datebook - gallixa · 2019. 3. 27. · datebook san francisco chronicle and sfgate.com | monday,...

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All of the children at the summer camp — a pilot pro- gram for a new school called the Conductive Education Center of San Francisco — have cerebral palsy, a neuro- logical disorder that affects movement and coordination. Their parents enrolled them in the camp to learn basic motor skills using a curricu- lum called conductive educa- tion developed in the 1950s by Hungarian educator and physical rehabilitative practi- tioner András Petõ. The San Francisco school, established by Elisabeth Prueitt of Tar- tine Bakery and Krisztina Bernstein who trained with By David Wagner CHRONICLE STAFF WRITER With a gaggle of children ages 3 to 5 diligently working on their collages, the scene looks much like your typical preschool. But in this summer camp classroom, instructors place less emphasis on col- oring inside the lines. They’re more concerned with just making sure students can pick up the colored pencils correctly. the Petõ Institute in Buda- pest, is scheduled to open next month. Going against medical consensus that held that children with cerebral palsy and other movement dis- orders couldn’t improve their motor skills, Petõ theorized that through intensive guided instruction and repetitive movement, children suffering from neuromotor disorders could eventually learn to carry out tasks that many thought impossible. “Not a lot of people here know about conductive edu- cation,” says Prueitt, whose 4-year-old daughter, Archer, suffers from cerebral palsy. “When it’s your child, you do what you have to do.” Prueitt, the pastry chef and co-founder of Tartine, has left the daily operation of the bakery in the hands of her husband, Chad Robertson, Tartine’s baker and co-found- er. Creating the first school in San Francisco dedicated to treating children with ce- rebral palsy, spina bifida and other motor challenges has become a full-time job. Describing the currently accepted special education environment of mainstream- ing kids with physical disa- bilities, Prueitt says, “The child is sitting in a classroom with the other kids, trying to learn but having absolutely no physical activity whatso- ever. And when they go on recess — which is when ev- erybody is finally able to get all their energy out and so- cialize — these children can- Photos by Mathew Sumner / Special to The Chronicle Teacher Orsi Toth-Petho (left) works with Gabriella Covello, 5, and Krisztina Bernstein works with Malia Sanchez, 5, at the camp in S.F. Drake Becker, 3, who has cerebral palsy, makes a collage at the Conductive Learning Center of San Francisco’s summer camp. HEALTH & FITNESS The ABCs of motor skills School continues on E3 Datebook San Francisco Chronicle and SFGate.com | Monday, August 29, 2011 | Section E Filmmaker weds: Sofia Coppola marries rocker in Italy E2 By Robert Hurwitt CHRONICLE THEATER CRITIC The plot couldn’t be more clear. That’s some- thing of a benefit but also a central weakness of the “Sense and Sensibility” that opened Saturday in a TheatreWorks American premiere at the Mountain View Center for the Per- forming Arts — in time for the bicentennial of the novel’s publication. With only seven speak- ing roles, Roger Parsley and Andy Graham’s 1999 British adaptation leaves no chance for any of the confusion about who’s related to or allied with whom that might arise in Jane Austen’s vastly more populated first novel. Or even in Emma Thomp- son’s sleeker 1995 screen- play. A lot of nuance, social satire and some emotional suspense get lost. But the central stories of two sisters’ marital hopes and misadventures stand out in stark relief. And, in Robert Kelley’s well-cast Mark Kitaoka Elinor (Jennifer Le Blanc) and Edward (Thomas Gorrebeeck) in TheatreWorks’ new “Sense and Sensibility.” Austen, reduced to its essence THEATER REVIEW “Sense” continues on E2 M Sense and Sensi- bility: Drama. Adapted by Roger Parsley and Andy Graham from the novel by Jane Austen. Directed by Robert Kelley. Through Sept. 18. TheatreWorks, Mountain View Center for the Per- forming Arts, 500 Castro St., Mountain View. Two hours, 30 minutes. $19-$69. (650) 463-1960. www.thea treworks.org. School in S.F. gives helping hand to kids with movement disorders

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Page 1: Datebook - Gallixa · 2019. 3. 27. · Datebook San Francisco Chronicle and SFGate.com | Monday, August 29, 2011 | Section E Filmmaker weds: Sofia Coppola marries rocker in Italy

All of the children at thesummer camp — a pilot pro-gram for a new school calledthe Conductive EducationCenter of San Francisco —have cerebral palsy, a neuro-logical disorder that affectsmovement and coordination.Their parents enrolled themin the camp to learn basicmotor skills using a curricu-lum called conductive educa-tion developed in the 1950s byHungarian educator andphysical rehabilitative practi-tioner András Petõ. The SanFrancisco school, establishedby Elisabeth Prueitt of Tar-tine Bakery and KrisztinaBernstein who trained with

By David WagnerCHRONICLE STAFF WRITER

With a gaggle of children ages 3 to 5 diligentlyworking on their collages, the scene looks much likeyour typical preschool. But in this summer campclassroom, instructors place less emphasis on col-oring inside the lines. They’re more concerned withjust making sure students can pick up the coloredpencils correctly.

the Petõ Institute in Buda-pest, is scheduled to opennext month.

