IJ J.L { .
And ~n h , ~ often ,
" ,., ,.
,_ ,, ... ·~+· ~ .. , .... "'
. -~'\"' ..... ~ . ~ .. ,:) ' .: t. l(, .!), -t'
,, :
"
... 11 .:.
~y~ti!tcat1on , o: · 0 lecting r~ ~lite3 ~ ~Gro CDaodu )
The trii1J. srew out of ~n i1lcid~.n·~ :.n whic!, .. :1 :;_ntri..H.:.c.1·, ...... r3r-y .:.t the
w.-y in wiich ~lec~i.ons h,:\d been conr...ucted 3. n.d the wa.·_; .... 1. :,.~into;..:,. :i~d
been d a clarod t\e w:nn. ,
zun . " p:Jlffi, 1 forced an :n~ineer
and subsU. tute a tap,:: which he !:n.ci. brought w:i.th h::m. ,k,:-nrdi ns i;o an
nbserver c~nt to cover the trial fur A~n0~ty Internatian l, tho
intruc::.cr ' f~ t.J.pe !1:i.d ':?,,sun 'This •.). ,,:...1,
on to advise A~ci ntol _"' ' nd hi r. c .cew a. ri'nr 0 ~ .. ~,.i_cs ·to r:_u:. ~ .::-:! cc;~11, •.:ry ';
• - - -,,. ~ e ... • --.-·.-·• ~ ... - - •
T .,
)
,,_,
.:.. o.r-e
dt' 3 coursr;, ;c .1. f u::_:; , 1- - • 1 ,:,A 1 , , ., .. ... 1 ,_.,d. 1 .... ,
.. -~
·-
1--,.; ,.,. -L ..._ .l•I )
i. '
~i ~ duty t n take~ -.:- , t ·1 "! . L 1-., .&. ._ pL1.rt j_n
Over ~he years S8ytn~a ~-G taken v ~rio~~ ~ole~ in n1tional , .: _: '"\ . .. . 1 . .... • ,
and ···..,.
about th(~ rol<-} of tJ:rn 1w j_ ter. Ths 'full slnry' of the ~~t!o c ~atton
hold-up , or ' tape fiJsca', ~a~ not yot be8n tcld , 2~d Sayi n~~ h~s bc ~n
\ '
Ho 1,"te:-r:,,1er , thr.-: ~ ind of ac~ ~nr. take n hy th(; intr udo r
seems to 1ne to be i n line w:lth th ~ ra~.0 Soyinka }1::,--:; advo,--;.,~t, ... ,~.
()
' ; -~- ..... - ......... , .. ,~-- . ~ ... ---·. ---- . ....... -~·· ·-·----- - ... ..... - - .......... --·-·-· .... -
4-D
DLB 008 07 86 T~c ~8ath~ b e t ween Soyinka 's acqujttal on the charge of holding-up the
:cadio st., :, :c1~ .:rnd h:i ,.: rc·-;'.lrr:est ci.u:ring Au,-:w::t 1967 in connection with
the Nigeri ,-11 c:. vi l '.7~ ... !- , :ere 1r.o. ·:ntnus on.es for- :; ig·cria . Th :re \\fas a cou2
by r::i.c.ic.,1 tnd. pro.=,--:· •:!r.:s:'..ve offict:rs wM.ch b~~<: the support of :many
natio_;-1 ,'<s :~_:, vinr; t::?1, 1.,aster-r,i ~1·.lcd by a tribal faction.
Yaku~u Gowan to pcwcr.
.f':-.,-~ \)J. ]} C [;10 :,d,
pl1i lo3cp~y
.. - , ·t ·_ , .-
1/~l;_c: .. ~ att ( ntion to t~C? ' .
f,)'_;',:.·. - , "> · .• • . / ' • • -~-'
r·c L-'."', r:: t l\.1 :_:.;. ;;d ,~.l~r i ~,:- .. ·:-: :. ·;,c, n-3. '._: u r .~ rr~ "!: :1:; r .:; c ~ ..... ~- ::;::1i ;_ o--::s ~~=--:t, a ~~ c:. · c ~,t \:: r a
',. }l ._
1·. · ,
• •,' I ...... '
(
(
.~.