Going against medicalconsensus that held thatchildren with cerebral palsyand other movement dis-orders couldn’t improve theirmotor skills, Petõ theorizedthat through intensive guidedinstruction and repetitivemovement, children sufferingfrom neuromotor disorderscould eventually learn tocarry out tasks that manythought impossible.

“Not a lot of people hereknow about conductive edu-cation,” says Prueitt, whose4-year-old daughter, Archer,

suffers from cerebral palsy.“When it’s your child, you dowhat you have to do.”

Prueitt, the pastry chef andco-founder of Tartine, has leftthe daily operation of thebakery in the hands of herhusband, Chad Robertson,Tartine’s baker and co-found-er. Creating the first school inSan Francisco dedicated totreating children with ce-rebral palsy, spina bifida andother motor challenges hasbecome a full-time job.

Describing the currentlyaccepted special educationenvironment of mainstream-ing kids with physical disa-bilities, Prueitt says, “Thechild is sitting in a classroomwith the other kids, trying tolearn but having absolutelyno physical activity whatso-ever. And when they go onrecess — which is when ev-erybody is finally able to getall their energy out and so-cialize — these children can-

Photos by Mathew Sumner / Special to The Chronicle

Teacher Orsi Toth-Petho (left) works with Gabriella Covello, 5, and Krisztina Bernstein works with Malia Sanchez, 5, at the camp in S.F.

Drake Becker, 3, who has cerebral palsy, makes a collage at theConductive Learning Center of San Francisco’s summer camp.

HEALTH & FITNESS

The ABCs of motor skills

School continues on E3

DatebookSan Francisco Chronicle and SFGate.com | Monday, August 29, 2011 | Section E

Filmmaker weds:Sofia Coppolamarries rockerin Italy E2

By Robert HurwittCHRONICLE THEATER CRITIC

The plot couldn’t bemore clear. That’s some-thing of a benefit but alsoa central weakness of the“Sense and Sensibility”that opened Saturday in a

TheatreWorks Americanpremiere at the MountainView Center for the Per-forming Arts — in timefor the bicentennial of thenovel’s publication.

With only seven speak-ing roles, Roger Parsleyand Andy Graham’s 1999British adaptation leavesno chance for any of theconfusion about who’srelated to or allied withwhom that might arise inJane Austen’s vastly morepopulated first novel. Oreven in Emma Thomp-son’s sleeker 1995 screen-play.

A lot of nuance, socialsatire and some emotionalsuspense get lost. But thecentral stories of twosisters’ marital hopes andmisadventures stand outin stark relief. And, inRobert Kelley’s well-cast

Mark Kitaoka

Elinor (Jennifer LeBlanc) and Edward(Thomas Gorrebeeck) inTheatreWorks’ new“Sense and Sensibility.”

Austen,reduced toits essence

THEATERREVIEW

“Sense” continues on E2

MSense and Sensi-bility: Drama.Adapted by Roger

Parsley and Andy Grahamfrom the novel by JaneAusten. Directed by RobertKelley. Through Sept. 18.TheatreWorks, MountainView Center for the Per-forming Arts, 500 CastroSt., Mountain View. Twohours, 30 minutes. $19-$69.(650) 463-1960. www.theatreworks.org.

By Edward GuthmannSPECIAL TO THE CHRONICLE

Arthur Boone has had threecareers. He was an Episcopalianminister for seven years, the directorof the Rhode Island Human RightsCommission, and in 1983 startedworking in recycling.

At 73, Boone is semiretired butstill writes for technical journals,consults with businesses and publicagencies, and teaches anintroduction to recycling classthrough the Northern CaliforniaRecycling Association, of which he’spresident.

Boone was raised in Yonkers,N.Y., and attended PrincetonUniversity. He was married twice,has four children and lives inBerkeley.

I was at a cocktail party up inthe Berkeley hills a while ago.This old man came up to me andsaid, “What do you know a lotabout?” Isn’t that a great opener?It turns out the guy’s a NobelPrize winner in physics. He’s inhis 90s.

I said, “Recycling.” He lookedat me like, “What the hell?” Isaid, “You know, cans and bot-tles.” If it wasn’t an academicdepartment, he never heard of it.

Brant Ward / The Chronicle

Arthur Boone is at ease at theBerkeley Recycling Center,where large bales of cardboardwill soon be processed. Boonehas been in the recyclingindustry for 28 years.

WHAT I DO Arthur Boone, Recycling Educator

Teaching in ‘paradise’ the ways of recycling

What I Do continues on E6

School in S.F. gives helping handto kids with movement disorders

Page 2: Datebook - Gallixa · 2019. 3. 27. · Datebook San Francisco Chronicle and SFGate.com | Monday, August 29, 2011 | Section E Filmmaker weds: Sofia Coppola marries rocker in Italy

San Francisco Chronicle and SFGate.com | Monday, August 29, 2011 | E3

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� CAPTAIN AMERICA: THE FIRST AVENGER (PG–13) Digital10:50, 4:50, 10:40

� CAPTAIN AMERICA: THE FIRST AVENGER 3D RealD 3D(PG–13) 2:00, 7:50

�COWBOYS & ALIENS (PG–13) Digital 10:20, 1:05, 7:10� CRAZY, STUPID, LOVE. (PG–13) Digital

10:45, 1:30, 4:40, 7:30, 10:15� ONE DAY (PG–13) CineArts 11:10, 1:50, 4:30, 7:20, 10:10� OUR IDIOT BROTHER (R) Digital 10:40,

12:55, 3:10, 5:30, 8:00, 10:20�RISE OF THE PLANET OF THE APES (PG–13) Digital

11:00, 1:40, 4:20, 7:00, 9:50�RISE OF THE PLANET OF THE APES XD (PG–13)

12:20, 3:00, 5:40, 8:25� THE HELP (PG–13) Digital 10:30, 1:45, 3:50, 5:15, 8:30, 10:00

Please check SF Movie Guide for listings

� 30 MINUTES OR LESS (R) Digital 11:10,1:20, 3:30, 5:40, 7:50, 10:00

� CAPTAIN AMERICA: THE FIRST AVENGER (PG–13) Digital11:05, 4:50, 10:30

� CAPTAIN AMERICA: THE FIRST AVENGER 3D RealD 3D(PG–13) 2:00, 7:40

�COLOMBIANA (PG–13) Digital 12:30, 3:10, 5:50, 8:30�COLOMBIANA XD (PG–13) 11:10, 1:50, 4:30, 7:10, 9:50�CONAN THE BARBARIAN (R) Digital 3:15, 8:35� CONAN THE BARBARIAN 3D RealD 3D (R)

11:15, 1:55, 4:35, 7:15, 9:55�COWBOYS & ALIENS (PG–13) Digital1:55, 7:35� CRAZY, STUPID, LOVE. (PG–13) Digital 11:05, 4:45, 10:25� DON'T BE AFRAID OF THE DARK (R) Digital

11:30, 2:00, 4:35, 7:05, 9:35�FINAL DESTINATION 5 (R) Digital 12:25, 5:05, 9:45�FINAL DESTINATION 5 3D RealD 3D(R) 2:45, 7:25� FRIGHT NIGHT (R) Digital 12:40, 5:55� FRIGHT NIGHT 3D RealD 3D (R) 11:00, 1:40, 4:20, 7:00, 9:40� GLEE THE 3D CONCERT MOVIE RealD 3D (PG) 9:55 pm�HARRY POTTER AND THE DEATHLY HALLOWS:PART 2 (PG–13) Digital 4:30, 10:30�HARRY POTTER AND THE DEATHLY HALLOWS:PART 2: 3D RealD 3D (PG–13) 1:30, 7:30� ONE DAY (PG–13) CineArts 11:50, 2:25, 5:00, 7:35, 10:10� OUR IDIOT BROTHER (R) Digital 12:00,

1:10, 2:20, 3:30, 4:40, 5:50, 7:00, 8:10, 9:20, 10:30�RISE OF THE PLANET OF THE APES (PG–13) Digital

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� THE HELP (PG–13) 1:00, 4:10, 7:20� OUR IDIOT BROTHER (R) 1:40, 4:50, 7:05� RISE OF THE PLANET OF THE APES (PG–13) 1:30, 4:45, 7:15