(
'
,-
I"
'
'·
...
-- -- .... .. - ·- ~- - -· ··· ·-- --~-- ------., .. . ______ ..... ,..,_ ... ,_ ... ...... .... , .-- - -------- · ~ .. ---- ··-- ·------~-
lp
,.;,;··-,-, wr i tte,.l 'i n Yorul _ .. n~~ in the form of Yorub a oriki. Soyin::.:a ' s poetry
hLc~~~ rr~rc Cirectly \Yt!i ~dJ:~f J ,::. i:. t <:.:r' rart (J_ 1')66 . ln his first publishGd collection of verse, Jdanre
. , nd (Jt .hor· F'r1t .. ·1. ·:-, he su"'..:,i t1cd ore E,:-:~tion 'octob,r '66' and included in
,..., , . ,, - \-" - .._ - I . . :, , • .. '
s··--..::: '"\- .. :._ ..
.. "' .. c;
... .-, -- ...... .. l ¥ .,. _, -
r,
, . -I ~ ..... • c:c·.,:~1 l e · '": r:tr -:-]. by
~;j_tuation h.J.d
. • +- - r- """I. ·- ...... ..._. ,
~ .... _ ... - "'. ,- , . .. l .. , ,._ . -~ , __ . ~ .
. --,, : H. I : : .--; :- ·· ·' : ; ' l ,'", :, . .' i.;: I ,·,-,·: .
aris(?n,
! ' p - ·./
; : : ::
it v·as w::. d 0.l v a.,mreciatc,d, J L •
Du~in; : ove·~0r 1966 1 following t~- r 1ss~crea of Igbcs and the
oct on a n .... t -~. cn- ·dide pt a.cc ris!':;ion, f3cy:Li1ka wr o·Cn an cpon letter to the
resarded the peacn mission as a
wo~(s ,~unds ~~ic~ only t~.ct:'...o~s could l~Ct3. l . bis cri -l;;ic;:i.s:::1 '"'°" 1...1.l.
o:.·nt~:ctod. J.
:.:n::~ . .,J C: t~ to ··
··-+··· ' '., ) ,._ '·
43
1:10-re Go' d~1~n~~ratio~. - in Lago~, (.\A"~c'A_
circ\1latir.3 ~,;hat lg:)o::- 1.·t 1rc plE .. 11r~5.ng to ~low llP the city, The .E::unday·
st:J.1 tf;.l~:ing o:f tpolic0. :1ction ' . Soyinka's p iece, entitled ' Let's
It was also an attac:, on thosr, hG regarded
a "'· e:tp! ~-:>:. t-i nr; t:-io. coD f t: ~.Ji on and cb.t.os . He d.cccri bcC. t:1.c:r"' as :
tbc now f~rili~r brigade of professional congratulatcrs ,
cppo~tunistc, patriots and uthr r s ord:d r~c~oteors who
dip:. o ·"\':'.C :-f,
foyi~:a ~a~ dcL~ri be1 h ' ~ nxpcricnG~ of dctenti0n in his pri~on notes ,
t •ut 8 .S .1.
the a c ~i~~ is~ politic~l ~riGoner.
;:.cthue?! , ;1r;c. The Forc:-t of a n:ou ... ~·.,nd D:i.ewons: A Hunter's S3.g.:1. 1 a
tr:.nclatc.01< nf D. 0. FA_:-;unwa' s U3·b:1ju Ode Nin11 .Tgbo Jrunr,a.1o, appeared
Work on tl10 tra~1:::;l::.ti nn had been in progrer:;:s for a number
of year .- ::r1d indicatcC. ::·.:iyinka's ;-rn::iety to r.:.:t.:o ~~ distinguis:O.ed. Yorub:l.