� SARAH'S KEY (PG–13) (5:30) 8:00

� THE HEDGEHOG (NR) (4:40) 7:00, 9:20

�BRIGHTON ROCK (NR) (1:00, 4:20) 7:00, 9:40�SENNA (PG–13) (12:00, 2:30, 5:00) 7:30, 10:00�POINT BLANK (R) (12:20, 2:40, 4:50) 7:20, 9:50�THE GUARD (R) (12:10, 2:20, 4:30) 7:05, 9:20�MIDNIGHT IN PARIS (PG–13) (1:15, 4:40) 7:10, 9:304 hours free EC parking weekdays after 5pm

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� THE TREE OF LIFE (PG–13) (5:30) 8:30� BEGINNERS (R) (5:40) 8:10�WOMEN ART REVOLUTION (NR) 7:00, 9:00

� SHOLEM ALEICHEM: LAUGHING IN THE DARKNESS (NR)(2:30, 5:00) 7:00

� THE NAMES OF LOVE (R) (2:35, 4:55) 7:15**In Our Screening Rooms**

� THE WHISTLEBLOWER (R) (2:25, 4:50) 7:20� THE TRIP (NR) (2:40) 7:10� BUCK (PG) (5:05)1 hour of FREE parking available in the Opera Plaza garage with validation.

� SHUT UP LITTLE MAN! AN AUDIO MISADVENTURE (NR)7:00, 9:00

� SILVER JEW (NR) 9:00 pm� SEPTIEN (NR) 7:00 pm

�OUR IDIOT BROTHER (R) No Passes (1:30, 4:30) 7:30, 9:50Aud #3 (21+ Only) for shows 7:30p and 9:50p

� THE HELP (PG–13) (12:30, 3:30) 6:30, 9:30Aud #1 Balcony Bar Seating For Guest 21+ for Shows 6:30p and 9:30p . Orchestra Seating All Ages

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� SHUT UP LITTLE MAN! AN AUDIO MISADVENTURE (NR)3:45, 7:45, 9:45

� CRIME AFTER CRIME (NR) 1:45, 5:45

� BRIGHTON ROCK (NR) 2:15, 4:45, 7:15, 9:30

� MIDNIGHT IN PARIS (PG–13) (1:45, 4:30) 7:15

� SARAH'S KEY (PG–13) (1:30, 4:15) 7:00

� THE HELP (PG–13) (5:00) 8:00

� THE FUTURE (R) (4:30) 7:00, 9:15

�DON'T BE AFRAID OF THE DARK (R)(4:45) 7:15, 9:40

� MIDNIGHT IN PARIS (PG–13) (5:00) 7:30, 9:45

� SARAH'S KEY (PG–13) (4:45) 7:15, 9:35

� ONE DAY (PG–13) (4:30) 7:00, 9:25

� SENNA (PG–13) (2:30, 5:00) 7:30, 9:55

� CRAZY, STUPID, LOVE. (PG–13) DLP (1:50, 4:30) 7:10, 9:45

� ONE DAY (PG–13) (2:00, 4:35) 7:05, 9:35

� 30 MINUTES OR LESS (R) DLP (2:50, 4:55) 7:15, 9:50

�WOMEN ART REVOLUTION (NR) (3:00, 5:15) 7:35, 9:40

�THE TREE OF LIFE (PG–13) (2:05, 5:05) 8:10

�THE WHISTLEBLOWER (R) (1:40, 4:20) 6:45, 9:25

�THE HEDGEHOG (NR) (2:15, 4:50) 7:25, 10:00

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POINT BLANK (R) 7:20, 9:30Screening Lounge

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THE GUARD (R) 6:50, 9:10Screening Lounge

6:50 & 9:10 shows are 21+ Only.

CONTRA COSTA COUNTY

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� CAPTAIN AMERICA: THE FIRST AVENGER (PG–13) Digital4:45, 10:30

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11:35, 2:10, 4:40, 7:15, 9:50� FRIGHT NIGHT (R) Digital 2:40 pm�FRIGHT NIGHT 3D (R) 12:05, 5:15, 7:55, 10:30�HARRY POTTER AND THE DEATHLY HALLOWS:PART 2 (PG–13) Digital 1:45, 7:35�HARRY POTTER AND THE DEATHLY HALLOWS:PART 2: 3D (PG–13) 4:25, 10:15�ONE DAY (PG–13) CineArts 11:55, 2:30, 5:05, 7:40, 10:20� OUR IDIOT BROTHER (R) Digital 12:50, 3:05, 5:20, 7:45, 10:05�RISE OF THE PLANET OF THE APES (PG–13) Digital

11:30, 2:10, 4:40, 7:10, 9:40�SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (PG) Digital

11:45, 4:45, 9:30� SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (3D) (PG)

2:00, 7:05�THE HELP (PG–13) Digital 12:30, 3:45, 7:00, 10:15� THE SMURFS (PG) Digital 2:05, 7:00� THE SMURFS 3D (PG) 11:25, 4:30, 9:20

� 30 MINUTES OR LESS (R) Digital 11:30,1:40, 3:50, 6:00, 8:10, 10:20

� CAPTAIN AMERICA: THE FIRST AVENGER (PG–13) Digital1:55, 7:35

�CAPTAIN AMERICA: THE FIRST AVENGER 3D (PG–13)11:05, 4:45, 10:25

� COLOMBIANA (PG–13) Digital 2:55, 8:25�COLOMBIANA XD (PG–13) 10:50, 1:35, 4:20, 7:05, 9:50� CONAN THE BARBARIAN (R) Digital 2:00 pm� CONAN THE BARBARIAN 3D (R)11:20, 4:40, 7:20, 10:00� COWBOYS & ALIENS (PG–13) Digital

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11:55, 2:35, 5:15, 7:55, 10:35� FRIGHT NIGHT (R) Digital 2:40 pm�FRIGHT NIGHT 3D (R) 12:00, 5:15, 8:00, 10:35�HARRY POTTER AND THE DEATHLY HALLOWS:PART 2: 3D (PG–13) 10:00 pm� MIDNIGHT IN PARIS (PG–13) CineArts

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11:25, 1:55, 4:25, 6:55, 9:30�SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (PG) Digital

1:05, 5:35, 10:10� SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (3D) (PG)

10:50, 3:20, 7:50� THE HELP (PG–13) Digital 11:10, 12:15, 2:25,

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� THE HELP (PG–13) 12:00, 3:00, 6:15, 9:30�CRAZY, STUPID, LOVE. (PG–13) 1:00, 4:00, 7:00, 9:50

�BELLFLOWER (R) CineArts 12:10, 2:35, 5:05, 7:30, 9:55� POINT BLANK (R) CineArts 12:20, 2:30, 4:45, 7:25, 9:35� SARAH'S KEY (PG–13) CineArts 12:15, 2:50, 5:15, 7:40, 10:05� THE GUARD (R)CineArts 12:35, 3:00, 5:25, 7:45, 10:00�THE HELP (PG–13) Digital 12:55, 4:00, 7:05, 10:10

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� COLOMBIANA (PG–13) Digital 11:55, 2:25, 4:55, 7:30, 10:00�CONAN THE BARBARIAN (R) Digital 2:15, 9:15� CONAN THE BARBARIAN 3D (R)11:40, 5:00, 7:55, 10:30� COWBOYS & ALIENS (PG–13) Digital

11:35, 2:10, 4:50, 7:50, 10:30� DON'T BE AFRAID OF THE DARK (R) Digital

12:15, 2:45, 5:20, 7:45, 10:20� FRIGHT NIGHT (R) Digital 12:00, 2:50, 5:25, 8:00, 10:30�FRIGHT NIGHT 3D (R) 11:25, 1:50, 4:20, 6:55, 9:25� GLEE THE 3D CONCERT MOVIE (PG)

12:50, 3:00, 5:10, 7:20, 9:35�HARRY POTTER AND THE DEATHLY HALLOWS:PART 2 (PG–13) Digital 1:10, 7:10�HARRY POTTER AND THE DEATHLY HALLOWS:PART 2: 3D (PG–13) 4:10, 10:10�ONE DAY (PG–13) CineArts 11:50, 2:30, 5:05, 7:35, 10:05� OUR IDIOT BROTHER (R) Digital 12:20, 2:35, 4:45, 7:15, 9:30�RISE OF THE PLANET OF THE APES (PG–13) Digital

12:10, 2:40, 5:15, 7:40, 10:15�SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (PG) Digital

12:05, 4:35, 9:10� SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (3D) (PG)

2:20, 7:00� THE SMURFS (PG) Digital 11:30, 4:25� THE SMURFS 3D (PG) 2:00, 6:50

� CONAN THE BARBARIAN 3D (R) 6:30, 9:15� FRIGHT NIGHT 3D (R) 7:00, 9:40� ONE DAY (PG–13) CineArts 6:45, 9:25�RISE OF THE PLANET OF THE APES (PG–13) Digital 7:15, 9:50

�CRAZY, STUPID, LOVE. (PG–13) Digital 11:00, 1:40, 4:25, 7:10�MIDNIGHT IN PARIS (PG–13)CineArts 11:30, 1:55, 4:30, 7:00�SARAH'S KEY (PG–13) CineArts 12:15, 2:45, 5:15, 7:45�THE GUARD (R) CineArts 12:05, 2:35, 5:00, 7:20�THE HELP (PG–13) Digital 11:10, 12:50, 2:30, 4:10, 5:50, 7:30