A,-;, a. translator Soyinka is
concer,wc. ·;j_,;h co,:1.:-:·unic.:::.ting tlw L-p:irit of the ori5inal rat~er than ,-rith
produci ns 3. faithfully literal vrrsicn, anrl the book :>rov id~s L
for hi~ ida Rs about lan:uage and tho isGues rais~d by translation .
honotJr o [ G
tondin~ to~arf~ an a f fccticnatn p~rody of Wilc~n lnight'a style, it
DLB 00~ 0 7 11 BG
On hi:-; i-c:.,:, ::-c-~ fl·or o,,--!-, er.~ io11, Soyi;1:::>. rett: rned to the University of
Ibz..dan E.. c:i.rr:c~or n, t:,r~ S::-hoc:L o:f Dram3., and took over a production
of Kongi ' · jf:,rr..r,=.1: .., t \-1~1 i c}) ,-.ras in reht:!arsa l . Ht! g:'.ve the production ~n
Rnti-rrri.l i tary sl211·i.,, ~.nd. these 1-,;\o )n,-3 p::evioi::::; ly recognized Nkru1:1ah in
.-a·, hi ::i ac ;:_ j)Ortra::.t of t :1e he.:d. of the }iigorian militfl.ry
junta, Y::,':u:.)Ll Gowan. :;:n a 2rogr.:1..m:2 note, Snjin:.a em;:>hasiscd that the
pl~.y war.: atio:..:~.; a con.iit"i.on, 1KonG_i.n:;; ratheJ· tb n about an individual,
He mai ntai. : :i th,t 't):v:. r-- are a t!:ouc::inci and TI'cH'<J forir.s of Konzism -
fro, th :c cn1ce _,nd hl :- ' .::<"'c,r.~:-Jus to tho subt}.e an-i sancti:r.onicus.'
DuriJg t~e 0~rly n~nth· cf 1°70 1 rn;i~ka wor~o6 on a film version of the
:.!. : ro"·~ it -·
tnd th~1~ticPl]y it is gcncra'ly faithful
.& • '\ • J.:I..:.l.•. l ~c is nn~ quite w~at he ~Aer~ to
'I,,' ..... ... .. ac,-c.,:. .
..
By Jt.:.<; }<WO, ti;., c irnoti.ng o :.:.' th£: film '-:;:;d finished and Soyinka b;=id.
obt~i ~~d suppcr·t rrc~ the UniverGi ty of lbndan for ~roposals to
the S;.:;!1::-o::. of D1'JL1. :-0 . .:1 I'c. p :,.r t --.. nt of T:h :~:-tr ,::; Arts. 1!it::i some o f t::iC1se
w'lo ,-: . .::·~ t o beco.!'·~ c..-.:erly ::.nvolvod in tbc co ,r 1.ny anC. t..'hc Depart :::rnt ,
he r1?. · _?::,r:..:.~d to a n iroitatic:-1 :,or the Rugc-;:o O' ?~cj'. l Cer:t<: :- at
Wat r, r:fo::-,; , Corn,cctir::ut, to st--7 nt tbr CC":n~;~r 1-rnd v:G:c' .. on a bitt,, r,
. r_ ; ;:, 4:, ,.-.o ' . .. , ~
t:;_ vi.l h\:, ...
( ·, t, ' 1 I . " .... ~ .
oct ions i,,·,::xG ct.:t out, ne w ;::.:1tGrj~ l r!D.s
... J. w •• : .: :.] -
c.rn:
,. · r . \ ,. .;. : \. ,0.:11.. r one.,.
~-,· .. .J
~ .: .... -
Ire ~ f.! 1 : ... :~
~-1"'-"',-.,, .-v,"... .... ·- \, . \_,._, l:, . ,. :5.s oft ·} .1
:·:10 i. nv.~. t ,·;-t i.n~; t:n
Vat2rrc:d contact jrdtcat~d r~~ognition of his iEpo~tance as a director .