�COLOMBIANA (PG–13) Digital 11:35, 2:10, 4:45, 7:20, 10:00� CONAN THE BARBARIAN (R) Digital 2:10 pm�CONAN THE BARBARIAN 3D (R) 11:30, 4:50, 7:30, 10:10� DON'T BE AFRAID OF THE DARK (R) Digital

12:05, 2:40, 5:15, 7:50, 10:25� FRIGHT NIGHT (R) Digital 2:45 pm� FRIGHT NIGHT 3D (R) 12:00, 5:20, 7:55, 10:30� OUR IDIOT BROTHER (R) Digital11:50, 2:25, 5:00, 7:35, 9:55�RISE OF THE PLANET OF THE APES (PG–13) Digital

11:45, 2:15, 4:45, 7:15, 9:45� SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (PG) Digital

12:10, 4:55, 9:50�SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (3D) (PG)

2:35, 7:25�THE HELP (PG–13) Digital 12:30, 3:45, 7:00, 10:15

� CONAN THE BARBARIAN (R) 4:45, 7:20� MIDNIGHT IN PARIS (PG–13) CineArts 5:05, 7:40� ONE DAY (PG–13) CineArts 4:55, 7:30

� CRAZY, STUPID, LOVE. (PG–13) 4:20, 7:00�OUR IDIOT BROTHER (R) CineArts 5:15, 7:30

� FRIGHT NIGHT 3D (R) DLP 4:10, 7:00�MIDNIGHT-PARIS (PG–13)DLP1:10, 4:00, 6:40� THE HELP (PG–13) DLP 2:00, 6:15� RISE OF APES (PG–13) DLP 1:40, 4:15, 6:50� CRAZY, STUPID (PG–13) DLP 4:25, 7:10

� MIDNIGHT-PARIS (PG–13) 6:15� HARRY POTTER (PG–13) 8:20

� THE HEDGEHOG (NR) 4:30, 6:45, 9:05� SENNA (PG–13) 4:15, 7:00, 9:15� THE WHISTLEBLOWER (R) 4:00, 6:30, 8:55

TIBURON PLAYHOUSE 3 (415)435-1234

� SARAH'S KEY (PG–13) 4:25, 7:10� ONE DAY (PG–13) 4:00, 6:50� THE HELP (PG–13) 4:15, 7:30

NAPA COUNTY

� 30 MINUTES OR LESS (R) Digital1:10, 3:20, 5:30, 7:40, 9:50� CAPTAIN AMERICA: THE FIRST AVENGER (PG–13) Digital

9:40 pm�COLOMBIANA (PG–13) Digital 11:10, 1:50, 4:35, 7:20, 10:00� CONAN THE BARBARIAN (R) Digital 2:30 pm�CONAN THE BARBARIAN 3D (R) 11:50, 5:10, 7:50, 10:30�CRAZY, STUPID, LOVE. (PG–13) Digital 1:00, 4:00, 7:15, 10:05� DON'T BE AFRAID OF THE DARK (R) Digital

11:40, 2:15, 4:50, 7:30, 10:15� FRIGHT NIGHT (R) Digital 2:20 pm� FRIGHT NIGHT 3D (R) 11:30, 4:55, 7:40, 10:15�HARRY POTTER AND THE DEATHLY HALLOWS:PART 2 (PG–13) Digital 1:15, 7:25�HARRY POTTER AND THE DEATHLY HALLOWS:PART 2: 3D (PG–13) 4:15, 10:25� OUR IDIOT BROTHER (R) Digital12:05, 2:30, 4:45, 7:10, 9:35�RISE OF THE PLANET OF THE APES (PG–13) Digital

11:45, 2:25, 5:00, 7:35, 10:10� SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (PG) Digital

1:30, 7:05�SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (3D) (PG)

11:15, 4:25, 9:45�THE HELP (PG–13) Digital 12:15, 3:35, 7:00, 10:20� THE SMURFS (PG) Digital 1:35, 7:10� THE SMURFS 3D (PG) 11:00, 4:20

� 30 MINUTES OR LESS (R) Digital 11:30,1:35, 3:45, 5:55, 8:05, 10:20

� CAPTAIN AMERICA: THE FIRST AVENGER (PG–13) Digital2:30, 8:15

�CAPTAIN AMERICA: THE FIRST AVENGER 3D RealD 3D(PG–13) 11:05, 4:45, 10:30

� COLOMBIANA (PG–13) Digital 11:10, 1:45, 4:25, 7:05, 9:40� COLOMBIANA XD (PG–13) 12:10, 2:45, 5:20, 8:00, 10:35�CONAN THE BARBARIAN (R) Digital 1:00, 6:20� CONAN THE BARBARIAN 3D RealD 3D (R)

11:20, 2:00, 4:40, 7:25, 10:05� COWBOYS & ALIENS (PG–13) Digital11:15, 2:00, 4:45, 7:30� CRAZY, STUPID, LOVE. (PG–13) Digital

11:15, 2:00, 4:55, 7:45, 10:30� DON'T BE AFRAID OF THE DARK (R) Digital

12:00, 2:40, 5:15, 7:50, 10:25� FRIGHT NIGHT (R) Digital 3:40, 9:05� FRIGHT NIGHT 3D RealD 3D (R) 11:50, 2:25, 5:05, 7:50, 10:25�HARRY POTTER AND THE DEATHLY HALLOWS:PART 2 (PG–13) Digital 11:35, 5:20�HARRY POTTER AND THE DEATHLY HALLOWS:PART 2: 3D RealD 3D (PG–13) 1:50, 7:35�HORRIBLE BOSSES (R) Digital 12:40, 3:10, 5:45, 8:10, 10:35�MIDNIGHT IN PARIS (PG–13) CineArts 12:30, 6:15� ONE DAY (PG–13) CineArts 11:25, 1:55, 4:35, 7:20, 9:55� OUR IDIOT BROTHER (R) Digital 11:10, 1:25,

3:40, 5:55, 8:15, 10:35�RISE OF THE PLANET OF THE APES (PG–13) Digital

11:40, 2:25, 3:15, 5:00, 7:40, 9:00, 10:10� SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (PG) Digital

11:45, 4:40, 9:35�SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (3D)

RealD 3D (PG) 2:20, 7:15� THE CHANGE-UP (R) Digital 10:20 pm� THE HELP (PG–13) Digital 11:05, 12:20, 2:15,

3:35, 5:30, 7:00, 8:50, 10:15� THE SMURFS (PG) Digital 11:20, 4:20, 9:20� THE SMURFS 3D RealD 3D (PG) 1:50, 6:50

� 30 MINUTES OR LESS (R) Digital 11:05,1:15, 3:25, 5:45, 8:00, 10:15

� CAPTAIN AMERICA: THE FIRST AVENGER (PG–13) Digital8:10 pm

�CAPTAIN AMERICA: THE FIRST AVENGER 3D RealD 3D(PG–13) 3:10 pm

�COLOMBIANA (PG–13) Digital12:50, 3:30, 6:10, 8:50� COLOMBIANA XD (PG–13) 11:30, 2:10, 4:45, 7:35, 10:10� CONAN THE BARBARIAN (R) Digital12:10, 2:55, 5:50, 8:40� CONAN THE BARBARIAN 3D RealD 3D (R)

1:35, 4:20, 7:15, 10:05� COWBOYS & ALIENS (PG–13) Digital1:55, 4:40, 7:30, 10:35�CRAZY, STUPID, LOVE. (PG–13) Digital 2:10, 4:55, 7:45, 10:40� DON'T BE AFRAID OF THE DARK (R) Digital

11:40, 2:15, 4:50, 7:25, 10:00� FINAL DESTINATION 5 (R) Digital12:35, 5:30, 10:20�FINAL DESTINATION 5 3D RealD 3D(R) 3:05, 7:55� FRIGHT NIGHT (R) Digital 7:00, 9:40� FRIGHT NIGHT 3D RealD 3D (R) 11:35, 2:20, 5:05, 8:10, 10:50�GLEE THE 3D CONCERT MOVIE RealD 3D(PG) 12:50, 6:00�HARRY POTTER AND THE DEATHLY HALLOWS:PART 2 (PG–13) Digital 11:00 am� ONE DAY (PG–13) CineArts 11:50, 2:30, 5:10, 7:50, 10:30� OUR IDIOT BROTHER (R) Digital11:45, 2:05, 4:25, 6:45, 9:05�RISE OF THE PLANET OF THE APES (PG–13) Digital

11:15, 1:50, 3:45, 4:30, 7:00, 9:35, 10:25� SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (PG) Digital

12:40, 3:00, 5:20, 7:40, 9:55�SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (3D)

RealD 3D (PG) 11:25, 1:45, 4:10� THE CHANGE-UP (R) Digital 1:00, 7:20�THE HELP (PG–13) Digital 11:05, 12:45, 4:05, 7:30, 10:45� THE SMURFS (PG) Digital 11:10, 4:15, 9:45� THE SMURFS 3D RealD 3D (PG) 1:40, 6:55