"'~--'-The sty:<. of c.i:i.;.---e c t i1·~s h""'.:' typiGal o f Soyi:1ka' c npp:-c:1ch -:_-;hl~ll \·,'orkint; on
Ca.St For i n:-:t.o.nc:i::?,
t~ister- -.:· i.~:urc i n l f .. -, r) ......- ..-, n .I , , .I. J . . .... J
L.:D1J.'. c2 t'. -: C
.' 3nuttle
C '.'?3),
Crypt .
origin.:·~}J. y
Th .. ri, J.., •••
J ... ; )r} '.J \ { ~ ~- '·-· .I ;
19?')) ,
i.n tune
is pre;:: qred to
, ' ( '.C,70· ,./ ' . ·. ' ,:. ) '
.:.ncl th ,:--
~ ...... -:- -b . u v
fact, for
y.; ... ,-.. , :: · • .L -'• w ,. ,
46'
pri;:o · ::10·,-. r in th,? i oni.a.tion of the Unj_on of Writ:rs of the Afr i can
The 0.~:r·r:_.y h'nic: , · :cnt into thL~ extraorchn.ffy reco:·c of crc.s.tivi-Ly was
oi the ~igcrjan Civil War, by tbe
circu: -·~ .:·nct:s o~ :1:~ exilc J tn(: by hj_s cuntinucd, but clistanced ,contact
i Shuttle .i11 t]li.: Crypt-, a vo~u:r.1e cf por-, try, is a ' n.::.p of
Dae of
w~ic~ c~ntain~ tho crcctive interaction of the pricon2r with sue~
.... l .;:..-
.:. - - I
(.: .=.:. ;. ... -~ : . , "rJ -~- c)n(_
C. 2. sc :J ::--:;~,e C ..
:~--en 9 3 r·r!
/ iJ 1i U :.~~?t l ; t;~na~jS UL i qu 8 ,,.CO ?!!tir ... ~ .. 5 CJ11 of 3. 1)3;--r1 -:'°,i t tins JG ~_j_t,.;cal r_:: ;"~:os,-
-· ·· - .. _ ._ -- . · ·- ·-- ... ---- ..,, ._ .... _, __ ~ .. .... _._._.,_ ___ ____ ____ .__ .... .. ..... ... ··"' -- .. ~-.-r--- - ... _ . ... ... _. ~
49
have written a~ ,ut the Civil W?r hav~ 3enerally found little or no space
for di s cuG -::- io·1 of the g;-o:J }-' ci::.- for nn Rssessnant of its i !!.pact .
Soyinln bolcly
a London publis~~ r and fri nd,
later another cffqrt
took E.o·. ~ risk
"" '!I,, , - +.,:-· "' .. ,., of
pu'bl:.s:1ing it. Sales
tbc li tEruture on t~o
nu-+.; oi
(._[; ~ . c . l., ~-' :. ;1 f - ind~~~ n~ beyn~~ t~~ nation' = ~~und~rics . lt also
-,.. __ ._ ) _ ; V
·r •
: r' _, ' ' " · .. CJ '.
- ~ . "; .. . , - ;
· , ; . ' ',. -.,;. i I ,"'l · .. ~\_ r • • . , . :: j ; ' ~ ;j 1:y ~
and,
oi
: :"': -.
l~tl.-'-." r.:;.""~""-t;or:-:-_ ;-::_ :,d select ~~ ,: new :r.o 1::,., ;1t at ,-;hich to c onsic.er the choices
Fost moving , readable,
11iytholo.::;i c~.l -- lin:Ss nrc r2::;L,.blisncd 1:i th tbe 1::yt.hc of Orpheus and c,._
Euricli c~ - t~1r: no"Jel ccn:_::l C.r:rG tbe c;J ... ~iJns of t~(~ l'L·'t rir.'Jnious ccmmun t ty n_ s
(i;_iyero), ~:he , ?Pc:al of t<>:-":- co~.r.l.-b~.ccc'.e.::. 2ssapin <I:.::nJ.a DLr.'"\kin), and
t hs rcspon~ihil~t ics of ~~ ~ ~rtist <Ofoyi> .