SANTA CLARA COUNTY

�MIDNIGHT IN PARIS (PG–13) (3:30) 6:00, 8:30

� ONE DAY (PG–13) CineArts 1:45, 4:20, 7:15� THE GUARD (R) CineArts 2:15, 4:40, 7:20

� SENNA (PG–13) (1:30, 4:15) 7:00, 9:30� SARAH'S KEY (PG–13) (1:00, 3:45) 6:15, 8:45

SOLANO COUNTY

not participate. It just seemedreally upside down to me.”

Feeling the need for some-thing beyond standard specialeducation for her daughter,Prueitt researched alternativeapproaches to pediatric ce-rebral palsy. The work beingdone at the Conductive Learn-ing Center in Grand Rapids,Mich., caught her attention,and she enrolled Archer therefor two four-week sessions.She was so impressed by howher daughter and others wereable to move and thrive in thegroup setting that she decidedto open a similar school in SanFrancisco. (There is one otherconductive learning school inCalifornia, in Los Angeles, andabout 30 nationwide.)

“Every parent wants theirkid to be able to move andwalk,” Prueitt says. “If theycan’t tie their shoelaces be-cause they have poor motorskills, that’s what you wantthem to be able to do.”

On a recent Friday morning,Bernstein and co-conductorOrsi Toth-Petho, also trainedat the Petõ Institute, guidedchildren through a series ofmovements with the aid ofcustomized wooden furniture.

“Congratulations,” Bern-stein tells Drake Becker, 3,commending him on his pos-ture as he lies on top of anelongated desk that doubles asa platform. When Drake suc-cessfully crosses his legs,Bernstein declares, “You are

the teacher!” He then gets toissue the sing-song instruc-tions to his fellow classmates.“I put my left heel up to myright knee,” he says.

GuidingLater, Bernstein guides 5-

year-old Malia Sanchez in anexercise to move her legsthrough the basic motionsinvolved in walking. The littlegirl holds the back of a chairwhile Toth-Petho slowly slidesit forward. Gripping the chair’sladder-like rungs tightly, shetentatively steps forward.

The school will start smallwith a class of five childrenand two “conductors” (Petõ-method educators prefer theterm to “teacher”). Prueitt andBernstein hope to expand withprograms for infants and after-school instruction for olderchildren.

The high teacher-to-studentratio and the meticulouslyconstructed furniture makethe school a costly venture.San Francisco’s pricey realestate only adds to the ex-pense. The St. John School inGlen Park provided a room for

the summer camp free ofcharge, but Prueitt is stillscouting a permanent locationfor the school.

Prueitt and Bernstein haveyet to finalize the exact cost oftuition. The school in GrandRapids charges about $6,000per semester.

“My goal,” Prueitt says, “isto have at least one spot perclass, if not more, to offer to achild who would not otherwisebe able to afford it.” A Hungar-ian dinner and silent auctionwere held earlier this summerat Bar Tartine to help cover the

costs of starting up the school.Prueitt plans to hire a profes-sional fundraiser to help keepthe school afloat.

Typically, children attend aconductive learning school forabout two years before goingon to join mainstream elemen-tary schools. Conductive edu-cation’s main goal is to makestudents more physically andemotionally prepared to enterclassrooms where most chil-dren don’t have motor dis-orders.

SpectrumBut some medical profes-

sionals say that research onconductive education is notconvincing. “The studies I’veseen, unfortunately, have notshown robust findings,” saysMonica Rivera, a clinical facul-ty member at UCSF medicalcenter with experience treatingpediatric cerebral palsy.

Much like autism, cerebralpalsy comes in a wide spec-trum. Some cases are severelydebilitating while others arehardly noticeable. Noting thattreatments need to be tailoredto each child, Rivera says,“Conductive education maywork for some kids but maynot for others.”

However, based on the re-sults she says she’s seen,Prueitt’s faith in conductiveeducation remains strong.

“We all want our kids inmainstream schools,” saysPrueitt. “That being said, I’dhate for Archer to feel likeshe’s in a zoo. I don’t want thatkind of inclusion.”

E-mail David Wagner [email protected].

Tartine baker has hand in S.F. school School from page E1

Mathew Sumner / Special to The Chronicle

Teacher Orsi Toth-Petho works with students Drake Becker (left) and Gabriella Covello in thepilot summer camp program using techniques from Hungarian educator András Petõ.

HEALTH & FITNESS